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youshendu · 5 years ago

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诺贝尔文学奖获得者的文章不一定好文章

当今之营销。是内容营销的时代，无数从业者通过不断的测试，大数据告诉我们——内容为王，业界早已形成了共识。什么是内容呢？

简单说内容包括文章文案、图片动画、音频视频。什么是好内容呢？一次就能让你怀孕（深度——精准——高转化）

不要感到吃惊，认为这是来了一匹种马！我已经老了，标题只是一个比喻，深度不是……是指文章有深度; 精准并不意味着精子可以准确地击中地方，而是指内容能够精准的整到目标顾客心中最柔软的那个点; 高转换是引来的读者购买率高。对于营销型的网站和博客好内容应该是有深度的文章，精准高转化率的内容。优秀的从业者应该知道什么样的内容点击率观看率高，什么样内容的点击率和转化率都高。对网站博客整体主要考核内容如下指标：

我们的团队有11年做淘宝网店的从业经验，为了引流量运营过网站，做过自媒体，写过博客，有从各大平台、社交网站引流量经验。通过11年每天看着大数据不断的调整测试，知道什么样的文案、图片、视频点击率高，什么样的点击率和转化率都高。知道这些的人，都是经过了至少三年以上时间的不断测试，花了大量的资金代价才得出的结论，没有人说出来，会从我的文案、图片、视频中呈现出来。团队通过11年每天看着大数据不断的调整测试，得出的结论是，不是很有文采的文章，不是文学性艺术性很高的文章，点击率和阅读量就高，转化率更是不高。

因为对于营销为目的的网站博客，目标读者是普罗大众，最终目的是引导消费。重要的是定位好目标读者，研究目标读者找到他们的痛点，精准的针对他们写文章，就要用最接近他们的语言，最生活化的语言，直击他们的心灵引起共鸣。

当然说诺贝尔文学奖获得者写出的文章不一定是你要的好文章，是针对营销为导向的网站博客说的，对于欣赏文学之美的读者来说当然是好文章。虽然，诺贝尔文学奖获得者写出的文章文学艺术性高毋庸置疑，但是营销型网站博客想要的读者不是让来欣赏文学艺术的，普罗大众的欣赏水平也不是普遍都高，就需要最接近他们的日常语言。单纯对文章来说，请看好文章衡量指标：

多图文的单条图文打开率。该指标用来规划和调整不同主题图文的搭配文章初次打开率。会话阅读渠道图文页阅读人数/ 全部图文页阅读人数。二次传播率：（转发阅读人数+朋友圈阅读人数） / 总阅读人数。

这就是文化人和营销人的区别，文化人看的是文学性和艺术性，营销人要很商业的文章。

我们团队11年下来，还总结出不是很精美的图片、炫酷的视频点击率、转化率就高，恰恰相反，残酷的现实是，那些用精美图片过度美化包装的网店都死了。原因： 1，顾客看着太假不真实，不愿买。 2，图片太美，顾客购买后的心理期望值很高，收到货物的心理落差很大，退货率就高，差评就更多。要知道顾客对一件商品的满意程度，往往不取决于这件商品的质量（质量的好与不好是相对而言的），而是取决于他对这件商品的期望值。本人50多年坎坷的人生经历，能写成惊悚小说的人生故事，能让我写出有深度的文章。如果您的目标受众群体，是欣赏文学艺术的高端人士，那不要找我，我的文学素养并不高，我没有生花的妙笔，飞扬的文采，激扬的文字，我只能写出接地气的生活化语言。如果您的目标读者是普罗大众，最终目的是引流量做营销，找我们就对了。我们是若贝尔内容团队能制作出有深度精准高转化的内容。

Our team has two unique features. First of all, Can make a pregnancy (depth - precise - high conversion) Don't be surprised, think this is a stallion! I am old, the title is just a metaphor, the depth is not… the article I wrote has depth; accuracy does not mean that sperm can accurately hit this place, but the articles I write can accurately target the target, The softest part of the heart; the reader's high conversion rate is high. Our strengths are in-depth articles, accurate and high conversion rate content (copywriting, pictures, videos). Especially for marketing-oriented websites and blogs, we have been very professional and have 11 years of experience. There are many people who can write good articles, and many people will take beautiful photos and cool videos. We are not the best. This is not the real value we can bring to you. The real value we can give you is to watch the 11-year big data continuous adjustment test every day, know what kind of copy, picture, video click rate is high, what kind of click rate and conversion rate are high. People who know this have been tested for at least three years and have spent a lot of money to come to a conclusion. No one said, but it will come from our copy, picture, video. Presented. We have 11 years of experience in Taobao. We have experience working on major platforms and social networking sites, working on media, blogging and experiencing websites. After 11 years of watching the big data continuous adjustment test every day, we concluded that it is not a very literary article, not a literary article, the click rate and reading volume are very high, and the conversion rate is not high. Due to the purpose of website blog marketing, our target audience is the general public, and our ultimate goal is to guide consumption. For us, it's important to target the target audience, research the target audience to find their pain points, and write articles for them accurately. It is necessary to resonate directly with their thoughts using their most intimate language and the most lively language. Therefore, I said that the articles written by Nobel Prize winners are not necessarily good articles you want. Although the articles written by Nobel Laureates are highly literary and artistic, the readers we want do not like literature and art. The general public does not have a high degree of appreciation and needs the language closest to them. This is the difference between cultural people and marketers. Cultural people look at literature and art. I can only be considered a marketer, I can only write very commercial articles. Second, the website blog is comprehensive.

段落

Our conclusions over the past 11 years: not very beautiful pictures, cool video click rates and high conversion rates. On the contrary, the cruel reality is that online stores that use over-authenticized packaging to create beautiful pictures have died. the reason: 1, the customer looks too fake and dishonest, do not want to buy. 2, the picture is too beautiful, the customer's psychological expectation after purchase is very high, the psychological gap of receiving goods is very large, the return rate is high, and the bad review is more. Understanding the customer's satisfaction with the product usually does not depend on the quality of the product (the quality is relative), but on his expectations of the product. My 50 years of life experience can be written as a life story in a thriller novel, which allows me to write deep and targeted articles and copywriting. If your target audience is a high-end person who appreciates literature and art, then don't look for me. My literary literacy is not high. I can only write a simple, rooted language of life. If your target audience is the general public, the ultimate goal is to direct traffic to the marketing department and find me. We can create content with depth, accuracy and high conversion rates.

#Internet marketing 网络营销 Content marketing 内容营销 Social media marketing 社交媒体营销 Article writing 文章写作图片编辑Picture editing 视频制作Videoproduction 博客

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laoyangtutor · 2 years ago

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老Yang教员组今天为大家整理一篇优秀的paper代写范文- Anna Maria Maiolino，供大家参考学习，这篇论文讨论了安娜·玛利亚·麦欧利诺。安娜作为巴西最重要的当代艺术家之一，她的作品最独特的个人特色是使用卷曲的粘土艺术来表现日常的个人、社会和语言问题，并通过作品表达了对创作短暂的评价。

同时有需要essay润色查重、辅导代写、托福GRE考试保分、网课全方位包课的家人们可以联系老Yang微信（Wechat ID: ymf2531）进行咨询喔~

Recently I went to the Los Angeles Museum of Modern Art. MOCA is one of the most important art galleries in the United States with the largest collection of post World War II art objects in the United States, the number of collections is about seven thousand pieces. These collections including paintings, sculptures, installations and new media works such as videos.

If you locate MOCA on Google Maps, there will be a total of three places - MOCA Grand Avenue across the board from another goddess-like art gallery in Los Angeles, the Geffen Contemporary at MOCA near Little Tokyo, and MOCA Pacific Design Center. Los Angeles downtown is chaotic, the Grand Avenue where The Board and MOCA Grand are located is a relatively lean area of the city center.

Now on display at the MOCA is a large retrospective of the Italian-born Brazilian artist Anna Maria Maiolino. This is the first time her works in such a large scale in the United States. The exhibition covers a wide range of works from the 1960s to the present, including comprehensive painting, clay installations, video, cement sculpture and other dimensions, a variety of sizes of works.

Anna was born in Italy in 1942.As a result of the fall of World War II in Europe, she immigrated to Italy from Italy with her parents in 1954, then studied in Brazil and settled in Brazil. Loneliness runs through her life because of the sense of isolation that her immigrant identity brings, interwoven with her later experiences of becoming a mother and a world citizen, shaping each piece of her work. Such as the above piece of work, grandmother, mother and daughter, three generations connected by a thin line. Looks like a very simple action but makes people feel strong love by mother, and this love is passing from generation to generation.

As one of the most important contemporary artists in Brazil, the most unique personal feature of her works is the use of curly clay devices to represent everyday personal, social and linguistic issues. And through the work express short and fragile evaluation of creation.

In the 1960-1970 period, ANNA was contemplating the relationship between language and body. She thought that mouth was a wonderful thing because it served as both a "tool" for eating and speaking, it is the intersection of language with the human body, culture and nature. Her debut exhibition “Between Senses” with Hauser & Wirth in New York is a testament of the Brazilian-based artist’s continuous search for identity in her multidisciplinary works.

By the middle of the 1970s, Anna began experimenting with hand stitching, paper cut, collage and use multi-layer approach to creating these works on the “3D works”. At this moment, the identity of Anna as a mother began to show more and more obvious. She substitutes everyday activities in the field of art creation.

In the early 1990s, she first hand-casts sculptures using materials such as cement and plaster. Later, she discovered the clay which is a great material, with the help of this material she made larger works. She is good at using curly clay installations to suggest everyday things in the personal, social and linguistic contexts and to express short and fragile appraise of creation through her works. The clay installation on display this time is said to have come to Los Angeles personally, using the soil here for this exhibition. The scale is so big that you can’t trust these works all finished by a 70 years old granny alone.

Anna loves clay, because in her hands clay is the flour in the kitchen and can sublimate from one thing to another. Like a dumpling, spaghetti, she squeezes the clay into a variety of shapes, densely arranged on the tabletop or glued to the wall, a separate halls that seem to instantly become a mom's kitchen.

The end of the exhibition is Anna some of the paper drawings and paper sew, size is not large, but it is also very cute yet.

After nearly 50 years of artistic creation, Anna Maria Maiolino established a wide international reputation. In 2001, she held a personal retrospective at the Sketch Center in New York, where she organized a personal retrospective in 2005 and 2006 respectively at Esta Gallery in Sao Paulo and the Miami Museum of Modern Art in the United States.

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老 Yang 为留学生提供靠谱隐私的留学学业服务，亲们可以进入主页了解和获取更多优秀范文，有需要可以咨询老Yang微信（WeChat ID: ymf2531）。

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laoyangtutor · 3 years ago

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老Yang教员组今天为大家整理一篇优秀的paper代写范文- Craft art and painting art，供大家参考学习，这篇论文讨论了工艺美术和绘画艺术。工艺美术，包含的艺术类型是早期的艺术创造。工艺美术属于造型艺术的一种，借助美术技巧来制作出各项与使用相互联系而且有着良好观赏价值的工艺品，一般具备一定的双重性质，既属于物质类型的产品，还有着不同程度精神需求的审美性。绘画，在以往的艺术发展阶段中被人们称之为追求纯粹之美的艺术。绘画本身属于一项艺术语言，一般是以具象现象表现在人们面前的，以此将绘画人员的特征体现出来。对于不同类型的材质、题材以及表现方式来讲，可以将不同的内心世界有效的体现出来，这就是绘画艺术被称之为纯艺术的原因。绘画属于一项出纯粹的艺术，而工艺美术则是一项具备功能性的生活艺术，工艺美术主要是采取绘画的方式来达到装饰目的，绘画一般是将客观对象当成基本的描绘对象。

同时有需要essay润色查重、辅导代写、托福GRE考试保分、网课全方位包课的家人们可以联系老Yang微信（Wechat ID: ymf2531）进行咨询喔~

Under the background of economic development, social division of labor is more and more clear, for the previous architecture, painting and sculpture, is connected with each other, based on this, formed before the phenomenon of technology and art together, however, with the running of the society, this kind of phenomenon gradually separate, became a professional independence, long down exist independently. Specialization is the inevitable development process of history, and the differentiation of painting and craft is in the state of common development. At the same time, it also shows that it is going backwards. In this article, the focus of the study of arts and crafts and painting, through the study, only painting and arts and crafts linked together, can produce good results, to achieve the purpose of stable development.

Arts and crafts, in fact, is a new word, although its development in China's short time, but the type of art is included in the early art creation. In the past ancient times, arts and crafts belong to the artistic value of high manual art works, and modern arts and crafts in order to keep pace with the needs of social development, on the basis of inheriting the traditional arts and crafts, also introduced science and technology, the application of this technology to variety preservation, development, material production and technology. It can be seen from this that artistic works of craft type not only refer to the value created by the craftsman's own labor, but also involve the phenomenon of mechanized production and processing.

It is clearly pointed out in the Chinese art dictionary that the arts and crafts belong to a kind of plastic arts. By virtue of art skills, crafts that are interrelated with the use and have good ornamental value are generally of a certain dual nature. They are not only products of material types, but also aesthetic of different degrees of spiritual needs. Through detailed exploration, as a kind of art, arts and crafts contain a series of characteristics of art and have strong practical performance. In other words, arts and crafts do not completely belong to the products of social ideology. They have strong practicability and are regarded as an interdisciplinary discipline.

Painting, in the past stage of artistic development, was called the pursuit of pure beauty art. Painting itself belongs to an artistic language, which is usually expressed in front of people with concrete phenomena, so as to reflect the characteristics of the painters. For different types of materials, themes and expressions, different inner world can be effectively reflected, which is why painting art is called pure art. In the Chinese art dictionary, it is clearly pointed out that painting is an art, which mainly USES brushes, bamboo and knives to draw visual images on the plane of wood boards, cardboard and walls in the form of composition, modeling, color and light and shade treatment, so as to express the meaning that it wants to express. With the continuous improvement and innovation of science and technology, the types of painting materials are also increasing. For different materials, different types of painting are produced, such as oil painting, watercolor and ink painting. Therefore, painting is not only a visual creation based on two-dimensional plane, but also an abstract embodiment of the painter's research on natural space.

Industrial art is not only an artistic product, but also an embodiment of social life. It is not only a material product but also a spiritual product. When it is regarded as a material product, it enriches people's life and provides convenience for people's clothing, food, housing and transportation. When it is regarded as a spiritual product, it brings pleasure to people in the spiritual life and adds luster to life.

Ancient Chinese arts and crafts production personnel mostly craftsmen, its main is to make a living, learning a craft from relatives or the teacher who inherited craft, to their skills and master inherited from them, after a long time to the accumulation of formed valuable experience, see, handicrafts contains certain humanistic feelings.

Along with the continuous improvement and innovation of science and technology, arts and crafts gradually exceeded the phenomenon of mainly by the process, it belongs to a daily necessities, in the field of commodity circulation and consumption in the form of consumer goods flow to those who will consumption gradually, and with the people's cultural level of ascension, itself puts forward very high requirements for arts and crafts, arts and crafts based on market mechanism has received extensive attention in the environment. The increase of market demand make the manual artwork for the mass production, gradually formed a collection of production, wholesale and sales for the integration of market economy system, arts and crafts in meet the demand of times development to speed up the process on the basis of fine art market circulation, however, in the process of mechanized production also has many problems. As a carrier of material and spiritual development, arts and crafts are generally made in a crude way in the process of mass production, which completely violates the aesthetic requirements of early handicrafts. In the past, the traditional handicraft technology was gradually lost, with the emergence of many assembly line jobs for living. These workers do not need to think about the beauty of products, but only need to be trained before they can put into work. Take an art city and a stone carving city for example. Because people use machines and production lines, the wood carving works produced are basically the same. In the past, the older generation of wood carving artists are gradually getting old, while the remaining young people are unwilling to inherit the excellent wood carving culture because of the living type and lack of money. Therefore, no matter it is wood carving or stone carving, it is a miniature under the new era development background of arts and crafts. Under the background of the development of commercial era, the market of arts and crafts has changed obviously, but although the production efficiency has been improved, the aesthetic value of arts and crafts cannot be effectively reflected.

The main reason why the works are vivid is that they are formed from the deep heart of the artist, which also highlights the subjectivity and individuality of artistic painting to some extent. In ancient China, painting actually refers to intellectuals expressing their emotions, especially after the song dynasty, when literati paintings occupied an important position, which greatly reduced the social status of other handicraft arts.

At the current stage, with the rapid development of social economy, the art of painting in the era is gradually moving towards the trend of diversification, which is generally reflected in the following points: During the development of the existing market economy, painting has received extensive attention and become a popular investment. The purchase and collection of paintings have gradually become the mainstream trend of the upper class. Painting is a work of active thinking for painters. During the fierce competition in the art market, the thoughts of buyers gradually left the mainstream of painting works. The pursuit of pure spiritual world. Painting and life are separated from each other, these artists stay away from life, stick to themselves, forget the purpose of sales, do a wholeheartedly painting hobby personnel.

In the era of cultural development, there are different artistic styles for different aesthetic standards of painting. The current artistic development has a huge impact on painting, and excessive marketization will make the creation of painting a chaotic phenomenon with a severe form.

Arts and crafts and painting belong to two different types of art, however, it is often planned as a talk, the specific reason is that there is a deep connection between arts and crafts and painting. The foundation of arts and crafts involves three aspects: painting, decoration and craft. In terms of specific concepts, painting is a pure art, while arts and crafts is a functional art of life. Arts and crafts mainly use painting to achieve decorative purposes, while painting generally takes objective objects as basic painting objects.

The development trend of arts and crafts shows that they attach too much importance to functionality and mass production, and pay no attention to the reflection of product aesthetic value. In the development process at the present stage, painting and life are separated and isolated as a superstructure, which belongs to a pure artwork. This requires us to analyze and consider problems from the perspective of big art. Beauty comes from people's life. Basic art training should be conducted for craftsmen to encourage paintings to reflect the reality rather than the specious contemporary art.

From the above discussion, it can be seen that both arts and crafts and painting are important parts of fine arts. Arts and crafts make people's lives have obvious changes, and the half body belongs to a common carrier of material and spirit. Painting as an ideology, there is a close relationship between the two. In the context of rapid social and cultural development, the existing problems should be comprehensively analyzed to achieve the purpose of combining art and craft.

老 Yang 为留学生提供靠谱隐私的留学学业服务，亲们可以进入主页了解和获取更多优秀范文，有需要可以咨询老Yang微信（WeChat ID: ymf2531）。

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khalilhumam · 4 years ago

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Internet artist behind satirical Australia war crimes image hailed as a hero on Chinese social media

New Post has been published on http://khalilhumam.com/internet-artist-behind-satirical-australia-war-crimes-image-hailed-as-a-hero-on-chinese-social-media/

Internet artist behind satirical Australia war crimes image hailed as a hero on Chinese social media

The image triggered a row between China and Australia; Chinese patriots cheered it on

Screen Shot of Lijian Zhao tweet- SBS News video 30 Nov 2020

Chinese online patriots have a new hero: Fu Yu（付昱), also known as Wuhe Qilin (乌合麒麟), the internet artist whose satirical image of an Australian soldier slitting the throat of an Afghan child was shared by China’s Foreign Ministry's spokesman Zhao Lijian in late November. The tweet caused a row between China and Australia as the latter's prime minister demanded the post's deletion and a public apology from China. The image was a reference to a recent investigation conducted by Australia's own military that found that the country's soldiers may have committed war crimes in Afghanistan. Wuhe Qilin responded to Australian Prime Minister Scott Morrison’s request to an apology with another illustration released the following day (via @NavinaHeyden)：

Satire CG works by young Chinese artist 乌合麒麟. He immediately created another image within a day, as counterattack to Mr. Morrison’ accusation. What a stark contrast in intellegence, compentence, upstandingness and confidence! pic.twitter.com/R40j7vG95W — Navina Heyden (@NavinaHeyden) December 1, 2020

The image depicts Morrison covering up a dead body with what looks to be Australia's national flag while a young boy captures the attention of photographers. On Chinese social media, online patriots have cheered Wuhe Qilin “wolf-warrior” spirit. Chinese businessman Huo Lei, for example, said on Weibo:

西方国家还是很讲文明的，前提是实力对等。如果另一方处于弱势，在中世纪是以“上帝的名义”施行侵略，现在则以“民主的名义”。过去两百年的血泪史让我们明白人��也好尊重也罢都要靠我们自己争取，而不是寻求对方的怜悯或施舍。我们的一位画家也能让对方总理感觉到疼，我为祖国的强大自豪。力挺！

Western countries are only civilized when there is power balance. During the middle century, when the other side was weak, they invaded others in the name of god and now they will do so in the name of democracy. The 200-year history of blood and tears teach us that we have to earn our own respect rather than seek sympathy from others. Now that a single artist managed to hurt their prime minister, I am very proud of the strength of my motherland. Strong support!

Leo Johnson, another Weibo user, said:

新时代的中国太需要有乌合麒麟这样的优秀年轻艺术家来做价值捍卫和输出了！

We are in great need of excellent artists like Wuhe Qilin in China’s new era who will defend and export our values!

And in another viral article on Weibo, the writer slammed Chinese state media for being absent in the Twitter spat and depicted the incident as a Chinese victory:

我们所能看到的是，外交部带领一帮子自干五在战斗，而主要的战斗员那些央媒等宣传机器却缺席了！[…]画师@乌合麒麟，是一名90后年轻人，一个爱国者，一个文艺青年，一个有思想的战士，一个战斗力爆棚的战士。近日，他用一幅画作就改变了中国在国际舆论场的地位，堪称一个里程碑事件！他第一次让来自中国的声音成为全球关注的热点，并成功将真相告诉世界。更神奇的是，他的画作还让西方那些主流媒体不得已的为他开足马力宣传，还让如新西兰、法国、美国等这些西方国家愚蠢的为澳大利亚军人残害平民、儿童的反人类罪行站台，让真相扩散的更有深度与广度，向世界揭穿了西方国家所谓“人权”的虚伪而凶残的真相。

What we can see is that China’s Foreign Ministry was leading a group of online patriots in the fight while the state media and propaganda machine were absent […] Illustrator @WuheQilin is from the post-90 generation, a patriot, a cultured young man, an ideology fighter, a powerful warrior. Recently, he single-handedly changed China’s position in the international stage with an illustration. This is such a milestone. For the first time, he makes Chinese voices heard and tells the truth to the world. What’s more amazing is that Western media outlets are compelled to report on the incident and stupid Western countries such as New Zealand, France, and the U.S continue to stand by Australian soldiers who committed war crimes such as killing civilians, including children. He spreads the truth and exposes the hypocrisy of the Western countries that call themselves human right defenders.

Another post on WeChat draws the same conclusion:

乌合麒麟靠着两幅画，《和平之师》和《致莫里森》，在国际舆论战中一战成名，这两幅画，直接揭露了澳大利亚军队的残忍、媒体的双标、政客的无耻，一拿出来就激得整个西方世界…麒麟一支画笔，胜过百万“理智、中立、客观”的媒体人。

Wuhe Qilin built its reputation in the international community with his two illustrations which expose the cruelty of Australian soldiers, the double standard of western media and the shamelessness of politicians and hit the nerve of western world… Qilin’s pen has beat down tens of thousands “rational, impartial and objective” media workers.

Many Chinese cartoonists have expressed support to Wuhe Qilin by posting art with a similar message. Below are some of them, shared on Twitter:

More Chinese artist have join the fray abt Australia PM Scott Morrison complaining that Chinese artist 乌合麒麟 Wuheqilin depicted real Australian war crimes in Afghanistan

pic.twitter.com/daDIaAaBvg — Carl Zha (@CarlZha) December 2, 2020

The Emperor's New Clothes #AustraliaChina #AustralianArmy #Afghanistan #wuheqilin #乌合麒麟 @SpokespersonCHN pic.twitter.com/xIqOKRkAB2 — Miaow (@miaowcomics) December 2, 2020

‘Wolf-warrior’ illustrator

With over 600,000 followers on Weibo, Wuhe Qilin was born in the 1990s and became known on Chinese social media earlier this year after he published illustrations about the Hong Kong protests which align with Beijing's view of the island's pro-democracy movement. Those illustrations have been widely shared by state-affiliated media outlets, such as Global Times. Below are some of them (via Twitter user @Lazybean):

More work by 乌合麒麟: 1,2: On HK “protestors” 3: On the passing of HK National Security Law 4: On Fang Fang Disclaimer: These are artworks by THE artist 乌合麒麟, not photos

. pic.twitter.com/PklIbCubup — Lazybean

(@gracebean284) December 1, 2020

In an interview with nationalist Chinese website Guancha in June 2020, Wuhe Qilin explained how he began illustrating:

是从去年香港系列事件的时候开始的，最初的动机是因为看了一些相关新闻而感到愤怒，然后有一天看到香港某漫画家的一系列宣传暴力美化动乱的漫画作品，于是我也想用类似的方式回击，就有了第一张作品——《伪神》。

[I began drawing political illustrations] because of what happened in Hong Kong. At first I was feeling very frustrated after reading the news and one day I saw a series of cartoons drawn by a Hong Kong cartoonist which glorified the riot. I wanted to respond in the same manner, so I drew the first illustration, called “You believe in a pretender god,” and it became a series.

Wuhe Qilin calls himself “wolf warrior,” a popular way to describe — and mock — the aggressive diplomatic style adopted by Chinese diplomats in recent years (“Wolf Warrior” is in fact the title of a 2015 Chinese patriot movie). In the same Guancha interview, which was distributed by the Communist Youth League of China through its official social media channels, Wuhe Qilin talks about the “duty of artists,” an idea that resonates with Chinese President Xi Jinping’s calls for “ideological struggle”:

但我认为传递和输出意识形态其实恰恰是艺术作品和艺术家的责任之一。所以我这么做了，而且是抱着抛砖引玉的态度，希望有更多的文艺工作者能善用自身技能去为祖国和人民做一些事情。特别是现在这个在西方利用话语权步步紧逼的特殊时期，我认为我们是需要更多传递我们国家和人民意志的文艺作品的。

I believe that the distribution and exportation of ideology is the duty of artists and their artworks. That’s why I did it and it's my attempt to stimulate similar acts. I wish more artists used their talents and skills to work for their people and country. In particular in this special period when narratives coming from the West are cornering [China]. Thus I believe we need more art that reflect the will of our country and our people.

After the Twitter spat with the Australian PM, Wuhe Qilin posted a video message on YouTube further elaborating on his world view. His words are partly transcribed here by @wangbo08492215:

乌合麒麟 say： It is hoped that the Australian Prime Minister will face up to the reality, pay attention to domestic affairs, and restrain the behavior of Australian troops stationed abroad, so as to prevent such tragedy from happening again.@zlj517 pic.twitter.com/tLuozmKDJu — 夢 (@wangbo08492215) November 30, 2020

< p class='gv-rss-footer'>Written by Oiwan Lam

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fuwenjunstudio · 6 years ago

Text

图腾下的文化意义——《图腾》创作自述

文/傅文俊

说起图腾，自然会想到原始岩画、壁画——那些涂抹或镌刻在岩石上的图像。无论是因狩猎者对猛兽的敬畏或对征服欲望的混沌希冀，原始初民往往将与他们生存密切相关的动物形象生动的描绘于悬崖峭壁之上。看看那些��术与祈福性质的图像，绘图师们有意的将神灵或帝王的形象与身边之形象做出鲜明对比，无论是从人物塑造的大小上或正面率上，这都是可以轻易发现的事实。在我看来，史前艺术之于当下的魅力之所在，恰恰体现在对当下心理上、认识上和观念上的互通。作为原始艺术的图腾符号成为可供我艺术创作研究的一点，图腾文化作为一种文化现象，它在社会、历史、政治、阶级、种族中，都可见到体现它的社会文本与文化文本。

我曾经试图从艺术哲学的角度对图腾的意义加以考察，我发现原始岩画的图腾表象与现当代艺术视知觉图式有着内在的联系性；而图腾所隐喻的文化现象和文化意义在当下的社会、文化、历史与生活中也有着具体而强烈的体现，比如对文化中心话语的惟命是从、对西方中心主义的既定认知、以及对后殖民文化理论的盲目推崇等等，何尝不是一种图腾的崇拜。强势的西方文化集团在全球化政治与文化的领导地位，往往会强制的同化非西方的、边缘与底层的话语结构。作品中的奥巴马形象扩大化，与非洲土著人们形成鲜明的对比，使其符合图腾崇拜的表现程式。与此同时，我又将人物显示模糊化，在奥巴马形体上占据大量平面空间的同时，在彰显度上却低于其它平面各元素。从而营造一个博弈的场所，即边缘话语与中心权力话语的博弈。虽然已有众多学者，通过个人化的理论研究倡导超越东西方对抗的基本立场，解构中心权力话语的神话，但是这依旧会是一个长期的、无法逾越现实。我在选取人物个体与服饰以及佩戴的饰物上都做过细致的分析，我希望在给观众营造神秘、虚幻美感的同时，将图腾的文化意义予以彰显。

在我的作品中，除了对文化权利的探讨，有关摄影的跨界问题也是《图腾》系列作品试图尝试的关键点。继新闻摄影、纪实摄影与风光摄影极端忠实于客观客体后，现在从事摄影艺术的艺术家往往会采后期制作以期达到某种特殊效果。所以我就在思考，如果将摄影与科��技术充分的融合，达到的效果会有怎样优势与不同？基于这样的思考，在《图腾》系列作品的形式与表现技法上，我运用了后期PS合成与虚幻环境再造的手法，所以，有不少朋友说我的作品是静态版的阿凡达。但众所周知，由于视觉文化的转型，传统的艺术（绘画、摄影）在跨学科和运用科技力量的方便有所突破。大众传媒的科技革新和新媒体艺术在跨文化传播体系中，实现了宏观与微观的意识操控。而我的作品在不跨越摄影概念的同时无限的接近于新媒体艺术，即主要是以数字技术为基础，呈现具有网络、传播、互动与虚拟特征的艺术形态。由于后现代主义研究的非精英化倾向，视觉文化开始转向通俗文化。这一方面在视觉上给观众以新奇感与惊艳感，另一方面在艺术的体验上给予观众更多的互动性与丰富性。我希望通过这种具有大众文化传播特征的艺术作品，缩短艺术家与观众以及作品与观众的距离，使艺术作品不再作为一个客体、一个第三方出现，将媒介本身变成信息文本。毕竟好的当代艺术不能仅是封闭在象牙塔里无人知晓之作。但这并不意味着我在向大众献媚，我最欣赏沃霍尔的地方就在于，他不怕迎合大众与流行，而是在无限接近大众的同时不放弃批判的姿态。当代艺术需要传播，也越来越受到大众传播的影响，我的作品直接将大众传媒纳入到创作的元素中去，以期创造出新的图示语言。

对原始艺术的深刻研究以及对摄影作品的跨界尝试促成了我这一新作的完成。在我看来，好的作品不一定非要具有宏大叙事不可，重要的是创作过程中所认识到和要研究的问题。塞尚曾把自己说成是一个具有新视觉的原始人，虽然我不能与其并行而论，但对新视觉的关注在我们的艺术中是共同的。在当代艺术这样一个惊险、膨胀、花俏的大舞台上，我希望自己的创作可以在原始艺术的纯粹与神秘中沉积下来，去多做一些单纯而有意义的尝试。

原文刊载于《艺术视野》第八辑

The Cultural Meaning Contained in Totem

--- Introduction to Totem

Fu Wenjun

As for the totem, we will naturally think of primitive rock or mural paintings --- images daubed and engraved on the rocks. Disregarding the hunters’ awe of ferocious beasts or the vague wishes of the desires to conquer,the primitive inhabitants frequently painted on the steep cliffs vivid figures of the animals closely connected to their survival. Having a look at the images related to the witchcraft and the blessing, we can easily find that the painters purposely made a clear contrast between the figures of gods andemperors and those close to them, regardless the size of the shaped figures or their positive rate. In my opinion, the charm of prehistoric art lies on the psychological, cognitive and conceptual interflow with our days, so the totem symbols of the prehistoric art has become an issue of my art research. Thetotem culture can be found embodied in social and cultural texts, as a cultural phenomenon belonging to society, history, class and race.

I have tried to explore the meaning of the totem from the perspective of the philosophy of art, and I’ve found that there is an inherent connection between the ideas expressed in the primitive rock paintings and the visual andperceptual schema in modern and contemporary art. The cultural phenomenon and meaning implied by the totem are also embodied in the current society, culture, history and life, like the total obedience to the cultural authorities, the established recognition of Western centralism, the blind worship toward the post colonialism, are nothing else but a sort of worship of totem. The dominant Western culture, as the leader in global politics and culture, always assimilate compulsorily the non-Western, marginal and low classlanguage systems. In my works, the figure of Barack Obama is enlarged, making a big contrast with the African aboriginal people, so as to accord with theschema of the totem worship. At the same time, I blur the figures: the figureof Barack Obama occupies a large planar space, but the highlight intensity islower than the other planar elements. As a result, a place of gaming is created, which stands between marginal discourse and central discourse. Although many scholars, by means of individualistic theories, advocate for overcoming the radical antagonism between East and West, as well as for deconstructing the fairy tale told by the central power, such a reality will behard to surpass yet for a long time. I’ve analyzed carefully each figurechosen, its clothes and accessories, because I wish to highlight the culturalmeaning of the totem, while creating a mysterious, illusory beauty for the audience.

In my works, except for the investigation on cultural rights, the interdisciplinary questions related to photography represent another key pointthe work series Totem attempt to experiment. After the news photography, documentary photography and scenery photography, nowadays the artists engaged in photography always make use of the post-production work in hope of creating some special effects. As a result, I’ve thought, if merging photography and scientific technology, what advantages and differences would be achieved from that effect? Basing on this idea, in terms of form and performance techniques in the work Totem, I made use of the Photoshop composition and recreated illusory environment. Consequently, many friends have said that my work seemslike a static Avatar. However, as is known to all, with the transformation of the visual culture, the traditionalart (painting, photography) has made a breakthrough in the interdisciplinary field and in the use of technology power. Within the intercultural communication system, technological innovations in multimedia and new media art have achieved both a macro and micro conscious mastery. While my works, which do not leap over the bounds of conceptual photography but get very close to thenew media art, namely based on the digital technology, they present an art form characterized by Internet, transmission, interaction and fictitiousness. Due to the tendency to non-elite culture in postmodernist research, the visual culture has started to move towards the popular culture. On the one hand, visually it impresses the audience with its sense of wonder and amazement; on the other hand, it gives the audience more interaction and enrichment regarding the artexperience. I hope that with the help of such kind of art works, which same as popular culture can easily spread, the distance between artist and audience as well as that between works and audience can be shortened, which would make the art works appear not as a subject or a third part, and the media themselves to change into information texts. After all, the good contemporary art works can’t just be confined in the ivory tower, unknown to anyone else. But this doesn’t mean I am trying to please the public: where I appreciate most Andy Warhol is that he wasn’t afraid to cater to the audience and the fashion, but he didn’t desist from his attitude of criticism, even while approaching the audience. Contemporary art should be spread-disseminate and be more and more affected by the mass media transmission; I have put the mass media directly into my works, with the hope of creating a new graphic language.

Thanks to the deep research on primitive art and the interdisciplinary experiment on photographic works, I’ve completed this new work. In my opinion, a good work doesn’t need a long story, what important is the issue recognized and studied during the creation process. Paul Cezanne called himself a primitive with new vision; even though I can’t be put in the same category with him, we share a common focus on the new vision in our art. On such a breathtaking, expanded and fancy big stage of contemporary art, I hope my works can settle down in the pure and mysterious primitive art, and I will make a few more simple but meaningful attempts.

#fuwenjun #art #photography #artist

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angrycollectordaze-me-blog · 5 years ago

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The connotation of film music

下面为大家整理一篇优秀的assignment代写范文- The connotation of film music，供大家参考学习，这篇论文讨论了电影音乐的内涵。电影音乐的诞生，是作者为了更好地表达剧中人物的性格或者能更好地烘托电影中的气氛，电影艺术与音乐艺术结合，视觉艺术与听觉艺术结合，使电影能够更加完美地展现在人们面前而加入的一种音乐。所以电影音乐也就成为电影中的一个重要的组成部分。即使电影音乐成为电影艺术的一个组成部分，但组成音乐的基本要素并不受到影响。但是音乐家创造音乐的构思、形象和结构就要受到电影的构思、人物形象、影片结构和整体画面的影响了，电影音乐一定要和电影的内容，创作的文化背景，放映的条件，以及观看的人群语言方面的问题等相匹配的。

Film music is music that is added to a film to enhance the effect. It is a combination of two completely different arts. It is an important part of the art of film, it exists to better show the content of the film, is a very important form of expression of the art of film. Film music can make the audience more easily accept the film, it and the film plot has a thousand ties, and has a huge role in promoting the development of the story.

The combination of the development of film art and music art is the inevitable trend of the development of film art. Film music can be classified according to different ways of integration, which is closely related to the film and television content of film art.

Film music cannot be said to be divorced from its essence just because it is integrated into the film. Regardless of the elements of music, its creation is still the same as that of many musical works. However, in order to create film music, it is necessary to combine the music with the film, and then the music should be made around the theme of the film. The music presents the theme of the film, which makes the whole play more colorful and enables the audience to have more reverie, thus making the film art more perfect and sublimating the whole plot.

Film music, as the name implies, is a kind of music added by the author in order to better express the characters' personalities or better foil the atmosphere in the film. The combination of film art and music art, visual art and auditory art, makes the film more perfect in front of people. Therefore, film music has become an important part of the film. Even if film music becomes a part of film art, the basic elements that make up the music are not affected, such as melody, rhythm, harmony, strength, speed, tonality, form, texture and so on. However, the conception, image and structure of the music created by a musician must be influenced by the conception, character image, film structure and overall picture of the film. The film music must match the content of the film, the cultural background of the creation, the conditions of the screening, and the language problems of the audience. In the popular point, in fact, film music is in the film music, just to foil a better movie effect. Adding the right music to the right scenes and adding some color to the characters in the play will make the whole plot more complete and make the whole movie more perfect and incomparable. Film art is a comprehensive art, which integrates music, fine arts, drama and literature into one. It also has auditory, visual, time, space and other artistic characteristics. Therefore, film music has become an inevitable product on the development path of film art.

According to the role in the film, the film music can be divided into three categories: theme song, theme song and interlude.

Every movie has a theme song that matches it. The theme song of the movie is a simple song, it has no actual meaning of the lyrics, but throughout the play, it is the core part of the music of the movie, is also the main music of the movie. The theme song has no clear lyrics, which leaves more room for imagination. For example, the well-known movie "the butterfly lovers", in which the ingenious use of the symphony "the butterfly lovers" makes the plot further develop smoothly. Every use of the theme song in the movie pushes the plot forward.

The movie theme song is the vein of the whole movie, and what it has in common with the theme song is that it runs through the whole play. Movie theme songs can also play a general role in the story of the entire movie, it is based on the style of the movie and the movie character and image to tailor.

An interlude is a form of film music in which the filmmaker inserts music according to the needs of the plot in a certain scene. The theme song and theme song of the film run through the whole play, showing the whole, while the interlude shows the part, which is the embellishment of part of the film. The movie interlude has no effect on other plots other than this one. Its function is to add a certain part or a certain plot. Due to the need of the plot, we need to insert some new music to render, but its addition can better improve the whole movie. Just like the grace note we put on a certain note in a musical work, we wish to be a small decoration on the perfect work. Like "my motherland" in the movie "shanggan ling," its mission is to capture the patriotism of the volunteers. Interludes punctuate the film to enhance the effect of the plot.

The depict of characters in the movie is through the ups and downs of the plot and the conflict of layers, and the connection between the story and the feelings of ascension, foil atmosphere, and the plot moving is done through the film music, so the film music's role in the film art is not to be ignored. Whether a good film can be accepted by the public depends on whether it can capture the hearts of the audience. Film music is the messenger to reveal the theme of the film, show the background and atmosphere of the film, it bears the responsibility to achieve the classic, improve the audience's acceptance. Thus, movie music can make the audience accept the movie more easily.

Film music is an important means to express the hearts of characters, summarize the theme and coherent story development, it is a necessary condition on the development of the film industry, its importance is self-evident. Therefore, in order to improve the development of Chinese film art, film music is a "big project" that cannot be ignored.

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paperpalus-blog · 6 years ago

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美国网课代修—paper市场营销职业案例

Reflection Paper on Career in Marketing

关于市场营销职业的反思论文

This self-assessment test really helps me to figure out my performance in the five most important factors in choosing a career in marketing. I have thought about the question that what work I will be engaged in after graduation, but I have never done a systematic evaluation like this before. By answering these questions, the assessment system could help me analyze my characteristics and advantages morescientifically and precisely. Then, there will be interpretation and recommendations for jobs in results of every assessment test. After doing this assignment, I have known more about myself and my alternative choices of career in marketing.

本文是一篇Paper案例论文,是由paperpal美国网课代修完成，主要文章内容如下：这种自我评估测试确实帮助我在选择营销职业的五个最重要的因素中找出我的表现。我已经考虑过毕业后我将参与哪些工作的问题，但我以前从未做过这样的系统评估。通过回答这些问题，评估系统可以帮助我更科学、更准确地分析我的特点和优势。然后每个评估测试的结果都会有工作的解释和建议。完成这项任务后，我更了解自己和我在市场营销方面的选择。

First, in the work interest assessment, the system gives me an evaluation saying that my Work Interest Holland Code is AES. It means that my first work interest areas are artistic category, enterprising category and social category. People in the artistic category are generally described as creative, imaginative andinnovative. Such characteristics could be found from those painters, poets andphotographers, designers, actors, etc. They do not like to be limited in boxes but prefer to break those conventions and create some original things. As for the enterprising category, it refers to those people who like persuading and leading others. They are good at having conversations with different people and they are never afraid of giving speeches. What they enjoy most is they could have impacts on others. Therefore, they will pay more attention to social status and relationship. Social types actually have some similarities to enterprising types. Both of them do well in getting along with people. However, social types are more inclined to cooperate with others to solve problems. They are described as warm-hearted, friendly and considerate. The recommendation for my career choices is to choose those jobs in the field of media, such as copy writer, exhibit artist and music director.

首先，在工作兴趣评估中，系统给我一个评估，说我的工作兴趣荷兰代码是AES。这意味着我的第一个工作兴趣领域是艺术类，进取类和社会类。艺术类别中的人通常被描述为富有创造性，富有想象力和创新性。这些特征可以从那些画家，诗人和摄影师，设计师，演员等中找到。他们��喜欢被限制在盒子里，而是喜欢打破这些习俗并创造一些原创的东西。至于进取的类别，它指的是那些喜欢说服和领导他人的人。他们擅长与不同的人交谈，他们从不害怕发表演讲。他们最喜欢的是他们可能会对他人产生影响。因此，他们会更加关注社会地位和关系。社交类型实际上与进取型有一些相似之处。他们俩都很适合与人相处。然而，社会类型更倾向于与他人合作来解决问题。他们被描述为热情，友好和体贴。我的职业选择建议是选择媒体领域的工作，如复制作家，展览艺术家和音乐总监。

Second, in the personality assessment, the result tells me that prefer to work on projects where I could innovate and create some new ideas. I will enjoy the process that I could deal with those challenges and find some new solutions. In most cases, I will take an objective look at the current condition and solve those problems after careful analysis. In addition, because of knowing well about my teammates and having a good command of what they want, I could get on well with my teammates and we will cooperate harmoniously to achieve our goals. This assessment gives very different recommendations for my job choices compared to my first assessment. It says that I will be more suited to jobs like engineer, scientist and analyst.

其次，在人格评估中，结果告诉我，我更喜欢在可以创新的项目上工作并创造一些新的想法。我将享受能够应对这些挑战并找到新解决方案的流程。在大多数情况下，我会仔细分析目前的情况，并在仔细分析后解决这些问题。另外，由于对队友的了解很好，并且能够很好地掌握他们想要的东西，我可以与队友相处得很好，我们将和谐地合作以实现我们的目标。与我的第一次评估相比，此评估为我的工作选择提供了非常不同的建议。它说我将更适合工程师，科学家和分析师等工作。

Third, in the skills assessment, I chose my top three skills, managing people, social perceptiveness and speaking. I have been leaders in my class or the associations that I have participated in. My classmates once said that I did thingsmethodically and I understood others’ thought and strengths, thus they agreed with my arrangement in most instances. As a matter of fact, I also believe that I have advantages to understand others because I am good at observing and listening. Conflict is not bound to happen, but it depends on whether you have been aware of the risks ahead, which means you have a good knowledge of social status and relationship. In the meanwhile, I am not afraid of expressing my ideas and I know how to speak will not be heard aggressive. In the values assessment, I chose three top factors that I will take into account in choosing jobs are creativity, income and working outdoors. I prefer to develop my ability to create and innovate in working rather than following the “rules”. In addition, I pay much attention to income because I am a person who likes to try new things and travel, which needs a large amount of money. Besides, I do not like working indoors and sitting at one place for too long. Working outdoors will be better for my health. In the fifth assessment, my three most obvious characteristics are eager, sharing and inquiring.“Eager” means I like to persuade others and transfer my thoughts and suggestions to others, therefore, some of my friends always say that it seems that my energy will never run out. “Sharing” is consistent with my former performance in the first assessment. The third description “inquiring”, to some degree, contradicts to my former evaluation that I like to work with people, which describes that I prefer to prove my ideas or find solutions by analyzing.

第三，在技能评估中，我选择了我的三大技能，管理人，社会洞察力和口语。我一直是班上或我参与过的协会的领导者。我的同学们曾经说我有条不紊地做事，我理解别人的思想和优点，因此他们在大多数情况下同意我的安排。事实上，我也相信我有理解别人是因为我善于观察和倾听。冲突不一定会发生，但这取决于你是否已经意识到未来的风险，这意味着你对社会地位和关系有很好的了解。与此同时，我不怕表达自己的想法，而且我知道怎么说都不会被咄咄逼人。在价值评估中，我选择了三个最重要的因素，我将在选择工作时考虑创造力，收入和户外工作。我更愿意培养自己创造和创新工作的能力，而不是遵循“规则”。另外，我非常注重收入，因为我喜欢尝试新事物和旅行，需要大量资金。此外，我不喜欢在室内工作，并且坐在一个地方太久。在户外工作对我的健康会更好。在第五次评估中，我最明显的三个特征是热切，分享和探究。 “渴望”意味着我喜欢说服别人并将我的想法和建议传递给他人，因此，我的一些朋友总是说我的能量似乎永远不会耗尽。 “分享”与我在第一次评估中的表现一致。第三种描述“探究”在某种程度上与我以前的评价相矛盾，即我喜欢与人合作，这说明我更倾向于通过分析来证明我的想法或找到解决方案。

My performance in the five self-assessments has been combined by this system and it says that there are no suitable occupations which could satisfy all of those descriptions for me. It is right because I believe that I am a person of complex personality, which has decided my choosing for my college major difficult. However, at last, I made my decision because it is difficult for us to find a perfect andideal solution but we could try our best to achieve what we want most. Choosing a career is in the same way. Before starting our career path, we have to decide where to begin. There is an article from the column “Find Your Passion” in The Muse. It tells me 6 fresh ways to find my passion. First, we should put the psychology in a correct place. We should not have such thought that I cannot make it. There must be someone who does what he loves to do. So, why is not me? Second, my past experience is of great value for me. We could find our most interested ingredients from our most enjoyable experience, and those factors will be involved in our future career. Third, those ingredients may not be associated with each other at first but we can find our umbrella where they will adjust to fit with each other. Fourth, if I want to find a job which I not only enjoy but also can make money with. I need to be proactive to find some opportunities rather than waiting for others to find me. If I have to polish my skills to satisfy the requirements, then just do it. Fifth, do not give up your love just because someone says you will not win. But rebellion is not the only thing we have to be engaged in, we could persuade them to trust us. Last, what we want to do sometimes needs us to take challenges, which means we should be brave enough. But not the whole path of realizing our dream is full of thorns, we could find our comfort place after making efforts.

我在五个自我评估中的表现已经被这个系统结合起来，它说没有合适的职业可以满足我的所有这些描述。这是对的，因为我相信我是一个性格复杂的人，这决定了我选择我的大学专业很难。然而，最后，我做出了决定，因为我们很难找到一个完美而理想的解决方案，但我们可以尽力实现我们最想要的。选择职业是一样的。在开始我们的职业道路之前，我们必须决定从哪里开始。 The Muse中的“寻找你的激情”专栏中有一篇文章。它告诉我6种寻找激情的新方法。首先，我们应该将心理学放在正确的位置。我们不应该有这样的想法，我无法做到。必须有人做他喜欢做的事。那么，为什么不是我？其次，我过去的经历对我很有价值。我们可以从最愉快的经历中找到我们最感兴趣的成分，这些因素将参与我们未来的职业生涯。第三，这些成分起初可能并不相关，但我们可以找到它们可以调整以适应彼此的伞。第四，如果我想找到一份我不仅可以享受而且可以赚钱的工作。我需要积极主动地找到一些机会，而不是等待别人找到我。如果我必须提高我的技能以满足要求，那就去做吧。第五，不要因为有人说你不会赢得而放弃你的爱。但反叛不是我们唯一要参与的事情，我们可以说服他们信任我们。最后，我们想要做的有时需要我们采取挑战，这意味着我们应该足够勇敢。但是，实现我们的梦想的全部道路并非充满荆棘，我们可以在努力之后找到我们的安慰之地。

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laoyangtutor · 3 years ago

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老Yang教员组今天给各位留学生带来一篇纯原创英语代写范文，讲的是达芬奇：一个普世的人，希望这篇可以帮助到各位留学生，同时有需要essay润色查重、辅导代写、托福GRE考试保分、网课全方位包课的家人们可以联系老Yang微信（Wechat ID: ymf2531）进行咨询喔~

Morris Philipson argues that, Leonardo da Vinci can be viewed ‘as an ideal of fulfillment in an age of frequent frustration, as an idea of completeness in an era of fragmentation (Leonardo da Vinci, Aspects of the Renaissance Genius [1966], p. vii)’. During the whole life, da Vinci achieved huge success in various areas, including drawing, sculpture, architecture, mathematics, physics, astronomy, geology, physiology and music. His knowledge and understanding of the world demonstrated in his paintings, projects and notebooks still amazes in the present age (208). Generally, da Vinci embodied the concept of the “universal man” described by Machiavelli.

Drawing is one of da Vinci’s greatest achievements. Mona Lisa presents his exquisite artistic attainments. It is an oil painting that da Vinci directly drew on poplar. It successfully shaped an image of wealthy woman in the rising period of capitalism. Woman in the drawing sit elegantly and has a delicate smile, and the deep and serene landscape in the background greatly present da Vinci’s atmospheric perspective. da Vinci’s use of sfumato imitates the effects of human vision, and it was his own variation on the chiaroscuro technique, which was developed by other masters during the early Renaissance (211). Under the influence of humanism, da Vinci attached importance to the emotion and feelings of human beings. He masterly combined the colorful inner world and beautiful appearance of the figure, and paid much attention to the corner of the eye and the mouth of the figure, which show the feeling and emotions. The figure’s mysterious smile attracts great concerns of various people, and makes them take time to explore the secrete behind the smile. Furthermore, in terms of composition, da Vinci changed previous habit in drawing portraiture. He did not draw a side bust portrait but frontal bust portrait with a higher perspective point. A pyramid-shaped composition makes the figure seem more elegant and sedate. Besides, a pair of hands of Mona Lisa are soft, tender, and plump, which show her gentle, identity and social status. Therefore, people could feel da Vinci’s brilliant technique and heightened awareness in nature. According to da Vinci, painting is the highest art and it enables painters to create all enchanting beauties with their imaginations (211).

Da Vinci’s abilities are also showed in other areas. In Proportions of the Human Figure, da Vinci demonstrated how the human figure generate the perfect geometry of square and the circle through the proportions (209). He let people know the mathematics of the nature and pay attention to human themselves. As he believed that, human beings were less reliable than the machines, he designed a large number of devices, which cannot be found at his time. He also outlined certain versions of modern technology such as the airplane and the tank (209). Even though da Vinci did not make most of his design become the truth, his thought and knowledge of the world revolutionizes mechanics and anatomy.

In general, da Vinci embodied the concept of “universal man” described by Machiavelli. His achievement in painting, mathematics, machines and other areas amaze the world.

老�� Yang 为留学生提供靠谱隐私的留学学业服务，亲们可以进入主页了解和获取更多优秀范文，有需要可以咨询老Yang微信（WeChat ID: ymf2531）。

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ameliamike90 · 7 years ago

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Internship for Content Writer 文案/撰稿实习生 (中英文) job at Shuttering Hearts Malaysia

As a Professional Wedding Photographer Team base in Malaysia, we specialize in artistic and timeless documentary wedding photography which aim to record our your sublime moments. Our aim is to document the emotional bond between you and the people you love into something tangible that you can preserve and grin when you look back for decades.

As a Malaysia Wedding Photographer Team in Shuttering Hearts, we provide a wide range of service, such as:

- Pre-wedding day photography

- Actual Wedding day photography

- Wedding cinematography

- Portrait photography

- Photobooth service

For more information, visit us at https://shutteringhearts.com | Facebook | Instagram | Pinterest | Youtube

流利的英语写作技巧（擅长华文会是优先选择）

热爱写作，并能撰写各种风格的在线共享内容

对文章的性质有基本的了解，并且知道如何促进与读者间的互动

简单理解SEO搜索引擎优化包括相关的关键字和文章标题

拥有写作创意并能在相关领域撰写原创文章

为网站，社交媒体和其他出版物编写真实内容

编辑和校对文章

编写SEO优化的内容（优先选择）

自我驱动，积极学习，拥有团队精神

欢迎应届生加入！

StartUp Jobs Asia - Startup Jobs in Singapore , Malaysia , HongKong ,Thailand from http://www.startupjobs.asia/job/38013-internship-for-content-writer–marketing-job-at-shuttering-hearts-malaysia Startup Jobs Asia https://startupjobsasia.tumblr.com/post/173287283044

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shuying877 · 7 years ago

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Content Writer 文案编辑/撰稿 (中英文) job at Shuttering Hearts Malaysia

As a Malaysia Wedding Photographer Team in Shuttering Hearts, we provide a wide range of service, such as:

– Pre-wedding day photography

– Actual Wedding day photography

– Wedding cinematography

– Portrait photography

– Photobooth service

For more information, visit us at https://shutteringhearts.com | Facebook | Instagram | Pinterest | Youtube

流利的英语写作技巧（擅长华文会是优先选择）

热爱写作，并能撰写各种风格的在线共享内容

对文章的性质有基本的了解，并且知道如何促进与读者间的互动

简单理解SEO搜索引擎优化包括相关的关键字和文章标题

拥有写作创意并能在相关领域撰写原创文章

为网站，社交媒体和其他出版物编写真实内容

编辑和校对文章

编写SEO优化的内容（优先选择）

自我驱动，积极学习，拥有团队精神

欢迎应届生加入！

From http://www.startupjobs.asia/job/38009-content-writer–marketing-job-at-shuttering-hearts-malaysia

from https://startupjobsasiablog.wordpress.com/2018/04/25/content-writer-%e6%96%87%e6%a1%88%e7%bc%96%e8%be%91-%e6%92%b0%e7%a8%bf-%e4%b8%ad%e8%8b%b1%e6%96%87-job-at-shuttering-hearts-malaysia/

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startupjobsasia · 7 years ago

Text

Internship for Content Writer 文案/撰稿实习生 (中英文) job at Shuttering Hearts Malaysia

As a Malaysia Wedding Photographer Team in Shuttering Hearts, we provide a wide range of service, such as:

- Pre-wedding day photography

- Actual Wedding day photography

- Wedding cinematography

- Portrait photography

- Photobooth service

For more information, visit us at https://shutteringhearts.com | Facebook | Instagram | Pinterest | Youtube

流利的英语写作技巧（擅长华文会是优先选择）

热爱写作，并能撰写各种风格的在线共享内容

对文章的性质有基本的了解，并且知道如何促进与读者间的互动

简单理解SEO搜索引擎优化包括相关的关键字和文章标题

拥有写作创意并能在相关领域撰写原创文章

为网站，社交媒体和其他出版物编写真实内容

编辑和校对文章

编写SEO优化的内容（优先选择）

自我驱动，积极学习，拥有团队精神

欢迎应届生加入！

StartUp Jobs Asia - Startup Jobs in Singapore , Malaysia , HongKong ,Thailand from http://www.startupjobs.asia/job/38013-internship-for-content-writer--marketing-job-at-shuttering-hearts-malaysia

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shenzhenblog · 7 years ago

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深圳制汇节创客论坛

论坛分场与讲者

专场1：创客运动未来

11月11日（周六）

随着科技越来越触手可及，包括Maker Faire在内的创客文化传播平台也越发多样，创客运动的发展日新月异，产生了更加深远持久的影响。在《创客运动未来》论坛专场，我们邀请了在不同领域做出重大改变的创客、教育者、企业家和思想领袖参与分享。希望通过他们的分享，一起探讨造物的未来如何发展，如何让更多人通过学习和实践参与到造物的行列。

Mike Senese

Make: 杂志总编辑 Executive Editor, Make: Magazine

Mike Senese是美国Make:杂志的总编辑，Make:杂志从2006年开始举办Maker Faire系列活动。Mike也是一位知名的电视主持人，在《探索频道》的Punkin Chunkin, How Stuff Works 和 Catch It Keep It 等多个科技节目担任主持。同时Mike也是一个狂热的造物爱好者，会在业余时间制作遥控飞机、木工以及烹饪美食。

曾德钧 Dejun Zeng

猫王收音机设计师、创始人 Founder of Muzen Audio

53年前一台收音机为他打开了与世界的一扇窗，从此也开启了他与收音机一辈子的不解情缘。他当过兵、教过书、下过海，最终带着对收音机的执念在近花甲之年创立了“猫王收音机”。60岁的他凭借一颗90后的心，迎来了自己的“二度青春”。他大胆的拥抱年轻人、拥抱互联网，秉持“反主流、经典格调”的品牌价值观，让猫王收音机紧紧抓住了新一代消费者的心，一跃成为消费升级与新零售时代下炙手可热的现象级产品。曾德钧与他的团队带领“猫王”让“收音机”这一原本边缘化的品类重新回到人们的视野，也让“猫王”也成为新零售时代“收音机”的代表品牌。

Zach Shelby

Micro:bit基金会首席执行官 CEO of Microbit Foundation

Zach Shelby，Micro:bit基金会首席执行官，物联网领域天使投资人。他对micro:bit的期待是让每个孩子成为一个发明家，希望Micro:bit产品未来能触及1亿儿童和教育者。此前，Zach是芬兰物联网软件创业公司Sensinode的首席执行官和首席技术官，该公司于2013年被ARM收购。在ARM任职期间，他担任市场营销副主席和物联网技术总监。在创立Sensinode之前，他在芬兰艺术研究中心和无线通信中心主导无线网络研究。

李玙 Li Yu

跨学科研究员，思辨设计师，新媒体艺术 Interdisciplinary researcher,

speculative designer, and new media artist

李玙出生于喜马拉雅山脉，目前定居深圳，经常在欧洲、美国之间往来进行设计研究和科技探索。她常与来自生物技术、航空航天、人工智能和计算机科学等不同领域的科学家和工程师合作。此外，她也在生物骇客，公民科学和创客运动等领域积极参与、投入。李玙的研究集中在前沿科学技术、思辨设计以及想象力与新兴科技融合交叉等新兴领域。她将设计作为研究手法，同时融入新兴技术，旨在打破常规，扩大我们的想象力，将思想实验带入具体形式，探索未来科技的可能。

Tomas Diez

IAAC Fab City研究实验室主任、巴塞罗那Fab Lab联合创始人

Director of the FAB City Research Laboratory at IAAC, Co-founder of Fab Lab Barcelona

Tomas Diez，出生于委内瑞拉，是一位城市规划设计师，专注于数字制造和数字制造对未来城市、社会的影响。他是加泰罗尼亚高级建筑研究所（IAAC）的FAB城市研究实验室主任，同时也是Fab Lab Barcelona的联合创始人。他拥有西蒙玻利瓦尔大学城市规划学士学位，古巴拉哈瓦那大学社会工作文凭，也获得了麻省理工大学比特原子实验室所开设的Fab Academy课程所提供的“数字制造”证书。他是巴塞罗那Smart Citizen项目、FabLabs.io和StudioP52的联合创始人。他的研究主要的内容是关于如何使用数字制造工具来创造改变，如何使用新兴技术来改变人们的消费方式、生产方式以及改变城市中人与人之间的关系。

专场2：从创客到产业

11月11日（周六）Nov.11 (Saturday) 13:30-16:00

得益于开源技术和数字制造工具的发展运用，原型制造周期得以缩减，创客们可以更轻松地将创意落地，甚至将产品推向市场。《从创客到产业》专场，我们邀请了工程师、设计师、创业者和教育者参与。这些专业创客参与的项目涵盖智能家居、工业机器人、时尚科技可穿戴、航天航空以及社会环境解决方案等领域。他们技术娴熟，开放协作，拥有创新的思维和敏锐的商业眼光，致力于改变世界，改变人类的生活方式。

Shannon Hoover

MakeFashion 科技服装平台与Wearlabs公司共同创办人 Co-founder, MakeFashion, and Wearlabs

Shannon Hoover是加拿大MakeFashion科技服装平台与Wearlabs公司联合创始人，也是加拿大创客运动的引领者之一。Shannon也是加拿大Maker Faire Calgary和Fuse33创客空间的发起人和创办人之一。他常把项目和精力投入于艺术和科技领域，通过艺术结合科技带来的改变，致力于推动创客社区以及全球创客运动的发展。此前，他还从事MakeFashion一些酷炫可穿戴项目的开发，并与全球创客协作，推动创客文化对生活质量的提高。

Katia Vega

加利福尼亚大学戴维斯分校副教授 Assistant Professor at University of California, Davis

Katia Vega是Beauty Technology公司的创始人，该公司致力于科技化妆品研发。她获得了巴西PUC-Rio大学的计算机科学硕士和博士学位、秘鲁UNMSM大学的学士学位，也是美国麻省理工学院媒体实验室的博士后。此前她是秘鲁工程技术大学的教授，目前在加利福尼亚大学戴维斯分校的设计系担任助理教授。她的项目在伦敦的Barbican画廊，斯德哥尔摩的Tekniska Museet画廊，Ars Electronica，柏林的音乐技术节和拉斯维加斯的Bellagio艺术节均有展出，也被New Scientist, Wired, Discovery, CNN等国际媒体报道，也获得了Ars Electronica，TEI，ISWC，Fast Company，Ubimedia等多家机构授予的奖项。最近，Katia还在德国Springer出版社出版了书籍作品《美妆技术：可穿戴计算的无��界面》。

张浩 Hao Zhang

蓝胖子机器人联合创始人、首席技术官 Co-founder & CTO of Dorabot Inc.

作为蓝胖子核心技术创始人，张浩负责机器人系统架构设计，系统集成，基于增强学习和迁移学习的方法，算法研究和优化。目前，张浩带领技术团队将产品投入仓库并根于客户的特殊需求进行完善。此外，我还在港大就读人工智能博士学位，是AI 界杰出科学家杨强的学生。

Davide Gomba

意大利首家Fab Lab创始人，Casa Jasmina智慧房屋项目负责人 Founder of the First Italian Fablab, Casa Jasmina Project

自2008年起，Davide就开始接触开源硬件，一直为Arduino工作到2016年。他也是意大利创客文化的推动者之一，2011年积极促进了意大利第一家Fablab成立。同时他也是一名内容制作者和产品侦察员，在科技、创客文化领域有丰富的工作坊经验，如开办儿童STEAM科学、教育工作坊，推动运用物联网和自下而上的科技进行农村改革。他喜欢深圳，并从2013年开始负责Maker Faire Shenzhen上的Arduino展位。他今年将在Maker Faire Shenzhen展示他对未来家居设想的的物联网房屋项目Casa Jasmina，该项目融合了科技、私密性、舒适、开源、设计等诸多元素，展开人与家居之间的对话。

Cesar Jung-Harada

香港MakerBay创客空间创始人，Protei和Scoutbots公司 CEO&Founder of MakerBot Hong Kong, CEO of Protei and Scoutbots

Cesar Jung-Harada是一名住在香港的法裔日本环保主义者，发明家和企业家，以保护、探索海洋作为终身使命。他的项目Protei是由一个形状可自由改变的帆船机器人和一个风力发电海上无人机组成，实现远程控制／自动收集海洋数据或传输海洋清理设备。Cesar 是前麻省理工学院项目负责人，TED高级研究员，GOOD100成员，IBM��步人物��海上研究员，Shuttleworth基金会与海洋交易所的荣誉成员。他曾以其在伦敦皇家艺术学院的硕士毕业设计夺得Ars Electronica最高奖项Golden Nica [NEXT IDEA]奖。他一直任教于伦敦大学金史密斯学院和法国凡尔赛建筑学院，并在全球发表多场演讲。

邱世新 Shixin Qiu

草根创客，造物达人，创客老爸 Maker Pro, Maker Dad

邱世新曾从事冷饮生意，酷爱钻研和DIY，自行研究冷饮配方，也常自己动手进行冷冻设备改造，设计、制作制冰机、冰冻库。在冷饮生意走向平稳发展之后做出了重大决定：2013年初举家搬迁深圳，从头开始。在深圳，邱世新开始自学打字，自学编程，积极参与各类创客马拉松和比赛，制作了智能足底按摩仪、健康智能马桶、手摇发电机、DIY音响、懒人种植机等项目。除了自己造物之外，邱世新也常带着自己的两个儿子一起造物，也常到儿子的学校给孩子们分享创客知识。邱世新现在全职上班，同时也是柴火造物中心的会员，经常带着孩子一起来空间参与活动、动手造物和分享创意。

专场3：科技跨界平台

11月12日（周日）Nov.12 (Sunday) 10:00-12:00

随着自造技术门槛的降低，更多不同背景的人开始参与自造，跨界协作制作精彩项目，促进丰富的科技跨界内容的产生。《科技跨界平台》专场的讲者们都致力于让创客聚集创造的平台建立，致力于创新内容和活动的组织，促进公众对科技跨界内容的认知和了解。他们将在这里分享对创客运动推广的未来憧憬，号召感染更多人参与到自造的行列。

潘星 Xing Pan

加利福尼亚大学河滨分校教授 Professor, University of California Riverside

潘星教授致力于电子商务、移动商务、市场营销领域的前沿研究与创新, 是美国营销学会（AMA）、营销科学院（MSI）、互动营销教育基金会（DMEF）等学术机构的学术与科研基金评审人及十余个工商管理学及经济学领域 SSCI 国际学术期刊的编委与专家评审人, 美国创新领导力学院（AILA）执行院长。他的研究荣获了包括美国营销科学学会最佳博士论文奖、华盛顿经济协会最佳科研奖、美国电子商务研究中心国际科研奖等在内的诸多荣誉。他受邀为美国联邦政府撰写区域经济与商业发展的专家评估报告，并在诸多国际学术会议发表学术报告与演说。

他也是 Smartology 咨询公司董事长，为移动商务服务、社交媒体、消费电子、汽车、零售、地产、教育、旅游娱乐等行业的诸多企业提供商业顾问咨询。他先后毕业于北京大学经济系、美国俄亥俄州立大学经济系、马里兰大学市场营销系，获博士学位。于美国马里兰大学史密斯商学院、印第安那大学凯利商学院、加利福尼亚大学河滨安德森管理学院，任职讲授博士、EMBA、MBA、及本科生课程18年，受评为美国加州大学河滨分校最受学生喜爱的教授之一。

谢雯雯 Wenwen Xie

MakerBeta超能实验室联合创始人 Co-founder of MakerBeta

西安电子科技大学电路与系统专业硕士毕业，在校期间，多次获得国内各类科技创新的奖项，毕业之后，成为蒜泥科技联合创始人，曾参与设计仿人机器人，教育机器人，Visbody一代扫描仪等项目。联合创立makerbeta科技自媒体，担任技术总监及节目主播。“MakerBeta超能实验室”系列视频包含科技DIY及相关知识内容，选取电影、游戏、动漫及生活场景中的创意和脑洞为话题，采用脱口秀的方式，秉持“有趣、有货、有脑洞”的创作宗旨，教大家用身边的材料和工具制作各种有趣、酷炫的作品。目前，makerbeta超能实验室粉丝量突破80万，全网播放量达到1个亿，团队于今年的五月份参加出彩中国人的录制。

刘得志 Kevin Lau

MakerNet超常识科技创始人及CEO，中国创客运动推进者 Founder & CEO of Maker Net,

Promoter of maker culture in China

MakerNet超常识科技创始人及CEO，中国创客运动推进者之一，MakerMedia中国区合作伙伴，英国文化教育协会创客项目顾问，周末画报“超常识科技栏目”作者。Kevin 乐于向年轻人分享全球创客文化与技能，鼓励并引导年轻人利用科技创新反哺社会，消除人际间的隔阂，弥补教育资源分配的不公。

温宜萱 Anby Wen

柴火造物中心项目总监 Project Director, x.factory

因为还想冒险! 放下美术教职，从台湾成功大学创意产业研究所毕业后，开始跨界与不同的创作者合作。私下爱運動愛文艺酷爱机器人，一切跟新奇科技與創意設計相关的事物都会让她眼前一亮。毕业后创立个人设计工作室，提供专业的谘询与设计服务。2012年加入台湾智库，协助打造政府支持的第一个青年开放共创平台：DOIT TAIWAN，以科技为核心，聚焦跨域创新与创业，与超过百组国际创客串接本地生态圈。2015年，加入柴火，开发第一套科技文创产品 – 造物吧，在2016年来到深圳成为柴火造物中心的创始团队核心，带领年轻的团队，从无到有将柴火造物中心的样貌呈现在全球创客眼前，致力协助造物中心完成最重要的目标：串接产业与创客合作。

专场4：创客教育实践

11月12日（周日）Nov.12 (Sunday) 13:30-16:00

近年来，深圳各级学校积极推广创客教育，创客教育运动在深圳快速发展，而分布各地的创客教育社群也因此链接、协作。创客教育未来将走向何处？在今年论坛的《创客教育实践》专场，我们邀请了来自深圳公立、私立和国际学校的教育实践者，来分享他们如何在自己的社群践行创新学习法则，讲述这些社群基于自造精神如何实现链接聚合、共同协作的故事。

Carrie Leung

Co-curator 共同策展人

深美国际学校创客教育主任，南山学校Maker Faire发起人 Director of Maker Education at SAIS, Producer of Nanshan School Maker Faire

Carrie Leung是深美国际学校的老师，她坚信通过动手造物、分享和协作的方式能够给学生以及社区赋能，促进其成长。在过去的5年里，Carrie在深圳不断实践这个理念，通过项目式学习，建立自由、双语和开源��平台，包括教育创新网络、南山学校Maker Faire、创客徽章联盟等。通过这样的平台让公立、私立以及国际学校师生更容易获取资源，一起协作、共同成长。在此之前，她在美国旧金山的科技和金融领域积累了超过十年的丰富经验。

Co-curator 共同策展人

Joseph Strzempka

南山教育局国际化专家顾问 Advisor for Internationalization and Reform, Nanshan Education Bureau

Joseph是南山教育局国际化和改革专家顾问，南山教育局督学，育才教育集团育才中学，育才教育集团育才四小，港湾小学外籍副校长。作为南山教育国际化的积极参与者，他与学校领导及老师共同谋划南山社区与国际城区合作关系，倡导学生为中心教学模式，建设跨学科教学大纲。在三所充满创意的学校任职期间，他先后提出个国际化项目，如为当地创客，STEAM教育者及设计思维教育者与境外英语教育组织搭建平台实现分享质疑教学法英语学习目标。他还在三所学校引入课堂教学工具促进教师专业发展，还为当地学校缔结境外姊妹校。约瑟夫目前是美国东北大学组织领导学在读博士。他是费城德雷塞尔大学国际教育学理学硕士。在他毕业以后，他远赴加纳考察高等教育部分教育国际化和教育私有化。Joseph目前是美国东北大学组织领导学在读博士。他是费城德雷塞尔大学国际教育学理学硕士。在他毕业以后，他远赴加纳考察高等教育部分教育国际化和教育私有化。约瑟夫是圣十字学院经济学学士。

崔柏震 Bozhen Cui

深圳市南山教育局教育科学研究中心教研员 Researcher, Nanshan Innovation Academy, Technology, Design and Education Innovation

深圳市南山区教育局教育科学研究中心教研员，南山少年创新院干事。深圳大学化学学士，武汉大学经济法学硕士。2015年受深圳市教育局委派赴美国纽约学习教育管理和中小学创新教育。在南山少年创新院工作期间，主持策划了创新实验室评审与资助，分院评审与建设，小院士选拔与培养，南山区教育科技节，STEM项目开发与实施，创新教育教师培训等项目。主要研究方向为跨学科创新教育项目、课程的开发与实施。

俞瑞芳 Rain Yu

创客教育实践者 Parent, Advocate of Maker Education清华大学动力工程和工业工程双学位。十五年华为研发IT的规划、架构、实施、管理的经验。五年的创业和天使投资经验，专注于互联网、智能硬件、机器人等行业。业余辅导孩子的机器人学习，带领孩子们做的机器人创意作品，连续两年获得深圳市青少年机器人创意赛的冠军，深圳首届学生创客节的特等奖，全国创新教育大会创客路演作品一等奖。

* 2 years-Winner of the Shenzhen University Robotic Creation Competition

* Winner of the Outstanding Maker Award at the first Student Maker Faire in Shenzhen.

* 1st Prize- National Innovation Education Conference

Twila Busby

“项目式学习”教学模式领导者、倡导者 Project Based Learning Leader & Advocate

Twila Busby在K12教育领域有20多年经验，倡导“项目式学习PBL”教学模式，并为该模式培养了一批教学教师。一直以来，Twila为多所美国学校开发教育课程并获得多个奖项，在中国学校践行“项目式学习”教学模式，指引中外教育机构走向创新。Twila在深美国际学校任职期间，建立了PBL状态墙，检测PBL践行动态，她也参与了蛇口学校Maker Faire的发起组织工作。她在深美学校创办了深圳校园内的第一个创客空间，并且主张让每一个教室都成为一个创客空间，让创意结合理论，支持学生们把想法落地。

罗朝宣 Chaoxuan Luo

前海港湾小学校长 Principal, Qianhai Gangwan Harbour School

中国教育学会会员，全国奥林匹克数学一级教练，是全国教师创客联盟常务理事，广东省第三批骨干校长培养对象，广东省教育学会校“校本本课程专业委员会”理事，港湾学校创建者，自贸区第一所公立学校的创建人、校长，曾任南山实验学校荔林小学部部长，文德教学设备有限公司总经理, 在多个岗位上历练，参与南山区4所学校的改造和创建，都都取得显著成绩。长期致力于信息技术与课程深度融合以及课程综合化的研究，主持和参与多项国家级、省市、区级课题的研究，率先将创客文化教育导入学校课程建设，撰写的多篇论文在研讨会中获奖，在国家级刊物上发表，制作的案例和电子教材由国家级出版社出版发行。

桂庆旭 Gui Qingxu

深圳市蛇口育才教育集团第四小学信息中心主任 Director, STEAM Education, Yucai #4 Primary School

桂庆旭，南山区教育技术名师、信息技术骨干教师；深圳市首批百名信息化专家培训对象；个人主持省市区级课题多个；主持了多个STEAM课程的开发；主持筹划了两间未来教室；开发校本信息化培训慕课近二十节。

于晓譞 Dawn Yu+陈杰 Shirley Chen

“项目式学习”教学模式倡导者 Project Based Learning Chinese Teachers, SAIS

北京师范大学汉语国际教育专业。曾在英国曼彻斯特当地十余所中小学教授中文，回国后执教于多所国际学校，对中西方教育有深刻感受。经过对比、分析，并结合PBL教学理念，开发适合国际学校学生学习的中文及语文课程。

陈杰，深美国际学校中文教师，接触项目教学法（PBL）三年有余，参与筹划和参展深美国际学校年度学习成果展三次；北京语言大学教育硕士，曾任教于北京交通大学、北京外国语大学、北京语言大学等，教授不同国别和语言水平的留学生中文，并曾以交流学者的教授身份赴韩工作一年，在韩国交通大学中国语系教授本科生中文。她对于差异化教学以及新型教学改革带来的教育成效深有体会，从教以来一直致力于高效有趣的新型教学方法和方式的探索和应用；早期曾经在高中短暂任教两年，对于中国传统教学方式方法和教学改革有过实践性的感知认识和切身体验。

James Simpson

SteamHead创始人 Founder of SteamHead

James致力于为创客教师、学生和学校提供技术和服务，帮助其建设教育创客空间、开展创客教育项目。James来自美国加利福尼亚，目前已在深圳生活了五年。他运用自己的工程知识和学术思维，分享开源工具，举办公开的会议，投入时间精力为深圳不同教育机构服务，营造一个系统性、创新性和学习型的造物/学习氛围。

Forum Tickets

活动行报名取票(中文)

Eventbrite to Get Tickets(English)

重要提醒：

1.论坛分四个专场，每个专场��独立报名，，一人可申请多个专场门票；

2.论坛现场，出示报名成功凭证换取入场手环，凭手环确认最终入场；

3.论坛四个专场均席位有限，麻烦根据报名论坛相关专场时间，尽早入场，位置以最终入场顺序供应；

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source: https://www.shenzhenmakerfaire.com/2017/10/28/forum-on-mfsz/#

深圳制汇节创客论坛 was originally published on Shenzhen Blog

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