#Andaluces

[carabanchelnet]

PAl JUANMA Claro que sí, Juanma.Estoy seguro de que los andaluces no paran de pensar en los catalanes. Normal que te subas el sueldo y desvíes dinero a la sanidad privada. Hay que ser competitivos. Video publicado por Hora Veintipico @HVeintipico

[welele]

Este vídeo me ha puesto muy violento Como vas a decir "somos británicos" con el acentazo andaluz de camarera de Bodeguitas Antonio Romero??? Como no te da vergüenza Charo asquerosa pic.twitter.com/5Mo92lm70G

— Vader🖕😡🖕 (@vadernoveno) September 12, 2024

[chicosanchez]

Gracias a Cristina por la foto de mi libro El Valle Sagrado en la costa de Cádiz y el subrayado tan acertado que hace de su mensaje. Si todavía no lo has leído te invito a comprarlo desde estos enlaces:

En papel y kindle: https://amzn.eu/d/9UCZ9nO ( España )

En Papel y kindle: https://a.co/d/hMd79C5 (México)

En papel y kindle: https://a.co/d/5ItZBUq ( Amazon.com )

En PDF: https://chicosanchez.com/libros/ols/products/el-valle-sagrado-libro-chico-sanchez-pdf 

Si necesitas algo o no funcionan los enlaces avísame sin compromiso.

Gracias por compartir

[pehyellow]

"En este Día de Andalucía, recordemos que nuestra riqueza está en nuestra identidad y nuestra fuerza en nuestra diversidad. ¡Celebremos juntos el espíritu andaluz que nos une como pueblo”. . . @josecorderophoto . . . . . #cádiz #chipiona #andalucia #felizdiadeandalucia #28f #flores #arte #andaluces #diariodeunfotografosolitario (en Chipiona Playa) https://www.instagram.com/p/CpM7PGyMoCp/?igshid=NGJjMDIxMWI=

[docpiplup]

Related with the Rabadis chapter of the Al Andalus. Historical Figures, there's some books and historical novels about the topic. Two of them are mentioned in a a couple of articles about the Rabadis I posted and translated here on Tumblr (X) (x) if anyone wants to take a look.

The last two books are historical novels, from a saga, The Arrabal Lineage, whose second novel was published last year.

La Odisea de los Rabadíes: El primer exilio hispano (The Odyssey of the Rabadis: the first Hispanic exile) by Manuel Harazem

March 2018 marks the 1,200th anniversary of an event that occurred in Córdoba that, despite remaining unknown to the majority of its current inhabitants, had crucial importance in the city, on the peninsula and in distant places in Africa and the Eastern Mediterranean. The revolt of the Saqunda suburb, its total destruction by the emir al-Hakam I and the expulsion of the surviving residents of the subsequent brutal repression has the honor, heroic on the one hand, but sad on the other, of having been the pioneer of two constants in the history of the peninsular peoples: the popular revolts inscribed in the class struggle and the exiles for political reasons. This is the first popular revolt for socioeconomic reasons and the first exile for political reasons that we have documentary evidence in the history of the Iberian Peninsula, a land that would be lavish in them from then until today. The consequence for Córdoba will be that the southern bank of the Guadalquivir would never be historically urbanized again until today, turning it into a strange case of a large city located on the bank of a river and equipped with a magnificent bridge that did not take advantage of that circumstance to develop in parallel. The consequence for distant places will be the colonization by those exiles of one of the most important cities of the Islamic world, Fez, the ephemeral, but impactful, founding of an independent republic in Alexandria and above all the creation of a prosperous Andalusian emirate on the island. of Crete that would survive for 130 years, facing the attacks of the Byzantine Empire, and throughout which its sovereigns would maintain the title of Cordoba with persistent pride. The exiles tend to be all similar, but in this case the exile of the Rabadíes, if it resembles any, is that of the Republicans after the civil war that unleashed the Spanish Fascist Revolution. The Arrabal revolt and the Republic are comparable events because both were rebellions of the popular classes allied to enlightened strata against absolute power and the permanent injustice of the emir and the regime of the national-Catholic agro-bourgeois elites. When the Power decides to apply the lesson, the emiral repression in the suburb will last three days and the civil war unleashed by the National Catholic forces will last three years. And in both cases, the terrible destruction is followed by an exile that takes two directions, one by land and the other crossing a long stretch of sea, Fez and France, Crete and America. And all cases will be fertilizers of culture of the host lands. This informative work collects the complete sequence of those distant events, which occurred in Córdoba, Toledo, Fez, Alexandria and Crete in the 9th century, in a research effort diving into different sources in different languages ​​to clarify dark points and dismantle some errors that over the centuries, scattered and unconnected stories had accumulated in traditional historiography. And along the way, he analyzes the city's relationship with history and the remains of its Islamic past. But above all it aims to vindicate the memory of some people from Córdoba who carried out the marvelous feat of rising up against injustice and turning their misfortune into a civilizing task in the distant lands where they sought refuge to rebuild their lives.

Los Andaluces Fundadores del Emirato de Creta (The Andalusian Founders of the Emirate of Crete), by Carmen Panadero

Do we Spaniards know our History? We think we know it. Sometimes important and exciting pages from our historical past appear before our eyes, which we had not heard about. There are many who are unaware, even in Spain, that thousands of families exiled from a suburb of Córdoba took the island of Crete from the Byzantine Empire, creating a dynasty of emirs there during the 9th century and part of the 10th. Very few are those who will know. that those simple people of the town, Iberians from an inland city who had not seen other waters than those of the Guadalquivir River, took over the hegemony of the eastern Mediterranean, defeating Byzantium in decisive naval battles. It all began in Córdoba, in the month of Ramadan 202 of the Hegira (March 818 AD). In this work we try to delve into the causes that caused the mutiny that gave rise to these events and we investigate the role played in it by the different social classes of the moment. Likewise, we analyze the subsequent historical events, triggered by the exile of the rebels from the Sequnda suburb and carried out by them. We will follow the outlawed Cordobans in their long and painful exodus, which, through North Africa and after a period in possession of Alexandria, concluded when they managed to take over the island of Crete. Byzantine and, later, Greek sources have dealt with to the History of the Emirate of Crete and to the people of Cordoba who founded it through manipulation and prejudice, falsifying the historical truth and even calling them pirates. It is inexcusable to finally do them justice, to rehabilitate the figure of their most important leader, Abu Hafs al-Ballutí, and that at least in Spain, his country of origin, it becomes known that the ancient town of Pedroche, his birthplace, and Córdoba, their capital, have many reasons to feel proud of this distinguished character and his lineage. This essay, with rhythm and air of chronicle, has as its main objective to banish the partial and biased vision of this chapter of our History and to make known the true nature of the State founded in Crete by the outlawed Cordobans of the Sequnda suburb. To this end, the author has had to find translators for the fundamental works that document this topic, since they had not even been translated into Spanish until now. Thanks to the Arabic chronicles and, above all, to three Greek historians (Vassilios Christides, Christos Makrypoulias and Nikolaos Panagiotakis), who for the first time faced these historical events, overcoming prejudices and initiating a rectification, we can partly reconstruct the exploits of these Hispanics, Muslims and Christians, in the eastern Mediterranean.

La Estirpe del Arrabal I: Córdoba en el recuerdo (The Arrabal Lineage I: Córdoba in memory), by Carmen Panadero

Córdoba, 9th century. Al-Hakam I, the most despotic of the Umayyad emirs, reigned. Abũ Hafs and his family are involved in the riot in a suburb of the Andalusian capital, they suffer the relentless punishment with which it was repressed, the executions of friends and neighbors, the loss of all their property, exile with 22,000 other families, the painful exodus through North Africa, but they managed to survive, and there their adventure begins. The outlaws of the suburb took Crete from Byzantium, and Abũ Hafs was sworn in as the first emir of the newborn dynasty. There they were able to recreate their second Córdoba and recover their customs. Abũ Hafs gave his life to that suffering people, guided them when they were aimless, minted their own currency, promoted flourishing trade, opened Crete to the world and settled the religious conflicts that plagued Byzantium. All of this seasoned with intrigue, betrayal, self-denial, love and heartbreak: the fight of an entire people for its survival.

La Estirpe del Arrabal I: Creta, El Precio del Olvido (The Arrabal Lineage II: Crete, The Price of Oblivion), by Carmen Panadero

10th century. The crown prince Abd al-Azĩz headed the embassy that arrived in Córdoba sent by his father, the emir of Crete Suhayb II, and when faced with the devastated suburb of Sequnda, from which a century before his ancestors were expelled by the emir al-Hakam I, felt the weight of History and meditated: — “I was never in Córdoba before, why do I feel then as if I had never left?”

But he decided to return to Crete and assume his responsibilities after swearing on those sacred ruins that, on the painful day in which he was to succeed his father, he would choose as his nickname al-Qurtubĩ, "the Cordoban", so that his people would always remember that the Forgetting their past would condemn them to lose Crete like one fateful day they lost Córdoba. And Byzantium lurked.

This novel, the 2nd part of La Estirpe del Arrabal, narrates the events of Abd al-Azĩz I al-Qurtubĩ, the last Andalusian Emir of Crete - his loves, his sorrows, his certain justice, his revenge - and in parallel offers us the touching love stories of his son Al-Numan with Bahã, and of his daughter Yannã with Karim al-Mundhir, the military hero that even Byzantium admired under the Hellenized name of “Karamountes”. And, furthermore, betrayals, intrigues, exploits, battles...

Carmen Panadero, author of novels such as El Collar de Aljófar, La Cruz y la Media Luna or El Halcón de Bobastro, gives us once again that alloy of history and fiction that constitutes the genuine historical novel.

Talking about the Emirate of Crete and the Byzantine Empire, there are some depictions of the battles between them in the Synopsis of Histories, work by the Byzantine historian John Skylitzes from the 11th Century, which covers history from Byzantine Emperors between the death of Nikephoros I in 811 to the deposition of Michael VI in 1057.

Then in the Sicily during the 12th Century, a illuminated manuscript version of Synopsis of Histories was produced at the Norman court of Palermo. This manuscript is called Madrid Skylitzes, because nowadays is housed in the Spanish National Library, in the web page of the Library you can see the Madrid Skylitzes digitized.

1. Byzantine attack on Crete

2. Byzantines under Krateros defeat the Cretan Saracens

3. Byzantines under Nikephoros Phokas besiege Chandax

4. Byzantines under Ooryphas ambush and defeat the Cretan Saracens

[newcositas]

Here they are, the alternative characters from the same game setting but with different players! My character raquel in 2C universe

[tsukuyomiland]

Oficially, Spain declares and recognizes Palestine as nation!

[jackredfieldwasmyjacob]

we can always discuss about what iberian region / culture is better but i think it's safe to assume andalusians have the best song about their region

[yume-fanfare]

sobre el post de antes, me encanta ao3. fútbol rpf, qué opináis

[cuchufletapl]

Yo sólo digo que si lo de la adaptación de La casa de Bernarda Alba pasara con una obra de cualquier otra cultura hoy en día, las redes sociales se echaban al cuello de Hollywood en masa. Pero como es de España el Twitter guiri no va a decir ni mu, ya veréis.

[almohibofficial]

Andalusia #andalucia #a #spain #espa #sevilla #malaga #andaluc #granada #cadiz #travel #photography #estaes #costadelsol #ok #n #cordoba #ig #andalusia #semanasanta #marbella #turismo #almeria #huelva #travelphotography #picoftheday #madrid #photooftheday #m #love #total https://www.instagram.com/p/CoffHkUs1vA/?igshid=NGJjMDIxMWI=

[vidente-tarotista-gratis]

#andalucia #a #spain #espa #sevilla #malaga #andaluc #granada #cadiz #travel #photography #estaes #costadelsol #ok #n #cordoba #ig #andalusia #semanasanta #marbella #turismo #almeria #huelva #travelphotography #picoftheday #madrid #photooftheday #m #love #total https://www.instagram.com/p/CpL6RqPIJtO/?igshid=NGJjMDIxMWI=

[chicosanchez]

La Profecía de los Jaguares. Un libro de Chico Sánchez.

En papel_ https://chicosanchez.com/libros/ols/products/libro-profecia-de-los-jaguares

En PDF: https://chicosanchez.com/libros/ols/products/libro-la-profecia-de-los-jaguares-chico-sanchez-version-digital-pdf

También puedes comprarlo en papel y kindle haciéndo una búsqueda en Amazon.

Gracias

[newcositas]

[dolceminerva97]

Holis, esto es una pregunta de dos partes. Espero que no sea molestia.

1- Recuerdo ver en uno de tus cómics que mencionas que Tina es de padres humanos. Creo que también dijiste que estos padres serían españoles cierto? Me interesa saber como explorarías este tema. ¿Como eran sus padres? Si es que tienes eso datos claro. ¿De que región de España inmigraron? Se que mencionaste también que Tina vio a Antonio como una figura paterna pero no tienen relación sanguínea. ¿Antonio sabía esto? ¿Fue tu intención darles paletas similares?

2- Está segunda pregunta viene de la pregunta previa. Me gusta la diversidad entre tus personajes, pero igual me interesa como eliges caracterizar a Tina. Es una mujer muy hermosa, y me interesa si también haces esto que hacen muchos Oc de que cierto aspectos físicos representen cosas del país. Si es el caso, ¿cuáles serían estos atributos?

Ojalá esto no sea molestia o que llegue a ser medio ignorante ;-;

Bueno ojalá que estes teniendo buen día!

Tu ask me inspiró a hacer este dibujito! Es algo super sencillo porque no quería complicarme con sus ropas de época, solo dar una idea de cómo lucían.

Tristán proviene de Galicia, porque quería reflejar de algún modo lo significativa que es la comunidad gallega y su presencia en Argentina. SIN EMBARGO!!! esto no quiere decir que los gallegos eran la mayoría de los españoles durante el período de colonización, de hecho la inmigración gallega masiva es un fenómeno que ocurre siglos después. Para esta época, los gallegos no eran los colonizadores y pobladores más abundantes, pero haberlos, habían, así que Tristán es una especie de "foreshadowing", un guiñito al futuro.

En cambio, el origen de Clara sí hace alusión a la colectividad más activa y presente en los inicios de Argentina, que es la comunidad andaluza. Actualmente, los andaluces son la segunda colectividad española más importante en Argentina, detrás de la gallega, pero ellos estuvieron allí consistentemente desde el principio.

Estoy barajando dos posibilidades con el origen de Clara, porque no me termino de decidir. Primeramente la imaginé como una mujer andaluza que conoció a Tristán en Cádiz, se casaron y vinieron juntos a América. Pero también considero la posibilidad de que ella sea la primera generación de mestizos en Asunción, hija de un andaluz y una mujer guaraní, y que al contraer nupcias con Tristán en el Paraguay, el nuevo matrimonio formó parte de las primeras corrientes de pobladores que se establecieron en el norte argentino y fundaron las ciudades de Santiago del Estero y Tucumán.

En cualquiera de los dos casos, ellos vienen del Paraguay a asentarse en el norte argentino, donde nace chikitina, y al año de su nacimiento (aproximadamente en los tardíos 1560s) sus padres mueren durante uno de los múltiples enfrentamientos con los pueblos nativos que eran hostiles a los españoles en la zona. Tristán muere por una infección en una herida mal curada, y Clara muere a los días, desprotegida, intentando escapar con su hija en brazos. Días más tarde, otros españoles encuentran el cuerpo inerte de Clara con la bebé intacta y prendida a su pecho, del cual aún salía leche. Lo consideran un milagro de La Providencia y se llevan a la bebé, quien pasa a estar al cuidado de unas monjas. Al cabo de unos años, las mujeres se dan cuenta de que chikitina no crece como una persona normal, y llegan a la conclusión de que su condición milagrosa es una señal de que ella es una de esas personas especiales, una aeternus.

Dan aviso a las autoridades y así Antonio eventualmente se entera de que ha aparecido una nueva inmortal, cosa que no es poco com��n en esta época de conquista, expansión y fundaciones. Antonio (o tal vez Fátima/Andalucía) la bautiza y le dan el nombre por el que la conocemos, Agustina García. Ella pasa a estar al cuidado de los mismos que cuidan a Tucumán y las provincias del norte, y así pasan décadas y siglos en los que Tina pasa su infancia temprana sin un rol definido. Técnicamente no tenía un "nombre geográfico" aún, pero ya desde ese entonces se referían a ella como "la Argentina", que en ese entonces hacía alusión a las tierras españolas al sur del Alto Perú. En 1776, chikitina recibe por primera vez un rol definido y se convierte en el Virreinato del Río de la Plata, se muda a Buenos Aires y el resto es historia.

¿Sabía Antonio que Tina lo miraba como un padre? No, pero no le resultaba extraño porque seguramente más de un latino lo miraba con esos ojos. Simplemente no tuvieron una relación personal lo suficientemente cercana como para darse cuenta de lo que anhelaba una de los muchos chiquillos del nuevo mundo.

¿Es intencional que sus paletas de colores sean parecidas? ¡Totalmente! Básicamente, concebí el diseño de Tina en 2010 de esta manera:

Y con respecto al tema de si hay alguna parte de su cuerpo que represente aspectos geográficos del país... realmente no, aunque me gusta imaginar que tiende a sufrir mucho frío en los pies, en alusión al sur del país jsjsj. También podríamos decir que su figura curvilínea y apariencia de mujer joven y fértil responden a la fertilidad de sus campos, pero eso es más bien una parte más de su construcción como alegoría. No hay referencias puntuales a lugares geográficos en su cuerpo ni en ninguno de mis ocs.

PD: Olvidé aclarar que Agustina no sabe absolutamente nada acerca de sus padres, ni su origen. No quedaron registros de su nacimiento y los españoles que la encontraron no pudieron identificar a su madre tampoco. Ella solo a veces trata de imaginar cómo pudieron ser sus padres, pero no le da muchas vueltas al asunto.

[jackredfieldwasmyjacob]

okay so, in OT, when they nominate you you can choose the song you'll sing next week (possibly your last one). also for the final. so. tell me besties. what would be the songs you'd choose for your nomination and for the final (no voice restrictions, we would all have incredible voices and ranges in this scenario).

in my case i think it would be el fin del mundo by la la love you and peces de ciudad by ana belén (specifically the joaquín sabina version tho) respectively :)