#And perhaps I’m too autistic

[etandthekeet]

This college au has given me life. I just had to draw their party outfits. Especially with the way scarab’s was described.

This is from the fic Social butterfly, anxious beetle. It’s so sweet so far

[duskspring]

Cirrus headcanons because she’s criminally underrated!! (NSFW under cut)

~I feel like, although she puts up a confident front, she’s actually quite shy. Like, she doesn’t speak a lot if there’s someone in the room she doesn’t know well.

~She accidentally comes across as rude or blunt to some people because she just says it like it is.

~Dancing for her is just doing freaky little movements with no shame and I love that for her.

~She’s also just a silly gal in general. She has inside jokes with everyone person individually, says made up words all the time and sometimes just makes noise for the sake of making noise.

~She knows just about everything when it comes to rock music. She has an entire wall in her room dedicated to a closet full of vinyl records of different rock artists.

~She also reads a lot. Like the wall that isn’t covered in vinyl records is covered in books.

~She’s really inventive; always finding a way to solve whatever problem, even if it’s by unconventional means.

~Where Cumulus loves artsy crafts, Cirrus loves handiwork. She loves making stupid little inventions to solve (mostly very minor) problems. Tinkering around with whatever materials she can get her hands on is one of her favorite pastimes. Whenever a sibling or ghoul wants to throw old or broken stuff away, Cirrus will gladly take it off their hands to use for parts. She’ll also sometimes be asked to fix people’s broken possessions but this has only a 50/50 chance between repairing it and destroying it further. Her and Cumulus often engage in parallel play where Cirrus reads or tinkers while Cumulus makes scrapbooks.

~She’s very curious. She kind of envies humans for being able to get degrees, loving the idea of proper education. She tries making up for this by learning a lot of things on a huge variety of topics. Because of this she’s probably the smartest ghoul of the pack

~She likes being in charge of tasks but also having smaller responsibilities. She is, for example, always the bank when the pack plays Monopoly.

~She’s kind of a neat freak, always cleaning up after most of the pack until someone (usually Cumulus) forces her to sit back and relax while they handle it.

~Her and Cumulus are two halves of the same whole but we knew that already. If Cirrus needs anything at all, she knows who she can ask. Cumulus also recognizes when Cirrus needs a break more than anyone else and will always be ready to take over.

~Prefers dressing in a more traditionally masculine manner. Seeing her in a skirt or dress is like winning the lottery.

~She actually had a lot of trouble getting accustomed to living topside. Her body especially had issues getting used to the concept of sleep, which caused her insomnia. Though it’s gotten a lot better, you can sometimes still find her watching movies at 5am in the common room. Copia also bought her a stuffed rabbit plushy as a gift once and she still holds it every night, whether she sleeps or not.

~My girl knows her way around aerial sports, twirling around in aerial hoops and hammocks. She’s also quite familiar with suspension bondage

~She is such a sub, I’m not sorry.

[foxmulderautism]

hey guys turns out when you engage with your autistic interests you end up being emotionally fulfilled and mentally recharged and happy

[vatelixx]

On the concept of ‘want’, (part 1):

Spencer Reid x afab!BAU!reader (written with early-ish seasons Spencer in mind)

part two here.

SMUT!! (and fluff, and aftercare because im not a total hedonist), allusions to both Spencer and Reader being switches (but he’s mostly just down bad), autistic Spencer (the way it should be), mean reader (to everyone but him), reader has a very very high IQ when it comes to everything but a pretty genius— Spencer just wants that cookie so fucking bad.

Warnings: sub spencer (but also not entirely; he talks about human anatomy as he destroys her), maaaaaybe slight corruption kink (what? who wrote that there???), mentions of prior bullying and insecurity, first time (for Spencer, yess devirgin that hot nerd!!— do you think the BAU will get him a cake after?), brief mentions of past hypersexuality for reader, kinda rlly domestic. Some undertones of degradation but predominantly praise. Begging, crying (pussy so good he cried), etc etc

w.c: 5k (I feed)

a/n: Spencer’s first time getting fucked, my first time writing smut (we’re both going through it here). I’ve been watching too much Criminal Minds recently, so i’ve reverted back to my tumblr roots (im home i’m home). This is a new acc so like…. hi!!!

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Right person, right time. It’s a concept that Spencer Reid is more than aware of. Define luck, at surface level, it’s a made-up hypothesis, idealistic, fantastical. Conjured up to aid the desperate (or the delusional). It’s something he refused to humour, obstinate to the notion, well, that was until you came spitballing into his life, sharp features, sharper tongue. You could cut with your words alone, a weapon to the BAU, jagged and fast-thinking, and so entirely unattainable. Rorschach tests, and an endless sea of profilers, it doesn’t matter— he’s not sure anyone is ever capable of truly pinpointing you.

Rocky start— after you became a permanent member to the team, it took months to coerce you into dropping your guard. A year and 14 days, to be exact.

But, it was possible. Hardened words and blunt comments shifted into something more with time. A gravitational pull, perhaps, that led to evolution— you, softer with him, more tender than you’ve ever showcased before.

Maybe it was that night when he told you about highschool, about what they did to him, boys like him, who were too intellectual for their own good. Different, in every sense of the word. Bullying at such a young, impressionable age can have prominent effects, chronic stress inflicted on an underdeveloped brain, they tied him to goal posts, stripped him naked, endless torment that he still carries with him now. Maybe that’s why you lowered your defenses. Put down the sword.

And sure, he never expected anything, nor asked for anything. He was definite that he wouldn’t get to experience cliche-dating. Longing glances and anticipated moments. It’s not like he was ever the most appealing candidate, too nervous, too neurodivergent. It’s hard to grow out of the mentality that no, everyone isn’t making fun of you, not when it consumed the entirety of his adolescence. That you can walk into a room, and not be seen, targeted, as an outcast. He’s just different. But he’s also human, and the chemicals in his brain do make him want.

You apparently. Because, you looked at him softly once, and he was done. Ruined. Gone for good. Or, in Morgan’s personal opinion, whipped.

And illogically, you wanted him too. That wasn’t ever part of the equation.

But theres a pattern now— dates every weekend. Movies, cafes, museums, an endless onslaught of you. Because somehow, thanks to luck, you reciprocated. He’ll never understand why, you’re too beautiful (it’s a hazard), but he tries. He tries.

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December. A haze of christmas markets and blanketing coldness. You kiss him outside and he thinks he might be dying. You make him burn cold. He’s a logical person, so obviously he’s aware that he’s only freezing because your hands are shoved in his pockets, a desperate bid to seek warmth, but regardless, it’s more than he ever expected.

He laughs against your lips, fingers gripping the front of your coat as he draws you backwards so that you’re resting against a wall. “Mm..” he hums, “You should kiss me more often.”

Everyone knows. The entire team is aware of this, an unspoken agreement that your lingering moments and aimless touching are not platonic in the slightest. You work with profilers, secrets are never quite effective. Everyone knows, but it’s taboo, something that needs to be left undisturbed. Do they expect you to break him? Does he? Maybe, maybe it would be worth it— to hurt for you, because it’s always been you. He’ll take anything, he’s not greedy. He’ll live off scraps if he has to, anything to satiate this want that burns solely for you.

“Actually.. you should just always be kissing me,” he suggests, tone soft, “Every day of the week. All the time. And—“ he laughs, “You should also stop stealing body warmth. It’s rude. Hypothermia usually occurs when body temperature dips to around 95F, oh oh but there are so many factors to consider—“

“Is this you trying to imply you’re cold?” you ask.

“Perhaps. Or maybe i’m implying you should be working harder to warm me up.”

You’ve grown soft, he thinks. He shouldn’t be allowed to get away with this level of affection. But its okay, you justify, mostly because it’s him. Spencer, and his pretty smile, and strange habits (sitting cross legged on tables, drinking coffee with excessive sugar, endless facts and a plethora of soft yearning glances at you when you’re interrogating— as if you’re not tearing an unsub to pieces). It’s terrifying, constant eggshells, because you can’t hurt him. Not like the others, distant fragments of your past.

You laugh in response to his comment, admiring the sight of him: flushed, with swollen lips and dilated eyes. He deserves to be like this, so thoroughly assured that despite all odds, you’re invested. All cards on the table. “You have a lot of requests, boy genius.”

He smiles boyishly. You’re hard lines, sure, a blade that can draw blood, but somehow, somehow, he’s always left unscathed. “Alright,” he answers, “You want requests? Here’s one, stay the night. Come over, stay over, i’ll cook breakfast and try not to burn it— and, and you can have the good side of the bed.”

“Spence,” you mutter, because of course there’s an underlying intention to ‘staying over’ and you're trying to be good here. To not let this fall into your past mistakes of sex and inevitable self-inflicted disgust. A cyclical cycle that clings to your skin. Everything is so new to him, the intimacy, the affection, and it’s nice being able to witness it— to see his reactions to innocuous touches, always disbelieving that he’s capable of this.

Fresh-eyes, so untainted to the sharpness of modern ‘love’.

You cup his face, god, under the dim shadows of the streetlight he’s beautiful. It’s a little alarming to be honest. More so disheartening really, because despite how much you remind him, he never believes you— obstinately refusing your compliments, as if you’d ever mock him. No, he’s different. He’s tender and disarming, and sometimes it feels unholy to touch him with calloused hands.

But, to Spencer, there is nothing unholy to this; the second you touch him, the entire universe crashes down into a singular moment.

“Just stay the night,” he reaffirms. It’s taken him over a month to get to this point, to be able to voice his wants, to comprehend his wants. Now, his thumb traces its way down the side of your face, tangible, real. “And tomorrow morning, there’ll be coffee and pancakes and—“ he laughs, “And there won’t be any regrets. I promise.”

You’re looking at him, wide-eyed and slightly disbelieving (because he’s somehow stumbled through the minefield of you without any consequences). He leans forward, his forehead resting against yours. “Don’t make me beg. I will beg.”

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To confirm, he makes you incautious, irrational, willing to blatantly disregard any sort of control. Of course you end up at his apartment; the moment he mentioned begging, you were already half-way down the street.

Spencer’s place is… well, it’s everything you’d expect of him. Scattered novels adorning the floor, a mess of untidy thoughts, neglected papers on science, endless open textbooks left half-abandoned for other pursuits. It’s so him, clean but discombobulated.

He wants to apologize, make excuses for the lack of order, he probably should. He doesn’t do that though. He only crosses the room, stopping when he’s standing right in front of you, just gazing down. He has no idea what’s to come— for once, there are no patterns, no statistics he can reference.

So, he reaches for you, fingers tugging at the edges of your jacket. “Arms. Up,” he instructs and god, it’s a stupid order, but you follow it without any protest. He folds it over the couch, abandoned. Putting it back on alludes to leaving, and he’s hopeless enough to never want you to leave.

His hands then gravitate back to you and he starts to tug aimlessly at the material of your shirt. It’s been raining, and the fabric is soaked. “Hm,” he hums, “Off. Take it off.”

You laugh at that. Straight to the point. You don’t follow his orders, because one was certainly enough, and you’ve never been the type to obey blindly. Instead, you grip his waist, drive him back towards the nearest surface. An end table, some books go clattering, light damage, they’ll survive. His response is a gasp, a hitch of the breath.

“I was promised the good side of the bed, breakfast, pancakes. But sex? Hm, did you invite me over just to get in my pants? I’m wounded, Reid.” you mutter, pressing a series of soft kisses along the curvature of his jaw.

“No! No,” he retorts, breathless, “I was going to get you some comfortable clothes to change into. Damp clothes breed bacteria. You made this dirty,” Adding, “And not in the way I was concerned about.” under his breath.

You roll your eyes, “Oh, here we go—“ sure, you have the experience he lacks, but you’ve been on your best behavior. Dirty? That’s an insult to the exhausting self-restraint you’ve upheld recently.

“Yes— i’m the dirty one here, clearly.” you scoff, “Just casually corrupting you,” You tug him away from the end-table because you don’t want him bruised in any way, shape or form (it’s actually distressing; when you’re working, you seem hellbent on making sure no one even thinks about laying a hand on him. Unsubs be damned.)

Ego-centric, completely independent, individualistic until he came along.

You push him back against the couch, watching as he stumbles, as he falls. For a minute he just lies there, looking up at you with hazy eyes— pupils dilated and lips parted on a half-pained gasp.

And it’s a sight to see, the brilliant prodigy, the young genius, his normally-composed features now twisted into something stricken. His hands tighten around the material of the couch and he lets out a sound that’s a cross between a whine and a groan.

“Oh—“ that’s just a clear-cut moan, “You can definitely definitely keep corrupting me, in fact I endorse it. Completely.”

“3 PHDS, 2 B.A’s and you’re currently asking me to corrupt you? I don’t know, Doctor Reid, that’s certainly very forward,” you say, moving to sit on his lap, aware that you really should entertain this spot more often, even if you’re at severe risk of deflating.

Deflating. God. When did it come to this?

He laughs, “You’re the only person in this entire world that makes me act without a single coherent thought,” IQ abolished. “So yeah,” he murmurs, fingers tracing mindless patterns across the exposed strip of skin above your waistline. “Defini-definitively corrupt me.”

It’s taken so much to get to this point. So much to unpack, to understand, from Spencer’s perspective. There’s a lifetime of bullying that he has to dismantle, and sometimes he still anticipates the punchline when you kiss him— the biting laughs, not entirely dissimilar to school, when someone would belittle him, fake being his friend just for entertainment value.

So, when you stumble into the bedroom, when you remove his shirt, he knows this is improvement. He’s fighting this internal battle, unsure on how he should act: coy or defiant. Both, really. He wants to cover himself up, to pretend like you don’t disarm him, to fight and fight until you make him bleed. Anything, he’ll take anything from you.

“You are so so pretty,” you mutter when he’s sprawled out across the bed. You’ve never been someone to resort to praise; sex had always been cold and clinical, something to relieve stress, to undermine the burden of work, and the endless weight of sanguinary. But now? If he is the eye of the storm, then you’ll happily commit to the chaos of this.

“Careful, you’ll make me inherit a disorder here.” he mutters. Narcism— he’s the least likely to ever develop such symptoms. “Or cry. I could cry, it’s a potential. Maybe break-down?”

“Or,” he adds, his hands tracing up towards your shoulder blades. “All of the above. The trifecta of issues. It’s very likely.”

He rolls over on top, you’re down to just your lingerie now, pretty lace contrasting against your skin. Removing your clothes had been a whole ordeal, he’s fairly certain he almost died; you’re the epitome of beautiful, and he’s not sure how he ended up with everything when he was so resolute, silently accepting, he would always obtain nothing.

“I want to kiss you, but I don’t know, I feel like my body has lost the ability to function at the moment.” he breathes out.

“You should definitely kiss me,” you confirm, posing it as a choice, one that he has any say over— when in reality, youre already tugging him closer. Lips meeting lips. It’s not sane how the world fades into a nebulous haze the moment your mouths connect; time remains constant, logistically, nothing has changed. But it’s just so much that for a moment you doubt the concept of existence, doubt everything but him.

Genius falling for genius. Only you could laugh when he traces molecules into your skin. Spelling out words with elements: Livermorium, Uranium. LV U, it might not be an exact replica of the three worded phrase, but it certainly gets the point across.

“Spence—“ you bite into his lip, tugging the soft tissue between your teeth.

He groans, whimpers, pulls you closer, eliminating every infinitesimal distance between, slotting his hips against yours. He draws away from your mouth, lips leaving a trail of kisses down your neck as he reaches for your hand, interlocking his fingers with yours and pinning it against the bed. His free one is now wandering, slipping beneath your panties to touch.

“Do you know how much I studied about human anatomy after you first kissed me?”

“Weeks.” he answers when you respond with a muffled groan. Your hands are on his back now, tracing the journey of his spine. He’s in over his head, but there’s so much want, so much he wants to do but never thought he would be capable of. And oh, when he begins to draw circles against your clit, slow experimental halos, those soft touches of yours evolve into grasping, gripping. By the time he’s got a finger slotted inside, he’s fairly certain he’s being scratched. Nail indents and faint white lines, souvenirs.

“I know about every erogenous zone the human body possesses, every single one.” He says, because whilst he might lack in physical experience, he has enough intellect to memorize placement, biology. Plus, he’s a fast learner. His finger bends, and both of you moan.

“Spence— fuck, feels good.” you gasp, tangled hands clutching tighter, tighter again until your knuckles are white and you’re trembling.

The human body is something of a fascination to him; the way it reacts, how each nerve and ligament can respond to even the most tentative of touches. But you aren’t every human, you are you, and he has an insatiable desire to discover and catalog every single response your body gives.

He adds another finger, slowly, eyes fixed on your face, gauging the reaction. When he curls both digits, a sharp exhale is your response. “I’m convinced I’ve discovered new anatomy facts in the last few months, just because of you.”

Maybe it’s not fair that he’s so good. First times are supposed to be fumbling and awkward, a mess of hormones and inexperience. To say you haven’t been touched like this before is a severe understatement. The meaningless sex, the onslaught of bodies doesn’t measure up to him, the way he’s so focused on how you respond, on what your body enjoys— it would be endearing (and it is!), but you're currently too preoccupied to voice such a notion.

“Doing so good, holy shit—“ you mutter, blissed out beyond comprehension. You're making art on his back, only vaguely aware of the pain. Though when you realize you’ve scarred his skin, you're drawing away, moving to tangle your hand in his hair instead. But Spencer doesn’t even care, doesn’t even register the inflictions; he likes the physical marks you leave behind, a tangible remnant of all you do to him.

And sure, he’d laugh, usually, at your responses. But it’s hard to laugh, when his own ability to form any coherent sound has been completely destroyed. He’s a mess, his breathing shaky, and his brain is a constant buzz of fragmented musings consisting of you, you, you.

He draws his fingers out, earning a discernible groan, maybe a fuck you (which he does intend to do). But right now, he’s already slotting his face between your thighs, removing those soaked, ruined, panties of yours. He doesn’t have a single thing to compare it to. But he already knows this is his favorite place to be, and he’s fairly certain he’ll be spending most nights between your thighs, learning and memorizing every reaction and noise, each movement, and the ways to repeat them.

He runs his tongue along your clit, savoring just how wet you are, a mess that he can bury his face into. You’re looking down at him with something akin to shock now, and he can only laugh, blow air against your clit, then drag his tongue back over the sensitive bud, drawing it into his mouth to suck.

His movements are tentative at first, unpractised, but soon gaining confidence. He doesnt need to do this, you're aware— you could take him now. And yet, hes here, between your thighs for no reason other than want. Your reaction is visceral, because it’s always been about efficiency in the past, quick touches to get you there before the other person can derive their own pleasure from the act.

He’s not like that. God, hes not like that at all.

“Oh,” is all you can say, gripping his hair down to the root, instructing each movement until he gains incentive, finding repeat patterns that your body reacts to. Then, you can only arch and moan, noises filtered out into the air. He’s back to opening you up now, two deft fingers pressed inside, working diligently to tear you apart.

“Oh? That’s all you have to say to me? Oh?” he retorts.

“Shut up,” you huff, “Put that mouth of yours to work.”

“Mhm— I plan to. God, you’re so perfect.” he mutters, voice distorted, muffled. “That’s it—“ he fights the urge to explain exactly what’s occurring in your body every time his fingers abuse that spot. Instead, he keeps his mouth busy.

He’s certain he’s memorized most areas of your body from years of pining, and that’s what brings him an unrepentant sense of satisfaction. Because he was memorizing your body, you, long before he even got the chance to touch or taste you.

“Wanna stay here,” he says, and he’s being petulant now, because there’s something so good about being reduced to movements. To follow the pattern, to take care of your body, mindless to anything else but you. Pussy-drunk, to put it less eloquently.

“Shit,” you buck up against his mouth, watching as he buries his face entirely into you, as he replaces his fingers with his tongue, nose bumping bumping your clit, consuming his senses entirely.

“Use my face, yeah. ‘M all yours anyway.”

“Fuck, fuck fuck— Spence. Gonna cum—“

When you fall apart, inevitable, he doesn’t stop— not until you’re boneless and spent beneath him. Back arching, stars burning through closed eyes. Pretty constellations that have you blissed out beyond belief. The pleasure is white-hot, feverish in intensity.

And then he’s moving, shifting his body back over you. He’s all soft touches and languid kisses against your mouth, not bothering to break contact as he settles himself fully over you, the weight of his hips pressing into yours. He’s hard, dick pushing up against his boxers, his sexual libido had always been low until you came into his life. Now, his wants seem to fight for release constantly.

“My turn, I believe.” he grins, pressing a kiss to your jaw, “Not that you have to, of course. It’s not an obligation, uh— more so a beg?”

“Of course it’s an obligation,” he goes to protest, to say you don’t owe him anything, so you sigh. “A thankyou, maybe?”

Fumbling hands, still shaky from pleasure, undo buttons. Unclasping his belt, removing loose fabric until he's bare before you. There’s something nervous to his gaze, something unspoken, lingering in the air. “Hey, hey. I’ve got you, yeah? You’re okay,” you promise, before your eyes shamelessly look down. He’s straining, pre-cum lingering at his tip, dick pressed up against his stomach now. “Fuck, okay— yeah. Good. Great even.” first time you've ever stumbled over a sentence in your life.

There’s so much to be concerned about. The fact he’s naked, that you could destroy everything with a few serrated words, years and years of rebuilding, reconstructing. But you don’t— and he can’t help but laugh nervously. “Glad to be up to your standards. I’d uh, hate to disappoint.”

“Always the over-achiever,” you respond, shifting away from him— there’s amusement to your expression when he groans, pitifully, when he rolls onto his back, draping an arm over his face.

Predictable. Condoms in his bedside table. At least he's prepared. You open the wrapper with your teeth, discarding it somewhere amongst the tangle of limbs and sheets, too hellbent on finding him again.

Oh, in this position, you have full, unrestricted view of his body. Endless planes of skin, begging to be marked, sentenced indefinitely to your touch. By the time you straddle his hips, hes a flushed mess beneath you. “I— um, you look really really pretty right now.” he stumbles, idiot.

His dilated eyes take you in. Every contour and curve, the way your hair hangs over your face, eyes up eyes up eyes up. He fails when you run your hand across his dick, thumb brushing against the tip. By the time you’ve slipped the condom over him, hes gone. Bucking and moaning, and so so much better than his hand could ever be.

He wants to be inside of you, but it’s hard to think right now, let alone vocalize the words. I want, he thinks, I want everything, with you.

Your name is on his tongue, muttered and repeated, a reverent prayer of sorts. He needs to gain back his control here, to return to equal footing.

“Yeah—“ he breathes out, “So much of an overachiever, considering I had you making all of those noises—“ his words falter, die out, when you sink down. When you take him. Wrapped around, tight. Warm heat that sets alight every nerve in his overstimulated body. He has half the mind to apologize for his comment because you’re about to ruin him, he knows.

“I thought you wanted me to corrupt you, hm?” you retort. The pace is slow, mostly for his own sanity. Though, the feel of him, the way he slots into you, warm skin pressed against warm skin is intoxicating, and it’s a battle to keep your composure. To not just fall apart under the weight of him.

“What’s that, pretty boy? Struggling? Because you were so egotistical a few seconds ago? Where’s all that ego gone? Straight between your legs, I think.”

A whimper. It’s a whimper, a pained thing ripped straight from his throat. He’s making indiscernible noises now, messy sounds pooling from his swollen lips. The praise, the strained undertones of degradation? It’s too much. But god does he love you for it, because that’s you through and through. Sharp, and brittle to everyone but him, he wants to look, he does, albeit he has to turn his head to the side, bury half of his face in a pillow because he’s gone. At this point, he can only take it.

“I— um, mhm. Yeah,” he slurs. He’s almost incoherent at this point; he’s been reduced to nothing, just a mass of skin, bone, and flesh at your disposal, to own and use and he can’t find it in himself to feel humiliated about it, not when it’s you.

“Can’t— um, I was wrong, you’re— oh god,” the sounds of your body hitting his, back arching as your pace picks up. “Oh, ‘m sorry, ‘m sorry —baby, can’t, can’t take it. That’s…”

It’s a lot for his first time, that’s for certain.

“Yes, you you can. I know you can, Spence.” you mutter, interlocking your fingers, letting them hang near your hips. “You feel so good— so so fucking good. Look at you, so brain dead for me. Taking it all so well, love.”

Love?— oh he wants to be buried with that one. He’s a mindless disaster, impenetrably devoted to you alone.

He doesn’t even know how he’s saying words at this point, it’s as if his brain-to-mouth connection has been severed by your very presence itself. It’s not possible to form a coherent thought when you’re riding him like this, taking him so deep that he’s seeing stars. There’s tears pooling in his eyes, he looks pretty when he cries. Especially when it’s derived from pleasure, when he can let go of the burdens, everything he’s endured, when it’s just sensation. Nothing more, no more thoughts.

There’s safety here, an element of home, home home bliss, that has him keening. He wants to stay buried here forever, where nothing can ever hurt him again. When it’s just you, and your pretty words, and your exploitative power to destroy him. You never do, anyway. Even when you could, you restrain.

“Can’t, ’m gonna…, Please, please, don’t stop.” he whines, “Pleasepleaseplease— oh, can’t— I can’t.”

He grips you tight, rolls you over, mostly so he can feel you closer. The sight of you riding him was excruciating, but this is worse because now there’s no gap separating you. Now, he can bury his face into the crook of your neck, burn himself in the warmth of your touch.

“Spence..” you mutter.

“I know. I know—“ hes ruined, sloppy thrusts, whimpers catching against the stifling air. “Feels s’good.”

He doesn’t know what to do, how to breathe, so he just runs his thumb over your clit, watching your prominent reaction, watching as you gasp, moan— oh, and then you’re clenching around him, tightening the pleasure, and yesyesyes.

You’re too gone, moving still, and he can only cant his hips forwards, buck and squirm until he’s sobbing under the weight of your ministrations, releasing so hard that he can barely remember his name, no cognitive function, in the haze of his orgasm.

“There’s my boy— so pretty for me.” he can vaguely hear you saying, and if you’re talking him through it, he can only hear snippets of praise now anyway.

“Mhm— mhm. Yours, yeah.” he mumbles, body sinking against the sheets, a few little whimpers escaping his lips as you milk the rest of his pleasure from him.

Tangled limbs and sweat-stained skin. “You okay?” you ask in the aftermath.

“So okay,” he agrees, shifting closer, back pressed against your torso— sue him for being little spoon.

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The next morning, you wake to an absence of Spencer. It’s unsettling, to say the least. So, you're quick to fumble over the buttons of one of his shirts, fabric creased, matching the tousled nature of your hair, disheveled, remnants of the ruination of last night.

For a moment, you consider that he might’ve left — but there he is, in the kitchen, attempting to make breakfast.

“Hey,” you mutter, leaning against the counter to watch.

Scratches adorn his back, indent marks from your nails, crescent reminders, stain his waist, and he’s content to wear them. If anything, he can’t wait to add to the budding collection.

Pancakes. The good side of the bed. Coffee. All of his promises from last night are being thoroughly met, even if he’s burning the food, and shit, he didn’t realize the coffee would be finished so soon. For all his calculations, he’s fairly off-center today.

And then, you come padding across his kitchen, embellished in only his shirt, unbuttoned near the top to expose your collarbone, and he’s fairly certain the last remainders of his IQ disappear.

“Hi! Hi,” he says, wide-eyed, “Um, making.. breakfast. You look, wow yeah.”

Breakfast lays forgotten.

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛

[fumifooms]

Analysis of Laios’ succubus and theories on what it means - deep dive on Laios’ desires in human connections

Laios’ succubus is a very odd incident. I have some particular interpretations of why it was Marcille, and why things went down the way they did.

We know that a succubus shows what one desires, stated in canon as “an alluring form”; yes often in a romantic or sexual sense, as seen with Chilchuck’s succubus being entirely set on looks and seduction, meanwhile Marcille’s does have a focus on chivalrous noble demeanor as well, showing romantic behavior and personality. BUT with Izutsumi we also see that the liaison doesn’t have to be romantic or sexual at all, either, in Izutsumi’s case it’s a familial bond she craves. So perhaps we can say that the succubus exploits a desire based on connection, in whichever form that takes. Marcille wants an emotional connection foremost(which is also reflected in how it’s a character she knows very well and not a stranger. Perhaps romantic.), Chilchuck wants pleasure(a simple pleasure not unlike alcohol, perhaps such a connection is free of the more risky or unpleasant parts of a relationship, he doesn’t have to worry or to think and can just let himself go. Sexual.), Izutsumi wants a mother figure that can offer her warmth and comfort with who she doesn’t have to be tough (Familial), and I believe Laios’ is platonic and centered on his desire to have people with who he belongs and can be himself with…

But Laios’ case is more complex, it has layers. The thing is, even if Laios wanted to have someone able to turn him into a monster—which it didn’t even have to be, could straight up have just been a monster with such powers—, it didn’t have to be someone he knew. You could say the succubus wanted to disarm Laios’ suspicions with someone he knew and that was nearby, but the succubus seem very direct in every other case, simply appearing with someone’s greatest appearance even though both Marcille and Chilchuck were fully on guard and the succubi knew it. "Believability" isn’t an important factor. No, his succubus being someone he knew was important. It being Marcille was important.

There’s a TLDR at the end of this if you want to cut it short. For everyone else, strap in everyone, if you don’t know me hi I’m Fumi and I made this 3k words long analysis and theorizing bc I am autistic much like the character in question and I think this is both fascinating and has a lot to say. In this I offer both platonic and romantic reasonings and I do go rather in depth in Laios’ psychology and relationships to dissect what ever could this damn cryptic event MEAN. Spoilers for the succubus chapters obviously and also the last few arcs of the series so… Spoilers for the series as a whole!

—

So attraction wise it’s kinda unsure where Laios stands. He does sort of logically list off aesthetically pleasing traits of the orc’s wives, but besides that… Not really, or he never voices it anyways. He and Marcille never share like “omg you’re pretty” moments or anything. Senshi gets more compliments than either of them through the series lmfao. Maybe Laios is asexual, maybe he simply doesn’t show outwardly his attraction much or even maybe isn’t self-aware about it, regardless… Laios HAS implied preference for Marcille’s looks in the past. With the orcs, he said that “tallmen like long ears”. Laios’ shapeshifter of Marcille has her hair down just like her succubus, which by Kui is explained to be because she had it down when she revived Falin and it really marked him, though it could also be interesting to see it as his mental image of her as her most authentic self, I’ve seen it theorized that it’s a preference too but I think that’s disproven. But of course the most damning evidence itself… The succubus scene. It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already. We shouldn’t discredit the way Laios was blushing madly once she revealed she was a monster, that made her more attractive to Laios for sure, but he still wouldn’t have reacted that way if it was just anyone. The contexts are very different, but we can compare it to how Laios reacted when Lycion turned into a wolf man in front of him for instance. Laios certainly doesn’t act that way with Izutsumi- and it’s confirmed like a page later that he does see Izutsumi as a monster already. AND!! Laios starts blushing madly BEFORE she says that she can turn him into a monster- and we can safely assume that the blush isn’t out of simple fluster but out of desire/infatuation since he clearly wants her to bite him in the next page and his blush does not relent at all.

There’s something we could say about Laios’ liking of Marcille being born out of companionship rather than aesthetic attraction, on familiarity and intimacy. As members of the same party they’ve spent a lot of time together and we’ve seen that Laios trusts in her and relies on her for her skillset and avice. If Laios’ interest in her developped more naturally and gradually, valuing the familiar bond they have, I don’t see why he’d be acting all blushy and lovesick every time they interact or whatever, which is the explanation I have for Marcille genuinely being Laios’ most alluring form but him not freezing at the sight of it. That could also be a reason why he physically rejects succubus!Marcille instinctively, because something about her feels off or different (which is sorta the most direct interpretation of the scene, since Laios’ first thought is that it can’t be Marcille and must be a monster).

 [Edited in: Oh my god. The picture above is the last page of the dullahan chapter, chapter 57, a chapter that centers around Laios and Marcille’s relationship through flashbacks as Laios is on the brink of death and sees his life flashing before his eyes (he remembers how they first met, etc, which is also interesting to note that on the brink of death he reminisces about her the most). The last page of that chapter, more or less the thesis of the chapter in which we see Laios opens up about the real reason he and Falin go dungeon diving to her after them having a rough meeting but she turns out to also have an interest in dungeons, has Laios go "she starts out frowning but she ends up smiling! Wether its’s about eating monsters or about me :)”. That chapter is the one right before th succubus chapters. Laios’ most alluring form wasn’t “just” Marcille, it’s a SMILING Marcille. Which is why the succubus had such a weird and off demeanor right away (which gets knocked off once it doesn’t work and becomes a more Marcille-like Marcille)! It was only focused on smiling because it was the angle it was working from.

Oh my god it makes sense. It’s a direct narrative link, it’s as explicitly put with its story structure without Kui just stating it, besides, you know, the many times Laios says how precious her smile is to him. He’s like “I love her smile” and right next chapter the succubus is like “yes this is what he likes seeing most”. But… This also does mean that the focus might be less romantic, like Marcille’s significance doesn’t diminish, but then the alluring form might be less about her and more about the smile itself. About having a friend who looks at him like that, about someone who smiles after eating monster dishes or surpassing obstacles together… Or it can actually be so much more romantic. Like, maybe the smiling Marcille doesn’t work is because well, it’s not like Marcille, she wouldn’t just be smiling like that and behave like that (esp since his musing is about how her smiles are sort of “earned”, that she doesn’t smile right away but it’s sort of like a rewarding sight when she does). So then the most alluring form of Marcille doesn’t work because she doesn’t convincingly BEHAVE like her. His most alluring form isn’t a Marcille-lookalike, it’s her as a whole. More on the succubus shifting/switching in its approach later.]

Anyways.

Where was I. Ah yes, “It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.” But then that’s the point isn’t it. I think Laios’ succubus being Marcille is because his wish isn’t so much focused on her, or on becoming a monster, but on not being alone. On being understood. On having others finally share his interest. On not only becoming a monster, but having someone to share that with. A trusted friend, a companion, or a lover, it matters little in my interpretation, the bedrock of it stays the same. And this is why it’d be someone he already knew instead of someone new, because it’d defeat the point, and it was maybe Marcille because she’s the most vocal about finding monsters disgusting: it’d have finally been a shift in her that she now liked monsters. And again this brings back to when he talks about her smile, when he says that she starts out unhappy with eating monsters, but ends up smiling by the end of it. Her smile itself represents that though first impression or reflexive dislike, someone can turn around and end up liking it anyways, it’s hope for his interests to be liked and perhaps for him to be lovable as well, that it’s possible to be accepted.

But I do think it would be a mistake to say that there’s absolutely no romantic interest, that it’s plainly platonic or another kind of interest misplaced and idealized in her. What we saw with the other succubus is that they 100% act in ways that the person desires, sure Izutsumi’s start attacking after a while, but that was after pushing them over the edge, and succubus Marcille wasn’t being agressive nor did she have a reason to be (even when she could have with Laios’ choking, she didn’t turn to violence, so she was 100% still in seduction mode). Ultimately the goal of the succubus is to make physical contact to be able to suck their essence, but the way they go about achieving that is tailored to the individual’s desire, Marcille’s kissed her hand and Izutsumi’s offered a hug.  The succubus can identify and embody complex desires, often subconscious ones, shown with Izutsumi’s. They go straight to it without complex subterfuge either. Chilchuck’s succubi were very direct because that’s what he wanted, Marcille’s was courtly because that’s what she wanted, Izutsumi’s offered motherly comfort and affection because that’s what she wanted, and Laios’ is Marcille attempting to kiss him. Let that sink in.

Laios why are you choking the supposed key to your heart?

Ok so the theory that Laios’ desire is to have a deeper companionship from an existing companion is pretty tame and surface level I’d say, but strap in… The way Laios reacted violently to Marcille trying to kiss him is VERY interesting. The first thing he thinks about is that she isn’t Marcille so she must be a succubus, then confusion at to why it’s her. He’s even afraid of what the others would think, feeling… Shame? With how he imagines Marcille would be horrified that he likes her that way. Fear of rejection?

But no no, what interests me is the shift that the succubus makes. It seemed very confident at first, went straight in, but when overpowered shifted the direction it was going in- shifted from a desire for Marcille to a desire for a monster Marcille and whatever deeper desire that hides. But??? Succubi did not make mistakes as to what someone wanted thus far, possibly that has never ever happened before by human records. Could the succubus truly have miscalculated what Laios desires? It’d be hard to imagine that the succubus would misunderstand what type of companionship someone wished for or what approach to take, since it’s done complex cases before too, Izutsumi being very much in denial before it & at first. In Izutsumi’s case, even with her complex feelings over it and her two souls desiring different things, the succubus did not miss its mark, and ultimately it was having a second soul for who the succubus wasn’t alluring that allowed her not to be frozen to the spot. But with Laios the succubus fully switches strategy.

The thing is that succubi don’t usually need to switch strategies, because the form and approach they take always work and always leave the victim frozen. Izutsumi bypassed this because of her two souls, but was still frozen and struggling to reject the succubus at first. And yet? Laios did. A succubus’ victim is supposed to be instantly frozen, and yet Laios acts on instinct and defensively agressive as soon as his reaction time allows. And well, it’s hard to really come to a logical conclusion as to why, since we have no idea of what rules can override a succubus’ temptation besides multiple souls… C’mon regular Marcille can’t be the winged lion/kenksuke’s desire bc of the loose hair being Laios’ mind-Marcille we’ve gone over this /hj Although, since it’s confirmed that the winged lion was watching with the dream Laios gets induced right after, maybe he’s what allowed Laios to be moving? It’s possible that it’d have frozen him otherwise, even if Laios with his full rationale wouldn’t have accepted the kiss faced with supernatural allure he might have gotten paralysis from being overwhelmed, similarly to how if Chilchuck had his full rationale he wouldn’t allow a woman like his succubus to kiss him (he’s always stayed faithful to his wife even after 4 years of separation, give the guy his earned credit). Getting somewhat offtopic, but something to say about how if that’s the case once again the theme of ‘irrational desire you crave vs what you truly want/need’ that is present throughout the manga would be reflected.

My best guess however on why Laios reacted so quickly and forcefully is: trauma. The more recent arcs with Laios suggest that Laios has deep-seated trauma over humans. He dislikes humans as a whole, that was like, pretty much stated, though perhaps exaggerated. As a kid he fantasized about monsters wiping out human towns. We know Laios has been ostracized for most of his life by others, in his village and in the military, and beyond social rejection it’s shown he got beaten in group too and it was implied that it happened regularly. But damn, disliking humans to the point of wanting to be a monster and murderous genocidal reclusive envies and all of that stuff? That is massive trauma, massive identity & belonging issues and hint at massive trust issues.

So then, the negative reaction could be because of Laios’ deep trauma with humans. Because of trauma getting activated, not due to a miscalculation on the succubus’ part but due to a contradicting dislike of the desire that makes the form inherently and straight out of the gate un-alluring, Laios’ repression being so strong that he’s able to affect his own desires in that way, or an instinctive defense response to the trigger (a human).   Even though Laios hides it well, once again recent arcs (and some other moments) make it clear that Laios still has some innate dislike of humans, which in canon is a term that all races like elves fit in. He has a bias against them, perhaps even an innate distrust of them. Who knows how aware he is of it, or how much control and will he has over it. What if Laios reacting agressively to it was his defense mode tied to this kicking in, a survival and security instinct, stopping any possibility of Laios wanting a romantic relationship with a human? Any chance of that human getting close and being hurt by it, either rejected or stabbed in the back? It’d then make sense if Laios is unaware and doesn’t understand his attraction to Marcille then, if it’s a sort of self-made blockage, denial. And that’d make full sense with how, when Marcille is suddenly a monster, then all of Laios’ reluctance is gone and he’s fully enthralled, all that it took was taking away that one blockage for Laios to be utterly charmed. It takes away the trigger element, humans, and replaces it for something safer. A desire for connections, but connections with people that are ‘safe’, people who also don’t fit in with society, who are part of his interest in monsters, who would accept and understand him. I think that Laios does desire human connections, specifically, but can’t allow himself to pursue them either from conscious or unconscious trauma, so though he does desire it he can’t accept that he does/can’t accept the relationship even if it’s handed to him on a silver platter.

Conclusion

The succubus’ shift could then be either that it switched from one wish, a wish for Marcille, to another, a wish for companionship in monster-liking, or that it stayed on the same fundamental wish, but had to improvise with the new information (that Laios is human-averse)(not bc it didn’t exist previously but bc it wasn’t manifested) to take out of the equation the thing that was holding Laios back (from giving in).

But well, the fact that the rest of the party is included does lean towards the former, but in any case that doesn’t erase all I’ve spoken about, all about how Marcille is 100% the focus of this whole thing. It could still be a bit of both. But it is interesting that he worries about the party’s reaction to seeing his succubus being Marcille, and when she shifts into monster Marcille he *still* worries about the others: “b-but what about the others?” He’s a mess, with his most alluring form seducing him, and he still has a shred of resistance in him to question how the others would react, and it’s only when she says that they’re already monsters too that he truly gives in. Is he really so afraid of ostracization? Of losing the people he cares about due to judgement? Then the mention of the others in the party can simply be something the succubus added on top to unlock another “blockage”, the same way she added Marcille being a monster on top of the basic premise of Marcille; Take out the immediate dismissal of humans first, and then the fear of loss and judgement from other friends so Laios can finally stop worrying and give in. That worry/framing I’d say makes the latter more credible, because it’s not the premise of the alluring form but an extra.

In the end, like the recent arcs kind of spell out, the thing central to Laios’ character is less so a love for monsters and moreso a dislike for humans, and this is what this puts on full display.

Laios’ most alluring form is Marcille, a human that doesn’t understand his interests and thus him, and regardless of everything else that Marcille is, that is so traumatic to him that all of his being immediately rejects it.

—

Thanks for coming to my ted talk! I’ve spent so much time thinking about this and wording and rewording this same train of thought, also it’s the end of my college semester and I’m going crazy

Tldr: My personal fav theory for Laios’ succubus is that Laios really values Marcille’s smile a ton like it’s often mentioned, and that’s what his most alluring form centers on. I’ve got a ton of different interpretation on the why it’d go for a kiss? Since it tailors its approach to the person’s desires, but obviously something goes wrong with Laios’, which is really interesting because even with Izutsumi who resists because she has 2 souls so one part of her can always remain unaffected, the succubus hit bullseye on her most alluring forms. But regardless of that, I think his desire for Marcille (either her or what she represents, wether as a platonic ideal or something else) isn’t wrong/untrue perse, but that Laios has such a complex with humans and intimacy and connecting with others that his defense mode kicks in and that’s when the succubus has to shift into a different, safer desire: one that doesn’t involve humans but that still shows connections and acceptance and belonging. Also Laios realizes that it isn’t Marcille when she goes in for the kiss, which if his allure for her is based on familiarity since they’re friends and all could make sense that it’d break him away from it, or since it’s a liking based on familiarity he doesn’t freeze, or maybe it’s because the winged lion has its eye on him. I think that’s so much more likely with how Kui makes even her jokes be character moments or at least consistent, and also with the tension of the scene, than just the scene being a gag about how Marcille doesn’t mean much to Laios actually.

I think there’s a lot to be said about why Marcille is special to Laios, why her smile means something to him, etc, and I don’t think saying Marcille is special to him is exaggeration or reaching at all. Laios, Marcille and Falin are the golden trio, she’s the deuteragonist, she’s the only other character in the main party whose goal in going back for Falin is Falin and who has a bond with her and Laios outside of being coworkers, in post-canon they live together, happily, in the anime’s ending they’re emphased on by dining out all three together... I could go on.   Marcille has the benefit of being very trusted by Laios, not only with the time they’ve spent together but how she was Falin’s friends first, the person he himself feels so protective of and has been so consistently ostracized throughout her life. Marcille represents a positive odd one out that’s like, the good example of "humanity can be good and safe and warm actually".  Which is a big reason why imo Marcille is like, the secondary protag and with Falin they form the golden trio. She’s central to the story in many ways including making Laios see that humanity is worth saving and sticking with, but that’s a topic for another analysis. One such reason is how his first meeting with her went: it started really badly but ended with her coming around and unexpectedly sharing their interest in dungeons, which made him and Falin open up about the real reason they go dungeon diving, perhaps for the first time. There is just so much that goes into it but Laios seems generally very expectant of rejection: in the climax chapters after he transformed back as a human and was hiding out in the woods, pre-canon in an extra where we see him battling himself on if he should suggest eating monsters or not. But another one, the one I truly want to bring up in this post, is how genuine Marcille is! And funnily enough, how dramatic she is, and how her elf ears change position depending on her emotions. Like, let me compare her affectionately to a dog for a second, but dogs move their ears and use whole body language to communicate, and I think that part of Marcille, really strong emoting, with her ears and body language on top of her often dramatic facial expressions, reassure him. Like ok, maybe he can’t tell when Shuro and Kabru would lie to him, but Marcille? She wears her heart on her sleeve and her feelings on her whole self. And that takes away some of the stress and trauma he has with humans, explains why her smiles would “put him at ease”, doesn’t it?

I don’t remember wether I’ve mentioned this somewhere or just in my reblog linked at the end of the post, but while at first I thought the succubus going for a kiss on the lips heavily implied a romantic desire in Laios,  now I have a couple different theories on why the succubus would have gone for that approach. I think the most likely is that, if the principal allure of his succubus is her smile, the succubus is like "as long as he sees her face right up until i can suck up his blood and he passes out I’ll be gucci", so it’s not about the kiss but about him seeing her face all the while until the very last moment, so he stays charmed.

Btw chapter 34 explores Laios’ relationship with touch too imo, and we see that he is uncomfortable with touch to some degree, very unsure and hesitant and tense. I feel like it’s something more shown in a bigger picture sense with his whole struggles with humans and extras, than just in any one page so go reread the beginning of that chapter if you want I’d say, but putting a page below as example anyways. I think it’s notable that it’s a character moment shared with Marcille too, she acts sort of like a bridge to humanity with social propriety and being extroverted in many cases. In the chapter Chil and Marcille point out how awkward he is with touch, but he learns to be casual/comfy enough about touch to do healing magic with her (something that was also enforced through him having to practice magic on Marcille turned to stone, he got a lot of touch exposure and magic practice done in those days. Dammit Laios, MArcille and touch is worthy of a whole analysis of its own). She’s just like, his human comfort zone, even if they aren’t that close at least at first, besides Falin he has literally like no friends and I think that itself shows how he doesn’t fit in well socially and that it’s a significant struggle for him. But yes what I was saying here is I believe there’s setup for him recoiling from touch like he did with the succubus (due to an instinctive aversion to touch made especially intense due to the succubus’ oddness and forwardness).

I have even more theories and rambling on details on the succubus here in a reblog, but unless I want to put in some pictures of Laios repressing himself around others and such I don’t think I’ll be touching this post again in a while

[physalian]

Yet another 5 Character Types The World Needs More Of

Continuing on the list of “tropes the world needs more of”

1. The optimist in denial

This is a character who probably didn’t have the best life growing up, so determined to look on the bright side to escape their objectively crap situation that they’re in denial, not just being annoyingly optimistic. They’re frustrating cases to all the people who care about them because they won’t admit anything is wrong, holding onto a life or reality that doesn’t exist, or perhaps never did, as it’s all they have left.

Example: Todoroki Fuyumi

2. The “peaceful” pacifist

As opposed to harmless, the distinction is important. Demons run when a good man goes to war. This is a character who took themselves off the game board because they know they’d win in a landslide. This is a warrior who left the battlefield because they are the weapon of mass destruction. This is also the character who is determined to be good, even if it gets them killed. I don’t care if there’s already plenty of them, this is good shit and I want more.

Example: Too many and yet not enough

3. The likable autistic

Neurodivergence in media is often the butt of the joke. You like these characters in spite of their “quirks” or you find them incredibly annoying because their “quirks” are their entire personality. Usual representations are arrogant and anti-social narcissists who lack compassion. Shockingly, autism is a spectrum, and a very far cry from sociopathy. No one trait should define an entire character, and that includes neurodivergence.

Nothing specific to do this time, more what not to do. Make them people first, yeah? A person with autism. Not autistic person. There’s a difference.

Example: Spencer Reid (Criminal Minds)

4. Husbands who love their wives

Wow this feels like a low bar. These men who adore their wives, who wouldn’t dare think the phrase “ball and chain”. If he likes his wife, he’s probably a good man altogether. I feel like media is stepping away from the misogynistic kinds of protagonists (assuming their wives weren’t fridged) but I’m talking men who are their wives fiercest defender (socially) and biggest cheerleader.

Example: Gomez Adams, Maes Hughes

5. Unmanicured Female Heroes and Love Interests

Slapping barbie dolls who look gorgeous and can do no wrong aren’t anyone’s favorite character. Let her hair be a little frizzy, let her not wear makeup, give her jeans and a t-shirt and flat. Let her be a little lazy and self-indulgent. A little cluttered and messy without joking about how she’s “letting herself go”.

Let her have some biases, some arbitrary hills to die on. Not every female character but usually characters like this are the jealous villains or the girl who gets dumped for someone prettier.

Example: Toph Beifong, Princess Fiona

—

Oh look I wrote some of these in ENNS haha what a coincidence

Check it out if you'd like~

[chaostheoryy]

Touch Me [Walter X GN!Reader]

Summary: You and Walter are currently the only two people awake on the colony ship headed for the outskirts of the galaxy. And while most people would find the company of a synthetic to be unsettling, you have come to realize you much prefer his presence over that of other humans. And perhaps you enjoy his company even more than you originally thought.

Rating: Teen

Warnings: Making out, implied sexual thoughts

Reader: Gender Neutral

Word Count: 3.1K

Notes: I recently rewatched the entire Alien franchise and rediscovered my love for Walter. Because of course my dumbass feels connected to an autistic-coded character...There really isn't much plot here, just self-indulgence via smooching a big, wholesome android. And, as always, no beta. I die a warrior's death.

Living with a synthetic is easy. Like a faithful company android should, Walter has always done exactly what he’s supposed to when he’s supposed to. He never interrupts your work unless absolutely necessary and he doesn’t dare disturb your sleep unless following explicit instructions from you or MUTHUR to wake you in time to complete your tasks.

In addition to being an efficient and reliable worker, Walter has also proven himself to be a surprisingly pleasant companion. Conversation, it seems, comes naturally for him and his seemingly endless internal database of poetry and literature means he can recite any one of your favorite stories upon request. Though it’s strange to admit, there’s a pleasantness to his voice that makes every encounter with him comforting.

In fact, the more time you’ve spent together, the more you’ve come to realize just how much you truly find pleasant about him. The mesmerizing tint of his electric blue eyes. The imperfection of his crooked smile when you tell him your worst jokes. The gentleness of his touch despite the inhuman strength of his body. You know these are all things that were programmed into him by some random company engineer years ago, but you can’t shake the feeling that there’s more to him than a bunch of 0’s and 1’s. He’s not just a robot designed to serve man, he’s…Walter.

The stronger your connection feels over these first few weeks of travel, the bolder you get when it comes to exploring your affection for him. It starts with accidental brushes of the hand against his arm or a gentle press of your palm between his shoulder blades when you squeeze behind him in a tight corridor. Fleeting touches that can easily be written off as necessary interactions given the nature of your environment. He, of course, doesn’t seem to mind at all. Every time it happens, he responds to your apology or “excuse me” with a courteous little grin and a brief utterance of reassurance.

On a particularly bad day, when nothing seems to go right and the loneliness of space grips at your heart, you ask for his comfort and he obliges. His hand rests on your shoulder until it simply isn’t enough and you ask him to hold you. No request is too much for Walter, so sure enough you find yourself wrapped in his arms with your head resting on his chest. Even despite his lack of fleshy internal organs, you find he’s just as warm as any human would be. And when he murmurs soothing words in your ear, you realize that no human could possibly comfort you the way he can.

“Walter?”

“Yes?"

“Hugging you like this,” you murmur quietly into his charcoal sweatshirt, “Does it feel good for you?”

“If you’re inquiring as to whether or not I enjoy embracing you, yes. I find it quite satisfactory.”

“Good.”

“Is this embrace satisfying for you?”

“Very."

“I’m glad.”

To your surprise, the hand that had come to rest in the center of your back begins to move in slow circles. When you shift beneath his touch, the movement ceases.

“Apologies,” he says as he abruptly steps away. The loss of contact leaves your body yearning for the comfort.

“No need to apologize, Walter. It’s fine, really. I…” You hesitate for a moment. “It felt nice.”

You stare each other down, both of you searching for answers to questions neither of you have asked. You know it’s probably just your mind playing tricks on you, but it seems as though he looks nervous. Then again, hard not to notice an aura of uncertainty coming from a presence that is usually nothing but certain.

“Have you ever touched someone like that before now?” You ask.

“No. I’m afraid it was never the company’s intention for synthetics such as myself to engage in intimate contact.”

You try to stow away some of the sheer sadness you feel knowing what he’s said is undoubtedly true. “Oh. I’m sorry.”

“Why are you apologizing?”

“Because that doesn’t seem fair. Being surrounded by people your whole life and knowing that none of them will ever hold you. Knowing that the people who created you never even wanted you to be held.”

“Fair or not, it is simply a part of my programming.”

You frown. It frustrates you to no end. No matter how many times he or the little voice in the back of your head tells you that he is simply an android following his programming, you want to argue that there’s more to it than that. That he genuinely exists and deserves to live.

“Aren’t you curious?”

“In regard to what exactly?”

“Touch. Don’t you ever wonder what it’d be like to truly be touched? To be held and caressed and cared for by someone else?”

“It is something I have pondered over from time to time, sure.”

Your heart is racing in your chest as you consider your words. It’s crazy, you know it is, but you can’t help yourself. “Would you like me to touch you?”

Walter’s head tilts to the left ever so slightly, much like a dog who’s heard his owner utter the name of his favorite toy in casual conversation. Those dazzling blue eyes blink a couple of times as he considers your question.

“Yes, I believe I would.”

An inaudible sigh of relief slips from your throat. You nod, more to yourself than to Walter, and step forward to close the distance between you. He doesn’t move in the slightest, just stands there and watches your every move with the scrutiny of a scientist at work.

You start by taking his right hand. Pulling it from his side, you raise it up into the space between your bodies. Your right thumb traces over his knuckles while your left hand gently pushes the sleeve of his sweatshirt up toward his elbow. Just like any human you’ve ever met, there are delicate hairs all along his forearm that jump back into place as the fabric of his sleeve slides past.

After watching those little hairs shift around exploratory strokes of your hand along the backside of his arm, you turn it over and trace the now exposed lines of his palm. You feel like those storied fortune tellers of old Earth who search for hidden meanings in the imperfections of a person’s skin. But instead of seeking out some clue to the distant future, it’s as if you’re seeking the very essence of humanity in Walter’s palm.

“You have a soft touch,” he notes as you ghost your fingertips over the almost velvety surface of his inner wrist.

Your eyes flick up to his face to find him still watching you with a nearly unreadable expression. “Does that bother you?”

“Not at all.”

Reassured by his response, you can’t help the tiny grin that pulls at the corner of your mouth. And as unbelievable as it sounds, Walter’s gaze seems soften at the sight of your smile.

Suddenly feeling as if you’ve been caught witnessing something you were never supposed to see, you hastily draw your focus away from his face and back down to the hand in your grasp. Your fingers trace the lines on his palm a few more times before you curl his fingers inward one by one. When every single digit has been bent into the familiar shape of a fist, you rotate his arm once again and bend his wrist back. Then, with painstaking patience that could drive a man insane, you slowly unravel his fingers with your own until your palms are flush against one another.

“Like Dürer’s Praying Hands.”

Sparing a glance upward once again, you see him gazing at your pressed hands with a nearly awestruck look in his eyes. The way he appears mesmerized by the very sight of this contact, you’d think he’s staring at the aforementioned German artwork itself.

You elect not to say anything, choosing instead to spread his fingers apart with your own. Once they’re fully splayed out, you slip your fingers in between those outstretched digits and tenderly grasp his hand. For the briefest moment, his fingers remain fully erect as if every joint in his hand is locked in place. But, like the sun setting upon its earthly horizon, they soon slowly fold downward until your hands are delicately intertwined.

There’s a tangible silence in the room as you both gaze upon your interlocked hands. The only sounds you can make out around you are the distant beeps of some far off console and the soft exhale of your own breath. And when Walter’s eyes shift from your hands to your face, that breath only grows heavier. He looks curious, anticipatory.

“I think I’m beginning to understand why humans hold hands as a gesture of affection.”

Your brow raises instinctively. “You like it?”

“It’s pleasant.”

“Would you be willing to let me touch your face?”

He blinks, seemingly processing the inquiry. Then he replies, “Of course.”

Using your free hand, you reach up and gently cup your palm along his jaw. As usual, he doesn’t even flinch at the new touch. He just keeps his eyes locked on you while you explore the new frontier that is his visage.

At first, you examine his face like a parent searching their child for minor cuts and bruises after an afternoon of rough housing in the backyard. It’s gentle, yet full of meticulous observation. Intimate in a way only familial touch can be.

But after a while, you become familiar with the feeling of his skin and allow yourself to truly caress the face before you. Fingertips press into the most delicate patches of skin at the back of the jaw. Your thumb tenderly rubs his cheekbone as the butt of your palm teeters at the edge of his mouth. It’s not your intention to feel his lips just yet but it can’t be helped when your skin brushes past them. And just like a human’s lips would be, they are tantalizingly supple against your skin.

Goosebumps crawl up your forearm when you feel his breath tickle the inside of your wrist. Witnessing him breathe is one of those things that never ceases to fascinate you or quell your incessant desire to prove Walter is more than just some carbon copy synthetic. What need would an artificial person have to breathe if they were simply meant to be servants for mankind? Why make them so incredibly real if they aren’t supposed to live a real life? Why strive to recreate the inherently flawed design of the human body if they aren’t meant to be human?

“Is everything alright?”

Walter’s voice draws you out of your thoughts so violently that he may as well have shoved you out of the airlock. You blink yourself back to consciousness and are startled to find your thumb resting at the edge of his top lip, your hand still cupped along the sharp line of his jaw. His breath continues to tickle your wrist with every exhale.

“Y-yeah,” you stammer as you reposition your hand away from his mouth, “Everything’s fine.”

“You’re displaying early symptoms of common influenza,” he counters matter-of-factly, eyes piercing right through the shield of your lie. “Your heart rate is elevated and your body temperature has increased by half a degree.”

Your body temperature may have only risen by a fraction of a degree but it may as well be several dozen considering the sheer heat scalding your cheeks. The thudding of your heartbeat has become incessantly loud and your breath nearly gets trapped in your throat.

“I’m sorry,” you blurt as you pull yourself alway from him.

His brow immediately furrows with confusion. And if you dared to study his expression any longer, you may find the look on his face hints at disappointment.

“I’m afraid I don’t understand why you’re apologizing. You’ve done nothing wrong. If you are unwell, I would be happy to tend to you in the medical bay.”

“No!” The urgency in your voice catches you off guard. You swallow the lump in your throat, hoping it will take some of the embarrassment down with it. “Thank you. But, I’m not sick, Walter, I promise. I’m just…Nervous.”

His head tilts again. If it weren’t for the fact that you’re actively staving off immense shame for your handling of the whole situation, you might actually be able to acknowledge just how endearing you find that little tick of his.

“May I ask why you are nervous?”

A breathy chuckle escapes the confines of your throat. A nervous laugh that you had no intention of letting out. Walter appears even more puzzled by the reaction.

“I’m nervous because I’m touching you,” you admit, “Because touching you is something I’ve been wanting to do for a long time now. And because now that I’ve done so, I want to keep doing it.”

“Then why did you stop?"

It’s a question you weren’t expecting. But, of course Walter would be the one to bypass formalities and outright ask the hard questions.

“Because I feel guilty.”

“Guilt would imply that you’ve committed an offense or violation.”

“Running my hands over your body and caressing your face like you’re my lover sure as hell feels like a violation,” you argue.

Despite your tone growing erratic, he remains as stoic as ever. “I guarantee you, it isn’t. You asked for permission and I granted it.”

To your utter surprise, he reaches out and gently grabs you by the wrist. Despite your astonishment at his decision to reinitiate the contact, you don’t argue or pull away when he guides your hand back up to his face. Deep down you know this is the outcome you truly want, even if it’s one you never imagined you could have.

“Feel no guilt,” he says as your hand comes to its resting place along his jaw, “I want you to touch me.”

Your heart skips a beat at those words. It’s a statement that makes your mind race faster than any engine in the universe. Sexual innuendos and Freudian subconscious aside, the significance of his declaration isn’t lost on you. He isn’t just standing there, letting you explore his visage like some statue being admired by museum patrons. He’s now an active participant driven by his own desire to be caressed. To be caressed by you.

The mere notion of him wanting this is enough to conquer most of your hesitancy. Swallowing whatever fear remains, you bring your other hand up so that you’re cupping his face between them both. Your thumbs stroke at his cheekbones.

“Tell me what you’re thinking.” His voice is soft, restrained. He knows it’s dangerous to spook an already anxious animal.

You dwell on his words for a moment. His eyes, sharp and disarming as always, seem to peer right through your orbital cavity and into your brain itself. If he looks hard enough, he may very well discover the thoughts that are tucked away inside your mind without you even needing to put them into words.

Before you can convince yourself not to, you say, “You’re beautiful.”

He blinks. It’s clear he wasn’t expecting that.

“The color of your eyes. The shape of your lips. The strength of your jaw.” You all but sigh as you trace the line of his jawbone with your middle finger. “I admire everything about you.”

“And what about the fact that I’m not actually human? Do you find that unsettling?”

You shake your head. “No.”

“Why is that?”

You nearly scoff at the question. “Because you could introduce me to a hundred strangers on Earth and I can almost guarantee you that you’re more human than most of them. You have shown me more kindness and empathy than half the people I’ve met in my lifetime.” You slide one hand down to his chest, splaying your fingers out over the spot where his heart should sit. “It doesn’t matter what parts you have or what fluid flows through your veins. I still care for you, Walter.”

In a way, you feel exposed. You never fully considered just how deeply you feel for him. Though, the more you think about it, the more you realize that it shouldn’t be much of a shock at all.

“I would like to kiss you.”

Now there’s a shocking statement.

“What?” You stare at him in awe, unsure that you heard him correctly.

“I said that I would like to kiss you,” he states, “If you find such contact to be agreeable, of course.”

Words are unattainable for you in that moment so you settle for a nod.

He leans in and kisses you softly. He’s so careful, so unbearably gentle that it feels like his lips simply ghost over yours. It isn’t unpleasant, of course. It’s simply too delicate. The whole thing is over before your brain can even process what’s happening. It leaves you yearning for more.

When he pulls back to look at you, he can see the dissatisfaction painted on your face. “Did I do it incorrectly?”

“It wasn’t…wrong. It was just very quick. And much softer than I was expecting.”

“I see.” He thinks for a moment before adding, “Would you like to do it again your way?”

“You want me to kiss you?”

“Yes.”

His eyes instinctively lock on your mouth to watch as your tongue darts out to wet your bottom lip. “Okay.”

You reposition your right hand from his chest to the side of his neck and pull him back toward you. When you kiss him, you do so with passion. Your lips find his like a drowning man resurfacing for air after being jostled by the sea. Not violent, but desperate, as if Walter’s kiss could save your life in the cold vacuum of space.

He may not know what he’s doing, but what he’s doing is right. When your tongue presses against his lip, he opens his mouth to welcome it. When you tilt your head to deepen the kiss, he shifts just enough to make it deeper. When your nails dig into his skin to drag him closer, his hands find shelter upon your waist to steady himself. He may be a synthetic by design, but it’s clear from the way he kisses that he is human by nature.

You’re nearly gasping by the time you break the kiss. The breathless wonder of a good kiss is a feeling you have sorely missed and, judging by the blissful look in Walter’s eyes, it seems he’s just experienced something similar for the very first time.

“I have to admit, I prefer your method,” he muses as a tiny grin pricks at the corner of his mouth.

You can’t help but return that grin with a big smile of your own. Your thumb grazes across his bottom lip. “Well, good news: you and I have a lot of time to explore more methods, if you want.”

“I fear there isn’t anything you could offer that I wouldn’t want now.”

[copperbadge]

RE watching thoughts: I’m not 100% sure, but it might be that the whole “I am not my thoughts” is about engaging and identifying with your metacognition MORE than your initial thoughts. Because I get where you’re coming from - what is a consciousness but a collection of thoughts and feelings? But you can also have thoughts about your own thoughts that are more useful for dealing with whatever situation you’re in, I guess. (Random aside - every time I start thinking about thinking about thinking my brain inevitably starts thinking about Tiffany Aching and The Wee Free Men.)

I really should have replied to this ask sooner because it's going to seem like a non-sequitur now (this was sent much earlier in March) but I'm kind of glad I didn't, because I've been chatting with people about this and I think I understand more why there's an emphasis in some therapies on the idea that we are not our thoughts.

(I uh, haven't read the Tiffany books so I'm not much help there.)

I am coming to understand that many, perhaps most, people judge themselves, comprehensively and harshly, based on their thoughts. Perhaps it's just a lot of people who struggle with mental health, but given the commonality of the sentiment I don't know if I'd confine it that tightly; generally it appears that people cannot conceive of themselves as anything other than a binary of good or bad. So many people I've talked to about this portion of DBT, the watching-questioning-identifying thoughts portion, say that it helps to snap them out of a spiral of "I'm a horrible person, I deserve to suffer/die, I can never be redeemed" after they've failed at something, or had a negative thought, or reacted poorly to an unexpected event.

That is not something I've ever experienced. I mean, jokingly maybe, but not in a real, internal sense.

And that's not to brag -- I'm not saying I think I'm a good person, either, because I don't think I'm a good person. I don't conceive of myself in terms of good or bad. I never cuddle my cats and think "I'm such a good cat dad" or forget to feed them and think "I should die now." I have a perpetual morally neutral attitude towards my own existence; my thoughts and actions might trend me one direction or another but I'm aware of the temporary nature of that. If I fuck up I'll worry about who I might have hurt or whether I'll be fired or what's going to happen as a consequence, if I am polite to someone who didn't deserve it I know I was acting kindly in the moment, but I don't make an inherent moral judgement of myself based on that. And it seems like the vast majority of people do. Which you would think would make me feel pretty good about myself, but honestly...I don't know.

A lot of people I know who have ADHD or are Autistic have talked about seeing themselves as other, as alien -- like that one webcomic artist who draws themself with little antennae to indicate they're strange and different. I've always understood why one might do that, but I never felt that way myself, before or after the diagnosis. After all, let's remember, I was The Normal* Child of my siblings, and if I was The Normal One before the diagnosis, why wouldn't I remain Mostly Normal after?

* As ever, I'm using "normal" as a cultural term, to indicate what we think of as mainstream, not because normal is a thing that really exists.

My life has been relatively solitary -- I have friends and family and I love them but I'm rarely part of a large group, I don't spend a lot of time out in public interacting with people, I'm not a big socializer. Before the Adderall, I really couldn't be, I took too much psychic damage from interpersonal interaction, so I chose those very carefully. And now my DBT class has been a rare moment when I'm encountering contradictions to a lot of my assumptions about the way human beings in our society interact, react, and behave. I just...don't fit that mold very well. I think of it as having crossed wiring, not in the sense that I'm faulty but just in the sense that I'm very, very different. Not Normal. It's not exactly a bad feeling but it's certainly not a great one, internalizing the sensation of alienness.

DBT is proving to be a mixed bag but not in the way I or my therapist intended -- it seems to be either things I was already instinctively doing or things that simply do not apply to me. In one way it's disappointing because it means there isn't much help to be had (we're a little over halfway through the course and I keep thinking "Maybe next class will be useful") but on the other hand it's validating that so much of what I came up with myself as unconscious coping mechanisms is literally what I would have been told to do anyway.

Sometimes it's a combination of both, though, which really blows. I guess most people, if they reframe another person's actions, actually find emotional relief in that, and I don't. An example from the class is that if someone is rude to you, you can consider how they might be having a hard day, and be polite in return; that's great, in terms of defusing a situation, and it's something I do a fair amount of. But apparently it's also something that for most people results in feeling less awful about the interaction, and that's not the case for me. Which is why so much of DBT feels to me like lying to oneself. It's not lying for most people.

So, yeah. I'm going to finish out the course and keep trying things with the therapist but I suspect given everything, I might already be at "as good as it gets" in terms of emotional work. Which isn't the worst thing in the world, and there is still the option to try medication that could help, but I think there will come a point where I'm going to have to deal with the fallout of just how different I am, and how that has impacted my life. Might end up a good thing; something I've really been trying to resolve is unhappiness over being unpartnered and highly likely to remain that way, and at least if this provides a better understanding of why, then perhaps I can process that and put it to rest in a way I've been trying to do but not succeeding well at.

So, we'll see. But I find it both fascinating and kind of horrifying how many people can believe they are irredeemably bad, even if the belief is only temporary, simply because they had an uncharitable thought or impulse. It makes me somewhat grateful for the crossed wires, at least.

[nickeverdeen]

could you perhaps do an arcane caitlyn x autsitc reader having a really bad day bc of sensory issues? curious to see your take on how she would handle that (ik it's not super specific, sorry)

It’s okay, don’t worry!

———————

Save Heaven | Caitlyn x Autistic!Reader

Summary: Despite having a bad day due to your sensory issues your girlfriend always knows how to make it better

Pairings: Caitlyn Kiramman x autistic!fem!reader (romantic)

Warnings: None

—————————

The day had started like any other, but by noon, everything felt like it was spiraling out of control. The noise of Piltover, usually just a backdrop to your day, seemed louder, harsher. The hum of machinery, the chatter of people, and the occasional blaring horn of a passing vehicle felt like they were drilling into your skull. The bustling city, once so familiar, now felt like an assault on your senses.

You had tried to keep going, to push through the overwhelming noise, the glaring lights, and the constant pressure of people brushing past you. But it was too much. Your head was pounding, your skin felt like it was on fire, and every sound felt like a personal attack.

When you finally made it home, you felt like you were hanging on by a thread. The moment you stepped inside, you closed the door behind you, leaning against it as you squeezed your eyes shut. The apartment was quiet, but even the faint ticking of the clock on the wall felt too loud. You quickly kicked off your shoes, the feeling of them on your feet unbearable, and headed to your room in search of some kind of relief.

You curled up on the bed, pulling the blankets over your head as you tried to block out the world. But the sensory overload had already taken its toll, and the feeling of the fabric against your skin, the stuffiness of the air, everything—it was all too much. A frustrated groan escaped your lips as you curled into a tighter ball, feeling utterly trapped in your own skin.

The door creaked open softly, and you flinched at the sound, even though you knew who it was. Caitlyn was the only one with a key, and she’d said she’d come by after her shift ended. You heard her soft footsteps approaching, the bed dipping slightly as she sat down beside you.

“Hey,” she said gently, her voice a soft balm to your frayed nerves. “I’m here.”

You didn’t move, didn’t respond, but you felt her hand on your back, warm and reassuring. It was a touch that you usually welcomed, but right now, everything was too much. Still, Caitlyn didn’t push. She never did.

“I’m sorry,” you finally whispered, your voice barely audible beneath the covers. “I just… I can’t today.”

“You don’t need to apologize,” Caitlyn replied, her voice steady and soothing. “It’s okay, love. I’m here for you.”

Slowly, you pushed the blanket down, just enough to peek out and see her. Her blue eyes were filled with concern, but there was no pity there, no frustration—just love and understanding. She smiled softly at you, her hand still resting lightly on your back, not pressing, just letting you know she was there.

“Do you want to talk about it?” she asked, her voice gentle.

You shook your head, not trusting yourself to speak. The words were there, but trying to put them together felt like too much right now. Instead, you just looked at her, hoping she could understand what you couldn’t say.

Caitlyn nodded, as if she could hear the thoughts swirling in your mind. “How about we just sit here for a bit? No talking, no pressure.”

You nodded again, feeling a wave of relief wash over you. Caitlyn shifted on the bed, leaning back against the headboard and opening her arms slightly. You hesitated for a moment, but then you moved closer, resting your head on her shoulder as she wrapped her arms around you.

The scent of her perfume, something soft and floral, filled your senses, and you focused on that, letting it ground you. Her hand rubbed small circles on your back, the rhythm steady and calming, and gradually, you felt the tension in your body begin to ease.

The noise of the city was still there, faint through the walls, but it didn’t feel as overwhelming with Caitlyn by your side. The ticking clock was still annoying, but it wasn’t unbearable. Slowly, the world began to feel less hostile, less overwhelming.

Caitlyn didn’t say anything, just held you, her presence a constant comfort. You felt your breathing begin to even out, the tightness in your chest loosening. It was still a bad day, still heavy and hard, but Caitlyn made it bearable. She made you feel safe.

After a while, Caitlyn spoke again, her voice low. “Would you like to take a bath? I can make it nice and quiet, just for you.”

The thought of warm water, of the quiet, calm atmosphere of the bathroom, sounded like heaven. You nodded against her shoulder, and she pressed a soft kiss to your temple before gently helping you up.

She led you to the bathroom, and you watched as she ran the water, making sure it was just the right temperature. She added a few drops of lavender oil, the scent relaxing and familiar, before turning back to you with a small smile.

“I’ll be right outside if you need me,” she said, her hand brushing yours before she left you alone.

You sank into the tub, the warm water immediately soothing your sore muscles. The lavender scent filled the room, calming your mind, and you let out a long breath as you finally felt yourself start to relax.

It took some time, but eventually, the sensory overload began to fade, leaving you feeling calmer, more grounded. When you were ready, you got out of the tub, drying off and slipping into the soft clothes Caitlyn had left out for you.

When you stepped back into the bedroom, Caitlyn was waiting, her smile warm and welcoming. She held out a hand to you, and you took it, letting her guide you back to bed.

She settled in beside you, her arms open once more, and you didn’t hesitate to curl up against her. The world outside might still be too much, but in Caitlyn’s arms, you knew you’d always have a safe haven. And for now, that was enough.

[catsconflictscopicsandchamomile]

ok calling out tumblr as a whole rn, gonna keep this reallll brief and simple

Leave. The Neil Gaiman fandom. ALONE.

are the takes coming out of it right now rancid? Yes.

It has been LESS THAN ONE DAY.

LESS. THEN. ONE. DAY.

Everyone rn talking about how they “already knew” and then using that as justification to engage in the WORST, MOST PERSONALLY INSULTING, DEGRADING, HEARTLESS, DEHUMANIZING, AND *CONSISTENTLY FUCKING ABLEIST* BEHAVIOR I HAVE EVER SEEN ON THIS SITE

All y’all need to step back and remember when and how you DID learn this about Neil, or about powerful people/celebrities in general. y’all know you didn’t process it instantly, cleanly, or without any emotional turmoil, grief and deeply bad takes on the way to acceptance. And I’m sure the vast majority of y’all have SOMETHING that you like right this instant where you “separate the art from the artist”. This isn’t a “gotcha”, that’s LITERALLY JUST A NORMAL PART OF MODERN MEDIA CONSUMPTION

and even if you’re some pure untainted angel who only likes things that were entirely created by good people and has the ability to instantly detach all emotional, artistic and other ties to a piece of media once it becomes Bad(tm)….

You still have no right to treat these ppl like this. Plain and simple. These are the reactions of people who just had their view of their favorite author shattered

YESTERDAY

and while some will inevitably stay and defend Neil (fuck those guys), the majority WILL process this and react appropriately, just like I did, just like yall did.

(and if “appropriately” turns out to involve taking back the fandom en masse… listen I’m leery on it too but I think it would be a genuinely good idea to try. Interesting if nothing else, and absolutely not a cause for further hate) To treat entire fandoms this way, this immediately…. I am hundreds of times more ashamed to share a fandom, a website or a PLANET with y’all than with the ppl saying stupid shit while processing this stuff for the first time. The news itself was upsetting but unsurprising. Seeing y’all turn into Reddit chuds projectile vomiting anti-autistic stereotypes and telling people to off themselves is making me genuinely fucking sick.

I’m so angry. All this finally coming to light and you’ve all chosen hatred. Fuck you, fuck all of you. I don’t even have words.

Edit for clarification: I am NOT asking that Neil or his fans not be held accountable. I am asking people to have the basic fucking human decency to give the fandom ANY TIME AT ALL to process this stuff before rolling out the personal insults and su*c*de baiting.

Give People Time To Sort Through Their Feelings. Let People Process. Not forever, just a few days. Most likely yall didn’t process this instantly when you first learned about it, so stop expecting others to. Don’t be dicks. That simple.

EDIT TWO:

This post is NOT calling out criticizing people who defend Neil. Again: FUCK THOSE GUYS. This is a post calling out the massive amounts of hate currently directed at people who are just fucking upset, who believe the victims and feel furious, betrayed, etc, and yes even people whose first thoughts were of their fandoms. If they aren’t defending Neil, they aren’t defending Neil. In fact if they’re being weird and messy about fandom or internal stuff, it’s pretty clear that they’re FUCKING FURIOUS at Neil.

In fact, perhaps consider redirecting all this hate to the people actually defending Neil, instead of people who obviously hate him but whose processing methods are kinda cringe.

[drdemonprince]

Heyyo - autist here who’s still figuring out my physical and emotional needs. I use weed every day, and part of me has shame around this (as I am a “professional” and supposedly it’s “bad for you”, and it costs money) and the other part of me says “fuck it, there’s no moral value in not using drugs and you should do what you need to”. I guess I’m wondering what perspectives you can offer on this. I’m ruminating on it a bit lately and need some outside people to share their thoughts to get me out of that cycle. Thnx

I find that I am a lot more in tune with my bodily sensations and emotions when I am high, and that I find it easier to enjoy things and to chat amiably with random people when I'm high too. It makes life easier and more pleasant to such an extent that I wonder if I ought to smoke weed daily to medicate all my Problems and Difficulties and general irritation at of most aspects of existence. But then I don't. Because I get freaked out by the brain foggy weed hangover that drifts into the next day, and I assume that it will be bad for my writing to be high, and perhaps most of all, because I am terrified of building up a really high weed tolerance and then needing to use a ton to feel anything, or to even return to a baseline.

A couple years back I tried out vaping almost nightly for a few months, and it definitely reached a point where simply *not* being high felt like being anxious, it seemed, so I decided pretty quickly to reduce my weed intake. I don't like NEEDING any substance to function or to just feel okay. so for now I keep it to the weekends. I often think of using weed more often than that, and kind of want to, but i don't.

The research on chronic long-term weed use is quite encouraging! There are no cognitive or motivational downsides to using weed every day, or even multiple times per day. Conversely, there are many emotional and psychological benefits. @testdevice and I discussed the latest scientific research on the subject at length here:

There's really only one rub to the study's findings: people who use weed multiple times per day have a baseline lower mood than people who use weed frequently, but not quite that often. NOW THIS IS NOT A CAUSAL RELATIONSHIP. Chronic heavy weed use is not CAUSING people to be more depressed -- it simply seems to be the case that people who are chronically depressed are reaching more frequently for weed to cope with it.

The study shows weed use does raise mood including for members of that group, so there really is no serious drawback to using marijuana here!

But It does align with a finding that I've made in my personal life: the moments when I want to use weed the most frequently are when something in my life is completely out of wack. When I'm super overworked and stressed out, the temptation is to use weed as a way to down-regulate my anxiety, but what actually works far better for me is taking actual steps to reduce stress in my life. I COULD use weed for depression or for failing to find life activities enjoyable, and it works, but it's also worth asking myself which aspects of my life need to change so that I can feel less depressed and get through the day feeling okay. negative emotions are a signal that something in life is going wrong and needs to be fixed, and I do not want to ignore that alarm system.

Those are just some things to think about. Personally, I think that if you have some ability to make choices in your life that can improve your general circumstances, it's better to do that than to use weed to make a life that sucks a little more tolerable. But if daily weed use is helping make your life better or less hard, the weed itself is not the problem!

Lots of people determine that daily weed use has considerable benefits for them with relatively few costs. For me, using a couple times per week is what hits that sweet spot. but ymmv.

[lit3rally-m1ke-whlr]

guys I accidentally deleted the essay I wrote in my drafts bc I’m an idiot (I’m crying) so I’m just gonna summarize in less words bc whatever I’m not typing several more paragraphs on this. Anyway I just had to say that I feel like there’s an ableism problem in the Stranger Things fandom. Either that or this fandom just doesn’t like when characters show obvious neurodivergent traits. We see this with El being either infantilized or deemed annoying by fans when she’s clearly developmentally impaired and autistic because she struggles with understanding social cues and just wants to be normal and fit in like everyone else. She was raised in a lab, obviously she’s going to be immature and not have a strong handle on her emotional responses to things, and you don’t have to like her but it kinda sucks that she’s being hated for these things when I can relate to her so much. We also see this with Mike, and I feel like the people calling him the worst character are forgetting he’s literally just a teenage boy dealing with trauma. Like it’s as if they were never a teenager before because trust me I was just like Mike at that age if not worse. I’ll admit I used to hate him too but maturing is realizing the reasons people dislike Mike can easily be explained by either internalized homophobia or neurodivergence. He’s a bad friend? It’s because he’s trying so hard to appear straight and struggles to balance his relationships in a healthy manner, and he often speaks before thinking about how what he’s saying comes across to others, which is something many autistics/ people with ADHD do, not because we mean to hurt others but we can often be blunt or brutally honest and come across as rude (or even just lash out when we feel attacked or hurt as a way to defend ourselves but it often comes out harsher than we want it to) in my experience. He’s a bad boyfriend? He’s actually not and even then it’s because he’s gay and not in love with El but just doesn’t want to lose her. Besides he doesn’t have a great model for what a loving relationship looks like because of his parents so he may not be able to differentiate between romantic and platonic love and stays in a relationship that he’s clearly not happy in because of societal pressure to appear straight and it would be suspicious (in his mind) if they broke up because a) El literally is the coolest girl on the planet, how could he not love her and b) he loses his cover and people might start to notice and question his lack of attraction to girls. But not only that, he clearly struggles with describing and expressing his emotions or recognizing those of others (aka alexythemia) which is common in autistic people. So if he didn’t notice El’s obvious discomfort at the skating rink that’s probably why, and it’s also why he couldn’t tell her he loved her (bc it was a lie but I digress).

But perhaps the best example and the reason I decided to make this rant post is Robin’s character in s4. I remember seeing so many people saying that once the writers decided to make her lesbian they realized they didn’t know what to do with her character, some even going as far as to say they made her ditzy and stripped her of her coolness, which basically proves my point about y’all (as in the fandom in general) not liking ND people because god forbid we unmask around you, it’s no wonder so many of us feel afraid to be our true selves in front of other people. It’s almost as if she was hiding behind a persona to seem more normal and not draw unwanted attention to herself because she’s a lesbian, and once she came out to Steve and was accepted she… didn’t have to do that anymore? She felt more comfortable and safe around him to show her true personality? I don’t know but there’s something off about the way people are acting like she’s suddenly dumb or just there for comedic effect in s4 when she’s literally been so useful like she’s the one who realized music could save victims from being possessed by vecna. She’s literally the same except now she’s out to someone and she gets nervous when it comes to girls she likes, big fucking deal. Not only is this mischaracterization ludicrous and flat out wrong but it’s quite upsetting to see as someone who can relate to Robin in season 4 and is also autistic. Yes, not everyone with autism is like that but some are and to say she’s no longer cool because of it just enforces the perception of autistics as weird and unlikeable just for simply being themselves and makes us feel like we can only be liked or taken seriously if we keep the mask on.

look at me I said I would keep it brief this time but I still ended up writing an entire wall of text on this anyway lol thanks for coming to my Ted talk ig

[skelswritingcorner]

Assistance to Focus (A First Aid x Reader Fic)

With the encouragement of @lovenotcomputed, I wrote this little thingy. If y'all can't tell, I love First Aid a lot.

A/N: This is technically a UA (Universe Alteration), as the characters are written to be closer to G1 heights. Therefore, characters like Ultra Magnus are 20 feet tall instead of 40.

Warnings: Mentions of autistic shutdown, G/T

It was always a struggle to begin tasks, from those that need to be done to those that you wanted to do. That was something you always hated about yourself, even if you knew it was due to your neurodivergent nature. You're sure that the others on the Lost Light noticed this. Unfortunately, you're pretty confident neurodivergence isn't a thing for Cybertronians, so they might not understand.

The only exception was Rung, the psychiatrist of the ship. "Perhaps you need someone to just... push you along to get started." he suggested, "I remember Ultra Magnus told me about that shutdown you had when you couldn't get started on those files, yes? Maybe doing them with someone else at the same time would be beneficial.”

Right. That was certainly a situation that led to several members of the Lost Light panicking because your head was on the desk and you were sobbing and hyperventilating for an hour, tugging at your hair to distract yourself. Ratchet had to make everyone leave the room and have you brought to your habsuite afterwards, and informed Ultra Magnus that you���d be resting for a cycle or two. At least you didn’t hit yourself with a heavy object.

“I understand that, but I don’t know who I’d do that with,” you glanced at the window, “I’m the smallest person on this ship, and I don’t know anyone else other than the ones I interact with the most as the liaison.”

Rung tapped his digits on his chair, “How about First Aid? From what I’ve heard, you two get along quite well.” Oh. Would be a good idea except for the tension you felt around him sometimes, given how your mind goes haywire around him. He is, however, one of the few people that could calm you down from those shutdowns, so it might be your only option.

You sighed in defeat, “If he agrees to it, then yeah.”

Rung nodded thoughtfully, “I’ll ask him if he’ll be alright with that. Is there anything else you want to talk about?” You shook your head. “Well then, until next time.”

You left Rung’s office, walking in the large expanse of hallways to get to your destination. Fortunately, while almost everyone is thrice your height (quite literally, mind you), it’s easy to maneuver around them with a little verbal warning. Because of that, it didn’t take long before you arrived at the medbay.

The doors opened, and you peeked your head before walking inside. There weren’t many people there right now, Ratchet was talking to Drift about… something you didn’t know anything about. First Aid was at the desk, working on medical reports from what you could tell. He shouldn’t be too busy, right?

“Y/N?” Oh, that must be Ratchet. He probably wanted to check on you, given what happened a few days ago.

“Yeah?” you looked up at the red mech.

Ratchet knelt down to address you, “Are you doing alright? I’m sure you’re still stressed from what happened. Are you sure you shouldn’t be resting still?”

You shook your head, “I usually just need a day to recover from a shutdown. I’ll be fine.”

Ratchet squinted, clearly doubting your words. “I doubt that just a day would be sufficient, but alright. Do you need something?”

“Uhh, it’s based on something Rung suggested. He suggested that I have someone else with me to help me get started on the task.” you explained.

“I see,” Ratchet curled his servo, tapping his chin in thought, “Is there someone specific you wanted to assist you?”

You paused, contemplating if you should tell Ratchet. Did he figure out the thoughts you get about First Aid? Ratchet did comment that your face was red the first time you saw him without his mouthpiece at Swerve’s bar, and asked if you were alright. You doubt he realized that the redness was due to you getting flustered. Drift walked up to Ratchet, whispering, “I think Y/N wants First Aid to help her.”

You heard all of it, jumping a little bit. Drift smirked, and Ratchet chuckled, “Don’t worry about it, Y/N. I’ll ask him for you.” Ratchet walked to First Aid, exchanging a few words with him. Unfortunately, it wasn’t one you could hear from where you were.

First Aid walked up to you after grabbing some datapads, “Rung messaged me about it just before Ratchet told me, you want me to help you?” A nod was the only reply you gave. “I’ll bring you to a quiet place. I’ll bring some of the paperwork that I can do.” You nodded again, and First Aid helped set you on his shoulder.

The both of you walked to your habsuite, and you grabbed the datapad with the document you struggled to start reading last time. After grabbing a set of ear pods, you and First Aid went to his habsuite. Fortunately, his habsuite was close to your own, so it didn’t take long.

“Are you sure we should do that in your habsuite?” you asked, “Isn’t this meant to be a place for rest?”

“I-” First Aid stammered, “I didn’t know anywhere else that would be without distractions.”

That’s understandable. This ship is pretty hectic, after all. “Well then, let’s do this.'' The both of you walked to the desk in the habsuite, sitting down on the chair together.

First Aid had you situated in his lap, servo splayed slightly on your own as he prepared his set of datapads. Putting in your headphones on a low volume, you played instrumental music as you looked at the datapad you held in your hand. It’s just documents on Cybertonian anatomy, it should be fine. Not like you don’t know anything about robotics at all, everything’s going to be fine.

It took a bit to start, but after some time you began reading the document. It was a bit intimidating, but that’s what happens when you first learn stuff, it’s always a little scary in the beginning. It helped that First Aid was ghosting circles into your thigh, it was minimal enough that it didn’t hurt or distract.

After some time, you finished reading the document. It took some time, but you knew this was the shorter version. A more simple explanation of Cybertronian anatomy, with comparisons between the anatomy of a Cybertronian and the anatomy of a human.

There were no equivalents for some organs, but what made you curious was that reproductive organs weren’t mentioned. It makes sense, Cybertronians reproduce asexually. It wouldn’t make sense for them to have those parts, right?

“You’re done?” the voice from above asked. It sounded a little… clearer than usual? You looked up, seeing First Aid… without his mouthpiece?

“I was surprised, once you began you quickly got in some kind of zone.” First Aid chuckled, “It was fascinating.”

If it wasn’t obvious enough already, your face was heating up. Did he know how flustered you got that time at Swerve’s? Was he using that to get you worked up?

“I, uh, tend to hyperfocus.” you stammered, unconsciously beginning to bounce your leg.

First Aid let out a chuckle, “I’m just teasing you. At least you were able to read through the document without any signs of stress. I didn’t feel you bouncing your leg until now. The most you did was shake them a little.”

Wait, he noticed that?! Well, you were in his lap the whole time, so he likely noticed you stimming?

“Anyway,” his mouthpiece moved back into place, “you’re likely tired from this, right? I’ll bring you back to your habsuite.”

You nodded quickly, grabbing your things before letting First Aid pick you up. After he confirmed that you were ready, the both of you walked to your habsuite. After exchanging goodbyes, you walked into the habsuite.

First Aid walked away, stumbling into Rodimus. “Hello, Captain.”

“Spendin’ time with the tiny liaison?” Rodimus wiggled his optical ridges, implying a possibility of First Aid and the liaison doing something else.

“We’re literally in front of their room, they’re going to hear you.” First Aid mentioned. He knew that, even though the sound insulation for the organic habsuites are pretty good, Y/N’s hearing is pretty sensitive. They could be listening in.

“It’ll be fine,” Rodimus drawled out, “I made sure the best sound insulation is in those habsuites! When I found out that one of the liaisons has super sensitive audials that can’t be turned down, I made sure that theirs especially got the sound insulation.”

All of that made First Aid squint. “Yeah, right. I’m pretty confident Ultra Magnus was the one who had to do that.”

“Oi!”

“But am I wrong? I remember he’s the one who told us Medics about Y/N’s conditions.” First Aid tilted his helm.

Rodimus grumbled, “Ugh, nevermind! We can discuss what I wanted to tell you about at Swerve’s bar.”

First Aid shook his head, “No need. Liaison Y/N and I did not interface, Rodimus. That wouldn’t be professional. Besides, Y/N just joined last week. I doubt that would be enough time for them to feel comfortable doing that.”

“Right. Anyway, we can talk later at Swerve’s.” Rodimus left, leaving First Aid standing there. Guess he can return to the medbay now.

However, while he wouldn’t say it for now, First Aid is catching feelings for the human liaison. They haven’t been there for long, but Y/N has a fond spot in his spark. It’s simply too early to try flirting or being romantic. Sure, he did mess around a little bit to confirm if his face plate without the mask on made them flustered, and it did, but other than that it’s best to be slow.

[vatelixx]

The visionary, the willing executor,

Spencer Reid x afab!UNSUB!reader (written with mid!seasons Spencer Reid in mind)

SMUT!! copious amounts of angst (there’s traces of fluff in there as well if u get out ur magnifying glass)

BASED ON THIS SONG (it got so stuck in my head that I had to write something that correlated):

──── autistic spencer (it’s not explored that much, but it’s always gonna be present in my oneshots), evil evil reader (im not being dramatic this time. she’s literally a serial killer. like her ‘body count’ is copious. but idk, she’s kinda sweet. if u squint and ignore the bodies). They were in love ur honour !!! they’re still in love ur honour !!!! She pays him a visit two years after he found out about her homicidal tendencies (they miss each other, Spencer might also hate her a little but it’s okay, don’t worry about that).

Warnings: sub spencer (aaaaaaalways), maybe perhaps some vague, very faint mentions of switch!spencer but idk i blacked out writing this, choking, mentions of death and general behaviour that would get you a life sentence, praise more than degradation surprisingly, coming untouched, crying (you’d think that was a kink or something?), she fucks the good out of him, hopeful ending (eh, kinda), mentions of dante’s inferno, copious amounts of religious imagery, greek mythology references, this isn’t dead dove at all i promise.

w.c: 5k

a/n: everything i write has been so angsty recently. i’m working on something softer for my next upload i swear (alongside the requests, I promise, they’re being written im just a die-hard perfectionist). aaaaanyway, happy (belated) halloween!! It’s Spencer’s favourite season so i thought i’d write him getting destroyed by a serial killer (god when is it my turn????)

────────────

Spencer would consider himself a good person, by default. It’s reasonable: a renowned member of the BAU, with intellect he’s weaponized for morality. The blood etched onto his hands is justified. Necessary evil for greater cause. He’s willing to blemish his skin for the virtue, for the lives of others.

He remembers naivety. He remembers being so fragile he could easily crack into fragmented pieces of wasted innocence. Maybe that’s been stolen from him now, maybe the ruins of his sacrifices are too sharp to touch upon still, but he’s good. He knows he will always be good.

And yet, there’s a bruise. Something ugly and distorted that stains his skin. Something that has the ability to crawl deep into his bones and leave behind a mess of pain. Something bad. Festering and tainted, it haunts him with every breath.

You.

You, who came into his life as an abundance of sunlight. Helios personified. Pretty and warm, and everything he needed. He wanted to kiss you: the moment he stumbled into the coffee shop, tousled hair, overworked and raw from a burdening case. When you took his order, marking constellations onto the styrofoam cup. Andromeda, Ursa Major, Cassiopeia. Later, much later, then when you became an indomitable presence to his apartment.

But for all the good he’s preserved, Spencer knows he’s not allowed to receive it.

“You shouldn’t be here,” is the first thing he says when he finds you waiting for him. He always knew you would come back; you’re bound to follow him indefinitely. Like his shadow, his guilty consciousness, his cracked past of addiction and pre-pubescent torment.

He let you go. When the act was over, the curtain drawn, when he saw you. Homicidal, the perpetrator of the case he was working on, malevolence packed into the frame of perfection, oh even still, he let you go. Free to continue the cycle of death, he was left to scramble in the mess of his own misguided heart.

There’s risk in reward, and reward in risk. You’re meticulous, hedonistic to the last detail. But Spencer? Well, he will always be the one loose end you could never quite force yourself to clean up. The thread that kept untangling, even as time passed. Cut it off, you should be rational, wash every bleeding trace of him from your skin.

But there’s irrationality in love.

Blood adorns your features; there’s no need to touch up your appearance, to return to the domesticated facade you once used on him. No, he’s been exposed to the ugly now. There can be no do overs, no back-tracking, game over try again doesn’t exist in real time.

“What are you going to do about it?” you ask, and god, hes just as beautiful as the day you left him. So perfectly real, with dragging exhaustion and pretty brown eyes to ease the sting of his tight-faced, troubled expression.

You didn’t cut the phone lines, nor move the gun he keeps stashed in his cabinet drawer. Down the hall, to the left. You know he won’t make any abrupt actions. Know, in an intuitive way, telepathic communication between past lovers.

“It was a gamble coming here, aren’t you pleased to see me pretty boy?”

Spencer has to fight every urge he has, every moral he believes in to not lunge at you; to not strangle your slender neck, crack you in half, destroy you the way you’ve destroyed his sanity.

Two years, 8 months, 11 days since you cataclysmically uprooted his routined life. He fell in love with softness, not the jagged edge of a blade.

“I let you go. Wasn’t that enough?” it feels too natural, fighting in his apartment, some sort of twisted lovers quarrel. There’s a definite list of everything he should do in this moment, and despite all logic, he just blanks at the sight of you.

“You had to come back. Rub salt in the wound. Do you get off on this?” a sigh falls from his pretty lips, “Actually, don’t— don’t answer that. We both know the answer.”

“I get off on you,” you correct.

It’s true. If he was to analyse you, profile your warped brain like his other unsubs, he’d find nothing but unyielding loyalty to him. For all the damage you’ve done, there’s always been one anomaly to your detachment.

He stands right before you.

And, sure, maybe you’ve got a leg up in this situation. Perhaps the distorted memory of you holds him back: lazy nights and tangled sheets, his body pressed up against yours. The way he’d talk, quantum physics, philosophy, rambles that dissolved into open admissions of feelings. There’s a lot that was fake, but to be a good liar, you have to add subsidiary details of truth.

God, he wishes the world would be cruel—a cosmic alignment of karmic righteousness that would grant him relief: some kind of justification for what he must do. But the universe is indifferent, nothing but a distant star, a fleeting speck of dust in the grand scheme of life. There’s no such thing as good or bad, only consequences.

Consequences. Consequences for his actions. Butterfly effect. He can comprehend it. But, there were many things he adored about you, while the illusion of love was tangible. The way your hair would curl just above your shoulders, your skin in the morning light. The way you’d laugh at one of his obscure Star Trek references, better yet his criticism on modern, inaccurate horror. He could stare at you for eons, as though he was trying to make out the secrets of the universe in the constellation lines of your scars.

The illusion of love, as it was. He sees you now with the clarity of reality, the same way a mirage fades away as you approach; a distortion of perception.

“And you get off on me. Even now. Don’t you?” you say, shifting forward to close gravitational space.

There’s no way to disregard this morbid connection. No psychological justification he can exploit to demean your feelings. You’re not a psychopath, nor anything that relates to a lack of empathy. You feel— you feel empathy for all of your victims, the line of bodies that mark your path. But it goes deeper than that. There was reasoning for your actions, just as there was for his.

“Say it,” you goad. And there’s satisfaction here, sure. Something mean and condescending. But there’s also hurt, because he was supposed to be a means to an end, and now, he might very well be your end.

“Say you miss me. C’mon boy genius, a few little words and i’ll have enough content to satisfy me for years. Don’t be mean— you know I hate being edged.”

He does miss you, every day that he wakes up, his bones too hollow and cold to leave his bed. The ache in his chest where his heart was supposed to be, too empty to function. No amount of caffeine can fill the void in his skull where thoughts of you used to reside. The longing, the desire for the past to rewrite itself.

“You’re sick,” he tries. But he’s not good at this. Not when the love remained after the inevitable fall out, not when the darkest parts of him still clung to want, even after he realised the truth.

“You’re sick, and..” he tries again, “and I hate how much I miss you. There? Is that enough? Are you happy? Got what you wanted?”

You let out an exasperated sigh, “No. If I ‘got what I wanted’, I would still have you.”

Spencer dies. Metaphorically, literally, what does it even matter? He dies, respawns, and then kisses the admittance from your lips.

Instinctively, just like the past, your hands tangle through his hair, and perhaps there’s a sense of ownership to the gesture. The knowledge that he will always be yours. Scarred from your touch, returning to your lips like a dog with a bird. There’s a mindless attempt at anger on his part, biting lips and rough teeth, but just like always, he quickly melts.

He melts, and you catch him. Because for all it’s worth, lies and deceit aside, you’ve always loved him.

There’s something powerful to the gesture; knowing you have someone wrapped around your finger. Even after you’ve bared the worst of you, the ugliness of man-kind. There’s someone out there that will wipe the blood from your cheek, and kiss you through it.

“Oh, even better,” you mutter against his lips, “Much, much better. C’mon Spence, show me just how much you’ve missed me.”

Two years, 8 months, 11 days since he felt like he could breathe.

It hurts, it hurts so much, because there’s a sense of coming home to the kiss, and he just wants you to stay. To ruin him forever. To leave behind a deformed version of him, something unrecognisable and equally scarring.

You’re too loyal and he’s too susceptible to any form of attention. Because you want him, and it’s easy to fall into a cyclical cycle of self-destruction when you’re the catalyst.

“I did miss you.” he admits again. “You— crazy, homicidal excuse of a person.”

Spencer’s hand comes up to touch your cheek, the rough texture of skin meeting something soft. His thumb traces down the curvature of your jawline, a silent hello that doesn’t linger long, too soon to be replaced with his lips.

You push him back against the wall, a painful groan escaping your lips when you feel his hips canting forward, searching aimlessly for a friction you’ve both been denied. Two years. His body still aches for you. It’s primal, something perverted and tainted and so very good.

You knew this would happen. There was not a doubt in your clouded mind that he would deny you. What you do to me, I do to you.

“There’s my boy.” you mutter when you grip said hips, fingers finding their natural, fated position against divine bone. When he begins to find a stable pace, bucking up to meet you with every kiss that you press to his lips.

He whimpers when you touch him, soft sounds of need slipping past his parted lips into the confines of his empty apartment. He’s trying so hard to maintain composure, but he can’t find it in him to fight the inevitable. The ache of separation between himself and you. So he lets it happen, like he always does.

My boy, the possession goes straight to his head. One simple phrase and he’s untangling, breaking to pieces because yes, he is yours. And yes, he will forever want to be reminded.

“Mhm, mhm. Oh— oh, fuck.” he’s so hard, clothed cock pushing up against you with every movement. He could get off on less of you. He has. Every night.

And yes, it certainly feels like home. It’s only the thing your body has been aimlessly yearning for, day in and day out. It’s not fair, not fair to you, that you’ve allowed your resolve to crumble, your strategic, one-track mind, for the fleeting body of a past lover.

But then again, demeaning him to a past lover doesn’t even begin to articulate this.

You’re fairly certain he was put on this earth, just to torment you.

And you’re fairly certain you’ll always let him.

“God, you’re such a slut for me.” you say, drawing back from the friction just to prove your point. The disintegrating whimpers that bleed out of his mouth in response are enough alone to confirm.

His head falls back against the wall, baring that lovely length of his neck and its pretty bruises. He wants you to kiss him there, to leave one last mark before he says ‘I won’t see you again’ and means it this time.

“Don’t— don’t stop—” even as he speaks, a mess of jumbled words and breathless sentences, you’re still teasing him. He hates how much it works, how much he’d rather fall into the pleasure of your hands.

“Fine. Whatever. Yes. What do you want to hear? That it’s whorish the way I want you. That you’re able to just… corrupt me with all these dirty words, even though I have an extensive vocabulary. Even though i’m supposed to be—“

He’s not even sure what he’s supposed to be anymore.

“You know the extent of my devotion.” he concedes.

There will always be sadistic pleasure in reducing him to such an ignominious version of himself. You’ve seen it before, back when you were trapped in an artificial, yet domesticated, haze of bliss. But to hear it now? Even after everything has been said and done?

That’s a new type of pleasure.

You know he still holds onto the facade of you, aimlessly reaching for something intangible, something that never truly existed. “You want me to be good for you, huh? Just pack up my shit, leave it all behind, get better? Think about it. White picket fence. Coffee every morning. God— it would be insufferable. Coming home to feed the dogs, talking every night over the phone, begging you to be safe on a case, or or—“

Spencer breaks. Silencing your words with a pained whimper.

Usually, he doesn’t allow himself to think about that fantastical hypothetic. He can’t afford to. Months after he let you go, when the truth had been exposed to his naive eyes, he’d spend hours in a mess of aching limbs, dreaming up alternative realities where your hands weren’t stained from blood, and the most despicable thing you could do was make his coffee bitter.

So when you force him to open old wounds, to rehash past hopes, he falls apart. A whine escapes his lips, hips bucking, once, twice and then he’s coming untouched. Making a mess out of himself— and it’s sick, so very sick to get off on the thought of you permanent, the epitome of good.

Something he could hold onto without slicing open skin.

It’s not a good orgasm, it never is without your direct help, but at least it’s some form of release. In the aftermath, he blinks away tears, vaguely aware of the cum staining his boxers, creating damp spots through fabric.

There’s something painful, cutting to your gaze when you look at him. At the debauched sight, corrupted from just a few words.

Give it all up? For what? Him?

All things considered, it’s tempting.

“Spencer,” you mutter in the serrated moments between. When he’s still nebulous, caught in the aftershocks of abrupt pleasure. When he’s just gotten off, untouched, on the notion of a domesticated life with you.

He’s struggling to breathe. He’s spent nights gasping for you, reduced to the most debasing version of himself. So out of touch, you drove a blade through his back, catching his heart on the way.

“Why are you— doing this?” he asks, but before you can even answer, provide him with an explanation that will devastate, he’s lunging forward, kissing the lies that cling to your lips. Kissing you because his mouth hurts when it’s not attached to yours.

“One last time.” he says; he’s too intelligent, too intellectually adept, to allow this swallowing cycle of humiliation to continue.

But, underneath it all, he’s also inherently selfish for you. He’s fairly certain you were engrained into his skin, long before he fell into your barbed trap, teeth and penetrative ruin.

“Then you leave. You actually leave, never contact me again. No showing up at my apartment unprovoked. I have a good life without you. Understood?”

You scoff. He presses forward, “Understood?”

You don’t protest when he elucidates his life as good. Even if it’s quite the contrary. Even if he has to bare witness to depravity every single day, scrutinise his way through the minds of the most perverse. Perhaps this is a social experiment to him, perhaps you are the guinea pig, Laika sentenced to space. You know he loved you once, but it’s hard to comprehend the feelings remained unscarred, it’s hard to imagine you’re anything but a test subject now.

You look at him. Look at that pretty face. Your undoing. He could be your achilles heel, hamartia in its rawest form, or maybe you willingly chose to do this. Maybe fate, and divine intervention played no part in your attachment to him. Maybe it’s just chemicals. The logics explanation. Imbalanced, skewed chemicals.

“Don’t worry, boy genius.” you respond, “You won’t get anything, not even a postcard, from me. It’ll be like I never even existed.” no trace. D.C has always been a monotone cesspit of nothing anyway.

It’s cruel. Because if you leave, truly leave. And he never hears from you again, never catches you in his kitchen, drinking coffee with an unadulterated smile, then he will begin to forget.

The curve of your spine, the scars beneath your chest, the way your fingers fit into his own. The way he was able to memorise your body until he could draw it in the dark, when your body was pressed to his, when there was nothing but a false establishment of safety.

He knows he can’t forget. Not technically. But it’ll grow distant, it’ll be replaced with new normals and routines. That, that, he can’t compute.

“Good,” he says, kissing you again, kissing you because this is it.

Spencer wants you. In every sense of the word, he wants you so badly it’s killing him.

His bedroom still holds traces of you. That, itself, is a crime. But he just falls into you. The way lovers do. Your hands against his skin— his hair threaded through your fingers, your lips at the base of his neck. He lets you leave another bruise, a mark, a confirmation of possession, because even if this is the last time, he is, and always will be yours.

“Still the prettiest person i’ve ever seen,” you admit when he’s flushed naked beneath you.

There’s something in those doe-eyes, brown irises blown out of proportion, that hooked you. Even at the worst, it was still soft with him.

Slender frame, slightly arched, you want to bite into his hips, mark every inch of him as yours. It’s greedy, gluttonous, his messy hair, fanning out like a halo, the tangled curls he never bothers to properly care for.

“God, fucking look at you,” you grip his jaw, tilt his head back to bare that blemished neck of his. To have and to own. He’s so inexplicably different to you, so good it runs down to the bone. And maybe you’ve always been insatiable for what you’ve lacked.

He can’t take this. He can’t, not again. The past, the future will have to dissolve with this moment, because there will never be another again.

You will never get this close to him. It’s a terrifying thought, that this’ll be the standard of intimacy, of love - because he knows it isn’t. But he can’t risk the reality he’s faced with, the reality of living without this. Of living without you.

Your words only make it worse. He wants to beg you to stop. To cease the torture.

“Shut up.” He kisses you, as if to remind you that your mouth is made for kissing, for his lips, for a litany of dirty words that he can’t bear to hear. Those words are for someone else. For someone similar. Not him. Never him.

Defying fate. He gets off on being something bad beneath the surface. No one would ever expect it; boyish maladroit Spencer, the youngest of the team, willingly allowing, condoning, a killer to sink into his skin.

“Don’t tell me to shut up,” you respond, muffled against his lips. “If this is the last time, i’m going to enjoy it. Going to enjoy the sight of you, all desperate for me alone.”

“You assume i’ve ever been desperate for anyone else—“ he counters.

“Oh, that’s it. Keep talking dirty to me.”

“It’s not dirty. It’s a factual statement.”

You pull away, a trail of saliva bridging the space between your mouths. If there is higher power at play here, you want to curse, to spite your creator. Because if ‘things’ had been different, if you had been born from the same rib, this could’ve ended differently.

Or for that matter, never ended at all.

“Sit there and watch me.” you say, and Spencer hates the way he obliges. Pushing himself up against the headboard, he stares at you, at the way you position yourself, standing by the foot of the bed.

“Do you even know what you do to me? Do you even understand the gravity your existence has on me?” you continue, unfastening the lace corset that clings to your frame. When it drops to the floor, breasts exposed, you run your hands across them, catching pierced nipples for a vindictive moment of pleasure.

“I— uh,” Spencer is admittedly a little distracted. Sex had always been something ruinous between you two. Something that conflicted his lack of experience, forced him to adapt.

He always wondered how someone so soft, the epitome of light, could be this obscene. Now he understands.

“Lost your words? Come on, pretty boy. I thought you had an ‘extensive vocabulary?’ Hm?”

He wants to touch himself, to ease the pulsing throb that centres in his cock. But he doesn’t, because despite the time that has passed, he still knows your rules. “Don’t use my words against me. I’m being tortured.”

“Tortured, huh?” your hands fumble over buttons until you’re reduced to a pair of panties, soaked throughly, leaving scarce to the imagination.

“So so tortured. Oh my god, who are you? Can I please have my soul back?” he’s joking, but not really.

“Well maybe if you beg for it,” your words fade into a mess of moans, fingers slipping beneath fabric to graze your clit. Spencer’s head spills back against the wall; he looks more affected by the movements than you.

It’s easy to fall back into old habits. Relapse.

“Come here, come here, i’m having an existential crisis.” he says, watching as you slip one finger, then two inside you, struggling to stand now. It’s strange how pleasure can reduce the most antagonising minds to vulnerability.

“Please— oh fuck, please. Please. Don’t make me watch, I can’t. Need you. Need you so bad.”

He thought he found the core of torture in you touching yourself, but he was wrong. Because when you crawl closer, when you slot yourself between his thighs, lips finding skin that only you have ever touched, he sees the root of evil in his brain. The ninth circle of hell.

It’s justified, he supposes. For all the good he’s done, he has betrayed. Himself, his friends, family, existence itself. There is not one thing he wouldn’t ruin, just to feel you. It’s incriminating, so yes, he deserves to freeze in Cocytus. He’ll willingly plead guilty, accept his entrapment in the ring of Caina.

“Poor baby, look at you.” you say, kissing his tip, catching the pre-cum on your tongue. Spencer responds: fisting bedsheets, fighting the restraint to buck forward, to find misplaced solace in the warmth of your mouth. He’s sprawled out across sheets now, lying back in a tangled heap of want. “Shh, it’s okay,” you continue, “I like my men desperate.”

“Desperate? Ah—,” he fights the urge to shut his eyes, too aware that this is the last memory he will ever retain of you.

You, painted into his mind. The final evidence left in the fire: mouth sinking down his length, taking him to the hilt, watery eyes and leaking mascara.

“This isn’t even desperation. You’re killing me. Just, oh oh— please, don’t. ‘M gonna cum. Gonna cum—“

Is it sick that he doesn’t want to? If only to prolong this transitory moment of destruction? Like the lotus eaters, he will always be mindless in the pursuit of more, more, more of you.

You draw back from his cock, only to press a soft kiss against the tip. The gesture alone has him reeling, has him begging to be saved, to atone for every sin he found in the comfort of your divinely crafted lips.

“Gonna let me sit on that pretty cock of yours, hm? Let me use you one last time? Promise i’ll be good,” a lie, “So so good.”

“God, yes. Yes, please. That would—“ You take him deep, deep enough that everything aches. He only feels alive when you’re wrapped around him, when there’s not an ounce of distance between your bodies, when he can touch the insides of you. Pry open the raw, unfiltered version of you.

He only feels alive when he’s sunk inside the harbinger of death. He’d laugh if it didn’t hurt.

You’ve got one hand tangled in your hair, the other pressed flat against his waist, supporting you through each bump of movement. Eyes like marbles, Spencer looks up, and wonders why this will never be enough for you.

You look back, meet his gaze, as if you’re Orpheus, predestined to turn around, to always return. Even if it’s just for one last second. Even if the fall-out is so much worse than pushing forward blindly.

Oh, hes certain you’re carving a hole inside him, something that will only grow and expand, imploring to be filled by it’s inventor. It’ll hurt, for the rest of time, he supposes.

When he finds your hand around his neck, he isn’t startled. Neither, when your thumb presses against his throat, applying pressure until the world cracks and fades, distorting his refined mind to the here and now. He floats, feeling transient in the curse of your touch.

“That’s it. Just let go. I’ve got you.”

He is a sacrificial lamb. The priests favourite. He will take the knife every time, and thank you for it after.

You release the tension, hand taking his instead. For all the cruelty you possess, you’d never think to harm him. Not physically at least. The emotional damage, however, finds you both. There can be no happiness in either of your worlds, not when the memory of each other festers. “Good boy— taking it so well. God, no one is ever gonna compare.”

He cries at the words. Pretty tears streaming down his face, because the reciprocation to his undying piety will forever trigger the warped chemicals in his brain. Will forever reduce him to something saccharine.

“Love you. Love you so much. Don’t go. Please,” he fractures, “please don’t go.” he begs, besmirched words he’ll regret in the wake of his pleasure. They don’t count, and yet, he knows, in the most depraved sections of his mind, they’re true.

You ride him harder. Back curved, finding god in the washed-out body of someone fatally destroyed. “Not going anywhere— fuck, fuckfuckfuck. That feels so good. You’re so good,” maybe it’s a kink to ruin something so perfectly spotless.

Maybe it’s a kink that he wants it.

“Say it. God, just say it. This once.” for old times sake, he almost adds. But that wouldn’t be objectively correct. For all the intimacy you shared, you never once articulated those three words. Perhaps it was to save your dignity, to hold pieces of yourself in the lies you beautifully crafted.

His thumb runs over your clit, and in the tangle of your orgasm, he almost thinks you forget about his demand. But after, when you’re still taking him, when you’re still clenching, unclenching, clenching around his cock, when you know you own every part of him, you answer.

“I love you.”

He falls apart. Hips canting, body squirming, whimper after whimper escaping his bruised lips as he releases inside of you. Pushed deep, defiled to the limit. For a moment, everything is okay, everything will be alright, because there’s pleasure, and it’s you. It’s always you.

How can he justify falling in love with you again? How can he, when he still clings onto the artificial love of the past? He’s not sure his heart can handle one set of feelings, nevermind two.

He takes you again, well… mostly you take him again. In ways that have him polluted with the remnants of your teeth. Canine marks, etched deep enough to bleed. He hopes the swelling leaves behind perennial scars, anything to remind him. Anything to hold onto when you’re gone and it’s cold.

After, when you lie together, he presses his forehead against yours and wishes he was in any other universe. One where you’re happy. Where everything is pure and simple, clean from sin.

There was always truth in what we shared before, you admit. Lazy nights spent draped over the couch, kissing him to silence convoluted rambles. Your presence in the morning, bathed in holy glow, sunlight bleeding over the pretty sight of you. The first night he touched you and saw god. And then the following night, when he ascended all over again.

He wakes to find no body. He wakes to find nothing. It feels like self-sabotage, the promise that you would leave, even if it’s quite the contrary.

In the absence, abstinence of your presence, he discovers traces of you in everything he sees, all of it, everything consumed, returning to the simple thought of you you you.

When the first postcard comes, Portland, dreary weather— beaches and ports, there’s no anger. No exasperation that you broke your word.

You love him, it’s morbid, but for someone like him, it overrules everything. Sanity, dignity, his own stable existence.

You overrule everything.

[thepersonperson]

Autism in JJK Part 1 (Isolation and Movies)

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Read the light novels.

(Click images for captions/citations.)

Preface

Dungeon Meshi is heralded as The ultimate story of incompatible autisms. Everyone recognizes Laois and most of his party as autistic. Each of these characters are able to use their specific types of autism to solve problems throughout the series.

Laois’s autistic traits in particular have drawbacks when it comes to others’ perception of him. To directly quote one of the best Dungeon Meshi text posts on this site:

“Dungeon Meshi is about a quirked up white boy on a quest to save his sister and perhaps indulge his special interest along the way. He's a man of pure heart who has done nothing but help anyone he's met. Then part way through the story you start seeing other pov characters and it turns out every single person who has met him outside his party has read his awkward social skills and love for grilling as a sign of something deeply evil and has vowed to kill him on sight.”

Using Laois as a reference, I want to argue that Jujutsu Kaisen is the penultimate story of incompatible autisms.

Addendum/Disclaimer

I’m heavily drawing from experiences with my particular brand of autism for this analysis, so I’m bound to not properly consider everything. My words should not be taken as gospel since autism is a wide spectrum that manifests differently for each individual. Certain autistic traits will show up for one person and be completely absent in another. (And I personally think JJK does a great job of showcasing this variation.)

There is also significant overlap between Autism and ADHD which I’m not qualified to make connections with. (Basically if you have ADHD feel free to explain how you see yourself in these characters too.) There’s probably other readings that have flown over my head, but please understand I’m not trying to be malicious.

The main traits I’ll be referencing are:

Social Unawareness

Bluntness (and it being perceived as rudeness)

Taking Things Literally

Double Empathy Problem (the non-autistic and the autistic have a hard time understanding each other’s way of thinking and therefore struggle to communicate with each other)

Emotional Blindness/Alexithymia (difficulties with understanding and articulating one's emotions)

Hyperfixations

Special Interests

(Stimming is left out because of Tumblr's 30 image limit. Someone else can make that post for me.)

Mahito’s Autism

Strange title section right? Allow me to defend it. Mahtio’s Domain Expansion (DE) Self-Embodiment of Perfection is localized from 自閉円頓裹 (Jihei Endonka). The first two kanji 自閉 (Jihei) create the Japanese word for Autistic. Where 自 (Ji) is self and 閉 (Hei) is close/shut. The Japanese word for Autism is 自閉症 (Jiheisho) where 症 (sho) means disease. A very literal translation of Jiheisho is “self-shut disease”.

Equating autism to an illness that causes one to shut themselves inwards is flawed in its framework, but not wrong in describing the unique isolation autistic people face. If the kanji used didn’t clue you in, Japanese society is much more hostile to the autistic than English speaking countries. This is in part due to many autistic traits being seen as socially unacceptable for deviating too much from the norm.

There’s been a whole study on this if you want to know more. (This study allowed for self-diagnosed people to participate and included non-binary gender options, so I’m comfortable using it.) Quoted directly from the source: 

“Many autistic individuals engage in social camouflage and attempt to use social interaction to obtain job opportunities and other benefits. The aforementioned ‘need’ of autistic individuals to engage in social camouflage forces them to continuously pretend that they are non-autistic. This is associated with significant manifestations of mental health deterioration, such as depression, generalised anxiety, social anxiety, suicide attempts, and burnout because of exhaustion and fatigue.”

“Markus and Kitayama refer to Japanese and other East Asian cultures as ‘cultures of interdependence’. In these cultures, the primary challenge faced by individuals is to conform without standing out and pay more attention to others than oneself. Thus, the ‘uniqueness’ of autistic people can be perceived negatively, and it can threaten relationships and interpersonal harmony within the community.”

Now what does discrimination against autistic people have to do with Mahito? Well, everything. Mahito manifested as the hatred between humans, making them unique within the Natural Disaster Curses group. This causes friction in their relationships with the other curses, mainly Jogo.

When Dagon dies, Jogo mourns. When Hanami dies, Jogo and Dagon mourn. When Mahito learns about this? They react like this.

Totally not appropriate for the situation. You could chalk it up to them being a curse, but the other curses have already shown they’re capable of caring deeply for each other. 

This isn’t the only instance of it either. In the light novels, Mahito really gets into movies to better understand humans which results in this.

Jogo simply does not know what to do with Mahito becoming a filmbro. 

Jokes aside, Mahito is using movies and other forms of media to better understand people not like themself. And despite their efforts to better grasp emotions, this causes Mahito to become even more alienated from his peers. He’s in his own little bubble and his way of thinking is boon when fighting but a bane for his relationships. There’s something very autistic about that. 

Shared Special Interests

On the flipside, Mahito’s movie and book fascination causes them to create a bond with a blind homeless old man that lives under a bridge. But it’s only because the two of them have this interest in common.

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 3: Allegory in Darkness, Mahito has canonically read Kafka. 

And that line at the end. “It makes talking to you easy.” This is the same phrase Mahito uses when grooming Junpei. Though Mahito’s relationship with Junpei is one of manipulation, it started as something rather innocent—they both went to the theater, saw the same movie, and were annoyed by the people disrupting their viewing experience.

That small connection, their shared interest in movies caused them to bond quickly and Mahito used it for manipulation. (This is not unlike how minors in fandom spaces can be groomed by the adults around them.)

Mahito learned how to be this way in part by studying media and applying it to their actions. They can’t interact with most humans 1-on-1, so their main source of understanding them is media, which gives them this warped sense of reality. Think Plato’s Allegory of the Cave. Mahito doesn’t know better because this is all they know.

It’s no wonder they conclude that humans at the core are creatures that eat, sleep, and rape (Ch 49 Pg 18 Sorry I ran out of image space). Think of how many “the joke is sexual assault” type characters there are in Japanese media alone. (Let’s not ignore how bad it gets in American 80s comedies too.)

Mahito is essentially a blank slate with no frame of reference for morals, critical analysis, or media literacy in general. It’s not very surprising they take everything at face value and then use it for evil.

And that’s why I wanted to discuss them first. Mahito is a reflection of humans and their reaction to media has echoes in how other characters, who are probably autistic, navigate their relationships with themselves and other humans. 

Itadori Yuji’s Autism

When I say Yuji is pure and the goodest boy in the world, I’m referring to the unbridled autistic joy in which he interacts with the world. He’s not much different than Laois from Dungeon Meshi. The way Yuji introduces himself to others is unhinged. He frequently does and says things that are not socially appropriate in the slightest. Whatever comes to mind first he acts on, no filter.

But being unhinged isn’t necessarily autistic. What gives this the ‘tism is the socially inept internal logic that goes into Yuji’s decision making. Dudebros may refer to it as locking in, but it is better known as hyperfocusing. You give Yuji a task and he Will complete it, anything in his way be damned.

Ijichi gave Yuji a task. Figure out if this person is an enemy and make sure nobody gets hurt. Interrupting a convo and pantsing a guy to complete this task is Yuji autistically logicing his way around setbacks. What’s a non-violent way to get someone to leave? Stealing their pants, probably. Things like social rules don’t matter if lives are at risk. 

Don’t believe that’s socially-blind autistic logic? Let me give you this guy from 4Chan and myself as an example. As a child I was told I should never lie no matter what. At 8 years old, I did something that upset my teacher. I didn’t know I had upset my teacher until I was asked to write an apology letter by my parents. So in my little pea brain, I had no reason to apologize because that would be lying. I then wrote something along the lines of, “I’m only writing this apology because my parents are making me.” (I got yelled at for this which confused me even more. What do you mean you want me to lie, mother???)

You can see this kind of logic with the finger eating especially. Yuji took Megumi’s words very literally and ate a mummified human finger because that’s what was needed to save lives. This isn’t a one off thing either, it keeps happening over and over—Yuji taking the most literal interpretation of the words spoken to him and acting on them in the most autistic way possible.

I love the Nanamin alert especially because only Idatori Yuji would think to do that. It also a neat showcase of the double-edged sword that can come from autism. Yes, Yuji effectively and quickly relays important information to his allies, but to their enemies as well. He also does it in a way that gets him bopped on the head by Megumi. Kind of like how going along with Gojo’s plans has him bullied by his classmates.

This happens a lot too—Yuji doing what others tell him to do, filling in the blanks when they fail to elaborate on the how to, and it backfiring.

There is nothing more autistic than doing exactly as you are told and getting punished for it. 

Nanami tells Yuji not to call him Nanami-sensei. But he doesn’t tell Yuji what exactly to call him instead, so he guesses. And since Yuji is socially unaware to a degree, he comes up with Nanamin instead of the Nanami-san that would’ve been more polite.

Megumi and Panda tell Yuji to lie. But lying isn’t in his nature so he really sucks at it. Pretending he doesn’t know who Gojo is because 1) he was told to lie and 2) Gojo is a part of the group Yuji is was explicitly told not show any familiarity with, is peak autism logic.

It’s all a part of Yuji’s charm though. Despite his autistic traits getting him into plenty of trouble, they also are a big reason as to why everyone loves him. 

Yuji’s Autistic Rizz

Yuji seems to mirror other people both to better understand them and because he’s relying on them to show him how he’s supposed to act. (More on that here.) Most of the time this is played for comedic effect, but sometimes it results in instant pair-bonding. I think that’s the autism-to-autism connection being made. (It’s also known as the morphogenetic field if you’ve played 999.)

Just like how Mahito used movies to bond with Junpei, Yuji does it too. But he uses this shared interest for good and provides a counter to Mahito’s grooming.

And lookie here, he can even utilize his love of movies to bond with people who aren’t into them at all. Junpei’s mom may not get it, but she’s endeared by it. This unparalleled autistic rizz is fundamental to Yuji’s character. And in my opinion, his relationship with Todo Aoi best showcases this.

Everyone knows that Todo and Yuji’s shared love of tall women with big butts is what brought them together. But what’s most overlooked is the specific tall woman with a big butt that made this possible in the first place. Before Todo even asks Yuji for his type, Yuji makes it known he is aware of who Takada is. (He happened to see her on TV as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Ch 4 Pgs 89–90. Ijichi is the secret Takada fan.)

Takada is who prompts Todo into asking. She is also the one who appears in Todo’s delusions, guiding him to victory and driving most of the reasons behind his actions. With great confidence I can say Todo’s special interest is Takada. (And most of the fanbase assumes he’s autistic, so I don’t feel the need to explain that more.)

And what’s crazy about his special interest of his is that it fudging works. Takada and his love for manga help Todo create successful strategies. I include his love of manga because his fakeout with Mahito is a Hunter x Hunter reference.

It’s a bit spoilers to discuss how exactly this is genius, but you’ll have to trust me when I say it’s very clever. Rather than simply nodding to the source material, Todo is using the twist reveal from that scene and subverting it to help Yuji win.

This is nearly identical to Laois utilizing his special interest monster knowledge to create victories out of what would be defeats for other characters. Todo weaponizes his autism in a way that works perfect for sorcery.

But when it comes to interpersonal relationships? It destroys them. Everyone who isn’t Yuji hates Todo. 

Todo Aoi is second to Gojo Satoru when it comes to characters considering him the greatest source of stress. (Momo, Mai, and Kamo with Kokichi dedicating pages 43–46 of CFYOW JJK Thorny Road at Dawn, Chapter 2 to how much Todo stresses him out.)

They’re most annoyed with him when he talks about his special interest—Takada. She is a huge reason as to why Todo is such a good sorcerer, you could even call her The Reason he’s so good. People rely on him quite literally weaponizing his autism. But when he starts being autistic outside of sorcery? They don’t tolerate it. 

This is a recurring problem for autistic sorcerers. The very people that depend on their weaponized autism will scorn it the moment it no longer serves them directly. It’s a very Not In My Backyard (NIMBY) mentality. Sure they want all the benefits but keep the drawbacks out of their sight.

Yuji’s Loneliness

Just like Todo, Yuji suffers from social disconnect due to his autism. He feels like he struggles to understand and connect with others on a deeper level. His own feelings and other people’s feelings are sometimes a mystery to him.

On a surface level Yuji seems to be on the same wavelength as Junpei through their shared love of movies. That is until they fight each other. Yuji doesn’t understand that Junpei is acting out of grief at the start of their fight. He says something insensitive at first, but he eventually asks Junpei to spell things out so he can understand what’s going on.

It takes until the end of the Sukuna fight for Yuji to truly connect with someone—Megumi. But it’s only because they both make their feelings known directly to each other. Before that though? As discussed earlier, the autistic traits that make him good at sorcery are often off-putting to others.

I mentioned how Yuji mirrors others in what seems to be an attempt to understand others in that post I linked. In the same one I also discuss how Yuji is able to decenter himself and sync up with just about anyone. With respect to his autism, this really reads like masking to me. 

When Yuji lets that mask slip and indulges his personal hobbies, it’s a toss up on whether or not he’ll be accepted or rejected. The movies that allowed him to pairbond with Junpei don’t work for everyone. Just like Mahito with Jogo…being a filmbro causes friction with Megumi and Nobara. 

Though Yuji otherwise gets along very well with Megumi and Nobara, there is something so very relatable and sad about seeing this particular hobby of his being trashed. What’s worse is that the 2 people who would’ve matched his freak in this regard are both dead: Junpei and the one who intensified this interest of his in the first place—Gojo Satoru.

Gojo Satoru’s Autism

I must confess, this entire post got written because of this anonymous ask I was sent a while ago. I was surprised to get it since I assumed everyone understood Gojo to be autistic by default like Laois Dungeon Meshi. So I’m going to copy and paste this anon’s words because all their observations are correct.

"As someone with Autisim, I heavily identify with how he was raised (the gifted child who is too observant vs the prophesied child who was raised to be a weapon first) and the way other react around him (treating everything he says and does with disdain)

I find the way he clings so strongly to the idea of strong and weak even after Geto and Toji yet still having a sense of justice/ noticing the unfairness of it all, his sensitivity issues, his ability to notice emotional cues yet not having the means to respond in an allistic way, his tendency to take his jokes and teasing too far/ act too close to people, and the general othering of him just screams autism to me. Like can see a lot of those traits which is usually tamped down by society being exasperated because, what are you going to do, he is the strongest, you can't just tell him off in a serious way, not when, in your society, the strong rule.

I see it especially with his students, where he's taken in all the misfits and is so casual with them in day to day life. Even him throwing them in the proverbial deepend with missions is probably how he was taught by his clan before entering jujitsu tech."

And directly from Gege via the special Gojo Booklet. 

"Q25: born and raised as a high-born, he is regaled by both himself and others are the strongest, and he seems to have want of very little, but what would you consider Gojo's weakness?

A25: His personality.

Q26: what would you consider Gojo Satoru's most intrinsic strength, when you put aside his innate abilities, influence, and physical prowess? 

A26: His personality."

Thank you Gege for stating it so bluntly. The part of Gojo’s personality that is both strength and weakness. Something that makes him a great sorcerer and socially isolated. That’s the autism.

Now that we (that anon) has established that Gojo Satoru is definitely autistic, let’s go over how this has affected his interpersonal relationships.

Improper Socialization

The Gojo Booklet has forever ruined me. Deep in my heart, I knew this was going on, but to have everything confirmed so bluntly is something else. To summarize:

Gojo was born and raised in Kyoto by an extremely closed-off traditionalist family. His Clan treated him as an investment rather than a person, focusing on his education as a sorcerer and neglecting him emotionally to create the perfect living weapon. It’s implied he was educated privately and did not attend a school with other people until high school. It’s also implied that the Clan kept Gojo under strict watch while his powers developed because of the assassination attempts. Regardless, the isolation, training, and exploitation he endured was severe enough for him to break out and run away multiple times. His attendance at Jujustu Tech in Tokyo was his first time being allowed to interact with others on his own terms rather than his Clan’s.

This means that until Gojo was 15, he likely never had friends. His interactions with other humans amounted to deification, a type of objectification where he was expected to be a tool to further other people’s comfort. Essentially, up until he met Geto, he only knew how to exist as a living weapon. 

I don’t think I need to explain why this would negatively impact socialization. Anyone raised by extremely strict/abusive parents or a cult will tell you how difficult it is to try and interact with normal society after having social skills deliberately stunted for most of your life. This lack of socialization is only compounded by autism. Not only is a sheltered autistic person inclined to be socially unaware, they have no frame of reference to what is socially acceptable.

I’ll use myself as an example. The only reason I’m not completely unpalatable in conversation is because public school allowed me to observe what normal human interactions and mannerisms look like. Otherwise, I’d be like Mahito—learning about the world through the limited media I was allowed to consume. (And even then I still took it at face-value for a pretty long time.)

Gojo is sort of in the same situation as Mahito. His Clan reportedly spoiled him rotten, so he was probably allowed to have all the toys, TV, movies, books, and games he wanted between obligations. This means that it is very likely his ideas of the world at large come from media. And boy does it seem to have affected the way he is.

Trying to Connect with Others

Nanami directly compares Gojo to Mahito. Megumi straight up thinks Gojo and Yuji are the same kind of person as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 1: Kiyujitsu Kaisen.

So like Yuji and Mahito, Gojo will use media he’s familiar with to make sense of the world around him and hold conversations with others. (In the anime they have Gojo do the tornado kick which straight up appears to be him doing an in-verse reference to Code Geass's Suzaku Spin Kick aka the Spinzaku Kick. Please do not ask me how I recognized this.)

And would you look at that. Most people do Not know how to handle this. Not even Geto who is more visibly confused by his Digimon metaphor in the anime.

I can’t really blame them for their reactions either. Gojo is such a special combination of unfortunate circumstances and experiences that you might as well be listening to someone speak an unknown language. 

This goes both ways too. Gojo himself has a very hard time understanding others and tends to take the words of others Very Literally. (Just like Yuji!) This leads to him experiencing the Double Empathy Gap the most when compared to other autistic characters.

The Geto stuff is the most tragic to me. Gojo checked in on him and Geto lied about his feelings. To Gojo, Geto is his best friend. Why would he lie to him? Geto says he’s ok so Gojo thinks he’s ok. (That’s not even getting into the higher ups overworking them both and keeping them separate on purpose.) His upbringing and his autism made it impossible for him to read between the lines, so Geto's betrayal very much comes out of nowhere for him. 

The same happens with Shoko okaying the desecration of his corpse, Nanami calling him a pervert and everyone agreeing. Gojo truly believes that the people close to him see him in a very one-dimensional way and there’s nothing he can do about it. After all, he was raised to be a weapon and nothing more.

Funnily enough, Gojo’s Alexithymia is so bad that parts of the fandom have seemingly done the double empathy gap thing to him with respect to his flower metaphor.

“There was always a gulf between me and other people, even if they adored me. You can admire a flower and help it bloom…but you can’t ask it to understand you.”

To me, all Gojo is doing here is explaining his feelings as best he can. Floral language is a big thing in Buddhism which is probably why he makes the comparison. However…I’ve seen interpretations of this that conclude Gojo believes himself so far above others that they might as well be non-sentient plants. To them, this metaphor speaks to his arrogance rather than a clumsy/poetic attempt to communicate his feelings.

I’ll use myself as an example to explain why I think it’s just the autism in action. I often like animals way more than I do other people. Snakes, birds, lizards, spiders, and scorpions are amongst my favorites. Sometimes I compare people to these animals.

What I mean: I think highly of you! You share traits with my favorite animals and that makes me happy.

What others can hear: I think you’re stupid (lizard/bird brained), untrustworthy (a snake), and lesser than me (a bug/arachnid).

Now I could be projecting because I see my autistic traits in Gojo, but I do find it fascinating that how you view Gojo’s flower metaphor is highly dependent on how you feel about him.

Regardless, it does a great job at illustrating how isolated Gojo feels from others. Sometimes my autism makes me feel like I’m a completely different species because I can’t interact with people normally. And in Gojo's case, he can't even refer to himself as a human. The disconnect from others and his dehumanization is so strong he feels he can no longer identify as human.

No one’s autism is exactly the same, so this rift can even exist between autistic people. This is how you can get Yuji and Gojo bonding over their shared autistic traits but not fully understanding each other and feeling isolated for it.

But it’s still really sweet that they connect with movies so well that Gojo’s filmbroness rubs off on Yuji.

It’s also a little concerning that Gojo refers to these movies like a catalog for emotions. Like the proper way to experience emotions is through media and not in person.

The training Gojo subjects Yuji to with movies is likely how he was trained as a child. This suggests that for the first 15 years of his life, movies and other media might have been his only frame of reference for everything not Jujutsu Sorcery. And I mean Everything.

Combine this with The ‘Tism and this could possibly explain exactly what is wrong with Gojo Satoru. (You already know where I’m going with this.)

Gojo’s Racism

Here’s a list of movies for sure Gojo has watched. And for no reason in particular I’m going to include if they have a black person (like myself) in them.

Sourced from a Gege Interview.

Léon: The Professional (1994): Yes

The Descent (2005): No

The Host (2013): No

The Emperor's Naked Army Marches On (1987): No

Deep Blue Sea (1999): Yes

Extra movies from the anime. (Aka probably canon.)

Juggernaut (1974): No

Lord of the Rings: The Fellowship of the Ring (2001): No

That's only 2 movies with black people in them. I went ahead and watched them to confirm my suspicions...

Léon: The Professional (1994)

Not much to say about the black characters here. From what I saw and the IMDb list, they're all men and they're all background characters. Also I couldn’t finish the film because of how creepy it is towards the 11 year old actress. (It's really bad. Like really, really bad. Traumatized the actress, Natalie Portman, kind of bad. Wish I had a content warning!)

Deep Blue Sea (1999)

Gojo wasn't lying, the heroine died spectacularly. However in terms of spoilers, he glossed over the actual twist death. There's also someone who dies by being bit in half by a shark. And the way those legs looked like Gojo's...

There are 2 black characters in this movie. One is a jovial goofball chef who somehow survives to the end. (Miguel calls this trope out specifically in JJK 255.) There are so many points in this movie where he should've died. His name is Preacher and he has a parrot that is a Red-Crowned Amazon by the way. The other is a rich investor played by Samuel L Jackson who does Not fall into the Scary Black Man trope for once. Preacher doesn't either, he's more of a Gentle Giant.

Both of them function in the film as a subversion of the Magical Negro trope. And after watching this movie, I think Gege was inspired to make Miguel Odol fill this role too.

Anyways, the takeaways from this are 1) Black people are underrepresented in media. 2) What is representing black people in popular media isn't all that varied.

This means if media is your only exposure to black people, those representations will be internalized if you're uncritical about it. (You're reading this on Tumblr I assume you believe racism is real.) It's unconscious most of the time. People usually don't actively go, "Wow black people are all like this!" What happens is they run into a black person irl, are reminded of their impressions via visual similarity, and then say or do some out of pocket nonsense. (I have personally experienced this at the hands of Japanese tourists.)

And what does Mr. Gojo Satoru say to Miguel first? He says Miguel looks like he’ll be trouble. Later he says Miguel's strength and build are because of his race and what makes him dangerous even though Gojo knows several Japanese men with similar physiques. 

If he's never met a black man irl before...he must have gotten that idea from somewhere else. He does mention knowing the MMA star turned comedian Bobby Ologun (a big strong and goofy guy) when comparing him to Miguel.

Bobby Ologun is Nigerian. Miguel is Kenyan. Do you know how pissed East Africans get when lumped into the same category as West Africans and vice versa? (For the less informed please see Western Europe’s hatred of Slavs and other Eastern Europeans.)

But as far as Gojo knows from his media, black men are big, strong, and funny. The media he consumes also doesn’t bother to distinguish the different cultures of Africans. Dark Skin=Black and that’s it. And his dismissal of Miguel's distress over the loss of his rope only highlights that apathy towards individual cultures.

All this has terrible consequences for Miguel in the form of Benevolent Racism. This is where a prejudice that can be perceived as positive has negative outcomes for the target. Aka Gojo commits a racially motivated beatdown because of his ignorance that was fueled by the media he consumed growing up. (Miguel's Cursed Technique reminding Gojo of Toji not withstanding.)

Now I’m not saying autism makes you racist. It’s that Gojo’s isolation from the outside world, being raised by emotionally distant conservatives, and consuming media uncritically with his unique brand of autism creates the disaster that are the words coming out of his mouth.

Gojo being this kind of racist. Where he idolizes a type of strength in black people he learned from stereotypes in his movies, is great actually. I really like that Miguel calls it out and is sick of it. He even sarcastically tries to throw back the stereotypes about Japanese people to make his point too.

And guess who else only knows of black people through movies? Sukuna. He’s an art freak, there’s no way he didn’t watch some of those films Yuji was watching. And Miguel can smell it a mile away. Sukuna gives him that look and Miguel is already done with it. Honestly the way Miguel enforces his boundaries is great. He knows his limits both with risking his life and tolerating racism.

Anyways, Gojo Satoru has been running on 3 hours of sleep, sugar, and Reverse Cursed Energy like a madman for years. I don’t think he’s ever sat down and gone, “Huh? Why do I think the way I do? Why do I believe this?” Miguel is probably the first person to ever tell him, that’s racist my dude. (This is an explanation not an excuse btw.)

And that’s kind of the problem. Gojo is willing to learn and do better, but he hasn’t had the time do it on his own. Some outside force has to tell him bluntly, “Yo this isn’t socially acceptable.” (Think of how Geto influenced his morals and manners by telling Gojo exactly what he should do.)

This leads me to believe his mind is a hodgepodge of things he’s uncritically absorbed as a child and that has influenced his questionable beliefs/actions as an adult in ways he’s unable to recognize.

Gojo’s Other Problems

Outside of racism, Gojo’s most unpleasant traits include mild sexism and child endangerment. The sexism comes from how he speaks to Utahime and how treats Shoko compared to Geto. Though he otherwise does not outwardly discriminate against them, it is sus that he sees Rika, a girl transformed into a cursed spirit, and goes "Dang, women are scary." (The child endangerment is self-evident.)

For some reason, Gojo truly believes for some reason that the woman (Shoko) in his life isn’t emotionally capable of being on the same level with him as a man (Geto). This could just be a strength-based thing since Geto told him that’s why they can’t be together anymore. It’s really hard to tell. But if it really is a sexism thing, media in general being misogynistic could explain it. (On top of being raised by a traditionalist family in a society that is very sexist.)

Well-rounded female characters whose complex emotions and inner lives are explored in depth can be very hard to come by, especially in popular media. (If you want media that primarily focuses on female characters GO READ UMINEKO NOW.) A lot of the movies and manga Gojo consumes treat women as love interests first and people second. And since you’re reading this on Tumblr, you’ve probably seen posts that complain about this and how this feeds into irl interactions.

This idea comes into play with Utahime in a different way. Gojo doesn’t understand that Utahime actually hates him. This is a bit odd given that he usually takes people’s hostility towards him to heart. But a place where he could get the idea that her anger is secretly affection is…the tsundere archetype in the mangas he’s so fond of. (Gojo reads a lot of Shonen Jump, it’s no wonder he has negative rizz with women after they get past his good looks.)

Yuji does it, Todo does it, Mahito does it—they use the media they’ve consumed as a baseline for sorcery. They’re the best at what they do for it. There’s no way Gojo isn’t doing the exact same thing, especially when he’s teaching his students. He tries to fit the quirky mentor archetype who uses tough love to guide his students. (His blindfold might be an actual in-verse Kakashi Naruto reference.) And he falls into faulty logic where everything will work out if he leaves it all to his students which fulfills most Shonen story beats.

The stunt with Megumi that kickstarted this series is a 2-for-1 special. Gojo eating sweets is needed to maintain his technique. Him eating them is acting as a responsible adult. However, getting them several hundred kilometers away from his student who is in a dangerous situation is irresponsible. It may speak to how much he trusts Megumi to handle things on his own, but as an adult in charge of a child? This is very poor judgement on Gojo's end.

I also understand that Gojo's upbringing and Japan's culture (aka it's generally safe for a child to be outside alone) is probably why he's so comfortable leaving a roughed up looking child by herself. But like...he should've called someone for Hana. Maybe he did later? (Another case of is this Gege underdeveloping Hana/Tsumiki or is Gojo truly that careless towards little girls...)

Shonen is pretty notorious for uncritically putting children in situations. It probably doesn’t help that Gojo’s own family was violating multiple Japanese labor laws when putting him to work as a kid. I’m not joking about that either.

Per The Constitution of Japan (May 3, 1947) Chapter III Article 27 Paragraph 3: 

“Children shall not be exploited.”

What constitutes child labor exploitation are outlined in Japan’s Labor Standards Act (LSA) or Act No. 49 of April 7, 1947.

Per LSA Chapter IV Article 56 Paragraph 2:

“…an employer may employ a child of at least 13 years of age in an occupation…which involves light labor that is not injurious to the child's health and welfare…”

Additional protections for workers are outlined in Japan’s equivalent of OSHA, aka the Industrial Safety and Health Act (ISHA) or Act No. 57 of June 8, 1972. 

Per ISHA Chapter VII-2 Article 71-2:

“An employer must endeavor to create a comfortable work environment in order to improve the level of safety and health in the workplace by continuously and systematically taking measures as follows:

measures to manage the maintenance of a comfortable work environment;

measures to improve work methods for work in which workers engage;

providing and streamlining facilities and equipment for workers to recover from fatigue suffered in the course of their work;

the necessary measures to create a comfortable work environment, beyond as set forth in the preceding three items.”

I think it’s safe to say that Gojo not including any of his Clan members in his afterlife scene and being so overworked that he doesn't have hobbies or think much outside of sorcery is proof of this exploitation. Gojo’s self-reported best years of his life were high school and those were still exploitative as hell. The man is a walking and talking human rights violation.

The only time we see child Gojo is from the perspective of assassins staking him out. Gojo himself never willingly recalls his childhood, only his teenage years. He looks so serious and miserable compared to his older self too. (It kind of reminds me of how I was a very quiet, obedient child that blossomed into the yappy evil creature I am now thanks to obtaining legal rights and freedom as an adult.)

This exploitation of children at the hands of adults in Jujutsu Society is normalized in and outside of fiction in their universe. Gojo can tell something is wrong with how he was treated and doesn’t want his students to hurt for it. But he can’t recognize that child labor in or itself is bad, so his solution is to make them strong enough to stand up for themselves. (Aka trying to make a labor union without knowing what a union is. Still breaking child labor laws though.)

Might makes right is a Shonen staple (please see Dragon Ball Z or Baki the Grappler). And though taking that idea to heart seems to be the most of Gojo’s problems as a teacher, there’s an additional issue this genre has—neglecting emotional development and care for the most part.

Characters in Shonen or action movies will go through extremely traumatic events and have little to no reaction to them. (PTSD who? Unless you're goated like Steven Universe Future or Vinland Saga.) It can give people a false sense of invincibility. They also rarely ever discuss the steps that can be taken to handle these emotions. You’ll see characters have panic attacks but rarely how to coax someone out of it. Heartbreak is rampant, but the solutions are to never let go and let it consume you, never how to move on or mourn. (If outright ignoring it like nothing happened isn’t what occurs.)

You can see these kinds of ideas with Geto. A second love is not possible for Gojo. He was his one and only and will always be his one and only. That’s the type of romanticism that has always been in his media.

If Gojo has relied on media to teach him how to feel out his emotions, effectively and healthily coping with grief and breakups is pretty hard to find. Most of the time when media handles those topics directly, it does so in a way that promotes reflecting on your own experiences instead of instructing you how to deal with it. Something Gojo didn’t really have time for. 

In the light novels Gojo greatly laments his own inability to deal with grief. He wants his students to learn how to do that effectively and even employs outside help with this.

The result of all this is a really overworked weird guy that feels like there’s no way to process his emotions. He puts on a mask when he talks to others and still winds up alienating himself. He’s tolerated for his labor and dehumanized for what makes him good at it. This is all extremely autistic. 

Exploiting Autistic Labor

I want to emphasize again, not all autistic people have these traits. The best sorcerers just happen to all have these traits in common.

Hyperfixating on the task at hand without rest.

Not having a typical reaction to dangerous situations.

Taking words at face-value.

Disconnect from emotions and other people.

Unique perspective for problem solving. 

These are all things that make for the ideal worker. Autistic people are often compared to machines for their behaviors and what is better for the capitalist than a person that behaves like a machine? 

But autistic people are not machines. They’re humans with flaws subject to burnout, emotional dysregulation, meltdowns, off-putting behavior, and isolation.

Jujutsu Society has no incentive to help with these things, especially the emotional dysregulation or isolation. In fact, it encourages this outcome because isolated people are easier to manipulate and exploit. But this also results in the friction these characters have in their relationships.

It’s a situation where they try to have their cake and eat it too. Everyone loves when Gojo is a Jujutsu Pervert in battle. They make him do everything for it. But the second he starts being weird outside of work, they want nothing to do with him. Or they’ll even insult him for the very traits they’re more than happy to use him for. (It’s exactly like Todo. Everyone depends on his battle intuition and reliability. And that all stems directly from his special interest Takada that no one wants to hear about.)

This creates a very uncomfortable dynamic where Gojo is seemingly bears the burden for everyone and everything while the people he’s servicing refuse to acknowledge it. He’s like some kind of public emotional punching bag or hatesink for other characters because they think he can take it as The Strongest. I don’t know if this is because of the autism, but it is scarily similar to how myself and my other autistic friends get treated by others irl. I think this is why I had such a visceral reaction to JJK 269. I too have experienced allistic people exploiting my labor and then acting like I’ve never done anything for them.

And speaking of JJK 269…Kusakabe has always been that kind of dickhole. He’s been in favor of Yuji’s execution since the start. But that’s not what makes him so aggravating. It’s that he’s too cowardly to do it himself. He once again, pushes the burden onto Gojo. He’s not going to be the child killer even though he wants this child dead, that’s Gojo’s job. Gojo is the tool he and everyone else uses to do the things they don’t like. 

This includes the teaching Kusakabe thinks Gojo is bad at. Per that one flashback, Gojo had to instruct Yuta more because Kusakabe didn't do an adequate job. Gojo had to send Yuta to Kenya to be trained by Miguel because neither of them were doing enough for Yuta. Gojo recognized his own limits and enlisted help. Kusakabe projected his own shortcomings onto Gojo and waited for everyone else to find a solution for him.

I also want to remind everyone that Kusakabe is wrong about Yuji needing to be executed. Yuji and Sukuna were Kenjaku’s backup plan. Kenjaku would’ve sealed Gojo and started the Merger anyways. In fact, Gojo, Yuji, and Sukuna are the only reason Kenjaku didn’t win. Plus the remaining Sukuna fingers were getting stronger All By Themselves. This means that Kusakabe would just be kicking the can down the road and making it a problem for the younger generation. Gojo was the only adult with enough foresight to do something that would solve the problem.

We’ve also got Ui Ui calling himself the MVP of the Sukuna fight while failing to acknowledge the only reason he could warp in and out without dying was Gojo exhausting Sukuna in the first place. Gojo’s contributions seemingly don’t count because he’s not a person. He’s a tool they used. So all his labor counts as theirs instead.

And because he’s dead, Yuta really is the new Gojo. Please see how Yuta was treated before and after Gojo’s death side by side. 

(I can’t tell if this is character assassination or the point. But the only person here allowed to criticize Yuta is Todo as far as I’m concerned.) 

Yuta is their new Strongest hatesink who happens to be autistic as hell. And yes, Yuta’s autism is second to Gojo Satoru’s. 

(Yuta's leans much more into socially unaware straightforwardness and taking things literally. He doesn't have a special interest or infodumps at people and I think that's neat.)

Everyone grills into Yuta so hard over his plans for the Sukuna battle that he experiences the quintessential autistic experience as described by Twitter User PenGwenWithLC:

"The autistic trait that bites me in the ass most frequently is my impenetrable belief that if I show people the truth they will believe me."

Mind you, Yuta is the main reason they won after Gojo died. This boy had Back Up Plans A through Z and they worked. The only person who had valid input on his planning was…Gojo (and possibly Todo). The finger resonance with Nobara was Gojo’s idea (JJK 267 Pgs 4-5...Also let's talk about how if Gojo wasn't a hopeless romantic and scheduled this fight a day or even an hour later, he might have lived based on Nobara's wake up time.). Once again, these are all autistic characters using their unique ways of thinking to solve problems others are too cowardly to address.

And then these same people turn around and disparage them without acknowledging their efforts or emotions. Sure you can call it lashing out because they secretly care about them. (Aka tsundere behavior.) But both Yuta and Gojo take other people’s words at face value. They don’t understand that this is a very fudged up display of affection and internalize it. Gojo died convinced everyone except maybe 3 people hated him and even in death he couldn’t escape it. 

This is also why Gojo leaving Yuta in Miguel’s care was a good thing. Miguel seems to be the sole person in this series who knows how to avoid labor exploitation. Nanami may see work as nonsense and have an overtime mechanic, but Miguel simply does not work overtime. He sets his boundaries and sticks to them.

It’s very ironic that Yuta took flack for respecting the boundaries of a black man that refused to be exploited by the very people that would treat him poorly.

How to Not Exploit Autistic Labor

CW: Discussion of Suicide

The last time I examined the tragedy of Gojo Satoru I wanted him to live and be loved. But I’m not sure if I want that now. It doesn’t really seem like the systemic issues that caused his exploitation have been addressed, and the people he’s helped refuse to acknowledge they are standing on the shoulders of giants. Him becoming suicidal over this exploitation and choosing death because he saw no end to this is a particularly harsh reflection of what happens in reality.

Yuji notices that Gojo is acting out of character during his final talk with him. The arrogant, self-aggrandizing chipper he's used to has been replaced with this timid optimism. Gojo tells Yuji and everyone else to forget about him because he's confident they'll be living longer than him. Before this, previous chapters have shown that Gojo went around apologizing to others and preparing letters in the advent of his death. These are all warning signs associated with an imminent suicide attempt.

When Gojo tells Yuji this is confidence he's never had before, it seems like he means both his plans to go through with dying and that everyone really will be fine and better off without him.

Gojo also makes sure Yuji doesn't catch on to this. (Probably why he didn't do the soul swap too.) Even with his suicide, he's doing his best to make sure it doesn't negatively impact anyone. His final letters to Megumi and Nobara being so unserious is another attempt to make sure their hearts don't break. ...And nobody he devoted himself to in life or death noticed.

This rather bleak ending for Gojo does have a purpose I think. It’s an example of how hypercapitalist work culture doesn’t value your life. You can bend over backwards and put your all into work, but in the end, you’re just another cog to be used. Gojo’s dehumanization was inevitable under this system. This man was born to be used as a tool and discarded once he served his purpose. And because he’s not a person, people get really mad when he does anything outside of what benefits them directly. Since to them, it’s like a machine malfunctioning.

It’s unlikely these people will ever mourn him properly, let alone even acknowledge his efforts (outside of Yuji and Yuta that is). His closest “friends” in death thought of him as a self-serving pervert you know. (Once again, not sure if that’s character assassination or showcasing what Jujutsu Society does to people, but wow does it suck to see.)

But you know who did acknowledge Gojo as a human who did his damned best and is worth remembering? Sukuna.

Sukuna stopped the whole battle to lavish praise on Gojo and mourn him. He’s done that for everyone who has put up a decent fight against him. The other sorcerers? They do no such thing, even after the battle.

And you know who takes the time to cherish and mourn his comrades no matter what? Jogo.

I excluded Mahito from the autistic labor exploitation discussion for good reason. The natural disaster curses treat Mahito better than most humans have ever treated Gojo. Jogo doesn’t exploit Mahito’s autism, he embraces it. And despite their weird behaviors and beliefs stressing him out most of the time, Jogo does nothing to stop Mahito from being themself. He expresses his distaste, sure, but Jojo otherwise acknowledges those traits are what makes Mahito good for their cause. Mahito is his equal, not a tool.

Jogo doesn’t tell Mahito what to do or feel. He rolls with their shenanigans while wearing his heart on his sleeve. He takes time to mourn his comrades no matter how dire the situation. He acts with their interests in mind at all times—even in death his first concerns are his comrades. 

Even though Mahito is alive, Jogo worries for them while still having faith in their abilities. He looks forward to seeing Mahito again via reincarnation. I cannot say the same of Gojo’s allies. 

I’m not really sure how to end this discussion since I’m continuing it in another part. But if there’s anything you take away form this incomplete analysis, please let it be this one thing:

Jogo is best girl.