#Arrebato

[carnoburger]

1979 — will more in 'arrebato'.

[pierppasolini]

Arrebato (1979) // dir. Iván Zulueta

[art--harridan]

[Image description: A digital drawing based on Pedro from the film Arrebato. At the bottom of the piece, there's a close-up drawing of Pedro's eyes staring listlessly into the distance, face upturned. The skin around his eyes is red and blotchy. This drawing melds into another drawing of Pedro. He's sitting on a bed and tightly clutching a cluster of grapes close to his face. His mouth is pinching together and a liquid strand falls all, implying that he's eating one. He's looking straight ahead with wide, wild eyes. One of his legs is pulled up in front of him so his arm rests on his knee. To the left, there's a circle that shows Pedro asleep in his bed, bathed in blue light. It looks like a lens, and is coupled with a red light above it, as if a camera. Other circles in the piece are randomly coloured red, specifically Pedro's right eye on the top drawing, one of the grapes in the cluster, and the highlight in his left eye on the bottom drawing. The lineart is a dark blue and alternates between stark shadows and scratchy shading. The background is a bright teal, which contrasts against the more sallow colours used for colouring Pedro.]

Inktober - Day 26 (Camera)

Film - Arrebato (Iván Zuleta, 1979)

[certainwomen]

will more en arrebato (iván zulueta, 1979)

[rigel23]

𝘔𝘦 𝘦𝘯𝘢𝘮𝘰𝘳𝘰 𝘵𝘢𝘯𝘵𝘰 𝘦𝘴𝘦 𝘤𝘩𝘪𝘤𝘰 𝘢𝘭 𝘮𝘪𝘴𝘮𝘰 𝘵𝘪𝘦𝘮𝘱𝘰 𝘲𝘶𝘦 𝘴𝘦 𝘤𝘰𝘯𝘷𝘪𝘳𝘵𝘪ó 𝘦𝘯 𝘮𝘪 𝘳𝘦𝘤𝘶𝘦𝘳𝘥𝘰 𝘮á𝘴 𝘥𝘰𝘭𝘰𝘳𝘰𝘴𝘰 𝘥𝘦 𝘢𝘮𝘰𝘳 𝘭𝘦 𝘤𝘰𝘭𝘰𝘲𝘶𝘦 𝘴𝘶 𝘯𝘰𝘮𝘣𝘳𝘦 𝘢 𝘤𝘢𝘥𝘢 𝘦𝘴𝘵𝘳𝘦𝘭𝘭𝘢 𝘥𝘦 𝘦𝘴𝘢 𝘯𝘰𝘤𝘩𝘦 𝘵𝘢𝘯 𝘩𝘦𝘳𝘮𝘰𝘴𝘢 𝘤𝘰𝘯 𝘭𝘢 𝘭𝘶𝘯𝘢 𝘱𝘦𝘳𝘧𝘦𝘤𝘵𝘢𝘮𝘦𝘯𝘵𝘦 𝘭𝘭𝘦𝘯𝘢 𝘥𝘦 𝘦𝘴𝘢 𝘭𝘶𝘻 𝘳𝘦𝘴𝘱𝘭𝘢𝘯𝘥𝘦𝘤𝘪𝘦𝘯𝘵𝘦𝘮𝘦𝘯𝘵𝘦 𝘩𝘦𝘳𝘮𝘰𝘴𝘢 𝘴𝘶𝘴 𝘰𝘫𝘰𝘴 𝘦𝘳𝘢𝘯 𝘩𝘦𝘳𝘮𝘰𝘴𝘰𝘴 𝘴𝘶 𝘢𝘤𝘵𝘪𝘵𝘶𝘥 𝘵𝘢𝘯 𝘨𝘦𝘯𝘶𝘪𝘯𝘢 𝘲𝘶𝘦 𝘮𝘦 𝘥𝘦𝘤í𝘢𝘯 𝘯𝘰 𝘮𝘦𝘳𝘦𝘤𝘦𝘳𝘭𝘰 𝘥𝘢𝘳𝘭𝘦 𝘵𝘰𝘥𝘰 𝘮𝘪 𝘷𝘪𝘥𝘢 𝘦𝘳𝘢 𝘯𝘢𝘥𝘢 𝘺 𝘭𝘭𝘦𝘨𝘢𝘳 𝘢 𝘦𝘴𝘦 𝘥í𝘢 𝘵𝘢𝘯 𝘥𝘰𝘭𝘰𝘳𝘰𝘴𝘢𝘮𝘦𝘯𝘵𝘦 𝘵𝘰𝘥𝘰 𝘧𝘶𝘦 𝘧𝘶𝘨𝘢𝘻 𝘳𝘰𝘮𝘱𝘦𝘳 𝘴𝘰𝘭𝘰 𝘱𝘰𝘳 𝘤𝘶𝘦𝘴𝘵𝘪𝘰𝘯𝘦𝘴 𝘵𝘰𝘯𝘵𝘢𝘴 𝘺 𝘴𝘪𝘯 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘤𝘪𝘢 𝘥𝘶𝘦𝘭𝘦 𝘴𝘢𝘣𝘦𝘳 𝘲𝘶𝘦 𝘯𝘶𝘯𝘤𝘢 𝘧𝘶𝘪 𝘢 𝘵𝘶 𝘨𝘳𝘢𝘥𝘶𝘢𝘤𝘪ó𝘯 𝘯𝘰 𝘦𝘳𝘢 𝘺𝘰 𝘴𝘪, 𝘯𝘰 𝘦𝘭𝘭𝘢 𝘦𝘯 𝘵𝘶 𝘷𝘪𝘥𝘢.

[god-like-storm]

Arrebato (1979) dir. Iván Zulueta

[m--bloop]

Arrebato (Rapture) dir. Iván Zulueta (1979)

[ricitosss]

¿Dónde estás ahora? Me dejaste roto, me usaste, me dañaste, me quebraste, y me abandonaste. Me dejaste a la deriva.

¿Dónde estás ahora? Te lo dí todo, y me dejaste sin nada, te entregué mi vida, y me la arrebataste.

¿Dónde estás ahora que tengo un hueco en el pecho y una herida que se desangra?

Broken Wings

[1979enthusiast]

Arrebato (Dir. Iván Zulueta, 1979)

[celuloideycarbono]

Will More appreciation post (in Arrebato, the underground masterpiece of Iván Zulueta).

[schlock-luster-video]

On August 26, 1983, Arrebato debuted in Portugal.

[pierppasolini]

Arrebato (1979) // dir. Iván Zulueta

[tunasaladonwhite]

[byneddiedingo]

Will More in Arrebato (Iván Zulueta, 1979)

Cast: Eusebio Poncela, Cecilia Roth, Will More, Marta Fernández Muro, Helena Fernán-Gómez, Carmen Giralt, Max Madera. Screenplay: Iván Zulueta. Cinematography: Ángel Luis Fernández. Film editing: José Luis Peláez. Music: Negativo. 

Pedro Almodóvar became the face of post-Franco Spanish filmmaking in the United States, where we often overlook the powerful influences on his work by other Spanish directors. He was, for example, a great admirer of Iván Zulueta's Arrebato, for which he dubbed the voice for Helena Fernán-Gómez's character, Gloria, and he later cast its lead actor, Eusebio Poncela, in his films Matador (1986) and Law of Desire (1987). Certainly it's possible to see how the uncompromising work of Zulueta in Arrebato, his second and last feature-length movie, may have liberated the imaginations of Almodóvar and his fellow Spanish filmmakers after the death of Franco in 1975. It's a movie about the intoxication of making movies, and about intoxication and its consequences. Zulueta, who was a heroin addict, gives us a film about a similarly addicted filmmaker, José Sirgado (Poncela), who just after finishing the production of a horror movie receives a package in the mail from Pedro (Will More), a man he has met only twice before. It contains an audio tape, a reel of Super 8 film, and a key to Pedro's apartment. And so begins a complex tale in which José becomes entwined in Pedro's very odd life and obsessions, at the end of which José becomes obsessed himself, absorbed into the strange experiences that Pedro has documented on film. Arrebato (which means "rapture") is an often muddled and maddening film, but muddle and madness are what it's about. It flopped commercially, but gathered a following at midnight movie screenings in Madrid, which eventually led to its video release and a wider audience.  

[madelina10]

[ochoislas]

ORACIÓN II

¿Tal es nuestro único oficio: oírte tronar temblando derribados en el polvo, Dios terrible y exaltado?

¿Por qué envías pues estíos donde buzamos desnudos, cuando te avecina el pío con un furioso arrebato?

¿Por qué permites los raptos que laten potente orgullo y hasta ti nos extravían, remedando tu fragor...

nos alzan de baja estancia con premura a las estrellas, en olas, nubes y viento igualándonos a ti?

*

GEBETE II

Ist uns dies nur amt: mit schauern Zu vernehmen dein gedröhn Und im staub vernichtet kauern Vor dir Furchtbarer der Höhn?

Warum schickst du dann die sommer Wo wir schnellen frei und nackt? Wo sich nachbar nennt dein frommer · Helle raserei ihn packt?

Was erlaubst du uns die räusche Wo der stolz allmächtig pocht · Uns in Deine nähe täusche · All dein tosen in uns kocht –

Wirbel uns aus niedrer zelle Sternenan entführt geschwind: Deinesgleichen in der welle In der wolke in dem wind?

Stefan George

di-versión©ochoislas