#Archie Goodwin Story

[keycomicbooks]

Classic Star Wars #3 (1992) Al Williamson Cover & Pencils, Archie Goodwin Story, Classic Darth Vader Cover

#ClassicStarWars #3 (1992) #AlWilliamson Art, #ArchieGoodwin Story, Classic #DarthVader Cover In this issue, Luke volunteers for an espionage mission aboard Darth Vader's new battleship – but can he trust the Imperial Admiral he meets there, who claims to be helping the Rebels?! https://www.rarecomicbooks.fashionablewebs.com/Classic%20Star%20Wars.html#3 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #RareComicBooks #KeyComicBooks #DarkHorse #DarkHorseComics #ComicBooks

[atomic-chronoscaph]

Alien: The Illustrated Story - art by Walter Simonson (1979)

[weirdlookindog]

Image in Wax!

by Tom Sutton (art) / Archie Goodwin (story) / Ben Oda (letterer)

from Creepy #17, October 1964. (source)

[the-gershomite]

Heavy Metal presents Alien the Illustrated Story -1979-

by Archie Goodwin and Walter Simonson

based on the twentieth century-fox's science fiction hit, Alien

screenplay by Dan O'Bannon

story by Dan O'Bannon and Ronald Shusett

[cantsayidont]

Summer 1996. Speaking of getting real: Barbara Gordon confronts Batman about the events of THE KILLING JOKE, in which she was paralyzed by the Joker. This is part of John Ostrander's other major contribution to DC lore; in SUICIDE SQUAD, he and Kim Yale had revived Babs, who had been summarily discarded by Bat-books editor Denny O'Neil as surplus to requirements and also a girl, and reinvented her as Oracle. This scene is from the first story in THE BATMAN CHRONICLES #5, which is not her first appearance as Oracle, but rather an "Oracle: Year One" story chronicling the circumstances of how she created that role. It's infuriating to me that DC has since discarded this version of Barbara Gordon in order to reduce her to Dick Grayson's girlfriend, while also trying to make her younger and younger.

[ufonaut]

I've planned for everything -- the house will be... ah... total... fulfill every need!

Eerie (1966) #3

(Archie Goodwin, Alex Toth)

[transistoradio]

“Alien: The Illustrated Story” (1979) by Archie Goodwin and Walt Simonson.

[fictionz]

New Horror 2023 - Day 26

"My own belief is that she died simply of the terror of life."

"The Shadowy Third" by Ellen Glasgow (1923)

While there's a twist you see coming a mile away, the finale is still a nice bit of surprise comeuppance.

💀💀💀

"Wine outweighs fear!"

"The Duel of the Monsters" by Archie Goodwin & Angelo Torres (1966)

Hey that's a cool twist as well! Not a big shock, just a good twist of the knife when it seems like it'll be a straightforward slice.

💀💀💀

"Literally pick up his best friend and use his ass as a battering ram."

Kuso dir. Steve (2017)

I don't know what it says about me when the gross and bizarre stuff in this movie doesn't really phase me. I saw many reviews where people were really sickened by some of the scenes, which sure I get it, but it's so surreal and cartoony that it didn't hit the same as movies that approach the nastiness more seriously. Glad I watched it!

[scotchiegirl]

You Rang?

can I convince any Timothy Hutton/Leverage fans to get into Nero Wolfe. Jangles keys in front of you. If you like one show where he solves problems and goes against the law to catch bad people would you like the 2001 free on YouTube detective version

[dirtyriver]

Vampirella started as a horror host, like Uncle Creepy and Cousin Eerie, before being promoted to active protagonist starting with this story.

"Who Serves the Cause of Chaos?", Vampirella #8, November 1970, written by Archie Goodwin, art by Tom Sutton

[swamp-adder]

Me reading my first Nero Wolfe book (The Silent Speaker): Well Rex Stout was the guy who said Watson must be a woman because two men would never act that way toward each other, so presumably this series will be less shippy than the Holmes stories -- 

Archie Goodwin: Frankly, I wish I could make my heart quit doing an extra thump when Wolfe says satisfactory, Archie. It’s childish.

Me: Um. OK.

[retroscifiart]

Alien: The Illustrated Story by Archie Goodwin & Walter Simonson (Heavy Metal, 1979)

[atomic-chronoscaph]

Alien: The Illustrated Story - art by Walter Simonson (1979)

[kekwcomics]

DOSSIER NEGRO (Ediciones Zinco, 1971?)

Spanish reprint of various Warren Creepy strips and other stuff. Stories by Archie Goodwin, Bill Everett, Tom Sutton and others....

[the-gershomite]

Heavy Metal presents Alien the Illustrated Story -1979-

(1-30 of 60)

by Archie Goodwin and Walter Simonson

based on the twentieth century-fox's science fiction hit, Alien

screenplay by Dan O'Bannon

story by Dan O'Bannon and Ronald Shusett

[cantsayidont]

October 1978. The first appearance of the bounty hunter Valance, who has recently made a comeback in the modern STAR WARS comics. Created by Archie Goodwin and Walt Simonson, Valance is a cyborg, a former Stormtrooper officer who had been grievously wounded by a Rebel air raid and who now expresses his self-loathing through a pathological hatred of Droids and automata. (His secretiveness seems merited in these stories, which indicate that cyborgs experience a high level of mistrust and social stigma. I assume this is something Goodwin extrapolated from the "We don't serve their kind" stuff in the first movie, although the degree of prejudice and outright loathing Valance faces when people know he's a cyborg isn't really borne out by later SW media.)

The next issue box is a bit misleading; THE EMPIRE STRIKES BACK wasn't released until a year or so after this issue appeared. Also, the story to which the box refers (which is indeed called "The Empire Strikes!") didn't actually appear until issue #18. The issue following this one ended up being a fill-in story about Luke and Biggs prior to the events of the first movie, with art by Herb Trimpe and Al Milgrom rather than regular penciller Carmine Infantino. The delay probably had something to do with the juggling act required to produce the U.S. and UK versions of the comic — the stories that ran in the U.S. monthly color series were published more or less contemporaneously in eight-page B&W installments in the British STAR WARS WEEKLY, a logistical nightmare that necessitated the use of two distinctly different inkers and a number of fill-ins to make the math work.