#Answer all the points in the company expectations doc
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I was given an assignment 6 weeks ago and I've been doing the allocated time plan for the last 6 weeks.
Turns out you actually need 2 whole months to do the assignment as stated by the exam board and my college just decided that, "Fuck it they can do it"
It's now 12:42am and I've typing for last 5 hours.
It's due tomorrow. AND WHAT EVEN WORSE IS THAT 5 HOURS AGO WHEN I WAS GOOGLE THIS INFORMATION I FOUND OUT IT'S ONLY WORTH 17% OF THE FRICKING GRADE!
What is this? Some sadistic educational torture? This is my first 5 min break in an hour and 30 minutes. And I've still gotta write the evaluation and test plan. I'm so I've this.
UPDATE: 2am and done.
#college#What the fuck#why the fuck#How the fuck#The assignment they gave us was the equivalent of creating a comprehensive data model for 7 different companies#Then creating a dashboard for them#Having a manager meeting#Then improving them.#Finding 18 volunteers to test and leave reviews#Then improve the again#Create a test plan to test functions#Create 7 different company expectations documents that “reflect the work you're doing”#Answer all the points in the company expectations doc#The step by step take apart every dashboard you made and review it.#Im talking the Multiplication the subtraction the fucking colours and shades of colours THE GODDAM CELLS YOU PUT THEM. INTO AND WHY#And then you gotta make an evaluation on it all like “if I would do better I would blah blah blah”#7 times in a row. In 6 weeks. I have other subjects#I literally had to put my life on hold for 17% of my final grade#I'm going to have a mental breakdown but I'm to tired to have one#Is this morder day slavery?#Does college find pleasure in this?#Why would they do this?#AND ACCORDING TO THE CLAS GROUP-CHAT I'M THE ONLY ONE WHOS GONNA FINISH IT IN TIME
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Comfort
Here’s a continuation of the lover’s quarrel going on over here.
[Docs] —
All of the air leaves the room when Benjin storms out in his rage, leaving Mallum to throw himself on the couch, deflated. The minute exchange of looks between Veylin and Zurven tells him which quad he will be responsible for looking after.
Veylin follows on the heels of her moirail.
Silence quickly settles between the two that remain in the living room, a silence that Zurven very quickly decides that he does not like. It would be his first time experiencing this sort of heavy silence while in the company of this particular partner.
He prefers his useful boisterous demeanor.
It isn’t as though his own anger for the situation doesn’t weigh heavily on his chest, as if he didn’t have half a mind to swallow back all of the trust he’d poured into him and hole himself in the room until Ben and Vey get back. It’s second nature to run from problems, and ridiculously easy.
But that wouldn’t be fair.
He sighs and sits on the couch next to Mallum, now sitting with his own head in his hands.
“Mal,” Zurven says softly, softer than he expected.
Now worried that he might lose the nerve to talk about it, he fixes his attention on the wall across from them instead. When Mallum doesn’t answer, he sighs again.
“I was… I am so vulnerable with you. I haven’t kept anything from you in a long time.” Suddenly realizing his own hands are too idle, he begins to tap them rhymically on his thighs. “I wish you would do the same.”
There is more silence and Zurven finds the fear that they’ve already lost Mallum constricting around his throat, burning his lungs. This can’t be what kills the trust, that idea tightens and becomes a ball in his stomach.
No way.
“I don’t like getting my news the way that Orfuse did.” He chokes out the second the thought enters his mind. The vision left a bad taste in his mouth, Zerkev’s wrath burned through him white hot. He flexes his fingers as the memory of the trident lingers between them.
At least it wasn’t Harlan. The smug satisfaction might have been enough to kill him.
Zurven blinks the dredges of the vision out of his mind and turns his head to finally look at Mallum again.
Mallum sits there, staring at his own hands, with tears spilling out of his eyes. The seadweller makes no sound, the cry is a silent one.
“It isn’t like that,” he whispers in a voice smaller than he’d ever been. “It isn’t about being vulnerable,” and it almost sounds like he is trying to convince himself of that more than Zurven.
There is silence again, but Zurven cannot stand to let it settle and instead turns to take Mallum’s hand in his. He leans his head on his tear-eyed partner’s shoulder.
“You’ve been good to us, Mal. And Lopard used to tell me that something like that can’t be one way,” he squeezes his hand. “Even if we need it at different times, or if it’s very different things, it doesn’t work if it’s one way. Will you let us be good to you?”
Mallum says nothing, then hesitates before turning to grasp desperately at Zurven’s arm and folding himself into the smaller troll as much as he can. Zurven wastes no time in wrapping his arms around him and holding him so tightly that anyone would be forgiven if they assumed that the position was the only thing keeping the pair from falling apart.
Mallum chokes out a sob that sounds nearly like an apology, Zurven shakes his head and moves to smooth out his hair.
“When he let us go we didn’t have anything. I had, uhm, I had the least of us all. No life to return to…” He hesitates as he speaks, letting his hand drift over and around Mallums fins in order to ground himself. Vulnerability about this point in his life never comes easy. “Even when Harlan took me, I didn’t care if I died because everything at that point was just… People were good to me, but it wasn’t mine.”
Now it is Mallum’s turn to squeeze, but he still says nothing.
“If I can’t be good to you guys, if you think I can’t hold your bad news for you, then what’s the point?”
Mallum’s shoulders shake in time with his sbos, but beyond that another silence falls over them. This time, Zurven gives him the time to collect himself before speaking again.
He is satisfied with the knowledge that Mallum knows what his safety and comfort means to him, that he understands it was no less important than his own, Vey, or Bens.
He kisses the top of Mallum’s head and mumbles into his hair, “I love you. Can you say something? About anything. You’ve never been this quiet before.”
A second passes before he responds.
“I’ve ruined you, you can’t live without me now.” He says with a small laugh, muffled into Zurven’s shoulder.
Then he pauses and reaches to lace their fingers together and very softly whispers, “I love you too.”
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Mikoto's Notable T2 Timeline Convos (EN Ver)
Taken from the FOOL's MATE research doc
T1 EN
T1 JP
T2 EN
T2 JP
1) 2022/10/06, Mikoto's birthday
Sakurai Haruka Mikoto-san. Um, are you ok……? Kayano Mikoto Ah, Haru-kun. It’s been a while since we last talked, huh. Yeah, I’m fine. Are you doing ok……? Sakurai Haruka Ah, I’m fine. I’ve been enjoying myself, a lot. Um, I’m sorry, for avoiding you. I was a bit scared. Of you, honestly…… Kayano Mikoto Ahhh, yeah. I’ve been lashing out whenever I go to sleep, right? ……it’s fine. Even I think you’re right to be scared. You know, I kinda just hate that I don’t even know what’s going on myself…… haha. Kayano Mikoto Ah, but despite all that you still came and talked to me because it’s my birthday, right? Thank you, you’ve grown into a good man.
Mikoto has cast himself away.
His relationship with Haruka is completely different as he's now scared of Mikoto.
Mikoto is understanding of his fear and thinks Haruka is in the right.
He has no idea what's been going on and thanks Haruka for the birthday wishes.
2) 2022/12/15, Kotoko's birthday
Kayano Mikoto Ah, Koto-chan. It's been a while. We were isolated for some time but, how are you doing? Lots of things happened, but for now let's get along. Here, it's your birthday right? I figured that no one would come celebrate it for you, so I came to wish you a happy birthday. Yuzuriha Kotoko ...What a carefree person you are. Someone as atrocious as you won't be forgiven next time too, surely. When that time comes, it'll be your last. Next time, I'll kill you. Kayano John Haah? Why don't you try it then, you lunatic. I'll crush anyone who tries to harm me.... I'll make sure to thoroughly beat you at your own game...!! Yuzuriha Kotoko Hmph. The boundaries have gotten more blurred, it seems. Your existence itself is a crime. I will give you your punishment. This is MILGRAM's, Es', and also my own decision.
Mikoto and Kotoko were separated for some time. He still wants to get along with everyone and wishes her a happy birthday.
Kotoko then threatens Mikoto
John fronts and threatens her back.
3) 2023/10/06, Mikoto's birthday
Kayano Mikoto Is it true… There’s really another me? These tattered clothes, and scaring everyone, it’s all because of him. They say I'm a murderer... Isn't it unreasonable to expect me to believe that? Kayano Mikoto Can you hear me talking like this? If you can hear me, then answer me. Why are you doing such horrible things? Hey. It's your fault things have become like this. ……Answer me!! Kayano John Ah, ahhh!! Because, I did it for your sake...! Because you would break apart!! Kayano Mikoto - - What am I doing...? There's no way you'll conveniently give me an answer. I should just stop thinking about everything already...I'm tired......
Mikoto has completely isolated himself at this point.
He’s trying to communicate with John but is unsuccessful. Even though John responds, Mikoto can’t hear him.
4) 2024/08/05, Kazui's Birthday
Kayano Mikoto Well, you know... I appreciate your feelings, but... I don't know what I might do, even I'm not sure myself. So I think it's best if we're not together for a while. Besides... haha, aren't you scared, Kazu-san? Mukuhara Kazui Hmm, due to my job, I'm used to dealing with troubles youth. You must have your reasons. I don't feel like prying. Well, come over if you feel like it. Staying alone all the time will make you feel down. I can keep you company if you need to relieve some stress. Kayano Mikoto Yeah... I'm not really used to relying on others, you know. How should I put it, I feel like I'm being a bother. I can't bear that feeling of being pathetic... I guess I'm being very Japanese about this, haha... Mukuhara Kazui Hmm... well, that's fine. If that's easier for you, I won't force you. But you know, people in their 20s are still kids. It's admirable that you're hard on yourself, but I think it's okay to cause a bit of trouble for others. After all, I'm nearly 40 and I'm still a kid at heart.
He’s starting to confide in others more.
He still thinks he’s a monster and that other’s shouldn’t be near him.
Kazui is offering to help Mikoto out by listening to him when he needs it.
He’s admitting that he has a problem about bothering others.
#milgram#ミルグラム#milgram project#mikoto kayano#john kayano#kayano mikoto#milgram analysis#kotoko yuzuriha#yuzuriha kotoko#haruka sakurai#sakurai haruka#fools mate research#kazui mukuhara#mukuhara kazui
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a guide on behavioral interviews💼
ok i've got a behavioral interview coming up so decided to make this quick guide on how i prepare for these if it helps anyone else trying to land internships or full-time jobs in the tech industry!
the process
1. ⭐ Introduction (10-15 min)
The interviewer wants to know more about you, your career goals, skills, and how you align w/ the company's mission.
Like a compelling essay, you want a strong hook or opening statement. The first question asked is often "Tell me about yourself" and this should be a brief elevator pitch (30 seconds) that highlights your current status (student, major, study area), your relevant experience, why you're interested in the company/why you're a good fit for the company, and what you're looking for (in a job). Practice this in front of a mirror if you have to!
Doing company research is really important for the whole interview! You want to look informed and interested. You can use sites such as:
Twitter Linkedin Glassdoor company website (blogs/news/about/careers page) any press releases/news articles to find info about what the company is focused on or what they care about most.
Find things that are genuinely interesting to *you* and write it down on a separate notepad to remember it
Review the job posting you applied to and review where you meet their expectations (your strengths) and be aware of your weaknesses (be ready to answer like "I'm working on improving my..." or "I hope this company can give me more experience in..")
Top questions: Tell me about yourself, why do you want to work for us, what are your strengths? Why should we hire you?
2. ⭐ Situational Questions (15-30 min)
This is where you use the STAR method to craft your responses to questions about your communication, work ethic, and collaboration style
STAR: Situation, Task, Action, Result
Here's a guide + sample questions that you can encounter in any type of interview!
Also, prepare 5-6 solid situations that you can use to anchor your STAR responses. These can come from your resume, where each project can be something you can tie back to another soft/technical skill the company is looking for.
For example, for my hackathon experiences, i can relate it to any collaboration / communication / time crunch / meeting deadlines question. for my research experience, i can relate it to analytical skills / experimental / problem-solving questions.
For me, I put all my projects/experiences on a google doc, and then I write additional bullet points on things I did, problems I solved, challenges, skills I gained, etc. It's kind of like a super expanded resume. It's a great reference at a glance! Reflecting on your experiences/projects is very important as well, whether large or small.
3. ⭐ Closing (5 - 10 min)
This is your opportunity to end on a strong note, re-iterating what makes you a good fit for the company and asking questions that show you've done your research on the role/company!
What are good questions? Questions that aren't easily answerable on the company site, questions that will help YOU make a decision if you want to work for them
Here's some good ones: What is your current work from home / hybrid / in-person policies? What are the most exciting challenges facing your company in the next 6 months? What's the next step in the interview process / when can I expect follow-up? Is there support for junior / entry-level developers (such as mentorship)? How does the company support work-life balance? Can you share any recent projects / initiatives the company has taken on that you're excited about?
Here's some to AVOID: Avoid asking about salary / benefits unless you absolutely need this information before moving forward, Avoid asking questions you can google easily or know by reading the job description, avoid questions that are clearly outside of your interviewers area of expertise
phew, maybe i shouldve broken this into multiple posts, for now this is a quick overview, hope this helps!
----
additional (free) resources:
interviewbit - variety of questions listed for behaviorals
tech interview handbook - more details on preparing for STAR and example responses
handshake blog post - list of questions you can ask at the end of any interview
exponent's blog post - FAANG interviewing, focusing on company values, finding peer-to-peer mock interviews
pramp.com - practice mock interviews with peers
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8, 12 and 17 for the ask game 😁
Thank you so much @duttfisch! Apologies for the Genesis spam below, haha. XD
8. Common fandom opinion that everyone is wrong about.
GENESIS BEING INCLUDED IN THE NIBELHEIM INCIDENT. People treat this like some unholy retcon, the greatest narrative sin Square Enix could've committed via the Compilation. And I for one think that's a complete over-reaction.
Seriously. Sure, Sephiroth's definitely not in a good mental headspace by now, but having Genesis water the freshly planted seeds in Seph's mind in the reactor only serves to drive him further down in a really believable way. I always found it a little odd how quickly Seph seemed to spiral in the OG (admittedly Rebirth handled it better), so I think the addition of Genesis makes the scene more fleshed out and raises even more questions for Sephiroth to investigate in the manor.
And a fun one for good measure that's been disproven by Nomura himself - the fact that everyone is like 'hurr durr Genesis can't come back cause Gackt says no / Square won't pay for his likeness'. Admittedly less people are using this as a 'ew no Genesis is icky he can't come back' now, but it was SUPER annoying for like a decade up till this point.
12. The unpopular character that you actually like and why more people should like them.
Feel like I should be putting my clown makeup on at this point because yep, my answer's Genesis! Again! XD Between the rest of the awesome peeps / moots on Tumblr who've argued for why Gen actually is or has the potential to be really interesting, I think it's fairly obvious why, but I'll summarise my view.
Basically, Genesis suffered from poor writing. Between that and the intense LOVELESS quoting making up the majority of his dialogue, I can see why it frustrated people. But if you look beyond that you'll discover some really neat stuff:
Having Genesis (and by extension, Angeal) as prototypes to Sephiroth actually makes boatloads of sense scientifically. You can't expect ShinRa to pop out Sephiroth on the first try, can you?
Genesis can basically go toe-to-toe with Sephiroth for an extended period of time, which is just... insane, when you think about it. Cloud and Zack have both reached similar heights but Sephiroth is just on a whole other level, so the fact there are a select few who can last against him is just really neat.
Bro had his world shattered and understandably lashed out at the company that shaped and controlled his entire existence. We're on Zack's side for Crisis Core, but it's pretty clear the real world-destroyers are ShinRa, and I think Crisis Core could've done a better job at helping us see Gen's perspective a bit more.
His aesthetic is just gorgeous, let's be honest here. That red coat is iconic and I want it. Superb character design (bless you Gackt for choosing red over black or white.)
Canonically he was well-liked and respected by the majority of SOLDIER, given that he convinced so many SOLDIERs to leave with him. People don't just follow you to the ends of the earth willy-nilly. Also, despite being an 'introvert' and averse to large people groups, he displayed kindness and gentleness with his younger comrades. Gillian called him 'such a good boy' for a reason, damn it!
...and I probably have more, but my hands are tired. XD
17. There should be more of this type of fic/art.
Honestly, I'm a sucker for hurt/injured/degrading Genesis and him both going through trauma and then being comforted and cared for by his loved ones. It's a major part of why I started Thing With Feathers after all. XD
I also love seeing how people explore Genesis' relationship with his changing body/his wing. I could read stuff about that for days.
Also would love to see more written redemption arcs for Genesis, whether it's through 'what-if' AUs or post DoC.
Lastly, I'm not hugely into overly sexual stuff, so any of the above fics without anything explicit is just *chef's kiss*. Of course I understand that many folks love the spicy stuff on its own or mixed into a plot, and that's okay! Just not my cup of tea is all.
#duttfisch#genesis rhapsodos#crisis core#final fantasy vii#sephiroth#nibelheim#ff7#ffvii#crisis core reunion#ff7r
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Project Moon Discourse part 3: DCInside meeting
There's a lot of misinfo about the DCInsiders who went to the office; they did not "storm" the place or "break in". They self-reported as being very polite and cordial, which explains why, when they were allowed a meeting, they were pissed off that PM didn't treat them politely. They repeatedly act like making them wait was an affront. Dude, you showed up at their offices to demand an impromptu meeting with the CEO. Did you expect a red carpet?
And yet, they were still allowed a meeting. A twitter user has, to the best of their ability, translated the transcript.
Here is the doc.
Things to note:
As some have pointed out, DCInside believes male gamers are being listened to less than female players, so they actually spend a lot of time talking about the bungled numbers in the game meta.
They leverage their status as fans to pressure PM.
pizzo-ass "If you don't give us a concrete statement on feminism, some people might interpret it to mean you're feminist".
They repeatedly use this manipulation tactic and it is easily defeated by "we can't make an official statement in an unofficial meeting [this interaction is equal to you emailing support IRL]" every single time to the point they start getting pissed off. pretty funny
Project Moon was already composing their statement on firing Vellmori before these guys showed up. It is not that they caved to pressure a mere 4 hours after the arrival of DCInside users, but that they were already almost done their statement at the time.
Important to note The Project Moon Twitter announcement was a 2-part thread, with a majority of the update being about the screwed data with nerfs/buffs. It was also very rushed and Korean-only. Based on the transcript, we can assume they put it all together in order to answer all of DCInside's complaints and appear attentive to their feelings, without thinking about, say, the misogynistic social climate that is extreme by the standards of the remainder of your playerbase.
Not in the doc but they did in fact go in full cosplay.
In summary.
Also notable is that they came to the office with a manifesto. You can see the Yi Sang image they ended up going with for "proof" that the artist is affiliated with radfem group Megalia (the 🤏 being the logo of this community that shut down a year before the retweets. lol)
Imagine bringing this to a company office.
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Lucky Strikes
Pairings: George Luz x Carwood Lipton(platonic) Warnings: description of war, injury, shell shock, ptsd, cold weather.
So I actually wrote this a little while ago and completely forgot to post it but this fic all stemmed from a conversation @georgieluz and I were having and the idea was born. This fic links to the moodboard it made for Band of Brothers Appreciation week so if you’ve seen it before that it why. Anyway I hope you guys enjoy.
George Luz would often be referred to as the clown of Easy Company, he was the comic relief, the joyful sidekick to the main character of the story. He was witty, insightful and had the heart of a young boy, pure and full of nothing but kindness. In fact, George could probably count on his hands the number of times he’d been rendered speechless, on D-Day when he’d seen a young paratrooper strung up in a tree, when he’d discovered a family hiding in amongst the rubble in Carentan and now standing in front of his friends as he watched their blood seep into the crisp snow, deep crimson dying the pure white carpet.
The scene rendered him speechless, words forming on his lips fell silent in his throat, his mouth dry, chest heaving with each breath as if he’d been crushed by a Sherman. He’d seen the horrors of war plenty of times before but nothing compared to this.
George stood frozen as he watched Doc Roe working on his friends, watched Bill crack jokes about getting home to the States, watched as his friends were carried off by fellow paratroopers. He couldn’t bring himself to utter a single word. He could hear Lipton talking to him, face hazy and his voice muffled by George’s mind. George found himself pointing towards Buck, surprising himself that he’d heard and understood Lipton despite his obvious lack of consciousness.
He watched, his heart heavy, as Lip walked cautiously towards Buck, kneeling beside the shaking man. To see Buck Compton now, shoulders shaking as he sobbed into Lip’s shoulder was more than George could bear. He turned away, his body stiff, joints moving like an abandoned rusted machine as he plodded through the snow, head hanging low, shoulders slumped. His foxhole wasn’t too far from the scene and he slowly sank onto the icy floor, no longer concerned by the snow that has piled into the hole and the tree branches and debris that lay across one end, that would be tomorrow's problem.
George had always felt like he needed to bring people joy, it was his meaning in life but sat shivering and lonely as he mourned the loss of his friends all George wanted to do was cry, to let out all the pain and heartache but he couldn’t bring himself to let the tears flow, couldn’t bring himself to break. “If I break then they’ll be no one to make anyone laugh,” he’d told himself time and time again, it felt like a burden really, being the light in the darkness and despite everything someone expected you to crack a joke.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Lipton’s warm breath fans across his face against the icy wind as he searched the foxholes, checking on each man but specifically seeking out one. George Luz. Lip recalled the horror and agony in his usually energetic brown eyes as he’d fled the scene, too consumed with grief to help Roe and Malarky. Lipton asked around for George but no one seemed to know, each giving another vague answer. It wasn’t until Lipton journeyed back to his own foxhole that he found him, tucked up beneath Lipton’s blanket, his knuckles pure white as his fingers desperately gripped the scratchy army-issued blanket. Lipton spoke softly to him, crouching down and watching as George’s eyes flickered wildly, moving but unseeing.
“George?”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Having been too consumed in his sorrow he hadn’t heard Lipton approaching, calling his name or even the large warm weight appearing beside him. It wasn’t until Lipton lay a hand on his shoulder that George jumped abruptly. His brown eyes followed the arm up, meeting the sympathetic face of none other than Carwood Lipton.
He gave George a small crooked smile before nestling down further beside him, his hand still on George’s shoulder. George couldn’t bring himself to meet Lip’s eyes, turning his head away and burying it deeper into his scarf.
“George? Are you alright?” Lip asked, his voice laced with worry, he brushed George’s long brown locks off his forehead revealing the face of a small frightened boy. George shuddered, shaking his head silently. Lipton watched in horror as George’s face morphed into an agonising silent sob, tears began to trickle down his dirty cheeks, leaving silver trails highlighted in the moonlight, illuminating the dark shadows of his face.
Lipton lurched forward, cradling the boy against his chest, whispering to him as he let out all the anger, the pain, the frustration that had been building since D-Day. Lipton had held many a man while they cried, comforted them as they died in his arms, and cooled them down when their anger erupted but not George. Not George. He’d never once seen him exploded with anger, cry after an artillery barrage, he’d not even seen him pray before a jump. Lipton could feel the boy's chest rising and falling in uneven, shaky breaths, knuckles fisting the front of his uniform and his legs wrapping around Lipton’s outstretched ones. He resembled a baby Lemur that Lipton had once seen in a National Geographic book, clinging onto its mother.
“George?” Lipton asked, pulling back from him slightly to watch his eyes silently begging him to stay. Lipton only nodded, giving George a reassuring smile. “Don’t worry, I’m not going anywhere.”
With shaking hands George pulled the packet of Lucky Strikes from his breast pocket, lighting one and inhaling slowly before lip plucking the cigarette from his mouth taking a long drag and exhaling deeply. Both men watched as the small clouds of smoke drifted up silently into the dark sky, their eyes aglow from the stars above them.
“Thank you,” George whispered, titling his head upwards to glance at the Sergeant. Lipton nodded and without uttering a word they both knew what hadn’t been said was understood by the other.
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Tags: @georgieluz @iceman-kazansky @yeahcurrahhe-e @lieutenant-speirs @sharpshootershifty @liberteuniteegalite @msmercury84 @shadowsintheknight @callsign-phoenix @desert-fern @mayhem24-7forever @not-havingthetimeofmylife @floralfloyd @dustyjumpwjngs @theflyingfin @jump-wings
#george luz#carwood lipton#hbo band of brothers#band of brothers#lucky strikes#hbowar#101st airborne#101st airborne division#easy company
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contacts wanted — yiuno.
[ lore / writing / answers / gpose / aesthetics ] — Updated 2024.09.14
An adventurer by day, and an assassin by night—Yiuno Reine is an enigmatic Viera who walks along the blurred line of light and darkness. From the politically righteous Grand Companies to the unknown depths of the Eorzean underworld, Yiuno will work for anyone for the right price, especially if the job aligns with his personal agendas. However, the dangerous secrets that have slept within him for so long will become the key to the fate of the world… once more.
Shrouded in deep mystery with a rich backstory, there are plenty in store for you to develop and forge a bond with him. His complex characterization does not deter my freedom to play him in a wide array of settings; rather, the possibilities are almost endless, and meeting new people is a part and parcel of his long life.
LFRP STATUS: CLOSED.
For a limited time, I am open to only 1-2 players interested in creating intricate stories with Yiuno.
I am no longer seeking roleplay contacts; all my partner slots are currently full. However, you are still free to send me writing prompts or approach me to chat about your blorbos. I love reading about everyone’s characters and learning something new about them.
before you jump onto the bandwagon…
Please read this section very carefully as it contains important things you should know before you approach me to RP with my character(s).
18+ ONLY, NO MINORS.
Yiuno’s lore contains very dark and mature themes, and these are crucial in his characterization and development as a person. On the same note, I’m not keen to work with adults who are sensitive to various triggers, to err on the side of safety. I’m a very busy person, and my empathy for others is fairly limited after a long and stressful work day.
NO IN-GAME RP.
I have a demanding full-time job and I live in the JST (GMT+9) timezone. Aside from schedule restrictions, I mainly play on Japan DCs due to latency issues. It’s difficult for me to arrange in-game meetups, and I’m too busy with real life to manage alts on other data centers. I’m also uncomfortable with many aspects of in-game roleplaying, which I find them too stressful and not fun to deal with.
NOVEL-STYLE WRITING.
Google Docs is most preferred. Also open to other long-form writing platforms suggestions and I’m happy to give them a try. That being said…
I don’t expect my partners to be a bookworm as much as I am, but please have the basic courtesy to provide enough content in your IC replies to keep the story moving. Neither Yiuno nor I can read minds; metagaming is frowned upon in roleplays, and I’m sure we both want the collaboration to be a fun and fruitful experience.
PATIENCE IS A MUST.
I am unable to respond immediately due to timezone differences. Your active time is my working or sleeping hours, and vice versa. Real-life commitments take priority over a shared hobby, which is a rule I will respect you for and expect the same in return. I’d need some time to come up with quality replies, too.
DO NOT MIX IC & OOC.
While I’m willing to impart bits and pieces of Yiuno’s backstory for the purpose of planning ahead in OOC discussions, it should be universally understood that you should never mix OOC knowledge with IC development without my explicit permission. Always keep communication channels open—not only to make sure everyone is on the same page with the RP, but also to build good rapport along the way.
possible starting points.
I’m mainly looking for serious, long-term roleplays with a good dose of plot and character development. If none of the hooks below can tickle your fancy, we can discuss further in OOC to brainstorm more ideas.
SHARLAYAN.
Krile Baldesion. One of Yiuno’s regular clients, who often calls upon his expertise as a treasure hunter and curse breaker both, to handle jobs deem too dangerous for any gleaners to tackle. In exchange for his assistance, Yiuno exploits Krile’s position as an esteemed Sharlayan scholar to gain access to the Noumenon, where he can conduct his own research for the information he seeks. The question is: what is he looking for amongst the dusty, ancient grimoires of forgotten past?
ARCANE HUNTER.
Yayake Yake. Though a dutiful receptionist who works at the Thaumaturges’ Guild, this seemingly polite Dunesfolk has a sharp sense for those with great potential for arcane arts. She has tried and failed to recruit Yiuno to join the guild on countless occasions, with only requests in reclaiming artifacts of the black to seduce the unwilling man back to Ul’dah each time. While this seems like an inconspicuous relationship, there is definitely more than meets the eye. Why does Yayake single out Yiuno from amongst the promising candidates of black magic? Why does she have such high regards for his talent and skill? What else does she know about this brooding Viera—and what is she hiding about him?
ANCIENT CITIES.
Remnants of the Great Flood. Though Yiuno would often introduce himself as a mere treasure hunter when prompted on his martial prowess, if one is observant enough to pick up the signs, they would notice that some things just don’t add up. Majority of Yiuno’s regular clients have affiliations with guilds of the arcane arts. He’s usually tasked to find and reclaim ancient artifacts from fallen civilizations known for their knowledge in magic. He has a curious familiarity with the three factions in the Magi War: the Floating City of Nym, the Weeping City of Mhach, and the Lost City of Amdapor. Just what kind of connections did Yiuno have with the Sixth Umbral Calamity?
DUALITY.
An enigma of many faces. Many adventurers would’ve dipped a toe or two into the Eozean underworld during their long journeys; those enticed by the promise to fulfill their desires would exchange their virtues for riches, sinking themselves into the violent hellscape beneath the façade of peace and prosperity. Toxic masculinity ruled this chaotic world with brute strength, while they exploit femininity to charge their own libido. However, not all women are willing to bow down to such prejudiced savagery—Yiune Rei is an assassin who seduces her male targets with her beauty before she seals their fate in the silence of the night (or so the rumors say). Very few would live to learn about the shocking truth of this graceful lady of death… for “she” is actually a man under the glamorous mask. What compels him to exact his own brand of justice in such an unorthodox way? Is there more to this curious killing spree under the bleeding moon of Etheirys?
looking for…
To reiterate on the importance of OOC discussions: both parties should have basic respect for all characters in the roleplay. Pre-established connections or no, I expect the player(s) to keep communication channels open—talk things out and come to an agreement first before throwing any drastic plot twist in each other’s face, especially one that can drastically change the course of the RP development for both sides.
TRAVELING COMPANIONS.
A wanderer at heart, Yiuno often flits around Eorzea and beyond, never staying in one spot for long. Sometimes due to work calls, other times purely on a whim—while he is fairly knowledgeable on the geography of Etheirys, he doesn’t seem to have a place he’d call home. Deep down, Yiuno knows that he doesn’t belong anywhere: his immortality forces him to constantly move from town to town, keeping a low profile lest someone finds out the secrets to his eternal youth.
Do you share his plight of not having a place to feel home? Or are you seeking for the thrill of leaving your home and explore the uncharted waters beyond your comfort zone? Yiuno’s experience with traveling might just be what you need for the long journey ahead.
FRIENDS & ALLIES.
Regardless of Yiuno’s hermit lifestyle, even he understands that people are generally social beings who thrive on interactions with anything and everything around them. Yiuno knows that he can’t stay incognito forever—he’s getting weary of all the running, hiding, and lying. He wants a shoulder to lean on when the world comes crashing down upon him, or to be in a group of his caliber that can bring out his real talents.
Are you looking for a veteran to join your team and perform great heists like the one in the TV series, Leverage? Or are you the same as Yiuno, seeking a partner with great chemistry to make the world tremble under your unstoppable efficiency? Yiuno might just be that unlikely friend you need to make your ambitions come true.
REGULAR CLIENTS.
Perhaps your only goal is to hire someone for the job, and you’re content to keep the relationship professional. Or you’re already taken and eternally bound by oath, preferring to employ someone who will respect your boundaries. Yiuno has been in this job for a very long time, and he knows where to draw the clear line to get the work done.
However, having a personal network of contacts does have its own merits—the gil and rewards grow with the trust and reputation built from the result of every completion. Of course, the danger and tension will come along with the riches, and perhaps this is the thrill you seek beyond the façade of your seemingly peaceful life.
RIVALS OR ENEMIES.
Perhaps he’s an infinite darkness you want to reach and conquer. Or maybe you hate him just because. Whatever your reasons are, you’ll never see eye to eye with him: you communicate with fists and blades, and every meeting is a fight to kill.
Whether Yiuno is an assassin you aim to erase from the world, or his very existence threatens yours, how will this rivalry or enmity end…? Or a different kind of dynamics might be born from the final clash?
WHAT ABOUT SHIPS?
I’m selective towards romantic relationships with other player characters. Slow-burn is most preferred to create a meaningful development between our characters, and also reveal the truth behind Yiuno’s complex characterization in the most organic way, layer by layer. Though he’s no stranger to one-night stands due to the nature of his job, Yiuno’s a demiromantic asexual in the RP verse—mere physical pleasures with randoms aren’t enough to win him over, and instead more than likely to send you into Death’s sweet embrace.
getting in touch.
Did I manage to pique your interest? Tumblr DM is open to curious souls who wants to learn more about this mysterious Viera, to unravel the dark secrets this man is hiding… and more. Discord handler will be shared only with those who have shown genuine interest to take the risk and step into Yiuno’s world of lies and deception.
If you need more information to get a better feel of Yiuno’s character, feel free to check out the following tags:
noir; database. — lore notes and meta.
noir; chronicle. — writing; ex. canons, au.
noir; faq. — ask answers.
noir; gallery. — gposes.
noir; academia. — aesthetics; ex. quotes, moodboards.
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A Light Touch
Fem Reader x Eustass Kid
CW: language, assault, violence, sexual themes and situations, implications of non-con, loss of limbs, blood. 18+ Only.
Chapter 1 - Table of Consent -
Chapter 25: Heavy Hand
"Where's Kid?" You ask, walking away as Decken lays in the mud behind you. Law looks at you as he walks by and heads over to Decken. To look after him or bury him you're not sure, and you're too distracted at this point to care.
"Good," Killer says over the comms as a flare goes into the air. "Just stuck. He barricaded himself and then got buried by the mud and plaster. His earpiece works, but his mic overloaded cause of his devil fruit. He's banging on the metal to communicate with us."
"I'm on my way."
"Hey... is he?" Killer prompts.
You look over your shoulder and see Law keeping your sword away from Decken. "He's alive despite his wishes. The doc's keeping him company for now."
"You really gonna keep him like that?"
"Handless and alive? Yeah. Well, I mean, I can't stop him from deciding to bite his tongue off or something, but I don't think he should get what he wants." You admit. You can feel apathy and exhaustion sinking into your body. "Killer... is there something wrong with me?"
"Huh?"
"... I should feel bad, shouldn't I?" You're trudging closer to the others as you speak, but it's slow going, and some of that is the fear that everyone will look at you like an abomination.
"Who's to say?" Killer answers. "How you feel is how you feel, and what's more important than that is how you cope with it going forward. I – we – can all sit here and tell you it's okay, but you're going to have to sort that out on your own for yourself."
"Yeah... that makes sense." You admit dragging yourself the rest of the way over to them in silence.
It wasn't long after you reached the others that they managed to find the beginnings of Eustass' metal barrier. Killer kicked the metal hard enough to dent it, and after a couple heavy kicks it split enough to allow light from Hip's phone to give Kid some light. Once he knew where the safe place was to shift things the mound of mud and plaster shifted as the shell opened enough for him to get out.
Aside from a few scrapes, bruises and some mud, Kid was unharmed.
He took off the communication collar and earpiece as he walked over to you. He just stood in front of you looking at you for a minute before you removed your comms and earpiece as well.
"How're you feeling, Mouse?" He asks. There's something in his expression that twists your heart, and it's the first thing you've felt since you walked away from Decken.
Your hot rage is gone, it stomped Decken into the mud while you screamed. There's no cold anger, it held your stomach in place as you removed his hands. There's no fear left in you, the hands that clawed at your nightmares are decomposing in the mud. There's no compassion left in you, it healed a man you never wanted to touch again.
There was no relief left in you, Eustass was alive and unharmed. Everything was okay. You survived, and he survived, and the crew survived, and no one died because of your problem. No one died. Everything was okay. You're okay. You have to be okay, it's over, everyone's safe, you're okay.
You just need to say it.
"I..." Hot biting tears sting your eyes and constrict your throat. You look at your hands as though you expect them to be covered in blood, or bugs, or something revolting. How could you reach out to him like this? "I..." You can't force the words out, you're not even sure what words there are to speak, but the red hot tears cut deep lines in your face.
Deeper lines in your heart.
Eustass kneels in the mud, and you want to tell him to stop or he'll get dirty too, and you can't say the words fast enough before one strong, trembling, warm arm wraps around you and pulls you close. The gesture makes you choke on the heavy tears, but the soft voice in your ear causes you to cling to him and wail into his shoulder.
"I'm sorry."
. . . . . .
You were sitting in Eustass' workshop, cross-legged in an oversized chair and sipping some tea while you watched him work.
You'd cried yourself voiceless at the end of the raid, and the whole time Kid just held you. He didn't try and calm your tears, he didn't say or do anything else for the long moments you bawled into his shoulder. He just held you with his right arm quietly, and eventually carried you off the hilltop while everyone else did whatever else they were supposed to do.
At some point you must've fallen asleep, and when you woke up you found yourself bundled up in blankets and set on pillows. You were like a little bird in a nest curled up in the oversized chair you were now sitting in. You had been cleaned up and dressed in fresh clothes, a set of unisex scrubs from the clean room process.
Eustass had been working on stuff when you woke up, just as he was now. He had stopped long enough to help you get comfortable sitting upright, and had handed you a breakfast bar and the cup of tea before he ruffled your hair and turned back to what he had been working on. His expression had been fairly neutral, but he didn't look angry or irritated.
If anything, it looked like he was trying to give you space without leaving you alone.
After a few more moments, you set the teacup down and got out of the oversized chair. You're surprised to realize that your bare feet are touching the concrete floor, and looking around a little you realize the shop is even cleaner than usual. You don't see your shoes anywhere nearby, and so you continued over to Eustass. You climbed onto the bench seat, putting your arms on the work table and resting your head on your arms. The whole set up was customized for Kid, so it was a bit big for you, but you weren't uncomfortable.
"Hey." You say softly, looking up at him.
Eustass' head turns toward you. His eyes and smile are gentle, and his voice is almost as soft as yours. "Hey."
"Whatcha doin'?" You ask as he turns back to what he's working on.
"Woodworking." He answers, moving in a way that keeps your view blocked from what he's working on.
"Super secret project?" You question, a small smile playing at the edges of your lips.
"Super secret." He replies with a small grin.
"You can tell me, I won't tell Killer you're making him a gift." You say as your hand reaches for him. You stop short of touching him, but he notices the motion.
Kid shuffles some stuff around and you realize he's tucking things away on the work bench. After he's done he slouches on the bench a little and reaches his right hand out to you, twisting at his waist enough to reach where your hand had been a moment earlier.
You look at his hands, rough fingers covered in bits of wood, tips red from what he was working on. Light freckles dappled his pale skin, they were almost invisible from any other distance. Fine, fire red hairs, so close to the color of flames that it was almost impossible to see them, danced up his arm. Small details, but important ones – beautiful ones.
You ran your fingers over his arm, watching the barely-there fiery hairs shift beneath your finger tips as you moved toward his hand, your head still resting on your left arm. You started to move your fingers away, but after a moment's hesitation, you stretched your fingers out and ran your fingers over his knuckles softly.
The warmth from the light touch was almost too much. You didn't realize how cold you felt until then.
Eustass looks at his hand and yours, and then looks to your eyes until your gaze shifts up to meet his.
"Feel better?"
You nod, letting the weight of your hand rest on his, tangling your fingers through his. Tears start to well up in your eyes again, but you shake your head and wipe them away.
"Little cold, honestly."
"Gonna let me warm you up?" He asks, dipping his head down a little to catch your gaze again. There's that soft expression, a little bit of a worry, an unsure smile, and a lot of love a little further back.
"I'm... I mean..." You bite your bottom lip and swallow back the emotions. "Can I – can I still say that I love you?"
"Do you still?" He asks, and you nod, even though you're struggling to look at him. "Then you can say it. Much as you need to, Mouse."
A laugh slips from your lips, but it's hardly happy. "Am I still? I mean... what I did..."
Eustass turns toward you more, "C'mere." He says softly, pulling you into his lap and cradling you against his chest. "You can't stain me, Mouse." He says softly, running his fingers through your hair. "You can't get me dirty, or bloody. If people stayed dirty for the hard decisions they've made I would've choked on my own choices and died before I met you."
"You didn't want me to go."
"I didn't."
"Be-because-."
"I didn't want you to know, Mouse." He says, cutting you off and holding you almost desperately. "I didn't want you to see yourself that way. I didn't want you to think about what was on your hands and then wonder what was on mine."
He leans you back enough to catch your gaze. "I ain't so nice as to let someone live with their poor choices, hands or no."
"... What I did was nice?" You ask, obviously confused.
"Nah. Nice, kind, none of that matters. You did what you felt you had to." He says, leaning down and kissing your forehead. "Right or wrong, honorable or not, those're just pretty words for pretty people who can't look at their own ugly choices and own 'em. You gave what you got. This world and its Justice didn't do you any favors. You cleaned up your own problem."
"I'm sorry."
Kid flinches and groans before looking back down at you. "What're sorry for?"
"During the raid, I scared you. I'm sorry."
Kid's eyes go wide for a moment. "... That." He pinches the bridge of his nose and sighs. "Fuckin' hells. That's what you're apologizing for?"
You nod. "I misunderstood you and ran out into things too soon. You sounded-."
"Fine, I sounded perfectly fine." Eustass growls, and you can see his face turning pink even as he grits his teeth at you with a strained grin.
You can't stop the smile, and from there you giggle. The look on Kid's face breaks the giggle and you manage a full laugh before you're apologizing. "S-sorry. Ye-yes you sound fine - sounded fine." You manage with a crooked grin. "Look fine too."
"Startin' to feel better, I see." Kid grumbles, looking away as his ears go red.
"I... I think it's going to take me some time to feel better, but... I mean." You felt heat rising in your face and you weren't sure how else to say what you were thinking. "I want to stay."
"... Did you think we were gonna kick you out?"
"Decken's – I mean, I don't know!" You admit, hiding your face entirely behind your hands. "Look I was afraid to touch you earlier 'cause I thought I had done some kind of unforgivable twisted thing and that I should've just killed him and that that would've been less than what I did and that you'd say I was some kind of little rage freak and kick me to the curb and I don't even know if I have a job and I certainly don't have the one that pink fucker had offered waiting for me, and I don't want to leave not just because I don't want to leave you, but I like it here and I want to stay, so I PANICKED."
By the end of your rant you had grabbed his collar and were shaking him a little before the end of it. Realization starts to dawn on you as Kid's trying desperately to not laugh at you.
"I just..." You let go of his collar and start to scramble out of his lap when he grabs you. "Oh-my-gods-no lemme go Eustass!" You plead, squirming even as you're lifted fully off the ground.
"Nope."
"I need to go die somewhere in peace." You're mock crying, but your face hurts from how red it is.
"Denied."
"Please." You bury your face in his chest, at this point you couldn't get away if you wanted to. "I am horrified."
"You're cute."
"... That does not disclude being horrified."
"Don't you mean exclude?"
"I said what I said." You pout.
Even as you huff you relax into his chest and let your head lean against him. He's warm.
"You're warm." You say softly. "I've thought so since you helped me down from Beast for breakfast that one day. The world is cold, but you're warm. Hmph."
"What was that for?"
"The first time I thought that, I was thinking almost literally. Like, temperatures." You explain. "But now... I mean it's embarrassing to say... but you're warm."
You nuzzle into him a little more aggressively and you're sure he can feel the heat radiating off your face.
"So it doesn't matter what the world is."
"You can't stay there for forever." He says, even as his arms were holding you in place.
"... Things are going to get even more dangerous, aren't they?"
"Yeah. Not right away, we'll have time to train you up and let you work through this." He says reassuringly. "Ready to hear about how last night went?"
"Eh? I... I know, right?" You lean back to look up at him. "I was there... right?"
"More happened after we left."
"... I..."
"You don't have to hear it right now, Mouse." Kid says. "Hell, you don't have to hear it at all if you don't want to."
"N-no, you – I mean, I can hear it now. I," you snuggle back into his chest, "would like to hear it while I am right here."
You can feel Eustass chuckle a little before he starts talking. "With some help from that freak doctor, the crew got the hilltop back in order. Killer says it's almost impossible to tell there was a fight there, and certainly not one that was as crazy as things had gotten. The only surveillance that was set up was closed-circuit, so Boogie and Hip have erased all the tapes."
All of this was good news. It was a matter of time before news of you and your ability – your full ability – got out into the wider world, but the more it could be delayed the more time you had to be ready for it. Kid and the crew still wanted to fly under the radar for a little while longer as well, so it was good news all around.
"Trafalgar took Decken."
"Huh? But... why?"
Kid shrugs. "Killer said he said something about making sure your wishes were honored, and not to worry about it having a cost or anything, and then vanished like the little creepy emo freak he is."
"That's uh..."
"Yeah," Kid grunts. "Creepy. C'mon Mouse, it's almost time to eat, and you need a proper rest after."
You start to slide out of Kid's lap when he lifts you up and puts you over his shoulder like a sack of potatoes.
"Uh?"
"You don't have any shoes, Mouse."
"I – that's not my fault."
"Regardless, you're not walking around my shop in your bare feet."
"But, earlier -."
"That was that, this is this."
"... That's a little mean, don'tcha think?"
"You complaining about your Captain's decision, Mouse?"
You laugh and squirm around, trying to at least shift down enough to kiss his cheek, but Eustass' grip was too strong. "Let me kiss you, dammit!"
"Awful demanding for a little mouse," Kid teases, shifting you into the big hydraulic arm.
"Hafta be," you grin. "I'm your mouse, after all." You say as you grab his face and kiss him forcefully. You feel Kid's entire body tense, and even the heavy prosthetic arm jerks as your tongue pushes into his mouth.
His warm hand is against your back as your hands slip past his ears and twirl through his hair. There's a pleased hum that rumbles in his chest and practically purrs against your body. You break the kiss to catch your breath, and enjoy Kid's flushed face and half-lidded eyes for a moment before you smile and kiss the tip of his nose.
He walks the two of you out of the workshop and to the main house, and you let your mind wander over all the things that had led to this.
In a quarter of a year your entire life had changed. Some of it had been from a light touch, some of it from a heavy hand. No matter the reason, things wouldn't ever be quite the same.
~ Fin ~
A Light Touch: Emperors is Coming Soon!
#A Light Touch#eustass x reader#one piece eustass kid#one piece fanfiction#reader insert#eustass kid x reader
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Wish (The things it did wrong, and the things it did right)
Merry Christmas and Happy Holidays. Welcome back to the House of Milesverse, our place for comic book and fiction talk. Today we are taking a slight detour to Disney's animated catalog.
2023 was an explosion of Disney hype and joy, due to celebrating 100 years since the company's inception. It was a year full of laughs, and shared memories. On top of this, a short film was produced to commemorate the franchise's anniverary.
Today we will be talking about Wish, an animated film that released in November of that year. The movie focused on a young girl wanting to set loose the wishes of her kingdom, kept captive by an evil king. She's joined by her plucky goat, and a hyperactive star that can grant wishes.
Wish was written off by many people, and considered an animation blunder by Disney fans. It failed to live up to the hype of people that expected differently than Disney's usual service. Some people however have found the film to be a fun, but far more average, experience.
Today we will go over the things Wish did right, and the things Wish did wrong.
The things it did right:
Right from the start, there's some key points to address in what Wish did right. Of the two opinions I mentioned, I agree with the latter choice. Wish is not a terrible film, but it is just a mildly okay one. What it has is genuinely good material that hits well.
Star plays well as a typical mascot:
The bright and speedy Star is our mascot (or one of two) for the film. He arrives in a blur to answer Asha's troubles. His arrival, however, is what kickstarts much of the film's conflict. The main antagonist, King Magnifico, wants Star for his power.
He's your typical Disney mascot character whose built for the audience to like him. Think Olaf from Frozen, a cute snowman whose made many a fan. Star plays into that exact demographic with his adorable, bright design.
I find Star's appearance to be infectious because of this. I could not help but laugh at some of his actions throughout the film. Plus he's an expert at granting wishes. Think of him like the silly Genie from Aladdin, but without Robin Williams' sheer charisma.
Asha dreams of adventure:
Our main protagonist is the kind and wishful (pun intended) Asha, voiced by Ariana DeBose. At first, Asha desires for the king to grant her grandfather's wish for his 100th birthday. However after it is declined, Asha's new goal becomes setting the captive wishes free.
I like Asha's motivations, because of how they are rooted in the idea of wishes. She just wants the best for everyone, and for them to experience it on their own. Asha fits into the Disney heroine mold, due to her compassion, bravery, and the driving force behind her goals.
It was a common misconception before release that Asha should have been the villain. People believed that her goals made her evil, or just plain irresponsible. She wanted to set all the wishes free, even including the 'dangerous' ones. Luckily, the film skips over these ideas completely, and for good reason, too.
The Teens are a reference that works well:
Moving on from our starry-eyed protagonist is her large cast of friends. Collectively known as the 'Seven Teens', they get up to funny shenanigans. Their antics and personalities never feel dry during the movie's run.
Beyond comedy relief, the seven teens are all distinct are distinct in a way. They are one of the few references from Disney media that I think actually work. The teens are, obviously, all based off of one of the Seven Dwarves. This callback from Disney's first real 'princess' film to its current one acts as a solid reference.
In addition, the teens also have a stake in the plot and offer tension to the story. They help their friend out, even when she's been ratted out as a traitor. Their personalities all shine through during the final act of the film.
Overall, the Seven Teens each have a counterpart in one of the Dwarves. These include:
Dahlia (Doc)
Simon (Sleepy)
Hal (Happy)
Gabo (Grumpy)
Bazeema (Bashful)
Dario (Dopey)
The things it did wrong:
Magnifico falls short as a villain:
Brought to life by Chris Pine, King Magnifico is the main antagonist of the film. As mentioned before, he is the tyrannical ruler of Rosas, who harbors the wishes of its people for his own power. Magnifico is a narcissist who is only willing to grant wishes if he can benefit from it.
Magnifico's entire concept was meant to play toward the 'old' Disney villains. People have long enjoyed villains like Jafar from Aladdin, Maleficent from Sleeping Beauty, Scar from the Lion King, and more. Magnifico's personality, his lust for power, and even his green magic all call to mind traits associated with old Disney villains.
However, our untrustworthy king falls short in many ways. As a villain, Magnifico's transition to evil can come off as rushed. Much less time is spent on who he was before gaining his position. He spends a good deal of the plot hounding Star for its cosmic power.
You can say this for other villains in the franchise as well. However, I find that Magnifico suffers the most from this. He already has an interesting background set up in the story, but nothing is done with it.
In the past, Magnifico came from a loving family. He lived in peaceful lands until greedy thieves attacked. They killed his family and traumatized him. He wanted to learn magic so that he could use it to defend himself, and others.
Magnifico's worst qualities are always seen upfront throughout the movie. There is no lie that he's the 'bad guy' of the series. There's also nothing wrong with him being the main antagonist. However, Magnifico could benefit from gaining more sympathetic traits to better round out his character.
This is not me asking that he be a fully 'sympathetic villain' who was never evil to begin with. Instead, I believe that Disney had the option to still make him more complex. More than that, it would also make his transition to evil less jarring for some viewers.
Asha is another victim of the 'adorkable' trope:
Over the years we have seen heroines from Disney evolve. Starting with Rapunzel in 2013, most of them were much quirkier. This is what many refer to as the 'adorkable' trope. Characters who are socially awkward or unappealing but in a cute way.
Rapunzel, Mirabel, Moana, and Anna are all characters who use this idea in one way or another. They are put in awkward or quirky situations which also leads to easy laughs. I think it's worth noting that all of them use it well, at least.
With Rapunzel, she had never seen the outside world since she was a child. Mirabel's awkwardness came from her own feelings relating to her family. Both Moana and Anna are adorkable in their own ways, but neither of them is overwhelmed by the trope.
Asha feels like she is always on the verge of it. She's clumsy, nervous, and also awkward at times. I think this is a scenario where Asha didn't need these 'traits'. As adorkable as she can be, she already has a great narrative. Asha is compassionate, and you can feel how much she cares for her people.
The story hinges too much on the past:
This is my own personal issue with Wish itself. Wish is a good story on its own, but it also relies on references from the past. The story is full of references to Disney media.
Some references worked in the story, however. The Seven Teens for example, were integrated well into the world. Asha's basic 'cloak' is a reference to the Fairy Godmother's garb, and it blends so well into her design. Magnifico's magic is green, calling to mind past Disney sorcerors and villains.
These are references that feel natural to the story because of how they are positioned. Everything else just feels like it's for the sake of being there. The references are there to feed you, meal after meal. However, like any person eating the same meal, you eventually just get tired of it.
The Music:
Wish's music is my favorite part of the film. Every sequence in the movie is loaded with loving tunes. I just can't help but smile whenever I hear the opening of "This Wish" or "This is The Thanks I Get?".
The songs partway carry the film for me because of how bombastic they are. The visuals help hammer in the Disney magic that you are used to. Each tune is filled with so many amazing sequences that you just won't get tired of seeing it.
The credit for this lies in musician Julia Michaels, and Benjamin Rice. Joined by JP Saxe, they helped create Asha's powerful anthem. The score of the movie was meanwhile composed by Disney's notable orchestrator, David Metzger. Metzger had also done work on other films such as Frozen, Wreck-It Ralph, Moana, and Tarzan.
Overall consensus: Wish is a movie that tried. And failed. But maybe that's okay?
Wish is a film that tries to do too much, and that only hinders it. It's a movie that tries to be a large, huge spectacle. It is Disney's celebration of the fans with all these easter eggs and hidden catches. That aspect is where Disney loses its magic, and it is what hurts the film.
Wish is so caught up in being the ultimate milestone celebration that it forgets to be a movie. Everything about Wish, when it is focused on its own story, adds charm and substance. The concept of how Wishes work, as aspects of real people, is brilliant.
The nature of the film alone created a lot of hype for fans. People were expecting a much bigger ordeal than what they got from the film. Because of this, it was guaranteed to create dismayed reactions from those same fans.
This is not to say the film is terrible or that it has no purpose. Wish is a beautiful-looking film that is just alright. That on its own, is what makes the film entertaining to me.
Wish is a flawed film, but one that I enjoyed nonetheless. It is a movie carried by its bright cast. I would recommend that you see the movie for yourself, instead of listening to other people. That way, you can form your own opinion on the movie.
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ID: A Twitter thread by user @/TheRealDoctorT, display name Sayed Taabatabai, MD:
"Why do you want to be a doctor?"
I answer without hesitation, "I want to help people."
"There are many ways to help people."
"I want to save lives."
"There are many ways to do that too. So I'll ask you again, why do you want to be a doctor?"
"Because I believe in it." 1/
I think about that exchange now and then, some times more than others.
Why do we do the things we do?
What do we really believe in?
My next clinic patient is one I've known for many years. He is visiting me today via Zoom.
I always look forward to talking to him. 2/
As soon as the visit begins, I notice that his camera is angled off-center so I can't get a clear look at his face.
I ask if he can adjust it, but he says he's having technical issues.
No problem. I can adapt.
It isn't just the camera though.
Something feels off today. 3/
Almost immediately I can tell that he sounds subdued. He isn't cracking his usual jokes.
I'm comfortable with silence, even in the heart of a busy clinc day.
Silence is often where the healing happens.
After asking how he's doing, I let the silence between us grow. 4/
The question, when he asks it, is one I don't expect.
"Doc, which kills you faster? Blood pressure you don't control, or blood sugar you don't control?"
The surprise on my face must register, because he explains further.
"I just can't afford all these medications anymore." 5/
He continues.
The way I see it, doc, I only need to stick around 4 or 5 more years. That's how long my pet dog has left, then I ain't got no more family and it's me all on my own. So I figure maybe take the diabetes ones and skip the blood pressure? Or every other day? 6/
As I review his meds and start discussing our options with him, he adds one last remark.
"And I'm real sorry doc. I know we go back a ways, but I can't afford my co-pay. I'll pay you later. Promise."
And just like that, I understand why his camera is angled. 7/
And just like that, I'm again struck by the cruel illusion of what I do.
The system I'm part of.
This patient did everything right; got insurance, paid his taxes. And he still has to barter years of his life.
And he can't bring himself to look me in the eyes as he does so. 8/
Our healthcare system is too often unethical, immoral, unsustainable.
The insurance paradigm is focused on revenue generation. It strips the basic human dignity from patients, to the point where they can't even make eye contact anymore.
I know that I'm part of this system. 9/
He's old enough to be my father. Some part of me imagines that he is my father. Tears threaten my vision, as a hot anger floods me.
Now I wish I could angle my camera away.
I ask him if I can write about him. Because people need to know.
His response lingers with me. 10/
"Sure you can doc. But people already know. Lots of people deal with this. It ain't that people don't know. It's just that nobody cares. Nobody gives enough of a damn to change anything. Nobody... cares."
The visit ends.
My Zoom window closes.
His window closes too. 11/
I feel it.
There's something insidious here.
A casual cruelty we're all complicit in.
"I can't go to rehab, insurance won't cover it."
"Insurance won't pay for that medication."
"I can't afford any of this."
"I'm uninsured."
This isn't right. None of this is right. 12/
Twenty years ago, I gave a medical school interview.
I wore my best suit. I sat up straight.
I said I believed in medicine. I meant it.
Some part of me once burned brightly, but that fire is down to flickering embers.
Our lives mean more than this.
More than this.
The second image is a Tweet by verified user @/AlbertLee2020, display name Albert Lee:
In America, you and your doctor can both agree that you need a surgery but you have to get permission from a third-party for-profit insurance company or it can't be paid for. It's called freedom.
/End ID.
Our system is broken. It is cruel. It is dehumanizing, degrading, and it’s vile nature is so, so unnecessary.
We need universal healthcare today in America. We needed it 40 years ago. It’s cheaper, it’s simpler, it’s more efficient, it’s more effective and it is so, so, so much less cruel than what we have.
Additional sources/references:
Universal Healthcare Cost in America would be cheaper by trillions of dollars
The US has worse life expectancies than socialized healthcare countries
We have worse generalized healthcare results
We have the most expensive care
Our system is so cruel and unique that doctors from other countries literally can’t believe what happens here
I can’t tell you where or how to activate to help solve this. There are politicians, groups, and activists pushing for this in so many ways. I can tell you when, though.
Now.
#I HOPE I DID THAT RIGHT iv been trying 2 be better abt image ids when i remember 2 be but im not#used 2 writing them since i usually skip reading them
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Man of The Month part 3: February & March
Series Masterlist My Masterlist @muddyorbsblr Masterlist
Summary: You continue to work on the calendar and corral the expectations of the 'models' you would be shooting. Pairing: Loki x Reader (eventually) Word Count: 2.1k Warnings: Fluff
You woke up later than usual. The sun greeted you through the slip of your curtains, and you languidly lay in bed, stretching with a worried gaze on your face.
You couldn’t help but fuss when you’re thinking of this game you found yourself a player in. You could just imagine Tony setting everything up like a deranged gamemaster. Placing all the pieces where they needed to be, and letting them play their positions. Laughing maniacally as we all make a fool of ourselves in front of one another. No one more than you.
You wondered who would show their hand. There were only twelve of them. And if what Tony said about Clint, Rhodey, and Bruce were true, then that left eight other men vying for your attention.
That couldn’t be right.
You hung out with these guys. Fought with them. Ate and laughed with them. You’ve never gotten that feeling of attraction from anyone of them. Especially Loki. He was always so cavalier and posh that he’d never bat an eyelash in your direction.
You took your time dressing and getting ready knowing full well that you weren’t needed to do anything but work on this promiscuous publication.
You grabbed a banana in the kitchen and filled your favorite travel mug with rich coffee. Walking down the stairs, you sipped on your coffee enjoying the warm glow surrounding you in a halo of comfort. Your thoughts cycling through the remaining eight men who supposedly wanted to keep you company.
That bubble shattered with loud murmurs of eleven men surrounding the front entrance to your studio.
“What the hell is going on?” You yelled over all of them. You stopped just before you reached the bottom step. Your heightened position making everyone look up at you.
“What does ‘Heckers and Salutations’ mean?” Thor asked tilting his head as he read your mug.
“Hell and Hello.” You answered giving him a narrow look. “What are you all doing here?” You asked looking into each of their eyes.
“Morning babes, some of us wanted to see if we could do our shoots with you today.” Bucky offered with a smile on his face. Loki took an intake of breath to try and stifle the growl that came out when he heard Barnes call you, babes.
“Oh. I thought we all agreed to go in order by month. At least that’s what I thought,” you said to yourself.
“See!” Sam yelled. “Y’all thought you could jump the line?! Now get yo’ asses back upstairs!” he laughed and pointed, trying to usher disappointed soldiers and gods alike.
“I just wanna get this over with,” Rhodey said scratching his head.
“Ya, me too.” Bruce concurred.
“Ok, but we really do need a set schedule, Scopes. What if we go on a mission or something?” Strange asked.
“Good point as always, Doc.” You smiled in his direction making him beam. Oh, Stephen too? How had I not noticed before? “Um…” you sounded, lost in thought.
Loki felt uncomfortable watching your interactions. Jealous of the fact that the vain doctor could make you lose your words with a simple smile. Is Strange the one that you fancy? Is he the one you think of at night, holding you in bed the way I think of you?
Loki only accompanied these buffoons to make sure no one got the upper hand on him. If someone were to extend their time with you, it would be no one but himself.
He couldn’t stand it any longer. He needed to get away from it. He strode past you on the steps and growled in his frustration, “Just ask for me when you want me.”
His irritation was palpable. You could feel it sink into your heart causing you to step back. Of all the smiles you received this morning, you wanted Loki’s the most.
Thor saw your eyes soften, for a fraction of a second then return to the task at hand. His answering smile at your little altercation goading him to continue with his matchmaking plan.
“Okay. I can handle one, maybe two, a day – with all the shots and editing. Since I shot Tony yesterday, I’ll go in order and have February today and March on standby. That’s you, Agent Barton, and Rhodey.” You announced to the eager eyes watching you. “I’ll shoot April tomorrow.” You said smiling at Shaun as he crossed his arms and smiled back. “And I’ll give everyone else a heads up the day before when they’ll be shooting so you guys can prepare. How’s that?”
“Sounds fair,” Steve said smiling. “I look forward to my shoot.” As Steve sauntered back up the stairs, he smiled that glittering smile that’ll make anyone weak in the knees. Everyone started marching up behind the captain, leaving you to continue your day.
“I told them you were going to go in order, Tweets,” Sam said.
“Ya, ya. I bet you loved this chaos, don’t you? You’re just as bad as Laufeyson sometimes.” You joked at him.
“Hey, it gets so boring here when we’re not on a mission. I need something to do.”
“So whatever I’m comfortable with?” Clint asked with his eyebrows raised.
“That’s right Agent Barton.” You reassured him.
“Y/N, we’ve been working together for years now. I think you can just call me Clint.”
“OK, Agent…Clint.”
“God, you’re worse than Kate.” He mumbled under his breath. You chuckled.
You’d never hung out with Clint alone before. It was always a group outing. Whenever you were out in the field, you addressed each other by your alter egos. Besides death and taxes, trust that one of these evil whack jobs will find information about your personal life and make it a living hell. So ‘Hawkeye’ and ‘Scopes’ it was out on the field.
“This is a weird enough situation, Clint. I didn’t know how to address you. We’d never really hung out before and now I’m about to shoot ‘tasteful nudes’ of you.” You declared as you set up your angles.
“No! Not nudes. My wife would kill me.” Clint said taking off his jacket. “Plus, I don’t want my kids to die of embarrassment that their dad posed naked in the Avengers Calendar.” You both laughed.
“Like I said, whatever you’re comfortable with.”
Clint looked around your setup. There were different backdrops set in one corner of the massive studio. A makeshift kitchen and workout area, as well as a bed. Clint did not want to know what ideas you might have for the other men.
He found a guitar and sat by the wall. He strummed it a few times waiting for you to finish whatever you needed to prep.
Unbeknownst to him, you had already finished prepping and were just waiting for him to feel comfortable. You took a few candids of Clint playing the guitar. When he finally realized what you were doing, he blushed and stopped.
“Awe. Come on, Clint. I was just getting the good stuff.” You proceeded to take a few more shots. He started feeling uncomfortable, knowing that the camera was on him. His body became stiff and his movements became jerky and robotic.
“Ok, how ‘bout this? Go ahead and play the guitar one more time. And I’ll try to be discreet about it. Pretend like I’m not even here. Okay?” you tried to calm Clint.
“Ya, sure. Okay.” Clint instantly felt relief once he picked up the guitar again. Maybe it was having the familiar feeling of plucking a string. Or just having something occupy his hands in general.
“Man, I’m glad Tony didn’t greenlight that reality show project. I would hate for cameras to follow me around everywhere.”
“Seriously.” You agreed. “Those things are mostly scripted anyway. You never get the ‘reality’ of it.”
“Living here would be more like Survivor than The Real World.” He joked.
“It’s starting to feel more like The Bachelorette, to tell you the truth.”
“Who’d you give your rose to, Scopes?” he probed, getting more comfortable with the topic at hand.
“Spoilers, Clint. Spoilers.” You deflected.
The two of you started talking about your favorite TV shows, putting Clint at ease. You both found a common love for suspense and comedy.
You took a few more shots of him sitting down and some standing up before you said, “Okay finished. I think I got enough. Do you wanna see?”
You led him to your workstation and plugged in your camera. The page was filled with close-ups and body shots in a matter of seconds.
“Do you have a particular favorite?” you asked him, scrolling down. He picked a couple of shots where he was leaning by the wall. His muscular arms showing off his tattoo. “I like that one too,” you said to him.
“Hey, these are great, Scopes. If you ever quit the hero business, you should definitely consider doing this full-time.”
“Thanks, Clint. That means a lot actually.”
“Hey…uh, can you send me some of these. You know, for Laura.” He asked lowering his voice.
“Sure,” you smiled as you made a copy of all the pictures on a memory card and handed it to him.
“Thanks, Scopes,” he said mussing your hair.
“Anytime, Clint,” you laughed. “Do you think you could send Rhodey down for his shoot?”
“Sure thing.”
Rhodey was sitting on the sofa in the common room awaiting his turn with you. You had told him to be on standby and he hated waiting, not knowing when he would get called down. Clint could take up the whole day, he thought. He had a very important off-world call coming up soon and he didn’t want to miss it.
It was always like this with Tony. His whims were always met. No matter what other people had to sacrifice. And for Rhodey, that would mean sacrificing his only time to get to see his Captain. Clint interrupted his thoughts by walking up the stairs to the team hollering and whooping.
“Ya, ya. Shut your traps.” Clint said to everyone around him.
“So, tell us everything. Did you take off your shirt?” Nat asked.
“Did you go full frontal?” Wanda snickered.
“Did you un-quiver your special arrow?” Tony added in on the fun. Loki sat quietly observing the interrogation. It made him ponder what he would do when his opportunity came up. In truth, he had no qualms about being bare and exposed. Asgard’s societal norms when it came to sexuality and nudity weren’t as repressed as it is here in Midgard.
“No. No. And definitely NO. Laura would kill me.” Clint said pointing to each of them in turn. “It’s your turn, Rhodes. She asked me to send you down when you were ready.” Clint said to Rhodey.
“Finally” Rhodey muttered under his breath. He quickly took off his shirt, exposing his taut muscles underneath. Aside from the two Asgardians and Tony, the team took a collective gasp. Shock ran through them. Not that they were surprised by his peak physical fitness. But by his cavalier attitude of just disrobing in front of the team and committing to the scheme at hand.
“I better not miss this call, Stank. You know we don’t get to talk very often.” Rhodey said annoyed. As if he conjured it from midair, he procured a Stetson that was placed on the sofa next to him and posited it on his head.
A catcall whistle came out from Natasha and asked, “Did anyone know that that’s what the colonel looked like underneath?” she giggled as they all watched Rhodey descend the stairs into your studio.
“I did!” Tony said. “Go get’em, tiger!” He yelled to Rhodey and he answered back by giving him the middle finger.
“Since when did he have a tattoo?” Clint wondered.
“Where did he get the hat?” Thor asked amused.
“Well, gentlemen. The stakes have been raised.” Tony announced to everyone in the room.
Rhodey came in with a flurry, ready to start. And ready to finish. “Hey, Colonel– daamn Rhodes…” You stopped midway through your greeting shocked to find Rhodey in position and set with an impressive Stetson on his head.
“Scopes.” He nodded in greeting. “Look, I’ve had to deal with Tony’s cockamamie schemes for over thirty years. I’ve learned to just be ready to do anything. So that I can continue with the rest of my life. So, with all due respect, just take the dang pictures.”
“Yes, Colonel.”
“Call me Rhodey!” he commanded as he got into different modeling positions. You must’ve taken a dozen more pictures compared to Clint. Unlike Barton, Rhodey was comfortable in front of the camera, making it easier for you to get certain shots you wanted to try.
“Ok, I think I have enough to start with. Would you like to see?” you asked leading him to your computer. “If you don’t like any of the shots, we can try again. With different backdrops perhaps?” you placated.
Rhodey’s phone rang in his back pocket. He quickly took it out to see that it was Danvers.
“I gotta get this call. I like this one.” He said pointing to a picture with his finger suggestively in his mouth. “Run it! Print it! I gotta go.” And with that Rhodey left you pondering what hidden sexual prowess you had just witnessed.
“Ok. See ya later Rhodey,” you yelled out. He waved at you without looking back toward you, eager to get somewhere private. “Say hi to Carol for me!”
Loki watched the Colonel leave your studio, passing by him as he spoke with his beloved. A fantasy forming in his mind of how he wanted his shoot to go with you.
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#man of the month#loki fanfic#loki smut#loki x reader#loki x you#marvel fanfic#men of marvel#calendar#marvel calendar#collaboration
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Characters who have had a background role in Midnight. 😶 for Scott, Impulse, Keralis, Doc, Gem
😶 A random headcanon for Scott!
Hmmmm how not to give away Big Plot Point.... um, so Scott is a background character, but he also has a pretty massive role in not too long from now. So I'll go with the careful and safe answer; Scott is married to Jimmy and the two of them own a bakery and have a little upstairs apartment that they rent out to people who need it. They're delightful members of society and Scott comes from a well known family that has resided in Boatem for many many generations; Mumbo has known several Smajor ancestors, and Scott is not nearly as oblivious to what is going on as many Boatem citizens are. Also there might be something up with Jimmy, huh? :)
😶 A random headcanon for Impulse!
impulse owns and operates a restaurant, but his true passion- of course- is redstone! It's a dying art (science, really) and he is self-taught, and actually reads a lot of materials from Mumbo's companies' past inventions and how they worked to get a feel for it. He is working on a way to bring redstone back into relevance in modern society, and may I just say that he and Mumbo would make a formidable team on that front.
😶 A random headcanon for Keralis!
Keralis. Is not human. No one knows what Keralis is. NO ONE. I don't even know if Keralis knows what he is. But he is definitely not human. He Knows things that he shouldn't know, and not in the way that Grian and Gem Know things. But even so, despite whatever it is he might be, he is an absolute sweetheart who wouldn't hurt a fly. And when he meets Xisuma, certainly his simple life as the Boatem Innkeeper will come to a quick end. Not in a threatening way of course- who even knows if Keralis can even die? Haha :)
😶 A random headcanon for Doc!
Doc has been captive for a long time. Like Mumbo, there are gaps in his memory from the early days of being a Vampire, but unlike Mumbo he was never able to fight back. The few times he did he was viciously punished, and now that he's away from the Coven that kept him captive he is on his way to true recovery- and now he might be able to replace some old and outdated prosthetics of his. He is a cyborg- I can't remember if I mentioned that in Midnight Folly, and if I didn't I apologize deeply but yes, Doc still has a robotic eye, arm and legs. Doc is a creeper hybrid in Midnight, and when he was born he was actually closer to looking like a Mob than a humanoid, and... some things did happen to try and make him look more human, regarding the number of legs Creepers have that Doc happened to have as well. Yeahh. Fuck society. But despite the natural hardships of being a Mob Hybrid, especially a Creeper Hybrid, he led a very good life before becoming a Vampire- he was a doctor who dabbled in redstone. Now that he is free, he can explore redstone to his heart's content... and maybe learn a little about what it means to be a Creeper Hybrid <3
😶 A random headcanon for Gem!
Pay close attention to the things she says. She knows things and is cryptic, and out of every Sorcerer that Cleo or Scar have ever met... she is the most powerful. Scar's father has nothing on her- she can do things that don't even make sense for someone with inherent magic to do. She has been around for A Long Time, and even so much longer than you know, and it is no coincidence that she showed a child Scar glyphs that day... She is not all there and yet is there more than anyone else, and through everything she is present even when she is absent. There is nothing that can be hidden from her, but whether she knows it in the right order... hm, well, keeping things in the right place in her mind- maybe a little harder than she expected........
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Love You to the Moon and Back
summary: Bucky notices you’re feeling down after a bad injury, he does his best to help.
words: 3817
warning: depressive episode, doctors, mainly fluff!
pairing: Bucky x Reader
Masterlist!
Bucky could tell you were getting bad again.
And it hurt him to see you like this but it always happened after a big mission, your job was traumatizing and it took a toll on all of you. Bucky knew he had his days but he also knew when you finally let yourself slip it was really bad.
You were a very headstrong person, you didn’t like letting people see your weaknesses or just you being hurt in general. So it sucked when you had broken your shin and witnessed a school of kids get blown up by a bomb, maybe sucked is an understatement but it was what you always said.
You had pretended to be a teacher because there was supposed to be a hit on most teachers at a private school, so when the school blew up before everyone was out of the building- including you -it left the memories very crystal clear. There was no way of saving everyone so you saved yourself, and the feeling of selfishness had never been more apparent than right now. You were lying in bed with a cast on your left leg, your left leg was on top of the duvet while the other leg was under.
A tank top and shorts was all you wore even though you were cold. A pillow was placed between your legs down by your shins to keep the injured one elevated, Bucky had stuck it there the last time he came in to check on you.
Speaking of Bucky, he walked into your shared room in the compound.
“Hey, sweetheart,” Bucky cooed as he gently opened and closed the door without making any sound, you had become hyper-aware to sound and light so a loud noise or a flash of a camera could send you into a state of hysterics. Bucky sat himself at the edge of the bed at around your midsection, you were lying in the middle and facing him. You barely said hello, all you could muster was a groan that had the same rhythm as the word hello. “How’s my girl doing?” Bucky rubbed your thigh very carefully.
It was so obviously a rhetorical question, you were absolutely shit and he knew it. You both just stared at each other and Bucky seemed to get the message, he nodded and looked down. The room was so dark from the lights being off and the curtains being pulled you barely registered that Bucky had a plate of cheese, apple slices, and crackers. Bucky saw you turn your nose up and he knew you would, you had been like this for what felt like weeks.
“You have your two appointments today, you wanna use the crutches or the wheelchair?” Bucky asked as he gently caressed your thigh, a little hum came after a few sections to clarify this wasn’t rhetorical.
“I don’t know,” you mumbled into your pillow.
“Okay…” Bucky held onto the last syllable, he glanced over to the wheelchair and crutches. “How about you have a little snack and then when you got food- and I’ll get water -you can make your choice. You also know you can switch and I’ll be glad to grab it for you, alright?” he did a few quick pats on your thigh before setting the plate down on the bedside table, he grunted as he stood up and stuck his arms slowly beneath you. All Bucky did was sit you upright to eat, you had gotten better at eating and now didn’t need motivation to eat but just a little push at the beginning to keep going after the first bite. Bucky also found if he ate a few pieces from the plate you’d be more inclined to eat the rest.
“Thanks,” your voice was low and barely audible.
“No need, pretty lady,” Bucky got right beside you and grabbed the plate, he placed it between you and let you choose the first piece. “So, you’re at the doctor at two and then Doc at three-ten, do you wanna nap between for a little or for a while after?” he just took a cracker and plopped it into his mouth.
“No, no nap between, I wanna sit outside Doc’s office like before to make sure I’m not late.” You mumbled and stacked a piece of cheese on an apple slice. Doc was your therapist that was assigned to you a little while before your injury, Bucky wasn’t the only one who got nightmares and manic episodes; you probably got them more. Bucky knew he couldn’t go into your therapy meeting, he could physically go in but it went against his morals, this was your time to be alone and completely vulnerable to a human that you only see one or twice a week, he didn’t want you to sugar coat anything just because he wa sitting there.
Bucky nodded and hummed before pulling the notebook out of the bedside table’s drawer, your combat backpack which you used for everything between missions and a picnic in the park was curled over itself in the corner of your room. Bucky picked it up and headed back to bed to let it rest there as he packed. He did this when you weren’t injured, Bucky had sadly realized your memory was a little shot from the amount of bootleg brainwashing and head injuries. You’d constantly forget about appointments or missions, or even the date.
“Baby, I told you, your birthday is today, that’s why I got flowers.” Bucky said and pointed to the counter with the bright flowers on it.
“No…” you rubbed the front of your head. “My birthday isn’t today, I forget the day- but it’s not today, I swear.”
He slid in your journal that you used to write down lists and memories, you had used a guitar pick as your bookmark even though you can’t play anymore. Sometimes when you’d show up to a therapy session you’d forget what you wanted to say, it hurt him when he’d walk you there and you’d be saying the list of things under your breath with your eyes closed. Nightmare, mom, picking my nails, ankle, nightmare, sand, flowers.
“We gotta go soon, anyways, wanna get ready for the day?” Bucky softly asked, there was no nice way of telling your loved one they needed to shower.
“Sure,” you looked down at the plate and grabbed the last of it before getting up, the apple and cheese was just curled in the palm of your hand, as you walked over you shoved it all into your mouth because you knew you had to shower and you didn’t like soggy cheese.
“I’ll keep packing your bag, and I’ll fill a water bottle for you.” Bucky had been your human crutch as you walked to the bathroom, you had an itch down in your cast that was bugging you.
Tony had wanted to add tech to the shower to help you stand because putting pressure on your left leg hurt after three minutes and seven seconds- not that you were timing to see how long you could go without collapsing. You had said no to tech and just asked for a bar, Bucky even thought it would be cool but it was all up to you.
Bucky helped you slip out of your clothes before leaving you be, he knew he would have to check on you periodically because you were too stubborn to ask for help if you had fallen or couldn’t get in the shower. You gripped onto the metal bar and helped yourself slip in, you turned the water on right away.
You liked warm, long showers. You just let the water hit your skin as you stood in front of the shower head, the water pressure was high so you let the bullets hit your face when your eyes were closed. Your hair got wet as you stood there, you reached for the bottle of shampoo and expected it to be where it always was. The was getting into your eyes and when you squinted to see where the bottle was everything was double, as you reached for the bottle you had actually reached for the fake double and knocked the bottle off the ledge. A loud thump rang through the bathroom and it sounded like a bomb.
There was one second of silence before you heard scrambling from outside the bathroom door, all at once you could see the door swing open by its shadow through the curtain. The curtain was pulled back so hard a couple of ringlets holding it up were ripped off.
“Baby?” Bucky yelled before he registered you were standing upright. “What?” he breathed heavily, he was completely expecting you to be passed out on the floor with a cracked skull.
“Shampoo bottle,” you said meekly.
“Oh, thank god…” Bucky sighed to himself as he reached down to pick it up. “Are you hurt at all, did you fall?” He placed the bottle back on the ledge which made him reach across your naked body, on his way back his hand touched your shoulder then went to cup your cheek and move your head to look at him.
“I’m all good, babe.” You smiled, an exhausting smile.
“Alright, back-is-packed, finish up and I'll help you over to physio, alright?” Bucky closed the curtain to give privacy but waited for a verbal answer.
“Perfect, thank you.” You grabbed the bottle again, your heart ached for him to be in the shower with you, it was something you did all the time before you were injured.
“Don’t thank me, pretty lady.” Bucky reached for the door and opened it, before he could walk out, your voice quietly called his name, he could barely hear it over the water in the shower. “Yes?” he replied with the same softness.
“Stay here with me, please.” the ‘please’ came after a beat, and extra plea.
“Always,” Bucky sat on the toilet seat and gave the company you needed as you tried to stick your finger down your cast to itch that one spot on your leg.
*****
Soon enough you were sat in the physio room, Bucky was off to the side with paper work in his lap and a binder in your backpack he packed for you. You liked the moral support when you were here because you never really had the best experience with doctors, Bucky would act like he wasn’t even there. That was a good thing, he did need to be the hovering boyfriend all the time because that can get tiring for both parties. He’d look up and listen to the doctor near the end, Bucky would write down the exercises and when to do them so he could gently remind you later.
“Alright, you’re gonna get a new cast next week,” the doctor smiled at you, when you didn’t pick up on the excitement the doctor’s smile faded. “That means three quarters done!” Bucky had looked up and smiled, even clapped a couple times.
“Then I have to learn how to walk again,” that was an exaggeration but it didn’t feel like one.
The doctor gave a knowing look, “why do I feel like you’re already walking without the crutches?” You didn’t say anything because it was true.
Your leg was examined and x-rayed, Bucky held onto your necklace as you went in. Your mind faded in and out as the doctor spewed ‘doctor stuff’ at you, you just didn’t have the care to listen; but Bucky did. He’s the type of guy to take notes and research later.
Bucky would look over and see you looking at the floor, not even paying attention. He knew he couldn't get mad at you, you both dealt with injury very similarly. But something about seeing you shut down entirely made his heart ache, he wanted to reach out and lift the corners of your lips up into a smile because they seemed like they were being weighed down, he couldn’t remember the last time you smiled and real smile. He hadn’t been going on mission to keep you company, but now he knew his most important mission.
He walked you over to your therapy session that was still in the building, your Doc would come to the Avenger tower. He’d walk you right to the door of some random debrief room and kiss you goodbye. Bucky would hold your shoulders and gently rub your arms to hype you up before going in, he gave his little speech and said the same thing after.
“You know I love you, and I know it’s hard.” he’d then kiss your cheeks and forehead. “I’ll be right here when you’re done, don’t even sweat it, pretty lady.” He then wouldn’t leave until the door closed and he heard muffled voices.
The tower was right in the heart of the city, everything he needed was right there and a walking distance away. He slipped on a long sleeve and his gloves, he knew you took the backpack but you also had reusable bags, he took a few and headed out into the summer heat, it wasn’t humid today which was great but it wasn’t cold either. The tote bag was slung over his shoulder, all that was in it right now as a list.
flowers
chocolate
card
stuffed animal
To call Bucky a romantic would seem weird to someone who only knew of him from the news or a museum, you knew him as a total hopeless romantic. Even in the 40’s, Bucky was the type of person to keep their walls up until he really got to know and trust you. It would normally be one little thing that would allow him to truly be himself around someone, he let his guard down that day you were walking to the restaurant he made a reservation at, Bucky placed himself so that arm or hand you’d hold would be his right but when you caught on you walk around him and looped both arms around his left, metal arm. After that, he was goner.
He’d leave little sticky notes everywhere, a blue square paper in the coffee mug that read: ‘make sure you only drink one cup!’ or another on your shampoo bottle: ‘you look great naked ;)’. Bucky knew the little things mattered to you and vice versa, he knew that grand gestures didn’t mean anything without a little kiss that came before.
The flower shop smelt great, Bucky didn’t know much about plants but he knew which ones you’d like. He was thinking of putting one on each bedside so whenever you’re lying in bed- which was a lot -you could look at some pretty flowers. They were a nice shade of purple and the stems were not too long, Bucky bought them and put them gently in his tote bag before heading over two stores to the grocery store you always shop at.
He was envyus of your clean eating, you’d eat what you want but you’d shop at fermer’s markets and organic stores. Bucky didn’t know it made a difference. He went to the frozen section and found chocolate covered strawberries. Bucky picked up a little pack of eight and headed to the front. There were also flowers there but they didn’t look nearly as nice. All he wanted was a very simple cute card with a blank inside, they were easy to find. It was cream coloured with a little sketch of a fuzzy, brown teddy bear holding a yellow balloon. All it said in dainty cursive at the top was: “look at you go!” Bucky knew this was perfect. Near the cards were little toys and stuffed animals. He found a bear that looked eerily similar to the one on the card but without the balloon.
As he walked into the Avenger’s tower the bag was full and he had enough time to spare to set things up. Bucky headed to the rooms and made the bed, he changed the sheets as well because he knew you liked them when they were crisp. The teddy sat right in the middle with the card next to it. Bucky had written a little note that covered the entire right side of the card. He got a bowl from the kitchen and filled it with ice, he also found that white wine you liked and stuck it on there with the strawberries just to keep them cool but not melted.
Bucky glanced at his watch and felt almost giddy as he realized it was time to head over to the conference room, he had to work on not giving it away when he’d first see you with his wide smile. The walk to the room was quick because of how fast Bucky was walking, he turned the corners sharp and almost jogged down the hall down the meeting rooms. He only stood there for about three seconds before the door slowly opened, Doc had opened the door and helped you out. Bucky’s smile turned into complete worry when you walked out holding a tissue to your nose, your eyes were red and puffy. Bucky also noticed that your fingernails were red and bleeding, that was one habit you were currently trying to break.
“What’s going on?” Bucky asked in quiet disbelief, his eyebrows almost touching.
Doc gave a curt nod, “we talked about a lot of things,” her answers were always so vague.
You sniffled and waited for Doc to leave down the hall, Bucky was still looking at you. His hands held your shoulders and gently massaged the answer out of you.
“It was a good cry, I needed that.” you sighed from exhaustion.
A little piece of Bucky’s heart broke, if you needed to have a good cry then you could have told him, he would’ve listened. Bucky started to go back and see where it went wrong, if he was too overbearing and if this whole afternoon he had planned was created at a very wrong time. He wanted to ask what he did wrong but what came out was different. “Well that’s good to hear, I know Doc is good at that- helping you out.” His words were true but something about the delivery made it seem uneasy.
“I just-” you looked to the ceiling and hoped to find the words you needed written there. “I like flushing it all out to her because I won’t see her for a week and I don’t need to keep up with what I’m feeling. I always cry to you but Doc is just really good at explaining how I feel, you’re there to validate it and make me feel soothed.” You held his left hand as you both walked down the hallway. “I feel lighter, like, I feel better.”
“That’s always good, sweetheart,” Bucky made sure you were putting weight on him because you didn’t bring your crutches but you really should have. “I have a little treat for you,” He turned to face you when you both stood at his door, Bucky kept his hand on the door handle. “I know it’s been a rough few weeks but I hope you know I love you all the same, and all I see is my strong, beautiful girlfriend.” Bucky saw your confused face, as he opened the door to reveal a dim lit room with flowers, wine and a teddy your eye welled up with tears again.
You gasped and put your hands on your chest, “for me?” your voice shook as you walked in, you peered into the ice bucket to see your favourite wine and some food as well as a card beside the ice bucket, under the teddy. Tears flowed down your face as the feeling of being overwhelmed washed over you, you could barely string a sentence together. A hand waved the gifts all away, “too much,” was all you could muster.
“No, baby,” Bucky smiled, he walked over and pulled you into a hug. “Nothing will ever be too much for you.”
He let you cry in his chest for a very long time, you both ended up sitting on the edge of the bed as he stroked all the way up your back. His hand would bunch up your hair as he went up to your neck. His lips were right at your ear, all he whispered were sweet nothings and a calming ‘shh’ once and a while. When you had a little composure Bucky reached for the card, as you read it your lips trembled even more. A hand stayed glued to your heart as your body warmed at loving words, you could barely read it with blurry vision from the tears but it still seemed crystal clear. Your finger traced over the signature: ‘love you to the moon and back, Bucky’. And you crumbled again, your forehead hit his chest as you cried away all the pent up emotion you thought you flushed out at your therapy session.
With all the crying you were so tired, Bucky had thrown on a movie you two could watch while enjoying your strawberries and wine. You only had two and half a cup before you were snoring on Bucky’s shoulder, he tried to nudge you a couple times but nothing worked at all. He watched the movie on his own and saved the last two strawberries for you in the morning. You didn’t even wake up at him getting up and leaving the room. When he came back he got you out of your day clothes and into something comfy.
*****
You woke up to the sun hitting your back, when your eyes opened they focused on the flowers and a smile graced your face. It was the first time in a long time since you smiled with your eyes, a little giggle even slipped out.
At that sound Bucky walked out of the bathroom, “well there she is,” he smiled wide.
“What does that mean?” you wiped the drool from the side of your mouth, “I had a nap, a really good one, too.” You seemed to be bragging.
“A nap? Baby, it’s eight.” Bucky raised his eyebrows.
“Ya, I fell asleep at about five so I had a three hour nap, no biggie.” You rolled on your back and stretched out, your gaze moved back to Bucky when you heard a giggle, “what?” you laughed back.
“Eight in the morning, the next day. Your three hour nap was actually a well deserved fifteen hour hibernation.” Bucky joined you on the bed.
“That’s why I feel so good,” you sighed, you looked over to Bucky and swatted his chest at his little smirk. “Don’t think like that.”
“I bet I can make you feel just as good-”
You cut him off with a kiss.
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for your happy prompts ask, perhaps kara is a documentary film maker who follows ceo lena around for a doc and ends up falling in love with her by learning a bunch of little things she finds out during filming? also p.s. i absolutely adore your writing even when it tugs at the heartstrings. thank you for writing what you do! it makes my day everytime i see an update or get an email
She wasn’t allowed to see Lena Luthor until she’d signed so many papers that, if stacked together, would be taller than she was. She wasn’t even allowed to touch her camera around Lena Luthor until the woman herself, CEO extraordinaire, had personally vetted Kara out.
“You know,” Kara said as casually as she could, finding herself nervously adjusting her glasses when Lena’s cold gaze fell on her, “I usually have a whole team with me when I do this.”
“And I agreed to this on the condition that only one nosy filmmaker follows me around, not a whole team.” Lena’s reply was like everything else Kara had learned about the CEO thus far: she was blunt, a little harsh, tone and eyes cold and emotionless. She gave nothing away, not in her walk, in her mannerisms, in the ridiculously healthy food she ate, in the way she spoke to her employees or board members. She was cool, detached, wickedly smart, and utterly composed. “And I must approve the final result,” she added, gesturing to the mountain of paperwork Kara signed.
(Kara sighed internally, a tiny part of her sure Lena was a robot.)
“But it’s everything, right?” Kara clarified. “A total look into your life, no holding back?”
“You may follow me around to your heart’s content,” Lena said, leaning back in her desk chair, studying Kara intently.
“May I ask, Ms. Luthor, what made you agree to this, when you’re usually so distrustful of the media?”
Lena gave Kara a smile that didn’t touch her eyes. “What made you ask to do this when you know I distrust the media?”
Lena hadn’t answered, so Kara knew she didn’t have to either, but she felt it was important to establish some kind of rapport with the woman she’d be following around for the next few weeks. “I’m of the opinion that things are rarely as simple as they seem from the outside, that’s all.”
“Well,” Lena said, looking pleasantly surprised and offering Kara a grin (a real one, one that touched her eyes and transformed her face), “perhaps that’s why I agreed to you doing this.”
x
“You’re one of Ms. Luthor’s closest friends, is that right?”
“Yes.”
“Since before your daughter was born?”
“Yup.”
“So would you say you know her quite well?”
“Sure.”
“Do you plan on answering any of my questions with more than one word?”
“Nope.”
“Okay. So, in one word I suppose, how would you describe Ms. Luthor to a stranger?”
“Flawless.”
x
The rules of her arrangement with Lena were rather simple. For the next several weeks, Lena consented to having Kara around from the moment she woke up to the moment she went to sleep. In return, Kara was not allowed in certain meetings at L-Corp, was not allowed to bring her camera with her at all when Lena went down to R&D, and if Lena asked for her to stop filming at any point, Kara was bound to immediately do so and erase any footage she may have inadvertently captured.
For the first two days of the arrangement, it was actually rather boring. Lena was awake before the crack of dawn, she didn’t acknowledge Kara’s presence as she made coffee and toast (though she did push a cup and a plate towards Kara), and then spent the next fifteen or so hours in her office, sifting through papers, answering phone calls and responding to emails, and forgetting meals. It wasn’t until the third day that Lena’s routine changed slightly.
She received a phone call at breakfast, and whoever it was caused a bright red blush to bloom on her cheeks. Kara zoomed in slightly on Lena’s face as she answered the call. “Now’s not really a good time, Sam,” she began, falling silent at whatever this Sam was saying on the other end. Lena’s eyes flitted over towards Kara, but to her surprise, she didn’t ask for Kara to shut off the camera. “That sounds terrible,” she said, sounding truly apologetic, something about her countenance changing. She seemed softer, more open, calmer than Kara had seen her yet. “And Ruby was so excited too.” Lena fell silent once more, nodding almost as if unaware of it. “I agree with her,” Lena suddenly laughed, still nodding, “it’s not fair at all. But there’s no way I’m not going to visit. Do you want me to bring anything?” Lena laughed again, and Kara wondered if her camera was capturing the change she was witnessing with her own eyes. “As if I could forget Ruby’s chocolate.” A pause. “Give her all my love.” Another pause, a tiny smile on Lena’s lips. “All right, I will. Bye.” As she hung up, she looked over at Kara, as if daring her to comment, everything about her shuttering at once.
“Who was that?” Kara asked, not really expecting an answer. To her surprise, however, Lena’s eyes flitted to the camera and she let out a soft, resigned sigh.
“That was my CFO, Sam Arias,” she answered, her tone a complete 180 from what she was using on the phone. She studied Kara for a moment and must have read something on her face, because her shoulders deflated and she motioned towards her phone. “Sam is my best friend. Her daughter, Ruby, is my goddaughter. We were supposed to go to the animal shelter today.” Lena smiled softly, almost as if unaware of it. “She’s finally convinced Sam she’s responsible enough for a pet. It’s actually—” Lena stopped suddenly, her eyes shifting to the camera once more, any warmth that had managed to leak out dissipating at once. “In any case, she’s sick. So we’ll have to reschedule.” She waved her hand towards the camera. “Can you turn that off, please?”
“Uh, yeah, of course,” Kara said quickly, making a show of turning the Camcorder off and setting it aside. “Is something wrong?”
Lena shook her head, leaning against her kitchen counter as she eyed Kara with something like curiosity. “You know, I’ve seen all of your other work,” she said after a moment, frowning at Kara like she was a puzzle she couldn’t figure out.
(Had she? Seen all of Kara’s work? A part of Kara was curious as to how, after all, most of her stuff was tucked away in a closet back in Midvale, waiting to be opened up and viewed during Christmas, when Alex would laugh at the films she’d made in high school about how the boys’ sports teams were unfairly given more attention than the girls’. The others were projects for her degree and one or two failed attempts to get a real production company to take the risk on her.
In fact, if not for Cat Grant’s decision as ‘The Queen of All Media’ to get involved in filmmaking, funding a project from a no-name creator, Kara wasn’t even sure she’d have the film she was making now.)
“Oh,” she said inarticulately, not quite sure how to word what she was really thinking. How rich did you have to be to be able to bribe anyone into giving you anything?
Lena nodded carefully, her face a perfect mask. If not for the way her eyes followed Kara’s every movement, Kara would’ve even thought that Lena was bored. “You’re very fond of certain themes. Hope. Love. Endless optimism in the best of humanity.” She said it like it was a bad thing. And it was suddenly Kara’s turn to lean forward on the opposite end of the counter, feeling her head tilt to the side questioningly.
“Is that what you got from my films?” she asked, genuinely curious.
Lena seemed wary of the question, standing up straight and crossing her arms over her chest defensively. “Isn’t that what you intended?”
“You know,” Kara said slowly, “I don’t actually believe in all that creator’s intent nonsense. I think we search for parts of ourselves when we consume art. So if that’s what you got from my films, that says more about you than it does about me.”
If anything, this seemed to offend Lena. “So you’d deny having any sort of intent with your work? What about making something with meaning?”
Kara laughed, shaking her head. “That’s not what I mean, and besides, who says art has to mean anything?”
“Of course art means something,” Lena argued, narrowing her eyes at Kara. “What’s the point of doing it if it doesn’t mean anything?”
Kara shrugged easily, giving Lena a small smile. “I disagree. I think art says something. But meaning is up to the people who consume it.” She picked up her camera and pointed it at Lena without turning it on. “Doesn’t matter what I intended to say with my films, you got meaning from it. So I’d say there was a point in making it, don’t you think?”
Lena eyed her for a moment, apparently not liking that Kara wasn’t giving her an answer, wasn’t telling her what she was trying to say with her work. But then, after several long seconds, she relented, letting out a chuckle and shaking her head. “Well, fine,” she said, her smile touching her eyes. “As long as you don’t try to say anything silly like hope, love, or endless optimism in the best of humanity with this film.”
“I’m afraid I can’t change who you are, Ms. Luthor,” Kara said softly, turning her camera on and effectively cutting off any response Lena may have had.
(And when she looks at the footage weeks later, she’ll freeze that frame, breath catching at the look on Lena’s face: the softness of her eyes, the curve of her lips, and the pleasantly confused crinkle between her brows.)
x
“Do you spend a lot of time with your godmother?”
“Oh yeah, loads! She’s great.”
“What sort of things do you do with her?”
“I mean, normal stuff? She takes me to get ice cream all the time. The other day, she rented that new horror movie that came out and watched it with me when I stayed over. My mom went nuts when she found out.”
“So you like her?”
“No, of course not. I love Lena. She’s my aunt, you know? She’s family.”
“And if you had the chance, what would you want the world to know about her?”
“That she cares, so much. And that she’s funny and super smart and helps me with homework and after my mom she��s the very best person I know.”
x
The visit to Luthor Children’s Hospital was, as far as Kara was aware, unplanned and in fact gave Jess a great deal of anxiety. For her part, Kara was mostly frustrated and annoyed, wondering if this film was worth it at all. Because Lena Luthor seemed to be asking Kara to turn off the camera more and more, especially when her day deviated at all and she was forced to leave her office.
(Walks in the park, lunches with her goddaughter, a touching moment with the child of one of her employees...all locked away somewhere in Kara’s memory, but destined to remain there instead of on film, where it should be.)
She huffed a little bit as she leaned against the wall, watching Lena walk quickly towards the group of nurses and doctors. She didn’t say anything when Jess joined her, a contemplative look on her face. “She always does this,” Jess told Kara after a long silence, rolling her eyes fondly. “She’ll cancel meetings last minute because she heard one of the kids in the hemoc ward has finished treatment or that they’re out of toys to give to the new patients.”
“Why isn’t there any press if she does this often?” Kara asked, turning to Jess but watching Lena out of the corner of her eye. She was talking to one of the doctors now, looking comically out of place with her designer clothes while surrounded by colorful artwork by kids that littered the walls of the Children’s Hospital.
Jess fixed Kara with an unimpressed look. “You’ve met her, right?” she asked rhetorically. “She goes out of her way to hide these visits. She says that she has to keep it under wraps because she wants to keep it about the kids and not her. But I think the truth is she’s just worried people would mistreat the kids and their families for allowing a ‘Luthor’ within ten feet of them.”
“Oh,” Kara said dumbly, a little stunned by the new information, and feeling guilty for her thoughts earlier. “That’s...awful.”
“I’m not telling you this for nothing, you know,” Jess continued, frowning at Kara. “She’s been avoiding lots of her usual charitable work since you’ve been around. The whole point of this was to get everyone else to see the real Lena Luthor, but she’s ruining it by being humble and noble.”
(Kara wanted to groan, roll her eyes, or better yet go over to Lena herself and shake her until she understood what Kara’s job was.
How was she supposed to make a documentary about Lena Luthor if Lena Luthor was so determined to hide herself away from the world?)
“What would you have me do?” she asked, not voicing her frustration, though it seeped into her tone anyway. “We have a deal, and she doesn’t want me to film these things.”
Jess shook her head, looking terribly unimpressed by the answer. “Don’t you have artistic integrity? Would you allow anyone else to boss you around and tell you what you could and couldn’t film?”
Kara looked over at Lena, who was now smiling at a young boy who had ambled up to her with his mother and infusion pump stand in tow. She watched as Lena actually dropped to her knees to talk to the boy, nodding vigorously at whatever he was saying. After a long moment, she turned back to Jess and shook her head. “No,” she said finally. “I guess I wouldn’t.”
And after Jess had given her another significant look before walking off, Kara raised her camera and began to film.
x
“Mr. Spheer, you’re an ex of Lena Luthor’s, right?”
“Ah, I see this documentary is quite personal. Are you sure that Lena is okay with this sort of thing going into her movie?”
“Well, it’s my movie. But she’s free to ask me to take things out.”
“Fascinating. Yes, I am Lena’s ex. I was quite brokenhearted when she broke it off to move to National City.”
“Oh, she broke it off?”
“So curious, Ms. Danvers. Perhaps you’re interested in something beyond a mere film?”
“W-what? No, that’s—please be serious, Mr. Spheer—”
“It’s Jack to you, my dear. What else do you need to know about Lena? Her favorite flowers are plumerias, her favorite food is—”
“—oh that’s really not necessary. If we could just focus on who Lena is as a person. A friend. A former girlfriend?”
“Hmm, yes. Well, just imagine your perfect woman, Ms. Danvers.”
“Oh, um, I—”
“—exactly, you see Lena. That’s an universal experience, I’m afraid. Lena is simply...too good for this world.”
“So you’d say the treatment she gets by the public is unfair?”
“It’s unfair how much people attack pineapple on pizza, Ms. Danvers. The way they speak of Lena without knowing her? That’s a pure travesty.”
x
They were about ten days into filming when Kara saw Lena relax for the first time.
She was using the word ‘relax’ rather loosely, of course. Lena didn’t do what Kara did after a long week—put on a pair of sweatpants, order loads of junk food, and watch so much Netflix that it eventually felt the need to ask her if she was still watching. In fact, Lena’s idea of relaxing was more work. Just, fun work.
She was dressed in jeans and a blue shirt, knees pulled up to her chest as she sat at her desk, mumbling under her breath as she did whatever she was doing. (She hadn’t bothered to explain to Kara, had just sighed and acquiesced to the presence of the camera in her home office.) Perched precariously at the tip of her nose were a thick black pair of glasses, her hair falling to her shoulders in gentle waves.
She looked different. Softer, somehow. Gone was all the trappings of a badass CEO, and all that was left was a clever (and beautiful) young woman, working on the things she loved in her spare time.
Kara zoomed in slightly, focusing on Lena’s face, on the furrow between her brows, her lips twisted in concentration. There was something there, something different, and Kara just wanted to—
“Is that camera heavy?” Lena asked, looking up suddenly, a curious expression on her face. She was good at that, the polite looks, gently asking for more information. Tiny eyebrow raises, nearly imperceptible softening of her eyes, lips quirked the slightest bit, all intended to disarm her quarry, making them drop their guard long enough that they give everything held close to their chest away.
“Not really,” Kara answered, grinning at Lena. This made the other woman blink in surprise, clearly not the response she was looking for, that expression on her face shifting suddenly, becoming more calculating. “I work out,” Kara went on to explain, shrugging easily, careful not to jostle the camera. “Besides, it’s not that heavy, I think about five pounds.”
“What kind of camera do you use?”
“Oh, it’s a Panasonic AG-HVX—” she cut herself off. “It’s not that interesting.” Kara adjusted her glasses and made sure Lena’s face was still in focus. Somehow, this made Lena’s tiny smile reappear. She stood up and circled her desk, and Kara was forced to back away to maintain focus.
“You love filming, don’t you?” Lena asked, and Kara blinked, not quite sure where she was going with this.
“Ms. Luthor, as I’m sure you’re aware, this film is about you.”
If she thought this would in any way cow Lena, she was wrong. Lena just grinned, looking like she’d somehow won something.
“Do you know what I don’t understand?” she said with faux casualness, crossing her arms and tapping a finger against her elbow. “Why would you, someone Cat Grant speaks so highly of, be willing to agree to this assignment? Something most people wouldn’t touch with a ten foot pole.”
Kara frowned, not thinking as she responded. “It wasn’t assigned, Ms. Luthor. I pitched the idea. I wanted to do this.” Lena’s words sank in a moment later. “Wait. Cat Grant spoke highly of me?”
“Why?” Lena asked, no longer smiling.
Kara blinked at the change in tone. “Why what?” she asked, genuinely confused. This was, apparently, the wrong answer, because Lena chose that moment to begin pacing in front of her desk, looking more than a little bothered.
“I don’t get it,” she said as she paced. “I tried to figure it out, looked into you, into your work. I thought maybe you were doing this to build fame, but I’ve seen your work and even without a movie about the last Luthor, I have no doubt you’ll be very popular—”
“Oh, that’s nice of you, thank y—”
“—then I thought maybe you have a vendetta against my family and just want me to look bad,” Lena continued, barreling over Kara’s words and ignoring her entirely, “but the only connection between you and my family is your cousin, Clark Kent, and he’s the journalist who broke the story on my brother, so if anything I should dislike you—”
“That’s not exactly...Clark and I aren’t—”
“—so I really need you to explain it to me. Why did you want to make this film?” She paused her brisk pacing as she asked the question, meeting Kara’s eyes with a fierce look, one Kara was infinitely glad she was capturing on film. Because this, this glint in Lena’s eyes, was why Kara wanted to do this.
“Do you remember the speech you gave when you came to National City?” Kara asked, and judging from the way Lena’s eyebrows rose in response, she was rather thrown by the question. “Because I do. I watched it maybe a few dozen times. All those horrible questions, all the absolute certainty that you were like your brother, and you kept your head up and you promised to prove them all wrong, to make up for what he did.” Kara sighed, shutting off the camera and setting it aside gently. “I’ve never seen anything quite like it. I was...interested. I wanted to see more.”
“And?”
“And what?”
“Did I meet your expectations? Disappoint you? What?”
Kara smiled, unable to help it. “Does my opinion on you really matter?”
“Do you always answer a question with another question?” Lena shot back, eyes narrowing.
Kara’s smile just widened and she began to gather her things, preparing to leave for the night. Impressively, Lena didn’t question her further, just watched her then followed her to the door, looking rather cross. Pausing briefly to adjust her glasses and the strap of her bag, Kara turned suddenly and met Lena’s eyes. “You exceeded them. My expectations, that is,” Kara added when Lena offered only a quizzical look in response.
For a moment, Lena didn’t react, then that same look from her office—the softness of her eyes, the curve of her lips, and the pleasantly confused crinkle between her brows—overtook her expression, and she let out a laugh.
“Well, good then.”
x
“You went to boarding school with Ms. Luthor?”
“I don’t think that’s public knowledge, how do you know that?”
“Um, Ms. Arias told me about you. She mentioned your relationship with Ms. Luthor is unique.”
“Well, Sam would know, wouldn’t she?”
“Ms. Rojas, if you don’t want to speak to me, you don’t have to.”
“It’s fine. Look, Lena and I have been estranged for a while now. I...I did something to break her trust.”
“So would you say that Ms. Luthor is difficult to get along with?”
“No, I’d say that Lena values things like honesty and trust, and—you know that Austen novel? With the man who says that once you lose his good opinion, it’s gone forever?”
“Pride and Prejudice?”
“Exactly. Lena is like that.”
“Ms. Luthor is like Mr. Darcy?”
“No, she’s classic. No matter what’s going on, she’ll endure.”
“So...you were the one difficult to get along with?”
“Have you ever thought about taking your work to a whole new level, Kara? How do you feel about virtual reality?”
“Oh, um, I don’t have particular thoughts? But I’d love to know yours about Ms. Luthor. For the film.”
“She won’t believe this, or that I’m saying it coercion free, but Lena is...a visionary. More than that, she’s just a decent person. Which is more than most of us can say, don’t you think?”
x
After their conversation, Lena opened up dramatically.
(Well, dramatically was a stretch, but considering how closed off she’d been before, the difference was rather drastic.)
Kara filmed Lena’s visit to an animal shelter, capturing the way her fingers gently ran over the fur of the dog that immediately trotted over to her, placing its head in her lap. Lena had then explained that she went to shelters often, just to volunteer, as she was unable to adopt for fear of not having time to give the dog the attention it deserved.
Later that week, Lena let Kara stay later than usual, putting on some music as she got to cooking, going as far as to teach Kara the basics of the dish, laughing when Kara admitted that her skill in the kitchen was limited to making sandwiches. At one point she grabbed the camera and set it aside, dragging Kara into the kitchen, giving instructions and lessons as she swayed her hips to the music.
(It was silly, it was lighthearted, it was fun, and Kara couldn’t help it.
She forgot she was there to make a film.)
And as the days and weeks dragged on, when Lena showed off her skills at the piano—apologetically explaining she hadn’t had time to really play in months—or when she told Kara about her very ‘nerdy’ stamp collection or even when Lena seemed to ignore there was a camera between them and she began to talk about her day and her hopes for the weekend, Kara forgot that it was a job. She forgot that she was supposed to be making something, paying attention to more than Lena’s smile or the way her eyes lit up whenever she mentioned work she was particularly passionate about.
Somewhere along the way, Kara cared more about the opportunity to spend time with Lena than she did the film itself.
More worryingly, that realization didn’t even bother her.
x
“Why filmmaking?” Lena asked one morning, pushing coffee and toast towards Kara with a tiny smile. The camera was still in its bag, untouched since Kara had arrived nearly an hour earlier. “Why not journalism like your cousin?”
“My cousin and I,” Kara began awkwardly, adjusting her glasses, “well, our relationship is a little strained, I guess.” She didn’t need the slight tilt of Lena’s head to know that Lena wanted her to keep going, to explain further. She let out a soft chuckle and rubbed her forehead with the tips of her fingers. “Um, so my parents died when I was twelve. And Clark sort of...left me? I went to live with the Danvers instead, and they bought me a camera for my birthday.” Kara grinned at the very memory, still able to feel its weight in her hand, the eyepiece against her eye. “It was one of those old camcorders, do you remember? The ones with the tapes? I drove them nuts, filming literally everything. I don’t think they ever saw my face for the first few months I was with them, it was constantly behind the camera.” She didn’t explain why she wanted to document every moment with her new family, but judging from the way Lena’s eyes softened, she understood anyway. “From there it became serious. I started making films. School projects, etc. Now I’m here.”
“Why documentaries? Why not something like...oh, I don’t know, action movies?” Lena prodded, looking curious, looking interested, looking like the answer mattered.
Kara just shrugged, suddenly not able to look Lena in the eye. “I guess there’s a part of me that wanted to take after Clark.”
x
“How long have you been working for Ms. Luthor?”
“Um, this December will make seven years.”
“As her assistant, you have remarkable access to her. What’s she like?”
“Driven, ambitious, works way too hard. I don’t think she’s ever taken a holiday or even a break...but um, maybe don’t say that in the film.”
“Artistic integrity, remember? She works hard, that’s clear. But what about personally? Her relationship with you and the other employees? What kind of boss is she?”
“She cares a lot. A few years ago, before Lex Luthor, well. You know. Before all that, LuthorCorp was facing serious losses. Mr. Luthor wanted to just get rid of entire departments, but Ms. Luthor said the research was vital, and more than that, the researchers were important. She convinced her brother to keep them on—she won’t admit it, but it was more than being persuasive. She paid for it out of her own pocket.”
“So you’d say she’s charitable?”
“No, she’s passionate. And she fights for the things she believes in. Ms. Luthor likes to say that charity implies pity, and she doesn’t do anything out of pity. She just does what’s right by people.”
“Some would disagree, they’d argue that LuthorCorp, and by extension its new iteration, L-Corp, don’t care about people, but about profits. Do you think that’s a fair assessment of the company you’ve devoted seven years to?”
“Look. I get it, people are suspicious of L-Corp because it used to be LuthorCorp. But it’s not just a name change. When Lena took over, she gutted her company. There’s not a single program left from Mr. Luthor’s time as CEO. L-Corp is all Ms. Luthor.”
“So if L-Corp is Ms. Luthor, who is Ms. Luthor?”
“She’s a woman who’s been hurt all her life, Kara Danvers, and whose only goal is to keep as many people as she can from hurting too. Sometimes I just wish she realized she doesn’t deserve to be hurt anymore either.”
“Oh.”
“Also, I don’t care about your artistic integrity, that last bit does not go in the film.”
x
One afternoon, when Kara was dangerously close to dozing off on the couch in Lena’s office—camera turned off and set aside, not really needing more footage of Lena working at her desk—Lena suddenly jumped to her feet, an excited gleam in her eyes.
“They’ve done it,” she said, the smile forming on her lips so wide that Kara found herself smiling back.
“Done what?” Kara asked, fairly sure this would lead to Lena’s refrain of ‘that’s company business and I’m afraid you’re not privy to that information’ but instead, Lena looked at her appraisingly, then rolled her eyes.
“If I allow you to bring your camera in R&D, do you swear not to film my ongoing projects?”
“You’re going to let me film in R&D?” Kara said excitedly, jumping to her feet and grabbing her camera.
“Kara, do you swear?”
“Yes, yes, of course, Ms. Luthor. I absolutely swear.”
And the next thing Kara knew, she was filming in the one place she’d been told was off-limits, capturing the lab and Lena talking to her researchers animatedly about the advancement they’d made in gene therapy, not entirely surprised when Lena shoved the scientists towards Kara and urged them to brag about their achievement—while also warning them to be as vague as possible—and then sank into the background, clearly thrilled to have her scientists as the center of attention.
And later, when Lena decided to actually take a lunch hour as a ‘reward’ for the great strides L-Corp had made, she took Kara along, bought three different appetizers, and smiled her wide smile before she said, “It’s Lena, by the way. Just Lena.”
Mouth still bulging with the three potstickers she’d practically inhaled, Kara couldn’t manage much more than a nod, but later—when she was alone—she tried saying the name aloud, and it sent a shiver down her spine.
x
“Mrs. Luthor—”
“It’s doctor, actually.”
“Oh, I’m sorry. Dr. Luthor. You adopted Ms. Luthor when she was four, is that correct?”
“I’m afraid I don’t have time for this nonsense. I consented to this interview only to say one thing: Lena was always the more clever of my children, but she’s foolish and soft, and this silly film is yet another example of that.”
“You agreed to meet with me to just say...that. Okay. That’s um. Fine.”
x
As the weeks dragged on, Kara had little reason to continue filming. Her deadline with Cat Grant was fast approaching, and she had more than enough footage. All that really remained was editing, of putting the final pieces together. But she found herself filming anyway.
Every day, she’d make her way to Lena’s apartment, making flimsy excuses about how certain footage was no good, or had been corrupted, and that she needed retakes of Lena doing ordinary things (like reading the paper, cooking dinner, or talking about her day). She knew that Lena could tell her excuses were just that, but mercifully, Lena didn’t seem to want to call her out on it, merely gave soft reminders not to stay up so late every night to edit (the ‘you could just as easily stop wasting your time here and be editing during normal hours’ going unsaid).
(Jess had rolled her eyes when Kara came by L-Corp and Lena mentioned offhandedly that Kara somehow hadn’t gotten a shot of Lena entering her building in all the time she’d shadowed the CEO, and wasn’t that odd?)
But what Kara knew, what made her stretch out these moments as long as she possibly could, was that once the final product popped into existence, once she showed Lena and got her okay to send off to Cat Grant, that was it.
No more Lena.
And that terrified her.
(So she gathered more footage, fruitlessly hoping that the final product would never be ready, dragging her feet at every step.
She edited, studying Lena’s every expression, tried to pinpoint the exact moment she’d started to fall for the not-so-detached CEO extraordinaire, and wished it didn’t all have to come to an end.)
x
Two days after Kara had sent Lena the finished film, she got a curt email from the CEO herself with only three words: come see me.
Jess gave no indication about how her boss was feeling when Kara arrived, merely stared evenly at Kara and gestured with her head for her to just go on in. When Kara tried to ask her, Jess shook her head, pointed at the door to Lena’s office, and made a shooing gesture.
“It’s odd to see you without a camera,” Lena said when Kara sat down across from her, trying to keep her hands from fidgeting.
“It’s odd to be in here without a camera.” Kara took a deep breath. “Did you watch it?” she blurted, unable to keep it in. “What did you think?”
“You’re really fond of certain themes,” Lena said, then she raised her eyebrow. “You also filmed quite a bit when I had asked you not to.”
“Artistic integrity?” Kara tried, and Lena...laughed.
“I don’t know if I agree with the way you portrayed me,” she said slowly as her amusement faded. “You took a lot of liberties.”
“I was very faithful to the subject of the film, Lena.”
“What do you think you were trying to say?” Lena asked, waving off Kara’s comment.
“What meaning did you get from it?”
Lena studied her for a moment, as if she was trying to read Kara’s mind. “I’m not some selfless genius, Kara.”
“Is that what you think the film is saying?” Kara asked her, not rising to the obvious bait. “Like I said, Lena. I was very faithful to the subject of the film.” For a long moment, Lena didn’t respond, and Kara felt the worry she’d managed to push away since sending the film to Lena creep back in. “Does this mean you don’t approve of the film?”
“Hmm?” Lena said, distracted. “No, I’ve already sent it along to Cat Grant, giving my okay. Even though you broke our agreement, I can’t deny the final result was very favorable to me.”
“I wouldn’t have made something that wasn’t completely true,” Kara said, somewhat hotly, most of her irritation bleeding away with the knowledge that Cat Grant was in possession of the final product, that the rest was up to her.
Lena smiled, eyes soft, and she nodded her head almost incredulously. “No, you wouldn’t. I know that.” She cleared her throat, seeming a bit nervous. “But I was thinking. I’ve been missing our talks about your work, and I know you don’t like talking about what you’ve made, but perhaps you’d make an exception for me. Would you be willing to give me a private showing of your film? Give me all the insider secrets? I know your subject quite well, it would be a fun exercise.”
Kara’s heart slammed to a stop, the jump-started at the sight of Lena’s amused eyes, that tiny curve of her lips. “A private showing, huh?” Kara mumbled, feeling a little dazed. “I still won’t tell you what I was trying to say.”
“That’s completely fair.”
“But I suppose I could give you some insight on my thoughts.”
“Only if you wanted.”
“It may have to be more than one session,” Kara said, trying and failing to stop the spread of her smile. “There’s a lot of footage you know.”
“So it’s a date?” Lena asked, and Kara couldn’t help her eager nod.
“It’s definitely a date.”
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