#Arturia Matrix-12

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Arturia Matrix-12 Download

Tech Specs (MAC & Windows)

Software Type:Music Software

Platform:, MAC & Windows

Upgrade/Full Version:Full Unlocked

Download/Boxed:Download

License Type:Lifetime Activation

Format: Standalone, VST, VST3, AU

Hardware Requirements – PC:Intel / AMD Multi-core CPU, 4GB RAM minimum

OS Requirements – OSX : OS X 10.8 or later M1& M2

Arturia Matrix 12 V Virtual Synth Plug-in at a Glance:

The Matrix 12 story, in all its glory

Arturia models it, to a tee

Unleash your creativity: the sky’s the limit!

The Matrix 12 story, in all its glory

The 1980s were an important – and interesting – decade in the synth world. Polyphony was becoming de rigueur and digital synthesis was gaining a foothold with the Yamaha DX-7 and various digital samplers, while stripped-down synths like the Juno 106 and Korg Poly 6 were making synthesis available to the masses. The stage was set for Tom Oberheim – who had been designing some of the best-sounding synths for over a decade – to introduce a no-holds-barred analog synth. And so the Oberheim Matrix 12 was unleashed upon the world in 1985. It was, indeed, an all-out assault on the state of the art, with glorious sonics and tantalizing modulation possibilities, but its near-five-grand price tag put it out of reach for all but a few fortunate souls. Around 1000 units were produced, many of which are still making music to this day.

Arturia models it, to a tee

When it comes to modeling vintage analog synths, many of us immediately think of Arturia – and with good reason. Their proprietary True Analog Emulation technology (TAE) is truly amazing, and is no doubt a critical component in some of the finest virtual synths we’ve heard. For the Matrix 12 V, Arturia modeled not only the tonal aspects of the original two oscillators and their waveforms, but the 15 filter modes as well. They knew that the Matrix 12’s famously rich, complex sound was forged by its multiple filter modes and by the numerous modulation sources and destinations on tap. With nearly endless modulation-routing possibilities, you can sculpt wonderfully organic sounds not possible with other synthesizers.

Unleash your creativity: the sky’s the limit!

The Matrix-12 V is, just like its hardware predecessor, a multitimbral instrument. In Multi mode, each of the 12 notes can voice a different sound. These sounds can then be split on different zones of your keyboard, transposed individually, played unison – you get the idea! And Matrix 12 V’s elegant software interface makes configuring all this a cinch. While the original Matrix 12 was an amazing synthesis achievement, Arturia upped the ante by adding a new effects chain for additional sound processing. They also doubled the allowable number of modulations from 20 to 40, giving you even more creative options. Factor in the ability to control all of Matrix 12 V’s parameters via MIDI, letting you perform automation in your DAW, and you’ve got a total beast of a soft synth.

Arturia Matrix 12 V Virtual Synth Plug-in Features:

Multitimbral; 12-note polyphonic

Redesigned preset browser

Resizeable user interface for HD displays

Two oscillators, each with:

Triangle, sawtooth, and variable-width pulse wave with PWM

Oscillator 1 may be frequency modulated

Oscillator 2 equipped with white noise generator

Single 15-mode filter with:

Four Lowpass, three Highpass, and two Bandpass modes

Notch and Phase Shift modes

Four additional Combo filter modes

Powerful modulation matrix with 27 sources and 47 destinations

Mod sources include:

Five Envelopes and five LFOs

Four Ramp and three Track generators

Velocity, Pressure, and Keyboard Follow

Two insert effect slots with six studio-grade effects to choose from

Arturia’s amazing-sounding True Analog Emulation technology (TAE)

[kalaplugin22]

Download Arturia Matrix-12

Introducing the Arturia Matrix-12, a revolutionary synthesizer that seamlessly blends vintage charm with cutting-edge technology, offering a timeless sound experience for musicians and producers alike. Born from the iconic Oberheim Matrix-12, Arturia has meticulously recreated this legendary synthesizer, capturing its essence and delivering it in a modern, compact package.

Key Features:

Authentic Recreation: The Arturia Matrix-12 faithfully emulates the original Oberheim Matrix-12, renowned for its lush pads, dynamic leads, and intricate modulation possibilities. Experience the same warmth and character that defined the sound of countless classic tracks.

Advanced Sound Engine: Beneath its classic facade, the Matrix-12 houses a powerful sound engine equipped with modern features. With 12 voices of polyphony, two oscillators per voice, and a comprehensive modulation matrix, this synthesizer offers unparalleled sonic versatility.

Flexible Modulation Matrix: Unleash your creativity with the Matrix-12's extensive modulation capabilities. With a 15-slot modulation matrix, you have the freedom to route and shape your sound in ways previously unimaginable. Create evolving textures, intricate patterns, and expressive sweeps with ease.

Intuitive Interface: The Matrix-12 features a user-friendly interface designed for seamless navigation and quick access to sound shaping parameters. The carefully thought-out layout ensures that both beginners and seasoned synthesists can easily explore the sonic possibilities this instrument has to offer.

Enhanced Connectivity: Connect and integrate the Matrix-12 seamlessly into your studio setup. With USB and MIDI connectivity, this synthesizer becomes the centerpiece of your rig, allowing you to control and synchronize with other devices effortlessly.

Vintage Aesthetics, Modern Reliability: Arturia has not only captured the sonic essence of the Matrix-12 but also paid attention to the vintage aesthetics. The sleek design and premium build quality make the Matrix-12 a visually stunning addition to any studio, while its modern components ensure reliability for years to come.

Extensive Preset Library: Jumpstart your creativity with an extensive library of expertly crafted presets. From lush pads and evolving textures to punchy basses and soaring leads, the Matrix-12 offers a wide range of sounds that cover the spectrum of musical genres.

In summary, the Arturia Matrix-12 is more than a vintage emulation; it's a modern instrument that pays homage to the golden age of synthesis while providing the tools for contemporary music creation. Whether you're a seasoned producer looking for that classic sound or a newcomer eager to explore the world of synthesis, the Matrix-12 is a must-have addition to your sonic arsenal. Immerse yourself in the rich tapestry of sound that the Matrix-12 has to offer and redefine your musical journey.

[pilotredsun]

Do you know if there are any vst synths that come close to the sound of the Oberheim Matrix-1000?

I recommend OP-X Pro II which I’ve been using heavily for 5+ years. Arturia Matrix-12 is an emulation of of the Matrix 6 that the Matrix 1000 is based on, but Arturia’s vsts are heavyweight, graphically burdened, take a long time to load presets, etc. OP-X Pro II has the same sound with more practicality.

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[johnnyzuri]

arturia fx collection

FX Collection 2 Calidez analógica

Efectos clásicos y flexibilidad creativa de los amplificadores de audio modernos.

Un sonido de calidad de estudio excepcional. 7

FX Collection 2 se ha incrementado en tamaño de 15 a 22 complementos, incluidos Bus FORCE, Comp DIODE-609, Phaser BI-TRON, Chorus JUN-6 y más.

Nuevos preamplificadores de retardo TAPE-201: el retardo TAPE-201 ahora cuenta con varias opciones de preamplificador: sin preamplificador, el preamplificador RE-201 original y un preamplificador recién modelado pero característico.

200 nuevos ajustes preestablecidos de nuevo diseño para casi todos los complementos, lo que hace que sea más fácil sintonizar sobre la marcha y encontrar la magia sónica.

Bus FORCE: un potente procesador paralelo original con 4 módulos diferentes: filtro, ecualizador, compresor y saturación.

Comp DIODE-609: Basado en el icónico compresor y limitador estéreo British Neve

con una respuesta claramente nítida, ideal para batería.

Modulaciones de coro DIMENSION-D: operación simple de 4 modos para un coro estéreo maravillosamente suave con un solo clic, con calidez BBD perfectamente emulada.

BI-TRON Phaser: un elusivo dual phaser que irradia el encanto de un pedal de guitarra de lujo, con circuitos de dos fases y opciones de enrutamiento avanzadas.

Compressors

Comp FET-76: el estudio más detallado de los compresores jamás producido, conocido como la unidad que hace que todo sea mejor. Voces e instrumentos perfectos en todo momento.

Comp TUBE-STA: una reinvención del legendario Gates STA-Level con válvulas de vacío, un arma secreta para el bajo y la voz desde la década de 1950.

Delays

Delay TAPE-201: Retardo de banda saturado orgánico y reverberación de resorte metálico en todo su esplendor es el eco. caja para terminar todas las cajas de eco.

Reverberaciones

Rev PLATE-140: una reverberación de placa lujosa, rica y suave conocida por su claridad lista para mezclar, modernizada con características futuristas. Rev SPRING-636 – Mejore cualquier sonido con una reverberación de resorte vibrante, slappy y squelch que suena tan real que juraría que podría golpearla usted mismo.

Preamplificadores anteriores a 1973: sonido británico icónico de la década de 1970, un elemento básico de los estudios más famosos del mundo, perfectamente recreado para el productor moderno.

Pre

TridA: una de las cuerdas más preciosas, raras y exclusivas jamás creadas, conocida por su ecualizador musical, renace en tu DAW.

Filtros

Filtro M12: el legendario filtro Oberheim Matrix-12, reelaborado con modulación programable y controles avanzados.

Filter MINI: un complemento que recrea el famoso filtro de paso bajo de 24 dB por octava del Dr. Moog, actualizado con nuevas y emocionantes funciones para el creador de música moderno.

Precio y disponibilidad

Para celebrar este lanzamiento, Arturia ofrece una oferta de lanzamiento especial: FX Collection 2 está disponible al precio exclusivo de $ 299 / € 299.

Nos cuentan más en:

FX Collection 2 – Arturia’s Entire Boutique Studio

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[catsynth-express]

Watch our latest video 😺🎹📺 Arturia Matrix 12 V: Demo & Tutorial https://youtu.be/cxJh3Pk1RlU https://www.instagram.com/p/CMYUS0rh3Yg/?igshid=qbtxa6aqnz5

[klangfrickler]

SOUND EXPERIMENTS – SESSION 4: ARTURIA | OB-XA V

Today I'd like to show you the "OB-XA V" by Arturia, which is an emulation based on the corresponding hardware synth by Oberheim from 1980. Arturia added some additional features to their softsynth such as 16 voice polyphony, internal effects, a flexible modulation matrix and much more.

CHAPTERS LIST:

00:00:00  Intro 

1 – TRAVELLER BY ACCIDENT [001]   00:00:20   Daily routine of a poor guy [002]   00:02:44   Mice looking for food / bad living conditions [003]   00:04:52   Thoughts of escape / doubts [004]   00:06:28   Stuck in despair / dreams of a better life [005]   00:07:48   Alcohol, my only friend [006]   00:09:24   Drunk [007]   00:10:44   Dizzy morning / a hard day at the factory [008]   00:12:52   Sleazy harbor pub / chat with a sailor [009]   00:15:16   Two staggering drunkards / blackout [010]   00:17:24   Wake up in a cabin / in the middle of the ocean [011]   00:20:04   Breathing sea air / towards a storm [012]   00:23:16   Hurled overboard [013]   00:25:24   Struggling against the waves / flung back and forth [014]   00:27:48   Exhausted / passing out [015]   00:31:16   Carried by the waves 

2 – THE ISLAND [016]   00:34:33   Waking up at a sunny beach [017]   00:38:01   Walking in the sand / heat of the sun [018]   00:39:37   Coconuts and palm trees / moves in the thicket [019]   00:40:57   Nosy eyes [020]   00:42:01   Exploring [021]   00:44:25   The heart of the island [022]   00:47:21   Village of monkeys / Sprightly little guys [023]   00:50:17   Munching bananas [024]   00:53:13   Facing the tribal leader / mutual acceptance [025]   00:55:53   Guided by monkeys [026]   00:57:29   A little break / keeping up the pace [027]   01:00:09   The island's highest mountain / the cave [028]   01:01:45   The lorry / wild ride [029]   01:03:37   A place where no ape has been before / farewell [030]   01:06:49   Downhill / a town in sight 

3 – CAT CITY [031]   01:08:45   Arrival at night / sleeping town [032]   01:09:17   The moon / shadows on the roofs [033]   01:10:53   Looking for a place to stay overnight [034]   01:13:33   Small purrsuers on soft paws [035]   01:15:41   Moaning voices / awful concert [036]   01:18:53   Dawn / still no sleep [037]   01:21:33   Bleary perception [038]   01:23:41   Tuned-up helicopter-cat / air fight [039]   01:27:57   Four-legged prisoners on their way to expatriation [040]   01:29:33   King Felix' brand new cat-apult / painful landing [041]   01:31:41   Congregation of the outlaws [042]   01:33:49   Preparing their revenge / crafting battle gear [043]   01:36:29   The attack [044]   01:38:37   Cat War I [045]   01:41:17   Escape from cat city / the opposite coast of the island 

4 – THE SHIP [046]   01:42:56   A giant ship about to cast off / getting onboard [047]   01:45:04   Entering the sea [048]   01:47:12   Seafaring for days [049]   01:49:20   Something's wrong [050]   01:50:24   Broken engines [051]   01:51:28   A fire breaks out [052]   01:52:32   Attempts to delete the fire [053]   01:54:40   Flooding the engine room [054]   01:56:48   The fire is out / eliminating the damage [055]   01:57:52   Technicians at work [056]   02:00:00   Starting up the engines [057]   02:02:08   Slowly moving forward / running out of supply [058]   02:05:20   Starving for days / symptoms of thirst and hunger [059]   02:09:36   Land in sight [060]   02:13:52   Home port / back to the usual

[policythinksandthings]

The 5 best new hardware synths of 2019

It's no exaggeration to mention that we might be living through another golden era of hardware synths. Not goodbye ago, the market was within the doldrums, seemingly about destroyed by the increase of software, but as musicians have craved a return to physical instruments, it's risen again.

2019 has been another Platonic year, with fantastic new synths across the worth spectrum. Behringer may have dominated the headlines with its numerous clones and releases, but we've also seen plenty from the skilled brands.

Speaking of which, the instrument you've voted because the best new synth of 2019 comes from arguably the foremost famous synth manufacturer of all of them...

1. Moog Matriarch

The Matriarch may be a new 4-voice paraphonic semi-modular synthesizer. A patchable powerhouse, it comes with a built-in sequencer, arpeggiator, stereo ladder filters and stereo analogue delay.

Being semi-modular, you’re ready to ready to enjoy the complete feature set straight out of the box, but with the help of 90 modular patch points, you'll push your expression and creativity to the max.

The Matriarch may be a joyous celebration of all things Moog, and a worthy winner of our poll.

2. Korg Minilogue XD

This new beefed-up version of the Minilogue takes a number of the simplest bits from the prevailing pile of ‘logues. There's the digital multi-engine and expanded DSP section from the Prologue, and from the Monologue, a simplified 16-button, 16-step sequencer and microtuning options.

The end result's a nicely different flavour of Minilogue, and its unique personality makes it a hugely welcome addition to the range as an entire. Click Here

3. Novation Summit

Novation's newest flagship keyboard is predicated on two of its Peak synths, with various other juicy improvements thrown certain  good measure.

Once again designed together with Chris Hugget (Chris designed the legendary OSCar), Summit feels a bit like Peak in the maximum amount as it’s a premium product with super-tight rubberised knobs, good quality faders, nice, satisfyingly clicky buttons and a transparent OLED screen with adjustable brightness.

This is a superb synth - if you’re within the marketplace for a 16-voice hybrid poly, this has got to be a frontrunner on your list.

4. Arturia MicroFreak

Featuring a 12-mode digital oscillator, an analogue multimode filter and myriad sequencing options housed during a graffitied chassis, the MicroFreak’s unique stylings immediately grab your attention. It’s a bold look.

With numerous synthesis features packed into such alittle box, it’s hard to not fall crazy with the MicroFreak. The multiple oscillator modes cover a near-endless range of timbres; the filter is smooth and versatile; the Matrix invites exploratory modulation; and therefore the performance and sequencing tools are the icing on the creative cake.

5. Roland Jupiter-Xm

The Jupiter-Xm is essentially a ‘best of’ Roland analogue emulation and PCM sound module with a keyboard, and its power is sort of something.

It can emulate Roland’s analogues authentically; it can vocode; it can cover a good range of sounds; it's great connectivity, battery-power, and speakers; it’s a five-output USB audio interface; it’s built robustly; and it sounds fantastic.

For anyone who’s looking to travel light with a machine that provides you all the sounds you would like, the Jupiter-Xm is simply the thing.

[thetapelessworld]

ARTURIA V COLLECTION 6 NOW AVAILABLE

ARTURIA V COLLECTION 6 NOW AVAILABLE   

The team at Arturia are proud to announce that V Collection 6 is now available.                                                  

V Collection 6 represents a landmark in the title’s history, with the addition of 4 sensational, iconic instruments, bringing the total number of synth and keyboard recreations to 21.                                                         V COLLECTION HAS TRULY COME OF AGE.                          

Using their exclusive True Analog Emulation® & physical modelling technology, Arturia’s engineers, developers, and sound designers have been able to recreate the creme de la creme of keyboard instruments. Instruments that have shaped the course of popular music for over a century. From illustrious, historic pianos to revolutionary digital synths, glorious organs to analog masterpieces, and everything in between; for the serious retro instrument fan, V Collection 6 is the only choice.                                                         EXCLUSIVE RELEASE OFFERS                           

To celebrate its release, and only for a limited time, V Collection 6 will be available for an incredible price. Whether you are new to Arturia products, want to upgrade from a previous version of V Collection, or own any other Arturia products, you will have access to an exclusive deal that will put the very best synth and keyboard recreations ever made at your fingertips.                                                         INTRODUCING THE FANTASTIC FOUR                           

What would a new edition be without exciting new virtual instruments? V Collection 6 introduces 4 legendary keyboards reborn in software, rendered in meticulous detail, and given new powerful features that take them beyond their original spec.                                                         BUCHLA EASEL V: recreating Don Buchla’s leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla’s experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take your music where no one has gone before.                                                         DX7 V: the Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you’ve ever listened to the radio, watched a film, or owned any 80s records, you’ll have heard the DX-7. Notoriously tricky to program, Arturia’s recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.                                                         CLAVINET V: arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V. Arturia’s physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix.                                                         CMI V: known fondly as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia’s recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new “Spectral” synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds.                                                         THE GANG’S ALL HERE                           

The definitive 6th edition of V Collection also features 2 major updates to existing titles.                                                         ANALOG LAB 3: incorporating the classic sounds of all V Collection instruments in one handy interface, this is the ultimate launchpad for your creativity. Featuring a new browser, new modes, and ultimate controller keyboard integration, finding the perfect sound from over 6,000 presets has never been more easy or fun.                                                         PIANO V 2: the industry’s foremost physically modelled piano software suite just had an exciting overhaul. The 2nd version of Piano V features three extra piano models including a Japanese Grand, a Plucked Grand, and a Tack Upright, enhanced mic positioning, an improved EQ, a new luscious stereo delay, and an in-built compressor help your piano parts sit in your mix.                                                         Completing the line-up, and featuring more subtle tweaks, improvements, and enhancements, are the old favorites; the stars of the show that made V Collection the first choice in vintage keyboard emulations. V Collection 6 also includes Synclavier V, B-3 V, Stage-73 V, Farfisa V, Mini V, Matrix-12 V, Solina V, SEM V, Wurli V, Jup-8 V, ARP 2600 V, CS-80 V, Prophet V, VOX Continental V, and Modular V. Analog synths galore, revolutionary digital synths, luscious organs, modular marvels, perfect pianos and keyboards, and even a string machine. V Collection 6 has it all.                                                                                                                                                                                                                                                                                                                        Hear the new instruments in action, and start your V Collection 6 journey by watching the announcement video here:                                                                                

  https://youtu.be/widfj42cLFM                                                                                    To discover more about the Arturia V Collection 6, the stories behind the vintage instrument recreations it contains, and to find out more about True Analog Emulation®, visit the Arturia website :                                                                                  

https://www.arturia.com/v-collection-6-introductory-offer                      

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Audio Workstation for VST&AU + 4 GB Soundbanks

BEAT ZAMPLER is a workstation that includes a variety of ways to sculpt and manipulate sounds and it includes features you would expect in any current soft-sampler. It also sounds great!

Features

The plug-in comes in both VST and AU formats. File types supported are REX loop and SFZ.

The plugin’s sample oscillators make Zampler a great tone-shaping tool

In the integrated multimode, lowpass, highpass, bandpass and bandstop filters, as well as various combinations are available

Three LFOs, three ADSR envelopes and a complex modulation matrix, bring life to the sound.

An extensive effects section is available including tube saturation, two equalizers, phaser, chorus, delay and reverb.

The clever step sequencer allows for especially complex, full and vibrant sounds – a speciality of Zampler.

Uses the valent algorithms of “Dune” inventor Synapse Audio

More Details:

Samples of any bit-depth (8/16/24/32-bit), mono or stereo are supported

Multiple sample rates supported (eg 44.1k, 48k, 88.2k, 96k, 176.4k, 192k, 384k)

Up to 128 keyboard splits

Up to 128 velocity splits

Soundbanks on Top

Ethnic Pads: 32 patches

This collection excels in atmospheric sounds in a broader sense, comprising bells, choirs, cymbals, flutes, chimes or strings and much more. We pushed the sounds to their limit and injected a heavy dose of electro to give the sounds enough bite to cut through modern EDM productions. With our Zampler workstation featuring flexible filter and modulation options, you can easily create unexpected sound textures from the sample material.

ROBO#tTXTR – vocal Soundbank. 34 patches + 40 loops

Robo #txtr“ is an extensive collection with 1.5 GB of electronic vocals, phrases, machine and robot noises. Expect production-ready presets, just waiting to be manipulated with its flexible sound editing and automation tools.

SUPREME EDM The best analogue synthesizers – 32 patches + 32 loops

Modesty is not this packs’ strength – „Supreme“ combines sounds of the best analog synthesizers of all time. With 32 brutal patches and 32 loops you are perfectly prepared for future Dubstep, D&B and EDM adventures. The editorial staff of Beat presents 620 MB of its favorite bass and lead sounds, which give your tracks a special touch and a high recognition value.

Brute Factor: 760 MB Leads & Bonus-Tracks

Analog sound is always wanted. And it’s even more wanted when it sounds fat or brute. Just like the Arturia MiniBrute 2. As the synth was already honored with full marks, we just made a studio session and dressed it up for our very own Zampler, so you can now enjoy the savage sounds yourself. And we included a bonus, something that the MiniBrute hardware can’t do: Pads. Happy blasting!

MANTRA PADS – 33 relaxing patches – 1,6 GB Power

The power of repetition! With their lush character most pads have an instant relaxing impact. Our latest Zampler sound bank takes this a step further and combines pleasing pads with ever-repeating mantras, to maximize the hypnosis-factor. 33 patches of pure deceleration.

PROPHET-12: 78 patches 2 GB analogue masterpieces

So many famous artists using the Prophet-12 can’t be wrong: Dave Smith’s luxury synth is a true multi-talent when it comes to sound design. From underground clubs to airplay charts, its fat basses, leads and pads fit everywhere. So here you go with your own Pro-12 for Zampler//RX!

TORAIZ AS-1 – 64 patches + 64 loops: 734 MB Beat, Leads, Pads & loops

Thanks to his Prophet-6 core, the new Toraiz AS-1 is born to be an iconic legend. We created 128 patches and sequences of that little muscleman, ready to play for your Zampler. Enjoy!

from Active Sales – SharewareOnSale https://ift.tt/392928U https://ift.tt/2CDdU8h via Blogger https://ift.tt/2DtdKBm #blogger #bloggingtips #bloggerlife #bloggersgetsocial #ontheblog #writersofinstagram #writingprompt #instapoetry #writerscommunity #writersofig #writersblock #writerlife #writtenword #instawriters #spilledink #wordgasm #creativewriting #poetsofinstagram #blackoutpoetry #poetsofig

[jessicakmatt]

The 50 Best Synthesizers: Find The Perfect Synth for You

The 50 Best Synthesizers: Find The Perfect Synth for You: via LANDR Blog

Synthesizers are some of the most exciting tools in music production.

The explosion of free VST plugins means you can set up an entire arsenal of synths in your DAW without paying a cent.

But there will always be something special about the feel of physical gear under your fingers.

The hardware synth market is experiencing a renaissance with more amazing instruments available than ever before. There’s never been a better time to buy a real synthesizer for your home studio.

In this article I’ll go through the coolest and best synthesizers on the market right now.

The sheer number of synths out there is daunting. There’s no way I can cover every single deserving unit in this guide.

Instead, I’ll be focusing on accessible synths from widely available brands with a handful of premium instruments included for the sake of completion.

Let’s get started.

How to use this guide

Any two synthesizers can be so different that comparing them head to head isn’t very helpful.

Any two synthesizers can be so different that comparing them head to head isn’t very helpful.

That’s why we’ve added a summary of the most important characteristics for each machine.

Along with the price, you’ll find the type of synthesis used as well as key details like the number of voices of polyphony.

If you need to check back in on what any of these terms mean, head over to our synth glossary to jog your memory.

1. Korg Minilogue

Street price: $499.99 USD Type: Analog subtractive Polyphony: 4 voice

Korg has been building excellent analog instruments since the 70s. Today, they’re creating some of the most inspiring synths out there.

The Minilogue is one of the best options for those new to synthesis looking for an all analog polyphonic machine to learn on.

It’s available in several different configurations starting at $499.

2. Behringer Model D

Street price: $298.99 Type: Analog subtractive Polyphony: 2 voice paraphonic

There’s no more denying Behringer’s powerful influence on the synthesizer market. The Swiss company has been aggressively slashing price points for clones of analog classics in the last few market cycles.

One of the most exciting is the Model D. Based on the classic Minimoog D, the Model D delivers classic, fat old-school tones in an affordable package.

3. Korg Monologue

Street price: $344.99 Type: Analog subtractive Polyphony: Monophonic

The Monologue is Korg’s single voice synth based on the “—logue” architecture. If you need a flexible monosynth with simple architecture and compelling performance features at a competitive price, the monologue is a great choice.

4. Behringer Wasp Deluxe

Street price: $298.99 Type: Analog subtractive Polyphony: Monophonic

Behringer’s Wasp synth comes from it’s recent run of reissues. The Wasp is based on a rare synth from the 70s.

The digitally controlled oscillators and analog signal path give Wasp a unique sound. Its compact design is meant to interface easily in a Euroack system.

5. Behringer TD-3

Street price: $149.00 Type: Analog subtractive Polyphony: Monophonic

The Behringer TD-3 is a clone of the legendary Roland TB-303 bass line synth.

This simple analog synth is the basis for the gurgling bass of acid techno.

Its unique sequencer is well reproduced in the TD-3, allowing you to get all the bassline groove of the original.

6. Korg Volca FM

Street price: $149.99 Type: 6-Op FM Polyphony: 3 voice

Korg’s Volca series of synths has taken the synth world by storm.

These micro sized modules marry a simple interface and musical sequencing with great sound engines.

Each Volca is tailored to one specific style of synthesis. The digital Volca FM features a 3 voice, 6-operator FM synth engine.

 7. Korg Volca Keys

Street price: $149.99 Type: Analog subtractive Polyphony: 3 voice

Volca Keys is the analog polyphonic synth in the Volca series. It’s 3 analog voices let you create fat analog leads and chords.

8. Korg Volca Bass

Street price: $149.99 Type: Analog subtractive Polyphony: Monophonic

Volca Bass is the compact monophonic analog synth for creating basslines. All the classic features of the Volca line are present on this beefy analog mini module, including the fun and musical sequencer.

9. Korg Volca Kick

Street price: $149.99 Type: Analog subtractive Polyphony: Monophonic

Is a drum machine a synthesizer? Sometimes yes, sometimes no.

The Volca Kick is a 100% analog kick synth based on the powerful sound of the Korg MS-20 filter.

This ultra-fat analog percussion module can synthesize a surprise amount of low-end thump for kicks—and bass too!

10. IK Multimedia Uno

Street price: $199.99 Type: Analog subtractive Polyphony: Monophonic

The Uno is the first analog instrument offering from software and VST plugin powerhouse IK Multimedia.

This compact, easy to use monosynth combines IK Multimedia’s sonic expertise with the heavy sound of analog.

11. Korg Volca Modular

Street price: $199.99 Type: Analog subtractive Polyphony: Monophonic

Volca Modular is a patchable, semi-modular edition of the Volca series that’s designed to be the perfect entry into the world of modular synthesis.

This powerful mini-synth is one of the best ways to learn the fundamentals of synthesis—and go beyond the limits of fixed architecture synths.

12. Behringer Crave

Street price: $249.99 USD Type: Analog subtractive Polyphony: Monophonic

Behringer Crave is another patchable, semi-modular mono synth. This compact module is based on the oscillator design used in the classic Prophet 5 synth.

The Crave features an onboard step sequencer and arpeggiator to get you grooving right away.

13. Yamaha Reface CS

Street price: $286.65 USD Type: Virtual analog Polyphony: 8 voice

The Yamaha Reface CS is a virtual analog synthesizer based on the legendary Yamaha CS series.

This super portable synth is capable of lush pads, fat basses and solo leads.

14. Yamaha Reface DX

Street price: $286.65 USD Type: 4-Op FM Polyphony: 8 voice

The Yamaha Reface DX is a fresh, portable take on Yamaha’s legendary FM synthesis designs.

The Reface DX makes FM synthesis easier than ever, with a 4-operator engine capable of using waveforms other than sine.

This simplifies the process of building up complex timbres and keeps FM from getting overwhelming.

15. Behringer Neutron

Street price: $289.99 USD Type: Analog subtractive Polyphony: 2 Voice paraphonic

Neutron is another entry into Behringer Eurorack format synths.

This semi-modular, paraphonic design features extremely flexible patching options an onboard analog style delay.

16. Arturia Microbrute

Street price: $299 USD Type: Analog subtractive Polyphony: Monophonic

Arturia has made a strong name in the hardware market over the last few years. The flexible, affordable “Brute” series of synths can be found in many live and studio rigs.

MicroBrute is the most compact brute available, but it still packs pro features like a patchable mod matrix, syncable LFO and step sequencer.

17. Arturia Microfreak

Street price: $299 USD Type: Wavetable, digital Polyphony: Monophonic, up to 4 voice paraphonic.

The Microfreak is an intriguing hybrid synthesizer that combines digital oscillators with analog filters. Its powerful sound can cut through a mix easily and its sound design possibilities are highly impressive. The digital oscillator offers some unique synthesis styles like Karplus-Strong.

18. Waldorf Rocket

Street price: $329.99 USD Type: Hybrid subtractive Polyphony: Monophonic

Waldorf Rocket is a tabletop synth from the classic German synth builder with simple workflow and aggressive sound.

This straightforward monosynth is designed to get you creating powerful tones right away with its shapeable waveforms and analog filter.

19. Behringer MS-1

Street price: $328.99 USD Type: Analog subtractive Polyphony: Monophonic

The MS-1 is Behringer’s take on the legendary Roland SH-101 monophonic synth.

The SH-101 is famous for it’s use in 1990’s house music. The MS-1 can deliver the tones that made the 101 a favourite at a highly affordable price.

20. Behringer PRO-1

Street price: $348 USD Type: Analog subtractive Polyphony: Monophonic

PRO-1 is Behringer’s take on the classic Sequential Circuits Pro-One monosynth.

This dual VCO synth features a modulation matrix and Eurorack compatibility along with the classic sonic style of the vintage Pro-One.

21. Roland SE-02

Street price: $399.99 USD Type: Analog subtractive Polyphony: Monophonic

The SE-02 is part of Roland’s unique reissue Boutique reissue series.

This edition is a collaboration with legendary manufacturer Studio Electronics and is the only Roland Boutique product with a fully analog signal path.

22. Novation Bass Station II

Street price: $439.99 USD Type: Analog subtractive Polyphony: Monophonic

Bass Station II is a great option for adding a wide range of bass sounds to your arsenal.

It’s a purely analog, monophonic synth that focuses on doing one thing really well– giving you the bass sound you want. Its two tunable oscillators and sub-oscillator are editable with extensive filtering, noise, and ring modulation options.

23. Arturia MiniBrute 2

Street price: $449 USD Type: Analog subtractive Polyphony: Monophonic

The MiniBrute is a compact analog synthesizer that’s part of Arturia’s Brute series. The two octave synth comes with everything you’d expect from a small build synth– three oscillators, filters and filter envelopes, mixer, amp envelope, LFOs, effects controls, and an arpeggiator.

24. Korg MS-20 Mini

Street price: $529.99 USD Type: Analog subtractive Polyphony: Monophonic

The MS-20 Mini is Korg’s modern take on its iconic MS-20 synth that first launch in the 70s.

It’s a classic analog monophonic synthesizer build that includes the patchable architecture and unique filter of the original. The MS-20 Mini is a very respectable option for recreating and exploring vintage sounds.

25. Make Noise 0-COAST

Street price: $499 USD Type: Analog subtractive Polyphony: Monophonic

The 0-COAST is single voice patchable synthesizer that makes use of both Moog and Buchla paradigms.

This synthesizer is designed based on modular synthesis and is patchable. Attach a MIDI keyboard and play it as a unique monosynth.

26. Moog Minitaur

Street price: $499 USD Type: Analog subtractive Polyphony: Monophonic

The Minitaur is a compact synthesizer that is specifically designed to handle low-end bass frequencies.

The back-pack size box is meant to work in tandem with MIDI controls and its accompanying editing software that opens up an additional 20 voicing parameters. For powerful bass synthesis, Minitaur is an affordable yet versatile option.

27. Waldorf Blofeld

Street price: $519.99 Type: Wavetable Polyphony: 25 voice

Blofeld is Waldorf’s main synth offering building on a legacy of wavetable synthesis that goes all the way back to the original PPG Wave.

With 60 megabytes of processable sampling memory included, Blofeld can add unlimited textures to any wavetable pad. Blofeld is fully multitimbral with 25 voices of polyphony and unique comb filter and panning options.

28. Moog Sirin

Street price: $499 Type: Analog subtractive Polyphony: Monophonic

Sirin is inspired by Moog’s Minitaur sub bass module, but it specializes in creating lead voices.

With a similar interface to the Minitaur, the Sirin is open to DAW based editing and can be customized with additional parameters and voices. As one of Moog’s more affordable synths, the Sirin makes a great companion to the Minitaur.

29. Behringer DeepMind 6/12

Street price: $597.99 / $828 USD Type: Analog subtractive Polyphony: 6 or 12 Voice

DeepMind is Behringer’s full featured programmable polysynth. It’s available in 6 or 12 voice configurations.

DeepMind is capable of serious sound design with two oscillators, two LFOs and three envelope generators per voice.

Four independent onboard effects engines, an eight slot modulation matrix and built-in step sequencer make DeepMind an incredibly powerful modern analog polysynth.

30. Behringer Odyssey

Street price: $588 USD Type: Analog subtractive Polyphony: Monophonic/Duophonic

Odyssey is a powerful mono/duo-phonic synthesizer that authentically reproduces the legendary Arp Odyssey synth that rose to prominence in the 70s.

With a pure analog signal path based on two true analog oscillators, the Odyssey produces huge tones and offers vintage editing options. For exploring the genre defining synthesizer sounds of the 70s, the Odyssey is a great place to start.

31. Doepfer Dark Energy III

Street price: $590 Type: Analog subtractive Polyphony: Monophonic

Dark Energy is a purely analog monophonic synthesizer box from Doepfer.

The semi-modular inspired synth is patchable and works well with MIDI. The synth has a huge analog sound and the flexibility of a modular rig.

32. Dreadbox Erebus

Street price: $599 Type: Analog subtractive Polyphony: Monophonic, 2 voice paraphonic

Erebus is a great sounding and stylish synth from boutique builder Dreadbox.

This paraphonic synth is designed to semi-modular and includes plenty of patching options given its smaller size. Erebus comes with two oscillators and standard VCF, AMP, Envelope, LFO editing options, plus an echo effects module.

33. Pittsburgh Modular Microvolt 3900

Street price: $629.00 Type: Analog subtractive Polyphony: Monophonic

Microvolt 3900 is inspired by vintage semi-modular synthesizers like the ARP 2600.

With a retro interface that clearly displays the synths initial patching, you can easily reconfigure the synth with a sizable patch bay. For an authentic synthesizer experience built with meticulous attention to detail this is a great option.

34. Modal Electronics Argon8

Street price: $749 Type: Wavetable Polyphony: 8 voice

Argon8 is a powerful and affordable wavetable synth based on Modal’s flagship 002 synthesizer.

It offers impressive sound shaping abilities with its dual oscillator morphing wavetables, onboard sequencing and arpeggiator and effects.

35. Moog Mother-32

Street price: $649 Type: Analog subtractive Polyphony: Monophonic

Mother-32 is a semi-modular analog synth built in the Eurorack format.

This monophonic synthesizer is built with unique patching capabilities and legendary Moog sound. Its comprehensive editing options and sizable patch bay give you limitless possibilities.

36. Waldorf Pulse 2

Street price: $799 USD Type: Analog subtractive Polyphony: Monophonic or 4/8 voice paraphonic

Pulse 2 is based on the legendary sounds of the original Pulse that inspired trance music in the 90s.

The Pulse 2 remakes its predecessor’s sound with full and powerful monophonic analog synth tone. It’s a user friendly module, that’s built to bring modern advances and vintage sound together.

37. Korg Wavestate

Street price: $799 USD Type: Wavetable Polyphony: 64 voice

The Wavestate is one of Korg’s newest entries into the synth market.

Based on the popular Wavestation, the Wavestate takes wavetable synthesis into modern times with a dizzying array sampling and effect options coupled with all the vector synthesis options that made the Wavestation so famous.

38. Moog Subsequent 25

Street price: $849 USD Type: Analog subtractive Polyphony: Monophonic or 2 voice Paraphonic

Subsequent 25 is two note paraphonic analog synthesizer, that’s designed to deliver classic Moog tones with modern tweakability.

With three oscillators (one of which is a sub) and a host of sound design capabilities, this vintage inspired synth is a great choice for creating hand-on tones.

39. Korg Prologue 8 / 16

Street price: $999 / $1499 USD Type: Analog subtractive Polyphony: 8 / 16 voice

Prologue is the expanded edition of the Mono and Mini—logue series of synths.

It comes in 8 and 16 voice configurations and features many synthesis capabilities advanced users might be missing from its lightweight siblings.

40. Malekko Manther

Street price: $649 USD Type: Analog subtractive Polyphony: Monophonic

41. Sequential Prophet Rev 2 8 /16

Street price: $1499 / $1999 USD Type: Analog subtractive Polyphony: 8 / 16

The Prophet Rev2 is the next evolution of Sequential’s long-running Prophet ‘08 synth.

One of the first widely available modern analog polysynths, the Prophet ‘08 has been a favourite in studio and touring rigs for a decade.

The Rev2 expands and improves on the ‘08 in many ways, providing a much-needed update to a classic.

42. Novation Peak

Street price: $1399 USD Type: Analog subtractive Polyphony: 8 voice

Peak is an innovative 8-voice hybrid synthesizer from Novation.

With analog filter, VCA and distortion sections and super high resolution digital FGPA-based oscillators, peak combines the strengths of both analog and digital in one powerful synth.

43. Elektron Analog Four MKII

Street price: $1349 USD Type: Analog subtractive Polyphony: 4 voice

Analog Four MKII is a four voice analog synth with Elektron’s well-loved sequencing capabilities built-in.

Four voices may seem limited, but 4 part multitimbrality gives you the ability to run 4 different patches at once.

44. Moog Subsequent 37

Street price: $1599 USD Type: Analog subtractive Polyphony: Monophonic, 2 voice paraphonic

Moog’s Subsequent 37 is the next generation of fully featured monophonic synths from Moog. This is the expanded edition of the Subsequent 25 and shows the best of what a modern analog monosynth can do.

45. Sequential Pro 3

Street price: $1599 USD Type: Analog subtractive Polyphony: Monophonic or 3 voice paraphonic

Pro-3 is Sequential’s newest monosynth offering that debuted at NAMM 2020. It’s name is a nod to another classic Dave Smith design, but this is no mere reissue.

The Pro-3 is an exciting blend of the classic VCOs Sequential is known for with a versatile wavetable oscillator for completely new sounds.

Add a 32 slot modulation matrix and an advanced sequencer and the Pro-3 is a monophonic powerhouse of sound design.

46. Sequential OB-6

Street price: $2999 USD Type: Analog subtractive Polyphony: 6 voice polyphonic

The OB-6 is a special collaboration between Tom Oberheim and Dave Smith’s Sequential.

The OB-6 recreates the timeless sound of Oberheim polysynths with modern conveniences and stability. This is a truly amazing-sounding synth with an entirely analog architecture—impressive!

47. Sequential Prophet 6

Street price: $2799 USD Type: Analog subtractive Polyphony: 6 voice

Prophet 6 is Sequential’s heir to the legacy of the polysynth that changed it all—the Prophet 5.

This is a classic polyphonic synth with all analog architecture updated for the modern era.

48. Moog Matriarch

Street price: $1999 USD Type: Analog subtractive Polyphony: Monophonic

Matriarch is the expanded edition of Grandmother with a handful of additional modules including a stereo analog delay.

It packs the same fat analog sound with extended modular patchability.

49. Moog Grandmother

Street price: $999 USD Type: Analog subtractive Polyphony: Monophonic

Grandmother is a semi-modular synthesizer inspired by classic Moogs of the past. It features an onboard sequencer, arpeggiator and patchable modules for maximum flexibility.

Most of all, the Grandmother packs the thick, heavy analog Moog sound into a stylish and easily giggable package.

50. Roland D-05

Street price: $359 USD Type: Samples/Wavetable Polyphony: 4 voice

The Roland D-05 is another entry in Roland’s Boutique series of compact modules. This edition is a recreation of the influential Roland D-50 synth.

The D-50 was a unique digital synthesizer released in the late 80s that combined sampled waveforms used for the attack of a sound with wavetables.

The D-05 gives you the classic sound of D-50 in a much smaller and more user friendly package.

The post The 50 Best Synthesizers: Find The Perfect Synth for You appeared first on LANDR Blog.

from LANDR Blog https://blog.landr.com/best-synthesizer/ via https://www.youtube.com/user/corporatethief/playlists from Steve Hart https://stevehartcom.tumblr.com/post/611241164589416448

[munrad]

Arturia Matrix-12 V 2.5 Keygen & Torrent Download 2019

Arturia Matrix-12 V 2.5 Keygen & Torrent Download 2019

Arturia Matrix-12 V 2.5 Cracked Crack Plus Serial

Grand Theft Auto V is a multi-generation adventure game. Originally released on PlayStation 3 and Xbox 360, it showed that these consoles still had enough power to render a fully realized sandbox world. The enhanced re-releases on PlayStation 4 and Xbox One served as a preview of the unreleased PC version. Now the PC version is finally here and it…

[softrls-blog]

Arturia V Collection v6.2 CSE Rev2-V.R

KEYBOARD LEGENDS REDISCOVERED: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command. Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away. Faithfully reproduced the way the original components behaved using our exclusive True Analog Emulation technology and class-leading physical modeling, there has never been a more complete, versatile vintage keyboard solution. Taking each instrument one step further, we also introduced some incredible, optional new features to these hallowed classics, like allowing monophonic synths to become polyphonic, integrating arpeggiators, extra oscillators, LFOs, filters, and more. You’ll also find over 6,000 incredible preset sounds, created by some of the most prestigious, acclaimed sound designers in the industry. Whatever keyboard sound you need in your track, V Collection 6 has you covered. Main Features Includes 21 software titles: Analog Lab, Clavinet V, CMI V, DX7 V, Buchla Easel V, Synclavier V, B-3 V, Mini V, Piano V, Stage-73 V, Matrix-12 V, Farfisa V, Solina V, SEM V, Wurli V, Jup-8 V, ARP 2600 V, CS-80 V, Prophet V, VOX Continental V, Modular V Each virtual instrument in the V Collection can be used as a stand-alone application or as a VST, AU or AAX plug-in Redesigned browser for fast access to sounds High resolution graphic interfaces, compatible with very large displays All instruments share a common interface for browsing, editing (save, import, export, ...) Easy MIDI mapping to any keyboard controller. Easy install and licence manager : Arturia Software Center. More than 6000 high-quality and innovative sound presets. Analog Lab - All presets of the V Collection 6 can be browsed and edited from a single interface Arturia’s proprietary technology, TAE®, ensures that each analog modeling instrument sounds and behaves exactly like the original. Manuals in English, Japanese and French What's new in v6.2 Platform specifications Windows: Win 7+ (64bit) PC: 4 GB RAM; 2.5 GHz CPU. 12GB free hard disk space OpenGL 2.0 compatible GPU Rev.2 Improved installation speed https://rapidgator.net/file/604776870ba0f43dc814f329a83eec3a/Arturia.V-Collection.v6.2.CSE.Rev2-V.R_softrls.com.part3.rar.html https://rapidgator.net/file/d948bcde230f4931022a8da9e2d5d65e/Arturia.V-Collection.v6.2.CSE.Rev2-V.R_softrls.com.part2.rar.html https://rapidgator.net/file/58eddfd71488ca2db5d2467a7ee09277/Arturia.V-Collection.v6.2.CSE.Rev2-V.R_softrls.com.part1.rar.html https://dailyuploads.net/pjjh615gxldk https://dailyuploads.net/d3uczi9kg03q https://dailyuploads.net/5wy36c4p7d4h Read the full article

[gustavobravetti]

Besides the sound design part which I really enjoyed, from the concept till the final stage it was such a pleasure being part of this project. Thanks @arturia_official for that! The M12-filter faithfully captures the flavor of the famous Oberheim Matrix 12 multimode filters, plus a selected set of new features you’ll surely love. Just head up to ARTURIA’s website and download the M12-filter demo, try it by yourself and tell me what do you think. :) #arturia #sounddesign #oberheim #gustavobravettilive #gustavobravetti

[mysynthfetish]

SOS

Save Our Ship. Same Old Shit. Save Our Synths. Synths On Sale. What?

It’s been a while. What is it with me and not being able to maintain a consistent new post regimen? No idea. Lazy fucker.

Lots of comings and goings here in the Lair Of Nefarious Machinery. Before summer I was thinking it was a Big Mistake that I’d subtracted any form of MPC from the sequencer equation here, so I looked around for something that wasn’t gonna break the bank, but had enough power to keep me happy. Enter the MPC1000. I found a black model on the auction for a not so exorbitant amount of money, and later discovered why. It was an early edition, with the destined-for-failure pad assembly.. Ugh. So an order to MPCstuff.com later and I had a new pad assembly and black pads on the way. In the interim, I decided to recap the power supply, and had swapped most of the LEDs out with blue ones. I can’t leave shit well enough alone...

Old pads, old LCD, new LEDs.

Power supply with new caps.

By the time it was all said and done, I’d spent way more than I had originally intended. I guess I should mention that I also put in JJOS so there was the cost for that to factor in too. Random fact: JJOS is actually cheaper to order from the Japanese language page. Hmmm. At least the machine itself looks and performs great now. JJOS is SO worth the investment.

A bit dark but for a black machine with black pads in a dark room, well...

I also find myself with a D-50 back in the equation. I had forgotten how weird and cool this synth is. And now with the D-05 out, and Legowelt having made a patch bank that is downloadable for free... I’m happy about all this. The only thing about the D-50 that sucks enlarged frog’s balls is the weirdo All Notes Off message it sends periodically when you release keys. Wreaks havoc on sound modules and makes sequences sound all sorts of fucked up. Thus the purchase of JJOS, as it allows filtering of All Notes Off messages at the MIDI In. No more Limpety Gimp sequences. The D-50 is so cool though. Love it.

And now a moment of silence in remembrance of lovely synths not with us anymore. I sold the Xpander. WHAT?!?!! Yeah. I know, I know. Arguably the most awesome, incredible, flexible, neato goddam synth this side of a chicken burrito but I just was not fucking using the goddam thing. A few weeks ago I had some free time at work, miraculously enough, and fiddled around with the Arturia Matrix-12v or whatever it’s called and was like ‘oh.’ Very very VERY close indeed. Seriously folks, the two major drawbacks to the Xpander, ok three, are its size, polyphony, and complexity. It’s nice to be able to Matrix Mod the fuck outta every single thing, but having to go in and route stuff in the matrix just to have velocity affect an envelope? Simple things become complex operations. Don’t get me wrong, I absolutely loved the thing and doing sound design with it was just ridiculously fantastic. I doubt there is another synth that is even comparable, aside from the Matrix 12. Ah the 12, with those TWELVE FUCKING VOICES. Yeah six is just simply not anywhere near enough. I don’t think I programmed a sound that really didn’t suffer from stolen voices. Ah well, it was super duper fun while it lasted. In any case, now I can take care of a huge chunk of debt, and pick up a small gadget or two to boot.

May I request the moment of silence be extended so that sick synths in need of repairs may be in your thoughts (but not prayers, unless you pray to flying spaghetti monster thingy then I’m cool with that). Remember the Virus Bs? I sold them both. The most recent sale though, well, the thing decided to start acting nutty once it arrived at the buyer’s place. Pressing the Env Mode button in the LFO2 section prompted the unit to display “Store?” on the LCD, which is Not Supposed To Happen. Signal problem somewhere. I don’t have the know-how to deal with digital stuff so I’ve sent it to the person I believe is the most capable synth tech in all of Japan. If he can’t figure it out, well, it’ll be refund time and I’ll be stuck with a sick synth. Works fine as a sound module, but just don’t press that button... Argh!

What else. Ah a Black Blofeld desktop is here now, thanks to the lethal combination of Looking At Auctions While Intoxicated. Yeah, what the hell. I woke up the next morning and upon checking my mail was greeted with a ‘Congrats! You won the auction!’ mail and was like oh jeez what did I buy now? Yeah, so a Blofeld is here. Silly. What a neat synth though. I do like to have a Waldorf thingy in the lineup. Too bad they never came out with an XL version, like with 25 knobs or so on it. I played around programming the thing and was easily reminded of when I had a Microwave II XT. The same damn sounds are easily obtainable. But, you’ve got the option of using different wavetables for each of the first two oscillators (don’t think the XT did that) as well as having additional/different wavetables to use (and then there’s the sample option). Such a neat synth. Yay Waldorf. And black too. Don’t see these too often. The main encoder was fucked though. Grrrrrr. I ordered a replacement part but in the meantime I had a few leftover encoders from the Nova II, and after some sleuthing concluded that the parts were compatible, so I desoldered the wonky one and put a new one in to test it out, and waddaya know it works perfectly. Still gotta go pick up the new one I ordered but yeah it’s cool to have spare stuff. 

Well that photo didn’t turn out so great. Super bright screen versus black, black and more black... Anyway. Awesome pads on this thing too. Woosh.

Yeah I have both the boutique TRs now. The 08 is fantastic. Like the 09, the 08 completely captures the mojo and FUN of using an 808 live. Programming is easier than I remember it being on the original too. And I do have experience with the originals... 

Hey look, your weirdo host took a selfie with an 808 this summer in Oakland. Thanks, Ernesto. Wadda pal.

Anyway... A weird discovery I made with the TR-08 is that if you have the 09 doing master clock duty, and both the TRs are set to the same MIDI channel (in my case it was just factory default), any knob changes made on the 09 will also be reflected on the 08. What? I changed the tune and decay on the bass drum on the 09 and suddenly noticed the 08 bass drum sound had changed, and was like WHAT? Yeah it’s kinda neat. Obviously the tune control for the bass drum on the 08 is there in the menu, but it lacks a knob on the panel. Neat accident. There are loads of Naysayers and Yeahbuts out there doing their best to wag their fingers and tongues at the TRs (and others in the boutique series), and I was one of these people too until I actually sat down and played with them. Fuck all that nonsense. The boutiques are fantastic. My neighbors (and wife) are definitely NOT happy about the addition of the 08 to the menagerie either. Thank you Cerwin Vega. (I have a pair of 12s doing subwoofer duty in the room).

Well. Looks like it’s time for me to go and do my dad duty and drive the fam to the Capitalist Consumption Center of choice here... Take care, my virtual comrades. Until next time.

[catsynth-express]

NAMM 2019: Arturia MicroFreak (First Look)

One of the most talked-about releases at NAMM (at least within our circles) was the new MicroFreak from Arturia. So, of course, we at CatSynth had to check it out.

It is a unique-looking instrument. The panel is etched with a variety of iconography; and then there is the flat PCB in place of the traditional keyboard. No moving parts here. But it is quite expressive, including polyphonic aftertouch.

Beyond its looks and keyboard, the main feature of the MicroFreak is its digital oscillator. There are several different “types” for the oscillator, including wavetable, sampling, physical modeling, virtual analog, and something called “texturizer”. Within each there are selections for parameters labeled wave, timbre, and shape, that do different things in different types. These can be selected in real time via the knobs, and wave and timbre can also be destinations for modulation.

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The digital oscillator followed in the signal chain by an analog filter, specifically an Oberheim SEM-style filter, which sounds quite good when the oscillator is set to a rich source. There also the usual array of modulators, including envelope (one-shot and cycled), LFO, and arpeggiator. The sequencer includes a bunch of compositional functions with cute names like “Spice” and “Dice” to help build and modify patterns, which then can be routed via the modulation matrix.

It is quite a powerful instrument, but attempting to play it was a bit intimidating at first. Unlike the MiniBrute (analog) or even the Sequential Prophet 12 (hybrid), the knobs weren’t quite as intuitive for someone used to a lot of subtractive or semi-modular synthesizers, especially the oscillator with its various modes and the composition functions. I suspect it was an easier first-experience for those who use beat and sample boxes like those from Elektron. Indeed, I was able to get more out of it by turning on the arpeggiator and then turning knobs. You can see a bit of my initial attempts in our recent video.

In order to really understand what this little beast has to offer, a deep dive in the studio would be required. We at CatSynth hope to be able to arrange that in the not-to-distant future, and will report back here and on CatSynth TV.

NAMM 2019: Arturia MicroFreak (First Look) was originally published on CatSynth