#Apartment Story

[gebo4482]

Apartment Story

Website / X

Gameplay Trailer

[scaringspiders]

There Is No Sleep's Game of the Year - the bronze medallists

[yknowheretofindme]

[musicandoldmovies]

The National - Apartment Story

From the album Boxer

[scottishgames]

OUT NOW: Apartment Story (PC)

OUT NOW: Apartment Story is a brand new feature-length single-player thriller set in a single apartment in which, somewhere, a gun is hidden.

Apartment Story is a feature-length, single-player, third-person thriller set in a single apartment, created by Glasgow-based Blue Rider Interactive. According to the game’s official website: You are Arthur, a person alive in 2023 trying to keep his head above water, when you receive an unexpected call at the door from your old roommate, Diane. She stays, you party, but soon you will meet…

[savingcontent]

Third-person narrative thriller Apartment Story is out today on PC

Continue reading Third-person narrative thriller Apartment Story is out today on PC

[tuuneoftheday]

The National - Apartment Story

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[bloominglegumes]

i love normal guys doomed by the narrative

[gebo4482]

Apartment Story Launch Trailer

Steam

[colorsdescribeme]

I’m hearing Boxer by The National for the first time and IT IS SO GOOD. Why has no one told me about this album??

[lotus-pear]

i love you royal trio (minus akechi)

[foolnamedjoey]

Cheesy but I do not care

[fabuloustrash05]

"When I was a young man, I fell in love with a woman-"

"Oh, hey, is it that late?"

"Sit."

This is such a funny father and son moment between these two, and I love it way too much.

Not only with Raph trying to get out of hearing a story from his dad that he's not interesting in/in the mood to hear, but also immediately wanting out the second he realizes it's about his dad's love life.

[emacrow]

"Danny... you need to go to Frostbite now because something is wrong with your obsession.." by the creator/ema crow pt 1

The hissing began sounding like iron dragging on a chalkboard.

Jazz said, sighing at her half brother who held the 27th child he had in his arms, looking at her like she about to steal his otherworldly possession. She counted how many kids there were in the apartment before finding danny trying to put the kids to sleep.

Go to Gotham collage for space engineering he said, he'll be fine with his Protect/space obsession on being on prescripted medicine from Frostbite because having duel obsessions tend to go haywire in Gotham city and Clockwork warned Danny several times to take them on Time.

Six months in Gotham, and she visited him to see his apartment becoming an enforcement of an apartment full of liminals and children that Danny had rescued and kept in his haunt for 'safety'

Jazz doesn't wanna ask about the girl in the black Bat costume, missing a shoe, half limping/sneaking out the window as she pinches between her eyebrows.

Jazz knew something was up after danny stopped visiting Amity Park two months ago to the point that Tucker and Sam got concerned with the lack of texts responded.

The image of danny looking more like a giant elderitch spider banshee with 6 very long arms, 8 slit eyes spread across his body with a large mid section with sleeping three toddler strapped in over stretched baby sling, a couple kids giggling quietly and peeking their head out of from inside the overgrown long half black molding into silverly mane

At least this is a mild inconvenience than that one and last time watching that holocaust documentary nearly took 3 months and half to control without the constant overprotective, baby and fenton proofing everything in the Amity Park to the point of nearly mauling the undead out of Skulker after a few bad sentences spoken.

"Danny"

More hissing, and silent creeping backwards.

"Danny, you can't keep these children in here, didn't Pandora tell you that over obsessing could lead to imbalance again." Jazz said holding her hands up in a surrender way to show now fenton weapons in her hands.

Jazz had to think because this might take a while with the way Danny was throwing a fit..

How bad was gotham for danny to start kidnapping/rescuing children and babies?

Part 2 link here <-