#Ask replies

[astronicht]

I love the very subtle but important presences of bez and pecco in tavullia radio!! and also everything else about it obviously. would love to know if you had any more thoughts about like what they're doing thinking seeing feeling! the image of pecco running into freshly fucked and sucked marc at the espresso machine he can't use and making him a tiny coffee enchants and delights me. in my mind he is suffering horrors. thank you for such a perfect fic!!

thank you Leah!!!!!!!!!!!!!!!! <3 <3 So in my head etc Pecco and Marc are already technically or already have been teammates. I was thinking as I wrote it "is this next month? or is this december after the 2025 season?" haha. Either way Pecco is like. In a phase of life where he has decided that he is professionally obligated to have some form of rapport with Marc. And if they've been working together for a bit, they awkwardly kind of already DO, just not. NOT in this setting. Always on neutral Ducati ground. THIS scenario (freshly fucked and sucked marc at vale's ranch, in pecco's friendly ranch kitchen, where he was NOT expecting visitors) is NOT part of this carefully polite professional rapport. Unlike the rest of the guys Pecco can't just grunt and shuffle past (he totally could have; Marc did not want to talk to anyone). He's forcing himself to try to be normal and thus extending everyone's suffering lol. They don't even dislike each other. This somehow makes it all worse.

Pecco made Marc a Turkish coffee instead of just getting out one of the 3-5 mokas kicking around because he has gotten into foodie youtube and Turkish coffee came up, and he carefully bought the correct little cup to boil it in and the correct finely ground coffee and he has like, watched videos on how to get the foam right. Very much your friend who gets really into foodie youtube and is suddenly making what you think of as simple staple dishes with all the right utensils and the correct dipping sauce that no one in ur family ever bothered with. He actually had come in to make a coffee for himself before practice (i think he's considering doing a little mentoring? which never interested him much. Marc appears in moments of Pecco identity or professional crisis, in this universe) so you have to picture Pecco out there somewhere with a little cup of Turkish coffee and haunted eyes, wondering if he can drink it.

Marc actually wanted tea, or to have the balls to wander around the ranch in boxer briefs and a t-shirt smelling violently like sex, but he saw the giant fuck-off luxury espresso machine and was like. the look of it annoyed him so he was definitely going to force it to work or just break it. a little bit his instinct to push at vale a little, to try to figure out where the lines are, or to know for sure that vale isn't going to snap over something normal again.

So that was the mood and then pecco came in and was like oh god. oh god he's going to touch the espresso machine and we'll have to have it repaired again. oh god we won't be able to tell vale that marc did it and we'll have to blame celestino again. Just polite Pecco voice being sooo normal like Hi Marc Would You Like A Coffee :) [intense suffering]. He is overcompensating and being as normal as possible bc marc looks fucked ouuuuut and also is doing the terrifying dead fish eyes and slight grin he does when in extreme physical pain and forced to converse, bc he's dissasociating and also does not care enough to make nice expressions for pecco. (Vale used to fuck himself to sleep despite insomnia -- like he just did -- all the time when Marc was 22 and the memory is a bit much.)

Bez meanwhile is having a total gay... crisis isn't the right word. ring of keys dot mp3. the particular egg-cracking feeling of seeing something you didn't know you desperately wanted until you want it violently and think you're gonna cry for no reason. seeing it is both horrifying (for the same reasons pecco is horrified; marc is fucking motorcycle dad) and makes him want so much it fills his mouth with spit, and that scale of desire is weird and confusing and almost a high. but also he LIKES having a grudge against Marc. It's comforting. It's so awful to be jealous of him, while also realizing he's not jealous that Marc is fucking Vale, because in the end Bez is also being forced to realize that he doesn't exactly want to fuck Vale (well, it's complex, but he doesn't want to fuck Vale like Marc wants to fuck Vale and thus Marc even managed to get a win over Bez by being gay in the way Bez would've liked to have been gay).

Anyway!! Bez got wronged in this fic, I don't want to assign him "italian son with sisters who never learned to make coffee". But i did do that. Also he feels twitchy and guilty about the falsely attributed coffee thing for days. Probably vents to Celestino, who is like "why are you talking about coffee bez i am at the club. did i break the espresso machine again bez?? i can't hear u maybe there's better signal on the roof [call dropped as cele's phone dies and isnt' charged for 3 days]"

[ebi-noodle-doodles]

HELP I LOVE HER. MIKU IS MY LORD AND SAVOR. SKINNY, FAT, CHUBBY, SLENDER, I DO NOT CARE. SHES FUCKING AMAZING. KEEP MAKING YOUR ART. DON'T LISTEN TO THOSE THAT SHIT ON YOU FOR MAKING MIKU FAT. LOVE YOU POOKIE (if you're okay with me calling you pookie that is)

ah

same

(also pookie ( *︾▽︾))

[cnmcn]

Hi! I really like the way you draw Dr. Kel. Can you tell me how you draw such fluffy hair for him?

Thank you! I usually It help that I have fluffy hair myself to reference but the way I usually go about it is angles. When I draw more angular curly hair I find the shilouette of how big I want the hair to be and then fill that space in with chunks and then just refine until I like it. I tried to make an example here but I’m kinda bad at teaching and just woke up.

[incorrectmahabharatquotes]

Would you also have the same issue if the masjid was built instead of the mandir? then I agree with it otherwise not

Yes, if I lived in a Muslim majority country and masjid was being built and communal hatred was being incited against the country's minorities in the name of said building, I'd be saying the same thing. OBVIOUSLY. If something is wrong, it's wrong. Unlike some people, my stance on human rights doesn't change because they happen to belong to a different label.

On a different note, why are people always doing this strange what-aboutery? Do they think the situation changes just because you change the arbitrary labels? Or do people want a "gotcha!" moment for me?

-Mod S

[fahye]

your book reccomendations are always excellent, do you have any favorite queer romance authors? looking for the standard “trashy” romance vibes but with queer people if possible, thank you so much!

let's see! romance vibes but make it queer.

Delilah Green Doesn't Care by Ashley Herring Blake (f/f contemp small town romance)

One Night in Hartswood by Emma Denny (m/m medieval historical, fluff and identity shenanigans in a forest)

Mistakes Were Made by Meryl Wilsner (f/f contemp 'oh shit I banged my roommate's hot mum')

basically anything by Alexis Hall but start with Boyfriend Material (m/m contemp romcom) or A Lady For A Duke (m/f regency with a trans heroine) for classic romance vibes

Teacher of the Year by M.A. Wardell (m/m contemp about a teacher and a student's dad) is extremely sweet

I can't imagine you've spent any time around my tumblr without hearing me yell READ EVERYTHING BY KJ CHARLES!! but today I will rec Any Old Diamonds (m/m historical, thief/aristocrat with HEIST SHENANIGANS)

For the Love of April French by Penny Aimes (m/f contemp with trans heroine and lots of kink) is scorching hot and heaps of fun

I have heard great things about An Island Princess Starts a Scandal by Adriana Herrera (f/f historical, SEX PACT WITH A DUCHESS) but my ordered copy hasn't arrived yet

ditto The Fiancée Farce by Alexandria Bellefleur (contemporary f/f celebrity marriage of convenience/fake dating), which I JUST got my paws on today and am excited to read

fuck it, Gaywyck by Vincent Virga was the first m/m gothic romance (1980!) and it's Truly The Most Gothic so if you like oldschool romances where the vibes are problematic but extremely delicious, check it out.

...and then read this great article by chels about Problematic Queer Books and why we need them

[katyspersonal]

Someone really said we shouldn't take Messmer's last words ( when he cursed Marika) seriously because he was demonically possessed by the abyssal serpent ijbol

I do not think that it was the case either! My impression from his phase transition was more of him finally giving into his serpentine nature, and thus, finally allowing himself to feel his true feelings!

"Hatred that would be confined" here can mean both him hating himself (since fire is a hazard to the Erdtree, evidenced by Fire of Ruin and Destined Death, so why not his?) OR hating her for having forsaken him! Except... they are not mutually exclusive. He could have hated himself for existing as something that could inevitably bring ruin to everything she created and hated her for abandoning him!

Like other characters in the DLC, he is aware that we've been called by Grace of Gold, her creation, to become her new Lord! Nonetheless, he decides to still disrespect what counts as her wishes, which already gives something away, at least for me. It could be that him taking Crusade beyond just vengeance, to fascism level, WAS what split them apart, and he is still convinced he knew what was better for purity and life of her Order better than her (LOOOOVE this version because it makes him even scarier). It could be jealousy, because some nobody Tarnished would get the chance to fix things for her when he tried to do the same and yet she was not "grateful". It could be that this "purpose" he took up for her feels like the only thing still connecting them, since she is not coming back. It could be many things that I can keep listing!

Yet, at the same time, he asks her forgiveness before removing the seal! So, killing someone he (correctly) believes she is awaiting is a lesser crime than removing the seal she gave to him to keep Base Serpent away? I think it is very telling that the root of how much he hates his flame is her hatred of it.

( x ) Perhaps, by being deadset on killing everyone spurn of her grace, he sort of overcompensates for how much he hates himself for being graceless (in a way, 'shorn of light' is very blatant)... He can't fix his nature, nor can she, but he could remove her OTHER pains and grudges. He is compensating!.. like, for how much he wishes to never having been born, or something...

Damn this got weirdly sad And a simpler interpretation is that it was just a cry of pain, because he was dying and she was not there for him. Or maybe it was the horror of feeling like he was to fall into Abyss, since he removed the seal? Not that I ever died in my life yet, but I'd imagine that thoughts and emotions upon violent death would not be very rational!

I really want some help with Japanese description of this item, because this "but never again" feels like some sort of grudge. Like that she realised it was useless; not so much because what afflicted him was untreatable, but because she deemed him not worthy of any more chances! You see what I mean! Again, English choices of words should be taken with a grain of salt.

Messmer also was not "possessed" by Base Serpent, he became Base Serpent! Saying you will be taken in jaws by a serpent shorn of light, he means himself! He has a habit of addressing himself in third face already, saying that you will meet death in the embrace of "Messmer's" flame, not "his" flame! There is definitely some parallel with Malenia unleashing Scarlet Rot again just to not lose to us, but whereas Scarlet Rot is confirmed to eat away at people's personality and memories (Millicent's questline), nothing said it was the case for the Base Serpent!

(Images by Zlofsky as usual) All statues of Marika in the Lands Between are missing heads... except for one, depicting her as a mother holding a child, hidden in his chamber by a veil. I need to check it later, but in at least three cases it makes no sense to be this way: one in the Church of the Crusade where Queelign hangs out, another surrounded by his soldiers, and another in Shadow's Keep itself! UNLESS, he is the one responsible for crashing the images of her head...?

It feels like he has been very conflicted long before this dreadful moment of unleashing his serpentinge nature! He did not want to think of her because it hurt, but also still wished to be held by her again. Considering the statues, it feels like he hated her as a Goddess, but loved her as a mother. So, he hates her divine existence, her as an owner of the Erdtree, a "destined victim" of all fires, but also knows it can't be separated from her and follows her design. Perhaps, follows TOO much.

Basically it IS a reasonable assumption that upon his death, he's been feeling as though he did everything he could for her, but that was not enough for her to see beyond her fear! Worse yet: she did try to love him, but "never again"! Hatred of abandoned child is a very intense thing, but it is also not a true hatred. It is more akin to cry for being accepted, but distorted into insults, curses, pushing away and such!

^^^ If this doesn't look like Humanity running wild manifestation of someone's own repressed self-hatred, loneliness and suffering getting unleashed I don't know what does fdhfdhs I don't know, man... I just think there is more evidence for the fact that he's been suffering because of her.

[katyahina]

Romina, Scarlet Rot and God of Rot interpretation? What is the Abyss and what 'stagnation' has to do with Scarlet Rot?

(This is a reply for an ask I've got on my other blog) Anon I am sorry I am THIS late, I swear it was just me deliberately avoiding progressing in the DLC because I didn't want it to end + bad timing :pensive: But thank you for leaving this ask because I did want to discuss her as soon as I've met her!

What Happened:

She WAS a victim on Messmer's tyranny, and shown in the second trailer ( x )! Moreover, she originally appears to be from Belurat; not only this trailer shows Messmer specifically burning it, but also this is the exact previous scene before Romina appears:

So I am getting an impression that originally, these buds appeared in Belurat, and somehow Romina knew to relocate them somewhere else:

+ Also, if anyone here can read Japanese please let me know because I've heard that a more accurate translation would be 'she found a divinity and clung to it' or something alike! Here is the Japanese text:

全てを焼かれた教会で ロミナは異形の神性を見出し 禍々しい、朱い腐敗に縋った

焼け跡に、また蕾が芽吹くように

Abyss and Stagnation in this:

My initial interpretation was that originally, this type of buds was growing IN Belurat, and then what she saved got relocated in Rauh Ruins, but "within the scorched remains" part makes it sound as though their fate was being decided right in the moment of the tragedy! So, somehow, what later became Scarlet Rot appeared within the ruin! After all, Formless Mother is another precedent of a god originating from the tragedy:

But why would a plant-insectoid life sprout within the fire? So, basically, I'll dive into headcanons territory for this post, but hear me out! We are not sure what the 'Abyss' is, however.. what IF, when Messmer gets a bit TOO into using his powers, the power of Abyssal Serpent is capable of opening sort of a 'gateway' into somewhere else, and some kind of horror might escape that 'Abyss'?

+ I need to add that Abyss of the serpent plaguing Messmer and Abyss of the woods tormented by Frenzy are different things though; whereas serpent's Abyss is 深淵 meaning literally an abyss, Woods' Abyss is 奈落 that means Naraka (Hindu Hell)! His serpent is AKTUALY named Base Serpent, but he refers the 'Abyss' in his Stage 2 transition: '光無き、深淵の��が'. ( x ) In fact, his dialogue in both English and Japanese original suggests the 'Abyss' is a PLACE, where Base Serpent comes from! The mysterious space without light!

Look I can't help using this meme just deal with it fdsgfdgs So, let's say that Messmer got so unhinged that the gravity of his powers still opened up the Abyss a little, even despite the seal Marika gave to him!

The next interesting thing is that there are no traces of Scarlet Rot in Belurat, despite Romina presumably releasing/creaing it right on that spot! There ARE poisoned swamp, the illness that turns people into fly-men, and even giant Spider Scorpions that are a variant specifically developed because of Romina:

+ they likewise deal regular poison, not Scarlet Rot! Some of them developed the wings as well:

So it is more likely that what Romina allowed to live (to the worse or to the better you decide) was not yet the Scarlet Rot itself, however it developed INTO it later, together with her. But what was freed that day and what left its traces in Belurat, as well as spreading across more of the Shadow Realm with at least two villages full of man-fly sickness, was 'stagnation'!

It is a concept commonly addressed across other Fromsoft's games, specifically the stagnation of water 穢れ (kegare)! Poison and Scarlet Rot are connected through themes of poison AND stagnation of water! It is what becomes a poisonous swamp, one of the most Rot places is literally named Stillwater Cave and all that. Scarlet Rot is a 'stronger' version of the venom that becomes of stagnation!

^ (looking through this ( x ) model view video) Additionally, Romina features not only part of the scorpion but also part of the centipede, and centipedes were used as a symbol of human dregs in Sekiro and Bloodborne!

I've also noticed that Blood of Formless Mother, Scarlet Rot and Deathblight are all connected by shared themes of plantlife and spontaneoutsly sprouting winged insects! With the cursed blood, flowers quite literally grow from it and flies spawn from impurities within festering blood swamps. Deathblight are literally roots with multiple flies spawning along them + often getting to fly free too. Scarlet Rot IS associated with flowers and butterflies, and whereas Malenia herself never got insectoid wings (since wings of Goddes of Rot ARE the butterflies, like stated by Romina's incantation), her knights did:

(Close look by Zullie the Witch ( x ) as I've never took a picture)

These three scourges feel like three ugly siblings to me fsdhhfds Needless to mention that Blood Oath, Scarlet Rot and general poison incantations are crammed into the same category, and Death ones aren't here only because they're sorceries!

More interestingly, in Rauh Ruins we find not only Scarlet Rot, but also the Bloodfiends (so, the Formless Mother guys) AND Deathblight:

^ I forgot to take the picture as a proof that the Dancing Lion in Rauh uses Deathblight, so here is screenshot from this ( x ) video of battling it! There are NO Deathroots anywhere near its arena, however it summons Basylisks in the second stage and deals Deathblight damage itself! Divine beasts, additionally, are Belurat thing too!

So, we have all three of these 'affiliations' in Rauh Ruins, giving a strong impression that it is full of Belurat survivors! Whereas the man-flies sickness is found here too, Romina, Bloodfiends and death-dealing Dancing Lion all feel like they've went separate Pokemon Eevelution from the same initial 'stagnation' concept that is the sourse of fly sickness fhhsdgfds I think that either 1) it is exactly what I just joked about, and stagnation is able to naturally develop into one of these stronger "branches" over time or 2) it develops into something specific under influence of an outer god; Deathblight doesn't need 'Prince of Death' since Outer God of Death IS a thing!

Survivors of Belurat here found their affiliations, initially getting afflicted by the "clean" form of it, fly sickness Romina allowed to escape and live!

^ So yeah @ second anon, I do also think that Romina in Rauh guards what is left of her civilisation! Such as one of like, two Dancing Lions and other Hornsent that unfortunately got manfly sickness too! Except, she is not antagonistic to the Scarlet Rot or sees it as her tragedy, but on the contrary: she sympathised with it!

I know it sounds more like a fairytale than an solid theory, but my impression is that a lot of 'waste' goes into the Abyss space and supposedly should have been burnt by the Base Serpent forever! Not as something inherently evil, but just a natural part of the course of life! Eiglay is the God-Devouring serpent, too! Both of them serve as the forces that ensure everything and everybody meets their end eventually, they might even be related! Again, Dark Souls for one had ten Primordial Serpents! We know three here (Base Serpent, Winged Serpent and God-Devouring Serpent) but it could be still a throwback like Fromsoft loves doing!

I think maybe someone, at some point, believed that living forever was a better idea and might have "killed" Base Serpent and Eiglay both! As we know from Rykard's last words though, 'serpent never dies' and he probably was right!

^ Whereas Eiglay had to grow back from a tiny snake again, Base Serpent settled in Messmer's body being so tiny that it could curl behind his eye! Both needed to recover their former power, so whatever eventually slipped in the Abyss was free to persist, rot further and escape back into the living world given the chance!

+ bonus:

Trina ends up having a lot of petals and flowers as part of her body, not unlike Romina, whereas Miquella had insectoid wings at the moment of being kidnapped! The same trademarks of the 'stagnation' again!

I questioned whether it was just Crucible at first, since it also features flowers and wings! In the DLC we've learned that the Fell God himself was connected with the Crucible (Furnace Visage) and Radagon has his red hair due to the curse of his Fire Giants (Giant's Red Braid) 🤔 But.. crucibles are MANY things. It is also horns, spikes, feathered wings, scales, you name that! A LOT of aspects of organic life and not just these two! So I think the Crucible Curse is safe to stay within Morgott and Mohg, and this more likely refers to Miquella himself getting infected at some point! Whether it was having sucked Scarlet Rot out of Freya's wound, or napping in the Haligtree that was getting slowly scarlet-rotten, or both! Sure there are no traces of it left when he becomes a God, but Trina was discarded before that of course! Alternatively, he was a victim of stagnation himself due to not being able to age physically. He, himself, was a lot like Scarlet Buds that are "never to bloom". Endless child state of a body and buds that can't bloom are like eggs that can't hatch but will go terribly bad over time.. what is MORE stagnant?

Who is the God of Rot and why the pink color?

Another side of Romina is a tail of a scorpion, and the giant variant of Spider Scorpions is said to be the result of her actions! At the same time, God of Rot itself was scorpion-like!

I think this makes it... oddly coincidential, that God of Rot is a scorpion at least partially, whereas scorpions are native for the Shadow Realm AND were important animals for Belurat! Like I said before, Belurat strangely has no signs of Scarlet Rot for a place where Romina presumably created/unleashed it!

So, maybe rather than God of Rot already existing as is, it received a particular form in the 'outside' world! I'd say the same for Formless Mother, but her form is ABSENSE of form kind of fdhshdfs Maybe 'receiving the character' is a better way to describe it! Formless Blood, Scarlet Rot and most likely Deathblight didn't exist "outside" but developed from the shared source, and their gods (at least two of them) were born thanks to people! God of Rot might have manifested from a giant scorpion Romina took special care of, or a scorpion who got the 'divine' energy for another reason since giant variants are still not JUST in Rauh! Again, like how Formless Mother manifested in the shadow of a corpse of someone else! The Scarlet Rot became a thing thanks to Romina, developing within her over time!

Again, this is just my idea that Outer Gods are "born" in "our" world rather than simply exist as is, especially since 'outer' is just a type of gods meant to be discerned from Marika's family and who are like Lovecraftian mythos! I just think so because the scorpions connection is a bit too coincidential! It is not necessary!

Eiglay is a God-Devouring Serpent, not Demigod-Devouring Serpent, however, so I think in either case her purpose had more to do with not letting guys like this to ruin the world! Things just must die eventually, not endlessly exist via endless rot/rebirth cycle not allowing for any truly new life to sprout. It makes it double awesome that Base Serpent, and maybe even Eiglay herself, are connected with the fire element as fire itself is ALSO not just an evil force of destruction! It is meant to help the nature to "clean" so it doesn't rot; this power simply must be kept in check to not burn SO much that there is nothing left to be born from the ash and ruin *looks at Frenzied Flame*

Lesbian flag colors joke aside, it seems that color pink is a mark of lacking the master and/or the capacity to bloom! I do think that blooming is a thing only a Demigod is able to do! +remember that Millicent is a unique sprout of Malenia, carrying more of her signs as a Demigod than other girls!

Orange/red is the color of 'true' Scarlet Rot, and you could see even God of Rot itself was orange from Scorpion's Stinger look! It craves the buds that will bloom to grow stronger and increase, similarly to how Formless Mother craves wounds!

+ I also think that Bloodflame is the mark of more "perfect" form of the same concept similarly, as it becomes self-cleaning this way! It similarly could only be accomplished by getting a Demigod (Mohg) involved, whereas regular Bloodfiends are using just the blood itself! Then, Deathblight was not receiving the big roots as we could witness by Dancing Lion in Rauh, without getting a Demigod (Godwyn) involved! The cringe triplets........

________________________

So in the conclusion, Romina reached out for the 'twisted divinity' she witnessed somewhere in the middle of the ruin of everything she knew before, similarly to how Bloodfiends chose to revere the 'twisted deity' found in a corpse of their ancestor as they've lost everything! These two affinities have connotation with strong misery, and it is additionally confirmed by how Millicent can only bloom if she experiences the pain of betrayal! Some sinister power only appears within a lot of pain and death, but on itself it is just "flowers and wings", and a concrete God is born in the place it appears at, depending on the circumstances. It needs the miserable person as much as the miserable person needs it; a call is nothing without the receiver. Together, they define more specific purpose and affinity for it to continue existing and poisoning everything!

...not 100% sure that Deathblight is just as similar, because how do you birth death? Maybe it similarly came to be through the first person to die (Nito, you?????)

P.S.: I'll be damned if the water Dancer Fairy didn't originate from Rauh and simply freaked out upon seeing Romina telling the God of Rot "may you find your worth in the waking world" fsdhfhds

[85-rend]

the humble apple, the stoic boulder, the delicate toadstool, and worm.

ohh the beauty of nature

[salamanca-prince]

Hola, handsome. Celebrating pride all by yourself?😏

I wasn't expecting to see myself on here, but hey! I could use someone who actually knows what pride is to celebrate, Nachito is sooooo out of the loop!

[deezneezz]

Do you have any LeoJami headcanons? They are so cute. :)

Omgggg boy do I... I have a lot!! I wouldn't know where to start, do u have any specific stuff you wanna pluck out of my brain? Personally the thing I love the most about them is their shared interest in Ancient spell language (ancient magic in Eng). (bonus: their seat numbers are reversed and it means nothing, but it tickles my brain)

I could see them both getting like a more history-esque event like an Atlantis or Indiana Jones event.

This is also why I have a teacher AU between the two of them, cause I thought it would be funny if they were teachers in the same subject, but had vastly different opinions on teaching and the source material as a whole.

Not only that I think both Leona and Jamil actually really love teaching people, but they both like to do it on their own accord. Like for example how Jamil taught Epel how to dance in his Halloween vignette, and how he taught Floyd how to do a headstand.

Leona too is very cute with his underclassmen, but he teaches in a more aloof style i think, only putting in the effort if they show true interest.

I could dive a lot further into why i love them, like how they're basically each others childhood trauma, whilst also being incredibly similar at the same time.. but I would not know where to stop. :3 let me know if you want more rambles though, i enjoy rambling about the ships i love! THANK YOU FOR ASKING

[inhibitionfreewriting]

Hasan idea!!

Has been dating his girl for like a year and chat has NO idea until she is cooking in the kitchen or just doing something in the house where she gets hurt and yelps and he immediately shouts “babe!?” and he gets up and helps her. Idk how it would end thats where you can let your creativity flow haha

Love your stuff 🫶🫶

I have simultaneously had a lot of ideas for this and none, because the second I click answer all of them leave my mind. I'm so sorry. It's the mental illness 💀

Hasan hasn't introduced you to stream or chat not because he doesn't love you to bits and pieces, but his chat can be absolutely chaotic in the worst ways and at this point its been put off for so long that neither of you really care (but not in a bad way).

But last night was a lot. The get together bonfire had kept you both up far longer than it should have, not counting you falling asleep in his lap at least twice. It was safe and warm and that buzz you had from that last drink Will made? It sealed your fate.

So while you had finally gotten coffee in you, you were pretty sure that the exhaustion of half sleeping multiple times would be plaguing you for the entire rest of the day. You just wanted to do something nice - cook dinner while he was streaming instead of ordering out. It'd help wake you up and you'd get to watch his face enjoy the food from just off screen as he takes the first bite.

Maybe that exhaustion was much worse than you thought, because when you were cutting through the potatoes for the curry you were cooking, you might have been holding your hand against the potato wrong and sliced directly into your finger. Luckily, you pulled back quickly enough to have not actually done any real damage, but you YELPED and yelped LOUD.

Without a second thought, because Kaya was asleep in the room with him, he called out loudly, "babe!?" Chat went WILD.

>babe? babe? babe? babe?

>WHO????

>who tf 😭 kaya right there

He didn't spare them a 'be right back' before standing up and heading towards the kitchen to see what was going on, and there you were, washing your hand and trying to keep the tears at bay. Hasan was a godsend though because he didn't panic when stuff like this happened and helped bandage the cut on your finger (thank god it really wasn't that bad, because you didn't really want to go to the hospital).

"I-I'm sorry, I was trying to cut the potatoes and I'm so bad at holding my hand right and-"

"Shut up, it's fine," he ran a hand over your shoulder and softly grabbed the back of your neck to kiss your forehead. "Are you good though, really?" You nodded and rubbed the heel of your palm into your eye to push away a last few tear or two.

"Yeah, I'm okay, just feel dumb." He rolled his eyes, mumbling that you weren't dumb and that he was glad you were okay. Hasan pulled you into a hug, pressing soft kisses to your forehead. "You can go back to stream." You both paused and looked at each other.

"I guess they know about you now, huh. Can't really tell them the one yelping was Kaya... You don't have to join this one but, after you finish with the curry we can eat it on stream together."

"Okay. Go back to streaming. I love you, thank you." He kissed you again.

"Love you too."

[astronicht]

Hi I hope this isn't presumptuous, but so, that post you made about Tolkien making the lads leave their weapons outside the hall and CS Lewis thinking the hall was gonna get burned down by a lady who also wanted to kill herself... what's the historical precedent for that? Is there a trope in medieval lit where people like... do that? I ask because uh. I am obsessed with Children of Hurin and there's a scene where that like, happens. And I'm obsessed with that scene, and would love to know if there's like, cultural/mythic context that would enrich my knowledge!

OH BOY, sorry I'm getting to this late, it's been uhhh a summer, but one, this is a very good question!! And two, yes there is absolutely precedent, particularly in early medieval literature, and high medieval literature set in the early medieval (circa 500-1100 AD) past. I'll let someone else debate how often people actually historically locked their enemies into a hall and burned them, but especially in Old Norse literature (and if Fellowship felt like it leaned a little more on Old English literature, Two Towers, where Eowyn appears, felt a little more Old Norse) this is common. Off the top of my head, you've got many Icelandic family feuds ending in burning the whole family in their hall, like Njal's Saga (Old Norse), Attila the Hun dramas (yeah he's a big guy in the burning halls circuit, but actually not in the way you might expect) like his cameos in Volsung Saga (Old Norse) and Nibelungelied (Middle High German), and my vague recollection of a few Irish and Welsh versions that no search engine is giving up for me right now.

This, predictably, got long and slightly off topic.

Disclaimer: As usual, I should say I come from an Old English-centric background, and Old English literature is actually notable among all its neighbors for not burning down too many halls. Second disclaimer, all links are not proper citations, they just go to wiki.

Hall-burning in literature is, to my understanding, part of the concerns of a few early medieval cultures in which revenge is not only expected but in many cases legally reinforced and codified, and one in which conflicts could spiral to engulf -- figuratively, or literally and in flames -- entire families. Many medieval Icelandic sagas are focused on this exact type of destruction of whole families or friendship/community units. Most relevant of these to Eowyn, Two Towers, and the vibes of Edoras (since alas I am only partway into RotK and can't speak to Children of Hurin yet!) is Volsung Saga, which is set on the Continent, not Iceland, and actually has to do with Attila the Hun. As mentioned before, an incredible amount of stuff turns out to have to do with Attila. We will come back to him!

So, on the particular post you're talking about, a few people iirc have replied pointing out that the hall in TT is clearly supposed to be based on a hall from Old English literature, namely the hall in Beowulf, which famously did not actually get burnt down. And that's all true! I was not posting with much nuance; I was mostly having a joke at the expense of CS Lewis. However, I was also referencing a very very common trope in Old Norse/early medieval stories, and I personally think JRR was as well (AND I think Beowulf was also very consciously referencing the exact same motif anyway) (no one has to agree with me, a tumblr blog, on any of these points).

The thing about the hall when our heroes approach is that the scariest damn thing in that hall is Eowyn. Certainly not every hall-burning story requires a woman with no other recourse to set the fire (in fact, the "warrior band approaches unknown hall which might have a grudge against them" is a trope that can get you killed in a pretty homosocial environment, as I guess Aragorn at least was aware, being a big reader). Still, the presence of a woman who is swiftly running out of options does fit what I'd consider one of the or perhaps The best known version of the early medieval burning hall trope: Gudrun, who shows up in at least a dozen different texts in both the Scandinavian and the German language traditions, including Volsung Saga, a text which itself often gets paraded around as the basis of lotr (which I'm sure it is, in that JRR appears to have simply and very fairly based lotr on every piece of early medieval vernacular literature I can think of).

In a portion of Gudrun's story (which of course changes a bit in each retelling), after her first marriage she is unhappily married to Atli, who is none other than our main man Attila the Hun. After Attila kills her brothers for reasons (in one version, her father), seeing no other way to take the necessary revenge and no other way out, she kills the two sons she had by him, serves them to Attila for dinner, has Attila killed, and then sets fire to the hall with everyone in it. After this, she attempts to drown herself.

The self-destruction of this act is a really important beat, and has only gotten more-so as a comparison to Eowyn the further I've read into RotK (currently, I'm at the houses of healing after merry and eowyn take on the witch king). It's a lot clearer in the book than the films, for me, that Eowyn going off to battle was not so a straightforward empowering and/or freeing move, despite allowing her some agency, but more the one path she saw as available to her with which to die with honor (which was pretty much exactly what Gudrun was facing as well). Like Gudrun, whose first husband was a great hero but has died, Eowyn's romantic choice is a hero who is presumed dead (sorry Aragorn they did Not believe in your ghost skills). In fact, in some versions Gudrun does put on armor and fight with her brothers before they're killed. She kills Attila with her own hand, with the help of another man who needs to avenge a blood feud against Attila.

So while Eowyn didn't get forced into marriage to Attila Wormtongue (with apologies to both historical Attila and that one historical skald also called Wormtongue who was reportedly hot) and burn the whole place down, she's still trapped, and like Gudrun chooses destruction alongside her household.

Reading her arc feels so much like watching Tolkien write a fix-it for Gudrun. What if she got this one little chance, and this one other little chance, and this one more -- tiny little shifts in the narrative that allow her to get out, and not through fire, and not through death.

Anyway, this got away from me. I hope it added some context to the Children of Hurin arson case! Thanks for the ask

[ebi-noodle-doodles]

what is fat mikus favorite food??!? also can i squish her tummy?!?!

fried leek??????????????????

cronch

[cnmcn]

if you were in votv what would you do. would you kiss the aliens

WITH TONGUE

[fayesdiary]

reverse unpopular opinion for....aw heck, go ahead with Rhea for this one as well

This might as well be a part 2 to the previous Rhea ask so :D

I find Rhea to be so compelling for several reasons, one of the biggest being the inherent contradiction that she is very much capable of caring, loving and trusting others, sometimes with some insane gestures when you realize their meaning behind them (ie. Saving Jeralt's life by giving him her blood thus risking outing herself because of it, letting Catherine keep Thunderbrand despite the fact it's the one Relic she could safely recover- implicitly trusting her with one of her family's remains without any obligation to do so, risk angering a noble house to give Cyril a better life and treating him like her son in all but name)... And yet she cannot, for the life of her, bring herself to be honest with them.

Something fascinating I noticed about Rhea is that she ironically seems to prefer people who are blunt with her, because look at the people she's closest to - Seteth spends all of Part 1 openly questioning her, Flayn is constantly on the verge of accidentally outing herself, Cyril is so direct and honest he sometimes accidentally comes off as rude (Shamir too even if she's not as close to Rhea) and Catherine wears her heart on her sleeve.

Heck, all of them are either not that religious or outright non-believers, which ironically I believe helps reassure Rhea they love her because of who she is as a person and not because she's the archbishop, especially given how much she implies to find the position incredibly alienating.

And isn't that just so fascinating? That she is more than capable than loving others and caring for them risking her own personal safety, she appreciates people being honest with her.... But cannot, will not be entirely honest with them in turn.

Because make no mistake, that right there is Rhea's true fatal flaw: her compulsive need to keep everything a secret.

From the big but understandable stuff that would get her and her family scrapped for parts if it became public to downright pointless shit to hide like not liking hot drinks, and it's the one trait that screws her over the most, between being the reason Jeralt left (since she didn't tell him ANYTHING about what happened with Byleth so he assumed the worst and fled) and the thing preventing her from making connections as deep as she actually wants (like even just telling her loved ones how much they mean to her), as well as getting the support she actually needs. And because she feels she has to bear everything on her shoulders, she crumbles under the weight because no matter how hard she tries, she will never be good enough.

In that sense the role of archbishop is a sort of mask to her. It's definitely a part of her, but also something she has sort of burrowed into like a safety net preventing her from being true to herself. Because that'd mean making herself vulnerable, in more ways than one. To say nothing about putting her surviving family and remnants of her dead kin to jeopardy.

If she were to open up she'd be... More lively, I think. Definitely sillier if Heroes is any indication, and arguably more willing to take a direct approach in helping people. And definitely more loved and happier.

And perhaps, one day she'd realize she doesn't need to bring her mom back to fix Fódlan. She's not doing it alone anymore, after all.

[fahye]

hi freya! your work with the TLB series is phenomenal and truly a gift to my life! do you have any advice for first time book planning/outlining, specifically in the realm of historical fiction?

oh boy. I rely on two guidelines for my planning process, and they are absolutely NOT historical fiction specific, but you can have them anyway:

make the romance (if there's a central one) more or less follow the romancing the beat structure, which is both simple and very flexible.

a structure-for-dummies version of four act structure, which boils down to deciding early on three key landmarks:

at the 25 % mark, something happens which commits the characters fully to the story, whatever that is.

at the 50% mark, something major happens which twists the direction and shape of the story - new key information is revealed, the second body is found, first sex scene, whatever.

at the 75% mark, the story tips towards crisis/disaster/the lowest emotional point.

...then I try to sketch out a dot point list of a roughly equal number of scenes to take place on either side of each of these (these are the four acts). this is how I make pacing work as early as the first draft, when I have very little innate sense of pacing and I detest doing structural edits.

ALSO: start as late as possible in the story (have the main inciting incident take place within the first scene) and finish as early as possible (diana wynne jones is particularly excellent at this; I will sometimes bend this rule if an epilogue is expected, but my PERSONAL opinion is that for the most part You Don't Need That Epilogue).

this may be helpful for you, or it may be no help at all. most writers discover what balance of planning/not planning works for them via trial and error. good luck!