#Asuka Sugiyama

[eirinstiva]

Ichika Nito - Methaphor ft. Feryquitous

New EP METAPHOR

Video credits under the cut.

Director: Takumi Osera (THINGS.) Choreographer: Chaso Cinematographer: Takumi Osera (THINGS.) 1st AC: Takuro Maruyama 2nd AC: Koyo Sugiyama Lighting Director: Takumi Yamada (SHUHEI Inc.) 1st Lighting Assistant: Yuki Arai Hair & Make-up: Konatsu Special Effects Make-up: Nobutaka Mukai Special Effects Make-up Assistant: Chitose Yoshida, Hazuki Yamada Stylist, Costume Designer: Nozomi Kenmochi Headpiece Artist, Costume Designer: HIROYUKI HAYASHI 3DCG Director, 3DCG Designer: Takumi Osera (THINGS.) 3DCG Designer: NUL (THINGS.) Graphic Designer: Takumi Osera (THINGS.) Illustrator: JINO Illustrator: noka pi Illustrator: reoenl Pixel Artist: fuzuki Compositor: Takumi Osera (THINGS.) Colorist: Takumi Osera (THINGS.) Character Design: Satomi Kurita Assistant Animation Director: Asuka Suzuki Key Animation: Satomi Kurita, Hiroshi Yamakawa Color Design & Color Checking: Eri Suzuki Animator: Project No.9 Animator Supervisor: Takashi Ode Background: Studio Kokoro, Goki Nakamura, Mayumi Nakajima, Ikari Hashimoto, Nana Ikeda Animation Producer: Takahiro Shiraishi Animation Prodcution: Qzil.la Production Assistant: Yamato Hara, Mizuki Yanagishita, Reina Kobayashi, Hideto Nunoi Production Manager: Takumi Saitoh (THINGS.) Producer: Takumi Osera (THINGS.) Production: THINGS.

[jasminesilk]

The way Padma looks at Asuka is goals.

[emberchii]

My life lately has been composed of several batches of just drawing a bunch of mine and my friends ocs so apologies in advance for the art dump!

[nippon-com]

Sugiyama Asuka is a doctor of theoretical physics as well as an expert on sake and wine. When she isn’t teaching math, she oversees a training class for sommeliers, runs a wine bar in Tokyo, and manages a champagne-themed Japanese restaurant in Paris.

[aininx]

Compiling all of the superpowers and superhero uhhh au??? And everything else. Just.... You'll understand later...😳😳😳😳

This is me just trying to expend me and my friend's Diamond 4 superhero au....

-Diamond 4-

Raja (Crystal King)- Crystal manipulation

Husna (Snowglow)- Ice and snow manipulation

Yuva (GG)- Pyrokinesis and danger intuation

Maria (Qué)- Super speed and temporal time rewind

Amzal (Mxar)- Metal manipulation.

Azzah (Ms. Loli)- Non. Used swords.

-The Universal-

Papa Acachalla (Chief)- Pyrokinesis

Getrude (Snow Queen)- Ice and snow manipulation

Sally (Medusa)- Snake hair, claws, wings and petrification (only in demon form).

Billy (Medic)- Flight, healing and resurrection

Sue (Shampoo)- Create bombs and explosions

Spencer- Cyborg body parts

-P.I.E-

Johnny Ghost (Poltergeist)- Invisibility, intangibility and slight levitations

Johnny Toast (Prince)- Energy projections

Spooker- Illusions creations

Colon (Scopes)- Metamorphic limbs

-Stormcloak Army-

Valh (Stormcloak Queen)- Shapeshifting and sonic scream

Lydia (Valor)- Danger intuition

Farkas (Bear Hunter)- Enhanced tracking

Sophie- Non. Uses swords.

Ma'isha- A literal cat girl

-Fallout-

Cywren Caster (Wanderer)- Metal detection.

Timebomb- Timebomb generations.

-S.S Weaver-

Asylum (The Champion)- Adrenaline activation. The more he bleeds and take damage, the stronger and faster he becomes.

Sari (Debt)- Teleportation

-Vt villains-

Maddie (Cinema)- Tranquilization through skin contact

Darth Calculus- Nightmare inducement. Can show people their worst memories and trap them in it.

-Other Vt peeps-

Officer Maloney- Can turn into a crow

-Danplan-

Daniel- Puppet mastery. Dispense green string from fingertips to control other people limbs.

Hosuh- Shock. Can shock people into doing his bidding or telling the truth. Most useful in interrogations.

Stephen- Knife dispenser. Can dispense knifes from his skin.

Annabelle- Bandit. Can steal anything she can hold and see.

Jay- Heatwave. Can heat up the air and object. Can set thing on fire if he touch it.

Gavin- All seeing eye. Can tell him about important stuff. Is random from telling about someone's crush to how to run a a stream.

-Dream Team-

Dream- Eldritch. Mutant face, enhanced speed and skills.

George- Glitch/Error manipulations.

Sapnap-Netherite chains. Can produce large netherite chains from wrist.

-The Trio-

Bad- Halo demon.

Skeppy- Diamond shifting. Can turn skin into diamonds

A6d- Blackout. Can make people temporary blind and can see in the dark

-Mha ocs...-

Anno Akari (Sentiment)- Vibe. Can use her emotions as different powers.

Fujikawa Asuka (Firebullet)- Non. Really good with guns...

Mizuno Mai (Bandit)- Bandit. I reused Anne's power....

Akagi Takehiko (Prince)- Write. Can write in the air.

Sugiyama Tadashi- All seeing-eye

Sugiyama Takashi (Ryujin)- Water manipulation

Juno Fontes (Juno)- Emotion manipulation

Gozen Momiji- Photokinesis

Yonamine Takeo (Lupa)- Lycanthropy

Ilda Bunko (Ares) - Engine

Yonamine Inko- Non

Uraraka Yasushi- Clean air. Can clean the air from poison and toxin by moving his hand.

Kirishima Keiko (Demoness)- Harden acid. Her body discrete acid that she can harden at will.

Hikaru Junko (Nova)- Supernova. Her body can turn into a condensed galaxy.

Tsubasa Mari (Mariposa)- Metamorphosis. Can turn into a swarm of monarch butterflies.

Imada Jay (Alter)- Heatwave. Can rise the temperature of their surroundings. Can set things on fire by touching it.

Kiriu Ayano (Mist Walker)- Mist. Can turn body into mist and fogs.

Tey Er-Xuan- Netherite chains. Can produce thick, indestructible and heavy chains from her wrist.

Uraraka Suzume- Light Dragon. Is a mutant dragon and this can eat anything even human flesh.

[higuchimon]

[fanfic] Ways To The Soul

“So what kind of a soulmate mark do you have?” The question came from one of her classmates; she couldn’t remember their name anymore. It had been a good many years since then. But it was innocent – almost everyone asked that kind of question sooner or later, especially if the answer wasn’t obvious.

Not all of the ways were. Not everyone had a clearly marked countdown on them or a mark waiting to glow at the right time or a name written on themselves. There were less obvious ways, of course, such as sharing dreams or healing via touch or when one couldn’t see colors until meeting one’s soulmate. There were even a few rarer ones – such as those who sprouted wings upon meeting their soulmate.

And in all of her years, Asuka hadn’t experienced any of that. No signs or clocks or names upon her, and she’d never shared a dream or felt anyone else’s thoughts and she could see colors as well as anyone else.

But they asked. It was just a thing. Sometimes marks didn't show up right away, after all.

“You really don’t need to worry about it,” Fubuki told her one afternoon, not long before he was to start his first year at Duel Academia. “I mean, there are so many ways that you could find a soulmate!” He strummed a little at his ukulele. He still wasn’t very good at that.

“I didn’t say I was worried about it,” Asuka replied, going through her deck. She still had two years before she could start at the Academy, but she did have a very important duel against one of her friends that weekend and she wanted to do her very best.

Fubuki blinked at her. “I know you are. You don’t have to lie to me. You’re worried because you’re one of the rare ones.” He tapped his fingers on his instrument for a few seconds. “You know, I bet you’re a Name-speaker. So there’s no way you’ll know your soulmate until they say your name.”

Asuka debated the ethics of grabbing the nearest magazine and whacking him upside the head. It was a very tempting thought. She kept her focus on her deck instead. The magazine hadn’t been invented yet that could get through his thick skull.

Why won’t he believe me? As far back as she could remember, she’d never been interested in having a soulmate. Once she’d checked out a book from the library about all the different ways that one could find one’s soulmate, and spent a very informative weekend checking herself to be sure that she didn’t possess any of them. She’d contorted herself into many unusual configurations making sure that there weren’t any marks on her back before giving up and asking Junko to check for her.

She’d never had a mark. She decided at a very young age that she didn’t want a mark. There were a couple of people that as she got older, she found mildly interesting but that was it – a mild interest than happily settled itself into warm friendships over and over.

Time ticked by, as it had a habit of doing. Fubuki went on to Duel Academia and vanished before the ending of his first year. Asuka held fast to the hope that he would return – Fubuki carried a song in his heart, a beautiful melody that his soulmate would know the other half of when they heard him singing. Because of that, he would return. She held faith in that.

Being able to spend time with Ryou helped ease the loss of her brother. She never asked about the odd mark on his right hand – the one grayed out, as if his soulmate perished. He never talked about it either.

She met others who had marks or signs of some kind. Juudai proudly showed off the name on his left arm, written in yellow and green – Yubel. A name she’d never heard of before – nor had Juudai. He held out hope that he would meet them one day, though.

Momoe’s timer wouldn’t run down until she was close to twenty-five. Junko already shared dreams with someone who she wouldn’t name. A few casual conversations she overheard indicated other options – rumor had it that Ayanokouji Mitsuru and Kouchou Ran ended up as soulmates, having brushed against each other at a duel tournament and knowing in that moment.

Quite honestly, Asuka could hardly go anywhere without talk of soulmates. They were almost as hot a topic as dueling was. At least Ryou never spoke of his mark, and once Juudai determined that no one in school knew who Yubel was, he was far more interested in talking dueling anyway. Misawa looked forward to late May of the following year, when his mark decreed he would meet his soulmate. Manjoume didn’t have a mark either, but he told a few tales about how his family tended to have the rarer signs, such as being a HealTouch or a TruthTeller. He had hopes of turning out to be a Name-speaker himself.

Shou’s mark was different from Ryou’s. Not all family members who had marks shared them, after all. His mark wasn’t one o the visible ones – he couldn’t see color at all, and wouldn’t until he met his soulmate.

Hayato had a name on his wrist as well, not one that anyone recognized. He said nothing about it, but Asuka suspected that he hoped he’d meet this “Sugiyama Takara” when he went to Industrial Illusions.

With every year that passed, there were more people who had marks. Some of them didn’t ask about hers – she would forever be grateful that Jim Cook wanted to talk more about geology than the mark on his own hand – but there were always those who could not help but press to know about hers and so many of them offered the same platitudes when they found out that she didn’t have one.

Most of those were the same ones that Fubuki offered before, promising that there were so many different ways that just because she didn’t have one now didn’t mean she’d never have one. It could happen any time. Maybe she was just a late bloomer. There would be someone for her.

“Maybe I don’t want someone!” Asuka snapped finally, on a day close to the end of her third year, when Fubuki checked in again to make sure she hadn’t had any shared dreams or unusual emotions overnight.

Fubuki stared at her, mouth open slightly, but no words coming out. He blinked a few times before he did manage to say anything.

“Are you sure?”

At least he didn’t deny the possibility. She gave him that much credit.

“Not yet. But it’s the best option I see so far.” She’d never really been more than superficially interested in anyone anyway, and never romantically. Potential dueling opponents only interested her. Not to mention she hadn’t yet decided what it was she wanted to do with her life. She waffled between teaching – which did have an appeal – and trying to enter the Pro Leagues or entering research related to dueling. Ayukawa-sensei had also suggested that she study medicine for duel purposes. With more injuries turning up related to the game, those who knew how to deal with that kind of ailment remained in high demand.

There was just always so much to do that wasn’t romantic and she wanted to do it.

Fubuki drew in a long breath and, of all things, smiled at her. “All right. I’ll stop asking. If that’s what you want, then I just ask one thing.”

Asuka crossed her arms over her chest. “What?”

“If you ever do decide to date someone – with or without a soulmate mark – let me know, please?” He tried to look a little like a puppy dog but she’d seen all of his looks growing up. That meant nothing to her.

But what he asked, she could do. “I will. Just don’t wait for it.”

Fubuki nodded. Asuka suspected it would be abut a week before he asked again.

At least more people were finding their soulmates and thus had less to talk about with their marks. Juudai knew who Yubel was – had fused their souls together, in fact. Asuka had to say she’d never heard about that before. Hayato wrote them all a mass e-mail gleeing over having finally met Sugiyama Takara. They hadn’t started dating yet but Hayato hoped to ask his fellow card designer out for tea sometime in the near future.

Misawa had settled happily into the Amazon Village with Taniya. It hadn’t taken long before he’d built a device that could transmit between the worlds – sort of a souped up mobile phone, as he’d described it, and started to make arrangements for long-distance lessons. He would be graduating with them, even if he couldn’t physically be there.

She’d learned that Professor Chronos also didn’t have a soulmate identifier of any kind, and she’d spent some time with him just talking about how sometimes their lives were far less complicated than those of their friends. She would miss being here for him.

As soon as Juudai defeated Darkness, Ryou’s mark flared into full life again – as did the matching one of Fujiwara Yuusuke. They hadn’t spent much time apart since then, learning about one another all over again. A great deal had changed between the last time they’d seen one another and now.

Maybe she would develop a soulmate attachment or fall in love in a different way. Non soulmate relationships existed, after all. She could see it when O’Brien visited Sea God’s Priestess. But right now, that wasn’t what she wanted to do with her life, and she couldn’t imagine being any other way.

The End

Notes: Asuka is asexual/aromantic in this. She doesn’t have a romantic soulmate at all. If she were going to have a platonic one, it would probably be Jim and/or Mizuchi. I might go into further detail on some of the ships mentioned here, and ones I didn’t mention (such as Edo and Saiou, who share an emotional link once the Light isn’t an issue anymore). But not right now. I’m getting ready to start finishing WIPs and write stuff that’s not GX.

[myramglina]

Porter Robinson & Madeon - Shelter (Official Video) (Short Film with A-1 Pictures & Crunchyroll) from Porter Robinson on Vimeo.

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

Original Story by: Porter Robinson

Music: Porter Robinson and Madeon

Storyboard Animation Director: Toshihumi Akai

Character Design Drawing Director: Megumi Kouno

Cast: Rin - Sachika Misawa

Original Pictures: Megumi Kouno

Motion Picture Examiner: Tomoko Miyata

Motion Pictures: Tomoko Miyata Mizuki Matsuda

A-1 Pictures Satomi Tabuchi Mika Sugiyama Seira Yamagishi Kanna Hirayama

ingresA P.A.WORKS StudioGokumi GIMLET LIDENFILMS Osaka LIDENFILMS Kyoto ASAHI PRODUCTION Anime-R Snowlightstaff

Color Design: Kazuko Nakashima

Color Setting: Yuko Watanabe Mai Yamaguchi

Finishing by: Asuka Yokota Mayu Morita Ayaka Nagai Kyoko Hara Ayaka Murakami Akane Edagawa Ayaka Suzuki Mana Hokuto

2D Design Work: CAPSULE Yohei Miyahara Kaori Seki

Special Effect: Aya Kubota (Graphinica)

Art Director: Yusuke Takeda (Bamboo)

Art Board: Bamboo Harumi Okamoto

Background: Bamboo Takamasa Masuki Tsukasa Kakizakai Izumi Hirabayashi Surok Chong Ryusei Nishino Takumi Sasaki Aya Sato Michiko Nakamura

CGI Creator: Yuusuke Noma You Fukuda Shigeru Horiguchi

Director of Photography: Yuya Sakuma

Shooting: Takeru Ogihara Ayaka Shimizu Satsuki Takahashi Taichi Nishikawa Sachiko Ito

Editing: Akinori Mishima (Graphinica)

Sound Recording Director: Akiko Fujita

Sound Effects: Takahisa Ishino Sound Mixer: Naotsugu Uchida Sound Editor: Chiharu Kawasaki

Sound Production Manager: Yusuke Watanabe Sound Recording Production: HALF H.P STUDIO

Production Manager: Kenta Ueuchi Eri Nakayama

Special Thanks: Kumiko Honma

Executive Producer: Porter Robinson

Producer: Vincent Shortino (Crunchyroll) Takuma Sugi (Crunchyroll) Masanori Miyake Akira Shimizu Takamitsu Inoue

Animation Producer: Yuichi Fukushima

Animation Production: A-1 Pictures

Lyrics :

i could never find the right way to tell you have you noticed i've been gone? cause i left behind the home that you made me but i will carry it along

mm it's a long way forward so trust in me i'll give them shelter like you've done for me and i know i'm not alone you'll be watching over us until you're gone

when i'm older i'll be silent beside you I know that words are not enough and they won't need to know our names or our faces but they will carry on for us

shelter out now - smarturl.it/shelterstream

north american back to back tour this fall. shelter tour - sheltertourlive.com

stream shelter spotify: smarturl.it/shelterspotify apple music: smarturl.it/shelterapplemusic deezer: smarturl.it/shelterdeezer google play: smarturl.it/sheltergoogleplay soundcloud: smarturl.it/sheltersoundcloud

itunes: smarturl.it/shelterdownload

follow porter robinson website - porter.fm/home facebook - porter.fm/facebook twitter - porter.fm/twitter instagram - porter.fm/instagram youtube - porter.fm/youtube soundcloud - porter.fm/soundcloud

follow madeon website - madeon.fr facebook - facebook.com/itsmadeon twitter - twitter.com/madeon instagram - instagram.com/madeon youtube - youtube.com/itsmadeon soundcloud - soundcloud.com/madeon

[beldarius]

Valkyrie Connect voice actors

I’ve been looking all over the Internet for a cast list of this game, but came up with nothing (really, people?). So I figured I’d make one myself! Mind you, I don’t have all characters so feel free to let me know anything I missed. MALE CHARACTERS Akira Ishida: Kaworu Nagisa Aoi Yuuki: Utgardar Asami Shimoda: Kagamine Len Daisuke Ono: Odin Hiro Shimono: Loki Hiroki Takahashi: Ryu Hironori Kondo: Krozak, Vidofnir Hiroshi Kamiya: Levi Hiroshi Okamoto: Fafnir, Lucio, Ymir (Armored) Jouji Nakata: Morphia Jun Fukuyama: King Junichi Suwabe: Archer Kappei Yamaguchi: Sigurd Kenjiro Tsuda: Skirnir Kouji Haramaki: Prastos Makoto Naruse: Alviss, Hrungnir, Nagato Mamoru Miyano: Gilthunder Marina Inoue: Baldr Megumi Han: Arnaud, Ymir (Boy) Megumi Ogata: Shinji Ikari Motomu Kiyokawa: Filsius Nobutoshi Canna: Lancer Noriaki Sugiyama: Shirou Emiya Shoutaro Morikubo: Bergelmir Shunsuke Kanie: Heidrun Taishi Murata: Hodr, Wolfgang Takanori Hoshino: Iori Yagami, Loewe Taketora: Akuma Tatsuhisa Suzuki: Ban Tomoaki Maeno: Kyo Kusanagi Tomokazu Seki: Gilgamesh, Thor Tomokazu Sugita: Gylfi, Tyr, Vidar Toshiya Chiba: Sleipnir Tsuguo Mogami: Omega Rugal, Volundr Volcano Ohta: Froggy, Geyser Yasunao Sakai: Ofnir Yasunori Masutani: Fenrir, Heimdall, Jormungand, Surtr Yohei Azakami: Ragnarok, Zato Yuei Takagi: Gowther Yukari Tamura: Magni Yusei Oda: Boelthor, Nidhogg, Thiazi, Welver / previously known as Katsuaki Arima Yuuji Kishi: Ken Yuuki Kaji: Eren, Meliodas Yuuki Ono: Helblindi, Huginn, Susano-o Yuuma Uchida: Hraesvelgr, Reginleif Yuuta Kasuya: Xiang Tong Yuuya Uchida: Hendrickson FEMALE CHARACTERS Ai Nonaka: Kyoko Sakura, Mani, Nautica, Ranco, Verdandi Ai Sasaki: Luflit, Momiji, Nadia Akane Fujita: Jord, Nerthus Akira Sekine: Cenia, Ines Ami Koshimizu: Alice, Mai Shiranui Aoi Koga: Clarisse Aoi Yuuki: Diane, Eihwaz, Hyuga, Madoka Kaname, Randgrid Asami Shimoda: Etricia, Granfelt, Kagamine Rin Aya Endo: Karin Aya Suzaki: Raspi, Rota, Verossa Aya Uchida: Dielle, Nyatasha, Saskia, Tamamo Ayaka Fujimoto: Kushinada, Soable Ayaka Fukuhara: Clarice, Hrist Ayaka Maeda: Stella, Sylva Ayaka Ohashi: Elena, Elsa, Sortishia Ayako Kawasumi: Saber Azumi Asakura: Authumla, Osiris Chika Anzai: Fubuki, Nori Chiwa Saito: Akemi Homura, Skuld Eri Kitamura: Sayaka Miki Eri Sendai: Izuna, Rapunzel, Ultima Fumiko Orikasa: Chun-Li Haruka Terui: Liciela, Liesa, Matisse, Maully Haruna Ikezawa: Athena Asamiya, Lamina Hiromi Igarashi: Blodu, Chihaya, Forte, Livy & Lo, Tesla, Velfell Hisako Kanemoto: Tholin, Tinker Kaede Hondo: Porte, Viola Kana Ueda: Aquaria, Carliss, Estella, Rin Tohsaka, Risa, Sif, Urd Kanae Itou: Herja, Lorelei Kanako Nomura: Bylgja, Gaia, Oboro Kaori Mizuhashi: Arte, Mami Tomoe, Mimir Kaori Nazuka: Hervor, Roveria Konomi Kohara: Mervelin Kotono Mitsuishi: Misato Katsuragi Maaya Sakamoto: Hel, Mari Makinami Maaya Uchida: Esquire, Quarys Madoka Yonezawa: Forseti, Vili Mai Aizawa: Anubis, Idun, Luca, Mele Mai Kadowaki: Amaterasu, Illyasviel, Mia, Zodie Mamiko Noto: Frey, Lolo & Nana, Neviria Maria Naganawa: Camilly, Mogthrasir Maria Uno: Solstis Marina Inoue: Bertha, Dora, Ipsum Masumi Asano: Avencia (?), Brunhild, Litany, Muninn, Sakeko Megumi Han: Kubira, Michelle Megumi Hayashibara: Rei Ayanami Minami Takahashi: Hanna, Kaguya, Lorone Minami Tsuda: Materia, Sandra Miyu Tomita: Aurora, Frigg Miyuki Sawashiro: Cammy, Freya, Gullveig Nanaka Suwa: Beatrix, Eysith, Walpurgis Naomi Oozora: Angrboda, Marmalade, Niji, Noa, Passo, Zweilie Nozomi Sasaki: Grace, Yatsude Nozomi Yamamoto: Terra, Vesmeral Rie Kugimiya: Demolisha, Hymir, Norn, Nott Rie Murakawa: Rita, Ulin Rina Satou: Sara, Yvette Romi Paku: Hange Rumi Ookubo: Igna, Mei Hou, Radgrid Ryoko Shiraishi: Lu Ling, Siluria Saki Fujita: Hatsune Miku, Senna Saori Hayami: Bestla, Cherie, Mikagura, Nabby, Sanngrid Satomi Satou: Gardina, Medjed, Petra, Sol Sayaka Senbongi: Bear, Kagutsuchi, Lipka, Svipul Shiori Mikami: Flora, Mirka, Krista, Sinmara Shizuka Itou: Cleo, Fenia Sora Amamiya: Elizabeth Sumire Morohoshi: Nocturna, Tomoe Umeka Shouji: Corona, Skadi, Sonia Yoko Hikasa: Ayame, Bara, Dinna, Ran, Sentia Yui Ishikawa: Mikasa Yui Kano: Jest, Sasha, Shiena, Thrud, Vali Yukari Tamura: Pallone, Poelle Yuki Nagaku: Fei Lang, Sakura, Soara Yukiyo Fujii: Lyrist, Tsukuyomi Yumi Hara: Eleneige, Shuirin Yumi Kakazu: Kula Diamond, Mizuki Yumi Sudou: Aegir, Canon, Kili Yuu Asakawa: Megurine Luka Yuuki Kuwahara: Mona, Souffle, Vendetta Yuuko Miyamura: Asuka Langley Sohryu Yuuko Sumitomo: Curtana, Lumiere UNKNOWN OR UNVOICED 6th Angel Armored Titan Garm niconico televi-chan Pseudo DMS Unit-13 COMMENTS 1. Aoi Yuuki, Asami Shimoda, Marina Inoue, Megumi Han and Yukari Tamura are the only women I’ve found so far that play both male and female characters. 2. Listen to the differences between Taishi Murata’s characters. His range never ceases to amaze... the only English voice actors with similar ranges (that I know of) are Ben Diskin and Sean Chiplock. 3. On the female side, Umeka Shouji has a surprisingly large range. I’ve mostly heard her play deeper-voiced roles, and then Corona shows up... 4. I love Hiro Shimono’s evil laugh. He doesn’t go all out with Loki, but he sounds like an insane seagull when he does. 5. As a mythology fangirl, I’m a little annoyed by all the changes. Frey, Mani and Vali are supposed to be male; Skuld is supposed to be a Norn (with Verdandi and Urd); Hel, Fenrir and Jormungand are supposed to be Loki and Angrboda’s kids; Idun is supposed to be Bragi’s wife; Thrud is supposed to be Thor’s daughter and Magni and Modi his sons. I’ll update this “lore correction” once I find more characters.

[recentanimenews]

ASCA Releases TV Anime The World Ends with You ED Theme "Carpe Diem" Music Video

    Anison singer ASCA's new single song "Carpe Diem" has started its digital distribution and streaming from 00:00 on April 17 (JST). At the same time, her official YouTube channel posted a full music video for the song.

  She says, "The meaning of the title is 'Seize The Day' in Latin. Since there is no such thing as normal, I want to hold on to the present with care and live for our non-negotiable tomorrow. Thank you so much to director Hiroki Sugiyama, who kept the camera rolling while wiping sweat off his face until the sun rose, and to Ishimoto-san, who created the music. And thank you to everyone who chose to watch my song and music video at this moment. I hope that the song that I put everything into in a single moment will reach you now."

        ASCA is a solo project name of Asuka Ohkura, one of the finalists of the 5th All Japan Anison Grand Prix in 2011. Under the name, she has performed the theme songs for Fate/Apocrypha, Record of Grancrest War, Sword Art Online: Alicization, The Case Files of Lord El-Melloi II, Darwin's Game, and The Irregular at Magic High School.

  "Carpe Diem" is now featured as the ongoing TV anime adaptation of Square Enix's RPG The World Ends With You. As the project's eighth CD single, it is set to be released in Japan on June 2, 2021.

    Perfect production edition CD jacket:

    Standard edition:

    Time-limited production edition:

    Source: Sony Music Labels press release

  ©SACRA MUSIC

  By: Mikikazu Komatsu

[monarchofficial]

Favorite non ifukube kaiju composers?

I mean, they all tend to be pretty great.

Michuru Oshima might be my favorite. She isn’t just a fantastic composer, but also a wonderfully sweet person too. I’m in the planning stages of making a whole video about her music and how brilliant it is. I mean, just listen to it. 

Masuru Sato’s scores are part of what make Fukuda’s Godzilla movies so wonderful. Take Son of Godzilla for example. Mechagodzilla too.

I think Sugiyama is retired and he probably doesn’t ever have to work again because of all those Dragon Quest dollars, but I really wish he did more kaiju movies. His score is just as unique and exciting as Godzilla vs. Biollante itself. Asuka’s theme and the Super X theme are just perfect.

Y’all thought I’d sleep on Gamera with this post? Nah, son. Otani’s G3 score is especially powerful. Oh yeah, I guess he did a Godzilla movie too.

And how could I not mention Sagisu? The lack of music in many scenes is part of what gives Shin Godzilla its signature sterile, almost documentary-like feeling, but every track he wrote for that film is masterful. The guy is on another level. 

Oh, I should mention Love & Peace too. You need to watch Love & Peace. おまえを忘れない。

[kentootv]

黒の女教師 (Kuro no Onna Kyoushi)

DORAMA DETAILS

Title: 黒の女教師

Title (romaji): Kuro no Onna Kyoushi

Title (english): Miss Double Faced Teacher

Broadcast Network: TBS

Genre: Science Fiction / Thriller

Episodes: 10

Release Date: July 20 - September 21, 2012

Runtime: Friday 22:00

TV Ratings: 9.9%

Theme song: THE OVER by UVERworld

PLOT

By day, Yuko (Nana Eikura) is a chemistry teacher, but at night Yuko does anything to solve the school's problem, even breaking the law

CAST

Teacher

Eikura Nana as Takakura Yuko

Ichikawa Mikako as Uchida Sumire

Kobayashi Satomi as Fujii Aya

Kimura Fumino as Aoyagi Haruka

Minami Kaho as Serizawa Keiko

Mitsuishi Ken as Hotta Manabu

Moro Morooka as Kondo Tsuyoshi

Suzuki Ryohei as Enokido Shuhei

Triendl Reina as Ochinai Fukuko

Suruga Taro as Officer Noguchi

Class 3-D

Matsumura Hokuto as Toda Toshio

Hattori Hirotaka as Miura Kazuki

Fujiwara Reiko as Mishima Kyoko

Kaito (快斗) as Mitsuhashi Takuto

Terayama Aoi as Nakatani Mayu

Ono Asuka as Ono Chinatsu

Kuno Mizuki as Iwasaki Yui

Suzuki Akihito (鈴木彰人) as Kuroki Tatsuki

Nakajo Ayami as Umehara Yu

Murasaki Maaya (村崎真彩) as Kanou Mari

Yamazaki Kento as Yasuda Shunsuke

Shinohara Tsugumi as Midorikawa Fuuka

Komori Mayo (小森真誉) as Inoue Rentaro

Saya (紗也) as Kouno Yayoi

Taiga as Kurihara Keita

Sugisaki Hana as Noma Kaoru

Ueno Karen (上野楓恋) as young Kyoko (ep6)

Nishii Yukito as Sugimoto Junpei

Katoono Taikou as Tachibana Satoshi

Okayama Amane as Sakaguchi Manabu

Taketomi Seika as Yamagishi Rio

Suzuki Ryunosuke (鈴木龍之介) as Isomura Youta

Tsuchiya Tao as Matsumoto Shiori

Ono Ito as Shimomura Asuka

Chiba Yudai as Mochizuki Ryohei

Fujiwara Kaoru as Kikuchi Nozomi

Waki Takashi (脇卓史) as Harada Keigo

Sakata Rikako as Takagi Mizuki

Hirose Alice as Saeki Eika

Nagae Yuuki as Fukushima Souichiro

PRODUCTION STAFF

Director: Shingo Okamoto (岡本伸吾), Yasuharu Ishii, Ryutaro Kawashima

Original Screenwriter: Tomohiro Yamashita (山下友弘)

Screenwriter: Rieko Obayashi (大林利江子), Tomoko Yoshizawa (吉澤智子), Natsuko Ikeda, Kiyomi Fujii, Fumi Tsubota

Producer: Iyoda Hidenori, Sugiyama Tsuyoshi, Kawashima Ryutaro, Sato Atsushi

Music: Dewa Yoshiaki, Habuka Yuri

Music Producer: Shida Hirohide

WEBSITE 

Official Homepage: www.tbs.co.jp/kuro-no-onna

Official Twitter: @kuronoonna_tbs

source : AsianWiki + DramaWiki

SPOILER

Yamazaki Kento played the role as one of students from Class 3-D. At first he caught up because of foul action. But then the story line brought it to a good side of him. He's an ace player of a volley club at his school. He has been under his mom's strict lesson to be the top for all his school's grade, both academic and volley club. What kind of problem he got? And how did he solve it? Find the full story by download or stream here:

[DOWNLOAD LINK]

RAW

SUBTITLES

STREAM (with engsub)

[hellomajinai]

how are you? -sugiyama hitomi

a sugiyama hitomi blog!

――――――――>

hello majins and jijis, it's hitomi's daily blog time! how are you doing? let me know down below! I hope that your day has gone well.

I am super psyched to start blogging on here, I can't wait until we have more posts all in one place for our lovely fans to see! (≧ ◡ ≦)

I used to blog for when I did my cosplays so it feels pretty nostalgic doing this (´ε`) speaking of cosplay... did I ever tell you guys that I've been working on the season finale mayuko cosplay? It's nearly finished! I love her ascended form so much (*¯ ³¯*)♡

I've also gotten better at makeup! I thought I was going to go rusty from not doing cosplay makeup for so long, I'm glad I can still do it

I want to do makeup for all of the Majinai members one day but Asuka won't let me yet!! she doesn't want me touching her face ... lemme touch it !! ლ (ಠ_ಠ ლ) LOL, maybe one day...

I also really want to share the costume drafts I have for Majinai but I also want to keep it a surprise... so conflicting !! well that's annoying, I'll just have to wait until the next time we can see our lovely majins !!   look forward to it till then

"𝘣𝘺𝘦 𝘣𝘺𝘦"

until later ␥ ␥ ♡

- love,  hitomi

[jasminesilk]

They moved into their new home straight after graduation.

side note: I like to imagine these two are moving into Asuka’s late grandmother’s most recent home (the one she lived in after Asuka moved out up until she passed away), which her granduncle (grandmother’s younger brother) kept for her as a graduation gift. Therefore the downstairs space is furnished in a way that isn’t quite to either of their tastes... but as freshly graduated university students with very little savings they can’t complain. 

[reginaldodpg]

FILMES DUBLADOS AZUMI 2003 ARTES MARCIAIS

SE INSCREVA NO CANAL E ATIVE O SINO PARA RECEBER TODAS NOVIDADES.

OBRIGADO!

Filmes Completos Dublados Azumi 2003 Artes Marciais Ano Lançamento 2003

Uma guerra no Japão faz com que o país seja devastado. Desesperado em restaurar a paz, Tokugawa Shogun, líder de um clã, ordena o assassinato de um comandante inimigo. Para realizar a tarefa é selecionada Azumi (Aya Ueto), uma jovem e bonita mulher que foi selecionada ao nascer, juntamente com outros 9 órfãos, para se tornar uma assassina.

Elenco : Aya Ueto, Shun Oguri, Kazuki Kitamura Diretor : Ryûhei Kitamura Gênero : Ação / Drama / Aventura

Elenco: Aya Ueto ... Azumi Kenji Kohashi ... Hyûga Hiroki Narimiya ... Ukiha Takatoshi Kaneko ... Amagi Yûma Ishigaki ... Nagara Yasuomi Sano ... Yura Shinji Suzuki ... Awa Eita ... Hiei Shôgo Yamaguchi ... Komoro Shun Oguri ... Nachi Joe Odagiri ... Bijomaru Mogami Aya Okamoto ... Yae Minoru Matsumoto ... Tobizaru Hideo Sakaki ... Nagato Ken'ichi Endô ... Isshin Sajiki Kazuya Shimizu ... Nisai Sajiki Tak Sakaguchi ... Sanzo Sajiki Ryô ... Mother being attacked Masatô Ibu ... Nagamasa Asano Kei Satô ... Tenkai Nankôbô Kazuki Kitamura ... Kanbê Inoue Naoto Takenaka ... Kiyomasa Katô Yoshio Harada ... Gessai Obata Katsushi Ikeda ... Bandit Bansuke Kasamatsu ... Nagamasa's Servant Takehiro Katayama ... Samurai Guard Fuuma Kosaka ... Hyuga Yûki Kuroda ... Gessai's Son Shôichirô Masumoto ... Head Bandit Misako Nagashima Takeshi Nakano ... Bandit Masaki Nishimura ... Samurai Guard Kazufumi Ohba ... Samurai Guard Houken Sonoda ... Steet Acrobat Yukiharu Sugiyama ... Bandit Asuka Sukuna ... Azuma Yasunari Takeshima ... Samurai Guard Kazuki Tsujimoto ... Head Bandit Kanae Uotani ... Azumi's Mother Hiroaki Yamazaki ... Nagamasa's Servant Hideo Kojima ... Bandit (não creditado)

[tonosgratis]

+ Mario Bros. Mario Kart (1992)

10 Tonos

Bienvenidos a la Historia de los Videojuegos

Hoy queremos rememorar una saga que ya tiene 25 años: Mario Kart, probablemente el spin-off más popular de la eterna mascota de Nintendo.

Mario Kart tiene su origen en otra franquicia de carreras futurísticas llamada F-Zero (Nintendo, EAD, 1990), la primera en implementar el Modo 7, un modo gráfico de la Super Nintendo que permite rotar y escalar una capa del fondo para crear diferentes efectos, como por ejemplo, crear perspectivas y gráficos que parecen tridimensionales. Ahora esto nos suena "retro" pero en su momento, este concepto revolucionó el mundo de los videojuegos.

Mode 7, test

Con estas premisas, el equipo de desarrollo Nintendo EAD (Entertainment Analysis and Development), liderado por los productores Shigeru Miyamoto y Hiroshi Yamauchi, con la dirección de Hideki Kono y el artista gráfico Tadashi Sugiyama, decidieron realizar un F-Zero en el que dos jugadores pudiesen correr simultáneamente. Trabajando sobre esta idea descubrieron que si dividían la pantalla, la potencia de los 16 bits de la SNES no daba la talla para visualizar buenos gráficos y que además se moviesen a una velocidad vertiginosa. Así que... ¿qué pasó entonces? 

Pues que tuvieron que sustituir los bólidos espaciales por otros vehículos más lentos, es decir, los karts. 

Ya solo faltaba incluir los personajes, y esto supuso otro problema a solventar ya que vistos desde atrás todos parecían iguales. La mejor forma de solucionar este problema fue utilizar a los carismáticos y bien diferenciados personajes emblema de la marca Nintendo: Mario, Luigi, la princesa Peach, Toad, Yoshi y sus "amistosos rivales": Bowser, Donkey Kong JR. y Koopa Troopa. A cada uno de estos 8 personajes les dieron la capacidad de saltar y derrapar, y para diferenciarlos aún más, se les asignaron una sabia combinación de unos parámetros básicos: peso, aceleración y velocidad.

Super Mario Kart : 8 Personajes jugables

Para el diseño de los circuitos definieron varios tipos de terreno: tierra, piedra, madera, agua y asfalto. Una gran idea que sirvió para crear 20 circuitos distintos agrupados en 4 trofeos: Copa Champiñón, Copa Flor, Copa Estrella y Copa Especial. Crearon tres niveles de dificultad en función de la cilindrada de los karts: 50 cc., 100 cc. y 150 cc., ésta última había que ganársela con mucho esfuerzo. Luego tuvieron la genial idea de repartir por los circuitos los objetos y elementos procedentes de los videojuegos de plataformas de Mario: monedas que sirven para acelerar nuestro kart, resbaladizos plátanos, caparazones de tortuga (rojos y verdes) que pueden ser lanzados contra nuestros oponentes, setas que nos aportarán gran aceleración durante un breve período de tiempo, plumas que aumentan nuestro salto, rayos que disminuyen el tamaño y velocidad de nuestros contrincantes, fantasmas [Boo]que te hacen invisible y roban objetos a otros corredores y las míticas estrellas que te hacen invulnerable por un rato.

Koopa Beach: "Mario Number One!"

La implementación de estos objetos aportaron a Super Mario Kart de una jugabilidad admirable y que además funcionaba con gran precisión ya que, aunque un jugador no sea un gran piloto, siempre tendrá la posibilidad de ganar alguna carrera gracias a las ventajas competitivas que se pueden obtener de dichos "powers-ups". Un detalle muy importante a tener en cuenta es que los objetos que podemos recolectar no son iguales para todos los corredores. Los karts que van más rezagados podrán obtener ítems mejores que les darán "vidilla" y poder así remontar posiciones. Atacar y defenderse de nuestros rivales otorga al juego una visión estratégica muy bien compensada y tremendamente divertida, adictiva y a veces, frustrante. A más de uno le ha hecho gritar o insultar a algún rival.

Modo Batalla

Para poner la guinda final a un cartucho fantástico, Nintendo EAD añadió un modo de juego de un jugador contra otro jugador en el que la victoria no se obtiene quedando el primero en las competiciones: el Modo Batalla. En este modo de juego nuestro objetivo es explotar los tres globos que rodean el kart de nuestro oponente, lanzándole objetos. Lo que en principio iba a ser una secuela de F-Zero se convertiría en otro Proyecto que iba a dar mucho que hablar. El éxito de la saga fue y es, absoluto. Mario Kart es una fórmula magistral que se ha ido perfeccionado todavía más con cada nueva entrega de la saga para todas las videoconsolas de Nintendo (N64, GBA, GameCube, Wii, DS, 3DS, Wii U y Switch) e incluso, en potentes máquinas recreativas (Mario Kart Arcade GP 1, 2 y DX).

Deseamos rendir culto a Mario Kart recogiendo los momentos sonoros y musicales que más nos gustan. Para ello, hemos confeccionado 10 Tonos.

SUPER MARIO KART (SNES, 1992)

El título primigenio de la serie Mario Kart contó con el talento de los compositores japoneses Soyo Oka y Tarō Bandō para las melodías y para los efectos. Hemos seleccionado dos tonos bien distintos, uno con la dulce y playera melodía del circuito Koopa Beach y otro con el inmortal efecto de la inmunidad que nos otorga la estrella.

ESCUCHAR TONO 1: KOOPA BEACH

DESCARGAR TONO 1

ESCUCHAR TONO 2: ESTRELLA

DESCARGAR TONO 2

MARIO KART 64 (N64, 1996)

Los 64 Bits de la Nintendo 64 sentaron muy bien a la fórmula Mario Kart. Nuevos objetos como el caparazón azul con pinchos, los triples caparazones verdes y rojos, el triple champiñón, el champiñón dorado, el plátano quíntuple o la caja de objetos falsa aportaron todavía más jugabilidad. 

De la música se encargó Kenta Nagata y en la programación del sonido repetiría Tarō Bandō junto a Yoji Inagaki. Y en 2007, salió al mercado este título para la consola virtual de Wii con música de nuestro admirado Koji Kondo.

Os dejamos con este espléndido tema del circuito Frappe Snowland (Tierra Sorbete) capaz de emocionarnos y levantar nuestro ánimo. También le hemos añadido un par de efectos fantásticos: última vuelta y llegada a meta.

ESCUCHAR TONO 3: CIRCUITO HELADO

DESCARGAR TONO 3

MARIO KART: SUPER CIRCUIT (GBA, 2001)

En 2001 todos los que teníamos la portátil Game Boy Advance pudimos disfrutar de un Mario Kart que sumaba lo mejor del título de la Super Nintendo y de la Nintendo 64. En total, 40 circuitos para no aburrirnos jamás. En el apartado sonoro y musical participaron artistas como Kenichi Nishimaki, Masanobu Matsunaga, Minako Hamano y Kenji Yamamoto.

A continuación podréis escuchar el sorprendente y psicótico tema del circuito Boo Lake (Lago Boo).

ESCUCHAR TONO 4: LAGO BOO

DESCARGAR TONO 4

MARIO KART: DOUBLE DASH! (GC, 2003)

El Mario Kart de la videoconsola de sobremesa Game Cube aportó una gran novedad: dos jugadores por kart. Esto añadió nuevas estrategias ya que mientras un jugador conduce, el otro usa objetos, o viceversa. Además gozó de un modo LAN hasta 8 jugadores. En el apartado sonoro se utilizaron numerosas voces reales, composiciones musicales de Shinobu Tanaka y Kenta Nagata, efectos de sonido de Tarō Bandō y Yoji Inagaki en la programación del audio.

Para nuestro Tono, hemos seleccionado el tema principal: ska, fanfarrias y silbidos. ¡Una maravilla!

ESCUCHAR TONO 5: MAIN THEME

DESCARGAR TONO 5

MARIO KART DS (NDS, 2005)

El segundo Mario Kart portátil apareció en la revolucionaria consola táctil Nintendo DS. Este título supuso un gran avance en el mundo online ya que ofrecía la posibilidad de jugar con otros rivales o amigos en cualquier sitio a través del canal WiFi de Nintendo.  Recuperaron circuitos antiguos, un modo de batalla mejorado y un nuevo modo: el modo misión, con diferentes tareas a realizar para un solo jugador.

Mitsuhiro Hikino se encargó de la dirección sonora con efectos especiales de Sanae Susaki, melodías de Shinobu Tanaka y con multitud de voces digitalizadas. Entre dichas voces, por supuesto, no podía faltar la de Charles Martinet, el norteamericano de origen español que lleva poniendo voz a Mario (y a Luigi, a Wario, a Waluigi, a Toadsworth, a Baby Mario, y a Baby Luigi, etc...) desde 1996 (Super Mario 64). Hemos seleccionado dos circuitos magníficos para poder ofreceros dos momentos estelares: Yoshi Falss (Cataratas Yoshi) y Luigi's Mansion (La Mansión de Luigi).

ESCUCHAR TONO 6: YOSHI FALLS

DESCARGAR TONO 6

ESCUCHAR TONO 7: LUIGI'S MANSION

DESCARGAR TONO 7

MARIO KART WII (Wii, 2008)

El equipo EAD de Nintendo supo sacarle un rendimiento admirable al control inalámbrico de la Wii. Carreras con 12 corredores, pistas más anchas, y por primera vez, los jugadores podían manejar motos. Un espléndido trabajo que contó con el inestimable apoyo de dos enormes compositores: Asuka Ohta y Ryo Nagamatsu, y dos grandes artistas de efectos como Atsushi Masaki y Masato Mizuta. Os dejamos con la presentación y la maravillosa Moo Moo Meadows (Pradera Moo Moo).

ESCUCHAR TONO 8: MOO MOO

DESCARGAR TONO 8

MARIO KART 7 (3DS, 2011)

Para la portátil tridimensional 3DS, Nintendo EAD aunó esfuerzos con el desarrollador de Austin (Texas) Retro Studios Inc. para crear el inmortal Mario Kart 7. Además de añadir nuevas pistas y escenarios, se implementó el uso del ala delta para volar y planear sobre las zonas más altas de los circuitos. Una idea estupenda que hace aún más divertida la experiencia. 

El planeador vino para quedarse...

Otra grandiosa innovación de este título es la personalización de nuestro kart, para ello tendremos que elegir los tres componentes básicos de cada vehículo: el chasis del kart, las ruedas y el ala delta. Este sencillo concepto agregó multitud de nuevas posibilidades y estrategias para configurar los vehículos a nuestro gusto o a nuestra manera de conducir.

El apartado sonoro y musical es deslumbrante, con la participación de Kenta Nagata y Satomi Terui en las melodías, y de Takahiro Watanabe y Tarō Bandō en los efectos de sonido. Os hemos preparado un tono con la intro a las carreras y el bellísimo tema del circuito Cheep Cheep Lagoon (Cabo Cheep Cheep).

ESCUCHAR TONO 9: CHEEP CHEEP

DESCARGAR TONO 9

MARIO KART 8 DELUXE (WITCH, 2017)

En 2014 Nintendo EAD publicó Mario Kart 8 para la "recién olvidada" Wii U. Una maravillosa plataforma retrocompatible provista de un mando-pantalla-táctil, que aunque tuvo un período corto de vida, estuvo nutrida de un puñado de títulos imprescindibles como éste u otras obras maestras inmortales que pasarán a la historia como Bayonetta 2, Xenoblade Chronicles X, Rayman Legends, Pikmin 3, Donkey Kong Country Tropical Freeze, Super Smash Bros, Pokken Tournament, Splatoon o todos sus videojuegos del universo Mario (New Super Mario Bros & Luigi U, Mario 3D Land, Super Mario Maker, Paper Mario color splash, Captain Toad) o del universo Zelda (Wind Waker HD, Twilight Princess HD, Hyrule Warriors y Breath of the Wild). 

Bella Bayonetta

La versión de Mario Kart 8 en la nueva híbrida Nintendo Switch incluye todos los contenidos físicos y descargables de Wii U, nuevos personajes, nuevos circuitos y un modo batalla renovado. Además goza de una nueva opción con nuestros objetos, y es que ahora, tenemos la posibilidad de poseer dos power-ups a la vez. Otra sencilla "reforma"  que aporta nuevas estratagemas en la contienda. En esta revisión aparecen los quads y regresan las motos, seguimos configurando nuestros vehículos,  utilizando nuestros amiibos, planeando... En definitiva, uno de los mejores títulos que tiene la increíble Switch.

Wii U, ya es leyenda

La banda sonora de Mario Kart 8 es alucinante y en ella colaboran multitud de artistas y músicos bien conocidos como Shiho Fujii, Atsuko Asahi, Ryo Nagamatsu, Yasuaki Iwata, Asuka Hayazaki, Tōru Minegishi, Kazumi Totaka, Tarō Bandō, Sanae Uchida, o el mismísimo Kōji Kondō, por mencionar algunos. En la elaboración de nuestro último tono no hemos podido resistir a la tentación de publicar la música del circuito de Hyrule, una revisión muy especial de la melodía de Zelda de nuestro admirado Koji Kondo.

ESCUCHAR TONO 10: HYRULE

DESCARGAR TONO 10

Con Mario Kart 8 hemos llegado al final de nuestro circuito musical. Somos conscientes de que nos hemos dejado en el tintero muchas otras melodías fantásticas así que os animamos a que nos deis vuestra opinión al respecto.

Hasta pronto.

Texto: Gelosoft

TONOS ZELDA

TONOS MARIO

NINTENDO

SEGA

http://ift.tt/2Ad0pKr http://ift.tt/2AdyLwZ

[yukino-lotus-blog]

蒲田にある「蓮沼キッチン」さんに、サンキャッチャーを追加納品に行きました。 私のロータスにちなんだサンキャッチャーを展示中ですが、そこに加えてYuki Yokoshimaさん、Asuka Takahashiさん、Chieko SugiyamaさんのSuncatcher®︎jewelryや、Glory Suncatcher®︎も展示しましたので、お近くの方はぜひ足をお運びくださいね💕 . http://hasunuma-kitchen.com/ . 展示は9/15まで（平日15時まで・土日休み） 蒲田　蓮沼キッチン『蓮の花展』 主宰は飯野 夏子さんです。 . #suncatcher®︎ #colourlotus #カラーセラピー #カラーセラピスト #セラピスト養成講座 #色彩心理 #癒し #虹光浴 #ファッションカラー #インテリア #ゴージャスサンキャッチャー #パワーストーンブレスレット #アクセサリー #グローリーサンキャッチャー #ラジオパーソナリティ #渋谷クロスfm #生きかたカタログ #EngawaSumida #リファッション協会 (蓮沼キッチン)