#Aside from being glad he got to create a universe that inspired so many artists and creators to let their imagination go wild

[david-talks-sw]

An argument I hear from time to time is the following:

"I don't care that this novel is considered Legends, if it was canon when George Lucas was in charge of Lucasfilm, it's still canon to me now. Whatever George says is what counts, I don't care what Disney says."

Putting the Expanded Universe's Star Wars and George Lucas' Star Wars in the same basket. And that's, uh... inaccurate.

So without further ado, let's explore:

George Lucas’ involvement in the Expanded Universe

Early years of the EU...

When the first bit of EU content came out in the form of the novel Splinter of the Mind's Eye, Lucas was too busy working on the films, so Alan Dean Foster wrote it by himself (which explains why Luke and Leia's relationship plays out romantically).

After the movies came out, when new material was going to be created, George told Lucas Licensing and other authors that the Prequel era was off-limits to write about, because he might tell that story one day.

Beyond that, they could go to town and write sequels, for instance. After all, part of why Star Wars was created was to let people's imagination run wild and George was happy to let other artists play in the sandbox he created.

That said, things were very clear from the get-go.

These weren't his stories.

The Thrawn books, Dark Empire, all this material was explicitly just Tom Veitch and Timothy Zahn and whoever else's creation. Not George's, who was described by Lucas Licensing's Lucy Autrey Wilson as "not very involved".

The most he did was answers "OK/Not OK" questionnaires about what the EU writers could or couldn't write.

Telling Yoda's backstory? Not OK.

Telling Han's backstory, between the Prequel and Ep. 4? OK.

Having someone wear Vader's suit after his death? Not OK.

The Emperor returning in a clone body? OK.

So that's it. That was his involvement in the 90s.

Him saying "don't write something set during this/that period".

"OK/Not OK" questionnaires.

It's also worth mentioning he didn't approve of Mara Jade, Luke's wife in the EU. In his mind, "Jedi don't marry".

Rather, the character herself wasn't an issue... until she married Luke. When Timothy Zahn asked for Luke and Mara to be married or engaged, back in 1993, Lucasfilm initially vetoed the idea.

According to Brian Jay Jones (author of "A Life", George Lucas' biography), in 1995 George convened a 'Star Wars Summit' wherein he gathered licensees and international agents to Skywalker Ranch to reinforce "the need for him to maintain quality control, especially in the areas of publishing, where some characters—such as Luke Skywalker, who’d been given a love interest in a fiery smuggler named Mara Jade—were living lives far beyond the ones he had written for them in the original trilogy".

Sources:

During the Prequels...

George Lucas was writing and directing three movies with large themes, shot almost back-to-back, commuting between Australia and California. That's hard enough as it is.

Also, in the 90s, most movies were still shot on film. During the making of Phantom Menace, Lucas shot parts of the film by combining prototype digital Sony cameras and using them in combination with videotapes, rather than shooting on film.

For Attack of the Clones, George worked with Panavision and Sony to develop fully digital cameras, which eventually became the standard.

As if that wasn't enough, by making the Prequels, Lucas and ILM were also creating fully-digitized worlds (Coruscant, Geonosis) and characters (Jar Jar, Yoda) and laying the groundwork for the CGI technology that has now become essential for today's blockbusters.

Having established all this...

Do you really think he had the time or the patience to read through a bunch of novels and guidebooks?!

Simply put: George Lucas was too busy revolutionizing cinema to be involved in the development of the EU.

So if you ask George who Tahl or Vitiate are, or what the Stark Hyperspace War or a vapor manifold are, if you ask him to recite you the Sith Code... he'll grumble and say "heck if I know".

He outright admitted that fans know more Star Wars lore than him.

Because SOMEBODY ELSE wrote that stuff.

And he let them do it because:

It made money. A lot of money, especially after TPM came out. Money that could fund his next films. You don't mess with licensing. Hell, it's why he was so cool with there being all those Star Wars parodies.

He didn't see those stories as canon anyway, so it couldn't hurt. He saw them as a separate universe, an alternate timeline wherein the films happened ALONG with all these other tales.

So associating the EU content with Lucas is unreasonable. He was too busy, so he just let Howard Roffman, Lucy Autrey Wilson, Sue Rostoni and Lucas Licensing do their thing and crank out new stories and transmedia content for the fans.

It was a one-way relationship. The licensing parallel universe needed to have some internal consistency AND adhere to what Lucas established in the new films movies (which was difficult because they weren't involved in the production process), but he didn't need to be in line or consistent with anything they established.

Now, George did set some guidelines/boundaries and there were obviously do's and don'ts. But once those boundaries were set and the brief was established, the authors had a lot of freedom and, like, 99% of their interaction was with their editors from the respective publishing houses (Scholastic, Del Rey, Dark Horse) and the folks at Lucas Licensing.

George was only really brought in to sign off on, like, some of the major plot points only once in a blue moon. Stuff like:

"Let's make a Maul novel". George would go "fine, just keep him mysterious."

"What species should Plagueis be?" George: "he could be a Muun, here's concept art."

Nothing more than that. Again: the Expanded Universe was other storyteller's interpretation of what Lucas had created.

Sometimes, it was spot on and it aligned with George's vision.

Other times, this additional lore was created by writers who didn't know what he was doing with the Prequels, so they were in the dark regarding certain plot points.

And then you have the authors who absolutely disagreed with George's vision of the Prequels, or of Star Wars, in general, but wanted to engage with the material nonetheless.

Which is why, whilst sometimes the EU fixed some plot-holes, sometimes the EU had inconsistencies.

Inconsistencies such as Ki-Adi Mundi being a Knight on the Council, who is married and has kids (when the Jedi being prohibited from marrying is a major plot point in the Prequels)...

… or the Jedi being essentially superhuman (when one of the narrative reasons Qui-Gon is killed is to show that the Jedi are mortals, not supermen)…

... or other stuff like Mace having a blue lightsaber for a period (because who the hell knew purple was an option?!) or some Jedi having red lightsabers, or Sith Lords being able to become ghosts after death, when that's a feat you can only achieve by being selfless.

It's also why you get conflicting definitions of what the Jedi call "attachment" or conflicting narratives trying to reframe midi-chlorians as a cold, intentionally-flawed way of seeing the Force (when they're meant to be a beautiful metaphor for symbiosis and how the Force works).

And it makes sense that some of this stuff wouldn't track, considering how Lucas stated multiple times that he didn't have anything to do with it, that it was a separate universe from his own...

Safe to say that if George had any involvement in the EU, it was so minimal that he, himself, didn't count it as "involvement".

Additional sources:

Later years of the EU...

After the Prequels were over and done with, Lucas created The Clone Wars with Dave Filoni. At first, he'd just suggest a few storylines, but he quickly got VERY involved in the whole process. Far more involved than he ever was with EU content.

And y'know... Dave Filoni is a massive Star Wars fan and an avid EU reader. So, from time to time, Filoni would bring up EU material for Lucas to consider during the story conferences, and they'd look at what was out there together.

But it's important to note that George's stance toward the EU didn't change and became a rule for everyone on the writing staff: the EU content was nothing more than a pool of "fun what-if ideas" that they could draw inspiration from.

If they could, they'd try to not mess with continuity... but if the story called for it, they could retcon anything without batting an eye. Because it wasn't canon to them.

It's why author Karen Traviss quit working with Lucasfilm after the Mandalorians were retconned into pacifists in The Clone Wars.

The only things that were truly canon were:

George Lucas' own word.

The movies.

Previously established The Clone Wars lore.

And that's it.

Everything else was somebody's else's concern. Not George's.

Sources:

This way of seeing the EU continued all the way to the time shortly before George sold the company to Disney as his drafts for the Sequels featured:

no Jacen, Jaina or Anakin Solo (Han and Leia's kids from the EU),

a still-alive Chewbacca (who died, later in the EU),

no "New Jedi Order".

Every version of George's Sequels ignored the EU.

Which would explain why the EU reboot was planned in the summer of 2012 (when Lucas was in charge)!

I'll repeat: the EU reboot was planned months BEFORE George Lucas sold the company to Disney.

Because of course it was! It's a natural result of 30 years' worth of content that's so intermeshed that it would stop future artists - namely George himself - from creating anything else.

Sources:

Exceptions to the rule:

1. Comics (kinda)

He did read the comics. Or at least, he gave them a glance.

Aside from the fact that he grew up reading comics, understand that George Lucas is a visual artist, first and foremost.

That's what he's about and that's what he loves, that's what speaks to him. There's a reason his upcoming Museum of Narrative Art will feature comic panels and pages of all kind.

During pre-production on Attack of the Clones and Revenge of the Sith, Lucas had the art team draw concept art before a script had ever been written so he'd have ideas for set-pieces.

Later on, J.W. Rinzler pitched him the idea of adapting his early drafts for Star Wars into comic form. Lucas' initial reaction was going "hell no". Rinzler had concept art made…

… and George took one look and was on board.

So it's not a stretch to assume that a book telling a story through beautiful drawings would catch his attention more than a novel.

Case in point: He knew who Quinlan Vos was and was enamored with the character. He knew Aayla enough to put her in Attack of the Clones after seeing a cover of Republic by John Forster featuring her (below, left).

(although, it's worth pointing out that he doesn't call her out by name a single time, in the director's commentary of the Attack of the Clones, she's just the "Twi'Lek Jedi" and her inclusion was done mainly to add more diversity to the Jedi fighting in the arena)

Over a decade later, when the comic Star Wars #7 came out in 2015, Lucasfilm acquired artist Simone Bianchi's original 20 pages and cover art for George, so he could feature it in his the Museum of Narrative Art:

So at the very least, he looked at the comics and admired the visuals.

Whether he actually read the comics in detail or just skimmed through most of them because he liked the pretty pictures (likelier, imo) is an entirely different matter.

Sources:

2. Video-Games (kinda)

Lucas would periodically check in on the status of LucasArts games, lending creative input and advice.

Sometimes, his advice ranged from "weird" to "he's gotta be fucking with us, right?"

Apparently, he advised the team developing Star Wars: The Force Unleashed that they dub Starkiller "Darth Insanius" or "Darth Icky".

And you know what? I have no trouble believing it.

Firstly because if you're going by the idea that he gave no fucks about the EU, then of course he'll come up with "meh" names. But also, this is the same guy who created "Winkie" in 2012/2013, the character who'd go on to be named "Rey".

He also told the team creating Star Wars: 1313 that he wanted a fresh face as the main character, then only weeks before the game was announced he went "let's make it Boba Fett".

Finally... the cancelled Darth Maul game by Red Fly.

Codenamed “Damage”, then “Battle of the Sith Lords”. Think Batman: Arkham City meets Star Wars.

Red Fly pitched it as a coming of age story where we see Maul be kidnapped, tortured, eventually joining the Dark Side, and ending in TPM. Then they had interactions with LucasArts and found out Maul survived his fight with Obi-Wan.

The game went through several iterations, partly because the people at Red Fly were kept in the dark about the developments in The Clone Wars (Season 4 wasn't out yet), and even when some tidbits came out and they knew characters like Savage Oppress and Death Watch would be included, they didn't get more details.

Whatever. They do their best to make something from what they're told. Then they have a meeting with George. As this GameInformer article explains:

“A friendly George Lucas entered the room and was eager to hear the pitch from Red Fly’s creatives. “Before they could finish their spiel, Lucas cut them off, stood up, walked over to [two Sideshow Collectibles statues of Darth Maul and Darth Talon], rotated them to be facing the same direction, pushed them together, and said ‘They’re friends!’” adds the source. “He wanted these characters to be friends, and to play off of each other. […] The problem with the idea of Maul and Talon teaming up for a buddy cop-like experience was that they were separated by over 170 years […] When this vast time divide was brought up to Lucas’ attention, he brushed off the notion of it not working, and said that it could instead be a descendant of Darth Maul or a clone of him.”

So now the game is about a descendant of Maul, guided by his ancestor and fighting a redesigned Darth Krayt, etc?

The game was eventually cancelled when George sold the company.

Worth pointing out that this was circa 2010/2011... around the time that George started working on his Sequels, according to Jett Lucas. And we know that the treatment for the Sequels that Lucas presented to Bob Iger featured old man Maul and Darth Talon as the villains of the trilogy... take from that what you will.

3. The Prequel novelizations (kinda)

They were all given a copy of Lucas' screenplay.

While most of their work was with Sue Rostoni, Lucy Autrey Wilson, and Howard Roffman on the Lucasfilm team (like some of the other authors), Terry Brooks, R.A. Salvatore and Matthew Stover all spent a bit of time with George before writing their respective novels.

George told Terry Brooks to write some additional material for Anakin Skywalker because there wasn't enough of that in the movie. He was shown rushes from the set, they "opened the safe" for him. When Terry had further questions re: midi-chlorians and the history of the Sith, George goes on a 30-minute monologue about all that.

R.A. Salvatore had a 45-minute interview with him that turned into a 3-hour chat. He was able to go back to the Ranch a few times during the writing process, and one of those times George chatted with him and his wife during lunch. He was shown various cuts of the film and concept art.

Matthew Stover and George talked for a whole afternoon (I'm gonna go out on a limb and assume he was also shown the other stuff like some cuts/deleted scenes, concept art, etc etc).

Was there a line-edit of the ROTS novel from Lucas? Regarding the Revenge of the Sith novelization, some people bring up the idea that George Lucas did a line-edit on the book because Stover wrote this statement on theforce.net:

That said...

Stover, also stated that Lucas told him to write whatever he wanted as long as it was good,

he also said he didn't actually see Lucas type the edits,

an anonymous Del Rey editor stated on theforce.net that the notion that George edited the novel himself is "extremely incorrect".

There's enough "reasonable doubt" for the argument to be made that the Revenge of the Sith novelization was edited the same way as any other Star Wars novel, rather than by George himself.

The fact remains, though, that it was a novel written by someone who understood the source material, as it was explained to him in detail by George Lucas himself (a luxury many SW authors never got).

Lucas' backstory for the Sith in the TPM novel: If Pablo Hidalgo is to be believed, the backstory of the Sith, as detailed in the Phantom Menace novelization, came from Lucas.

(Obviously, I'd allow for the very likely possibility that there was some embellishment by Terry Brooks)

20 years later, however, it seems George decided to stick to the idea that there was no war between the Jedi and the Sith.

Final thought:

A lot of people will insist that George was involved in spite of all the above-posted evidence. Saying stuff like:

"But [X person] said that it was canon..."

Sometimes, they’ll link you to this whole website collecting quotes of other people saying "the EU was canon" (never George Lucas except for, like, one/two quotes where he acknowledges the existence of Sequel books which MUST mean he saw them as canon, right?) and...

On the one hand... of course they'll all vaguely say he's "involved" and tip-toe around the subject; it's technically true and, again, they're trying to make money. It's a business, folks.

On the other... yeah? Duh. Of course it was canon to Lucas Licensing and the authors who wrote for the EU. But it wasn't canon to George. And I just gave you a whole bunch of quotes directly from him and/or the same people quoted on that website, all confirming that he didn't see them as canon and he wasn't involved (or barely was).

Other times, we're straight-up approaching "burying head in the sand/lalalala I'm not listening!" levels of justifications.

Like, we just talked about the Sith's origins, right?

I remember a while ago, this Star Wars YouTuber was reviewing this quote from Lucas, in The Star Wars Archives: 1999-1995:

The YouTuber's reaction the second after reading the quote is saying:

"And of course, what George is referring to, here, is the Battle of Ruusan and the Brotherhood of Darkness using the Thought Bomb created by Lord Khan to kill the Jedi Lord Hoth and…"

My guy! You read a whole excerpt that started with "there was never a war between the Jedi and the Sith" and the words "Ruusan" or "Thought Bomb" never being mentioned once in the passage (or in the TPM novelization)... and concluded that George was referring to the Jedi/Sith Battle of Ruusan? And all that other EU stuff?

See what I mean, folks?

Now, look, I grew up with these stories (heck, I grew up with these stories in three different languages). So I get it. I know they're awesome.

And, yes, there is a difference between the kind of content we used to get and the content we're getting now (for one, lightsabers used to be lightsabers, in video-games, not baseball bats).

But if you're trying to prop up the EU, the facts show that the "George Lucas signed off on them" authority argument isn't a valid one. Because he clearly wasn't very interested or involved in it.

And why would you want to use this authority argument, anyway?

You shouldn't need to say "this came from Lucas" to like those stories. They don't need to be George Lucas Approved™ to matter and to be validated as "worthy of appreciation". They're valid on their own, they're great stories. And if you like them better than the Sequels, go to town. I know I do.

The only thing you can't do (with a straight face, at least) is hold them up as "the True Lucas-Approved Canon™ as opposed to the Disney Trash" in a rant, because you'd be wrong and/or lying. Neither had Lucas' hand in them in any meaningful way.

Finally... I was devastated when the EU was officially made non-canon, in 2014. And for a few years, I saw the new Star Wars continuity through this lens:

"Any EU content is still canon unless it's directly retconned...!"

Trust me, when I say that only pain lies that way. Because that's not how a lot of Star Wars creators, including the Flanelled One himself, see it. The way they saw/see it is:

"Unless it's been shown in a movie or TCW... it's a legend, it might have happened."

This line of thought seems to be increasingly applied to the new Disney canon too, by the way. "If it's not shown on a screen, then it's probably canon yet also up for grabs to be retconned."

And the sooner you accept that this is how it's being treated, the sooner you accept that the EU was never canon to Lucas or Filoni...

... the less painful it'll be when, I dunno, you watch The Acolyte and it's nothing like the Darth Plagueis novel or Plagueis himself is absent, or he's there, but as an Ithorian instead of a Muun.

(note how I didn't use the word "painless")

[blackgirlblues]

Being A Black Girl: And Chasing Your Dreams.. Yikes.

Hi, 

It’s me, your resident black girl back with some new shit to rant about. I’ve been posting a few screenshots of short poems and paragraphs I’ve been writing on my phone as a way to heal and get over Capricorn boy from my last post on here and I see you guys like and reblog. Thank you for showing love, although it makes me sad that so many of you seem to be going through the same range of emotions I am. I’m sorry. 

I know it’s a lonely place to be in. 

But, on the bright side, I’ve got a lot of new followers joining the diary/manual/rant page that is blackgirlology and it’s nice cause I think it’s becoming a little bit of a community. So, in a way, were never really going through any of these emotions alone. If you’ve found this page-you’re part of a community. Bask in it. 

Anyways, that aside, a lot has happened since I last spoke to you. I don’t know if any of you may remember, and for some new people this will be a surprise. But I’m actually a singer songwriter from Ireland. Moved to London a year and a half ago to pursue my music dream and that’s how I met Capricorn boy whos been the source of all my poems. 

Throughout this time in between, I’ve been trying to chase my dreams, and chase them relentlessly. and this summer i did just that, let me tell you, what im about to tell you guys, is to put it simply, wild. I’ll just cut to the chase. 

It all started in July. I’d been in London for quite a long time now, over a year and now have a manager who’s my best friend first and foremost. We’ll call her Maya. I met her in my first week of moving to London in the student halls I was staying at and we became best friends pretty quick. She studies music business, so it made sense and she just naturally ended up taking up the role as my music manager. Shes seen everything. The songs I wrote about Capricorn boy, the tears, everything. And she saw everything this summer. 

I saw an ad for a record label opportunity in London. It was advertised on my university facebook page; a new indie label, looking for demo submissions for a competition they were setting up to find their new signee. I sent a screenshot to Maya who agreed I should send my stuff in. I did, they liked it, I got a meeting, we were sent terms and conditions for the competition. We signed it, the rest was supposed to be history. 

Big yikes. 

There’s so many layers to this story that I will be shortening it, just because it can get very draining for me to talk about or even write about. I’ve healed from it i think, but I still want to put it here and write it about to finally close that chapter and be done with my feelings about what happened to me and my music. 

Basically, the whole competition, the record label, the dickhead CEO, it was all a scam. I had accidentally signed away the master rights to my new song to a record label started by a fake CEO who was committing fraud and known for tricking young artists into handing over their master rights so he could profit off of them, for power. 

It was a mess. Another contestant told me and Maya when we were outside of their office. Just minutes before we were under the impression that I was doing an interview for Billboard Magazine. Honestly, I never truly believed it. Shit was too good to be true. 

But she told us everything. How he was actually a run away from Spain, where he was caught and exposed for doing the exact same thing to artists there, how he didn’t have any money to fund the competition he had somehow roped all of us into, how he was illegally avoiding paying his team, how none of the creatives we had collaborated with for photoshoots etc were paid, how everything was a lie, how he didnt have any connections, and how he was trying to convince me specifically to sign a 360 deal with his label. 

Which, guys, I’m not stupid. After the first week of being with the label for the competition and letting my song live through their disastrous marketing campaign, Maya and I long decided that regardless of what they said, I would not under any circumstances be signing anything with any entity of their company. 

After being told the truth, I had to sit down. You see, when I came across this opportunity, I thought this was finally the life I’d been manifesting coming true. I had begun to grow in my spirituality and start journaling, writing down my manifestations, and getting to work with a record label who would later offer me a fair contract before I turn 20 was one of the manifestations I had written down every night before I went to bed. However, what I’d gotten was the exact opposite. 

I remember, me, Maya, and 2 of the girls from the competition all stood around in a circle outside of their new office that the CEO also hadnt paid for wondering what our next move would be with this new information. There was still 2 other contestants inside who had no idea what was really going on was an elaborate scam. One of them wanted to go in and expose them on the spot. I said no, we had to go in and pretend like everything was normal until we figured out what to do afterwards. 

So in I went, plastering the fakest smile on my face and pretended like I still thought I was about to be speaking with Billboard Magazine. Once I got out, I broke down in Maya’s arms. 

I went home to my flatmates, Ellie and Bea and cried for hours before I had to go work a 7 hour shift at a pizza place. 

I stayed in bed, and cried, and cried. and cried again. I didn’t get out of bed unless I needed too. The only people I talked too were my flatmates E and B and Maya. 

Everything was sorted out eventually, a lot more happened, but as I’ve been writing this article for you guys, I realised that all of that stuff is no longer relevant to my journey and isnt something I want to bring back into my energetic circle because I’ve made peace with the fact that a lot of people who betrayed me when I was at my lowest, peace with the fact that these contestants who wanted to “work together” to get out of this mess, actually wanted to save their own asses and leave me in the cold. 

But I still got out of it and I’m still here. 

I nearly got sued by a man with less than 20 pound to his company account online, but hey, I’m here.

I guess why I’m telling you guys this really short account of my summer is to both record it for myself but also to say its okay to flop, its okay to fail. I did both this summer. and thank god i did. it was the best thing that ever happened to me. 

following your dreams is scary, doing it as a black girl is terrifying because society has already kind of set you up to fail. there’s already misconceptions about what you do, who you are, where you come from and how good you’re going to be at what you do. its almost like we cant fail and we need to work 10 times harder to obtain half of what the average white person will get. and sometimes it can feel like we dont have any space to fail or make mistakes because of this but let me tell you thats not true. 

if anything, the universe will put you in places that will force you to grow through the mistakes you make. and thats exactly what happened to me this summer. 

i chased my dream so relentlessly i ended up in an environment i thought i manifested, i thought was good for me, only for the universe to show me that that specific environment i’d been wishing to be in is the furthest from what i need right now in my life. 

this so called failure showed me that not everybody who smiles can be trusted, and that people can be way more deceiving than i ever thought, especially when push comes to shove and they need to save themselves. you start to see the real them when it starts to get tense. the people who seem to be around you when you’re doing good will most likely dissapear when things start to go south, including some of your oldest friends. you will get radio silence on their end. be upset. cry. but after that be glad that this situation revealed their true colours. 

and then never put any more energy into them again. 

this failure showed me how fucking strong i am. how resilient and kind i am even in the face of disrespect and actual evil. it showed me how much i can care for someone who i believe is at a risk of losing it all, and showed me that this will not always be reciprocated. and for a while i thought that meant that i had to harden myself up and grow a shell. but i dont think so. i will not allow the things ive been through to make me into a hard person when i was born soft. i mean now, im a little rough around the edges, jagged enough to cut anyone who comes too close with some of that bad energy, but soft enough to hold myself tight and glue myself back together when i need to. soft enough to hold the people who held me this summer. soft enough to help people who i know deserve it. 

im a good person in a shitty world, i don’t need to match the world and become a shitty person to survive. 

after all of this happened, i stopped writing music. 

i haven’t written anything properly or produced anything in months and sometimes i get worried that ive completely lost my talent. but thats another thing that this failure taught me, i can never truly lose whats meant to be mine. i know that i was put on this earth to create change, to inspire, to be an activist and a voice for people who dont have one. i know i was put here to do it through a creative medium and right now i still think that is music. 

i think i just need to stop being so scared to start again, to learn my craft again.

i used to be so scared of failure but now i am so thankful for it and the lessons its taught me. i had so much hurt and pain and hatred in my heart for the universe for, in my head, doing this to me. but then i realised that the universe never does anything to you, it does it for you. all of this happened in my best interest and while i definitely didnt understand at the time, i get it now.

thank you universe for the worst summer of my life. 

and my black ass will be continuing to chase my dreams relentlessly, failing, tripping and falling on my ass until i get to the very top. 

besides, if everything had just gone right, that wouldnt have been very interesting, would it?

[franeridart]

WHOA BLACK CLOVER HAS AN ANIME NOW I GOTTA GO WATCH IT

Well, only the first episode for now but yeah!!! I can’t wait for my favs to show up aaahhhhhh!!!!!! 

Anon said:Omg, Kirishima, please teach me how to put on eyeliner, your eyeliner game is on point! (Seriously, tho, I love how you draw their eyes and how you draw Kiri in general. He seems so soft. Damn, Bakugou, I'm jealous that you can cuddle him)

THANK YOU!!!! And Kiri has really really pretty lashes in the manga too, doesn’t he? Bakugou too! They have seriously pretty eyes I spend a lot of time trying to get that right when drawing haha still not as good at Horikoshi tho after all, but what can we do~

Anon said:Every time I get a notification you posted something I get extremely happy! That's what your drawings did to me. How can one be so talented.

SOB thank you so much!! You being happy makes me happy so it’s happiness all around!!! What a good!!!

Anon said:Heey!! So I've been wondering... if Aizawa used his quirk on Hagakure would she become visible?? (Btw love your art)

Oh my what a question, I was actually talking about this not too long ago with a friend! And the conclusion ended up being that if her invisibility is a permanent mutation he can’t, but if she can turn it off at will then probably he can too! Right now we still don’t know how exactly Tooru’s quirk tho, so we can’t be sure which is the truth! (I like to think she can turn visible if she wants, but that’s just an headcanon with very little basis haha)

Anon said:Your erasermic art has blessed me 4ever thank u

NAH thank you for liking it and letting me know, man!!!

Anon said:I DIDNT KNOW YOU SHIP ERASERMIC OH MY GOD but seriously you're one of my favourite artists and the fact you like pretty much all the same things as I do is so amazing to me and it makes me so happy because I know that you may draw more of it in the future and I'll get to see more beautiful art if that makes sense lmao thanks for creating stuff 👌👌

Hahahaha yeah it’s one of my top ships in the fandom! Also the only one I read fics for aside from krbk I love them A LOT (and it’s all thanks to my sister who directed my attention towards them a long time ago now, thank you sis) so yeah I’ll definitely draw more of them in the future!!!! And thank you so much for liking my stuff!!!!!

Anon said:Hi! I just want to say I love your headcanon of Aizawa becoming a mentor/role model to Bakugou! Thank you for introducing me to that idea!

YOU’RE MOST WELCOME I’m just a huge huge huge fan of the Aizawa&Bakugou interactions and how much Aizawa cares for him and how much Bakugou respects and trusts him in return, so!!! I’m mostly just pushing on that canon stuff hahaha

Anon said:HORY SHEET BOYO THAT ERASERMIC SHIT IS GOOD SHIT

THANK YOU FRIEND!!!

Anon said:i came to love erasermic thru kiribaku tbh. like i saw erasermic fic in the kiribaku tag on ao3 and i read it for the bg kiribaku (kirishima was such a good boi in that fic ngl) and i was like hey erasermic isnt bad. then i saw your art of them comparing them and i was like hey this is good shit 😁👌👌👌👌👌👌👌👌👌 keep it up pal

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’ll t r y !!!!!!!!!!!!!!!!!!! :O

Anon said:Do you think Kyoka and Katsuki could get along? Over their like for punkrock maybe, and their gayness. Kinda like Todoroki and Momo's talks about their tiny crushes.

WHY YES ANON I think they could be the bestest of pals, I’ve actually drawn them together now and again cause I like the idea of them being friends so much - a list of some of the things Bakugou and Jirou do together:

make fun of Kaminari (Kaminari feels attacked and liked it better when Jirou was convinced she didn’t like Bakugou)

share music recs and go to concerts together (when it’s big ones they particularly care for they stand in line The Whole Day and at first it used to be sorta awkward but now being together makes the hours fly)

mutter sass and snark under their breaths to themselves in class and without meaning make the other snort or have to hide an actual laugh (they sit next to each other in class did you know that that’s my fav thing tbh)

say “god, I’m so fucking gay” and answer “mood” whenever Kirishima and Momo, like, exist or do anything equally outrageous

sit next to each other with their phones in hand in silence and at the same time look up with an intense/bored/obviously-judging-sero-come-on-look-at-them expression whenever anyone walks past them (they’re actually playing bullshit app games)

play bullshit app games in co-op or having each other as friends to earn more rewards cause they have a No-Judging policy going on between them that makes sharing this sort of otherwise embarrassing stuff with each other okay

Anon said:Hi!!! I love your art and I just wanted to ask....what band were you referring to when you said Mic named him after the band "eraserhead"? Could you possibly be talking about the filipino band "Eraserheads"?

Yeah!!!!! Tho I’m sorry to let you down anon, but I haven’t actually ever heard much from them (justttt one song two days ago cause I got curious) - I found out about them while looking up the movie!

Anon said:I love how you draw mic with his hair in a bun. It's super cute

THANK YOU!!!! But I can’t really take the merit for that, since that’s how he actually wears his hair (more or less) when he doesn’t gel it up for his hero costume!

Anon said:What is your favorite kiribaku au? :D

Oh boy, I sort of love everything and anything I’ve ever seen/read tbh, I’m a HUGE AU lover!! At the moment to anything with the fantasy AU (and dragon!Kiri is always a super welcome plus) is gonna make me go :O !!!!!!!! hahaha so maybe that, who knows! It’s for sure the one I think about the most!

Anon said:Hellooooo i love your art so much? Especially the bakushimas oh my god (also do you plan on drawing more soul eater *coughs*-deathstar-*coughs* in the future?) Have a good day!!

THANK YOU! And I dunno, maybe! If inspiration strikes, why not!

Anon said:hey guess what i just did... went through your ENTIRE art tag (all the way back to the knb and one piece), i found it really cool to see how your art has developed and see what your fav ship is at a certain time (and how you always come back to bokuroo)

Ah man thank you for spending all that time on my blog hahaha I wouldn’t say I always go back to bokuro though? It’s more like... whenever the manga brings the bokuros back I’m ready to start hyping all over them again hahaha my bokuro periods always happened while they were doing things in the manga, after all~

Anon said:u said u couldnt draw iida, lie of the century. i lvoe u

AHHHHH I’m glad you liked him!!!! I spent lotsa time on him in the past month or so trying to get a grasp on him, so I’m really seriously happy it seems to have paid off!! to quote Todoroki

Anon said:where’s ur faq i’m on mobile

SORRY maybe you already noticed but I added the link in the description! 

Anon said:have you ever thought about if eri-chan can... erase her own quirk?? and would how they might handle it

Actually that’s the first thing I thought when Mirio got his own erased... well, it still depends on what exactly Eri’s quirk does? We sorta assumed she had the same quirk as Chisaki, but they aren’t actually related so who knows? I sure hope she can fix the damage done on Mirio, tho!

Anon said:I ADORE YOUR ART SO MUCH OH GOD HAVE A NICE DAY FRAN

OH MY GOD THANK YOU I HOPE YOU HAVE A NICE DAY TOO!!!

Anon said:Usjeiwiwj oh man, i love cats, my cat relates to urs big time ajsjehej

Cats are such a mess and I love them with all of my heart to be honest hahaha

Anon said:Do u have any, idk idea about traitor!Kaminari? I just imagine how would others react? I think it's hella sad, and still Denki never wanted this, something just go wrong in his life and it's breakin my heart... ARGH, sorry for interrupt you with something like that...

It’s okay, don’t worry about that haha but I can’t say I find the theory possible in the least, so I haven’t really spent time thinking about it at all? I mean, I can imagine it would be full of angst and regrets and a lot of tears and anger mostly from his close friends, but since I just can’t believe this theory I can’t say I have anything specific I can give you on this orz sorry!

Anon said:Who's get jealous and possessive between bakugou and kirishima?

Actually I dunno man, are they possessive and jealous? I feel like they both would like it when the other told them stuff like “I’m yours” or “you’re mine”, but being there complete and utter trust between them they wouldn’t actually be jealous or act in a possessive way... does that make sense? At most I think they’d be insecure in the beginning of their relationship, but once they managed to make it clear that yes, you’re the one I want, no one else, just you then they would have little to no problems in that sense haha

Anon said:So many people seem to misunderstand bakugou and I just really like how you portray him. Good characterization and good art! 💖✨

SOB THANK YOU !!!!! this means the universe to me oh g o d s!!!!

Anon said:Wait!! This isn't your main blog? Omg how did I not know this. What is your main blog (if you're willing to let people from this blog follow it haha)?

AHHHH yeah I have a main one this one is just for my doods!!! the main is @franeridan, if you wanna follow it! I’m mostly just crying over bakugou and kirishima and complaining a whole damn lot about... everything, tho hahaha

Anon said:I'm not the anon but u know the concept that kiri n Baku would meet when they were younger and when Baku was more... violent? (i know that's not the right word, I'm not a native speaker sorry!) Like I think kiri could actually make Baku less of a bully? Considering how much positive impact he had on his personality AFTER it already developed (like idk if this ask makes sense? What do u think?) ◇ (btw putting smth like ◇ was a genious idea ty, idk if u remember that ask tho?)

Yeah yeah yeah yeah!!!!! Actually I’ve been thinking about this A LOT in the past couple of days and my conclusion ended up being that the key would be either for Kirishima to know Bakugou since they were really young OR for him to not attend Bakugou’s same middle school? Like, if they developed their personalities together, having someone like Kirishima around since they were kids could have made Bakugou develop differently, but if we go with the “they met in middle school” scenario then I think Kirishima would have had the same sort of...soothing? Effect on Bakugou only if Bakugou didn’t see him as a threat to his dream of being the only kid from that middle school to enter UA. Well, a scenario in which they had known each other since they were small young babies and Bakugou reached middle school going “the only one from this middle school to enter UA is gonna be me and Eijirou”, that would have been hella cute wouldn’t it hahaha growing up with a notion of us instead of just me would have changed Bakugou a lot, I’m pretty sure :D

[casscutting]

Author Interview: David Viergutz

I had the pleasure of meeting David (online) by complete chance. I was mindlessly scrolling through my Instagram feed one night and came across a post from a writer that I follow. He had just finished reading this book with one of the most beautiful covers I’d seen in a while. I read the caption then immediately went to Goodreads to see what this book was about. I was HOOKED from the synopsis and added it to my “Want To Read” list.

I went back and commented on that post, gushing over the cover and saying how I needed to read this book. Sometime after I get a message request from this guy, David Viergutz, I am shit with names until I get to know someone (online and in-person) so it never dawned on me who it was.

But I opened the message and he was saying how he saw my post and offered to send me an e-book in exchange for an honest review and I JUMPED at the chance and I am glad I did. I knew from the first page of his book I was going to love it and I did. I also hoped that he would be down for an interview and I was elated when he said yes.

David is an amazing writer and author and I look forward to seeing his career take off because I know it will. I encourage every one of you to go and get a copy of his books you won’t regret it.

Why don’t we start off with an easy question, why do you tell us who you are and a little about yourself?

So, I’m a bit of an oddball in the writing community, or so I feel. I’m a father of two (15 and 2, yeah…I know…) and a Law Enforcement Officer. I joined the Army straight out of high school and became a LEO shortly after. I had ZERO idea I wanted to be a writer. It wasn’t until my wife came around, about 10 years later, who convinced me I COULD be a writer. It was interesting, she looked at me and said, “Write the damn book!” after we had discussed how I had wanted to write one since I was 12. Like so many others, writing fell to the wayside as work took over.

Besides work, and writing, I’m a personal trainer and have my own business, and I recently dove head-in to leatherwork. I’m still learning, but it’s fun.

My wife is also a LEO and a medical student. I’m just counting down until residency so I can retire at 32 and write full-time, haha.

You are the author of The Box And The Bird a novella that came out in October 2019 as well as The Demonic Compendium a wonderful novel that I've had the pleasure of reading. Can you tell my readers a little about these books?

The Demonic Compendium is my flagship into the world I am writing. I never set out to write a book, I set out to create a universe. Most of my favorite series end so soon and I wish there was more. In writing epic-fantasy, I wanted to make sure this wasn’t an issue for my readers. That being said,

The Box and the Bird is a taste of The Demonic Compendium Universe, also known as The Darkenverse. (Think Marvel Cinematic Universe or the Star Wars Expanded Universe). This book is a fast-paced intense read that follows Samantha Lawson as her husband Richard returns home from a business trip with something terrible. This book ties into the main universe, but is not considered on the main timeline. I offer it free on my website davidviergutz.com.

The Demonic Compendium is my bread and butter and the first of many in the series. While it is epic fantasy, I bring in some elements that I think set it apart. Anti-heros, doom-and-gloom, dread, epic-battles and a fully immersive world. One reader said he felt like he wasn’t just in the story, he was also watching my main character Shaw cast wild demonic-magic and tromp through the castle.

The Demonic Compendium takes place in the wake of a terrible tragedy that has befallen a budding kingdom. We follow Shaw as he is forced to make terrible decisions for the greater good, and hopefully, find his purpose in the process. Not to give too much away, but there’s a reason my personal mantra for writing is:

“The hero doesn’t always win. The good guy doesn’t always get the girl. Things are going to get a lot worse.”

What was your inspiration for these stories, where did the original spark come from?

Well, I truly wrote the book I wanted to read. I thought back to a few captivating moments from what I’ve read and seen in movies and wanted my readers to get chills as they read the epic moments. Think about when Gandalf stands on the bridge with his infamous line. Or King Leonidas when he boots the emissary into the hole. Or when the Red Ranger screams “Tyrannosaurs!” I wanted a book FILLED with those moments, so I focused on those big events, and built a world to fit it.

The Demonic Compendium is the first book in your debut series, how many books do you have planned for the series altogether?

It’s hard to say. I’ve purchased covers for three additional books, as well as a novella from the same timeline following another lead character. As long as my readers love it, I’ll keep writing it. That said, I have a new series flagship releasing this year in the urban-fantasy genre.

Steering away from the book related questions. When did you first realize you wanted to be a writer?

I spoke above about my wife giving me inspiration to write this particular book, and get to the end of it, but my overall spark came when I was about 10 years old. I carried a black notebook with a home-made floppy-disk holder on the inside cover. I’d write my story paragraphs out, then read them to my friends and transfer them to the floppy disk.

This was my art, because I had failed art…I couldn’t connect two dots, I would have just eaten the crayon because I thought the assignment was stupid. I find my ability to write is a carry over from my ability to speak, so I stuck with what I was good at.

From idea to publication about how long does it take you to write a book?

Planning and plotting are about a solid two weeks (part time, a few hours a night). After that, my pace is a steady 1000 words an hour. On a good day (I’m married with kids remember) I can pump out 10k if I’m left alone. Most of my books are planned and plotted for 100k, minus the novellas. So, math aside, I’d say 30 days. I wouldn’t say a month, because life likes to drop a dragon in my living room. Now that I have my business processes down, 30 days is an accurate guess. When writing TDC, I had to learn the business, hire a cover artist, formatter, etc, so that delayed my process.

Both of your current books are indie published why did you choose to go this route and not the traditional one?

I love working for myself, and as I see my books as my art, I am reluctant to give that up. I’m very much a self-made-man, and I feel when my writing is loved and only my own efforts are responsible, it’s just that much sweeter when I make a single sale.

Which authors inspired you to write?

This is a tough one, as a lot of authors I enjoy have a lot of overlap. I prefer their methods instead of just their stories so I’ll mention those. From Dean Koontz, I loved The Husband for the mind-bending twist. Michael Crichton for the adventures in Jurassic Park, and Garth Nix for his epic magic in The Abhorsen Series.

What is the best writing advice you’ve heard?

Write the story you want to read. You don’t need to please everyone; you just need to please your fans.

Can you tell us about your writing process? What’s a typical writing day for you?

I’m a musically motivated to write. When I sit down at my desk, I make sure the music I’m listening to matches what’s happening in the story. There cannot be any words however, it must feel like I’ve got my own theme-song as I narrate on paper what I’m seeing in my mind.

My process is that of a plotter. I start with my epic moments, then think about who I want to be a part of them, then build in my what-if statements.

What-if a dragon lands in my living room? What-if it looks terrifying?

Now, I’m forced to answer my own questions with more plotting.

And then it seems to be entirely confused. And then it has crippling self-esteem issues.

I then arrange these series of thoughts into an outline, expand on them, and use that to write pages.

If the perfected productive writing day existed what would it look like for you?

I’m an easy fellow. 5:00 AM-6:59 AM workout. 7:00 AM-7:59 AM post-workout shake, shower, get ready, chores at home. 8:00 AM-11:59 AM in the office with hot coffee. 12:00-12:44 PM break to warm up meals and walk around neighborhood. 12:45-3:45, edit what I just wrote 4:00PM-5:00 PM, marketing, social media and business functions. 5:01-8:00 PM family time to include dinner. 8:01-11:00 PM, read, more writing or hobbies.

Why do you write?

Because I can’t afford to pay an author to write books exactly how I want to read them. I love my own stories.

What is the hardest thing about being a writer?

Okay besides the usual gripe that I hear/read people hear/write about, self-esteem, doubt, anxiety, introverts, socially awkward etc.…

How about the fact that we’re trying to make money on a commodity that has fallen to social media, instant gratification, and the digital age? The average e-book sells for $2.99. That’s a lot of books to sell just to fill the gas-tank.

What are you currently working on?

Book Two of The Demonic Compendium: The Queen of Duska Cereal of Third City: A novella from the TDC series timeline

The Bullet Board: An action packed urban-fantasy heist.

Lastly, what is the best advice you can offer someone who dreams of one day being an author?

Fake it until you make it. Undoubtedly you know something I don’t about writing, even if you’ve only written a Facebook post. You are the expert of YOUR stories. Stop looking for validation from others on how THEY would change YOUR story. 

If they don’t like your story, they can write their own. Give yourself some credit and when you’ve finish something, anything, show it off, and be proud, it’s your art.

Author Links: Website Instagram Twitter Goodreads Facebook

Book Links: Goodreads Amazon

Question of the day:

If you could ask your favorite author a question what would it be?

[tribelamag-blog]

Santa Barbara Does the TribeLA Musicians Acrostic Interview #Santa_Barbara_Band

New Post has been published on http://tribelamagazine.com/santabarbara-acrostic/

Santa Barbara Does the TribeLA Musicians Acrostic Interview

#tribelamagazine #santabarbaraband #losangelesband #allartallthetime

photo by Emery Becker

The band, not the city.

T

Natalie Durkin (TribeLA Magazine): Give your band a Tagline.

Cassie (Santa Barbara):��The band (not the city)

Nick (Santa Barbara): Nobody said it would be easy, or fun, or even actually worth doing, but here we are

Geoff (Santa Barbara): “???”

R

ND: What got you started in music? What is the Reason you are where you are today?

Cassie: I moved to LA from New Zealand 3 years ago to be an actress. LOL. I’m so glad I’m not doing that anymore. I bought a guitar and started a band at the end of 2014. – I really regret not doing this sooner but [to be honest] I don’t think the music would’ve been as good. I’ve definitely found the right people and place to be doing this and I have found clarity and purpose that I’d never truly felt til now. 

  Nick: When I was 6 years old a local music teacher in Christchurch, New Zealand came to school and did one of those mass workshops where he was trying to create interest in his lessons. He played everything, pretty badly, but it still blew my mind. He played the theme from the Blues Brothers movie on piano and guitar i think but his pièce de résistance was his drum solo. He made this sound that resembled a herd of elephants and I was hooked. Got picked up from school by my mum and dad and told them (before I even had my seatbelt on) that I wanted drum lessons. I remember EVERYTHING about that moment down to the sun shining through the window onto my legs to my mother’s relatively disinterested “un huh, ok yeah, we’ll talk about it”.

  Geoff: I am just compelled to do so.

I

ND: What effect (Influence) do you hope to have on us?

Cassie: I agree [with Nick, below], to move people. There are so many songs that have had a huge impact on my life and to write a piece of music that has the ability to resonate and affect someone emotionally would be so amazing.

Nick: Simply to make you feel something, something genuine and significant. What that is will vary from person to person, but the intention is always the same. Move people.

  Geoff: That you become open, like a flower to the universe.

B

ND: What do you do when you’re stuck (Blocked)?

Cassie: Play with my dog.

Nick: Something else.

  Geoff: Have a drink.

E

ND: What fires you up and gives you Energy?

  Cassie: Playing with my dog.

Nick: Red Bull (necessary evil). Other than I’m a pretty chilled character. There’s never any need to get fired up before a gig, the desire to not suck is plenty of incentive for me.

  Geoff: I wish I knew, it just happens randomly.

L

ND: Can you share a Little known fact with us?

Cassie: I’m a HUGE Best Coast fan and when I had just moved to Los Angeles I saw Bobb Bruno outside the Largo and I freak out. A friend that I was standing with knew him and they were talking and I was so star-struck that I blurted out “Oh my GOD! Do you KNOW HIM?!” It was so weird and awkward and I basically hyper-ventilated. I was so uncool and that was one of the most embarrassing moments ever…

Nick: I probably could but then that would contribute to it becoming slightly less ‘little known’. Nice try.

  Geoff: There are points in the pacific ocean where if you went straight down through world and out the other side, you would still be in the pacific ocean.

A

ND: Where is your favorite place in Los Angeles? Where would you take visitors? If you could defend the city in one sentence to someone who doubts it, what would you say?

Cassie: Lotus Vegan in North Hollywood is my favorite restaurant and all-time happy place here in LA. I try and take everyone I know there when they come to visit.

Nick: I love the dive bars. I love that side of LA, the history of [low quality] bars and dirty neighbourhoods where interesting people developed their experiences and then turned them into something worthwhile. I also love the desert and the M.A.S.H filming site. Haha. Defend the city? LA doesn’t need me to do that, LA’s too busy thinking of itself to be bothered by what I or anyone else has to say anyway. It’s the ultimate ‘overheard in LA’ story. 

Geoff: Happy Hour.

M

ND: Briefly chronicle your creative process. How do you like to Make art?

Cassie: I get really inspired by songs I hear… I kind of go in with the attitude of wanting to write a song “like that” and it usually ends up being a springboard into a melody or tune that is completely different. Lyrics are almost always fictional, I prefer not to pour my literal heart out. Though when I do… I might disguise it by singing about a “character” and their lives.

Nick: Set aside the time, turn away from all distractions and laugh for a while before starting. All art requires humour somewhere in the process, even if the result contains none. Do the hours until you want to stop and then do something else. 

  Geoff: Some idea from the ether. a desperate process to make it real. A finality, a mingling of success and despair.

U

ND: What is coming Up?

Cassie: We have an upcoming October Residency at Harvard and Stone.  So excited for this. We have some amazing bands joining the line up and it’s at our absolute FAVORITE live music venue in LA. It’s gonna be awesome.

Nick: More playing, more video making, more writing and more living. Keep doing that until you cannot do any more. If that is my future, I will have lived well.

Geoff: More work

S

ND: Describe your Style – musically and otherwise.

Cassie: Super low-key and comfortable. I pretty much live in baggy t-shirts and docs. Musically, 50s doo-wop meets Nirvana meets Best Coast meets Rilo Kiley meets Iron and Wine meets Lucinda Williams.

Nick: I don’t have much personal style, I only know what I don’t like. Musically? Hopefully my own.

  Geoff: Whatever comes… just not folk music alright. 

I

ND: What is the best advice you’ve received and the best advice you can Impart on us?

Cassie: Don’t cry over someone who won’t cry over you.

  Nick: It’s far better to have a dream than to achieve it. For both.

Geoff: Try to not care so much.

C

ND: Any Closing words?

Cassie: Thanks for reading this. Hakuna Matata.

Nick: Hope is all sustaining and achievement can both capsize your ambition and rob you of the most precious thing an artist can nurture; the all consuming desire for what is still possible.

Geoff: All organised religions are systems of control.

  more Santa Barbara

Apple Music / Bandcamp / Facebook / Instagram / SoundCloud / Spotify / Twitter

[rbeatz]

Revolutionair and an Interview with its Creator, Run DMT

Run DMT is a DJ/producer/label owner/and radio host – a combination that is becoming more and more common these days, with the creative musician taking on all aspects of music managements and content distribution.

When I first heard the producers new album, Revolutionair, I immediately thought of Bassnectar with unique cinematic arrangements carried by heavy bass. This guy is a student of music production, unique percussive elements, and the arrangement game.

This guy has produced for music festivals, with live sets at Electric Daisy Carnival, Camp Bisco, Coachella, Wakarusa, and many more. He has produced official remixes for the likes of Bassnectar, Major Lazer, Diplo, Asking Alexandria, Twenty One Pilots, and The Who. He’s produced for the Mortal Kombat Soundtrack and television commercials for Titanfall and ESPN.

We had the pleasure of interviewing the eclectic artist below. You know the drill, press play on the Soundcloud embed below to listen to his new album, Revolutionaire, and read the full interview below for the FULL Run DMT experience.

Click here to support the artists by purchasing the full album, Revolutionaire, on Beatport.

INTERVIEW:

Where are you from and how has that shaped the musician you are today?

I am currently Dallas TX, where I am from, but I spent several years living in Austin. It was really cool being around all of that music and art. SXSW was a really cool experience in which to be involved all of those years. It gave me a solid foundation of how the music industry works.

What instruments did you play when you were younger?

I grew up playing a kids drumset and piano. As I got older, I was pushed into learning Bagpipe (my family) and the clarinet as I got older, but on my terms, I learned the guitar and fell in love with it.

Are there an instruments that you currently wish you COULD play?

I always wanted to play the violin. I love the sound of it. Any of the bowed strings really. Cello, double bass. I think it would be really cool to play any of those.

Tell us the story of how you started creating music on your computer?

I started messing around on the original Fruity Loops around 2001, around the same time I started learning how to DJ, just making simple beats and rendering them out to mp3 and burning them to CDs. It blew my mind to think that I could do that. Right before I went off to college, I ended up getting a copy of Fruity Loops 3 (The Current version at the time) and really going all in. I met a group of DJs at Baylor University who expanded my understanding of electronic music and DJ culture, and that pushed my desire to realize my ideas on my computer.

What was your favorite studio moment when producing your newest album, Revolutionair?

I had a lot of fun writing Analogue Noir because I spent a lot of time recording foley stuff in my studio and running it through a reel to reel machine to try to catch some extra texture on the samples. This includes lots of dead record sampling and looking for those perfect moments of white noise, pops, clicks, and organic rhythms. I am starting to move into a place where I am looking outward as much as inward for musical inspiration.

What do you like to do when you’re simply hanging out – aside from music?

I love film. When I am not making music, I am either watching movies, or I am working on my video editing and After Effects skills and watching videos about how to be better at said things. It’s just a hobby, but I am very passionate about it.

Who are your musical influences?

As a kid, I was brought up on Queen, Eric Clapton, Van Halen, as well as a slew of one hit wonder 80’s jams. I grew up listening to everything from hip hop to metal to punk, until I saw Come To Daddy by Aphex Twin on MTV2 at about 2am when I was 15. That  changed everything for me because I didn’t know music could do that. I had of course heard Crystal Method and Prodigy, but that was still radio music to me. This song proved to me that anything was possible with electronic music. From there, I moved on to artists like John Digweed, John B, Pendulum, onward to stuff like Flying Lotus and Eskmo. I am heavily influenced by Ninja Tune Records material from the 90’s and early 2000’s. I loved DJing that stuff. All of this has sort of molded the music I make now.

Who is one of your favorite acts right now to watch live?

Shpongle Live at Camp Bisco X, bar none best show I have ever seen, and I have seen Eric Clapton at Royal Albert Hall.

What are some of your favorite venues to play and why?

I love playing all types of venues. Its all about the vibe. Most of my favorites have been bought out and changed unfortunately. Barcelona in Austin and Webster Hall in NYC are def two of my favorites. Tons of good memories

Do you have a festival you’re most looking forward to this year?

Well I just played a smaller festival where I got to share the stage with Ivy Lab, LTJ Bukem, Reid Speed, Shpongle, and Noisia, so that was pretty cool.

  You’ve had your music contracted for a variety of mediums. Do you like hearing yourself on TV over a big festival or video game? Do you have a preference?

I am just glad that people get to hear the music I make. That is about all I can ask for. If this music is part of my legacy on this earth, its amazing to be able to share it with so many people.

What DAW do you use and why?

FL Studio, because its awesome. I have a saying when it comes to DAWs, “If you are good with a sword, don’t pick up a bow.” Use what is most familiar. I love the EQ and built in plugs as well as the layout.

Do you have a typical music production process? If yes, can you explain it?

Not strictly, but I am prone to working on melodies and vibes first. I typically get ideas at home that I take in to my studio. It is hard for me to force creativity, so when I have off days, I spend time recording foley or synths, making noises.

What is one of your favorite or go-to VST Plugin?

For engineering, Waves anything and Izotope Alloy For synthesis, I am starting to learn Reaktor. Its crazy

Do you have a key production tip for our young producers out there?

Keep your musical palette wide, Don’t listen to a bunch of Style X, then try to rinse and repeat what you just heard. Try to create something that defines you.

What is your favorite color?

Green

What food do you eat the most?

These days, spinach salads

Do you have a favorite in-studio snack?

Gummy bears, for sure

What is your favorite social media platform and why?

eh, i don’t know. They are all just necessary evils to me.

What is next for RUN DMT?

I am finishing up a big remix with Vorso, as well as releasing a slew of remixes form the Revolutionaire album. Finishing up a few things for my side projects, and running my Kill Your Ego label and podcast network. I am a busy dude

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