#Antonio Fago

[shujubeelamoglia]

Antonio Fago

Photography by Jack Rainbow

[clarkkantagain]

antonio fago

[anastasiamusicalupdates]

Antonio Fago and Iñigo Etayo in Anastasia Madrid.

[matthiasvision]

[onenakedfarmer]

Playing

FACCE D'AMORE

Jakub Józef Orlinski Il Pomo d'Oro

Théâtre du Capitole Toulouse July 21, 2021

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Arias by Nicola Matteis, Giovanni Antonio Boretti, Giovanni Bononcini, Francesco Bartolomeo Conti, Luca Antonio Predieri, Pietro Antonio Locatelli, Giuseppe Maria Orlandini, Nicola Fago, George Frideric Handel

[hartshorn-and-isinglass]

Wanna listen to Orlinski for an hour? Yeah you do.

Track list from the description:

00:00 Nicola Matteis: DON CHISCIOTTE IN SIERA MORENA (1719), Ballo dei Bagatellieri 01:14 Francesco Cavalli: LA CALISTO (1661) | Sinfonia, Erme e solinghe cime... Lucidissima face (Endimione) 05:52 Giovanni Antonio Boretti: ELIOGABALO (1668), Chi scherza con Amor (Eliogabalo) 08:47 Giovanni Antonio Boretti: CLAUDIO CESARE (1672), Sinfonia | Crudo amor non hai pieta (Claudio) 11:38 Giovanni Bononcini: LA NEMICA D'AMORE FATTA AMANTE (1693), Sinfonia 15:52 Giovanni Bononcini: LA COSTANZA NON GRADITA (1694), Infelice mia costanza (Aminta) 22:06 Nicola Matteis: DON CHISCIOTTE IN SIERA MORENA (1719), Ballo dei Bagatellieri 28:56 Francesco Bartolomeo Conti: DON CHISCIOTTE (1719), Odio, vendetta, amor (Fernando) 33:15 Luca Antonio Predieri: SCIPIONE IL GIOVANE (1731), Finche salvo e l’amor suo (Scipione) 40:30 Pietro Antonio Locatelli: CONCERTO A QUATTRO op. 1 no 11 en ut mineur, Largo - Allemanda (allegro) - Sarabanda (largo) - Giga (allegro) 50:25 Giuseppe Maria Orlandini / Johann Mattheson: NERONE (1723), Che m'ami ti prega (Nerone) 57:17 Nicola Fago: IL FARAONE SOMMERSO (1709), Alla gente a Dio diletta 1:03:13 George Frideric Handel: RICCARDO PRIMO, RE D’INGHILTERRA HWV 23 (1727), Aria Riccardo, Agitato da fiere tempeste

[lesser-known-composers]

Nicola Fago (1677 - 1745) - Mottetto “Quid hic statis pastores” per soprano, alto e archi

Cappella Neapolitana, Antonio Florio direttore, Leslie Visco soprano, Marta Fumagalli mezzosoprano.

[anastasiamusicalfan]

The lift (pre-show/warm up)

1: US Tour- Claire Rathbun & Mark MacKillop (📸)

2: Stuttgart- Christina Gibbs & Luca Giaccio (📸)

3: Madrid- Vivec Llera & Antonio Fago (📸)

[earith]

janagomezt Segunda, 15 min! • • 📸 @fago_antonio ♡ 💇‍♀️ @terealvarezgonzalez ♡

[shujubeelamoglia]

Antonio Fago

Photography by Jack Rainbow

[clarkkantagain]

antonio fago

[anastasiasource]

fago_antonio: Empezamos ya con los dobletes en @anastasia_stage y muy bien acompañados. #show #musical #anastasiamusical#dancers #madrid #love #happy

[christinealtomare]

The Madrid cast rehearsing for “Anastasia” from Diego Rodríguez’s Instagram story (August 28, 2018)

[loschicosdelvestuario]

Espiamos el Instagram de Antonio Fago

Espiamos el Instagram de Antonio Fago

Nacido en Taranto(Italia). Viviendo en Madrid(España). Ensemble en el musical El Guardaespaldas y Bailarin/Performer en Medias Puri. Así se presenta en redes sociales este chico italiano, pero afincado en España, del que no podrás apartar tus ojos de encima cuando lo conozcas. Y eso es lo que nos hemos propuesto y por eso espiamos el Instagram de Antonio Fago.  (more…)

[my18thcenturysource]

“Stabat Mater”, 1736, Giovanni Battista Pergolesi.

Emöke Barath, soprano / Philippe Jaroussky, contratenor / ORFEO 55, conductor Nathalie Stutzmann

Performed at the Chapelle de la Trinité, Château de Fontainebleau.

Well, also part of the catholic calendar for the past week (a little late, I know), here’s a Stabat Mater, to be sung during Good Friday at the liturgy on the memorial of Our Lady of Sorrows (Mater Dolorosa, in Latin).

The Stabat Mater is a hymn to the Virgin Mary, written in the 13th century by the  Franciscan friar Jacopone da Todi or Pope Innocent III (nobody knows), which portrays Mary’s suffering during Christ’s crucifixion. 

Nowadays, when it is performed in a religious setting, it’s usually accompanied with some meditation and Marian praying. As a liturgical sequence is was suppressed at the Council of Trent (between 1545 and 1563), and restored to the missal in 1727 for the Feast of the Seven Dolours of the Blessed Virgin Mary.

Very Catholic.

Much suffering.

So Baroque.

Believe it nor not, Pergolesi was 26 years old when he composed this and then, well he died of tuberculosis. From this Stabat Mater, my favourite part is the final 2 songs: "Quando corpus morietur"  and the final “Amen" (click to go directly to that part in the video), an well the entirety of it is great, especially with this version with musicians especialised in ancient music. Please PLEASE do not get tempted into listening the Anna Netrebko version. Just don’t. I love her, but the Baroque is not for her.

Anyway, Several other composers have made music for this hymn, and there are of course some other Stabat Mater from a selection of 18th century composers:

Sébastien de Brossard, 1702

Antonio Vivaldi, 1712

Emanuel d’Astorga, 1713

Domenico Scarlatti, 1715

Francesco Nicola Fago, 1719

Alessandro Scarlatti, 1723

Antonio Caldara, ca. 1725

Agostino Steffani, 1727

Nicola Logroscino, 1760

Joseph Haydn, 1767

Giuseppe Tartini, 1769

Tommaso Traette, 1770

Luigi Boccherini, 1781 (first version), 1801

Pasquale Cafaro, 1784

And other ones I personally like from other centuries:

Franz Schubert, 1815

Antonín Dvořák, 1876

Francis Poulenc, 1950

[anastasiamusicalfan]

La familia Romanov.

Picture credit: Javier Naval