hiiiii i know this may come across as a bizzarre request but ... do you have any rec ( book, essay, movies other than tliw ) that follows the Oedipical interpretation of Eleanor & Richard I relationship on the wave of tliw ? i'm curious to know if it's a tliw-only interpretation or it can be found in other texts too!
not a bizarre request at all for this blog XD
This is the part where I have to shill The Devil's Crown again, which probably is the series that really leans on that sort of oedipal weirdly affectionate/resentful/close relationship a lot when it comes to Richard and Eleanor, even moreso because it shows their relationship and interesting attachment to each other over time (one of those cases too where when you cast the motherson actors around the same age they tend to develop a certain chemistry...) You can DM if you're interested in that.
Also if you like crumbs, the Dan Jones documentary about Henry II's dramas is very cheesy but there are some *hm emoji* moments by the reenactors that I of course find very amusing
Honestly it also is fun to just read the historical writings as well with The Goggles bc even though there's not a lot of records of course of people's internal individual thoughts and feelings kind of the Professional Structure of people's relationships are always very fascinating. For me, I'm always drawn to stories where Maternal inheritance plays a big role and that's a theme that comes up in all the stories I feel when talking about Eleanor and Richard, they're connected not just bc of familial affection etc but with very material and practical connections of land, wealth, and ancestral title (being invested with the symbols of the rule of Poitou and Aquitaine early on as extension of her authority as well, Henry bringing her out of jail to manipulate Richard into giving her his claims, etc). It becomes an interesting basis and skeleton, I guess, to project emotion upon...TLIW takes a lot of advantage of this where a lot of the story is about the characters who have human emotions towards each other but it's channeled through desperately demanding and wanting to control each others lands.
The oedipal kind of interpretation of seems to be kind of almost taken for granted in some of the earlier writings from the 1970s and before such as in the writings of James Brundage in his Richard Lion Heart (1974). I also can't find it now but I also remember coming across some amusing blogs that wrote about the two of them in very hmmm Romantic-ish ways that on one hand was interesting to me but also clearly felt like it was doing a lot of projecting on these people's emotions and motivations XD in general.
I believe those kinds of assumptions of the era are the ones that John gillingham and Jean Flori were criticizing and pushing back on in their scholarship since it relies on some pretty wild assumption making about Richard and Eleanor's personalities and internal motivations that are impossible to know, as well as very dated and prejudiced ideas about "aberrant sexuality" (obviously, if u hate ur dad and love ur mom this is clearly GAY HOMOSEXUAL behavior according to these ppl...) . Overall the psychoanalyst fanfictions are not great for an objective historical analysis but they ARE fun for the literary freak goggles definitely
7 notes
·
View notes
For Liefer to pull up a Camus quote like this is quite laughable because of how the dynamics mirror each other. In the modern day, we have a status quo where Palestinians continue to be imprisoned and murdered and raped and segregated, denied basic medical care for years on end, all on their own land — while Jewish Israelis (to make distinction from Palestinians with Israeli citizenship, as many liberal zionists love to point out) suffer no consequences for anything, even if they play a direct role in the continued erasure and genocide of Palestinians. So if given a choice between suffering no consequences while benefiting from the status quo (that will not change unless the oppressed take it upon themselves to change their circumstance) and suffering consequences in the form of direct personal loss (with the strategy of forcing things to change by ennacting the same type of violence that the occupied experience on a daily basis onto the occupiers), of course someone who stands to lose nothing from the continuation of the status quo would rather the status quo continue if he has something to lose otherwise. Camus, when he said this quote, was not being righteous or overly sensitive. If anything, it shows how little he understood at the time of saying this quote. Because he didn't understand that an Algerian will suffer in both scenarios even if he (Camus) is safe, and for him to say something like this when people lived generations worth of violence for his and his family's (social) benefit is annoying and just plain offensive. Who is he, as a Frenchman born in occupied Algeria, to say what is worth justice when he only stands to lose anything in one scenario but not the other? He did not experience life as an Algerian native in French occupation. He might have observed it, growing up poor, yes, but he never LIVED it. Liefer might have observed the horror of settler colonialism, but that's nothing like experiencing it firsthand. To be the object of hatred to people who have higher status and more rights than you. It's just not his place as a person with nothing to lose if the status quo continues to comment on anything like this. What's the underlying meaning of this quote? "I'd rather others continue to suffer than myself experiencing suffering once."
I'm not saying Liefer doesn't have a right to mourn whoever. Im not even saying he has a duty to accept the consequences he experiences. But to say something so heartless as "I prefer the safety of my own rather than justice" within the larger, nearly century worth of context, is just insensitive and really belies his true opinions of the liberation of Palestine if he's so comfortable saying this outloud with moral authority in the middle of what is an outright bloodbath of Palestinians across Palestine. It's the timing of saying something like this because to say it now of all times when the entire world ignores or even encourages the violence in Gaza but mourns the death of Israelis? An Algerian born Frenchman and Israeli are going to be mourned on an international scale... but Palestinian and Algerian natives? Their deaths are regarded as facts of life by the rest of the world.
This makes it seem like I hate Camus, but I honestly don't, but I think the way Leifer is holding this quote up at face value and as the height of reason really is annoying. People like to mention Camus' "if" in this case as proof that he's actually saying "this is not real justice so therefore I do not have to accept it," but who is he to say what is or is not justice? The point I'm getting at is the people who benefit from occupation, in this case, Camus and Liefer have no right to determine what is or is not justice, despite their personal beliefs. The occupier has no right to tell the occupied what they should do to get freed. That alone is an arrogance in assertion that is so offending — the assertion that the occupier knows how to free the occupied in what *he* considers justice and the occupied just need to do whatever the occupier tells them to do. Because whether they both like it or not, they still benefit from and are part of the occupying force, and therefore have no real reason to fight the occupation at their own expense — the occupation is a violence that they are alright with inflicting if it means they cannot lose anything or anyone.
Also the idea that liefer indirectly compares himself to Camus is a little funny to me.
150 notes
·
View notes
Dressrosa would obviously be quite different in the CoraMiShanks AU, given that, well, Rosinante is there to help kick Doffy's behind, but I'm not sure if I want to touch the happenings in present day canon yet.
HOWEVER! I am once again thinking about how in canon Zoro dragged Law into the party after---
Zoro dragging Law along to have a drink and they inevitably talk about swords (it's Zoro and Law carries an interesting blade, what did you expect?) when Zoro, slightly tipsy, lets slip that he trained with old Hawkeyes for two years.
Law, already fully sloshed (seriously he should have known better than to try matching Zoro for drinks), immediately goes: "Does Hawk-san's 'training' still include tossing you across the entire island and letting you fend against the stupid monkeys for yourself?"
And Zoro just absolutely loses it. What do you mean Law knows that he's spend most of those two years traipsing around lost on that stupid foggy island?? What do you mean Hawk-san???
And drunk Law long-windedly explains that he grew up with Mihawk around, even lived in his dilapidated castle for a while with Cora-san, before they returned to the North Blue so Law could finish school. He even had extended dealings with the Red Emperor during that time, and don't belive what anyone tells you, they're both stupid powerful, but also stupid dorks, it's unbelievable how Cora-san is so attached to these idiots...
And while Law drunkenly prattles on, Zoro is sitting there, head in his hands, realising Hawkeyes actually did a good job with Law, even though his technique is disappointingly reliant on his devil fruit; which means that Hawkeyes probably also did a good job with him, and that on top of that, he might actually really care..?
Druing the trip from Zou to Wano with the Heart Pirates, Zoro learns that they all know Hawkeyes, or Hawk-san as Law calls him and they copy; because when they first set out he showed up all intimidating with his huge sword and unwavering stare and icily told them to "stay safe" and "don't bite off more than you can chew" and "here is my contact, do not use it" and he has shown up somewhat regularly since, especially after Cora-san officially joined the crew when they entered the New World.
Zoro is left sitting there with the knowledge that Hawkeyes apparently has at least three vaguely adopted children, and that he does care. And Zoro has no idea how he is supposed to feel about the knowledge that he is one of those children now.
60 notes
·
View notes
Currently thinking of an Angel AU where Sanji is one of Cupid's angels for the past 800 years. He makes people fall in love. And for angels of love to ascend, reincarnate or reborn they're given specific clients that he needs to fall in love.
But he has a problem. A mold problem. He only has one client left that he needs to fall in love. And it's the lone wandering swordsman with an odd memorable green hair. And no matter what Sanji does. No matter who he matches the swordsman with as every new lifetime pass, the man just never falls.
And so, as Sanji begrudgingly stands on the swordsman's grave alone, he swore that on the man's next life (11th) he will make him fall in love by hook or by crook.
118 notes
·
View notes
Saw your Mishanks bodyswap art! Very cute and fun! (Mihawk with a genuine smile on his face so so fun)
I imagine Shanks whould have trouble fighting in Mihawk's body at first since it's been years since he's had two arms
yes absolutely, i imagine that too! conversely, i think mihawk would have a little bit of trouble adjusting his balance and reach with a body missing one arm, as well. it's interesting to think about how they both would be forced to change their fighting style, and whether or not they would exchange swords.
mihawk's been seen using yoru with just one hand so he could probably pull it off with shanks's body. also interesting to think about shanks tripping up on having two arms until he naturally slips into his old fighting style again--or would he? because there's also the question of muscle memory, right? would mihawk's body automatically do things that shanks isn't predisposed to doing, and vice versa?
the other thing i find intriguing about body swapping in one piece is the question of whether or not your haki powers would switch as well. they say haki is spiritual presence, so presumably your haki switches if your spirits switch, but if it's the kind of spirit that's tethered to the presence of the body? then consider mihawk having the strongest conqueror's haki out on the blues, or shanks being able to use observation haki at mihawk's level, practically being able to predict the future--or mihawk, able to counter with shanks's haki-kill technique. food for thought!
73 notes
·
View notes