#Angela Dennis

[cinematicjourney]

Wendell & Wild (2022) | dir. Henry Selick

[fangirlforlife97]

If someone is able, PLEASE LET THE CAST KNOW HOW WELL THE SHOW IS TRENDING ON TUMBLR!!!!???!!!! It's been trending within the top ten since Thursday. CAN YOU IMAGINE IF ITS STILL TRENDING BY NEXT THURSDAY AS WELL??!! Before it starts trending again most likely!? 🤣❤️

[pinkdreamcollectorsworld]

Hello! I'm sorry for not getting to this post earlier, life's been crazy the last week hahaha (adulting, ya know?)

I watched the finale and boy howdy it had me in my feels 😅😅

If you haven't watched it yet, this is a post that definitely contains spoilers so read at your own risk!

Wanted to start off with some of the plots that stood out to me the most. these are just my thoughts and opinions/ feelings so please be nice in the comments. I kinda wanted this to be a discussion post for anyone interested.

Bobby- he lived! I'm so so so glad he was okay, i lowkey thought we were losing him. He's honestly one of my personal faves so idk how I would have felt if he didn't make it 😭😭 I also just wanted to point out, he literally quit, almost died, and then walked into the station like nothing happened. I cannot wait to see how the team is going to handle him quitting and literally not saying anything before everything went down. Like was he just planning on not telling them at all?? Also, in terms of what his plan was, honestly broke my heart. He DESERVES the life he built. He DESERVES the family he built. And the scene with him and Amir just.... ugh. Amir might not forgive him but I wasn't expecting him to tell Bobby he earned the right to a life and family despite what happened. His montage at the beginning of last episode BROKE ME.

Athena- Homegirl was out for BLOOD! Look, I love athena, but she literally misuses her job for personal gain and expects no consequences😭 both her and Bobby have been through SO MUCH these last few seasons. In terms of Amir, I think they just needa let the man live his life. Yes, her being there pretty much saved him from the cartel, but guys, she ate her words by pulling a gun on him. Im not sure what season she says it but she tells someone that it is in fact considered assault when you point a gun at someone. Angela Bassett performance this episode was 10/10, probably one of her best performances so far imo

Hen & Karen- omgggg these two I tell you. They can't catch a break😭😭 the way they lost Mara simply because a councilwoman was on a power trip just had me in TEARS. They deserve to have Mara in thier life, no matter what. I think they are good for her. She's good for them and Denny. I hope we get to see thier story progress more next season.

Maddie&Chim- THESE TWO! The fact that they were there when Hen got the call about Mara and were the ones who got her out of the group home just does something to my heart ngl. I literally love them both so much. They are so so kind and caring about the people in thier life.

Eddie& Chris- this is the one that truthfully really made me question some things. Eddie really, REALLY needs to talk to someone. The whole thing with Kim just, makes me feel icky. Did not like that little subplot one bit. I understand that Kim was simply trying to help, but I honestly think it made things so so much worse. Especially when Chris and Marisol walked in the door at the end of the moment. Chris literally stood there, and said "Mom?" He's traumatized for life. I honestly agree with his decision to call his grandparents. Little guy just needs a break. He needs space. His dad is going through something that he as a CHILD shouldn't have to endure as well. I know some people hate that Chris called the grandparents, and I know that Eddie really didn't want to let Christopher go but he needed to.. even if he didn't want to.. I think Eddie is going to be going through it next season and I can't wait to see what they do with him next season.

Buck- Buck, Buck, BUCK theres so much that I loved about him this episode. The fact that he showed up for Eddie and Chris and said "what can I do" I just... *chefs kiss* He showed up and said "I can't explain this to your kid but I will make damn sure he's okay" and DID. He made sure that Chris was okay, and on top of that made sure Eddie was also okay. And when the grandparents showed up, even though he couldn't convince Chris to stay, he didn't try to get any more involved than was necessary. You can see on his face that he's sad about Chris wanting to leave, but understands. He's sad for Eddie and put his hand on his shoulder to say, "I'm sorry, but im here for you". In my opinion, Buck has grown so so much since the first season and he's become another one of my favs.

Buck&Tommy- (I felt they needed thier own little section) I love what the actors, showrunners and writers are doing with this. Tommy and buck are in a HEALTHY, STABLE, relationship. It might have started out just a little rocky, but they've built on it and each other and im HERE FOR ITTTT! The vulnerability between the BOTH of them about thier own fathers/ father figures when Tommy asked buck if he was okay really proved that they are at the point in the relationship that they can open up to each other, and that Tommy cares. They know how to read each other. In terms of the daddy issues topic, im glad that queer, MASCULINE MEN are shown in a proper, HEALTHY, SHAMELESS sexual relationship. Buck opened the door by flirting and tommy picked it right up and im here for it. There wasn't anything "weird" or "out of left field"about it, Buck wanted to see if Tommy could match his freak and he DID! I genuinely hope they grow next season and give us more insight into thier relationship dynamic.

I also just wanted to point out, Cap literally told Buck "hes good for you, because we haven't had to talk about it" like what other proof do people need to see that they are a good match? Literally every other relationship buck has had, has ended in disaster. I don't think there was a partner he had that didn't warrant a discussion between him and Cap before Tommy came around.

The team all together- the fact that they all dropped everything to be there for Cap and athena really shows that they are a family.

Captain Gerrard- not much to say, not surprised that they brought him back, next seasons gonna interesting. Still a POS in my book no matter WHAT they do with his character.

All in all I loved the season finale. I loved that they wrapped up most of the major storylines to open the door for a new one (captain Gerrard return to the 118)

Thanks for reading if you stayed through this jumbled mess!

[911whatsyourgratitude]

Denny, kiddo, you made me cry ,y eyes out last night!

Buck, i absolutely love your yap rants about things you just researched like Billy Boils

Hen & Karen fabulous Fashonistas

Jee-Yun & Mara adorable Dorothy and Toto costumes

Bryan Safi and the Eddie stache….

Bobby loved the vampire

Athena I died laughing at the end “That’s cap”

Maddie of course the adorable callback to her previous cat costume a few seasons back

Michael “Chimney” Myers’s Han 😚🤌🏻

[108garys]

The Clarkes haunting the narrative is THE point

The following was a response to the idea that the prologue and end hold little hope back that ended up being way longer than intended, no shade on the person who said that I just realised that I didn't want to drop a whole essay on them, so without any more preamble:

Truthfully I am completely disinterested in making Little Hope more palatable to people who require the story's soul to be torn out to enjoy it because that's what the beginning and ending is. The broken heart of little hope.

That said I very much love the middle too but the Clarke family's story is the heart and soul of little hope and the whole point, otherwise why does anything in the town matter? Vince? Just some dude, the subplot of the town falling apart, being in the literal wreckage of 1970s era Little Hope? Random set dressing because a straight up three century old ruin of a town would just lack the infrastructure required to have the facade of searching for help in town… So many of the secrets are about them, you straight up spend a good chunk of the runtime passively learning about the individual family members both in private and public and even though I think some people choose the shallowest reading out of spite it is very deliberately stated that there is an element of choice in interpretation, the curator says so at the start. The more praised facets would be greatly diminished without the Clarkes, the subtextual nature of overcoming your demons gives meaning to the outright textual fighting of demonic monsters and the parallels would not be as strong between the 2020 and 1692 eras alone.

It is a common mistake that there are better or worse versions of the characters but it's simply not true as they are all different aspects and much like a triangle needs three points the cast of little hope needs all three points of reference to fully appreciate their stories. My earliest read of Little Hope centred on Anthony recontextualising his family in two divergent ways, 1692 where they are presented as victims of circumstance and 2020 where they are more deliberately flawed people who must overcome their demons because the truth is that both things are true of the Clarkes and so they are separated out into their different aspects and analysed accordingly.

Angela's characterisation doesn't work exclusively compared to Amy, her story of fighting for her agency doesn't land the same without Anne, Amy on paper is a woman who did everything right bar being too harsh to a child and was killed for it, Angela is a woman burnt by her past yet soldering on and still retains the same flaw of blaming the child, where as Anne being a snowed under house wife who struggles with keeping her family together and feels like she has zero agency in her situation and all the while fails to understand the perspectives of the very people she feels responsible for is the context between Amy the beloved wife who is wrongfully accused and uses her one bit of agency to place mistaken blame on Mary and Angela who refuses to rely on or believe in anyone or anything, the fact that she's divorced and starting over in her late forties does not work when only compared to the wholesome yet tragic Lamberts who's marriage is never depicted in the negative to justify Angela's divorce. She'd appear as a nearly fully different person for no reason without Anne to bridge the gap and make their depictions consistent, without the 1970s it just looks like she's angry at her husband for failing to save her despite his best efforts and that severely damages her character and arc.

Connected to that, J places his trust in the wrong places, delegates, blame shifts and runs from facing the bigger problem, the alcoholism is emblematic of this but the refusal to see the truth about M's innocence and place responsibility at the feet of the proper authority because he'd have to confront his misplaced faith requires all three, Joseph failing to his dying breath to understand Mary's innocence and James getting blackout drunk over the stress of problems he finds insurmountable are necessary context to John's sobriety and further arc and John being a recovering alcoholic would just be flavour text without the harsh sting of how addiction colours James.

Daylor wouldn't lose its questionable reading if they were only siblings in 50% of other eras instead of two thirds but Dennis expressing his frustration at Tanya pulling away contextualises their codependency and mutual need to be needed in a way that is incomplete, you see a couple in the early stages of dating and siblings who got killed three hundred years prior, the 70s contextualise T's need for stability and dependability and her survival instincts pushing her to flee and D's arrested development in the way he struggles to function when they aren't a unit, beyond that David and Tabitha care for Mary together in Amy's trial scene and after her death he doesn't even fight his own execution, not even to continue the task of raising his only remaining orphand sister alone, this isn't to say David doesn't love Mary as he blatantly shows care for her in not wanting her to be traumatised by his death but he simply falls apart without Tabitha and Dennis being the way he is when Tanya is pulling away from the family shows a lower stakes, longer depiction of that breaking down but she's still physically there so it isn't collapsing in grief, it's the simmering resentment of feeling like a person you care for isn't prioritising you reciprocally, these feelings aren't wrong in of themselves but they aren't pretty and Daniel's outbursts and more negative dialogue choices and David's quiet grief don't capture the way that feeling of being stabbed a million times over everything time you aren't the first choice but the other person didn't wrong you by choosing differently so there is no proper way to get that out feels. D is often mistaken as a shallow generically decent guy with a random angry iteration that doesn't fit into a boring whole but it's simply not the case, him proving he can be reliable in 2020, his fight against his various insecurities is something he needs to do for himself as much as T, the others aren't better adjusted or better people compared to Dennis, their circumstances just present entirely differently.

Furthermore Taylor feeling like an outsider doesn't work alone with Tabitha being part of a family unit, I've seen it misinterpreted as Taylor being less proactive than her counterparts but the truth is that T's behaviour is characterised by survival instinct and a need for stability, Tabitha realises something is wrong after the first death and attempts to protect Mary but counsels keeping their heads down, Taylor being vocally in favour of staying put and Tanya's quiet desperation to get away from everything are not opposite but different flavors of the same base needs, Tanya legitimately being a practising witch adds a layer between the other two versions, Tanya appears very conventional despite her secret unconventional beliefs and Taylor is the inverse being visually the most nonconforming member of the cast while her desire for a knight in shining armour is very traditional in its own way, pair this with the straight forward trial of Tabitha and you get an exploration of not going with the first assumptions that blankets the rest of the narrative.

Carver is a great antagonist all his own but without 1972 there is no broader context, and even if you still have that era but not the Clarkes it would just be "this guy's bloodline remained assholes for centuries" and not the direct parallel to Carson, there is no canonical 2020 equivalent to his character yet he haunts the narrative beyond himself, judge wyman intentionally mirrors the passing neighbour who immediately demanded to know what Anthony had done when the matchbox is revealed, the accusatory paranoid hysteria of puritan little hope and Anthony's poor treatment after the death of his family are directly connected and that's the point, Melissa is there to bring the conversation about the little girl's guilt or innocence to the forefront in a way that makes it a present plotline that goes beyond Mary and brings in the nature that the past is reflected in other eras and without Megan you lose a lot, Melissa requires her context in a way that Mary alone doesn't achieve and Abraham and Andrew's decision on the matter is in fact a question over Anthony's guilt and his internal struggle between blaming himself and blaming Megan and the further grief around this unresolved guilt to the point where he was psychologically unable to process the death of his family for nearly fifty years is the point, the whole point, of the 1692 reframing.

the Clarke family haunts every aspect of Little Hope and without the ending it would be pointless, the way their deaths hang over everything to the point where the puritan versions are doomed to die in the same way they were already depicted as dying and the way an engaged person would quickly catch on that 1972 death=1692 death and therefore 2020 character faces the same fate, it would be meaningless without the Clarke tragedy, it would simply be shock value that builds towards nothing without the ending and the ending doesn't make the game any less about the other eras because they are one and the same in every way that matters.

[moraviablogs]

The episode of 911 "Masks" was so good it felt longer than an hour, and I enjoyed every minute, even the moments where I was scared and crying.

I love this show

[of-fear-and-love]

Technology from Waiting to Exhale (1995)

[idealuk]

My reaction to 7x09:

They showed Buck when he said Tommy and they showed Eddie when he said Buck.

Shannon was the love of Eddie's life? No. Bobby reminded us that Catholic guilt is still in play for Eddie. Eddie has no idea who he is right now.

Buck is safe with Tommy. Didn't Eddie also have to learn to not play safe with relationships?

There's a reason why Angela, Peter, and Malcolm-Jamal are legends.

The Henrendenara scenes nearly killed me.

First, Eddie, and then Bobby? The couch and kitchen theories are back with a vengeance.

The artwork on the wall during the scene in which Kim gives Eddie closure over Shannon?

Vertigo-esque shit is literally in the room.

E.T.A.: I forgot to mention all of the sunset lighting!

And more proof that my computer is psychic?

It started to play this when I went to make this post and what is Buck to Eddie if not the co-keeper of Eddie's guiding light (Christopher) and this episode proved it.

[taylorshope]

Supermassive Games as random Roblox things

[scenephile]

- How are they?

- Terrible.

[cinematicjourney]

Wendell & Wild (2022) | dir. Henry Selick

[kindheartedgummybears]

guess who got bored and decided to color-swatch most of the lh characters

now obviously take all of this with a grain of salt since we all know color-picking from screenshots and models isn't the best way to get their skin tone due to color theory and color-picking being pixel but pixel but its the general kind of skin tone they have so <3

all images sourced from HariboStixx on DeviantArt.

[thingsasbarcodes]

The Dark Pictures: Little Hope - Everybody Lives Ending

[911whatsyourgratitude]

So incredibly grateful to have such a phenomenal cast. Not only is the main cast incredible, but also recurring characters like Sue, Josh, Karen, Tommy, and Amir, as well as all the firefam kids. Everyone delivers stories that go from heart wrenching to heartwarming to downright silly with ease, and season 7 was an absolute joy to watch. They should all be very proud, as should the writers, directors, and crew 🩵

Submit Your 7x10 Gratitudes

[gladioluslemon]

THE LITTLE HOPE GANG AS AMOUG US CHARACTER!! (blame me and little bit of @kindheartedgummybears)

Daniel/Dennis/David

Andrew/Anthony/Abraham 

Taylor/Tanya/Tabitha

Angela/Anne/Amy

John/James/Joesph