#Anna Nyström

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Anna Nyström fall aesthetic

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The Stomachmouths - Waiting

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Illustration 'Black Beauty' (Anna Sewell) by swedish artist Jenny Nyström (ca 1890)

[glimmerofawesome]

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Anna Nyström Kimdir? Boyu, Kilosu, Yaşı, Sevgilisi, Burcu Nedir?

Anna Nyström Kimdir? Boyu, Kilosu, Yaşı, Sevgilisi, Burcu Nedir? #fitness #magazin #fit #istanbul #gym #izmir #instagood #tarz #love #model #bodybuilding #tbt #fitnessmotivation #magazine #instagram #moda #butik #workout #streetstyle #spor #annanystrom

Anna Nyström, İsveçli bir fitness modeli, sosyal medya kişiliği, lisanslı kişisel antrenör ve iş kadınıdır. Anna, sosyal medyada etkileyici figürüyle dikkat çekmeye başladıktan sonra bir çevrimiçi ünlü olarak ün kazandı. Bugün, Instagram’da 6 milyondan fazla takipçisi ve kendi adını taşıyan YouTube kanalında yaklaşık 75 bin abonesi bulunmaktadır. Kanalında antrenman videoları ve vloglar…

[thesecondskinspandex]

Anna Nyström

[gunterfan1992]

Episode Review: “The Star”/“Jerry”

(Fionna & Cake, Eps. 7–8)

Airdate: September 22, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jacob Winkler, & Sonja von Marensdorff

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

It is hard to believe that we are already privy to the penultimate episodes of the Fionna & Cake miniseries. So far, this series has been hit after hit. So do "The Star" and "Jerry" live up to what has come before them? Read on for more...

The plot to "The Star" is deceptively simple: Fionna, Cake, and Simon are transported into a universe where Simon was killed by vampires, which led to Marceline being abducted the ice crown-wielding Vampire King (once again played by the wonderfully sonorous Billy Brown) and turned into his protege, known as "The Star." While the world has been almost entirely overrun by vampires, a Mad Max-esque version of Princess Bubblegum is still putting up a hell of a fight (Mad Max Bubblegum is aided in this task by Peppermint Butler-as-a-Tank, a human[?] version of Huntress Wizard, and a non-psychopathic version of Martin). Cake's shapeshifting impresses Mad Max Bubblegum, and so she decides to enlist Fionna, Cake, and Simon's help in defeating the Vampire King and his evil 'daughter.' Alas, as goes the best-laid plans of mice and men... The episode ends on a purposeful anti-climax: Fionna, recognizing that all is effectively lost, forcibly teleports herself, Cake, and Simon away from Vampire World while Mad Max Bubblegum and The Star struggle in the sky, with neither wanting to land a killing blow. The fate of Vampire World is thus left unresolved.

As a major fan of Stakes, I was delighted to be transported back into the world of vampires in "The Star." And this time, the show does a very solid job showing just how powerful and scary these monsters actually are (despite their Kermit the Frog-meets-Nosferatu appearance). And let us not forget Evil Marceline (oh, where to start)! I quite like that Ooo's Marceline is a heroic anti-anti-Christ, but even I found the titular antagonist of "The Star" to be a terrifying delight. It has been a good long while since Marceline has rightly pranked someone, and while I don't know if killing people or sucking souls count as pranks, it was nonetheless wonderful to see her ornery side return—only this time, turned up to 11. You can tell that Olivia Olson had a lot of fun recording her lines for this episode; her performance is energetic, her tone mocking. When I heard The Star taunt Mad Max Bubblegum and Co., it took me back to when I first heard Olson's voice acting in "Evicted!"

It was a clever move having The Star and Mad Max Bubblegum be sworn enemies, as it allowed the series to explore their dynamic as a couple without focusing on their past or present relationship. In the Vampire World, we learn that the two have never been in a relationship together. But despite this, still found themselves pulled toward one another in an almost preternatural way. Who knows… Just as the souls of Finn and Jake seem to be destined to always find one another, perhaps Marceline and Bubblegum are "soul mates" in a similarly metaphysical sense? Regardless, the hesitancy to kill one another that both characters show at the end of the episode speaks volumes as to how they feel about one another, even in a universe where they are sworn enemies. (Man, I really hope we get a Bubbline spin-off one of these days…)

Ah, I feel like I could talk about the Star for days, but there is more to consider, so let me move on to…

Airdate: September 22, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Jim Campbell, & Jackie Files

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

"Jerry" begins with Fionna, Cake, and Simon finding themselves in a dead and desolate world—humorously dubbed "Crapworld" by Cake—that we later learn was created by the Lich's wish in the season five premiere "Finn the Human." (As a mythological aside, when the Lich made his initial wish, it seems that Prismo did not simply wipe out all life in the Oooniverse; instead, he effectively created a copy of the Oooniverse within the Oooniverse. After killing off all life in this bubble dimension, Prismo then transported the Lich to his new wish-altered reality. Really, it is turtles all the way down…) While searching for the Crapworld ice crown, Simon tries to cheer up an increasingly despondent Fionna by telling him the story of how he and Betty met.

Eventually, our heroes run into Crapworld BMO, who upon learning that Prismo's remote is out of juice, attempts to recharge it with his robot heart. This does not go as planned (it actually results in Crapworld BMO spectacularly exploding, which is somehow both horrifying and funny), and Simon, Fionna, and Cake decide to track down Crapworld BMO's oft-mentioned friend "Jerry" and tell him that BMO has passed. Upon finding Jerry, however, the trio discover that he is actually the Lich… albeit a depressed Lich; it seems that after fulfilling his mission of ending all life, the Lich lost a sense of purpose. (I've been there, dude...) Simon sees this as an opportunity, and using the Crapworld ice crown and the Lich himself as a conduits, he manages to summon GOLB just as Scarab materializes to deliver divine punishment.

To be continued!

"Jerry" is a decidedly bleak episode that more than anything radiates the creative sensibilities of its supervising director, Steve Wolfhard. For those out of loop, Wolfhard was a storyboard artist on the original Adventure Time series, and he helped write some of the show's strongest outings (e.g., "Puhoy," "Lemonhope," "Escape from the Citadel," "Graybles 1000+"). Wolfhard has a unique approach to writing, often using humor/cuteness to paste over more existential horrors, and while he did not storyboard "Jerry," the episode nevertheless feels like the apogee of his "voice," brimming as it does with a darkness that is only lightly covered with a veneer of humor. Indeed, many of the episode's funniest moments (e.g., the scene in which BMO cheerfully, stupidly kills itself, the reveal that the Lich has depression) cannot be described as anything other than gallows humor. Wolfhard often joked in interviews that many of the episodes he pitched involved main characters dying. With "Jerry," he finally got his chance.

Ultimately, what prevents "Jerry" from becoming a bummer-fest is the way the episode is interspersed with flashbacks that tell the story of how Simon and Betty fell in love. Despite their being the emotional heart of the episode, I do not have much to say about these scenes other than they are sweet. They largely expand upon details that we already knew, but in doing so, they enliven those details, infusing them with a sense of affect that exposition or background detailing could never convey. There's a couple easter eggs thrown in for die-hard fans (e.g., several relics from the main series are name-dropped, we see when a photograph of Simon from "I Remember You" was taken), and its all tied-up nicely with a new HALF SHY song, "Everything in You." All in all, these scenes are the sweet, sweet eye bleach we need, given the tone of the episode's other half.

My biggest gripe with these episodes is that they both lean too far into Fionna's failures while somehow not leaning in far enough. The former issue is most noticeable in "The Star," the beginning of which sees Fionna follow up her candy genocide by making a series of increasingly bone-headed decisions, one of which leads to the direct death of a character (although, Mad Max Bubblegum was also quite bone-headed for letting Random New Girl put everyone in danger immediately after introducing them to her few crew members). Put simply, I feel the episode excessively plays up Fionna as a gullible girlfail, which seems a bit much. Paradoxically, in "Jerry," the show did not have Fionna properly, fully, believably consider the ramifications of the mistakes she had made; instead, the episode focuses much of its emotional energy on the story of Simon and Betty's relationship. Yes, Fionna does have a realistic breakdown in the middle of the episode, but almost immediately, the show decides to have Simon distract her with more of his own love story. None of this sinks the episodes, but it does make them less than perfect.

For some, the episodes' bleakness might also be a defect: indeed in both "The Star" and "Jerry," lots of characters die, and the fridge horror is off the charts. But while I have criticized the show for such cruelty in the past (e.g., my review of "Wizard City"), the bleakness in these episodes is not meaningless. Instead, it arguably serves to underscore that without Simon Petrikov existing and doing all that he has in the Ooo Prime universe, the world (any world) quickly goes to hell. (This is perhaps most noticeable in "The Star," given that the big twist of that universe is that Simon was killed by vampires, presumably before he placed the ice crown on his head, thus resulting in Marceline's capture and indoctrination by the Vampire King.) Even in his crazed "Ice King" state, Simon is something like a cosmic lynchpin holding together reality! Considering how much Simon/the Ice King is a woobie in the original series, it is nice to see Fionna & Cake accentuate just how important he actually is.

Final “The Star” Grade: A-

Final “Jerry” Grade: A-

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Swedish Beauty Anna Nyström (@annanystrom)

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Recension av ”Je m'appelle Agneta” med Anna Granath

< div data-link-category=”article”> Teater “Je m’appelle Agneta” Av Emma Hamberg. Manus: Marie Persson Hedenius. Regi: Anna Granath och Micke Mårtensson. Scenografi: Hanna Cecilia Wilén Lindkvist. Kostym: Sanna Nyström. Medverkande: Anna Granath och Dag Malmberg. Scen: Rival, Stockholm. Längd: 2 timmar 30 minuter inkl. Paus. Visa mer Visa mindre Bara dagar innan den planerade premiären av "Je…

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Anna Nyström

[alexbkrieger13]

For the anon wondering about Sweden's younger generation players we do have a bunch in the making 15-19 year olds or older in the U23.

From the top of my head and in no particular order Felicia Schröder, Monica Jusu Bah who was just signed by BKH, Evelina Duljan, Evelyn Ijeh who was just sold to Tigres in Mexico and biggest transfer for VDFF ever (more than when they sold Cankovic and Anvegård to FCR), Paulina Nyström, Smilla Holmberg, Ellen Wangerheim, Serina Iddrusu Backmark, My Cato, Elma Junttila Nelhage, Hanna Wijk, Hanna Lundkvist, Anna Sandberg, Alva Selerud, Rosa Kafaji, Matilda Vinberg, Cornelia Kapocs, Matilda Nildén, Amanda Nildén, Cajsa Rubensson, Sofia Reidy, Lisa Björk, Bea Sprung, Tuva Skoog, Emilia Pelgander, Julia Cavander, Maja Wangerheim, Medea Wignell.

Some play/have played outside of Sweden.

yea its quite a list of promising faces. definitely a good few of them we shall see pop up on rosters in the next year or so

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Anna Nyström