#Artheater

[musikblog]

https://www.musikblog.de/2024/10/old-sea-brigade-live-im-artheater-koeln/ Es ist die perfekte Sonntagabendshow. Während draußen das Herbstlaub die Bürgersteige befällt, sorgt Old Sea Brigade im Artheater für wohlige Wärme. Mark Wilkinson fängt pünktlich um 20:00 Uhr schon mal damit an. Der Australier gewinnt das Publikum nicht nur mit seinen melancholischen Akustik-Songs für sich, sondern auch mit seiner sympathischen Art. Und wer dachte, dass […]

[ansgar-skoda]

Konzertbericht: Intergalactic Lovers im Artheater Köln. Intergalaktisch (25.7.2023)

[ngtlydotcom]

Is Odeon The Real Nightlife Hub In Cologne Or Just Another Fad

Events Tonight in Cologne

In the heart of Cologne's vibrant nightlife scene, Odeon has been making waves. Dubbed the latest must-visit club by many, it raises the question: is it genuinely the hub of nightlife in Cologne or just another fleeting fad? As seasoned nightlife enthusiasts know, clubs can rise to prominence quickly, only to fade from relevance just as fast. So, let’s delve deeper into what makes Odeon tick and whether it lives up to the hype.

The Rising Star of Cologne’s Nightlife

Since its launch, Odeon has garnered attention from both local clubbers and visitors, positioning itself as one of the top nightlife destinations in Europe. With its impressive lineups and immersive decor, it promises an experience that feels distinct from the traditional Cologne club fares. However, is all the hype justified?

While European nightlife is well-known for its diversity, visitors have varied tastes when it comes to their clubbing experiences. Odeon’s modern aesthetics and ambitious event calendar have certainly attracted a crowd, particularly those on the lookout to find parties that satiate their craving for unique experiences. But does it deliver the essence of nightlife that seasoned partiers seek?

The Question of Authenticity

As with any rising star, the initial glow can sometimes obscure the reality. Odeon's vibrant atmosphere feels electric at first, with its high-energy sound systems and trendy décor. However, some argue that there's an underlying superficiality—an overwhelming emphasis on visual appeal instead of authenticity. Are partygoers flocking to Odeon for the music and community or simply to bask in the ambiance and snap Instagram-worthy photos?

Competing venues in Cologne such as Gewölbe and Club Bahnhof Ehrenfeld (CBE) offer a more raw and unfiltered nightlife experience, where the focus is heavily on genuine connections and the music rather than curated aesthetics. For many, these spots provide a richer and more meaningful clubbing experience compared to the polished gloss of Odeon.

Music Scene: Is It Sustainable?

A club’s music lineup often dictates its longevity in the nightlife scene. While Odeon showcases a mix of established DJs and up-and-coming talent, some critics suggest that the selections can feel derivative and safe. In an environment that thrives on uniqueness and innovation, sticking to well-trodden paths might not keep the excitement alive in the long run.

Conversely, venues boasting eclectic lineups usually resonate better with passionate clubbers. Bars such as JAKI and Odonien demonstrate a commitment to showcasing underground and experimental sounds that inspire true dance enthusiasts. As long as Odeon adheres to mainstream trends, it risks becoming a mere backdrop for socializing rather than a vanguard of Cologne’s vibrant music culture.

The Crowd: Who is It Attracting?

One of the most telling indicators of a club's authenticity is its crowd. At Odeon, the people drawn in are often described as a mixed bag—some eager to revel in the party and others potentially more focused on the spectacle. While having a bustling and lively crowd can be fun, it can also lead to a detachment from the music and the moment.

In contrast, clubs like Odonien and Artheater often draw a crowd more invested in the communal experience of music and shared passion for the culture of clubbing. For those seeking genuine connections and a more enriching experience, these venues tend to shine brighter.

The Verdict: A Trendy Facade or the Real Deal?

Odeon may currently be one of the buzzworthy clubs in Cologne's nightlife landscape, but the long-term sustainability of its reputation remains in question. Popular nightclubs can easily fall out of favor when the appeal shifts elsewhere. While it could be considered a pivotal spot for a night out, it does not guarantee an enriching or authentic experience for all visitors.

For a truly memorable nightlife experience in Cologne, exploring other options that prioritize authenticity and vibrant atmospheres is highly recommended. Finding parties in local gems can often lead you to the hidden treasures that speak to the heart of Cologne's underground scene, boosting your experience beyond the glitz of trending clubs.

Discover Cologne’s True Nightlife

Curious about where to go next? Make sure to visit NGTLY’s Cologne guide for the latest updates and insights into the city’s best nightlife offerings. Whether you’re a local or a visitor, exploring the diverse landscape of clubs in Cologne can lead to unforgettable nights and genuine experiences.

Conclusion: Beyond the Hype

While Odeon may be a hot spot in the current Cologne nightlife scene, it’s essential to remain discerning and look beyond the trends. Your Cologne nights can be filled with energy, connection, and unforgettable memories—if you know where to look. So, consider branching out and experiencing the authentic soul of Cologne's nightlife, ensuring every night spent in this beautiful city is as exciting and genuine as it can be.

[clickclickdecker]

„Wir sind uns noch nie begegnet“ - 20 Jahre ClickClickDecker Tour 2025

Eigentlich sind es schon dreiundzwanzig, aber Zwanzig klingt schöner. Irgendwie auch komisch eine Tour anzukündigen die erst in einem Jahr stattfinden wird. Aber das ist ein Versuch und ein Lebenszeichen nach so langer Zurückhaltung.

2019 waren unsere letzten gemeinsamen Konzerte, das ist lange her und es fühlte sich auch vieles nach Ende und Auslaufen an. Uns ging und geht es da nicht anders als allen anderen: gute und schlechte Dinge verschieben den Fokus, machen die Möglichkeiten enger und benötigen Planungen im weiten Voraus. Wir sind keine zwanzig mehr. Das lese ich auch im Titel.

Trotzdem wollen wir gern wieder gemeinsam auf die Bühne. Auch wenn wir von allen Seiten hören und spüren, dass dies schwieriger geworden ist und der Markt umkämpft ist. Doch Märkte haben uns noch nie so wirklich interessiert. Also nun, hier sind wir wieder und wollen Abende mit Euch verbringen. 

Achtung jetzt wird’s nostalgisch: ca. 350 Konzerte habe ich unter dem Namen ClickClickDecker gegeben. Mit wechselnden Partnern auf der Bühne. Geblieben sind Oliver Stangl, den ich 2005 auf einer Tour mit Fink kennenlernte, und Sebastian Cleemann, der 2009 das erste Mal mit uns den Abend gestaltete. Hinzu kommt noch unser beliebter bunter Techniker Benjamin Sellak an den Reglern hinterm Mischpult, mit dem wir seit 2011 unterwegs sind. Wir sind in alle vier Himmelsrichtungen innerhalb dieses Landes seit Jahren verstreut und Freundschaften aufrechtzuerhalten ist zur Aufgabe geworden. Deshalb freue ich mich umso mehr ein weiteres Mal in diesem Klüngel unterwegs zu sein. Auch freue ich mich wieder Spielstätten zu besuchen mit denen wir seit vielen Jahrzehnten zusammenarbeiten und sich auch dort Freundschaften gebildet haben. Ebenso, dass wir mit der Firma Audiolith Booking,  zu denen wir auf Labelseite schon seit 20 Jahre ein inniges Verhältnis führen, eine Partnerschaft fanden, die unsere Vorstellungen von z.B. fairen Ticketpreisen und respektvollem Booking, mit uns teilt.

Wir sind entzückt Euch einzuladen und die folgenden Termine zu präsentieren:

16.10 Kiel - hansa48

17.10 Hamburg - Knust

18.10 Köln - Artheater

19.10 Hannover - Faust (Mephisto)

20.10 Mainz - Schon Schön

21.10 Nürnberg - Club Stereo

22.10 München - Milla

23.10 Leipzig - Naumanns

24.10 Dresden - GrooveStation

25.10 Berlin - Lido

Der Vorverkauf startet Morgen (Mi.18.09.) um 11 Uhr. 

Tickets gibt es bei Tixforgigs: https://www.tixforgigs.com/Artist/4713

Wer weiss was da noch kommt. Ich freue mich drauf.

Dies ist ein Liebesbrief an das Leben.

Küsse, Kevin (und Sebastian, Oliver & Benny)

[chorusfm]

Craig Finn Announces Solo Tour

Craig Finn of The Hold Steady has announced some new tour dates. SEP 06 – Dublin, Ireland – Whelan’s * SEP 07 – Liverpool, UK – District * SEP 08 – Nottingham, UK – Bodega * SEP 10 – Brighton, UK – Dust * SEP 11 – Cardiff, UK – Clwb Ifor Bach * SEP 12 – London, UK – Islington Assembly Hall * SEP 14 – Odense, Denmark – Nashville Nights International Songwriters Festival @ Magasinet * SEP 16 – Hamburg, Germany – Nochtspeicher * SEP 17 – Berlin, Germany – Prachtwerk * SEP 19 – Cologne, Germany – Artheater * NOV 06 – Northampton, MA – Iron Horse Music Hall NOV 07 – Arundel, ME – Vinegar Hill Music Theatre NOV 08 – Fairfield, CT – StageOne NOV 09 – New York, NY – Le Poisson Rouge NOV 10 – Philadelphia, PA – World Cafe Live NOV 12– Ann Arbor, MI – The Ark NOV 14 – Chicago, IL – Schubas Tavern NOV 15 – Madison, WI – The Bur Oak NOV 16 – St. Paul, MN – Fitzgerald Theater NOV 18 – St. Louis, MO – Off Broadway NOV 19 – Louisville, KY – The Whirling Tiger NOV 20 – Cincinnati, OH – Woodward Theater NOV 22 – Washington, DC – Miracle Theatre NOV 23 – Baltimore, MD – Club 603 (Two Shows) --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/craig-finn-announces-solo-tour/

[piasgermany]

[Album] Queer-Stolz, Verletzlichkeit und Exzess: das Debütalbum "ABOMINATION" von Lynks erscheint am 12. April über Heavenly!

Nach drei EPs und ausverkauften UK-Tourneen hat Lynks kürzlich das Debütalbum "ABOMINATION" angekündigt, das am 12. April über Heavenly erscheint. Im Mai geht es mit den neuen Songs zudem auf eine ausgedehnte EU- und UK-Tour. Mit Inspirationen, die von Peaches über M.I.A. und Courtney Barnett bis hin zu Janelle Monae reichen, ist der Sound von Lynks so etwas wie eine wilde Clubnacht, die in einen großen Mixer geworfen wird. Selbst geschrieben, selbst produziert und selbstverherrlichend vereint das Debütalbum die künstlerische und persönliche Entwicklung der letzten fünf Jahre.

Während die früheren Werke einen Stil aus Effekten und gepitchten Vocals verbanden, gibt “ABOMINATION” Lynks den Raum, auf eine andere Art zu experimentieren – mit einer größeren Bandbreite an Ideen, Gesangsstilen und neuen Genre-Elementen. Das Ergebnis ist ein Debüt, das mit den Extremen spielt und dabei zwischen abgrundtiefer Scham und hedonistischer Freude schwankt.

"I think on the EPs, I was trying so hard to get anyone to pay attention", scherzt Lynks. "Early on I was like ‘well, every song needs to be a hilarious concept.’ Whereas this album, there’s quite a few of those, but there’s also songs that aren’t necessarily funny, or they’re exploring an idea rather than being really specific." Das Album beginnt mit dem Instant-Klassiker "USE IT OR LOSE IT", gefolgt von den Singles "NEW BOYFRIEND" und "CPR". Auf den weiteren Songs nimmt uns Lynks mit auf eine lebendige Tour durch die moderne Queer-Kultur, die von Gelegenheitssex ("(WHAT DO YOU EXPECT FROM) SEX WITH A STRANGER"), wilden Fantasien, chaotischen Irrungen und Wirrungen und einer einseitigen Liebesaffäre mit einem heterosexuellen Tennistrainer geprägt ist ("TENNIS SONG"). In dem Spoken-Word-Stück "LEVITICUS 18" liest ein Priester das berüchtigte Bibel-Kapitel und den Vers: "You shall not lie with a male as with a woman. It is an abomination." Der Titeltrack des Albums greift die Idee des Unheiligen auf und liefert eine trotzige, euphorische Antwort auf Unterdrückung, indem Lynks sich über die religiöse Verurteilung von Homosexualität lustig macht.

Als Gegengewicht dazu erkennt "LUCKY" an, dass im Großen und Ganzen jetzt wahrscheinlich trotzdem die beste Zeit in der Geschichte ist, um eine queere Person im Vereinigten Königreich zu sein. "LYNKS THINKS" und "FLASH IN THE PAN" bringen gegen Ende des Albums die Dichotomie des Lynks-Projekts auf den Punkt. Ein riesengroßes Selbstvertrauen und Queer-Stolz, der trotzdem von extremer Verletzlichkeit durchbrochen wird - wenn auch nur für einen Moment, um entschlossen weiterzumachen und exzessiv die schönen Seiten des Lebens zu feiern.

Tracklist "ABOMINATION": 01. USE IT OR LOSE IT 02. NEW BOYFRIEND 03. CPR 04. (WHAT DID YOU EXPECT FROM) SEX WITH A STRANGER 05. TENNIS SONG 06. I FEEL LIKE SHIT 07. ROOM 116 08. LEVITICUS 18 09. ABOMINATION 10. LUCKY 11. SMALL TALK 12. LYNKS THINKS 13. FLASH IN THE PAN

Live: 02.05.24 Köln – Artheater 03.05.24 Berlin – Cassiopeia 04.05.24 Hamburg – Turmzimmer Booking: Z|ART Agency

Website Instagram Facebook

[chrisryanspeaks]

HNAF (HotNewAlbumFridays): Far Caspian - ‘Last Remaining Light’

8/10 Rating - Great Album  Far Caspian’s new album The Last Remaining Light is an ethereal, expansive and cosmic listening experience that will certainly be on repeat for most listeners. Far Caspian created the whole album himself and played all instruments. He craftfully approaches the work with precision and care, fine-tuning every instrument on the album. His catchy and melodic songs are sure to please you. Check out “Pet Architect” below and let us know your thoughts: Read More: Far Caspian today released his impressive new album The Last Remaining Light via his own Tiny Library Records; stream or purchase it here. The LP and its singles ("Arbitrary Task," "Own," "The Last Remaining Light," and "Pet Architect") arrived to early acclaim via Pitchfork, Bandcamp (New & Notable), Billboard (Cool New Pop Songs), Consequence (Top Songs), Brooklyn Vegan, FLOOD, Treblezine, Northern Transmissions, and more. Far Caspian will embark on a U.S. headlining tour this fall, including shows at his biggest NYC & LA venues to date: Le Poisson Rouge on November 10th and Teragram Ballroom on November 18th. The performances follow his SXSW and Primavera Sound Barcelona festival debuts this year. See below for a full itinerary of upcoming dates. Far Caspian is the project of Leeds, UK-based Irish musician Joel Johnston, and the music he creates is anchored by his dogged attention to detail—he writes, performs, records, and mixes everything himself. As such, Far Caspian’s music consistently feels like its own self-contained world, full of densely packed hooks and guitar-based atmospherics. With The Last Remaining Light, he’s made his most cohesive and compelling work yet. The album is the result of Johnston streamlining his approach in the studio, finding inspiration in peeling back his tracks’ layers in a way that’s both rewarding and immediate in its simplicity. Work on The Last Remaining Light began right after Johnston turned in mixes for his 2021 debut LP Ways To Get Out. Whereas that previous album was the result of almost two years of tinkering and finding his sound, Johnston decided to set clear limits and a hard deadline for its follow up. “This process was more about following my intuition rather than getting in my head and rewriting everything over and over,” he says. Far Caspian Live Dates: 09/19 - Edinburgh, UK - The Speakeasy, Voodoo Rooms 09/21 - Belfast, UK - Ulster Sports Club 09/22 - Dublin, IE - The Workman’s Club 09/24 - Manchester, UK - YES (The Pink Room) 09/26 - Leeds, UK - Brudenell Social Club 09/27 - Nottingham, UK - Bodega Social 09/28 - Bristol, UK - Rough Trade Social 09/30 - London, UK - Islington Assembly Hall 10/07 - Amsterdam, NL - Melkweg 10/09 - Hamburg, DE - Nochtwache 10/10 - Berline, DE - KANTINE AM BERGHAIN 10/12 - Cologne, DE - artheater Köln 10/13 - Brussels, BE - Witloof Bar 10/14 - Paris, FR - Point Éphémère 11/08 - Boston, MA - Deep Cuts 11/09 - Philadelphia, PA - Johnny Brenda’s 11/10 - New York, NY - Le Poisson Rouge 11/11 - Washington DC - Songbyrd 11/13 - Chicago, IL - Subterranean 11/15 - Seattle, WA - Madame Lou’s 11/17 - San Francisco, CA - Popscene @ Rickshaw Stop 11/18 - Los Angeles, CA - Teragram Ballroom Read the full article

[audiofuzz]

HNAF (HotNewAlbumFridays): Far Caspian - ‘Last Remaining Light’

8/10 Rating - Great Album  Far Caspian’s new album The Last Remaining Light is an ethereal, expansive and cosmic listening experience that will certainly be on repeat for most listeners. Far Caspian created the whole album himself and played all instruments. He craftfully approaches the work with precision and care, fine-tuning every instrument on the album. His catchy and melodic songs are sure to please you. Check out “Pet Architect” below and let us know your thoughts: Read More: Far Caspian today released his impressive new album The Last Remaining Light via his own Tiny Library Records; stream or purchase it here. The LP and its singles ("Arbitrary Task," "Own," "The Last Remaining Light," and "Pet Architect") arrived to early acclaim via Pitchfork, Bandcamp (New & Notable), Billboard (Cool New Pop Songs), Consequence (Top Songs), Brooklyn Vegan, FLOOD, Treblezine, Northern Transmissions, and more. Far Caspian will embark on a U.S. headlining tour this fall, including shows at his biggest NYC & LA venues to date: Le Poisson Rouge on November 10th and Teragram Ballroom on November 18th. The performances follow his SXSW and Primavera Sound Barcelona festival debuts this year. See below for a full itinerary of upcoming dates. Far Caspian is the project of Leeds, UK-based Irish musician Joel Johnston, and the music he creates is anchored by his dogged attention to detail—he writes, performs, records, and mixes everything himself. As such, Far Caspian’s music consistently feels like its own self-contained world, full of densely packed hooks and guitar-based atmospherics. With The Last Remaining Light, he’s made his most cohesive and compelling work yet. The album is the result of Johnston streamlining his approach in the studio, finding inspiration in peeling back his tracks’ layers in a way that’s both rewarding and immediate in its simplicity. Work on The Last Remaining Light began right after Johnston turned in mixes for his 2021 debut LP Ways To Get Out. Whereas that previous album was the result of almost two years of tinkering and finding his sound, Johnston decided to set clear limits and a hard deadline for its follow up. “This process was more about following my intuition rather than getting in my head and rewriting everything over and over,” he says. Far Caspian Live Dates: 09/19 - Edinburgh, UK - The Speakeasy, Voodoo Rooms 09/21 - Belfast, UK - Ulster Sports Club 09/22 - Dublin, IE - The Workman’s Club 09/24 - Manchester, UK - YES (The Pink Room) 09/26 - Leeds, UK - Brudenell Social Club 09/27 - Nottingham, UK - Bodega Social 09/28 - Bristol, UK - Rough Trade Social 09/30 - London, UK - Islington Assembly Hall 10/07 - Amsterdam, NL - Melkweg 10/09 - Hamburg, DE - Nochtwache 10/10 - Berline, DE - KANTINE AM BERGHAIN 10/12 - Cologne, DE - artheater Köln 10/13 - Brussels, BE - Witloof Bar 10/14 - Paris, FR - Point Éphémère 11/08 - Boston, MA - Deep Cuts 11/09 - Philadelphia, PA - Johnny Brenda’s 11/10 - New York, NY - Le Poisson Rouge 11/11 - Washington DC - Songbyrd 11/13 - Chicago, IL - Subterranean 11/15 - Seattle, WA - Madame Lou’s 11/17 - San Francisco, CA - Popscene @ Rickshaw Stop 11/18 - Los Angeles, CA - Teragram Ballroom Read the full article

[tomdebohrar]

The last of 2022 ! @queer_mum invites for @backstagediaries 🙌🏼 Join us to @artheaterkoeln next Saturday for a colorful & crazy Partynight 👯 @alejandroalvarezdj • @hintergrundrauschen.dj • @dj_trustthegirl • @thelailalicious • @queer_mum From Indie to Techno From Queer to Straight #backstagediaries #artheater #djbookings #partycrowd #lgbtq🌈 #ehrenfeldclubbing (hier: BACKSTAGE DiARiES) https://www.instagram.com/p/Cl4NUcRtU9_/?igshid=NGJjMDIxMWI=

[psychothrillcologne]

CLAUS BACHOR spinnin' NACHTAKTIV @ 674.fm Cologne 09-05-2020 Still no new "Post-Corona" club life in Germany! And so there is only one more recourse to one of the many 674.fm radio broadcasts hosted by Psycho Thrill Cologne. It doesn't always have to be the obvious peak-time tracks that make the sweat drip from the ceiling in the club. In his mix for the NACHTAKTIV collective in Cologne, Claus Bachor deliberately uses the category of tracks that DJs and vinyl nerds often only discovered for themselves at the second attempt and then made a club hit. Tracks that are no less hypnotic and just as natural at the end of the day, mesmerizing and hypnotizing every dancer and continue to do so. The following 27 vinyl club classics from 1994-2003 all turn out to be timeless in their own way, like "4evr young", simply efficient on today's floor. TRACK LISTING 01 CHRISTOPER JUST: Dobuito [ B2-track from “House 2” Cheap 12CHEAP 045 A 12” | 2004 ] 02 MEGALON [LAGGY PANTELLI & ZENO MESSIS]: Incantation [ B-side from “Semblance / Incantation” Plink Plonk Plk-003 UK Promo/WL-12” | 1993 ] 03 DEEPCHORD [ROD MODELL]: Electromagnetic Dowsing (The Final Step) _ Mike Huckaby remix 3 [ C-side from “E.D. (The Final Step)” SYNTH 001-C US ss Promo/BL-12” / Record Time | 2005 ] 04 DEEPCHORD: Electromagnetic Dowsing _ Mike Huckaby remix 2 [ B-side from “Electromagnetic Dowsing” SYNTH 001 US Promo/WL-12” / Record Time | 2005 ] 05 SHAKE [ANTHONY SHAKIR]: Breathe Deeper [ B-side from “Iconoclastic Diaries” Frictional Recordings FRCT-002 / Record Time Promo-WL-12” | 1995 ] 06 SUNRISE SOCIETY [ANDY SMITH & SIMON DONOHUE]: Astral Travel _ Sterac Remix [ B-side from “Matter” Pacific Records fic-010 UK Promo/WL-12” | 1997 ] 07 ACID SCOUT [RICHARD BARTZ]: Balance [ A-side from “Balance EP” Disko B DB-022 Promo/GRE-12” / EFA | 1994 ] 08 BILLY DALLESANDRO: Ocean Theme [ B-side from “Liquid Stimulationz” Force Inc. Music Works FIM-225 Promo/WL12” | 2002 ] 09 SYQUEST [DAMON WILD]: Centecon [ B1-track from “Freeforms EP” Synewave SW-008 Promo/WL-12” | 1995 ] 10 AUSGANG II [STEVE STOLL]: Untitled A [ A-side from “The Journey Continues ...” Synewave SW-006 UD Promo/WL-12” | 1994 ] 11 DAMON WILD & STEVE STOLL: Feed The Machine [ A-side from V.A. “New York To Midwest” Analog Records USA Analog-7 US Promo/WL-12” | 1994 ] 12 PLANET GONG [DYLAN HERMELIJN]: Phase Shiftin' [ B2-track from “The Love I Lost” Djax-Up-Beats DJAX-UP-311 Promo-12” | 1999 ] 13 DJ BOOM [Charles Webster & Matthew Herbert]: Kinda Kickin' [ Phonography GRAPH-05 UK ss Promo-12” | 1999 ] 14 PLANET GONG: Hurt Me, Hurt Me! [ A1-track from “The Love I Lost” Djax-Up-Beats DJAX-UP-311 Promo-12” | 1999 ] 15 EQUINOX [DAN WILD & PETER DEMARCO]: Into The Battle _ Joey Beltram Remix [ “Into The Battle J.B.Remix” Synewave SW-038 US ss Promo/WL-12” | 1998 ] 16 JOEL MULL: Untitled B2 [ B2-track from “Code Red 05” CODE RED 05 SWE 12” | 1998 ] 17 TITONTON DUVANTE: Inuendo _ Rue East (Mark Broom & Dave Hill) Remix [ B1-track from “Voyeurism Remix” STARBABY 002 US Promo/WL-12” | 1999 ] 18 AUBREY [ALLEN SAEI]: Stressed Squares [ A1-track from “Stressed Squares” Solid Groove SG-021 UK 12” | 2000 ] 19 JEFF MILLS: B2F-7 [ B2-track from “From The 21st Pt. 2” Axis AX-019 FV Promo/BL-12” | 2004 ] 20 ROBERT HOOD: Who Taught You Math? [ C1-track from “Point Blank” Peacefrog Records PFG-027LP UK 2x12” | 2002 ] 21 JEFF MILLS: Clark [ A1-track from “From The 21st Pt. 2” Axis AX-019 FV Promo/BL-12” | 2004 ] 22 MARK AMBROSE: Looney Rotator [ A2-track from “Stressed Squares” Solid Groove SG-021 UK 12” | 2000 ] 23 UNDERGROUND RESISTANCE: Sweat Electric _ Vocal [ A-side from “Sweat Electric” Somewhere In Detroit S.I.D.-001 / Submerge US 12” | 1994 ] 24 UNDERGROUND RESISTANCE: Lunar Rhythms [ A-side from “Soundpictures EP” Somewhere In Detroit S.I.D.-003 / Submerge US 12” | 1995 ] 25 M.I.A. feat. TEK BROTHERS [Ray7/ Raphael Merriweathers Jr. & André Womack]: All I See [ A-side from “All I See / Experiment 7” Local 3000 L-3000-5 / Submerge US 12” | 2003 ] 26 BRANDON CALLOWAY: Jit Beat #1 [ A-side from

“Jit Beats” Local 3000 L-3000-4 / Submerge US 12” | 2003 ] 27 THE FREAKAZOIDS [KEVIN LANCASTER, LEE COOMBS, NICK SLATER]: What Is A Dub? [ B-side from “What Is A DJ?” Zoid Recordings ZOID-006 UK Promo/WL-12” | 2000 ] All about Claus Bachor/ Psycho Thrill Cologne

[musikblog]

https://www.musikblog.de/2024/11/porridge-radio-tickets-zu-gewinnen/ 09.12.2024 Hamburg – Knust 10.12.2024 Berlin – Columbia Theater 14.12.2024 Schorndorf – Manufaktur 18.12.2024 Wiesbaden – Schlachthof 19.12.2024 Köln – Artheater

[andrepatten]

Rückblick: Lesung bei der 2. Kölner Literaturnacht

Das war ein schön nächtlicher Nachmittag bei der 2. Kölner Literaturnacht mit LAND IN SICHT und Özlem Özgül Dündar, Lea Sauer und Alexander Estis.

Fotos: Melissa Steinsiek-Mossmeier

[take-ecstasy-feel-love]

Besser spät als nie :D Klaudia Gawlas im artheater, Köln :)

[louderthanfamous]

We are giving away 3 x 2 guest list places! 🎎 Just like and share our Facebook post publicly. 🤗 Friday at 5 pm we announce the lucky winners. 🏆 For all others...Arrive before midnight and pay only 10 € instead of 15 €! 💃🕺🎶🎉 https://m.facebook.com/events/347481172445895?acontext=%7B%22ref%22%3A%223%22%2C%22action_history%22%3A%22null%22%7D&aref=3&ref=bookmarks #win #guestlist #like #share #facebook #post #publicly #friday #announce #lucky #winner #pydna #warmup #artheater #pydnaalliance #natureone #natureone2018 #electronicmusic #techno #techhouse #party #cologne #beautifulloser #louderthanfamous

[dreamland-haha-no]

Animado Janara Hendroyd

[piasgermany]

[Album + Video] Lynks kündigt Debütalbum "ABOMINATION" an!

Nach drei EPs und ausverkauften UK-Tourneen kündigt Lynks das Debütalbum "ABOMINATION" an, das am 12. April über Heavenly erscheint. Auf dem Album nimmt uns Lynks mit auf eine lebendige Tour durch die moderne Queer-Kultur, die von Gelegenheitssex, wilden Fantasien, chaotischen Irrungen und Wirrungen und einer einseitigen Liebesaffäre mit einem heterosexuellen Tennistrainer geprägt ist. Im Mai geht es mit den neuen Songs zudem auf eine ausgedehnte EU- + UK-Tour.

Selbst geschrieben, selbst produziert und selbstverherrlichend vereint das Debütalbum die künstlerische und persönliche Entwicklung der letzten fünf Jahre. Während die früheren Werke einen Stil aus Effekten und gepitchten Vocals verbanden, gibt "ABOMINATION" Lynks den Raum, auf eine andere Art zu experimentieren – mit einer größeren Bandbreite an Ideen, Gesangsstilen und neuen Genreelementen. Das Ergebnis ist ein Debüt, das mit den Extremen spielt und dabei zwischen abgrundtiefer Scham und hedonistischer Freude schwankt.

Die Single "CPR" ist nach "(WHAT DID YOU EXPECT FROM) SEX WITH A STRANGER", dem Instant-Klassiker "USE IT OR LOSE IT" und "NEW BOYFRIEND" die vierte Auskopplung aus dem Album.

Eine Reminiszenz an den Pop von Kelis, Fergie und Missy Elliott aus der Mitte der 2000er-Jahre, verziert mit dem rauen Charme von Lynks. “There’s this temptation to shrink yourself and make yourself seem all helpless and vulnerable with those guys, so they get to feel like some Big Strong Man protecting you. CPR felt like the perfect metaphor for that weird dynamic”, ergänzt Lynks.

Tracklist "ABOMINATION": 01. USE IT OR LOSE IT 02. NEW BOYFRIEND 03. CPR 04. (WHAT DID YOU EXPECT FROM) SEX WITH A STRANGER 05. TENNIS SONG 06. I FEEL LIKE SHIT 07. ROOM 116 08. LEVITICUS 18 09. ABOMINATION 10. LUCKY 11. SMALL TALK 12. LYNKS THINKS 13. FLASH IN THE PAN

Live: 02.05.24 Köln – Artheater 03.05.24 Berlin – Cassiopeia 04.05.24 Hamburg – Turmzimmer Booking: Z|ART Agency

Website Instagram Facebook