#And live in cities you'll never see on screen

[sunshinerainbowsandlollipops]

"Do you write for work or fun?"

Neither. No I write for my readers. I write for the characters that want their stories told. I write for the worlds that go unseen. I write to show others what I want to see. I write stories for the people that never got to write their own.

[lxndonorris]

home race - Oscar Piastri

Y/N x Oscar Piastri Theme: Smut (you've been warned) you're in a long-distance relationship with Oscar and surprise him at his "home race" x word count: 3250+ taglist: @game-set-canet open for requests :) EN: Another big piece and I hope you'll like it. My first time writing Oscar.

You sat in your living room, staring at your phone. The screen displayed a countdown timer you set months ago when you and Oscar, your boyfriend, decided you could handle a long-distance relationship.

Living in the United States while dating a Formula 1 driver based in Europe wasn't easy, but the two of you made it work. You spoke every day, sent each other thoughtful gifts, and cherished the moments you could spend together in person.

The countdown finally hit zero. It is time for your big surprise.

Oscar is in Monaco for the Grand Prix, and you planned to surprise him for months since the season started. You told him you wouldn't be able to make it due to work commitments, but in reality, you managed to arrange everything perfectly, with a little help from the Mclaren Team.

You had your flights booked, your accommodation sorted, and a special pass that would allow you into the Mclaren motorhome, where Oscar would eventually be.

When you boarded your flight, you felt a mixture of excitement and nerves. You knew how much this surprise would mean to Oscar. The past few months have been challenging for him, dealing with the pressures of being a professional F! driver while missing you. You wanted to make this moment unforgettable.

After a long flight and a quick check-in at your hotel in Monaco, you head straight to the racetrack. You are wearing a Mclaren team hoodie, jeans, and a fitting cap, blending in with the team. You find your way to the motorhome and, with the help of a team member who is in on the surprise, get inside and wait for Oscar.

The atmosphere in Monaco is electric. The sun shines brightly over the azure waters of the Mediterranean, and the roar of engines echoes through the narrow streets of the city. The Monaco Grand Prix is one of the most prestigious races on the calendar, and the excitement is palpable.

The qualifying session just ends, and he pushes his car to the limit and secures second place on the grid. The team is ecstatic, and Oscar feels a rush of adrenaline as he climbs out of the car, waving to the cheering fans. 

Inside the motorhome, your heart races as you finally hear footsteps approaching. The door opens, and you turn around to see Oscar standing there, a look of shock and disbelief on his face.

"Y/N? Is that really you?" Oscar's voice trembles with emotion.

You smile, your eyes filling with tears.

"Surprise!"

Oscar closes the distance between you in an instant, wrapping you in a tight embrace. He buries his face in her hair, inhaling your familiar scent, and holds you as if he never wants to let go.

At the same time, the faint scent of him swirls around you, and with a deep breath, you take it in, closing your eyes for a second to relish in this moment.

"What are you doing here?" He murmurs, his voice choked with emotion. "I can't believe you're here."

"I wanted to be here for you, at your home race." You say softly. "I've missed you so much, Oscar Piastri Leclerc."

Both of you pull back slightly to look at each other, your eyes meeting with an intensity that speaks volumes. Oscar cups your face in his hands, his thumbs gently brushing away the tears that escape down your cheeks.

"I've missed you too, Y/N. More than you can imagine."

You kiss—a tender and passionate kiss that seems to make up for all the time you spent apart. 

When you finally break apart, Oscar can't stop smiling.

"You look amazing in that Mclaren gear," he says, his eyes roaming all over you as they sparkle with admiration.

You chuckle, feeling a warmth spread through you. "I have to show my support for my favorite driver."

As you stand facing each other, the air between you seems to be charged with electricity. You feel the tension and excitement from qualifying still radiating off Oscar. 

Tentatively, you reach out, letting your hand run across his firm chest, feeling the steady rhythm of his heaving chest beneath your fingertips. His whole body is slightly tensed, still buzzing from the adrenaline rush.

Oscar's eyes soften as he looks at you, a smile spreading across his lips.

"It's so good to see you," he murmurs, his voice filled with awe.

You smile back, your gaze drifting over his racing suit. "You look so good in that green and yellow racing suit, Oscar. Really, you do. It suits you perfectly."

The special suit, designed to honor Senna, clings to his frame in all the right ways, accentuating his athletic build. The vibrant colors contrast beautifully with his complexion, making him look every bit the star he is.

Oscar chuckles, a hint of pride in his eyes. "Thanks. I didn't think I could pull off these colors, but hearing it from you makes me believe it."

Your fingers linger on his chest, feeling the rise and fall of his breath. "I missed you so much," you whisper, your voice thick with emotion. 

As your hand continues to stroke his chest, you feel Oscar's hands move to your waist, his fingers lightly gripping the fabric of your jeans. He pulls you slightly closer; your bodies now mere inches apart. The intensity of his gaze makes your heart flutter.

"Do you have some free time?" You ask, your voice soft and teasing, eyes glimmering with anticipation.

Oscar smirks, a playful glint in his eyes. "For you? Always."

The corner of your mouth lifts in a smile, your hand moving up to his shoulder. "Good." You breathe deeply, feeling the tension between you increase even more. "Because I've been waiting for this moment for a long time."

Unable to resist any longer, you lean in and kiss him passionately. The moment your lips meet, Oscar melts into the kiss, his arms tightening around your waist. The warmth and familiarity of the embrace make everything else disappear, leaving just the two of you in your own private world.

As the kiss deepens, you steady yourself against his firm chest, feeling the rapid beat of his heart beneath your palm. His hum of approval sends a thrill through you, and you take your time, savoring the moment, relishing the closeness you missed for far too long.

With a teasing glint in your eye, you reach for the zipper of his racing suit. Slowly, you begin to unzip it, feeling the resistance of the fabric give way. Oscar's breath hitches as you draw the zipper down to his tummy, exposing his tight black fireproofs beneath.

You let your hands slip inside, and stroke his chest. "You look so good," you murmur, your hands resting on the exposed fabric. The smooth, taut material hugs his body, accentuating his toned muscles.

Oscar's eyes darken with desire as he looks at your hands running across his chest, a mixture of amusement and longing playing on his features. "You're making it very hard to concentrate," he says, his voice low and husky.

You chuckle softly, your fingers tracing patterns on his fireproofs. "Good," you whisper, leaning in for another kiss. 

This time, it is slower, more deliberate; each touch and caress a reminder of the desire crackling between you.

As your kisses grow more intense, you feel the heat rising between your bodies. Oscar's hands roam over your back, pulling you even closer, as if he can't bear to let you go.

With your hands still roaming over his chest, you draw a line down to his abs, feeling the firm muscles beneath your fingertips. Each touch elicits several low growls from deep inside his throat, the sound sending shivers down your spine. As you continue your exploration, Oscar leans his head back, his eyes closing as he savors the sensation.

You decide to take things a step further. 

"Let me help you." You breathe deeply, gently pushing the upper half of his suit off his shoulders. 

Oscar obliges, his breath hitching as you peel the fabric away, revealing more of his muscular torso. The sleeves hang down from his waist, the tight fireproofs beneath barely able to contain the immense tension building inside him.

His muscles bulge with each movement, with each breath he takes, the strain and excitement of the day evident in every contour of his body. You can't help but admire him, your hands now tracing the lines of his arms, feeling the strength beneath his skin.

Oscar opens his eyes and looks at you, his gaze filled with desire and affection. "You're driving me crazy," he growls, his voice rough with need.

You smile with a playful glint in your eye. "Flex for me." You reply, your fingers continuing their journey across his entire upper body.

With a mischievous grin, Oscar obliges again, flexing his arms and chest, showcasing the impressive muscles that have been honed through countless hours of training. The sight makes your heart skip a beat; a rush of admiration and desire floods through you.

"Like what you see?" he teases, his eyes sparkling with mischief.

You bite your lip, trying to keep your composure as you let your hands roam over his flexed muscles. "You have no idea," you reply, your voice filled with genuine awe.

He chuckles, the sound low and rumbling from deep inside his chest. "I'm just glad you're here to see it."

One of your hands traces the contours of his biceps, feeling the power and strength beneath your fingers, while you let your other hand roam freely across his chest and even further down to his crotch.

You feel his hunger building up inside his pants; the fabric bulges just along his member tenting visibly. With two fingers, you trace the tangible outlines of his lust again and again, eliciting more and more deep growls from his throat.

Oscar is thoroughly enjoying himself, responding to your teasing with a mixture of laughter and passion. You see the gleam in his eyes, the way he savors every touch and caress. 

Then, with a bold move, you slip one of your hands underneath his fireproofs, feeling the intense heat of his skin radiating against your palm.

Oscar's breath hitches at the sensation, his eyes so dark with desire. With a swift motion, he swipes the Mclaren cap from your head and lets it drop to the floor. A playful chuckle escapes his lips as he leans in, capturing your mouth in a deep, fervent kiss.

The kiss is electric, filled with a hunger that threatens to consume you both—the long separation and the yearning that built up between you. Your fingers splay across his warm skin, feeling the hard lines of his muscles beneath your fingertips. 

Oscar's hands roam over your back again, pulling you closer, before he takes the lead, guiding you through the room and across a huge empty wall. Gently, your back meets the wall, steadying the two of you fully. 

You feel the rhythm of his heartbeat, fast and powerful, matching your own. The world around you seems to fade away, leaving just the two of you locked in your passionate embrace.

His hands are now all over your chest, his touch both soft and possessive. Each caress sends waves of electricity through you, making your pulse race as far as his race car.

Oscar's kisses trail down your neck, leaving a warm, tingling sensation in their wake. His lips are gentle yet insistent, making a path that sets your skin on fire. The sensation is almost overwhelming—a perfect blend of tenderness and desire that makes your heart swell with emotion.

Amidst your intimate moment, you take in Oscar's familiar scent, a comforting aroma that envelopes you in a sense of security and belonging—a mixture of his cologne, mingled with the faint trace of adrenaline from the day's events, and the subtle hint of his natural scent.

Breathing him in, you feel a wave of warmth wash over you, and his scent is like a familiar embrace, making it even harder to concentrate.

Now, his hands slide underneath your hoodie, his fingertips dancing across your skin. You shiver at the sensation, your body responding instinctively to his touch. The contrast of his warm hands against the cool evening air heightens your senses, making every touch feel even more intense.

"You're amazing." Oscar breathes against your neck, his voice rough with emotion. "I need you."

Your breath hitches, your hands grip his shoulders for support as you tilt your head back, giving him better access. "Oscar," you whisper, your voice trembling with a mixture of desire and affection.

His hands roam freely now, exploring every inch of your torso with a reverent touch. You feel the strength and control in his fingers, the way he holds you as if you were the most precious thing in the world.

You arch into his touch, your own hands exploring the hard planes of his back, feeling the tension in his muscles. The fabric of his fireproofs is smooth and cool against your palms, a stark contrast to the heat radiating from his body.

"Oscar." You murmur again, your voice barely audible as you revel in the sensations he is creating. "I need you, too."

He lifts his head, his eyes locking onto yours with an intensity that takes your breath away.

"I'm right here," he replies, his voice steady yet husky.

Licking your lips in anticipation, you let out a long, exhausted sigh. At the same time, you feel one of his hands make its way down your chest and right to your jeans. In one swift motion, he unbuttons it, just to make way for his hand to slip inside.

Your breath hitches right away as you feel his fingers tracing patterns in all the right places.

Even though it's hard to keep your composure, you manage to return the favor, letting one of your hands run down his back, along his spine, around his waist, and between his legs.

As you touch him, Oscar lets out a low, primal groan, the culmination of all the teasing and desire building up between them. His response sends a thrill through you, igniting a fire that burns hotter with each passing moment.

The tension is palpable; both of you are aching for a release, craving the other's touch.

Together, you help each other undress just enough to make it work. Panting and growling, he tugs at your jeans until they are sliding down to your ankles, so his hands stroke your thighs delicately.

Then, it's your turn to help him. Pulling at the suit clinging to his skin, the two of you manage to pull his length out of his pants, just for you to hold it and play with it.

Exhausted, Oscar leans in, kissing you passionately. You melt into him, offering yourself for what's to come next.

The moment he slides inside your body, it sparks a tingling sensation inside your stomach, and you let out a low grunt. Simultaneously, he moans right into your mouth, making it even harder to keep a straight face.

He is the first to take the lead again.

With your back against the wall, he begins to grind his hips against yours, rhythmically, sensually, and it is easy for you to catch up. The two of you move in sync with one another, letting out low growls, moans, and grunts.

Your hands wander all over his chest, stroking him through his firerpoofs. Oscar's breath comes in ragged gasps, his eyes dark with desire as he watches you. 

The sensation of your touch through the fabric sends waves of heat through him, encouraging him to increase the pace and strength of his thrusts. In return, he steadies himself against the wall behind you while his other hand lingers on your breasts.

Your movements are slow and deliberate; you are fully aware of his most sensitive spots, and you encourage him more and more. Pinching his nipples, tracing the tangible outlines of his abs, and feeling his muscles bulge harder and hader.

Panting and moaning, Oscar's body grows stiff and rigid; unable to contain himself, he bites his lower lip before he grunts angrily.

"Fuck."

You revel in the power you have over him and the way he responds so intensely to your touch.

With each stroke, you feel him growing even more aroused, his body still tightening instinctively to your touch. His hands grip your breasts tighter, sending waves of pleasure through your entire body.

The two of you move as one; every thrust sends you closer and closer to the edge, and the way he grunts deeply tells you he feels the same.

As you lose yourself in the heat of the moment, you know there is no turning back. Your passion burns bright, consuming you both in a whirlwind of sensation and emotion.

With one final, heavy thrust, both of you let go of all that pressure and tension and scream out in ecstasy.

Several exhausted moans leave Oscar's lips, and he leans forward, grateful for the wall steadying him. At the same time, you lean your head back, moaning deeply.

You rest your head against his shoulder, swallowing hard. His body embraces yours right away; his firm shoulder is the perfect place right now.

Out of breath, the two of you barely regain your composure before you lock eyes again, both of you smiling contently.

"That was so good." He moans, exhausted, before he leans in, kissing you deeply.

"Oscar." You breathe into him, kissing him back.

After your passionate moment, you share another tender smile, your hearts still racing with the intensity of your connection. 

With gentle touches and soft kisses, you help each other get dressed again, your movements slow and deliberate again.

As you adjust the sleeves of his fireproofs, you look up at Oscar, your eyes filled with affection. "You were amazing today," you say, your voice filled with pride. "I am so proud of you."

Oscar smiles back, his expression softening. "I am so glad you are here." He replies, his voice tinged with gratitude.

As he begins to change into fresh clothes, you watch him closely, unable to tear your eyes away. 

Oscar moves with natural grace; every movement is fluid and confident. You can't help but admire the way his muscles shift beneath his skin as he removes his racing suit and tight firerpoofs.

He catches your gaze, a playful smirk tugging at his lips. Sensing your admiration, he makes a little show out of changing, exaggerating his movements slightly as he slips out of his fireproofs and into a fresh pair of underwear you hand him.

You laught at his antics, enjoining the playful side of him that he reserves just for you. As you pull on the pair of jeans and the Mclaren shirt, you feel a surge of affection for him, admiring the way he looks in the team gear.

"You look amazing." You say. "But then again, you always do."

Oscar grins, his eyes shining brightly. "I have to look my best, especially with you around." He replies, his tone teasing.

With a final adjustment to his shirt, Oscar turns to you, his expression softening. "Thank you for being here," he says, his voice sincere. 

You reach out and place your hand on his chest again, gently stroking him once more. "I'll always be here for you." You reply. "No matter what."

[st0ryf1lms]

home, that's a weird word ➳ ken sato

pairing: ken sato x reader

word count: 1.5k

genre/warnings: angst, hurt/comfort, undertones of xenophobia, basically how i interpreted the last thing kenji said to ami on their first interview, grammatical errors (most likely), no beta we die like men, personal assistant!reader

synopsis: the word "home" always left a weird taste in kenji's tongue when he said it.

a/n: AAAAAAAA I'VE FINALLY WRITTEN A THOUSAND WORD FIC AFTER 2 YEARS IM SO HAPPY!!! and i'm really hoping u guys like this bc i really am so proud of this sooo enjoyyy!!

It had been a long day, as far as Kenji is concerned. Way too long for his liking. All the cameras and microphones pointed at his direction, all those flashing lights-- a man could only take a few for so long, and Kenji has had enough of his share for the day. As he gets off his bike, all he can think of is the comfort of his own bed, how his pillow would feel against his head and how the duvets would feel covering his skin.

He opened the door to his house, surprised to see you sitting on the couch with the living room lights turned off. Your back was facing him, and with your laptop's glaring LED screen being the only source of light in the room, all he could see was your crouched silhouette.

"Already settling down, huh, Y/N?" He spoke, breaking the silence in the room. "Oh, Mr. Sato, you're home," you say unfazed, as if the only thing that was powering you right now was your laptop's battery. "Just wanted to stay for a while to catch you so I can brief you for your schedule tomorrow." You stated, closing your laptop and standing up to turn on the lights on the dim setting. Kenji sighed and closed his eyes as he plopped down on the couch in front of you, serving as a signal for you to start.

"Okay, so, first thing in the morning, Mr. Sato, you have baseball practice which Coach Shimura insists you attend, an interview scheduled…" Your voice becomes buzzing in his head as he looks out the window, a view overlooking the city. The sound of laughter and joy drifting out from the street below, making him feel very alone in this somewhat new town. "…Sato. Mr. Sato. Are you even listening to a word I say?" You say exasperatedly, not sure if your asshat of a boss actually understands that you came from a 12-hour flight, too, and want nothing to be in the comfort of a nice and comfortable bed. You follow where his gaze is at, looking out the window where the busy streets of Tokyo are hustling and bustling as the nightlife slowly rises. You look back at your boss, sporting a solemn yet longing look on his face- earning a tilt of confusion from your head.

"Can I ask you a question, Y/N? Off the record, please." He asks, eyes remaining trained on the window. "Have you ever felt like you've never belonged? Like, no matter where you go, no matter who you are, you'll never find yourself home?" He finally looks at you, noticing your once tense figure now replaced with a relaxed yet calculating stance, figuring out what to say to him. The silence feels like forever as he awaits an answer from you, Kenji letting out a sigh as he hangs his head down low.

"Ever since I had moved to LA, I lost all sense of the word 'home.' Hah, even saying it right now leaves a weird taste in my tongue. All those kids back there, they always told me to 'go back home,' and when I did go back to the house where my mom and I lived, she'd always tell me that we were right at home. Now that I'm actually back in my 'homeland', it feels so weird to even call it that now." He blurted out, his previously relaxed figure on the couch is now one of a crouched one, his head still glued facing down on the floor. "In LA, I felt too Japanese to fit in. The culture shock hitting me every single time I try to do something I was used to. Now, here in Japan, I feel too American now to even call myself a local. Even speaking in my own tongue feels weird to my mouth and my throat."

He finally looked up at you and saw a blank yet somehow shocked expression adorning your face. His eyes slightly widened and his breath hitched in his throat as he quickly realized the gravity of his words and who he was speaking to about a sensitive topic. You, on the other hand, was internally slack-jawed. What the helllll, is this really happening???? You rhetorically think to yourself as your boss, The Ken Sato, the egotistical baseball superstar, literally just spilled his guts in front of you, his personal assistant whom he keeps at an arm's length.

"I- I'm sorry, I didn't mean to-" he stuttered as he racked his brain, trying to make up an excuse for what he said. You still stayed silent and eerily still. "A–are you still there? Hello? Earth to Y/N?" He asked, cautiously waving a hand.

"Yes," you cleared your throat, "yes, Kenji." You say, his contorted face relaxing as he hears his name slip your mouth. You clear your throat once again before starting.

"You know, if I may, I'd like to believe that home is a construct you make and that a place doesn't really define it. Sure, in kindergarten, we get taught that the definition of home is a place where you live in but as we get older, don't some things actually change? And I'd like to say that the word 'home' is one of those things. As a child, we would say home is where our parents live. As teenagers, we'd say home is with our friends as we laugh and joke with them on various different occasions of our lives at school. As adults, I believe we can be left to define 'home' what we fit it deem to our liking. After all, home is where the heart is, am I right?" You ramble on, pacing around the living room as you animatedly explain with your hands as Kenji follows your every move.

Realizing your mouth once again moved with a mind of its own, you straightened up and cleared your throat. "Ahem, sir. Right, well, I better get going. Long day tomorrow." You nervously chuckled, refusing to look your boss whose privacy you've seem to have invaded as you spoke without filter. You tentatively grab your things and slowly head to the front door, feeling your boss' eyes on you follow your every move as if saying you've overstayed your welcome.

As Kenji trains your every movement, he realizes what you're about to do and stands up abruptly from his place in the couch.

"Y/N, wait."

Your hand hovers above the door handle, eyes closed as you brace for the impact of what your boss is about to say. Please don't fire me, please don't fire me, please do-

"Do you mind if you stay the night?" He says and your head snaps back to look at him, as if he'd grown another head.

I- I mean, not like that, b- but, well… Well, you know what I mean." He sheepishly clarifies, his hand bringing up to scratch the nape of his neck. The silence is awkward and deafening, and he was about to open his mouth to take back what he said but you beat him to it.

"Sure. I'll stay the night, Mr. Sato." You face him with a soft smile.

"Please, Y/N, Kenji's fine."

He leads you to the spare bedroom he has in the house and asks Mina to deliver a fresh set of clothes where you'll stay.

"I just want to say thank you, Y/N. I know I don’t say it enough and I'm sorry for that. I appreciate everything you do." He sincerely told you, looking into your eyes with nothing but pure admiration and gratefulness. "It's all in the job, sir." You say before realizing, wincing as the honorific accidentally leaves your mouth. You open the bedroom door before saying,

"Good night, Kenji."

"Good night, Y/N."

BONUS:

Kenji wakes up to the noise of cooking downstairs, with a pair of voices talking back and forth. He rubs his eyes free of sleep and lifts the duvets off of him, getting up from his bed and out of his room.

The voices become clearer as he goes down the stairs on the way to the kitchen, where he makes out your voice and Mina's, seeming to be guiding you as you follow a recipe she reads out. "Y/N, he's awake." Mina alerts you as you turn to face him.

"Oh, good morning, Mr. Sato. I hope you don’t mind, Mina told me you barely use the kitchen anyway." You nervously chuckle as you focus your attention back on the stove. "Please, Y/N, what did I tell you?" He visibly cranks up at the mention of his last name early in the morning.

"Right, Kenji, I mean." You quickly recall, still stirring the pot. "That smells amazing, what's that?" He says as he walks over you, looking over your shoulder.

"I know it isn't really for breakfast but Mina told me how it was your favorite, so I made curry. Or, at least, attempted to make it." You explain cautiously, slowly looking over to your boss who's currently sporting a look of surprise.

"M-may I?" He gestures to the spoon. You nod and hand it to him, scooting over to give him a taste. His eyes close and you start to feel anxious, building up an excuse in your head to tell him.

"Tastes just like home."

[vigilante-3073]

Fast Car

Dean Winchester x Female Reader

Summary: The three times that Sam watched Dean and Y/N sing along to one of their favorite country songs and the one time he didn't.

TW: Pre-established relationship, fluff, dancing, kissing, marriage and children.

Sam sat at a small table in the corner of the crowded country bar as he looked through news stories on his laptop. They had just finished a case in Oklahoma and Sam had the responsibility looking for their next hunt.

He looked up from his screen, eyes quickly finding his brother across the bar. Dean's hands were resting on his girlfriend's hips, holding her close as they sang along to Fast Car by Tracy Chapman.

"You got a fast car

I got a plan to get us out of here

I been working at the convenience store

Managed to save just a little bit of money

Won't have to drive too far

Just 'cross the border and into the city

You and I can both get jobs

And finally see what it means to be living."

Dean pulled away slightly, taking her hand and spinning her around with a wide smile. She laughed, leaning into him as he pulled her back in. Y/N had always loved country music and she had been slowly expanding Dean's musical inventory to include her favorite songs.

Fast Car had quickly become their song and they couldn't go on a road trip without playing it at least once. Sam couldn't bring himself to be annoyed because of how happy it made his brother.

How happy Y/N made his brother.

They were perfect together and there would always be a part of Sam that hoped to find a love like that again after he had lost Jess.

Dean's hands slid from her waist into the back pocket of her jeans as she wrapped her arms around his neck.

There was something almost sad about the song, it was something that he and Dean would probably never be able to experience.

A simple life.

Settling down and starting a family.

And Dean deserved it more than anyone in the world.

...

The impala sped down the highway, the music was blasting and the windows were rolled down. Sam sat in the backseat, staring out at the vast field that ran alongside the highway.

The summer air was hot and the roads were empty as they drove back to the bunker after a successful hunt.

Y/N was in the front seat, body turned towards Dean as they sung along to the song.

"So I remember we were driving, driving in your car

Speed so fast, I felt like I was drunk

City lights lay out before us

And your arm felt nice wrapped 'round my shoulder

And I-I, had a feeling that I belonged

I-I had a feeling I could be someone, be someone, be someone."

Dean looked over at her, watching the wind blow her hair around as he drove. His arm wrapped around her waist, pulling her over to his side before his eyes returned the road ahead of them.

Sam watched them for a moment, smiling to himself as Dean drummed his hand against the steering wheel to the beat of the music.

Y/N turned her head, pressing a kiss to Dean's cheek. He smiled, thumb stroking across the material of her t-shirt fondly.

She rested her head down on his shoulder, hand resting on his knee as she listened to him sing along to the music.

...

Sam made his way down the hallway towards the kitchen after his run, glancing at his watch with a frown as he paused in the doorway.

Music was blaring from Y/N's speaker as her and Dean moved around the kitchen making breakfast. Y/N chopped up strawberries on a cutting board while Dean flipped a pancake in a pan with bacon crackling away on another burner.

Dean suddenly turned towards his girlfriend, using the spatula as a microphone as he sung to her.

"You got a fast car

We go cruising to entertain ourselves

You still ain't got a job

And I work in a market as a checkout girl

I know things will get better

You'll find work and I'll get promoted

We'll move out of the shelter

Buy a bigger house and live in the suburbs."

Y/N smiled widely, abandoning the knife on the cutting board before singing the next line into the spatula. Dean reached out and grabbed her hand, spinning her around before pulling her back against his chest.

Y/N laughed, hand resting on his forearm as they swayed together. Dean spun her back around before releasing her with a wink.

He turned back to the stove, flipping the pancake before sliding over to his girlfriend and pressing a kiss to the back of her head. His hands found her hips before pulling her away from her cutting board and into his arms. Dean spun her around in his hold, taking her hand and wrapping his other arm around her waist before guiding them in a few practiced steps. He held her close to himself, singing along loudly before pulling away and spinning her around.

Dean pulled her back against his chest, pressing a kiss to her temple before sweeping her back into their dance.

They glided around the room, he spun her a few more times before wrapping both of his arms around her waist and pressing his lips to her's in a gentle kiss.

Y/N's fingers tangled in his hair before they reluctantly broke apart and returned to their tasks.

Their relationship almost seemed effortless to Sam.

It was almost like everything else faded away when they were together. It was the purest form of love that anyone could hope to find in this messed up world.

...

Dean turned off the television, tossing the remote aside with a sigh, "Nothin' on, buddy," He muttered, looking down at the Terrier mix who blinked up at him from the floor. Dean grabbed his phone from the coffee table, clicking the power button and feeling relieved when he didn't see any notifications on his screen.

Sam was supposed to come over for dinner to see some of the renovations that Dean had done on the new house. Dean still couldn't believe how many changes had occurred in the last few years.

Dean had made the decision to leave hunting behind and finally made a life for himself. Sam was finishing up a quick case a few states over before going into his own version of hunting retirement. They had both given so much of their lives to hunting and now it was time to live for themselves.

Dean looked over at the bookshelf, his eyes finding the stereo sitting between the books. Dean stood up, making his way over and turning on the power. He flipped through the channels, quickly turning up the volume when he heard the familiar tune start.

"No way," He muttered.

"So I remember when we were driving, driving in your car

Speed so fast, I felt like I was drunk

City lights lay out before us

And your arm felt nice wrapped 'round my shoulder

And I-I, had a feeling that I belonged

I-I had a feeling I could be someone, be someone, be someone

You got a fast car

Is it fast enough so you can fly away?

You gotta make a decision

Leave tonight or live and die this way."

He straightened up with a smile, "Baby, c'mere for a minute," Dean called. Y/N made her way into the living room of their home with their daughter held against her side.

"Is that-?" "Yeah... I thought that maybe my two favorite girls would wanna dance," He said.

"Of course," Y/N smiled.

Dean carefully took their daughter from her arms, cradling her in the crook of his arm before holding out his hand.

Y/N rested her hand in his, gold wedding band catching the soft afternoon sunlight pouring in through the window.

She wrapped her arm around him, smiling down at their daughter as he guided them around the living room. Dean carefully spun his wife before drawing her back in, singing down to their daughter as they swayed together.

This was the life he had always wanted and now he had it.

His beautiful wife, his baby girl, his brother, a house and the dog.

Dean never would have thought this kind of life would be possible for him and now he couldn't dream of living any other way.

He had everything he could possibly want and he was finally happy.

[astroboots]

EVERY YOU EVERY ME: Issue #2

Pairing: Miguel O'Hara x female reader

Summary: Your streak of bad luck continues as you find that the universe is not done putting you in harm's way. Luckily, you have grouchy Spider-man to save you.

Word count: 3,500 words.

Content: Slowest of the burn, near death experiences, the emotional whiplash of Miguel O'Hara being a rude bastard and a total softie.

Astroboot’s Masterlist | Series Masterlist | Spiderverse Masterlist

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According to an article that ran in the New York Times: one out of every 40 New Yorkers will have a run in with a Superhero in the time they live here.

That might not sound like much, but considering that nearly 8.5 million people live in this city, it adds up to a lot of people. In fact, most in your friends circle have their own anecdotal story to tell.

I ran into Tony Stark at the Brandy Library and he asked me for my phone number. Bit of a sleaze but he bought our whole table a round of drinks.

Captain America landed on my Fiat on Manhattan Bridge. He dented the roof, but he was very polite about it.

Daredevil was hanging out at the fire escape ladder above the Meatball shop. Gave me tips on what to order.

It's nothing short of a miracle that having lived in this city for as many years as you have that this is the first time you've had a Supes encounter.

It'll be a great story to tell at parties. You fell out of the Chrysler building and were rescued mid-air. It blows all the other stories out of the water. Though, you'll probably leave out the part where he wished he'd left you to die.

You stare blindly at your computer screen. There are endless rows of cells on your excel sheet no matter how far you scroll. Uninterrupted numbers and reference codes for insurance claims that are waiting for your attention. But the numbers and letters all blend into an indecipherable sludge soup. All you can focus on is: 'I should've let you fall.'

Heat prickles your cheek, as you replay his words in your head.

What the hell.

That was entirely unnecessary.

You didn't deserve that.

Over the course of the last 24 hours, you've played the scene on an endless loop in your head, until the memory is worn and scratched like a used up VHS tape.

Did you do something wrong? You must've. Who has ever heard of a Superhero treating a civilian in this manner? You’re just a hapless innocent bystander who fell out of a building due to a supervillain battle they started. To blame it on you and then call it a mistake. Isn't that something a supervillain would do?

Gritting your teeth, you feel yourself seething of the memory of the windows next to you breaking and shattering out of nowhere as a bird-person villain with mechanical wings tumbled past you. Next thing you knew you were tumbling out the window. 

And then he saved you.

Did he mean to save someone else? Is that why he was so annoyed? But, you didn't see any other people falling from the building on your way down.

You replay the memory. Again.

The looming silhouette of his towering frame over yours as he sneered down at you.

He looked at you like he knew you. Like you had offended him with your mere existence. But you don't understand how. You've never met him before. Never met anyone who looked even remotely like him. You would've remembered a man with red eyes, they're not exactly common. Plus, you don't think you've ever met someone quite so tall. Your neck hurt with the angle you had to crane just to look at his face.

What could you possibly have done in your lifetime to piss off a Superhero you've never met before?

For that matter what Superhero is he anyway? You think back at the dark navy suit clinging onto every inch of skin, embellished by that bright angry red in the emblem of a spider.

Spider-man... 

Except Spider-man is known to be a swell guy with a great sense of humor. Not a rude asshole.

Aren't his colors inverted too? You pull up the browser on your screen and google "spiderman outfit". There's over 800 million hits. In all of them Spiderman's suit is primarily red with blue embellishment.

Whoever the guy is, you don't think he's your friendly neighborhood Spiderman that every New Yorker knows and loves.

With a hapless sigh, you click aimlessly on your screen, trying to look busy at work for the next twenty minutes until you can go on your lunch break. You go through the motions of your soul sucking tasks. Tagging each insurance claim into one of the following categories: approved/rejected/further missing information required.

Peering over your cubicle wall to the wall of windows, you spy the section that has been zoned off since yesterday. The broken window you were knocked out of has already been replaced, but there's still shattered glass and debris nearby.

Your stomach drops, the phantom sensation of the ground beneath you giving way. For a brief second you swear you can feel the weightlessness of soaring through the skies without anything catching your fall.

You stand up from your desk, solid ground meeting the soles of your feet to remind you where you are. 

The office.

There's a monotone drone of workers all around you grumbling and sighing just as unhappily. The quiet tip-tapping of keyboards of the working masses.

Is this the life you managed to escape death for?

Is this it?

It's kind of sad isn't it? You nearly died and lived to tell the tale, only to return to a life so unremarkable your brain didn't deign it necessary to provide you with any highlights (cause there are none).

The most exciting thing that has happened to you the whole of this year was being insulted by a grumpy superhero. The most you've wanted to live was during that span of ten seconds when you were falling out of a building to your death.

You glance at your clock, still 15 minutes before noon. You log out of your desktop anyway.

You barely make it across the street from your office. The light is green as you cross Lexington Avenue when the screeching noise of tires tears down the street and rips through your eardrums.

A yellow taxi hurtles towards you at full speed. Through the car window separating you, the cab driver is staring up at you with wide-eyed horror. In that fraction of a second before the hard metal is going to collide and shatter every bone in your body, you only have one thought: Oh god, this is going to hurt.

Life doesn't flash before your eyes. All you see is the familiar blur of shiny blue and red.

Go figure that's the only moment extraordinary enough for your brain to think it's worth replaying before you die.

There's a blunt and forceful shove to the side of your ribs. Softer than you would've imagined a two tonne vehicle slamming into you would be. It doesn't hurt. It reminds you of that time you played football with your cousin and he body slammed you to the lawn. You've heard about this phenomena, the brain will try to protect itself by going unconscious if the pain is too extreme.

But there's no bright light, when you open your eyes all you see is the familiar shiny blue fabric.

A firm weight wraps around your shoulders, and you recognize this, the feeling of being held as you're pulled into their solid chest. There's not enough time for you to look up, you're slammed onto the ground, the solid warmth wrapped around you, absorbing the fall.

The pressure wrapped around you shifts then lifts away entirely. When you open your eyes for a second time, there’s no one there holding you. 

There's no one else there with you. Just the standstill traffic of cars and pedestrians gawking at you.

A concerned woman runs over to you, bending down to help you up on your feet. "Are you okay? That car came out of nowhere."

Your legs feel unsteady, wobbling as you put weight on it to stand up. 

“I’m fine, I think,” you respond, and look down on yourself. There are no scrapes, just a bit of dust on your work-attire from traffic.

"You're so lucky, Spiderman was there to save you."

You blink up at the woman in dazed confusion and it takes your brain a few seconds to process what she's telling you.

Spider-man...

In your mind's eye the flashes of blue and a vivid red invades your vision. It wasn't just your life flashing you by. Not just a figment of your imagination.

He was here. He saved you. (Probably not) Spider-man saved you (again).

A wave of gratitude washes over you. You take back every unflattering thought you had about the man not five minutes ago. Rude? Would a rude man save you, not once but twice in one day? No, of course not, you probably just misunderstood him, or misheard. After all, if he truly regretted saving you, he wouldn't have done it a second time... right?

--

When you get back at your desk, there's a post-it tacked to your computer screen, with an angry scrawl of a handwriting.

'Look BOTH ways before crossing!!!!!'

You stare at the note, and the way the word "both" is capitalized and aggressively underlined.

Rude.

The universe is out to kill you. You're sure of it.

They say that death comes in threes after all. So no one can blame you for being a little bit on the edge after you've gone two for two within the time span of 24 hours.

You stay away from windows in tall buildings. You look both ways, twice, before crossing the street. You try to go straight home from work the minute you clock out from work, turning down any and all initiations with friends to go out after out of precaution. It's just not worth the risk.

And for a while it seems to work. For a while, there are no more incidents. A week goes by and your nerves start to settle and you are lulled into a temporary sense of security before it all goes to shits.

A ceramic flower pot on a windowsill tumbling off the sixth floor of a brown house by Chelsea that would have dropped on your head and split your skull if someone hadn't bumped into you from behind that you weren’t able to catch sight of.

A piece of scaffolding that comes loose and falls from a construction site in West Village as you happened to walk past, and would have been crushed under if you weren’t tackled away at the last second by someone who fled the scene before you could thank them.

A hot dog cart runs amok, hurtling downhill towards you between 184th and 190th street in Manhattan when the cart suddenly out of nowhere, against the very laws of physics like it’s being pulled by an invisible force and changes direction mere inches in front of you, hurtling through the air and crashing into the windows of a bodega instead.

Each and every incident leaves you with an ever growing sense of paranoia that this cannot be explained away by being merely pure bad luck. There are cosmic forces at force that clearly want you dead.

On Thursday, there are leftover cupcakes from a client conference. Mary, the secretary in your team, boxes up four of them for you and tells you to take them with you, because, "you've had a rough week, toots."

It’s not a flattering assessment of you, but when you see your own reflection in the mirrors of the office toilets, you can’t help but think it’s an accurate one. You look rough. Eyes bloodshot with deep furrowed lines underneath. Your face is gaunter than you remember seeing it too. 

You take the cupcakes. 

It's the first good thing that has happened to you all week, and as small of a comfort it is, you take it as a win.

You eye the box from your desk the rest of the day, squirreled away in your tiny cubicle. You are determined not to eat one while at work. Because you'll be damned if Matt from accounting catches a whiff of your cupcakes and asks you to share one with him. You want to properly savor them in the comfort of your home at the end of the day.

But as often is the case when you have something to look forward to, the seconds, minutes and hours tick away with a reluctant drag as if time itself knew you wanted the day to end faster and decided it'd be fun to flip yet another cosmic middle finger in your direction. 

When it's finally time to end work, you get off your chair so forcefully it knocks it to the floor. You are practically jogging through the lanes of cubicles to get to the elevator, and nearly smack the security guard on the other side with how hard you swing open the front door. 

It's pouring outside, which, of course it is. You take off your jacket and cover your cupcake box with it, because you're not going to let the universe ruin the one good thing you've got going for you this week, as you run towards the station.

The moment you step into the damp and sticky station any remaining sense of joy in you evaporates. There's a hoard of tourists swarming the subway paying no attention to their surroundings. Tourists wearing their caps and backpacks and wheelies knocking over a 'Caution Wet Floor ' sign as they gather in a throng in front of the subway map, blocking the way as you hear the train approach.

It's not that big of a deal. A train comes every two to five minutes, and if you miss this one, you'll just get on the next one. It's not the end of the world. Logically, you know that. Emotionally and spiritually however, the world around you has just taken a little bit too much from you for you to concede to this minor little loss.

You are going to make this goddamned train.

Taking a determined step forward, you shoulder and push your way through the throng of people to fight your way to the front of the track.

You push a little too hard. Your feet skid across the slippery tiles, leg buckling from your own weight and you lose control, tumbling forward.

In your peripheral view there's a blinding light approaching. There's wind beating the sides of your face, and you can hear the screeching metal of the train right next to you. Your foot drops into empty space and you are falling into the tracks. 

Oh god why...

Why?

You just want to live.

The cupcake box flies out of your grip, splattered somewhere across the front pane of the train. There's a hard tug on your shirt as an invisible force you cannot see yanks you back, hard.

Your head whips back and for a fraction of a second, there are crimson eyes staring back down at you, you blink and then it's gone.

You land on your ass with a bruising force to your tailbone with a bone-breaking thud. The subway whizzes by with a demonic roar past you, inches from where you're sprawled on your ass on the dirty tiles of the subway station.

In front of your feet, there's a long streak of white frosting trailing down from your feet to the tracks of what looks like a crime scene.

Maybe it's the stress. Maybe you've just had a bad night of sleep (after many successive bad nights with little to no sleep). But something in you breaks at the sight of the frosting smeared across the dirty subway tiles.

Your eyes sting with exhaustion. Chest drawing in tight with a crumbling ache that makes you want to curl up on the cold tiles. You're just so tired.

There are people around you staring at you. No one in their right mind who lives in New York would sit on the floor of the subway.

But your legs are heavy and numb. You can’t move from the spot. Everything tastes like bile. You try to swallow and force it back down but it's no use, your throat has swollen shut. Your cheeks run wet and you press your palms to your eyes to make it stop but that only seems to make it worse. Snot runs down your nose and drips down your wrist. You're crying and you don't know how to stop.

Is this the rest of your life?

In the morning, you wake in your bed with a sore ache that gnaws at your bones. Swollen eyes and a soreness that scratches the lining of your throat.

Your back hurts, and as you try to turn to your side to get out of bed a sharp pain surges up along your entire spine.

Fuck.

It's too bright. The sunlight is offensive. It stings your eyes and makes you sick to your stomach. You only have vague memories of how you made it back home. Feet shuffling through the subway in a daze like the walking dead.

God is that what you are? A dead man woman walking?

You crane your head and catch a glimpse of your clock on the bedside table. 9.13 You're late for work. But that's mind as well, you don't have it in you to make it in.

What's the point anyhow? You hate that place.

Besides, if the subway on the way over doesn't finish off the job this time around, then eventually a taxi will. Failing that the universe is probably going to send over a ninja assassin rat from the subway to come after your life.

There's a soft breeze coming in from the open window that grazes the back of your neck and you turn your head towards it. All you can see from your window is the brick wall of the neighboring building. Even though your apartment is on the sixth floor, you can't see a speck of the New York skyline.

Still the breeze is nice, though you don't remember opening the window last night. You never usually do. It is silly and paranoid. No human robber could possibly climb up your six storey building just to climb into your window and rob you. If they could, they’d find that there isn’t much to rob in your apartment, the most valuable thing you own is a complete Le Creuset Cookware set. 

Your eyes glaze over your work tote bag on the floor next to the window, drifting upwards and spot the pink box sat on the window sill and you stop. 

You didn’t put that there. 

You sit upright in your bed, setting your feet to the floor and force yourself to leave your bed as you pad over to the open window.

It's a fancy looking thing. Baby pink, and chiffon ribbon on its side. Wrapping your pinkie around it, you tug it loose. You perch your thumb against the corner of the lid when you stop.

It's not another one of the universe's assassination attempts is it? You're not going to open it to find a bomb ticking down are you?

You hesitate for another moment, taking a deep calming breath before you gather the courage to finally lift the lid. Inside, there is a gorgeous display of cupcakes adorned with white and pink frosting, topped with strawberries, chocolate shavings and on two of them there's mini macarons.

Way fancier than the day old Costco cupcakes you'd lost yesterday.

Picking up one, you take a bite. The frosting is light and zesty. The refreshing lemon melts on the tip of your tongue as the buttery cream floods your mouth with the rich flavor. It's the best thing you've ever tasted.

Lifting the box, you check the sides of it to see if there's any note left behind, but there's none.

Gladis Bakery. It's from a bakery you've never heard of before. When you google the name the place is outside of New Jersey, 58 minutes away and you would need to take a subway then switch to a tram.

There's no note attached, but you don't need one. The list of candidates who would be physically able to climb up six floors up the bricks of your apartment building to leave cupcakes on your window isn’t a long one. 

Something warm blooms in your chest at the thought, and your fingers linger on the top of the box, savoring the taste of lemon and sugar still lingering on your tongue.

You put your head out the window, not sure what you're expecting to find but find yourself disappointed all the same when there's nothing there. No people in the quiet street below, and nothing unusual above.

"Thank you for uhm... saving me,” you say into the silence with nothing but the traffic noise below to answer you. 

 “And the cupcakes," you add. 

There's no reply. 

~ To be continued.

I don’t have a tag list but please follow me on astroboots-writes and turn on notifications to be notified when I post something new!

[hillbillyoracle]

You Should Get A Radio

I want to convince you to get a radio. It can be a pretty cheap one - you can sometimes thrift them even - just something to listen to the music and shows that are literally streaming completely for free all around you right this very moment.

Libraries get a lot of love - deservedly so. They are such a frugal resource for entertainment and the community at large. I would argue that radio is very similar.

Find New Music

Radio can introduce you to music you never would have run across otherwise. Spotify and the like have a goal of getting you to listen for as long as possible. This incentivizes the alorgithm picking your music recs to stay very safely within your known listening profile. But since a radio station is broadcasting to a large number of people, not you individually, you're more likely to run into music you personally wouldn't have picked but actually enjoy.

Not to mention that if you're in the US at least, you're very likely within range of a public broadcasting station which not only has local and national news, but various music shows as well - World Cafe is a treasure. College radio stations, if you have one nearby by, can be hit or miss, but in general, it is a great way to find local and very niche music you wouldn't hear played anywhere else. If you're in a city, you very likely have a couple of hyperlocal low power FM stations - many who serve communities who don't speak English and who have their own unique music programming. I also enjoy a lot of the adult contemporary and "oldies" stations I can get near me.

The Ads Aren't Targeted

On most stations, you'll hear some ads. Some stations you'll hear more than a few. But none of those ads are based on an ever growing mass of information being collected about you and your listening habits to decide what specific ad you're most likely to actually act on. They're just...an ad. When you turn it off, it can't follow you around until you actually buy it.

Also, if you're listening to local stations, a lot of the ads are for local businesses in your community; places owned by your neighbors and the people you live with. For me, it's been a nice way to be reminded of what places exist in my community since I usually go to my regular haunts and nothing else.

Frugal and Fun

Radios can be pretty cheap. I see them in thrift stores pretty regularly around here and you might be able to try Marketplace for one. Mine was a birthday gift and I paid a little more to upgrade the antena later. Mine uses rechargeable batteries but I think they make ones that are just straight up rechargeable now.

Since I can't control the music, I'm not turning to it to skip through music or pick a different playlist or look up a given artist I want to hear because I just remembered they existed. I'm more present, whether I'm just listening to the show or pairing it with something else (recently it's been knitting or solitaire games).

Similar to the way that libraries can be one way you decrease your reliance on subscription culture, radio is another. Especially for public broadcasting stations, the programming is always changing, there are new shows every week, and there are often ways for you to get involved. It's another form of entertainment that often gets overlooked.

It's Screen Free

Not much to say here. It's just a big plus to me. I'm trying to take more breaks from screens and make the time I do spend on screens less addictive. I like that I can throw on a radio station and listen to a show without ever having to resist the urge to check email or something.

Vital in Emergencies

Have you thought of how you'd get information during an emergency if the internet goes out? Radio is a great option and still regularly saves lives. In the event of emergencies, local radio stations are often some of the very first people to get information on where shelters are being set up, where resoruces are being distributed, and how to stay safe through the course of the event. Depending on the event, emergency managers will actually bring in radio equipment to keep broadcasting going if there's been damage to a tower and even set up temporary/mobile station up to get the word out if there's not a local station they can partner with.

On days when the weather isn't looking so great, I often have the weather band radio turned on so I can get the latest NWS forecasts and hear when a watch is issued - phones usually only get warnings unless you go out of your way to sign up for more. And out where I live, I usually don't even get those since cell signal is spotty.

It's a great investment in your safety that you can also enjoy whenever.

Conclusion

Buy a radio. Especially if you're looking to get away from subscriptions and cut costs. You can own your radio - you can't own Spotify. It's also just something I think everyone should have since it's such a vital resource in emergencies.

ETA: I am a young millinial. I grew up with radio and remember a time before the internet so I'm not saying any of this as if I'm discovering it. It's more I've been not only enjoying it a lot lately but reminded that a lot of people aren't aware of everything it offers so I wanted to share that in case it was news to anyone.

[elixrr]

part 1 here

It's heartbreaking, being a fictional character in a fictional world. But what makes it worse it that his player; his love—his God, grew bored of him and discarded him.

What was he to you? Did you even feel affection for him? He loved you. He truly loved you because he had nothing but you. He's constantly locked in the same fake, digital room, even when you think he's out living his supposed stable life that some temporary code convinces you he's living. He'd do anything to please you, to keep you with him, because ultimately, you were his savior. You were everyone's savior.

And yet, you threw them all away.

Answer him.

What was he to you?

What were they to you? Were they toys to you? Dolls?

He feels betrayed. Rather, he felt betrayed. He can't feel a single thing now. Floating in the void of a digital trash bin stole all his feelings. It stole his supposed friends; it stole his supposed city; it stole his supposed life. His lifeless soul couldn't feel how much time had passed since the day you deleted the game, not that he would want to, even if he could be conscious again. It's dull in a dark void, and everything about him is already on the line. If he were conscious, not only would he have to openly sulk about how worthless he became in your eyes, but he would also have no future to look to. There wouldn't be any point to existing, let alone wanting to exist. If you ever re-downloaded the game, you would probably continue benching him, and that would be an extra sign that you'll never care about him again; that you came on for anyone else but him.

The only thing he'd wish for,

would be complete deletion.

Deletion of the email linked to your game account would result in the deletion of every single file of him and you. Every single fracture of evidence that you cared would disappear.

And, what he'd really want would be his whole self being erased.

In this life of his, he'd have no point. You left him, and probably completely. It doesn't matter what you do. Whether you never play the game again or even start it up again, none of that would matter because he wouldn't have a use in your life. If he doesn't matter in your life, then he wouldn't matter ever until he's possibly featured in an Archon quest or in some event. Even so, you might never use him ever again.

A single tear forms in his eyes. There's no point in existing.

Another tear falls. You never loved him, did you?

His eyes flutter open, and he's back in the team lineup screen. You're there. The supports are there, but he can't bring himself to pose. He can't bring himself to lighten up.

What are you going to do now? Repeat history, strip him of his artifacts, his weapon, and trash him? Slam him down into a pit of despair? A loveless void made for the hopeless and hurt, all of which once loved you and felt you loved them, now suddenly were torn and tossed like old, ragged dolls.

Through his broken heart and blurry eyes, he could see your face. You were about to enter his character detail screen, but you paused. You were looking at him like you were worried, and genuinely so. And, like an angel, you whispered his name with delicate, careful concern.

“What happened to you?”

You abandoned him. That's what happened, and he bets you never knew.

“Leave me alone,” he nearly sobs, “I know you don't want to use me anymore. Rip me apart for all I care—it won't matter when I'm back in that void again.”

“A void..? Wait, never mind that, I do care. What— really, what happened? Wait, you can hear me?”

He wipes his tears away and stands to face you fully. All the supports watch his bravery against the code.

“I could always see you; everyone on the field could. We can hear you.” He takes a moment to breathe it all in. Maybe... Maybe he can get you to listen. Maybe he can help you hear him out.

Maybe he could help you love him again?

“Anyways, the void is where every unused person goes. Once... Once we leave the screen, we just sit here until you use us. And if you remove us from all teams, we're sent— we're plummeted into said void.”

“Oh my God,” you whisper, leaning back, “I need to revisit everyone I...”

“Please, wait, I—” I want to be used. I want to be the one you revisit. I want to be the one you miss.

“Player, creator, whoever you are, just please,” he watches as you scroll through the team lineup options, “please don't leave—”

And you enter another lineup.

And everyone else is gone, too.

“Please. Don't leave me again.”

He falls over, not caring how much it hurts. Nothing works. Nothing will work. It's hopeless.

He'll be stuck here, waiting, waiting, and waiting. Not for you—there's no point in that anyway, but for your second deletion.

He'll be waiting for the game's deletion.

For his final deletion.

You left him, and he's clearly not important to you. As heartbreaking as it is, he accepts it. Even with this dimensional intersection, he can't convince you.

As heartbreaking as it is, he's just a fictional character to you in this fictional world. He loved you, and he thought you did too, but clearly, you don't. Because he is just an abandoned, rotting toy, and you are the player who abandoned him.

And, he thinks, if you want him to rot, then so be it,

Let him rot.

@iridescentrays @inlovewithlondonn @falconclaw244 @shiningpaint-marbleheart @jeremyth @hikaru-sama @ayatoq @krrkt @yureismellslikefanfic @samhelleborewrites @bi-panicatthedisco @hannya-writes @thomaliciouss @notisekais @lovelykrystal @raeharmonia @ayra2452008 @chikai-k @dreamsofmoney @shutingstar

To everyone who wanted part 2 :))

[warping-realities]

Commitment - Final

After eating a wonderful meal prepared by the house's cook and playing some online games, Pete found himself on the edge of the mansion's luxurious pool, dozing while sunbathing, enjoying the best that life had to offer. Until he was suddenly woken up when someone knocked him into the pool.

"Motherfucker!" He said after recovering and getting up irritated in the pool. And be greeted by Dan's smiling face.

"You piece of shit, you almost scared me to death. I’ll break you all apart!"

"You can try bro, but you need to be a lot bigger if you want to hit me."

"Big enough, bro!" He responded showing his big sculpted body.

"You can't resist a little show, can you? That way you'll make the girls go crazy!" Dan replied in turn, with a malicious expression on his face.

Girls? What girls?"

"Hi Pete!" Said a beautiful young woman while another as beautiful as her giggled next to her.

"Their shift at the gym is over so I invited them to come along. Don't worry about Julia, they'll behave, right girls?"

"Yes Dan, we won't do anything Pete doesn't want." Emily replied with a smile.

"You pay me for this you Asshole" Pete whispered to his friend.

"Hey, aren't you the faithful guy? Just stay that way, brother." Dan replied, his mischievous smile widening.

Somehow Pete managed to hold on, despite the advances from the women. When the situation became too difficult to control, he left the pool and went to Think of a way to send them away before Julia arrived. While he was swinging his long, thick cock, he was surprised by Emily who pushed him, still naked, against the wall and gave him a professional-level blowjob. So professional that he found himself unable to protest and after all it was just a blowjob, it's not like it was a terrible betrayal.

He was already looking for justifications for the fact that that blowjob had ended with him fucking the woman right there in the bathroom, when he heard his cell phone vibrate and received a message on his cell phone from Julia saying that she was already at the front gate of

the house. He quickly freed himself from Emily and instructed Dan to hide with the two women in one of the guest rooms. While he himself ran to his suite to take a quick shower and wash the smell of sex off his body.

When Julia arrived at his room she found him naked on the bed waiting for her smiling at her.

"Hey babe, how about that blowjob?" He asked with a smile, as if nothing had happened.

Pete woke up the next day after a strange dream in which he was a wimp living with the slut he had slept with the night before, without the courage to admit that he was being exploited by the gold digger. As if it were possible. Yet before opening his eyes he felt his bulging muscles and his face feeling that everything was the way it should be. It was terribly early by his standards. But it was his own fault for havingaccepted that partnership with Dan and now having to work helping to organize the new Dan's Gym units around the city. Just having to think that they would still have to find a new name for the franchise almost made him want to not get out of bed. But he still forced himself to get up.

As he passed the living room on the way to the kitchen he He received a message from the social manager of the gym chain with the next promotional video for Instagram. Dominating the screen were him and Dan, looking more like two real brothers than best friends, laughing and flexing their muscles after an intense workout that had pushed them to the limit.

A momentary thought of doubt crossed Peter's mind, how was it possible for two people to exist as physically similar as they were and with the same habits, tastes and thoughts? But soon this fleeting doubt dissipated, never to return, as he was interrupted by the voice Pete had expected to hear, making him look up.

"I personally thought the final result of the project is excellent."

"I agree. And I see you're quite comfortable as a guest." He replied with an mocking expression.

"Brother, I've been going to this house for years, your parents consider me a second son, I'm much more than a guest."

A smiling Dan replied, wearing only underwear spread comfortably on the couch.

"What's more than I can say about that woman you brought home last night, really scandalous in bed. Who was the diva?"

"You don't know, a girl I picked up at college, we met again recently and I decided to give her a revival, but it turns out she expected a lot more from me than I had to offer. She wasn't very happy when I told her I had called a car for take her home."

"You know, for someone so rich, you lacks class, bro!"

"Look who's talking, I heard very well what you did to that girls in the guest room."

"But I'm not the senator's son."

"It was my fault. I should have ignored her advances and stuck to my policy of no repeat women. I don't want any commitment."

"Good thing this doesn't extend to work."

"Dan, if there's a relationship that I'm fully committed to, it's ours, both at work and in friendship."

"I know that brother, and I'm grateful for that, my life wouldn't be the same without you!"

[monimccoythings]

Till We Meet Again

Sequel to The way we were. I want it to turn it into a brief saga I'm just trying to figure out what I want to do. These are just some silly drabbles.

I just love one Logan trope and I swear you'll see it on almost every fic I post.

Word Count: 1131

Tags: implied alcoholism, f!reader, swearing.

Part 1

It took him several days before he mustered the courage to sneak inside Wade's bedroom. Fucker wouldn't waste a chance to invite him in, he'd be overjoyed if he found out he had been snooping around.

Honestly, Wade's room was as insane as its owner, posters and figurines of colorful ponies and cartoons decorated the walls and shelves. How could a grown ass man have a room like that was something he would never understand. The cherry on top would be the Disney sheets that he wouldn't even dare to touch with a ten foot pole. He could already smell what happened in there. It made him gag.

But he had to do it.

He needed to.

Over the course of those days he had gathered as much information as he could about the you of this world. Just to mentally prepare himself about what was coming.

Turns out you had been that universe's Logan's wife, and had perished in his arms while protecting him and Laura. No wonder she never talked about you. It was hard enough for him to even think about it, despite not knowing personally this other you.

Cold sweat formed on his skin at the thought of his version of you having shared the fate of this Y/N back in his universe. Would he be able to live with it. Would he spiral into another rampage of serial killing, self depreciation and alcoholism?

He looked at the pack of beers on the counter, his mouth felt dry. Maybe taking one would keep those thoughts away from his mind. Just numb him enough to think clearly. Alcohol had always been there for him in his darkest moments. The only constant in his life.

A flash of your tear-streaked face as his claws pressed against your neck crossed his mind.

He shook his head.

No.

'Stop trying to drown your problems with alcohol and fucking man up!'

One single look at the wedding band in his hand told him everything he needed to know to make a decision.

He touched the screen of that watchamacallit Wade had stolen.

Just one peek.

One peek and he would be satisfied.

Liar

When he stepped through that portal, he felt like a city boy that after being away for years finally returned back to his hometown. Everything was different, despite having been in that universe his entire life he found himself not having missed it at all.

Now, the only thing that tied him to that place was you.

He cursed loudly. It had been ten years since he had seen you. There was no way to know if you were still living in the same place, or the same city. Hell, he didn't even know if you had swapped jobs.

Fucking great, all this stress for nothing. He felt like an idiot. All of this had been a huge mistake. He should just-

A sudden memory came to him. There was this little shop, not very far away from where he had landed, you always loved to spend your free time there, and drag him along if you could. How much he had hated it back then, now he wished he could just spend one more Sunday morning there with you.

If he could get a whiff of your scent, maybe he could track you down and take a look.

He's just checking, he reminds himself. To make sure you are having a good life.

─────────────────────ⓧ─────────────────────

It didn't take him long to find it. It was faint, but it was still there.

His nose led him to a neighborhood in the deepest part of the Bronx. His brow furrowed in disgust, he didn't like that place at all; it smelled like burnt meat and bodily fluids. How could you live in a place like this? It made the dump he was sharing with Wade and Althea look like fucking Buckingham Palace in comparison.

You shouldn't be living there.

You were not made for a place like that.

He could- he could what? He tried to stop that train of thought, he really did. He wasn't allowed to think like that. Not anymore.

He could give you so much more.

He stops in front of what he assumes it's your building, nose crinkling in a sneer. He never had been one for fancy places, but goddamn it, you were way better set off when you two were together. One one corner you had piles of trash that overloaded the dumpster, and in the other you had some junkie recovering from his last trip. Charming.

*thump thump* *thump thump*

His head snapped up. He could hear your heartbeat coming down the stairs. He always joked that he could find you in a crowd just by your heartbeat. All the bravery he had gathered suddenly left him. He couldn't meet you face to face. It was for the best. Just looking from the alleyway would suffice.

Another beating joined yours, hopefully a neighbor. Becuase Logan didn't think he could handle as gracefully as he should seeing you with a new partner. Not without drawing blood.

His breath caught on his throat when you finally emerged from the building.

There you were, time had been nothing but kind to you. Besides some little wrinkles around your eyes and few grey hairs, you still remained as youthful as the day he had pushed you away. Your hair was shorter, and you seemed to have put on a bit more weight, which, honestly, looked great on you. His mouth watered when he saw the considerably fuller breasts pushing against the top of your nurse uniform.

Fuck you looked ravishing.

His hands twitched, wanting to run them all over your newfound curves.

It took every single amount of his willpower to refrain himself from lunging and taking you right there and there. He licked his lips in anticipation. His inner animal getting ready for the chase.

You looked at him and that had the same effect as a bucket of cold water. The smile on your face vanished, leaving only an unsure expression in its place. You took a step back using your arm to protectively shield whoever was behind you.

As much as he tried to understand your completely reasonable reaction, he couldn't deny how much it hurt his feelings watching you pale with dread at the sight of him.

Unconsciously, he took a step forwards. His heart breaking when he saw you take another step back. The animal in him was seething with rage and hurt at your rejection and he had serious doubt he could do anything to calm it down.

There would be no time to dwell on that, because after that he saw who was hidden behind you.

It was a child.

[jisokai]

If you cross the river (will the fighting end?)

Contrary to what granny once said, Kita thinks he won't ever truly know who you are. You are the one who waits by the river, watching as he scrubs dirt from fresh carrots and dirty shovels. You are the one whose presence lingers like mist over his skin when you part. You are the one whose eyes he always feels, at every moment—the eyes granny reminds him of when they wipe the floor or prepare a meal together.

You are the one who knows that it does not matter, that he would still perform his rituals and hold unwavering conviction even if you were not there. Because he is Kita; he is Shin-chan—repetition, perseverance, and diligence is how he lives...because it simply feels good.

You are the same, committed to your duty to watch him from the moment you were pulled from the glory of a summit. And he is committed to being watched by you.

shinsuke kita x GN reader character study for shin, reader is a river/rain spirit, themes of disaster, mentions of dying/minor character death, fluff and angst, slow burn (i think), slight spoilers for haikyuu!! timeskip 20.3k words | oneshot, complete

notes: This fic is set around the premise that Kita's gran lives in the mountains of eastern Hyogo, just above Osaka. I have his parents living in the city while Kita is cared for by granny until it's time for him to start school, around 6 years old. He goes to Osaka during the school year and no longer spends time in the mtns. Since canon doesn't offer a whole lot of information, I took liberties with the setting and backstory to fit the plot of my fic. I hope this can help negate any potential confusion! + (It's another fic spanning childhood to adulthood. With a magical reader. I am unfortunately not able to escape my own tropes.) + shoutout to this fic for inspiration

ao3 option

One moment you are a carefree being, gleefully running along a series of falls wedged along the mountain summit. The sun is setting and you are soaking in the glory of the day: with swaying leaves and shimmering droplets, and the last bit of light streaming through pockets of trees.

The next you are falling, rolling, bumping your way through the water. A current sweeps you away without warning, your vision goes dark, and you have left your place above the sun to land in the depths of a looming valley. You have to carry onwards, knowing there is no going back, so you search for the one who brought you here.

There is a dim light beyond the bank. It seeps from the open screen of a traditional-style house, illuminating the wooden beams and eaves from behind. It's a bedroom, with a small boy dutifully putting his futon down for the night, smoothing out the bumps and lining the base to be in its exact spot. He has salt and pepper hair and you think he is the youngest old person you will ever see. He never looks your way, but you sense that he knows you are watching.

So you watch, now that you're here.

"Granny, who's that?"

He is a toddler, carried along the path next to the river by his grandmother, a thin arm clutching him tightly against her hip. Her eyes slowly move from his face to his finger pointing towards the water. She can't see what he sees: another child, waist deep in the gentle rapids, mysteriously faded—like a mist lingering instead of wafting to the sky. She smiles gently when she understands, bringing a hand to pat his hair softly.

"You'll learn when the time is right, Shin-chan."

She knows how this story will go.

Someone is always watching, Shin-chan.

Kita's life is built upon the small things he does everyday, and the end results are no more than a byproduct of that.

Someone is watching over you.

Rain streams down the mountain gullies and pools in the river at the center of the valley.

The sun rises. Over and over and over again.

Childhood

The morning light streams through open screens, crawling up the veranda and into the adjacent interior. It’s the beginning of June—cleaning day, the tatami mats moved aside for inspection and rotation while Kita and granny scrub the wooden floors together. Foam bubbles from the rag when he wrings it out, excess water trickling into the bucket. He wipes it across the floor of their living room, watching carefully as the wood darkens slightly, but not too much, leaving shiny streaks and stray bubbles behind. He smiles to himself gently.

A grin tugs at granny as she watches from the opposite side of the room. It was Shin-chan’s own decision to clean with her today. He gave her no reason as he simply said, “I’ll help,” when she grabbed her bucket and rags. He already started pulling the mats aside, then struggled to move the table in the center by himself. Granny chuckles to herself at the recollection before returning her attention to the floor, her section a little lighter than Kita's.

He looks to her side and the faintest crease appears between his brows, a slight purse of his lips. When he wrings out his towel again, he pulls the ends a little tighter before bringing it back to the floor with a new gentleness. The result brings the twitch of a smile to his mouth. It makes him feel good.

From outside, he hears the rustling of leaves, creaking as bamboo sways in a light breeze, and the scrapes of shrubs against the house. The morning is cool, bringing in air that will hopefully linger as the day drags on. The only chatter comes from the birds, quick raps of storks in the river and singing sparrows in the trees. Kita feels a warmth, one from inside, as he listens. Focuses.

He thinks it could be praise, from the spirits that are watching.

It’s still morning when they finish, the mats brushed and switched with the ones in the closet. After they return the table to the center of the room, granny quietly thanks Kita for his help. He only nods in return. Quiet Shin-chan. He thinks he’ll read until lunch, or maybe help some more if granny plans to work in the garden.

She interrupts his thoughts. “Let’s go for a walk, to Fujiwara-san’s.”

Kita's brow furrows ever so slightly, but he nods. Granny sometimes likes to visit the neighbors, though without any clear pattern or schedule. He thinks she might be doing it for him, so he can talk with other kids his age, especially with his sister always gone to a friend’s and his baby brother in the city. He would rather read, but agrees regardless since it’s granny asking.

They slip their feet into sandals and start down the path along the river, towards the right. Kita reaches for granny’s hand and she smiles down at the top of his hair. They walk slowly along pebbles and dirt, accompanied by the sound of water rushing next to them. Eventually they approach a bridge, granny having to grasp the railing as she walks up the steps. When she reaches the center of the river she pauses, a ritual, to watch the water run by.

“Fujiwara-san said he has exciting news,” granny offers in a delayed explanation. Kita doesn’t respond. 

Granny takes another minute to step down on the other end of the bridge and continue walking. They go left, towards the house that sits opposite of theirs. It takes slightly longer with the incline, but it’s quaint and Kita feels no hurry.

The house is open when they arrive, doors aside to let the last cool minutes waft through. There’s nobody home, however, and Kita looks up to granny curiously after they step onto the exterior veranda.

She only offers a smile as they wait a few moments. His attention is diverted when he hears the thumping of footsteps, small and quick, getting closer. They’re followed by Fujiwara’s muffled voice, worried. Kita's hand tightens in granny’s as he watches closely.

Out runs a child, his age, tracking dark footprints along the tatami mats from the back entrance. Not just with dirt, but smudges of mud, smearing on the woven grass. His chest tightens at the sight and he has the urge to scold, to clean the mess, but then he feels eyes on him and—

That watchful gaze he remembers clearly, despite only seeing it once, years ago. A gaze he still feels everyday, most intently at night. You are grown, but only as much as he is. And you’re…real. With a weight and embodiment, a person instead of a misty image on the river’s surface. You’re also brighter, both in appearance and spirit, as you put a small handful of grapes (fat and crisp and green) into your mouth (skin and seeds included) and chew quickly before swallowing and smiling widely at him. 

Again, Kita wants to protest the sight, tell you the skin is dirty and you can’t eat seeds, but the words are trapped. Something is tugging at his chest—something other than his apprehension, something that makes him want to physically step forward.

But then Fujiwara-san is rushing in, though not very quickly. He’s another old-timer in the village, with crinkly eyes and little hair remaining on his head, paired with a thin physique and hunch in his back. In one hand he carries a woven basket, filled with more bunches of grapes, shiny and wet. In the other is a wooden cane, pale with a reddish tint—Kita thinks maple. The old man never needed one before, and Kita wonders what’s changed.

He looks back to you, the one change he’s aware of.

“Shinsuke-kun,” his thoughts are interrupted by the call of his name. He hasn’t been listening, he realizes, and he turns his attention to the grandpa. “This is one of my grandchildren. My daughter has been busier with work lately.”

Kita, for a third time, wants to protest. He’s met all of Fujiwara-san’s grandchildren before, and if he hadn’t, granny would have certainly told him about another five year old. He doesn’t know how to respond, can’t, and so he watches blankly. You are smiling at him the entire time, with a joy he doesn’t understand—at least, not entirely.

(There is a tightness in his chest at the sight of you, like it wants to expand beyond its capability. He’s not sure what that means.)

“Have some grapes!” you exclaim in a soft voice, thrusting the bunch towards him. Two fall from the force of your sharp movements, and he watches as they roll on the ground, leaving another stain. He doesn’t accept them, just continues to stare at the mess.

Granny fights a smile as she encourages him. “Let’s try some Shin-chan.”

He wants to say that he’s already had them before. He knows they will be delicious and crunchy and refreshing, especially now that the heat is rising with the sun. He knows that Fujiwara’s grapes are the best, and now two have been wasted and splattered on the tatami. Instead of reprimanding you, he reaches his arm out to take the bundle. Since granny asked.

His eyes widen when you then crouch to pick up the fallen fruit from the floor and eat them (skin and seeds included) without so much as wiping them off.

Who are you?

The faintest tug on his hand makes him turn to granny, who’s pulling one off the bundle he’s holding to give it a taste. “They’re delicious as always,” she says. “I’m surprised it’s such an early harvest.”

Fujiwara smiles, eyes crinkling further. “Snow came early this winter,” he reminds her.

She hums thoughtfully. “Ah, yes. The weather has been quite unusual this year.”

Unusual, Kita wonders to himself. Because of you.

You smile at him again and that inexplicable tightness arises in his chest once more. He frowns, the first genuine frown of displeasure today. His mind tells him to ask granny if he can go home, but he doesn’t want to. He doesn’t understand how that could be possible, to want and not want something at the same time. His frown deepens.

Kita thinks his time at Fujiwara-san’s is excruciating. Kita is also hesitant to leave when granny says it’s time to go. He misses a knowing smile that rests on her face as she tugs him gently, watching as he glances back during their walk home.

You are nosy. Kita was already aware, given he could feel you watching him at every moment, even when he can’t see you. But you are nosy when you are physically near him. And you are around him often now, nearly every day for the past week. Whether you simply show up at random or granny is pulling him along to Fujiwara’s, Kita learns that being around you is inescapable, inevitable. 

At the very least you aren’t noisy, just curious. At granny’s you quietly hover whenever Kita switches tasks or activities, a ghost floating over his shoulder. Once you’ve fulfilled whatever interest you have, you keep to yourself in your own part of the room. You’re helpful in the garden, for some reason, but you make him grimace when you pull a carrot directly from the ground and take a bite, dirt and all. You don’t help him wash the harvest, just crouch next to him by the river water and watch his hands diligently scrub.

You are, however, incredibly messy. It’s as if you don’t even register what a mess is, mud and leaves and water following you everywhere. Always. Trekking through the door with bare feet, smudges of grime trailing behind, sometimes with dripping hair—undried hair—that leaves dark circles and puddles on the mats and wood.

Every time it happens his chest flares with irritation, that urge to scold you. But granny is near, so he says nothing and instead looks at her intently. Granny only ever smiles back, sometimes handing him a towel and reminding him that he can help, if he wants. He doesn’t want to. He’s not sure why the adults haven’t explained it to you, surely Fujiwara-san can’t keep up with the cleaning he must have to do to house you. If Kita and granny always have to scrub your mess after you visit, Fujiwara must be mopping every hour. Sometimes they clean when you’re here, while you just sit and watch, only to dirty the floor again the following day.

After a week of this passes and you show up again, uninvited and with your bare feet leaving mud on the veranda, he caves.

“Don’ come around here if yer jus’ gonna make a mess,” he says firmly—but also quietly, wary of granny’s proximity. Why do you always enter through the veranda anyways—not the genkan, where the mess would be easier to contain?

You don’t appear deterred, smiling as you hold up a basket. “I brought you grapes, Shin-chan.”

He blinks. “That’s kind,” he admits, “but I don’ want ‘em.”

“Well I do,” Granny’s sweet voice says from behind him. Kita tenses when he hears it, turns to look at her guiltily. Her calm, smiling face makes him uneasy.

He starts to protest, those disagreements he felt a week ago, since the moment she wanted to go to Fujiwara’s, bubble up together. “But gran—”

“Shin-chan,” she cuts him off. Her voice is gentle and soft, but holds a different kind of firmness that Kita can’t deliver. One that makes him listen, because he has to.

“It’s okay,” you say, interrupting the conversation that would have followed. You’re still smiling, unfazed. It flames Kita's annoyance, while calming his nerves. Again, he doesn’t understand these feelings. “I’ll go home if Shin-chan wants me to.”

The boy’s eyes widen at that, heart plummeting as if he’s done something wrong. Why do I care? he immediately wonders. Maybe because granny is watching over his shoulder, or because Fujiwara-san seemed so happy to have his not-actually-grandkid (Kita is still certain) around his house. He doesn’t know what home you’re referring to, Fujiwara’s or the city or…somewhere else. Regardless, it would be easier if you went back and let them rest, granny especially, since she must be tired from the extra chores. He still hasn’t answered, caught between wanting to agree, waiting to disagree. He’s not sure which part of him wants what.

Instead of caving to his irritation for a second time today, he sighs and says, “It’s fine…jus’ wash yer feet.” He realizes he’s resolved to clean up after you so granny doesn’t have to. What is he doing?

“Okay,” you say easily, smiling. That relief fills him once again, and he can only stare at you, as if explanations for that feeling in his chest will surface if he looks hard enough. They don’t.

“Here are the grapes,” you assert, raising them in front of you. He hesitates, staring at them in accusation after he finally grasps the handle of the basket. Then you say: “Okay, bye now!” and run off the veranda, your bare feet landing in the dirt and carrying you along the trail and across the bridge.

Kita watches you with a pained face, and he realizes his free hand lifted slightly, as if reaching for you. He scowls and forces it down. Then he turns to granny. She’s smiling at him, he can sense it’s with amusement. He wants to ask why you left, if you really are going home, wherever that is. But he can’t, not when granny is giving him such a look.

“Stop cleanin’ up after others,” he tells her instead. Granny blinks, wondering why she’s being scolded now, too. “I’ll do it. Jus’…jus’ rest.”

She smiles warmly. “You’re a good kid, Shin-chan.”

Kita doesn’t think so. Not right now, with the way you ran away.

“Some people need time to learn the ways we live,” she continues vaguely. “Not everyone comes from the same place.”

He wonders why someone from the city would run around without shoes, through mud.

That inexplicable relief returns when you stand in the outdoor veranda the next day. He still doesn’t understand why he would want to see you, maybe for the confirmation that his words did not actually send you away—that granny and Fujiwara-san can continue to enjoy your presence. Regardless, he stares pointedly at your feet, the dirt clinging to them.

“Sorry,” you say, with the tact to at least look sheepish this time. “I washed them at Jii-chan’s, but they got dirty again.”

Kita is too stunned to react. Do people from the city not understand how shoes work? Or water? Dirt? He sighs, attempting to find his patience, as he tells you to stay put while he leaves. He grabs two pairs of sandals from the genkan and re-enters the veranda. He slips on one pair, then ushers you to follow him down the steps to the spigot.

“Rinse your feet,” he instructs. You do, poorly, but he supposes he can only ask for so much. He puts the second pair of sandals on the ground and tells you to step your feet in after you rinse. It’s an arduous process, but finally you are mostly clean and in the sandals. He then walks you to the entrance of the genkan and tells you, “Enter here. Wear those shoes when ya visit and put ‘em—” he points to a cubby, “there when ya come in.”

You are smiling, always smiling, when you reply. “Thanks Shin-chan!” Then you kick off your sandals and toss them into the cubby. Kita's chest flares again with displeasure at your haphazard treatment of his things. Suddenly you grab his hand and pull him inside, and all he can think is that your skin is cold. He can’t find it in himself to comment, heart racing as he stumbles and tries to slip off his slides before you tug him to the main room. He watches as your undried feet leave dark prints in the tatami in front of him—he thinks of the mold that has probably started growing under them since your first visit.

He passes granny as you pull him through the rooms. He gives her a wide-eyed look, one that tries to ask for help. She only smiles.

Kita feels a little bad for his outburst, once a few days pass and he understands that you aren’t intentionally helpless. You enter through the genkan, with relatively clean feet. You’re careful when you eat after he points out that you tend to make a mess. You help clean, when he asks you to. You still leave crumbs around and wet patches, you scrub too hard sometimes and other times not enough, but you try. And Kita finds that he doesn’t mind so much anymore.

You just don’t know things.

The more he ruminates on your…unfamiliarity with the world, the less sense your story makes—the city story that Fujiwara-san told him and granny. It’s obviously not true, but it also has to be, if everyone believes it. Someone from the city wouldn’t look so surprised that their feet collect dirt. He recalls that evening a few years ago when he was only two, when he could see you in the river. He thinks about the never-ending feeling of being watched. You’re from here, from him.

It becomes apparent why you’re here, why you hang around him at home and linger in his presence. One night he wakes up hours before sunrise. He struggles to re-enter his slumber and curiously opens the screen facing the river, to gauge the time. The mountains loom behind the image of a small figure on Fujiwara’s veranda. You, offering a little wave.

He doesn’t react, just watches as you swing your feet. The moon sits high between you, illuminating the river below, the mist that lingers on its surface. He wonders if you’ve always been there, why he never saw you until a couple weeks ago.

The spirits are all around us, in every living thing. Granny’s voice calls from his memory.

As he watches you, the river, he wonders what defines a “living thing”— if it’s breath or blood or growth. Something else entirely. He thinks the river breathes; it absorbs the air when it bubbles over rocks. Its blood is the water itself. It grows in its own way, banks expanding and collapsing, body winding and pooling, collecting life, collecting stories and history. He’s curious about your story, why it’s part of his.

He closes the screen and goes back to bed.

Shinsuke is not the kind of person to ask unnecessary questions. Even as a child, he keeps those curiosities within, assuming they’ll be answered eventually. Like granny said, You’ll learn when the time is right.

So he doesn’t ask, instead infers. Analyzes and assumes. You aren’t the same. Throughout the summer, as you spend time together, you are always asking. Asking and smiling. Sometimes they’re necessary questions: how to properly wash a dish, or where to set a gift of vegetables. Most of the time they’re unnecessary, asking how Kita is feeling, what he thinks of the weather. Sometimes they’re downright invasive.

“Where are your parents?” you ask him one hot July day, laying in the main room. Kita is fanning himself and wondering why you aren’t sweating.

“Osaka,” he says curtly. He hasn’t seen them in a while, hasn’t thought about them either.

“Do you miss them?” You ask, nosiness unsatisfied.

He shakes his head, no unnecessary response. He likes it with granny, always misses her the few times he’s gone to the city.

You hum, like you heard his unspoken answer. He thinks that’ll be the end of it. It isn’t.

“Your hair must be a mix of theirs,” you say plainly. “Whose is grey?”

He shakes his head, “Neither.” They both have black hair, the same with his sister who’s never home and his baby brother in the city with a nanny.

You’re surprised. “Oh. Do you know whose it is?”

He shrugs, uncaring.

But you smile for some reason, with genuinely joyful eyes. “Maybe it’s your gran’s,” you say happily. It makes him blink in surprise, mystified. He inhales, chest lighter. “It’s cool how that sort of stuff happens.”

He can’t look away from you, your smile that pierces right through him.

That night after his bath, he looks at himself in the mirror, intense, searching in a way he’s never done before. He sees the traces of his mom in his eyes and his lips, his dad in his nose. Both of them at the tips of his hair, that lower section by his neck. He continues to stare, looking for granny. He sees the way she influenced the nose he got from dad. He sees the way she claimed his hair, cradling his head and framing his eyes and cheeks. He wonders what it means, to be chosen by the traits from a generation before.

When granny says goodnight, Kita puts his arms up for a hug. She’s warm, always is. His head nestles into her neck, his threads of grey and black hair tangling with her sea of silver. He doesn’t know what it means; he is a five year old without the vocabulary to articulate the tightness in his chest, something akin to longing and fear. He is a five year old incapable of grasping what it means to be alive.

Only a couple days later, Kita catches a new perspective of you. 

You are barefoot in the genkan and Kita is ready to scold you, this one he knows is deserved after all he’s taught you. Before he can, you speak.

“Come with me today.”

Your hand is outstretched and inviting, but Kita is apprehensive, not sure what you mean. Before he can ask, granny speaks from behind him. “Go on, Shin-chan.”

He frowns and looks at her. Neither of them know what you’re talking about, where you even want to go. But granny looks calm and assured, without a worry in the world.

You don’t wait for an answer, grasping his hand when he’s still turned away and giving it a tug. He feels that same chilliness on your skin, one that makes him think you might be sick. He manages to protest long enough to step into his slides before you pull him out the door. 

It’s a beautiful day. The sun still hangs to the side, the heat of July not yet settled in the valley. The sky is a bright blue, populated with innocent fluffy clouds, white and rolling in the breeze. A group of sparrows sing in a shrub you two pass, and a toad leaps off the path to get out of your way. Kita inhales deeply, the air humid but clean.

“Where’r we goin’?” he manages to ask, quickening his pace to match yours. Your hand has loosened its grip, but he doesn’t let go.

“The forest!” you cheer easily.

His eyes widen. The forest? He’s been to the forest before, to pick bamboo shoots and tea leaves with granny, but he’s not supposed to go without an adult. Does granny know? Why would she let them go by themselves? These are necessary questions, he thinks, and yet he swallows them down and lets you take him without protest.

You are fast despite being barefoot, rocks and sticks seemingly unnoticed as you dart along the path. Kita follows along diligently, stumbling only a few times. He wishes he wore his athletic shoes instead of the sandals. He glances back to the house, studies the way it shrinks from the distance. The two of you are still on the southern side of the river, not yet crossed to the northern mountains, where granny takes him.

Kita decides that he likes running like this, despite the heat and his shoes. It’s a gentle jog, with a destination in mind, his hand in yours as you lead the way.

He doesn’t know how much time passes, just follows you up and along the path until the two of you reach its end. It’s the first time Kita has seen it, the way it stops before a rock face that climbs up a mountain west from his house. He looks down the path, into the valley from the incline.

He looks back at you, waiting for an explanation for what to do next. You don’t offer one, walking to the bank of the river. To get in the river, he realizes, and for the first time since leaving granny’s he tries to pull away.

You turn back to him, smiling softly. “Trust me, Shin-chan,” you say.

He’s not sure why he should, why he did, to let you take him all the way out here in the first place. Because of granny’s encouragement, he thinks. Go on, she said. Did that mean all the way? To the ends of wherever you wanted him?

You have turned and continued down the bank. Kita does not try to escape your grasp, letting you pull him along.

The water of the river rushes over his feet, cool and surprising. It runs up his ankles, his shins, his knees, and finally his thighs. You are leading him forwards, upstream and past the rock face that marks the end of the trail. His toes bump rocks covered in algae, slipping and wavering as he wades slowly. You, however, are sturdy, never faltering with your sure steps.

You approach a pile of rocks, scrambling over them to bring yourself back onto land. You help hoist Kita after you. He pauses when he steps onto the forest floor, the softness catching him off guard. He looks down to see reddish-brown piles of pine needles coating the ground, dotted with lush bundles of ferns and patches of vibrant moss. The land rolls gently, small and soft hills of fallen pine covering rocks and dirt and life. A mist lingers from the proximity of the water, the sun pulling the moisture into the air. The scenery is dark, quiet from the hazy canopy above. Kita inhales deeply in attempt to regulate his exhausted panting, the essence of wood and mint taking over him. He is in awe, not used to being swaddled in pine. The forests here are mostly a mix of leafy trees, oaks and maples and chestnuts, with pockets of bamboo. Not secret havens of sweetness and tang.

You tug him along, bouncing through the fluff of the soft ground. He follows, eyes wide and soaking in the scenery, wanting to memorize every moment. You show him your enchanted forest, its mysterious darkness splattered with occasional sun that manages to seep through. He spots a white hare leaping away, watches birds flutter from the trees. At one point you guide him to cross the river on a fallen tree, green with moss and bundles of young sedge. Behind your skipping form he walks carefully, arms outstretched for balance.

His heart freezes when he steps down onto the other side, catching sight of a grey wolf waiting its turn. He clutches your hand as the creature steps forwards, two smaller ones following. They look at him blankly before leaping onto the natural bridge, continuing their own journey without looking back.

When he turns to you, you are smiling, and tug him forwards once more. The sun starts to stream in, brightening as pines transition to those oak and maple and chestnut trees. The ground is no longer soft, but firm dirt and clumps of rocks, leading to one larger slab of jagged earth that juts out from the mountain entirely.

You step out into the sun and he follows, taking in the view in front of him.

He is not at the peak of the mountain, maybe halfway there, but the outlook forces him to understand the vastness of the valley. He can see the large span of the mountains as they roll and crawl in the distance, his house a small square along others. The river is more apparent, winding intensely down the mountain and softening into a gentle curve next to the village. He can see crop fields and the road that has taken him to Osaka before.

You speak, the first time since bringing him into the water, “Some people climb mountains to look from above. I like when I still feel inside of it, can still see what’s happening.”

Kita thinks he understands, remembers the way the mountains from his house are like a promising wall, a guardian. How the depth of the valley cradles him. He thinks of the hare and the birds, the wolves, the journey here striking wonder and awe into his heart. He recalls that feeling of being watched, your gaze always near.

The sun approaches its peak in the sky, nearly noon. It illuminates the valley, brings light into the forest behind them. Kita watches it light up your face, already bright from your joyful expressions.

“Happy birthday, Shin-chan,” you tell him, taking him by surprise. He forgot, in the excitement of the past hours with you. Granny gave him some books this morning as a gift. You’re giving him the forest. His smile is small and reserved, but it’s the first time he offers one back to you.

He thinks he understands now: what you meant when you said home.

The sight of your back with a hand pulling him along defines the next year. After you show Kita the forest, he trusts you wholly, no doubt that you will look after him. He is happily tugged again and again into that realm of magic. He encounters more animals—badgers and pigs, bears and herons. In the winter he sees foxes and macaques. The river freezes and snow becomes the new carpet of the forest. You don’t shiver either, he learns.

You take him to the summit once, so he can see the view. The pine transitions to a highland, bald of trees and instead coated in grass and shrubs. It’s beautiful, a clear day when the entirety of the valley is visible and he can spot granny’s home, how it sits across from Fujiwara-san’s. When he looks up, there is only the blue of the sky, not a single speck of cloud coverage. They stay until dark and watch the Milky Way span across the blackness of night, its subtle hues of pinks and blues, the way meteors shower down in flashes.

He watches life rise from the ground when the weather warms once again, as seedlings sprout and newborn animals wander through the land. Flowers bloom, coating pockets of earth in the full spectrum of light. He is witness to deer learning to walk, stumbling awkwardly over roots and rocks. He sees the other clumsy ways animals go about the world, how a sparrow drops its worm, how a duck trips and rolls into the river behind its mother. He collects these moments in his memory, happy to observe, solely to understand.

And you observe him, because Kita knows that is what you are meant to do. He still doesn’t know who you are, or why him, but he feels your eyes constantly. He doesn’t admit it, but they are comforting.

On the days you two are not parading in the mountain, you are still usually in each other’s presence. Kita no longer reads while you look over his shoulder or sit on the other side of the room. He reads to you, the books granny rents him from the library. You like to lay on the veranda while he sits and swings his feet, paying close attention to pronouncing the words. He still cleans up after you, since you never fully get the hang of doing things yourself. It’s only crumbs and small puddles, untidy blankets or cushions, an untucked chair at the table after dinner. He finds himself volunteering to take granny’s extra harvest of leeks to Fujiwara-san’s, under the pretense that he wants her to rest.

He walks there briskly, and stays for an additional hour. You have a lot to say, your nosiness still strong even after nearly a year.

“Jii-chan told me you’re starting school soon,” you say, eating one of the leeks. He watches you chew the entirety of it, uncooked. Some water squeezes out and dribbles onto the floor.

“In April,” he replies. April is two weeks away. It’s when he’ll go to Osaka. He’s supposed to stay there for the week leading up to school to prepare. He gets the sense that you’re leaving too.

You don’t look sad, and his shoulders feel tense when he notices. He’s not sure why.

Kita doesn’t ever ask unnecessary questions, but right now he is compelled to ask you many things. Sometimes it seems like you understand what he’s thinking, but you never respond unless he says it outright. As a result, he never gets to know.

He surprises both himself and you when he asks, “Are ya goin’ to school, too?” He already knows you aren’t.

You shake your head. He wants to ask why, wants to ask if you’re going somewhere else. He wants to know if you’ll be here when he comes back during break. He wants to figure out why you came in the first place.

Another question: “Are ya goin’ home?”

You nod your head this time. He watches you, thinking you’ll return to the pine forest. You shake your head when he thinks it, and give him the reprieve of elaborating. “The river.”

He frowns, confused. The river? You were always in the forest, guiding him along its greenery. He thinks about how he has to wade upstream to enter the forest in the west. He recalls the memory from years ago, a child in the water watching him. 

“I came from the forest,” you try to explain, “but the water’s my home now.”

Kita is reminded that he was born in Osaka, but would always rather be at granny’s house in the northern mountains.

It’s hard for him to leave granny’s, more than any time before. When the driver comes to get him and he squeezes in the back with granny, he looks out the window towards Fujiwara’s house. You sit on the veranda, waving while your legs swing. This time the sun is high in the sky and the river releases a blinding reflection. When the car drives away and he can no longer see you, his chest hurts.

Osaka does not make it easier. His mother coos at how big he’s grown while his father watches disinterested. Kita is shown his baby brother, now a toddler awkwardly walking around and speaking. Kita doesn’t know how to talk to him, but he tries. He says hello to his sister—who he hasn’t seen since she decided to stay in the city—when she finally makes an appearance at dinner. Granny stays for the meal and the night, and then leaves in the morning.

That night, the second one in Osaka, he cries while laying in bed. He isn’t sure why, the feelings simply overwhelming and in need of release. The squishy mattress in a raised bed frame doesn’t comfort him. He thinks about you, about granny. The mountains and the forest. The river. When he looks outside his window—a square of glass punched through plaster walls—he only sees pavement and blocks of concrete. Other homes, maybe with other children crying for reasons they can’t explain. There is no mountain in the distance or river running along the ground. The sky is hazy, no stars in sight. The only twinkling comes from his own eyes, his teary squinting blurring streetlights and windows with every blink. Each time his eyes close, for a moment he thinks he can see you.

If Shinsuke is one thing, he is malleable. He can fit himself into environments, his adherence to routine giving him a means of finding comfort no matter where he is placed. Responsibility grounds him, distracts him. He can redirect his energy to doing well in school, looking after his brother. These things feel good to him, to simply do them well.

Even though you are not with him, he can feel your eyes at all times. He is reminded of being at granny’s, her washing the floor as she tells him that the spirits are everywhere, always watching. He finds himself cleaning up after his brother, thinking of you. He wonders what you think, if you’re reminded of the same.

School is as alien as Osaka, with its concrete exterior and plastered walls. They are painted white and lined with large sheets of glass. They slide open, but only for students to shout at their friends outside, not to let the morning air in. 

In class, he sits quietly at his desk and listens to the teacher. He doesn't talk with other students or pass notes under the desk. He doesn’t even wonder about you, the feeling of your eyes always on him. He watches the teacher closely, diligently records the lessons. He watches other students, gathering first impressions and additional observations. He notices the way some of them doze off or scribble in their books. He sees the meaningful glances some make to each other, usually girls as they eye each other and specific boys in the class.

When he studies for his first exam, he thinks that he can feel you in the room with him. First looking over his shoulder—a cool breeze wafting from behind him, and then laying on his bed—the sheets oddly chilly when he goes to sleep. He remembers how you sat by him while he read aloud just a few weeks ago. He murmurs to himself as he reviews information, wondering if you can hear him.

Kita scores at the top of his class. He doesn’t feel anything when teachers congratulate him and other students whine. There is no pride in his chest or sense of satisfaction at the results. He thinks back to his nights studying, your presence lingering over him. It just feels good, he thinks, to do things well. The process of trying and dedicating himself to something.

He makes a routine out of it, delegating time after school to review material. It falls easily into his schedule, after dinner and before he readies for bed. He still has time to play with his brother, usually reading or offering him toys. His sister is always gone, either busy with club activities or friends. His parents get home late too, but they usually manage to have a full family dinner.

They’re eating quietly, having debriefed their days as they reach the end of their meal. Kita glances at his family, realizing that they’re different from the people at school. He’s known them for his whole life, people without first impressions and instead ingrained understandings. He looks at them intently, notices the way they eat, listens to the way they speak. He knows them intuitively, no running list in his mind to keep track of information. He is reminded of the time you asked about his hair, and he stares at his mom, then his dad. His mom’s hair is long and brown, artificially lightened from its original dark color. His dad’s is black with a sprinkling of silver from age. Kita wonders if his will do the opposite when he grows old.

There’s another exam the following week, this one for his science class. Kita is the first one in the classroom, watching students filter in. The boy who sits next to him—Daiki, tall and skinny—plops down with a sigh just a few minutes before the teacher is supposed to arrive.

“Gahh, I’m so nervous,” he says to Kita, laying his head on the desk. When Kita doesn’t respond, he asks, “Are you?”

Kita shakes his head at that, not sure why he would be. He studied. 

When the results come back after a few days Daiki whines that Kita is a goody-goody, trying his hardest to get the teacher’s attention. Kita looks at his full marks and once again feels nothing. He thinks it is the natural result of his efforts. He wonders what you would say, if he could talk to you. He thinks you would ask nosey questions about his siblings. It makes his chest feel hollow.

Some kids try to be his friend, or at least try to talk to him. But he’s quiet, not very eloquent or forgiving with his words, and so they eventually leave him alone. He thinks about how you diligently stood by him, how you smiled when he scolded you.

When he gets home and returns to his room, it is exactly as he left it. There are no crumbs to sweep or puddles to wipe. His brother is out with the nanny, but he feels restless, the need to do something. He thinks he can get started on his homework early, pulling out his notebooks and folders. He can’t focus on the words, eyes skimming the pages without understanding. He knows that studying now is futile, and decides to continue later. He settles on bathing early instead.

His bath draws on, longer than usual. He finds himself pausing, getting lost in thought—though more lost in feeling, since his mind drifts blankly. He’s still restless by the time he finishes, but slightly relaxed. He stands to wrap himself with the towel and steps carefully onto the bath rug. Once he’s dried and his towel is secure around his waist, he leans over to pull the plug and let the water drain. Just as he grasps it, there’s a lurch of water that spills out and onto the floor. His eyes widen in disbelief and his chest flares with annoyance knowing he will have to clean the mess. He looks at the floor incredulously before turning back to the bath and—

His eyes widen further, mouth opening slightly at the sight of you—a misty figure over the water. You’re wearing a sheepish expression as you lean over the edge to assess the mess.

“Sorry,” you say quietly. Kita's disbelief increases at the sound of your voice. “I’m still getting the hang of it.”

Kita slams the plug back down and stands to face you clearly. He feels the water pooled at his feet, but all irritation has fled his body. Instead he is filled with a warmth, a contrast to the coolness wafting from you.

“You made a mess,” he tells you, unnecessarily. You know that already.

“Yeah,” you say. You apologize again.

“Don’ do it again,” he tries to scold. His body wants to step forward, to reach you. He’s not sure why, and he frowns with skepticism.

You nod, then lift your leg experimentally. When it’s pulled above the water, there are no droplets falling. Instead, you appear airy, like the water sits around your body. You step out and onto the bathroom floor, successfully avoiding increasing the mess. You smile brightly at your success. Kita continues to watch, wondering if you’ll disappear, evaporate at any moment. You look at the water on the floor and then meet his eyes, smile turning sheepish again.

“I should mop,” you tell him, breaking him from his quiet spell.

“I’ll do it,” he says immediately. “Jus’...jus’ don’ go anywhere.”

You nod.

Mopping helps him calm down, perhaps needing a task to manage his agitation. You watch, and then follow him to his room once he’s finished. He dresses while you distractedly rummage through his things, then walks over to you at his desk. He feels a wetness under his foot and looks down, seeing footprints scattered along the floor. They’re light and clearly yours, and he ignores them, continuing over to you.

“You can go back to studying,” you tell him.

He can’t bring himself to look away. He’s not sure why, chest tight with anticipation.

There’s a knock at the door, mom’s sign that dinner is ready. The noise startles you and there is a poof, the sound of you evaporating into mist, wafting up to the ceiling. Gone. The only traces of you are those faint, damp footprints and few misplaced items on his desk.

For the first time in a long time, Kita feels a sinking disappointment.

Adolescence

Contrary to what he expected, Kita doesn’t leave Osaka during break. His parents think it would be good for him to have a consistent lifestyle. Kita doesn’t protest, but he can feel a heaviness in his stomach. He asks about granny, if he’ll see her soon. They tell him she will visit some time, and she does, though rarely. He thinks about the forest and the mountains, when he’ll see them again.

On the first day of fourth grade, Kita wakes up on time. He uses the toilet, washes his face, brushes his teeth, and changes his clothes at his usual pace. As he splashes cool water along his forehead and cheeks, he is reminded of your touch and wonders if he will see you this morning. He often finds himself waiting, without realizing until a significant amount of time has already passed. You are irregular and unpredictable. It puts him on edge, that you might disrupt his perfectly crafted routine.

He is the first to sit down for breakfast and the first one to finish, everyone else but his mother just having started. He stands to put his dishes away and gather his school things when she rushes into the room. She’s fumbling with her shoe, trying to get it in place while collecting her things to fill her purse. Her face brightens when she sees him and asks about his first day, if he’s excited or nervous.

Kita shakes his head, neither. He’s been going to school nearly everyday for years now, what reason would he have to be nervous? What’s to be excited for?

He turns to leave, but she calls for him. She asks if he’s planning to join a club.

He shakes his head again, not sure why he should.

But his mother protests, “I think it’d be good for you to do a sport. You don’t exercise much, with all the studying.”

His father hums in agreement from the table and his sister stands to excuse herself. His brother knocks his bowl over, spoon clattering to the ground. Without hesitation, Kita walks over to return it.

“Just try one, okay?” his mom asks. Kita nods in response before finally leaving. 

In his room, he gathers his books and school supplies into his backpack, double checking that everything is there. He slips it over his shoulders and then turns to the window. It’s translucent with a sheen of moisture from inside. He wipes it away and glances at the sky. It’ll probably rain, he gauges. As he steps away from the window to leave, he catches a glimpse of you in the reflection.

His first day of school is like any other, spent seated at his desk near the center of the room, watching the teacher, observing his classmates. He diligently helps clean at the end of the day: sweeping duty, not missing a single spot. Once finished, he changes his shoes and makes for the exit. Some students say goodbye, and he nods in return. He can hear the soft pattering of rain as he approaches the door, and pops open his umbrella before stepping outside.

The walk home is quiet, with occasional groups of students chattering by. Kita walks at his typical pace, unrushed. He hears his shoes tap against the pavement with each step, the plopping of raindrops above his head. The occasional car rushes by, veering aside to avoid splashing him. He runs through a mental list of what he needs to do for school, but it’s short given it being the first day.

When he’s only a few minutes from home, he hears splashing behind him, as if someone is running through a puddle. You, calling his name.

He doesn’t turn to look, but his steps slow while his heart speeds, giving you time to catch up. Within a few seconds you are by his side, your now-usual misty and translucent figure at his side. You smile when he glances at you, but he appears unfazed. You’re unbothered as you walk with him, light on your feet.

When he reaches the door of his home and unlocks it, you let yourself in first. He closes his umbrella and gives it a shake before setting it on the rack. While he removes his shoes in the genkan, he eyes the light trail of footprints you left on your way to his room. He leaves them, knowing they’ll evaporate before anyone else comes home. He stops by the kitchen, dumping a bag of carrots onto a small plate, and then he briskly enters his room and closes the door behind him.

He sees you laying on his bed and he feels an itch of annoyance, knowing the sheets will be damp. But he doesn’t say anything, instead setting the plate on his desk and sliding his bag onto the floor. You smile and ask how his day was.

This has become part of Kita's routine, your irregular visits. He walks through life with an anxious anticipation, waiting for you to come. He is relieved when you appear, but he is never entirely pleased. There’s a warmth in his chest regardless, one that reminds him of granny.

He wonders if maybe that’s why he accepts the interruption so easily, because it momentarily brings him home, his life in the mountains, granny’s voice telling him that someone is watching over him. He knows that someone is you. He wonders if granny knows about your visits, if you ever tell her about him.

His answers are short, per usual. But he talks about his classes, his classmates, how mom wants him to join a club. He knows that you know all this, but he says it anyways, gives into you.

“Do you know what club you’ll join?” you ask.

He shrugs. “A sport, since I should exercise.”

You nod at that, “It’s too bad the forest is so far away. Exploring is good exercise.”

Kita thinks about the forest often, seeping into his spare time when he’s not caught up in classes or the growing responsibilities of life. He’s heard from mom about wildfires in Hyogo, ones that spring at random in the dryness of summertime. Luckily nothing near home, but still within the province. He recounts those memories of rabbits and monkeys, remembers the flowers that are blooming right about now. He's curious if it’s raining, how visible the stars are tonight. These questions bring a pain to his chest, one he can’t explain, one that doesn’t make sense. Sometimes he calls granny and the pain goes away. Sometimes it gets worse.

When you’re in his room with him like this, he thinks it’s a different pain entirely.

Eventually your questions lull and Kita knows that this is his queue to start his schoolwork. He doesn’t have much to do, though. Instead he wants to ask a question of his own. You can tell, and you wait.

He doesn’t know how to phrase it, so he never asks. As a result, you never answer.

A week later the school allows them to pick clubs. Kita looks at the other hopeful kids as they play rock-paper-scissors for a spot for the popular sports: basketball, football, baseball. He eyes the groups that are smaller, have less interest. The running club looks crowded, so he makes his way over. He still has to do a round of rock-paper-scissors, and he’s one of the three who have to find another option. To his right is another small group, and he asks to join without knowing what they are. Volleyball, apparently. He’s not sure if he’ll be any good, but he figures it’s only for the year and he can try something different in fifth grade.

Volleyball, it turns out, is difficult. He learns how to receive a ball, but it flies in the opposite direction of where he wants it to go. He watches the other players, trying to understand how to improve himself.

Volleyball, it turns out, is technical and requires a lot of practice to sharpen his skills. He diligently attends practice, two days a week for fourth-graders. The coaches appreciate his efforts, how he runs his full laps and takes every suggestion seriously. Kita finds that he just enjoys the process of training, improving his abilities and caring for his body. His legs feel tired at the end of the day and it reminds him of running through the forest. It reminds him of his efforts, makes him feel good.

Volleyball, it turns out, is the perfect distraction. From you.

It becomes part of his routine, filling in the gaps of time that he normally finds himself waffling in, waiting for you. He learns to walk through everyday as if it’s the same, just himself, but allows it to shuffle when you make an appearance. 

Volleyball helps as he enters middle school and your visits lose frequency. Your lack of presence, however, makes the feeling of your gaze on him even stronger. He feels it every time he’s on the court—though he only ever plays games in practice. He in turn watches his teammates, their ticks and habits. He watches his opponents, offers notes to his team about patterns and flaws in their styles. He’s not a powerhouse like the standout players, doesn’t have any exceptional talent, and so despite his hard work and consistent practice, he doesn’t play a single game, doesn’t even receive a jersey.

You ask him about it one evening, on break before high school starts.

“Are you going to join the volleyball club?” you ask, to which he nods. It makes you hum as you sit on his bed. He can see the wall behind you, how it darkens slightly from the moisture of your form leaning against it. 

“I hope you get the chance to play more,” you tell him honestly. “I don’t know why they don’t let you.”

But it means nothing to him, that sort of attention and recognition. He just plays to play the game, do the drills, learn the mechanics—to take care of himself. You know this, but you like watching him, the way he watches the game, moves with it, into it.

He doesn’t say anything in response, knowing that you know what he thinks.

Instead of pushing further, you change the subject. “I’m not going to be able to visit very often,” you tell him. You sound regretful, and his chest is agitated. He thinks of the fires, happening at random across the country.

“I know,” he tells you. He could sense it, recognized the increasing infrequency of your presence. He wants to ask why, but he can’t get the words out, for whatever reason.

You look at him closely and say, “I’ll be around though.”

He nods at that. He knows.

Inarizaki is a prestigious school, known for academics and athletics alike. Kita makes it in easily with his grades, and joins the volleyball club despite knowing he will likely never play in a match. The coaches note that Kita is inexperienced in competition, but they know an asset when they see one. His skills are too sturdy, too well-practiced for Inarizaki to not take advantage of him.

During his first year, he hardly plays. Even so, he is the first at practice, one of the last ones to leave, and the most diligent athlete on the team. He runs the entire length of the track, finishes every rep during weight training, and completes every drill and penalty without complaint. The coaches find that he does not have star power—he is unassuming and ordinary—but he is exceptional in his efforts, and his efforts meet returns when it counts, when they need him on the court as his usual Kita-san.

Some of the older players tease him for his diligence, others admire him because of it. Everyone realizes that he pays no mind to what they think, only ever doing what he wants, what fits his values. He respects his elders even when he disagrees with them, but he is blunt with his fellow first years, unafraid to call out their behavior, especially if it contradicts something they’ve said before. Some say it’s rich coming from him, someone who only warms the bench.

Aran is the one who talks to him, one day in the locker room. A tense conversation between Michinari and Shinsuke unraveled earlier when Kita commented on how the libero attempted too many unpracticed receives in-game, that he should have stuck to underhand until he perfected his overhand off the court. Michi has a temper, and his frustration was pushed by the spiker’s comment. He shouted that Kita wouldn’t understand, that he hasn’t been put in a game, hasn’t had the opportunity to feel the pressures of expectation.

Aran lingered when the others filed out of the locker room—partially to make sure Kita was okay, and partially to suggest he cool it with the critique.

“Don’t take it to heart,” he offers. “Akagi-san gets bad nerves. He knows what he needs to do.”

“I don’t understand the point of being nervous,” Kita responds.

A machine, Aran thinks. This guy is a machine. He says as much, and thinks there’s truth to Michi’s comments, that Kita must not understand because he’s never played in a match that counted.

But Kita explains—that it doesn’t make sense if you’ve practiced the skills and know your capabilities. That it’s the same with eating, shitting even. He thinks Michi’s underhand receives are enough, that they have saved the ball from Inarizaki’s own powerhouses in practice. Why would he need to try anything else?

Aran’s eyes widen as Kita speaks, starting to understand his perspective. It becomes apparent that his criticism towards Michi was more of a poorly delivered compliment: that their first-year libero is enough as he is, that he could save them with the tools he knows—he doesn’t need miracles. This glimpse into Kita puts Aran’s teammate in a new light, recontextualizes his diligent attitude towards their training and the criticism he gives his peers. He trusts the process, knows that the results will follow suit.

Aran begins to notice how Kita fades to the back, his presence unassuming on its own. Kita does not play for recognition or adulation, he simply does what needs to be done. His diligence to get every ball in the air goes unnoticed when the flashy ace pulls an impressive cross against three blockers—a move that would not have been possible without Kita, committed behind him. But Kita doesn’t care, doesn’t ask for attention. 

Aran already held immense respect for his teammate, for his repetition, diligence, and perseverance. But now he feels a special type of awe when he watches him more closely.

Kita does not make a fuss of convincing others of his praiseworthy traits, but Aran takes it upon himself to point them out to his team, to give new context to Kita's seemingly harsh words. Slowly but surely, they will understand, too.

What Aran doesn’t know is that Kita feels like he has already been noticed and recognized, always has been and always will be, at every moment—by you.

(Your eyes continue to bore into him no matter where he is. They feel stronger the longer he goes without seeing you. Your visits are few and far between, but he has his routine, knows to follow it independently and let it shape around your irregularity.)

The following season, a handful of talented first years join, including a freakishly synchronized twin duo and a sly middle blocker. They fight with each other. Some of them cut corners. One particularly troublesome one likes to work himself through illness, inspiring misguided awe in other first years. Kita as a second year has no qualms scolding his teammates, now sometimes including his upperclassmen. The underclassmen pout and grumble while the elders know the intent resting behind his abrasion. 

You only visit him twice during the school year, both times at the hotel for nationals. The first is during the Interhigh National Tournament; he is sitting in the tub at the end of the day, running through his observations of other teams he saw, considering what would be useful to share with the others, to exploit. His head is resting on the ledge of the tub, staring at the blank ceiling as a canvas for him to visualize what he saw: bad crosses, a fragile ego, delayed timing for a back attack. He thinks about the team they’re playing tomorrow, the most imperative information to note. He thinks he should finish bathing so he can write it down.

When he straightens his head to look forward, he jolts in surprise, water splashing out and onto the bathroom floor.

You’re there, sitting on the other end of the bath in your misty form. Your eyes are wide, head turning to look at the puddles on the tile. Kita can’t even consider the mess, body tense at your proximity. He’s never been flustered around you before, never felt strange about his nakedness if you appeared after a bath. It’s been a long time since you’ve come from a bath. And this—this is a closeness and intimacy he has never imagined. You, sharing the water, right beside him. He is frozen when your eyes move back to his face.

“I’m sorry I scared you,” you whisper, and he recalls another variable to add to the situation: Aran, likely still in their shared room.

Kita shakes his head, not knowing what to say. “You—” he stutters, unlike him. “What’re ya doin’.” Ever since middle school you only appeared in the rain. He didn’t know bathtubs were even still a…vessel of transportation.

You smile. “Good luck tomorrow.”

Kita blinks, torn between the urge to scold you, the urge to reach for you, and the urge to make you leave before Aran learns of your presence. He finds it exhausting, the way you pit these conflicting pieces of him against each other.

Instead he tells you, “I probably won’ play.”

You shake your head, still smiling. “You’re doing it right now.” The analysis of his opponents, you mean.

A sound at the door makes you jolt, the water softly rippling around you. It’s Aran, asking if things are okay. He doesn’t comment further, but he swears he hears the murmuring of voices.

Kita calls back that he’s fine, just about to get out and be done for the night. He gives you a look afterwards, a sign that you can’t stay. He wishes you could.

You surprise him by leaning forwards, reaching for him. He is suddenly swept into your chilly embrace, arms wrapping around his shoulders. His body is tense, on edge from the intimacy, but he only feels your body above the water, arms and chest and head as it settles into his neck. Despite your cold temperature, Kita's body heats at the contact.

“I’ll see you,” you say, and then you are mist, dispersing into the air.

When Kita exits the bathroom, Aran thinks for the first time that he looks amused—a mirth settled in his eyes and his lips slightly quirked.

A few months later during the Spring High Nationals, you appear in his room, again shared with Aran. Luckily the spiker is out for the moment, allowing Kita the freedom to speak with you. He’s getting dressed from the bath while you flop onto his bed. When he finishes he stands over you, inquiring why you came.

“To wish you luck again.”

Where you’re laying on the bed, his hand hangs by his hip only inches from your face. He is called to reach for it, hold it gently. He’s not sure why but this visit makes him uneasy, like it could be the last. He wonders if these are nerves.

The sound of the key opening the door interrupts his thinking. You have already faded into the air by the time Aran enters, followed by the twins barreling their way past him.

Atsumu (the obnoxious) immediately makes for Kita's bed. He flops down onto it, not unlike how you did minutes before, but immediately tenses and shrieks. He rolls himself off, pushing Kita back from where he was standing, all while shouting, “Kitaaa! Why’s it wet—”

Kita thinks he should thank you, next time you visit.

You don’t visit again.

Rather, Kita goes home to you. He decides to leave for break instead of sticking around for club practice, a choice he’s never made since he started volleyball. Something in him calls to visit granny. So at the end of March he boards the train headed towards the north station, and then hails a ride to the village. Granny is home when he arrives, and she marvels at how tall he is, not having seen him since she visited in middle school.

He towers over her small figure, awkwardly hunching in a hug. Granny says that he’ll be a big help with his height, and over the next day she sets him to dust the high shelves and put away dishes. She comments that he can move the table in the main room all on his own, no longer small, five year old Shin-chan.

The ease Kita feels in himself when he is here, with granny in the mountains, is undeniably because this is his home. He is malleable, shapeable to the life he’s lived in Osaka, but this is where he should be. He knows that when he enters this final year of high school, he will be given a sheet that asks for his three career plans. With his grades and diligent work ethic, he knows that he can put himself on any path and make it work. But in this moment, in granny’s embrace, the warmth of a home lined with screens and tatami, Kita knows that he wants to be here, no matter what.

That night he lays out his futon, smoothing out the creases and carefully lining it to be perpendicular with the wall. He smiles, this routine of preparing his bed one of many things he missed in the city. Before he lays down, he is overcome by the feeling of being watched. He turns to the screens that lead outside, towards the river. He walks over and opens them, looking into the darkness of the night.

The moon hangs low in the sky—a crescent, a smile. It shines softly on the water, Fujiwara-san’s house behind it, and the form of the mountains beyond. You aren’t there, but the river is misty, a bluish haze settling thickly on its surface.

In the morning he decides to go for a run, an attempt to maintain conditioning while he’s gone from practice. He goes left—west—towards your mountain.

The jog is peaceful, with March air cool and crisp against his skin. He is calmed by the sound of the water rushing next to him, running the opposite way. There are birds singing when he passes and a small hare jets by his feet. Running feels like a trip through his memory, recounting the times he tried to keep up with your pace, the adventures you went on together. He is running through the blue of wanderlust, along the breathing water and between the distant mountains, under the bright sky above him. He is running through the green of nostalgia, the lush vegetation, stalks of bamboo and solid trees, mostly oak and maple and chestnut, but occasionally the mysterious pine.

He is running to you.

It isn’t apparent until he reaches the end of the path, to that rock face at the foot of the mountain, and you are there—in the flesh—waiting in the river. The water is cold during spring, and yet you smile warmly, unfazed by the temperature. When he takes your hand to let you guide him through the water, through soft pine and hazy light, your touch is cool and refreshing against his—hot from exertion.His heart lurches at the contact, an inexplicable mix of tightness and lightness blooming in his chest. He can’t tell if it’s hollowing him out or overfilling him. It feels like hello and farewell all at once. There is a knot in his stomach, one that feels like nerves. It is exhilarating, magnetizing, like falling into you completely. He lets himself. He has no other option.

You come back with him to granny’s and have breakfast together. She doesn’t say anything, only calls you “dear” and thanks you for your help cleaning up. She does not mention Fujiwara and neither do you. Kita feels whole, sitting on the floor at this table.

At night you sit and watch as he prepares his futon. He looks at you and asks, “D’ya need one?”

You shake your head, smiling. “Don’t sleep.”

He nods before getting up to turn off the light. He opens the soft blanket and lays down. He turns to you, hesitating. He wants to know if you’re staying, if you’ll be here all night. Part of him wants to invite you to lay next to him.

He doesn’t say anything, just looks at you curiously.

You are smiling over him, as always. One of your hands reaches to smooth back his hair and he softens. Even with your skin always cold, his body will forever warm at your touch.

These days continue and Kita feels light, enjoying time with you, as a person. His questions fade after he succumbs to focusing on soaking in your presence. It feels good, not unlike the satisfaction of completing his daily rituals.

He looks at you closely, the way you’ve grown with him. You are still smiling, still diligent in ways that he initially failed to see as a five year old. Watchful, joyful. He doesn’t feel the smile on his face, a small one that granny notices. You are smiling too, as you take dishes he’s finished washing and run a rag across their surface. You miss some spots, little droplets sticking to the ceramic. Some fly off and land on the floor and counter.

Kita is entirely at ease. It is quaint, quiet, content.

After a few moments, you suddenly pause your drying and turn thoughtfully, towards the river. Kita watches as the faintest furrow appears between your brows, your face both pensive and concerned. You drop the rag on the counter and step away. He stares curiously, still scrubbing a plate.

“I’ll be back in a second,” you say. Nothing else, no unnecessary information. 

Fear germinates in his chest, his heartbeat picking up speed. Granny smiles at him, reassured. He wonders how she retains her calm demeanor.

When nearly ten minutes pass and you don't return, Kita tells granny he’s going to check on you. She nods in understanding as he slips on his sandals and exits through the genkan. He spots you immediately, standing between the house and the river. You’re facing the northern mountains with a frown on your face. Kita realizes this is the first time he’s seen you anything but joyful.

You answer his silent question when he stands beside you, “There’s something wrong.”

“In the forest?” he clarifies. You nod, looking onwards. He watches you for a silent minute, the way you study the sky over the ridge. 

“I think…” you start. Pause. “You should leave, with your gran. And everyone else.”

Kita's brow furrows as he looks at you skeptically. You turn to him, eyes unwavering. You never look this serious. Always nosy, unnecessary questions. Lighthearted. Messes on the floor.

“Shinsuke,” you say firmly. He startles at the sound of his full name. “Tell everyone there’s a fire—in the northern mountains. I’ll try to keep it at bay, but it’s spreading. By the time they see it, it’ll be too late. If you can evacuate the houses on the other side of the river before it’s visible, things should be okay.”

He feels a strike in his lungs, like he’s gasping for breath. He wants to ask for details, but you’ve made it clear there’s no time. You are grabbing him, your cool hand holding his wrist, as you start towards the bridge in a run. He is momentarily brought back to his sixth birthday, running behind you as you guide him along the path to the base of a mountain—your mountain. He remembers thinking that running behind you was fun.

This time you are serious, almost panicked, bringing him across the river and pointing at the houses, which ones he should evacuate first. The ones with the oldest people. Fujiwara-san is one of them. You let go of his hand and run, sprint towards the base of the mountain. He feels panicked, wondering how long it’ll take for you to come back. What it means for you to keep the fire at bay. You fade away, the blue of distance settling between you two, mistiness.

The next moments are a blur. He knocks on doors and is greeted by elders he hasn’t seen in years, ready to exclaim at how he’s grown. Their coos are interrupted by his apologies, an explanation that he got news of a wildfire and wants to make sure people have time to evacuate. He suggests that they get into their cars and head east near the highway, and to wait for official advice for next steps. He says the words, but they don’t fully register when his mind is still occupied with the memory of you sprinting to the danger. The families look at him skeptically, but they get a move on when they remember this is Shin-chan, the quiet and good-natured village boy.

He makes his way down the homes to relay the news. He asks neighbors to tell the others, and to call emergency services. There are 26 homes on this side of the river, and by the time he knocks on half the doors, smoke hangs over the mountains. No fire is in sight, but the signs are there. It makes the next conversations much quicker, and he is relieved as he watches cars pile out towards the highway.

Suddenly an alarm starts blaring. The emergency intercoms spaced along the neighborhood release a sharp and repeating warning sound. A deep voice calls out between the noise, commanding evacuation. Kita's breath is labored from the exertion of running between houses, but his chest feels lighter knowing that his responsibility has been lifted.

By the time he crosses the bridge back to granny’s home, the sky has darkened significantly, black smog blowing along and spewing upwards. There’s the slight lick of a flame creeping over the ridge and he feels his heart begin to gallop. His stomach clenches roughly when his mind flashes with images of the western mountain forest, deer and wolves and rabbits and birds. Flowers and pine and ferns. He glances that way and sees that it’s still untouched, for now.

He runs inside granny’s, calling for her to get in a neighbor’s car, since she doesn’t own one herself. She stands slowly, at her elderly pace, and Kita is restless as he helps her exit the house as quickly as she can. He takes another glance at the mountains and his heart plummets at the sight. The fire has crept over the ridge, and he can hear the distant crackling as it runs forward. Kita's eyes trail down to a figure by the bank on the opposite end of the river and recognizes you. His chest constricts with relief and concern at the sight. He tells granny to walk down to the next door neighbor, to see if she can evacuate with them. He has to lower his head to her ear so he can be heard over the sounds of the sirens and the voice on the intercom.

He starts jogging towards the bridge, to cross it, but you yell his name. It’s loud and fierce, a demand to stay put. It has a firmness that forces him to listen.

His feet stop, now directly across from you. He can see your face, the intensity in your glare. You’ve never looked at him this way.

“Don’t come!” you yell, voice almost lost over the commotion.

Kita is frowning, brow furrowed and mouth open in disbelief. He doesn’t have time to yell back before you continue.

“You have to go, Shin!” You shout. Kitas chest is heavy, and his shoulders are rigid. The flames are growing closer, rolling down the mountain. There’s a gust of wind and it blows the smoke towards the village. He can feel the heat of the burning forest.

Suddenly there are popping sounds, loud like fireworks squealing and shooting through the air. He doesn’t understand where they’re coming from, what they mean. They don’t stop, ringing through the valley and compounding with the blaring alarms, the warning voice on the speakers.

Kita doesn’t want to leave. When he looks at you, the despaired expression on your face and the many layers of hurt—layers he doesn’t understand, has never understood because he never asked—he knows that he can’t leave you. He has to do something, he is restless, like a child waiting for something that has no regular pattern, no rhyme or reason to be there in the first place. You, visiting him in Osaka.

But you won’t have any of it. “GO, SHIN!” you yell, voice booming—akin to a clap of thunder. The popping and splintering noises grow louder, and it strikes him that they are from the bamboo at the base of the mountain, the moisture in their chambers expanding enough to turn into deadly explosives. He sees a flock of birds lift from the forest behind you and fly east.

He tastes salt—tears, rolling down his cheeks and through his open lips. His voice is choked as he yells back in a desperate attempt for you to leave with him.

“I’m yer burden,” he reminds you, face scrunched in pain. His voice isn’t as loud as it should be, for you to hear him across the river. But he knows you can anyways, knows that you know he means don’t leave me, I’m the one you’re supposed to look after.

You smile sadly. He can’t tell if you’re crying too, but he can feel the same pain on your end. Your voice is equally too quiet to be heard when you respond, but it rings clearly in his mind.

“But I’m not yours.”

Your gaze is looking behind him, beyond him. He turns and his eyes widen, spotting granny slowly making her way down the path. His stomach churns—she didn’t catch the neighbor driving away. She’s coughing, unable to walk at the same time. With the smoke blowing over and granny’s old lungs, she can’t carry onwards alone. Kita hears himself curse and he rushes to her side, no hesitation as he lifts her frail body against his chest. Her head lands against his neck—her hair soft against his—and she coughs another long fit. He knows he has to leave. 

He takes one last glance at you, then at the fire crawling towards the now-emptied homes on your side of the river. The heat is increasing, blowing towards him with more smoke and ash. Five deer appear from the woods behind you and run across the bridge. You are staring at him, urging him to follow their example. He knows that he has to take care of granny, but he thinks this is the most pain he’s ever felt, buried deep in his chest. It’s the kind of pain that comes from hollowness, recognition that something vital is missing and yet somehow life is forcing him onwards regardless. He doesn’t know why this tension is there, when there’s a clear job for him to do, to do well. His face pinches, another round of tears welling before he blinks and turns to run down the path.

In this moment, he summons that unwavering confidence he has in himself. Not one of arrogance, but from the knowledge of what he is capable of, what he does everyday without failure. He runs east along the river, clutching his grandmother close. He tells himself this is any normal day of training, running to improve his endurance for volleyball. He is running besides Suna-san, who’s looking for a shortcut. He is running behind you, on your way to explore the enchanted section of pine in the mountain.

He is a toddler, carried along the path next to the river by his grandmother, seeing a mysterious child his age standing in the water. He asks who it is, pointing to a figure that granny can’t see. She tells him that he’ll learn one day, when the time is right.

He is sprinting down the same path, through smoke billowing over the valley erupting from a fire to his left, separated only by a river. Separated by you.

The honk of a car sounds behind him, a noise he barely catches with the sirens and the voices and the explosions pounding around him. He turns and sees the car of another neighbor, ushering him to get in. He veers to his left, letting the vehicle pull up beside him, and he yanks the door open, climbing inside with granny still against his chest. They lurch forwards as the driver steps on the gas and Kita guides granny to the seat beside him, reaching over to buckle her in. The interior blasts cool air and Kita is handed a water bottle.

“The fire department’s tellin’ people to evacuate to the next city,” the neighbor says. Kita nods numbly in response, unscrewing the bottle and helping granny take a few sips. She still coughs, but they’re smaller, less frequent.

With granny somewhat stable, Kita looks out the window to his left, facing the burning mountains. The car nears the ramp to the highway, starting up a mountain east of the fire. It gives him a clear view of homes being swallowed, Fujiwara-san’s one of the first.

Kita is breathless at the sight, reminded of everything these people will lose. He recalls what is already lost: the forest, the animals, the delicate combination of life that dwells in this valley. He thinks your mountain will be lost too, watching as the fire creeps west.

The popping sounds are dwindling, with the fire moving past the burnt bamboo sections and the car speeding away from the scene of destruction. But it is not quiet. There is a sudden clap of thunder that rumbles, long and gritty and deep. Kita watches as winds blow ferociously. Untouched trees sway while burning ones topple from the force. The sky is dark, a mix of smoke and storm clouds, though Kita isn’t sure when the storm began to form. He can see the water falling from the sky, blown at a sharp angle from the strength of the wind. It pelts over the mess of heat, releasing bouts of swirling steam into the air, to condense back into rain clouds.

As the car climbs higher up the mountain and the road, Kita watches the battle unfold before him. The power of rain as it fights the flames of red and gold eating the landscape. He watches the mist rising at the contact between elements, the water evaporating on impact.

He sees you in his room, that first time in Osaka when you were startled by a knock on the door. The way you went poof and disappeared.

They house granny in Osaka, taking over Kita's sister's room since she's at university in Tokyo. Kita is the one who looks after granny most carefully. It reminds him of caring for his brother when he first came to the city. He learns that granny’s house wasn’t caught in the fire. The river was an effective barrier and the rain came in time to manage any embers that had gotten blown over. The reports on the event stated that it was a miraculous storm, one that came from nowhere, completely unpredicted. It was an eventual downpour, enough to contain the fire within minutes and smother it completely in less than a half-hour. Footage from a helicopter shows the water rushing down the gullies and pouring into the river. With it carried embers, soot, ash, all piling together and flowing downstream. The next town down the river reported black water filled with sediment. A truck came in to deliver hundreds of cases of bottled water.

Aerial images reveal that nearly every house on the northern bank was claimed, only a few saved towards the east. He sees photos of the destruction. Your forest didn’t manage to escape in time, the fire stealing your enchanted pine. He wonders if you could have saved it if you didn’t prioritize his home.

There was one death: a backpacker, the person everyone believes is responsible for the disaster. Her body was completely charred, things almost entirely unidentifiable. Emergency services only picked out the metal of a stove—the decided perpetrator.

Kita has no time to grieve, with only a week before school starts again. After helping granny get situated in the house, he immediately goes to practice as a distraction. His teammates are appalled at the news, offering pats on the back and words of condolences, sighs of relief that he was lucky to leave in time.

But they don’t know what he lost. Not just the forest and the mountains, or the ability to visit his real home for months at the earliest. Even with the fire out there may be coals smoldering underground, or dangerous air wafting in the sky. The mountains won’t be green for at least a year, needing time for seeds to take root and sprout, needing seasons to accumulate rich dirt again. There’s no telling how long it will take for animals to return, birds to nestle back into shrubs or rodents to burrow again. The wolves and the deer are surely gone, evacuated to the next viable plot of land.

These aren’t the worst of his losses. What grasps his heart tightly, enough that sometimes he struggles to breathe, is the sight of you running into that smothering roll of flames. The loss of your eyes watching over him.

He dreams of fire, of heat and searing pain. His mind flashes with streaks of red and orange, billowing greys behind it. He hears the crackling of a burning forest and the popping of erupting bamboo. He wakes up panicked some nights, coated in sweat from the searing sensations he conjures in his sleep. In these moments he thinks it would help if he could be with you, your body always cool and damp, the sort of comfort that eases him, that could put out the fires of fear that grasp him.

A week later during practice, coach hands out jerseys. Kita is called first, given the number 1—captain. He blinks in surprise, having expected it to go to Aran. Nonetheless he takes the jersey and the title, and sits on the gym floor. He doesn’t register that he’s crying until he sees the teardrops fall onto the fabric, little spots of grey appearing where it was originally white.

He can hear Suna’s comment about the unfeeling robot showing emotion. He doesn’t care. He sniffles. There is a warmth in his heart that he hasn’t felt the past two weeks. He doesn’t understand where it comes from, why this of all things brings him comfort.

He tries to explain while walking home with Aran.

“I tend to agree with the adults…that the journey is more important than the destination.” His words remind him of granny at home, the way her hair skipped over his dad and went straight to him. The ace turns to him curiously, not sure what he’s getting at.

“I am built upon the small things I do everyday, and the end results are no more than a byproduct of that.”

He’s not good enough to go pro or make a living off volleyball. He just does what needs to be done, what fits into his routine—taking care of his body, cleaning up after himself, being courteous, and…volleyball. He holds up this jersey, looks at how it’s branded with 1, the captain’s number.

“Maybe this is just another result of the things I do.”

Aran blinks, stutters for a moment when he realizes what Kita is implying. “Don’t just—don’t sweat the small stuff! You don’t have to have some sort of logic behind your feelings!! If you’re happy, then you’re happy…that’s it!”

They hold eye contact after Aran’s outburst, and then Kita erupts into laughter. The ace watches his captain skeptically, not intending for his heartfelt advice to be amusing. His shoulders slump when he realizes this is the hardest he’s seen Kita laugh, ever.

Kita is reminded of all those times he couldn’t understand what he was feeling, why he was being drawn to do something he knew he logically didn’t want. All the moments he saw you and felt skeptical of the questions he wanted to ask, the embrace he wanted to pull you in, the warmth he felt in your presence—the way his brain and his logic denied him something he wanted, because there was no explicable reason for it. He thinks of the way you left, the way it hurt like no injury he’s ever lived through. He thinks of the lack of your gaze following him since just two weeks ago, the way he misses it but refuses to admit to it.

“You’re right,” he tells Aran.

By the time school is ending and he plays his final match, you are still not watching him. He feels the eyes of his granny and the eyes of his school on his back. The brooding eyes of Karasuno are on him when he is subbed for Aran in the second set. But yours are still missing.

He, however, has his eyes on his team the entire game, picking out their mistakes and what he knows is the misguided thinking behind them: Gin’s impatience, Atsumu and Osamu’s carelessness, Suna’s laziness. He stands behind them, the defense specialist who will receive the ball, and the one who’s eyes linger on their backs. He is watching them. He is like the lingering mist that wafts behind them, telling them that someone will see, whether they work hard until the very end, or let themselves succumb to their impulses. 

Kita has lived his entire life under your careful gaze. To cope with its absence, he has learned to become the omnipresent eyes backing up his team.

Adulthood

Granny always told him that someone was watching, and your gaze was proof. But at some point he realized that he wasn’t doing it for the spirits, that it didn’t matter either way. His work ethic would be the same even if you never saw him. This realization holds more weight when it is carried out in practice, Kita living his life with the same repetition, perseverance, and diligence in your absence. It makes him feel good, eases the emptiness. So he does it well, and he does it everyday.

He graduates at the top of his class, with grades that could get him into any university, launch him into any career he could imagine. And yet when the year passes and granny says she wants to return to the valley, Kita knows where he will go.

When he pulls into the neighborhood, his eyes are glued to the mountain. There are still trees and bamboo standing, though they are charred corpses. Debris of coals and fallen leaves litter the ground, coating the forest in brown and black. A light layer of green sits atop the earthy tones, sprigs of saplings and shrubs breaking the surface. Kita’s chest expands at the sight, a glimmer of hope.

There are only a few other neighbors who have returned, most still with family in the city. Kita speaks with some of them and gathers that they figure it’s a sign to leave the countryside—to better opportunities and a more convenient life. He wonders what will happen to this village if everyone decides to flee, who will take the land. Maybe the government will turn it into a Hyogo heritage site, a place people will flock to as a sort of pilgrimage. To see the brittle remains of homes and the earth’s attempt at recovery.

Kita knows that he wants to stay here, that granny does too. He’s not sure how it’ll work, but he can’t imagine himself anywhere else. His parents are skeptical, figuring that he’ll make an attempt only to eventually fold for a city job, but they forget that one of Kita’s life pillars is perseverance. He will find a way.

The way opens itself to him the following day. The April air is cool when he goes for a midday walk, crossing the bridge to the burned edge of the river. He trails along the slight incline towards the skeleton of Fujiwara’s home. There is only the charred foundation and a couple ragged beams standing upright, the rest collapsed into rubble. For a moment he can imagine you, running from the back door and into the front room with a bundle of grapes. He hears the distant whispers of Fujiwara’s protests as he follows slowly.

Kita walks to the once-veranda, experimentally standing on the elevated foundation. The charred wood creaks beneath him, but feels sturdy enough to hold. He carefully ambles along the collapsed room, scanning the damage. He manages to cross the house and reach the back exit, and he pauses at the sight.

The ground outside is similarly littered with earthy debris, patchy with occasional new grasses and saplings. Fujiwara’s garden is gone, no more grape trellises or rows of starches. But there is a small square, less than a tsubo, dug into the dirt. Kita knows what this sort of sunken patch means, has seen them in some of the neighbors’ backyards growing up, flooded and filled with lines of grassy crop. He steps carefully from the foundation of the house and curiously stands over the square, imagining the rice that would be planted at the end of the month.

He hears footsteps from near the house and turns to see Mayumi-san, the one who drove Kita and granny out of the valley during the fire. She looks healthy despite being in her seventies, carrying a shovel and a hoe as she makes her way over.

“Ah, Shin-chan,” she greets him. “S’been a while, good to see ya again. What’re ya doin’ out here?”

He bows slightly as he greets her and explains that he was exploring the neighborhood, since he only just returned. He asks about the rice garden.

“I was testin’ to see how it’d grow, since the ash can help sometimes,” she explains. “I came back early after the fire, n’Fujiwara said I could use his yard since he’s probably stayin’ in the city with his daughter.”

An excitement sparks in Kita’s chest, like something clicked into place. He’s not sure what it is exactly, but he presses her. “How’d it do?”

Mayumi smiles, one that looks devilish and would be frightening if he wasn’t accustomed to seeing it. “Shit’s the best yield I’ve ever had. M’gonna try to dig a few more plots, maybe sell ‘em at the city markets.”

This is his way, he realizes. He sees the shovel in her right hand and hoe in the left and speaks before he can register the words. “Y’want any help?”

The rest of April is spent preparing the land with Mayumi and pouring over books on agriculture. He soaks in his elder’s expertise on the subject, in the abstract and the field. When the end of the month rolls around and the two of them begin sowing seeds, Kita thinks that for the first time since your absence that he feels whole. He is here in the valley, between your two homes, dedicating himself to the land that you led him through as a child. He thinks he can feel your presence while working, your hands misting over his, transplanting seedlings with him. The rains that come in are well timed, bringing rushing water down the mountain to flood the few squares of crops.

The days pass with granny, some quick and others slow. She does well in the village, with other people her age, though the company is sparse. Kita can sense that it’s hard for her sometimes, but like himself she is malleable to her environment, can make do as long as she has her routines. Her lungs aren’t as strong as they used to be, but she enjoys her walks and can maintain the chores—the ones Kita lets her.

When September comes in, Kita and Mayumi spend one sunny day harvesting. Kita wields his scythe carefully, the movement unpracticed. He grasps the dry stalks and runs the blade across the taut stems, bundling them on the ground to be collected. They gather the clumps and carry them to the house next to Mayumi’s—another neighbor who hasn’t returned since evacuation. 

Mayumi prepares a sheet across the main room for them to work on. Then they thresh the harvest, grabbing the bundles and smacking them against the floor, pelts of rice springing off the stems. Kita is reminded of water, of rain splashing against the surface of the river. When all the stalks have been emptied, they spread the seeds of gold with their hands, like smoothing the creases of a futon. The day’s work is over, now waiting for the crop to dry. They exit, leaving a few of the screens open to let new waves of dry air flow through.

Kita finds these processes fulfilling, like his own daily routine. It’s another series of tasks that can be learned and done well. The result is his own sustenance, something he can live off of and share with others. It tastes better, he thinks, once he’s experienced the entire journey.

He tells his old teammates that he’ll be in Osaka next month for the markets. They only have a few dozen bags to sell, but he wants to get his friends’ opinions.

The markets are energetic and amiable. Kita shares with curious shoppers the story of the valley, how the burned houses and their backyards left ash that the rice took to. People find the narrative compelling, and they buy the rice despite the hefty price tag. Other vendors are interested, some make purchases to try in their food. Kita enjoys the atmosphere, the way these people and their businesses are connected. He and Mayumi manage to sell all the rice they brought. It’s hardly a profit, but it’s promising.

The next day Kita is in the Miya’s home with the additional company of Suna and Gin. They talk about life, preparation for nationals, what they’re thinking of doing when school ends. Atsumu is going pro, taking volleyball as far as he can. Osamu is ending it here, contemplating career options. He says he’s looking for restaurant jobs; he wants to be a chef.

“Yer gonna be a farmer, huh?” Atsumu asks, laying back on the couch. “It suits ya, that simple life.”

Kita nods. “Knew I needed to take care of granny, that I was gonna be in the valley anyways. One of the neighbors was growing some an’ I asked to help—wanted to see what it was like. S’gonna take time, but we’re gonna try to get the land from the neighbors, see if we can apply for subsidies ‘cause of the fire. Then we’ll try t’upscale. The market yesterday was good.”

Gin sighs, “Ever the considerate and diligent Shin-chan.”

“The rice is good,” Osamu interjects. “It’d be good for onigiri.”

It is, it turns out. After three years, Osamu decides to leave the restaurant he started working for out of highschool and open his own onigiri store. Kita is their main rice supplier, and a customer who never has to pay. They have classic flavors in the beginning: tuna mayo, pickled plum, ikura. When Kita comes with his next delivery, Osamu sits him in the dining room and has him try new options. The former captain takes his job as taste-tester seriously, his diligence appreciated by the former spiker. They decide that the shrimp and beef flavors are ready to be sold, but the chicken needs reworking.

Kita gets into his truck that evening and drives home. The sun sets by the time he enters the valley, winding through roads in the black darkness. When he arrives at granny’s and exits the car, he sees that the sky is beautifully clear. The Milky Way spreads itself over the northern mountains, where life is still recovering, slowly but surely. He takes in the view for a few minutes, enjoying the quiet noise of the night—soft rushing water from the river, chirping insects, occasional wind.

He notices the blinking lights that cross the expanse of stars: planes and satellites. He sighs, remembering a time when he could sit on the top of the mountain and witness an unobscured view of the sky, taking up the entirety of his visual landscape.

Suddenly there is a shooting star, the most intense he’s ever seen. It’s a bright flash of light, he thinks for a moment white and orange and pink, that darts from the east and disappears as it curves west. Its trajectory gives the illusion that if it touched the ground, it would land on your mountain, that special enchanted forest.

After a few more minutes of watching, of relishing the awe, he makes his way inside. Granny is asleep, so he heads straight to bed.

When he wakes the next morning, for the first time in years—since that fire crawled along an entire mountain and you left to put an end to it—he feels the prickly sensation that he’s being watched.

Life doesn’t change with you watching him. Life didn’t change when you stopped. It’s something he knew, something you knew. He carries onwards, his routine of life, one that he does well and does everyday. He and Mayumi expand the fields again, creeping their business along the length of the river. Kita slowly takes on more farm responsibility, knowing enough to work independently when Mayumi needs to rest with increasing frequency. Granny is similar—she likes to help sometimes, with the easier work, but her lungs still struggle, never fully recovered.

It’s a beautiful morning, with cool air entering the house and light diffusing through the shoji. He can hear the birds and the rustling of leaves outside when he wakes, blinking away the lingering visions of orange and red from his dreamscape. He opens the screen towards the river while he puts away his futon and prepares for the day.

Granny isn’t in the main room as per usual. Kita pays it no mind, assuming she’ll be in soon. He makes breakfast and waits for her. She doesn’t come in on time. Kita stands to search, thinking she may have missed the time.

He enters her room and sees she’s still sleeping. He crouches over her to gently rock her awake, but there is no response. At that moment he realizes she is not breathing, not making a sound. He freezes, feels his heart plummet. He carefully lifts her hand from under the blankets—still warm—and checks to see if there’s a pulse. It’s quiet, flat.

He moves slowly, processing, sitting back on his heels next to her. His throat is tight and his chest—it’s hard to breathe. He shakily inhales through his nose and holds her hand in both of his. There’s a stinging behind his eyes and suddenly he is crying, weeping openly as he holds onto her. Death is the logical consequence of living, one of the only certainties of life; knowing this does not make Kita’s loss any less painful. While the hurt sits heavily in his chest, there is a growing spark of gratitude for her, that they were able to spend the beginning of his life and the end of her’s together.

Granny’s passing brings her closer to Kita, in a way. He feels that there are now two pairs of eyes on him, watching over him. When he looks in the mirror and sees his grey hair, granny’s hair, he thinks that he will always be a piece of her living on, that it’s his duty to live earnestly for her. He makes a shrine for her in one of the rooms of the house, placing her urn in the center. It is a beautiful grey clay, narrow and unglazed. A black thread ties the lid to the body.

She becomes another part of his routine, sitting before her remains and her images with his hands clasped and eyes closed.

Life goes on.

A month later he is in the field, tending to his crop. It’s late in the day, when the sun is near setting. The pink of the sky reflects onto the flooded beds, interrupted by sprigs of green. He inhales, appreciating the scenery, before exhaling and continuing his work. When he looks up a moment later, he is frozen by the sight.

There’s a wolf, large and grey, like the first one he saw as a child in the pine forest. He is not afraid, but in awe. A wolf returning means there’s prey: rabbits and deer. It means the forest is recovering, that creatures are finding their way back. He takes in the strong figure of the predator in front of him, sturdy and confident. A movement flashes in his peripheral, three pups catching up. Shin notices that one is nearly white, standing out from the others. He thinks of himself in Osaka, with his relatives.

When the pups catch up, the mother turns away and carries on.

Kita finishes his work before the sun fully sets. A light rain begins, clouds absorbing the vivid hues of sunfall, and he hurries to collect his tools before crossing the bridge home. The drizzling turns into solid pelting by the time he makes it to the empty house. He turns back briefly, squinting through the water collecting in his eyelashes, to see how long the downpour will last.

There’s a figure, at the other side, and his eyes widen in shock. He drops his tools and takes a few hurried steps closer, searching for confirmation.

Through the rain he can see you, standing at the other bank. You are smiling, he can tell, with your shoulders pulled upwards as if embarrassed. He thinks he is dreaming, that this is impossible. You, in flesh and bones, standing in front of the remnants of Fujiwara’s once home. He does not realize that he is smiling back, eyes crinkling and collecting water—his own tears as they spill—and grin spanning impossibly wide. His chest feels like it’s lifting, floating him in the air, to you on the other side.

Suddenly you are running forwards, not towards the bridge, but down the bank, to cross the water. Kita’s face flashes with concern and he starts down his own side, slipping through the mud. By the time he reaches the shore you have swum halfway across, long confident strokes despite the speed of the current. Kita marches forward, water touching his waist when he finally reaches you. He grabs your outstretched hand and tugs you into him, engulfing you in his chest and arms. You are as cold as the water surrounding him, but his body explodes with warmth at the contact, at finally being with you.

His heart races as he clutches you close, in an iron grip that refuses to relent. He thinks he hears you laugh against him, and he chokes out some strangled mixture of a laugh and sob. The water makes it hard for him to stand steady, so he brings one arm beneath you to lift you from the sediment and carry you to the bank. There he sets you down and grabs your waist firmly, staring at you with disbelief. You are smiling with all the glee in the world, eyes nearly closed by the force of it.

“I made it, Shin-chan.”

He doesn’t know what that means, but he thinks of the shooting star and the wolf, the rice fields filling easily without additional irrigation.

You lean forwards and wrap your arms over his shoulders, clutching him close. His arms come around your waist and he thinks he can recognize his feelings: relief and homecoming. There is a fullness, one that is close to painful, a pain he had been living with for years in your absence. He pulls you up the bank, to bring you into the house. He leaves his tools out, to be dealt with tomorrow, and goes straight for the genkan. 

You try to protest when he passes the spigot, “Shin, the mud—”

But he doesn’t care, kicking off his boots to be cleaned later. The mixture of river water and mud splatter on the tile of the genkan, leaving brown puddles and smears. Kita removes his socks and drops them behind him, letting his clean feet be the barrier between himself and the floor. He carries you to the bathroom, to deal with the mess together.

At night you are in his room, watching him set up the futon. He looks at you to ask, “D’ya need one?”

You shake your head, smiling. “Let’s share.”

His heart pounds loudly in his ears. He nods quickly and pushes the blanket aside for the two of you. He clutches you close under the soft comforter, your head slotting snugly in the space of his neck. It sends a shiver down his spine, the chilliness, but it coats him in warmth. He can feel his heart still racing, never fully calmed since seeing you. He feels those questions and thoughts bubbling up, words he always found unnecessary to say. Something about this moment lets him release them, lets him be curious about you.

“Didn’t know if I’d ever see ya again,” he says quietly, into your hair.

You nestle your head further into his neck. He can feel your lips against his throat as you speak. “It took a lot from me, the fire. Always need time to recover.”

His hand comes up to cradle your head, smoothing through your hair.  The image of the rainstorm flashes before him, the way the clouds swarmed from a previously blue sky to pour everything it had—everything you had—to put out the fire. He remembers the awe he felt, the sublimity of the view from a car fleeing the scene.

He doesn’t dream that night, his mind like an empty gulley, letting the soothing rainwater rush through him.

He cleans up after himself in the morning, retrieving his tools and mopping the genkan. It takes a while, though, interrupting his work several times to check that you are still in his room. You haven’t risen by the time he finishes making breakfast. A panic sits in his chest as he enters to wake you. You are still asleep, and he relaxes when he sees the steady rise and fall of your chest beneath the covers.

He sits on his knees beside you and gives your body a gentle rock. Your eyes peel open after a moment of stirring, and you are already smiling. Kita thinks it brightens the room more than the sun streaming in, that life is breathed into him from you.

You notice the granny’s shrine at breakfast. After assisting with cleanup, you ask if the small urn is all the ashes he has of her. He shakes his head and shows you the drawer in the display, where a box lays with the majority of her cremated remains.

“I wasn’ sure where t’put her,” he tells you.

You have an idea.

Only a few minutes later the two of you are exiting through the genkan, dressed for a day in the woods. Kita has a backpack on, the box from the shrine tucked safely inside. He lets you take the lead, turning left down the path and towards the western mountain. He is reminded of his sixth birthday, running to the end of the dirt road for the first time, panting to keep up with you. This time you are calmly walking hand in hand, in no hurry. Kita squeezes yours tightly, a necessary action to express the feeling in his heart.

You smile at him, and bring his hand to your mouth, kissing the back of it. Kita inhales in surprise and you watch his ears turn red, giggling at the sight.

When you two reach the end of the road, the rock face is still standing sturdy. He can see burned trees standing at the base, your mountain not untouched by the disaster. However, like the other forests, it is recovering, hope sprouting in the form of ferns and saplings. He sees a rabbit scurry away and a soft smile crosses his face.

You head first down the bank and into the water as usual, him following with his hand in yours. The cool water creeps up, only up to his knees now that he is grown. The water is easier to navigate in his adult body, and he effortlessly steps up the rocks to the forest floor, ones he used to scramble over on his hands and feet. The ground crunches beneath him. There is a patchy layer of pine needles—short ones—spreading along. The ground is not fluffy from decades of accumulation, but it’s a start. Small saplings bring bursts of fresh green, prickly when he brushes against them. The ferns hide beneath them, avoiding the scorching sun.

History repeats itself as you pull him forwards, along the river and through the early rebirth of the enchanted pine forest. The fallen tree that once served as a bridge is miraculously intact, though the top is scorched and he feels unsteady walking to the other side.

Wandering through the forest is another type of home. He hadn’t taken it upon himself to explore since returning, not wanting to disrupt the delicate healing of the ecosystem. He trusts you, though, and the path you’ll lead him to experience the land without damaging it further.

He notices that you are taking him to a section that he hasn’t been often, not a regular spot during your times together as kids. But it makes sense when you arrive at the small clearing and he sees the massive pine from his memory. It is thick with twisting branches, sturdy. Some of them are blackened from the fire, but others are coated in fresh needles, long and green, waving gently in the wind. He is surprised he hasn’t seen this miracle before, from the house. Maybe the distance obscured the view.

Kita walks slowly to the base of the tree and looks up towards its canopy. He can see the contrast of the charred and ashy sections of trunk against the rich brown of its healthy, resilient branches. The green shines brightly against the black and grey, proud of its revival.

He shrugs his backpack from his shoulders, understanding that this is where granny should be. He lowers to his knees before he unzips the bag and carefully removes the box. It’s a light wood, with tan streaks running along the grain. Pine, he thinks to himself in disbelief.

He slowly unlatches the box and sets it on the bed of brown needles near the trunk. There’s a plastic bag inside, tied with a simple overhand knot. He undoes it gently, slowly unfurling it to roll open and over the edge of the box. It’s the first time he’s looking at her remains, he realizes, and he notices that they are grey, grey ash with clumps of small black coals.

You watch as he moves slowly, cupping soft remains in his calloused hands.

“It’s like your hair,” you say.

He cries, letting out soft, ragged breaths between quick inhales. His weeping lasts the entirety of the time it takes him to spread the ashes at the base of the tree, where it meets the ground. When he finishes you crouch behind him and wrap your arms around his torso. He continues to cry. You feel it, his chest heaving with grief and mourn, love and gratitude. He brings his palms to his eyes to wipe the tears, but they continue to fall, splatter the earth beneath him with feeling.

You listen quietly as his sobs fill the space between rustling leaves and distant cooing birds. Eventually you take one hand from his torso to rub his back slowly, soothingly. 

His noises eventually lull, quieting to the occasional sniffle. He gently pushes the bag into the pine box and then slowly closes the lid and does the clasp. He returns it to the backpack with careful, practiced motions. Your arms release him when you sense he wants to stand. He turns around to face you, you and the valley below.

He watches you closely, runs his eyes over your face, eyes and nose and lips. He wants to memorize your soft smile, the way it warms him like the sun.

You bring your hands to his cheeks, their coolness refreshing after crying so heavily. He leans into your touch and closes his eyes, soaking in the contradicting ways you make him feel—this tug between heat and cold. He feels you press a kiss on his temple, then the other. They’re smeared with the grey ash and black coals, transferring the dust onto your lips. He sighs, in peace, and brings his hands to cover yours. 

When he opens his eyes once more, he looks behind you through the space between the trees, to the valley below him, spanning wide. He is reminded of the thousands of years it took these mountains to form, the thousands of years it took for the forest to grow on top of it. He knows that the fire he witnessed was not the first to rage across the land, and it certainly won’t be the last. He takes in the growth and change that has developed in the past few years, sparkles of hope in a collapse of despair. He recognizes that the destruction is an opportunity for something new, for him to be part of building the next beautiful forest that will rise.

He has lived for what feels like forever, and yet an entire life lays ahead of him. A life with the forest and the mountains and the river. A life with granny’s spirit watching over him, her hair and remains guiding him forwards. A life of working the land and growing something for himself, for others.

A life of unnecessary questions, ones he struggles to ask. A life of inexplicable feelings, ones he’s learning to let in.

A life with you. Here.

i know i said minor character death and then killed granny,, she's a minor character in haikyuu!! but she is a main character in my heart

anyways here's the afterword

[hotvintagepoll]

Propaganda

Anna Magnani (Rome Open City, Mamma Roma, The Rose Tattoo)—don't take my word for it, here are some of the things she was called during her career: "la lupa (the wolf) of Italian cinema," "passionate, fearless, and exciting," "the volcanic earth mother of all Italian cinema," "one of the most impressive actresses since Garbo," "Whenever Magnani laughs or cries (which is often), it's as if you've never seen anyone laugh or cry before: has laughter ever been so burstingly joyful or tears so shatteringly sad?" and maybe best of all, from Tennessee Williams, who wrote multiple roles specifically for her: "She is simply a rare being who seems to have about her a little lightning-shot cloud all her own...In a crowded room, she can sit perfectly motionless and silent and still you feel the atmospheric tension of her presence, its quiver and hum in the air like a live wire exposed, and a mood of Anna's is like the presence of royalty."

Rosemary Clooney (White Christmas)—Rosemary!!! Her singing voice is incredible, she looks stunning in everything she wears, she has this quiet gravitas on screen that I haven’t seen anywhere else!! She deserves to be known as a lot more than George Clooney’s Aunt (if anything, I think of him as Rosemary Clooney’s nephew who also went into the business). Also when she got older she had this amazing sexy raspy voice (which sadly was due to smoking a lot but doesn’t take away from the fact that it’s very very sexy)

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna Magnani:

An icon of post-war neorealist italian cinema - an unbelievably good actress. Also, the first non-english speaking actress to win the Oscar for Best Actress (in 1956)!

realness!! amid the typical hollywood pristine glamour anna magnani stuck out as sexy in a really real, grounded way. so much so that even shallow 40s hollywood allowed her to come over from italy to be in some high profile movies. an icon

She smoked, she drank, she didn't give a f-. Her acting was described as explosive, with a lot of emotions and drama and they called her a she-wolf. Playwright Tennessee Williams became an admirer of her acting and wrote The Rose Tattoo (1955) specifically for her to star in, a role for which she received an Academy Award for Best Actress, becoming the first Italian – and first non-English speaking woman – to win an Oscar.

Rosemary:

Rosemary Clooney made very few movies, and built her career mostly as a singer--however, anyone who has ever seen her in White Christmas understands that this was Hollywood's loss, because she exudes glamour and charm and does a wonderful job acting it as well. She's gorgeous, she has a beautiful voice, she has one of those faces that the screen just loves, and she is, frankly, hot as hell.

An absolutely amazing singer and so stunning. Her performance in that black dress in White Christmas just takes my breath away every time. She's also George Clooney's aunt.

She was a very cool woman, who had a very hard life. She had severe mental health struggles throughout her life and left the stage for quite a while, but fought hard to make her career comeback later in life with a little timely help from good friend and frequent collaborator Bing Crosby. She also duetted with Marlene Dietrich early in her career

Okay so obviously she's more a singer than an actress, but she was still one of the best musical actresses of the era! They just didn't know what to do with her. She really wasn't a dancer at all, so you'll see most of the numbers in White Christmas she's got a convenient prop to sweep around. However, this ~weakness brought about a love story for the ages! Dante Di Paulo (you may know him as the mustachioed townie rival to the Pontipees in Seven Brides for Seven Brothers) was hired to teach her to dance and they fell in love over rehearsals. Separated by filming schedules, Rosemary ended up marrying José Ferrer and breaking Dante's heart, but 20 years and two divorces from José later they met in traffic. Not about to miss her second chance, she honked her horn and yelled her phone number at him (talk about carpe diem). He moved in a couple of months later but they finally made it official in 1997 because "our grandchildren want us to get married". They were utterly devoted to each other and he was very much a Wife Guy.

when she. when she. 'love you didnt do right by me' from white christmas-

She was very funny and very civic-minded, she campaigned with RFK during his presidential run. She had a very close bond with her nephew (that George Clooney yes), he even had her songs on the playlist when he proposed to his wife! She didn't enjoy singing this song from White Christmas, as it wasn't quite in her range, but she's incredibly powerful and undoubtedly very hot in this scene (fun fact, oscar winner George Chakiris is one of her dancers here, before his big break!) -

[bahrtofane]

after pleading and much excitement on kylians’ end, you finally bite the bullet and take him with you to your hometown of algiers. 

kylian x algerian!reader

word count : 1.3K+

watch it: fluffy fluff fluff, mild over thinking and angst if u rly rly dig deep for it 

luv my country fr fr

—--

theres a small dent on the wall from where you banged your elbow so hard you swore you broke it. you were around 10. it's been years, and the little spot still stands. you never forget to run your thumb over the ridges, the cool wall warming under your touch.

It's been years, but the wall holds the memory, a mirror of you. each flick of your thumb ignites the scene inside your head over and over, you swear you can feel your elbow sting. you remember the way you hissed sharply and called for your mom, who came scuring from the hallway. and how your cousins all lined up to see the damage and soon teased you for being a baby. screeching at the 'crater' you left in the wall. your aunt snapped a picture of the comotion while she laughed hysterically, hand on her hip, head tossed back while the rest of the family filled in to check out the commotion. 

you were given a wet towel to keep in your elbow till the swelling went down. and the teasing never stopped, in fact you're bound to have it happen at any second. your cousins called you bulldozer for years, some still do. that's even your contact name in a few of their phones. 

it's so silly how such a little moment from so many years ago carries on. wasn't even your funniest moment in full honesty. you have much better ones. 

it's been years, and it remains one of your many contributions to your grandmother's little flat. cozy and quaint in the center of algiers. today you bring a new addition, kylian.

you joked about taking him once, just a passing comment while you showed him pictures from your last trip. he hummed, latching onto the idea like an excited puppy to a chew toy. bothering you with itineraries (as if you need one in your hometown?), your texts are a wall of flight screen shots at this point. and of course bombarding you with questions every second he got the chance. 

"should i pack light?"

"what cities will you take me to?"

"do you think i'll need to bring a lot of security?"

in truth, you were hesitant to bring him along.

 going back home is a feeling you can never get enough of. from the moment you step off the airplane and the familiar smell of your country hits your face, to your first dip into the mediterranean, a homemade meal, singing out of cars in the dead of night while you race through the city. 

bringing him is an intimate ordeal. your country is your first love, first home. she raised you in a sense. 

she is a part of him, the same as she is of you. but having him in your grandmother's home? introducing him to your very lively extended family? you don't know about that.

you were worried about your sanity as much as his. you know the questions will be never ending. he's your fiance now after all, wedding in the works. this is only going to add to the disaster that is wedding planning. you know you're going to have to squeeze in promises of inviting your 2nd cousins aunts cats neighbors gardener. 

and how could you forget, he's kylian. kylian mbappe. there's no way you're bringing him to the heart of algiers and going to be free to roam the streets as you please.

you know you'll never be able to do so on your own again once the media puts two and two together. good by freedom. it's easy in resorts or fancy hotels. everything can be arranged. but not here. 

you and kylian value your privacy dearly. french media has barely ever gotten a proper look at your face and you intend to keep it that way. but you don't think you can get away with that here. you want to show him real places that hold history and the people. not just fancy villas on the coast that cost more than you want to think about. 

he pleaded with you anyway, even after you voiced your concerns. "i have an agent and security for a reason. just take me and the rest will come easy. don't even worry."

you frowned, "it'll be in the summer, when everyone else and their mother is going."

"i just want to see it you know, authentically. i want to experience just a part of what you did growing up." he confessed, shy. 

and so you caved. and here he is. leaning against that same wall you rammed into all those years ago, fanning his face with a pile of notebook paper he found lying around after a long day of unpacking the gifts you bought for your family. 

he's had a long day of posing for pictures and videos, all of which you rolled your eyes at. it's nearing sunset, and you press your forehead against the familiar cool wall of one of the living rooms. it's going to be where you sleep for the next 2 weeks or so. 

the couches convert to beds and you get to play the age-old game of war with the mosquitoes that torment you. you haven't told kylian yet. he needs to be ambushed in the middle of the night for the full authentic experience. ha ha ha. 

you look back to where kylian is sat on the couch perpendicular to yours, hes given up on the fanning. hand under his thighs while he watches what he can of the balcony. you can see the sea from here. in all its beauty. the gentle wind it brings flutters the curtains while you hum. 

tomorrow he meets the rest of your family and you can't help the butterflies that pool in your stomach at the thought. your fiance, meeting the rest of what makes this house a home. you can't wait. for now though, all you want to do is nap.

you get up from your couch, sliding on your socks to press up against his side. even if its pushing near broiling temperatures. he doesn't complain, only bringing his hands to cup your face gently, giving your nose a peck. 

"its so beautiful here, " he sighs, "thank you for bringing me."

you hum into his lips, giving them a firm kiss, "you're welcome my love. i'll show you around tomorrow. it's time for my post flight nap."

he gives you a lazy smile, "yes please i was waiting for you to bring it up. it's past my nap time." he pouts.

you roll your eyes and throw one of the couches throw pillows against his chest. he manages to grab it, hurling it back at you. and while you're distracted he curls his hands against your side, tickling you till you yelp and thrash in his hold, back pressed against the couch while you gasp in between laughter. 

he finally lets you go and collapses on top of you, kissing any skin he can reach.

"okay get off, it's too hot for that." you groan.

he at least listens to that, peeling himself off you and retreating to the far end of the couch while you set up yours for what you know is going to be top 5 naps of your life, easy. 

against the gentle breeze and city sounds, you're lulled to sleep. in your vision you see kylian getting ready to do the same, reaching over to press one sound kiss on your forehead before settling down into his little bubble. 

you could do this forever you think. you're glad he came.

[cipheramnesia]

Part 7: The Tower

a story by @rox-and-prose and @cipheramnesia

Dusk turned the Nevamil sky a flat aquamarine, and made visible the red lights blinking atop the Citadel. It was the tallest building in the capital city, Aureodar, even visible from the far off gridded streets of old houses converted into apartments. The last time Laika had seen it was a field trip for school.

The little blue Kirov was somewhere between the mountains and Genghis Khan and the most anonymous hopper port they'd been able to find in Aureodar. She worried about Sy, seemed ages past she'd been this physically far, though it was hardly more than weeks. Wires and talismans crossed over the streets, bikes and busses swooshed wet pavement, and linecars screeched overhead, all wrapped around her and her backpack and familiar unknown faces of the United Eastquad Block.

Ghosts gathered around her, whispering. You keep coming back here little wolf girl, you'll never get away from this place. Little wolf girl, you know you belong here. Freak. Queer. Sissy. Killer. Monster. You thought you were better than us, you never were. Laika let them needle and claw her. They were her ghosts, not the other way round. Every horrible word only built her up. Luna was with her in that way.

Most of the houses on K Street were mods, from early to late first century post-terraform. They were all retrofited from the original single family modules, but they were tough as nails, old construction built to weather thr storms of atmosphere generation. Number 1132 was where she was headed, lights were still on in the third floor windows.

Laika took a last look around on the front door's stoop. The poles for street lights and warden ropes all had at least three CCTV cameras and arrayed parabolic empathy receivers tuned into psychic conflict between morality and legality. She flashed a tight little smile at the familiar old glass eye of the state before pulling a short crowbar out of her bag and cracking the door open.

The third floor smelled of some sharp, fragrant allium along with sweet woody flavors and cooking meat, enough to rouse her stomach. Deep breath, ignore the ghosts, knock. A woman with her black hair in a bob cut, rolled up sleeves on her billowy dress, a little sweaty and confused, almost a quarter meter shorter than Laika. A wave of gaming sounds, net music, and oven warmth joined them both on the landing.

"Hey Tara," Laika said.

The other woman looked closer. "Laika? Oh tides, it is!" She wrapped Laika up in a big soft hug inside thick arms, crushing her stick body. "I thought you, I don't know, I thought you were dead! I mean, there were rumors?"

"Uff! Uh, hey. Sorry to be like, unannounced. Is it okay if I come in?" Laika hesitantly patted Tara's shoulders until the hug relaxed and her feet were back on the floor.

"You just have to, please. I'm sorry, when did you get back, why didn't you call?"

Unlacing her boots and slipping them off, she said, "I just got back today, um. I've been a bit off the net you know." She dipped her hand in the tiny basin by the door and thumbed a drop of water on the polished river stone at the altar. "But I wanted to see how you'd been, I guess. It just, well it's weird. That smells amazing."

She saw a couple kids blasting through uncreatively humanoid aliens, loudly and luridly across the living room screen, followed Tara into the kitchen and dinette area and watched her stir around sizzling veggies and meat in a wide dish. "Thanks," Tara said. "The spawn over there don't always appreciate it, but you know how... well, how kids can be..." Tara frowned awkwardly.

"Yeah, uh. Yeah." Laika rubbed the back of her neck. "So what all have you heard?"

Tara stuttered with a little embarassment. In the distance Laika could very faintly hear sirens, but she knew they weren't for her. The people who would come for her didn't use sirens or advertise their presence.

Half paying attention to Tara, she added, "Well, uh, some is true. But... you knew it was bad at home. Stuff happened. What about you though? Like, two kids? Wow!"

Tara probably was relieved at the change of topic, and Laika was glad to take a minute, but she couldn't focus all the way. She was waiting.

[onsunnyside]

yet another prompt from my bestie’s ask: drum roll please (pun intended)… here’s drummer!Rafe

The road to stardom is wild and loud, full of flashing lights and cheering crowds in a new city every night. It's also full of distractions that come in various shapes and colours, whether that be liquor bottles, a white powdery substance, or the endless line of groupies. Rafe and his band are no strangers to indulging in those distractions, the rugged and crazy lifestyle quickly became a part of their rockstar image.

You have a dream to make it big, and to see your name on the silver screen with the generation's greatest. Unfortunately, Hollywood was beyond tough on those who weren't already born within the golden gates. You're a lucky one, with all your hard work and sleepless nights, you go from waitressing and living in a trailer park in L.A. to living comfortably in your dream home with a resume that just keeps getting longer and longer.

You meet Rafe at a mutual friend's party. You've been close with one of his bandmates for a little while, and finally got the opportunity to meet the rest of them.

Your first impressions are awful, to say the least: you were excited to meet the drummer of the famed rock band and have been staring at him all night, working up the courage one smidge at a time. When he slips out the balcony doors, you take your chance.

Rafe's leaning over the railing, cigarette hanging from between his fingers as he types on his phone. When you step beside him, he glances at you, blue eyes lazily dragging over your figure.

"I thought groupies weren't allowed in here."

You stand there dumbfounded, jaw on the floor as he blows the smoke.

"I'm not—"

He cuts you off with a heavy sigh, "don't tell me you're a friend of a friend, or a classmate from childhood, or someone's long-distance girlfriend. I've heard it all, trust me."

You cross your arms, heat filling your chest, "Do you talk to everyone like that?"

"Just those who deserve it." His voice is low, "Beat it, sweetheart. You don't want to get thrown out and risk ruining that pretty dress, now do you?"

You don't know what his problem was. For someone so loved and adored, he was a fucking asshole. You supposed that's the lovely work of PR teams, they can make even the cruellest monsters into angels. Hell, even your team worked tirelessly to maintain your image.

"You're still here? Don't you have a security guard to blow, or a tour bus to break into?" He asks condescendingly, hair falling over his forehead as he leans down, studying you with that stupid smirk. “Who are you fucking, huh? Is it one of the desperate socialites, or the wannabe models?”

His laugh breaks into a shout when your drink splashes on his face, the alcohol dripping down his chin to his chains and silk blue shirt, "what the fuck—"

You don't stay long enough to hear his curses and return to the penthouse, promising yourself to never speak to him again.

I'm sensing... hate fucking: his hand is over your mouth and you're pressed against the tiled wall, dress hiked up and legs around his waist. The party rages on inside the club, hopefully still lively enough that no one will notice your absence. Tonight was for you to celebrate your first big award win, you didn't know Rafe was coming with your mutual friend, and you'd die before admitting that you're glad he did.

You can't help your moans, his cock effortlessly hitting your sweet spot with every rock. He fills you so deeply, stretching your hole with his fat girth, and it pains you to know that he's ruined you for anyone else. You just know you'll be a limping mess.

"Shut up. God, you never fucking shut up." He grunts, his hand falling to your throat, "You wanna get caught? Want everyone to know you're fucking a... what is it you called me?"

He grinds into you and you gasp, gaze locked on his lips. He was a great kisser, the best you've ever had, but you'd never tell him that, just like how you refused to ask for another.

"A-An ungrateful prick."

His eyes gleamed dangerously, sweat brimming at his brow, "Yeah, that's it. I bet you're grateful I didn't leave when you told me to."

He keeps you pinned to the wall with his hips and his other hand slips where you meet. His skillful fingers toy with your needy bundle and your body convulses, your juices nearly dripping down his length.

"And you said I never shut up."

A harsh slap lands on your clit and your choked whimper turns into a loud whine when he repeats the action again, harder this time. The lewd sounds of your wetness bounce off the washroom walls. If you had any shame left, it was gone now, tucked in his pocket with your torn underwear.

"You'll be on your knees and thanking me by the end of the night. I can promise you that."

I can only imagine how nasty drummer!Rafe is 😮‍💨 the kinks, the spitting, the choking, the messy "let me fuck my cum back into you," the tasteful nude polaroids, and wiping your tears when you cum so hard you cry, "that's it. let it out, baby. such a good girl for daddy."

Can't forget about the disgusting lyrics he'd write about you (ofc there are sweet ones too but that's not until later), telling the whole world how much he loves the way you taste and feel, how you're his filthy little angel and that you bring him closer to heaven with your body.

Oh the sexting !! When he's on tour and you're working, it's hard to make time for each other. Sometimes he'll send you a picture of his hard bulge through his jeans with a cheeky "wish you were here." When you win another big award (and inevitably become a style icon overnight bc of your dress), he sends flowers, cute lil note, and ofc, a nut video with sound 😌 "the next time I see you, I'm fucking you in that dress."

[rambleonwaywardson]

Clegan Astronaut AU - Part 17

Masterpost Read on AO3

AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is about to head to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).

Author's Note: Thank you so so so much to everyone who has been so understanding of me needing to take some extra time with this now! I love you all. I originally was going to end this chapter very differently but had to split it because I wanted to focus more on certain things, so you'll be getting yet another extra chapter than planned.

---

Somewhere between November 27 and November 28 Houston, TX

Alive. 

Alive. 

Alive. 

The late November stars in the darkness over Houston shine bright – at least, those bright enough to shine through the night lights of a city. If one could see them up close, they’d be fiery reds and blues and yellows. But way up there in the geocentric sky, they’re mostly just white. Explosive, burning masses of hydrogen and helium dozens to hundreds to thousands of lightyears away. 

They don’t sleep, and neither does Gale. 

It might seem funny that he’s wide awake. For days, he could hardly sleep because his husband wasn’t at his side, because he was worried sick he may never sleep beside John again. Now Bucky is here, and Gale still can’t bring himself to sleep. All he can do is sit on the uncomfortable couch beside the hospital bed and stare at the still form of his husband, broken and bruised but still breathing. He listens to the beeping of his heart monitor, and every beat seems to echo the words Gale is trying to drill into his head. 

Alive. 

Alive. 

Alive. 

After so many days spent preparing for the worst – grieving a loss he was sure would come but couldn’t bear to believe – Gale barely dares to look away. He’s worried that if he does, John will somehow slip from his grasp once again, pull away from this world even after everything it took to bring him back to it. What if he looks away, and in the absence of his gaze, Bucky drifts into the open void of the unknowable?

To the stars from which we came, the stars to which we return. Bucky Egan, at the very least, wouldn’t mind having died out there, pushing the boundaries of human exploration, ever the wanderlust-fueled explorer. But here? In a hospital?

Stop it, Gale. 

John is here, bound by gravity once again where Gale can touch him and talk to him and see his smile. He’s fine. He’s recovering. The worst is over.

But still, Gale watches. No matter how many times his tired eyes threaten to close, how shallowly his own heart beats, how fuzzy his head feels. He reminds himself to keep breathing, and he counts Bucky’s breaths, too. Bucky’s lungs fill with Oxygen, and they fill Gale’s with hope. 

Sometime too early in the morning, just hours after he finally laid eyes on his husband for the first time in weeks, Gale feels himself drifting. The TV in the corner of the room is playing on mute, some 80s rom-com that he always confuses with some other 80s rom-com. If John were awake and coherent, he’d insist on coming up with his own dialogue and plot-lines for whatever is silently happening on screen. Absurd stories that would never be aired on television but always, inevitably, make Gale laugh. 

Bucky’s knocked out, though, and it becomes harder and harder for Gale to keep his eyes open. He rests his chin in his hand and looks out the window, at the high-rise view of the lit up, lonely Houston street. Streetlights below, stars above, a black cloudless sky and a glowing quarter moon. That nowhere and everywhere that they’ve both chased for their entire lives. It’s not meant for humans to claim, and Gale grips his hair in his fingers, stares at Earth’s only natural satellite, and thanks it for not claiming his husband. He hears the rhythm of Bucky’s heartbeat, and it beats in time with the pulse of the universe that gave him this life to run with. 

Gale imagines being up there, chasing that infinity again. What does it say about him, that even after all this, he’s itching to get on that rocket, walk on the lunar surface, see the Earthrise from 240,000 miles away? He longs for it almost as much as he longs to hold John in his arms. It’s what both of them were meant to do. 

Their relationship has always been that way: fully dedicated to one another, but just as dedicated to their careers. Split three ways. Buck, Bucky, and boundless flight. 

He imagines looking down on their perfectly imperfect planet through Orion’s window, or Gateway’s or Starship’s – the view that he’s dreamed of, worked for, his entire life. He imagines hurtling through that wide open cosmos towards the moon and beyond, little beacon stars lighting his way to the next frontier, the next dream. He imagines setting foot on that fine lunar soil, craters rising up on all sides, his footsteps imprinted on the surface for years to come.

Or, more simply, he imagines flying a plane through the night sky, the dark Gulf beneath him, the coastline, an invisible map that he knows like the back of his hand. This world that he loves in this universe that he loves, and he’s soaring high above it all in a plane that is his purest home. Free and fearless and full of life. The only place he’s ever felt like he truly, unequivocally, knows who he is and where he’s meant to be. It could be an Air Force jet, a bomber, a NASA trainer. Or it could be his own little prop plane. 

He can feel the familiar controls in his hand, energy thrumming through the aircraft and straight into him. He can hear it so clearly, as if he’s taking off from the runway at this very moment. He inhales with the sense of peace that washes over him, the simultaneous rush of adrenaline that it brings him. He imagines the way he can bank and roll and spin through the sky, completely in control and yet untethered from the rest of reality. Lost in the clouds. Maybe it’s just him, or maybe Bucky’s at his side, stars in his eyes and a grin on his face as they soar higher and higher. Maybe his hand finds Gale’s. They look each other in the eye, and Gale feels all the wrongs of this life wash away.

Two pilots. Two astronauts. Two Buckies. The way the world is meant to be.

“Gale?”

John’s voice cuts through the thick, quiet, TV-lit dimness of this wonderland of the sick and broken, dragging Gale back down to Earth. The sound is so small that Gale almost wonders if he really heard it, or if it was simply an echo of his drifting not-quite-day-dream. But his ears are tuned to the sound of John’s voice, and no matter how soft, it hits him like a wall of stone. Weak and nervous, the same as it was on Starship and Orion. Like a child waking alone in the darkness with no one to hold onto.

Gale, not for the first time, wonders why, in a place of fear and vulnerability, Bucky has turned to calling him by his real name. Gale not Buck. 

He gets to his feet, feels the room tilt around his own fatigue and undoubted dehydration. “I’m here darlin’,” he manages to say. 

In the LED light of the television, he sees Bucky’s eyes, open and unfocused. They seem to find Gale, though, latching onto him like he’s a flame in the dark. Bucky doesn’t smile, but a certain tension leaves the worried set of his features as he follows Gale’s every move.

At the side of the bed, Gale gently grasps Bucky’s clammy hand in his, mindlessly rubs his thumb along the silver band on his ring finger. Mine. My heart. My soul. My love. “What’s wrong?”

Bucky stares at him, eyes wide, as if he can’t believe Gale is there. “‘S’not Orion.”

Gale shakes his head, biting at his lower lip as his heart looks for its own steady beat. “No,” he agrees. “You’re home. You’re in the hospital.”

“Oh.” That’s it. Just oh. Like it makes sense but also makes no sense at all, and Gale doesn’t know which it is or if it’s somehow both. Maybe he could’ve told Bucky he was anywhere and he would’ve believed it. As he’s trying to sort through what comes next – trying to figure out if Bucky remembers anything or if he understands where he is and why – Bucky says something else. “You’re here.” Again, like he can’t believe it.

Gale squeezes his hand gently, holds back a choked breath when Bucky squeezes back. He uses his other hand to stroke Bucky’s cheek, feeling the warmth there, the softness of his skin, solid and whole. “I’m right here,” he whispers, because his own voice isn’t strong enough to say it any louder. 

The next word to come out of Bucky’s mouth is the last for the night, but it carves something sad and grateful and all-over undefinable deep into Gale’s chest. He looks into Gale’s eyes and his lips part and it comes out in a rush of breath that is so simple but ties this fractured reality together again. 

“Stay?”

So he stays. 

Two people, especially two grown men, really, really do not fit in a hospital bed. But Buck and Bucky tend to find ways to bend the laws of physical space to their will, to accommodate the whole that they collectively constitute. Gale helps Bucky scoot over, ever careful of his casted leg, and he eases himself into the bed, wraps himself around his husband like he alone can hold the pieces of him together. The warmth of Bucky’s body pressed against him settles something in Gale’s soul, and his heart swells at the familiarity of having this man in his arms – something he went too long without and nearly lost all together. Bucky is fast asleep the moment he nuzzles into Gale’s chest, and try as he might to stay awake with this ridiculous notion that he needs to watch over Bucky, Gale drifts off without fear clutching at his throat for the first time in weeks. 

They only get a few hours of quiet, nightmare-free sleep before the morning nurse walks in and finds two world-renowned astronauts tucked against each other between the cramped bed rails. Her patient is sound asleep, his face finally relaxed instead of pained. Gale’s face is tucked into the crook of Bucky’s neck, his hand on Bucky’s chest. She can do nothing but smile, shake her head, and do her best not to wake them.

Gale’s eyes groggily open to the rising light of a cloudy dawn and the sound of the nurse adjusting Bucky’s IV. But she just pats him on the leg and tells him to go back to sleep. She was briefed by her superiors and by NASA itself. She knows what kind of Hell they’ve both been dragged through. If John Egan and Gale Cleven want to share a bed for a few hours, they can damn well share a bed.

—

That first morning that Bucky wakes up in the hospital, he’s convinced he’s on Orion. Faintly, he hears rustling around him, feels someone prodding at his IV, his leg, his head. Without even opening his eyes, he winces at the pain. His head feels like it’s splitting in half. He tries weakly to push away the hands holding him in place, hears someone shushing him like a spooked animal, tries to push them away, too. And then all of it is gone.

Some time later – it could be an eternity for all he cares, but Gale tells him it was only about an hour – the sound of quiet music brings him back to the surface. The wake-up alarm, for sure. He tries to blink his eyes open, but his eyelids feel heavy and sticky and don’t want to cooperate. He sees glimpses of bright light, grays and whites above him. Orion’s interior. Someone is beside him; he can feel them. Rosie, probably.

“I’ll be home for Christmas, you can count on me…”

Bucky wonders who on Earth – or not on Earth – chose a Christmas song as their morning alarm.

But then a gentle hand is wiping sweat off his forehead, trailing down his cheek like it just doesn’t want to pull away quite yet. Someone isn’t just beside him, but he can feel them pressed up against him, all along his side, warm and comforting. A soft weight is pressed over his chest – someone’s arm, not holding him down, but simply holding him. Slowly, the music becomes clearer, and he realizes that it isn’t a song playing over Orion’s speakers. Instead, the someone beside him is singing quietly, a deep, smooth voice that brings Bucky to pieces every time he hears it.

Why is Buck on Orion?

“Christmas Eve’ll find me, where the love light gleams…”

Bucky fights to open his eyes all the way, tilting his head towards the warmth at his side, the voice in his ear. But Gale’s voice trails off when he notices Bucky stirring. Bucky whines in protest, and Gale picks back up, finishes the last few lines of the song.

Finally, Bucky’s vision comes into focus, and he sees a tall white ceiling above him, monitors on either side of the bed he’s laying on. His leg is held together by a stiff, scratchy cast, elevated at the end of the mattress. The walls are white and empty. Square.

Not Orion. Too big. 

Bucky’s heart rate jumps, and he hears a beeping noise reflect that for everyone around to hear.

“Hey, it’s alright.” Gale’s hand gently cups the side of Bucky’s face again, his thumb rubbing gently over his brow, then his cheek.

Bucky opens his mouth to say something, to ask what’s going on because his brain is only putting together bits and pieces that he can’t fully wrap his head around. He feels like, somewhere, he remembers things that happened, but he doesn’t remember what they were. He doesn’t remember the when or the how. He was on the moon. And then he was in pain. And a lot is missing but somehow he was on Orion again, and all he can remember is blurry moments, pain and fear and sickness. Somewhere, he knows where he is and how he got here, like it’s right on the tip of his tongue, but his brain can’t find the correct puzzle pieces to fill in the gap. They’re there, but they’re not where they need to be. And now he finds that his throat hurts and his head hurts and his lips are dry and sticky and-

“Here,” Gale says. He turns away to pick up a cup of water, and he guides a straw to Bucky’s mouth. “Water. It’ll help.”

Water. Bucky can do water. He clasps the straw between his lips and sucks on it gratefully. It tastes different than what they had up there.

When Gale pulls the cup away and sets it on the little table beside the hospital bed, Bucky finally comprehends that Gale is laying on the bed beside him, squished in between the bars. They’re in a hospital room. He remembers Gale being here when it was dark, kneeling on the floor, crying against Bucky’s hand. His husband looks wrecked, exhausted, worn out. 

Because of Bucky.

And yet he turns back over, propping himself up on his side with one elbow, and there’s a small, hopeful smile on his face.

Because of Bucky.

Two things can be true. 

“Christmas songs?” Those are Bucky’s first words of the morning, scraping out of a scratchy throat but strong and intentional nonetheless. “How long was I out?”

Gale’s thumb strokes lazy patterns over Bucky’s chest, covered by a thin hospital gown. “It’s November 28th. You splashed down on the 26th and arrived stateside yesterday.”

A little laugh pops up out of Bucky’s sore chest. Everything is sore, and the laugh makes the pounding in his head intensify. But it’s worth it to see the way Gale’s tired eyes get a little brighter. Usually, Bucky is the one trying to celebrate Christmas as early as possible, even before Thanksgiving comes around. The moment Halloween is over, Bucky moves right on to holiday cheer. Buck is always the one futilely begging him to wait until December. Yet here he is, singing Bucky a Christmas song.

“You like them,” Gale mutters quietly, reading Bucky’s mind. And Bucky gets totally lost in the way Gale’s eyes shyly flutter downward as he looks away, biting gently at his lower lip. Bucky lifts his hand, which feels as heavy as lead, and rests it over top of Gale’s. The touch sends a bolt of electricity through him, like they’re just awkward teenagers again, holding hands for the first time, and it grounds Bucky back to this planet.

Gale reaches forward suddenly to grab something before it falls to the floor. A little stuffed bear in a NASA shirt. Delicately, he presses Beary Egan back against Bucky’s side, secure between his chest and bicep. Bucky looks down at the little guy. “I remember you,” he mumbles fondly.

His brain feels fuzzy, and he wishes his head would stop pounding so bad. He looks at Gale, wants to say something, the words on the tip of his tongue. But he can’t hold onto them, like trying to catch a bug in a net, and he forces his eyes to focus on his husband’s face. Soft and familiar and the most beautiful thing he’s ever seen. 

I love you, he wants to say. His lips move, but the sound doesn’t quite make it out. Gale kisses the top of his head and pulls him close, so Bucky is resting against his chest. He starts singing White Christmas, low and sweet, his lips brushing against the hair still exposed at the top of Bucky’s head above the bandage. Bucky smiles, and as he fiddles mindlessly with his husband’s fingers, he can feel Gale smiling, too. 

—

Those first 24 hours are the most promising. Bucky rapidly regains strength under the hospital’s care. He wakes several times throughout the day, seeming alert and aware. He complains about the scratchy hospital gown, and he goes so far as to mention things he remembers about the mission. “Didn’t get the plants,” he’ll say. Or “‘S’quiet on the moon” or “felt sick a lot.” Sometimes he doesn’t have the words for what he wants to say, even if Gale asks him about something specific. He might smile or frown or shrug, part his lips to answer but stop short of spitting out the sounds. He looks out the window, watches whatever’s on TV, holds Gale’s hand. His fine motor control remains shaky, and Gale finds himself having to help him eat sometimes – more soup for now – especially later in the day when Bucky gets more fatigued. The doctor assures Gale that regaining full motor control may take time, but is likely at the rate Bucky is progressing.

Bucky asks about Pepper at some point. Gale doesn’t have the heart to tell him that she’s been grieving his absence. He tells him that’s she’s staying with Benny right now, that she misses him. 

Gale slips out for a few hours in the middle of the afternoon to head to JSC, where he debriefs with Mission Control, Harding, and the rest of the crew. It’s the first of several meetings of the sort, where they’ll discuss everything from spacecraft performance to experiment results to crew health. For now, they tiptoe around the elephant in the room – what went wrong with that rover. Bucky’s accident and everything that followed will constitute its own debrief, or possibly more than one.

Before heading off with Marge to prep for a post-flight press conference, the three present crew members ask about Bucky, and Gale assures them that he’s doing okay.

The man in question is asleep when Gale returns in a fresh change of clothes. He’s carrying two duffel bags – one full of clothes and supplies for himself, and one full of clothes for Bucky so he doesn’t have to wear that awful gown. He drops the bags in the corner of the room and takes the opportunity to turn the TV back on, volume low. He flips to the press conference. Harding and Marge are both present to moderate, and Curt, Rosie, and Alex, dressed in flight suits, sit together at a long table emblazoned with a NASA Artemis banner. Gale listens as they answer questions about the mission, but he finds he can’t focus for shit.

The press room is packed full of people, buzzing with a need-to-know energy. Of course, the first reporters to shoot their hands into the air ask about Bucky’s condition, to which Rosie responds that the commander is “recovering well.” The next is about the injuries he sustained, and then there’s one about if he’s expected to make a full recovery. “We’re optimistic,” Rosie says – code for, we hope so, but we don’t know. 

Gale knows that, as the questions pour in about what happened and how it happened and what it means for NASA, Marge and Harding will begin to shift the conference away from John’s accident entirely. A single “how can NASA justify such a dangerous program” will be professionally answered, and then any further questions regarding the incident will be pushed aside for now. But Gale doesn’t make it that far anyway. 

When someone asks for an account of what went wrong that day on the moon, Curt, as the only other person present, is forced to explain what happened at Shackleton Crater. He makes every effort to speak professionally, but everyone watching can plainly see that it’s an uncomfortable conversation to have. Gale can’t stand to listen for even another second.

He’ll be forced to relive what happened over and over for months, maybe years to come. He’ll hear it in debriefings and on the news. He’ll discuss it in interviews and press conferences. It’ll loom over him as he prepares for his own mission. It’ll haunt his dreams, even when Bucky is home safe, healthy and happy and raring for another go. It won’t leave him. Ever.

So for now, he turns off the TV. He sits quietly. He listens to the beeping heart monitor. And he tries not to forget that his husband is alive beside him.

—

The nurses allow a handful of visitors over the weekend. Bucky experiences intense periods of discomfort and confusion overnight, but once again seems lucid in the morning. Whatever they put in the IV is starting to dull the fever and helps with the pain, but only so much can be done when the pain is nearly unbearable. It also has the side effect of making Bucky feel nauseous throughout the day. Despite all of that, he’s in good spirits, making small talk with the nurse as she takes his vitals or kissing the back of Gale’s hand whenever he has the chance. So, late on Saturday morning, Gale leaves for another debriefing at JSC, and he returns in the afternoon with Benny and Marge trailing after him.

One of the nurses lets Gale know that Bucky woke again about an hour ago, cooperated well for all of his hygiene tasks, and ate some yogurt. He seems lucid now, but had an initial moment of anxiety when he realized Gale was gone. The head of the bed is raised, so he’s in an upright sitting position, now dressed in an old Air Force t-shirt and gray shorts. A fresh bandage is wrapped around his head.

“You look like shit,” Benny tells him as he stops at the end of the bed, arms crossed. He grins at Bucky, who raises a hand and just about manages to flip him off.

Marge goes straight to the bedside, leaning in to wrap Bucky in a tight hug. He raises both arms to hug her back with a force that surprises both of them. On Earth and in proper healthcare, he’s finally regaining the strength for things like that, even if his hands don’t always work right. 

“I’m so glad you’re back,” Marge whispers.

“Kinda miss the moon,” Bucky whispers back. Gale, who stands on the other side of Bucky’s bed, smacks him gently on the shoulder, making Bucky smile. “I missed ya, Marge,” he says sincerely as she lets go.

“Didn’t miss me?” Benny asks.

Bucky playfully glares at him. “Heard enough of your voice for a lifetime.” 

Benny rolls his eyes, but he switches places with Marge to give Bucky a hug. “I’m glad you didn’t die.” He pulls away and motions to Gale. “Your husband would’ve been a nightmare to deal with.”

Gale scowls and raises an eyebrow, unimpressed. Bucky reaches for his hand, kisses his knuckles. And none of them say a word about the fact that Gale was nearly inconsolable as it was.

Bucky looks at Marge. “Saw the guys on the, um… the…” He points vaguely to the TV and closes his eyes in frustration. 

“The news,” Gale supplies, and Bucky nods. “I didn’t know you were awake for that.”

Bucky shrugs. “I never really know when I’m awake.” This makes Benny snort, because it sounds like such a John thing to say, and yet right now it’s actually true. 

Marge sits at the end of Bucky’s bed. “Hope it’s alright they did the post-flight press conference without their commander.”

“Doesn’t seem right, huh?” Bucky points out. He smiles though, so Marge knows he doesn’t mean it. He knows there wasn’t much choice. “World’s gonna think I’m dyin’.”

“Well,” Benny starts to say, but Gale hits him with a nasty glare that shuts him up. 

Marge rolls her eyes. “What? Do you want me to post a picture of you or something? Prove you’re alive?” She’s joking, but Bucky isn’t. 

So the Artemis PAO posts two photographs on NASA’s various relevant social media accounts: one of Bucky sitting up in the hospital bed, head wrapped, leg in a cast, face pale, but smiling brightly with two thumbs up; and one candid of him and Gale, looking at each other with all the love in the world, their hands clasped together on top of the shitty hospital mattress. 

She drafts a brief statement to go with them, starting with the words: “Artemis 3 commander, Major John Egan, is recovering well after his incident at the lunar South Pole.” She also includes, at his insistence, the sentiment that he’d go back, it was the mission of a lifetime, and he’s grateful to have had such an amazing crew up there with him. 

She does not include his message of “fuck you” to everyone who thought he deserved it.  

—

When Harding comes by in the afternoon, he first pulls Gale into a tight hug. No words pass between them, but the look Chick gives him says everything that needs to be said. I’m proud of you, I’m here for you, everything will be okay. 

Both of them are caught in a nervous sense of relief and tentative hope. They both thought they might lose John. One of Harding’s boys. Gale’s entire world. They both felt, in their own ways, the world crash around them. No one saw the director of the spaceflight program break every wine glass in his kitchen cabinet by chucking them at the wall. No one saw the way he paced in the darkness and screamed at the moon and interrogated every man and woman who had a hand in building that damn rover. 

All they saw was a hardened, fearless man, hell bent on bringing his astronauts home. He spoke to the press every day, fielded every absurd question they had. He directed the flight controllers and oversaw the task forces and pushed them all to do better, work harder, find more solutions. He watched Gale fall apart. He prepared for John’s death, had to have Marge draft a damn statement about it – something she never told Gale. He had to stand in his office and practice giving it, stone-faced, in the event he had to give it on live television.

Today we lost an American hero… He gave his life doing what he loved… 

John Egan, a good pilot, a good astronaut, a good husband…

This is a devastating loss for the NASA community and for America…

We commit his soul to the stars, and we hope he will fly among them with the same fire in his heart…

“Hey Chick.” 

Chick takes a long moment to stare at Bucky, upright in the hospital bed. He looks sick, but he doesn’t look small. He doesn’t look weak.  

We commit his soul to the stars…

The words ring in Chick’s head, and just a few days after Thanksgiving, he can’t thank this world enough for not forcing him to say them on a live broadcast. Miraculously, John’s wild, unruly soul still has a home on this Earth, reflected in his grin, in the way his curls stick up in all different directions from beneath the bandage around his head, the glint in his eyes, still glassy from fever but wide open and watching. 

“Well if it isn’t the man of the hour,” Harding says, pushing aside the emotion he feels. He shoves his hands into his pockets, then pulls them back out, adjusts the collar of his shirt, looks at Bucky’s cast, his IV, his fever-reddened cheeks. Listens to the heart monitor playing its steady song.

Bucky reaches an arm up, inviting Chick in for a hug that both of them desperately need. Chick will swear he didn’t cry, but it was damn close.

Bucky smirks at him when he stands upright again. “I think I deserve man of the year.”

—

When the rest of the crew comes to visit on Sunday, finally released from NASA’s laundry list of initial debriefings and medical checks, the first thing that happens is they come marching into the room single file, singing “We’re glad you’re not dead” to the tune of Happy Birthday. Gale doesn’t know if he should laugh or hide his face in second hand embarrassment. Bucky waves his hand in the air like a conductor as they gather around his bed, Curt on his right, Rosie seated at the foot of the bed, Alex standing at the end. Gale sits on the couch, present but allowing the four crewmates some space.

The second thing that happens is all four astronauts stick their tongues out at each other. Gale raises his eyebrow, but not a single one explains. 

The third thing that happens is Curt hands over a sealed silver packet, much like the ones they had on the spacecraft. Exactly like the ones they had on the spacecraft.

“The fuck?” Bucky scoffs, even as he grabs the packet. “Hospital food’s bad. Space food ain’t much better.”

“Orange juice,” Curt says. He’s pleased when Bucky’s eyes widen a little bit, skepticism replaced with gratitude. “Buck mentioned the juice here kinda sucked. Nicked it from the space center this morning.”

Curt and Rosie both have half a mind to open the pouch for Bucky, hold it up for him to sip from. But Bucky pops the top off all on his own and presses the straw between his lips. He nods in approval after taking a sip. “Thank you, orange juice, for keeping me alive.”

Curt holds a hand over his heart, using the other to motion to himself and Rosie. “I think the orange juice had a little help.”

Bucky waves a hand to brush them off with a roll of his eyes, but then he grins at them. “I wouldn’t, uh…” He tilts his head, squinting as he seems to lose the words he wanted to say, and the grin falls away. After a long few seconds, he looks at them again, a more tempered smile returning to his face. “Wouldn’t be here if… if it weren’t for you two.” 

Even if the words would stop fading from his brain, there aren’t any words that can appropriately encapsulate what Bucky needs to say. How do you thank someone for saving your life in a situation that is quite literally beyond the human limits of survival? How do you thank them for looking after you, day and night, doing whatever needed to be done just to make sure you kept breathing? How do you express regret for having upended the once in a lifetime mission that they’d spent years preparing for? Sadness for what was sacrificed? Gratitude for making that sacrifice anyway?

Curt shakes his head and rests a hand on Bucky’s shoulder. “Couldn’t stand the idea of flyin’ home with your dead body in a space suit. Keepin’ ya alive was the best way to avoid it.”

Bucky looks up at him. “Sorry you didn’t get to…” He sighs and shakes his head.

“The plants,” Gale calls out.

Bucky nods. “The plants.”

He doesn’t remember much of anything from those touch and go days on Starship. But in every memory he does have of it, Curt is right there with him. Curt, standing over him with worry all over his face. Curt, speaking to Houston. Curt, staring out the window at the little greenhouse he’d never see again. Curt, cleaning up Bucky’s messes and struggling to get him into the OCS suit. Curt, reaching out to him, telling him he was gonna be alright.

Little snapshots of a blurry, industrial world. Whites and grays and pain and fear. And in the middle of it all, Curt.

The Artemis pilot shrugs and grips Bucky’s shoulder a little harder. “You’re worth more to me.” It’s the single most genuine thing Curt has ever said to him. He smiles self-deprecatingly and says “Alright, quit goin’ all sappy on me. I saved your ass. What else is new?”

Bucky laughs and shakes off Curt’s hand. Then he looks at Rosie. “You… are a steely-eyed missile man.” Of all the words to be able to remember, of course, for a space-obsessed boy-turned-pilot-turned-astronaut, that term sticks out loud and clear.

“I think that title is reserved for the engineers,” Rosie chuckles. It’s a name that first popped up in Mission Control during the Apollo days – originating with John Aaron – for an astronaut or engineer who proved resourceful and quick-thinking in a crisis, devising a solution to a life- or mission-threatening problem. “All I did was keep you from finding new ways to fuckin’ off yourself.”

Bucky remembers more of his time on Orion, though not all of it. Mostly he remembers the pain and the nausea, the feeling of his body floating in pieces, no longer a whole. He remembers the stars and the Earth out the window. Beary Egan in his hands. He remembers Rosie trying to get him to eat. Rosie, at his side day and night. Rosie, brushing back his sweaty hair and hugging him when he couldn’t stop shaking. Rosie, trying to convince him to keep fighting just a little longer.

Rosie worked through every single problem. He guided Curt through how to care for Bucky, how to stabilize his leg, hold him down through a seizure, keep him stable. Then on Orion, he hardly slept, watching over Bucky at all times. He prevented Bucky from re-injuring himself, from tearing out his IV. He worked out how to keep Bucky going on rationed IV fluid and the little food he could stomach. Sure, Houston was there to help. But Dr. Rosenthal is the one that actively figured out how to keep Bucky alive at every point of their journey back to Earth. He foresaw and solved the problems. He brought Bucky home.

So Bucky shakes his head when Rosie tries to be modest. He looks at Gale. “Buck, tell Marge to write up somethin’ ‘bout Rosie. Steely-eyed missile man.”

“I don’t tell Marge what to do,” Gale says flatly.

Bucky rolls his eyes. “Ask her.” He catches Gale’s eye and points at Rosie again. It takes him another moment to get the words right, and they fumble through his lips, but they make it through. “This man d-deserves it more ‘n anyone.”

Articles about Dr. Robert ‘Rosie’ Rosenthal, the “steely-eyed missile man” who got Major Egan home, will be circulating within 48 hours. 

Finally, Bucky looks at Alex. “And you… thanks for lookin’ after her.” He means the capsule, of course. Alex stepped in when Bucky couldn’t, made sure Orion kept functioning and got them all home in one piece. “G-Got her home at least as good as I could’ve.” 

Alex rolls his eyes, but the engineer smiles and sets a hand on Bucky’s leg. “I wish you didn’t almost clock out on us, but it was a hell of a ride.”

Gale watches the four of them laugh and joke and give each other shit. Even as Bucky starts to lose energy, Gale sees the way he smiles at his crew, sticks his tongue out when Curt says something rude. The way he tries to stay present even when the words seem to leave him. The way he leans into Rosie when the physician gives him a tight side hug. The way he willingly hands Beary Egan off to Alex to inspect before protectively taking the plushie back again. 

This right here is their family. They’d each do just about anything for one another – not even the sky's the limit. And yet Gale feels like he’s indebted to them for life, because against all odds, they brought his husband home to him.

—

Somewhere in the liminal space between Sunday and Monday, Gale has to wake Bucky – twitching, near-crying, and scratching at his IV – from a nightmare. Bucky won’t speak, won’t tell Gale what the nightmare was about. He holds onto Gale’s hand and won’t let go until Gale finally climbs into the bed beside him, holding him tight. Beary Egan remains clutched to his chest.

Monday morning finds him in another state of confusion, more or less mute with an elevated heart rate signifying his distress. He keeps trying to get at the cast on his leg or pull off the bandage on his head. He scrabbles weakly at the IV and tries to lash out when the nurse attempts to restrain his hands for his own safety. Gale has to clamp both of Bucky’s hands tightly in his own as he tries to ask him to calm down and assures him he’s alright. He quietly sings Blue Skies, looks into wild blue eyes. He squeezes Bucky’s hands, and slowly Bucky’s heart rate drops; the tension leaves his body.

The nurse ups his morphine, and he’s out again.

The next time he wakes, early Monday afternoon, Bucky is of clearer mind. Gale, who left for a few hours to stop by JSC, returns to the hospital to find him flirting with the nurse taking his vitals. He’s eating scrambled eggs, his hand trembling the littlest bit as he lifts his fork to his mouth, but he’s smiling at the nurse. She blushes at something he says, and Gale knocks on the open door.

Bucky’s eyes are clear and focused as they immediately shift to Gale, who is dressed in black jeans, a gray long-sleeve, and a NASA flight jacket with his hair gelled back. 

“There’s my lovely wife!” The smile on Bucky’s face widens, and a glob of scrambled eggs tumbles off his fork and onto the plate. He glares at it and lowers the fork back to the plate as well. 

The corner of Gale’s mouth curves up as he leans against the door frame. “Losin’ interest in me already?” 

“You’ve had me wrapped around your finger since we met, doll.” Bucky reaches a hand out, causing the IV to tug at the skin – red and irritated from his attempts to remove it this morning. Gale fully enters the room to take Bucky’s hand. Then Bucky motions to the nurse. “Doesn’t mean I can’t tell Clara she looks beautiful today.”

The nurse – Clara – smiles shyly as she jots down information on Bucky’s chart. “And you certainly keep us on our toes Major Egan.”

“What he does best,” Gale agrees. He looks down as Bucky slides his hand away once again, looking intently at his plate. 

“His temperature is going down,” Clara tells Gale by way of update. “Only 99.2, so the propranolol seems to be helping. We’re very pleased.” 

“Damn eggs,” Bucky mutters. He picks up the fork again and scoops up some of the offending eggs. His hand shakes as he lifts the fork to his mouth and barely manages to get his lips around it. No matter how many times he’s told it’ll take some good occupational therapy to regain fine motor control, he’s pissed about it. 

Clara sets the clipboard with John’s chart down on the mattress. “Shall we take a look at that scalp infection? If it’s healing nicely, we can keep the bandage off.”

Bucky nods, and Clara unwinds the gauze from around his head. The healing gash is a lot less angry than it was before, and she deems it improved enough to keep the wrap off for now. Bucky raises a tentative hand to the back of his head, feeling the patch of stubbly hair where they had to shave it once again upon his arrival. Gale gently smacks his hand. “That’s what got you in trouble in the first place.”

Bucky scowls but lets his hand be guided away from his head. “Think it was the rover that got me in trouble.”

Gale can’t really argue with that, and he tries to push past the unsettled feeling the statement leaves him with. Sensing the sudden tension, Clara pats Bucky on the shoulder, tells him to try to finish his eggs, and leaves the couple be.

Over the next 24 hours, Bucky manages to not only finish his scrambled eggs but also eat jell-o, a late dinner of chicken and rice, and half a pancake for breakfast that he savors the taste of but nearly throws back up – too rich too fast. Sometimes he needs Gale’s help holding the utensils, and sometimes he doesn’t. They go on a couple of walks around the hospital ward, Gale pushing Bucky in a wheelchair. 

They talk until Bucky’s brain refuses to talk anymore. Then they stay in peaceful silence, or Gale fills the gaps with stories, well-wishes from friends, or, most often by Bucky’s request, more singing. Bucky drifts in and out of consciousness with a far better sense of place and time than when he was on Orion, but his baseline anxiety levels are elevated. Overnight, they deal with more nightmares, more heart rate and blood pressure spikes, more lapses in memory and awareness. 

Turns out Gale isn’t the only one with a newfound unease in the night.

In the daylight, Bucky’s cognitive capabilities are far more reliable, and he seems nearly normal. Cocky, charismatic Major Bucky Egan with the winning smile, flirting with Gale and every nurse – young or old, male or female – who attends to him. 

On Tuesday, Bucky’s fever is gone. The headwrap stays off. Rosie comes by early that afternoon to visit and consult with the doctor, who lets Gale know that Bucky will likely be able to go home the next day. Rosie helps Gale make a list of things he’ll need to do to help Bucky at home, and he assures Gale he’ll help out, too.

It feels like they’ve climbed a damn mountain, and they’re so close to the summit. It’s the bottom of the ninth, as Bucky would say. He’s running for home.

—

The first time Gale hears Bucky cough is early on Tuesday evening. He hardly even glances up from his laptop. Just a quick look to make sure John is alright and then, seeing his husband peacefully asleep, he goes back to reviewing Orion flight data sent over from JSC, noting down how Artemis 3 findings may impact Artemis 4 protocols. A couple hours later, when he hears it again, it’s louder, wetter, and Gale frowns. But still, Bucky remains asleep, his brow just the slightest bit scrunched. Gale watches him for a minute before returning to his work, running a hand through his hair as he stifles a yawn. He takes a sip of shitty hospital coffee, tries to blink the tiredness out of his eyes, and wraps his fists in the soft sleeves of the Yankees sweatshirt that he’s wearing once again.

By about 8pm, he’s struggling to focus on the data swimming across his too-bright laptop screen, fending off a headache of his own. He’s debating whether or not he can stomach food from the hospital cafeteria, or if he’s better off going in search of something else nearby. Hunger is, for better or worse, something he’s started actually feeling again since Bucky has been progressing under the hospital’s care. 

He’s thinking about calling Benny or Marge to see if they want to meet at the Hundred Proof when the coughing starts up again. And this time, it doesn’t stop. Instead, when Gale looks up from his laptop, Bucky’s eyes are wide open, and he’s coughing so hard his face is turning red. He winces at the pain that the violent motion causes to his head and body. Gale sets his laptop aside and steps over to the bed, helps Bucky to sit up, rubs a hand up and down his back and presses the other to his chest. 

“Gale?” Bucky whispers. His face looks panicked, scared. And it pulls at Gale’s heart as he wonders if this is what Bucky looked like on Orion, every time he reached out into the void, hoping for Gale to be there. He takes Bucky’s hand in his and squeezes, a silent I’m here. A secret, I’m sorry I wasn’t before.

When the coughing subsides and Bucky manages to catch his breath, he makes a disgusted face and gags a little bit. Gale grabs a napkin from the tray at Bucky’s bedside, holds it out for Bucky to spit into, which he does. “You alright?”

Bucky squints and shakes his head, lifting a hand to rub at his eyes. He sniffs, and Gale notices for the first time that Bucky’s all stuffed up again, breathing mostly through his mouth. His eyes are a little red and watery, lips chapped, cheeks pink. The dark curls over his forehead are damp with sweat.

Gale presses his wrist to Bucky’s forehead, and he sighs. “You’re warm.”

Bucky looks up at him. The fever he’d been fighting since his return trip had finally gone down, and yet here he is all hot and stuffy again. When Bucky talks, his voice is thick with congestion and tired with the difficulty of drawing air into his lungs. “Shit.”

Gale goes to alert one of the nurses, who promptly follows him back to the room to take Bucky’s temperature. Sure enough, it’s back up to 101.

Gale settles for hospital food. He convinces Bucky to drink juice and swallow a few bites of soup, but he refuses anything else. Any progress he made in eating more solid food over the last day is fundamentally lost. Now, he shakes his head and tells Gale that the soup makes him feel sick. 

—

By the middle of the night, Bucky can’t breathe too well anymore. Unregulated gasps give way to pained wheezing as his lungs refuse to draw in the right amount of oxygen. His head is spinning, and he doesn’t know where he is. “Rosie?” he weakly calls out. It’s too dark, he can’t see the other astronauts across from him. He can’t feel Curt’s presence at his side.

He blinks in confusion when someone kneels down beside him, because that isn’t how people move in space. A strong, slender hand grabs onto his. “Look at me, darlin’.”

Bucky blinks slowly, tries to understand why that voice is here. With him. He reaches a hand up to his own ear in search of a com cap that isn’t there. “Buck.” A cough wracks his chest, and he feels any breath he’d managed to draw being choked from his aching lungs.

“I’m gonna get the nurse,” Gale says calmly. 

“No,” Bucky mutters. His hand searches for the side of Gale’s head, wanting to touch, feel, reassure himself that his husband is here. He feels the gravity pull at his limbs, the IV tug at his skin, the pulse pounding through his leg and his chest and his head. “W-Where am I?” 

In the darkness, he sees the way Gale frowns, and then tries to smile again, and then drops any expression entirely. Gale grips his hand harder, uses his other to brush the sweaty hair back from Bucky’s forehead. Bucky’s heart lurches at the familiar feeling, recalling vague memories of others doing that for him on Orion. His eyes feel wet.

Gale doesn’t break eye contact even as the question tears him apart. “You’re in the hospital, sweetheart. In Texas. You came home five days ago.”

Bucky stares at him, trying to compute something that just won’t quite come together. He remembers being here. He doesn’t remember how he got here. He remembers the pain of being on Orion, and yet part of him is angry that he’s back on this Earth. He doesn’t understand how Gale is here, but he wants to hold on and never, ever let go. He still feels dizzy and he can’t stand the sound of his own breathing, strained and inept. His chest hurts.

“I’m gonna get-”

“Don’t go,” Bucky pleads.

Gale looks pained, but he nods. Carefully, not letting go of Bucky’s hand, he reaches over to press the nurse call button beside the bed. He doesn’t leave Bucky’s side until a nurse comes in to see what the problem is. 

The nurse checks his vitals. “You’re gonna be alright,” she says in a calm, southern drawl. She moves about with such certainty, and Gale tracks her every move even as Bucky can’t, his head hurting too much as he focuses on not suffocating. And then the nurse is fitting a nasal cannula under his nose and around his ears, brushing back his hair in the same comforting way that Gale and Curt and Rosie did. 

“We’re gonna get you some extra oxygen here,” the nurse explains. “Just hold your husband’s hand and try to breathe easy, honey.”

—

In the morning, they take Bucky for imaging, and Gale’s fears prove true: everything about Bucky was weak by the time he made it to the hospital, including his immune system. After being isolated from everyone but a select few for weeks on end and receiving little sufficient nutrients for so long, he contracted a cold and some form of pneumonia during his hospital stay. 

They adjust his IV antibiotics, convince him to drink some water, but can’t get him to eat. The doctor pulls Gale into the hall, and she tells him that they want to keep Bucky for a bit longer to make sure they have a good handle on the infection in his lungs. Gale finds himself flexing the hand he’d punched the mirror with – weeks ago, now – looking for something to ground him. But the skin is healed over, painless. He wishes he could punch something else. Wishes he could have a drink. Hates himself for it. 

Instead, he finds himself dropping, numb, to the chair conveniently beside him. He briefly wonders if doctors do that on purpose, give people bad news where there’s an easy place to sit down. 

It’s not like it’s the worst thing she could’ve told him. It’s not like it’s even unexpected. Out of everything that has gone wrong, could have gone wrong, it could be worse. 

But they were so fucking close. 

Gale nods to himself and runs a hand through his hair, blows a heavy breath through his lips. 

“He’ll be just fine, Major Cleven,” the doctor tells him. “He might be weakened. But he’s not weak.” 

Gale nods again. Nothing about John Egan is weak. Never has been. But Gale also isn’t naive. 

The doctor puts a hand on his shoulder and assures him that John will get better soon. And then she leaves him be. 

He texts Rosie an update. Sits quietly for a while, surrounded by white halls, white floors, the scent of disinfectant. He finds it ironic that the hospital that is supposed to help Bucky heal also brought him new sickness. 

“They’ll get him taken care of,” Rosie’s text comes back. “He’ll be home in no time. Let me know if you have any questions or want to talk.”

Gale pockets his phone and gets to his feet. He holds his breath, counts the seconds. One. Two. Three. Four.

When he hits ten, he exhales and walks back to Bucky’s room. Over the last few days, they’ve accumulated get-well cards and a few flower arrangements, a stuffed Husky from Benny. There’s a brand new drawing from Maggie, one of the little girl and Bucky together on the moon. In the corner, a few balloons from the crew – one meant to look like Mars, one like the moon, and one a star. The gifts are scattered around, brightening a sterile room, and Bucky sits in the middle of it, propped up in bed with his casted leg propped on a pillow, Beary Egan resting beside him. His cast has been signed in colorful marker by his crew mates (at Curt’s insistence), a few of the nurses, and by Gale (at Bucky’s insistence). Gale even drew a little paw print for Pepper. 

Gale pauses in the doorway, taking in every detail. He’s struck by the thought that this is a view he’ll remember for the rest of his life: his husband in a hospital bed, hooked up to oxygen, an IV, a heart monitor; his unkempt hair, growing long from too many weeks of not cutting it, curls draped over his ears and his forehead; his face flushed with a fever that won’t go away; the sound of him choking back coughs and the sterile scent of the room. Every good and bad little nuance of this situation collides in an earthquake that leaves Gale a little dazed. It’s all nearly too much, broken puzzle pieces that are too big for the space they try to occupy. The grief he’s been through, a tragedy narrowly avoided, the gratitude he feels, the relief, the despondency that came with the doctor’s news. All wrapped up in a pure and painful, unequivocal love for the man in front of him. They’re emotions that Gale doesn’t have words for, can’t even begin to sort through, but they all rise up in his chest unbidden. 

He leans against the door frame and watches Bucky, who is looking out the window at the late morning light, the trees and the birds. Gale wonders what he’s thinking about. He runs his thumb along his wedding ring, and he notices that Bucky is doing the same. 

It’s at that moment that Bucky turns to look at him. For the first time, Gale thinks he looks small in that bed, face pale, eyes glassy once again. But he smiles at Gale like none of it matters, like they’re on a beach on the Gulf, drenched in sun, instead of stewing here. Gale forces his mouth into a crooked little half-upturned thing to keep the emotion from showing on his face, keep his features steady. His throat feels tight, his own eyes burning. But he blinks away the tears that threaten to well up, and he takes a breath.

“Hey there,” he says.

Bucky lifts his hand, holding it out. Gale steps into the room to take it, and Bucky presses his lips to Gale’s knuckles. “Hi.”

“Doc says you have to stay here a bit longer.”

“I know.”

Gale bites his lip and nods, looking down at their joined hands.

“Hey,” Bucky whispers, prodding Gale to look at him again. “I’ll be alright.”

A fleeting, sad little smile crosses over Gale’s lips, blink and you’ll miss it. “I know.” He squeezes Bucky’s hand, and he decides right then and there that he believes it. Bucky will get better. He has to.

—

It’s not easy. Bucky gets worse before he gets better.

Gale feels like he’s stuck in a weird time loop, where every night and every early morning feels frighteningly similar. Bucky has nightmares or wakes in the dark, in pain and crying out. He panics when he can’t seem to get enough air into his lungs, and the doctors consider intubating him one night, but manage to get his oxygen levels under control before it comes to that. Often, Bucky’s brain plays tricks on him, convinces him he’s on the moon or on Orion. The darkness and the brain fog leave him disoriented and anxious, not comprehending where he is, until a nurse helps Gale calm him down, gives him more sedative. Gale holds his hand or lays beside him, strokes his sweaty hair, presses his lips to the side of his head. He sings quietly or tells mundane stories until Bucky falls asleep again.

The days are better. With the sun streaming through the window in pastel rays that light up the room, Bucky is tired and lethargic, but coherent. He sleeps a lot, as much if not more than he did on Orion. When he’s awake, he talks as much as he can manage, but often loses his train of thought and seems to drift away. If he manages a conversation, the coughing often brings his contribution to an end, leaving his head pounding and his ribs protesting. Gale worries he’ll break one of those, too, if the cough doesn’t leave him alone.

“Quit lookin’ at me like that,” Bucky will say, when he catches Gale watching him with uncertainty all over his face. “I’m not dyin’.” But then he’ll be consumed by coughs, choking on his own breath.

He isn’t allowed visitors anymore due to the risk of exposing him to other germs, but when Gale isn’t around – or even sometimes when he is, just to give him a chance to get some air or some food – the nurses take to spending their breaks with Bucky. Most often, they take him on walks around the ward, pushing his wheelchair easily through the halls. They tell him about their day, and sometimes if he’s up to it, he tells them abridged stories about the moon or flying jets. One day Gale returns from JSC to find Bucky sitting in a wheelchair, one of the little rolling standing desks that doctors use lowered to his height. Nurse Clara sits in a rolling chair on the other side, and they both have a selection of playing cards in their hand.

“What’s this?” Gale asks as he removes his flight jacket, clutching it in one hand. He peeks at Bucky’s cards.

“Go fish,” Bucky replies, glancing up at him, and Gale notices that his eyes are clearer than they were in the morning. Bucky frowns as he slowly, laboriously convinces his fingers to grab onto the corner of a card, shakily laying it on the table.

Gale raises an eyebrow, and Clara smiles at him. “Just a little something to work on his fine motor control and keep his brain engaged.”

“I’m winning,” Bucky states proudly, and Gale kisses him on the head before going to sit on the couch, leaving them to it.

He never thought a game of Go Fish would make him want to cry.

During the worst moments, Bucky can become just as agitated as he was on Orion. He asks for Curt or Rosie or Beary Egan. He scrabbles at his IV, tries to pull it off, nearly succeeds once before Gale takes notice and makes him stop. He complains about his leg or the nausea or the pain in his head, and Gale can do nothing but be there, hold on tight, try to help him calm down. It’s those panicked moments in the middle of the night that leave Gale feeling bereft and alone, like he’s fighting single-handedly for Bucky’s survival. And even then he knows, it’s not even comparable to what Curt and Rosie went through, way out there on their own. 

Gale was there – even if only in voice – every step of the way on Bucky’s journey home, but he is now made aware, in startling clarity, that he wasn’t there. No matter what information he got through the coms, none of it could really pull into focus the reality of working Bucky through this all day and night in real time. He may have been here, a voice in Bucky’s ear, doing his best from thousands of miles away. He may have been here, feeling alone on this blue planet as he grieved the potential loss of the man he loves. He may have been here, living the nightmare in his own way. But he wasn’t really there for the play by play. He didn’t see the extent of Bucky’s pain and disorientation. He didn’t wrangle him into a spacesuit or clean up his vomit or rush to keep him stable when he tore out his IV. He wasn’t there for the nightmares or the bouts of confusion or the refusals to eat or drink or generally cooperate. He wasn’t there.

But now he is. He’s getting a taste of all of it, trying to keep his husband from crumbling away.

Rosie drags him to the Hundred Proof one night for some quality time with friends, even though Gale protests the whole way and keeps insisting he needs to get back to Bucky. “You need to breathe, Buck,” Rosie tells him. 

“He’ll be alright,” Curt adds. Just like everyone keeps telling him. “You need a break.”

Marge hugs him tight and gets him a glass of soda. Gale watches Rosie and Alex play a round of pool. He talks to Curt about anything that pointedly isn’t Artemis, but they inevitably fall into conversation about it anyway. Even so, Gale’s mind barely leaves the hospital the entire time he’s at the bar. Benny smacks him on the back at one point and tells him to get out of his own head.

When he gets back to the hospital that night, Gale is so exhausted that he feels dead on his feet. But he sits on the edge of Bucky’s bed, and he rests the back of his hand against Bucky’s forehead. Too warm still. The fever is going down, but hasn’t disappeared. He listens to Bucky’s strained breathing, marginally improved, and to the machine-echoed beep of his heart rate. Bucky has a new IV, held in place with even more tape than before to prevent him from pulling at it, and Beary Egan is cradled in the same arm.

Bucky scrunches his nose when Gale pulls gently at a soft curl over his forehead, and his eyes flutter open. His lips part to say something, but no words make it out of his sore throat.

Gale kicks off his shoes and slips into the bed, not even bothering to change out of the jeans and sweater he wore to the bar. Bucky’s fingers fumble at the button to raise the head of the bed, but he can’t quite manage in his groggy, half-asleep state, and Gale reaches over to help. The bed raises until they’re both more or less upright, Gale half curled around Bucky in the cramped space. 

Gale’s phone buzzes with a text message from Curt – tell the idiot to get better soon – and he glances down at it. Bucky looks over at the lit up lock screen, and a hoarse noise comes from his throat that makes Gale look over. Bucky blinks and points to the phone. The screen. The photo on the screen.

“Our wedding,” he finally manages to shove out.

It’s the photo from their first look, with Bucky staring at Gale with such adoration it might consume him from the inside out

Gale never managed to get through the whole album, but he saved this one particular photograph as his phone background, because he couldn’t take his eyes off it any better than Bucky could take his eyes off Gale that day in October.

“Mmm.” Gale tilts the phone to better show Bucky. “This one’s my favorite so far. I haven’t looked at the whole album. Couldn’t without you.”

Bucky stares at the photograph, and a sweet little smile lights up his face, even in his exhaustion. “My beautiful bride.”

Gale is about to ask if he wants to look at a few more, but before he can, Bucky chokes on a breath and coughs violently, leaning forward, away from Gale. Gale puts the phone away and rests a hand on Bucky’s back, but the coughing fit only gets worse, until Bucky can hardly breathe at all. He wheezes between wet, desperate coughs, pressing his arm over his abdomen as the force threatens to crack a rib like Gale is so afraid it will.

When it finally subsides, Bucky is left curled over on himself, one hand wrapped over his stomach and the other clutching weakly at Gale’s hand. He’s drenched in sweat, every part of him ranging from sore to extreme pain, and there’s blood on his hand that he coughed up from his lungs. Gale grabs a napkin from the stand by the bed to wipe it off, and he wipes some sweat from Bucky’s forehead.

“Don’t feel good,” Bucky mutters.

Throwing the napkin to the side, Gale grabs the cup of water and offers it to Bucky, guiding the straw to his lips. “Try to drink,” he instructs. Bucky does as he’s told, but pulls away after a couple of sips, and Gale returns the water to the table.

“Come here,” he says. Gently, he eases Bucky back until he’s laying with his head on Gale’s chest. Gale holds tight to Bucky’s hand, and he strokes his fingers through Bucky’s hair. “You’re alright, darlin’. Just rest, okay? You’re gonna be alright.”

Bucky doesn’t protest, just grips Gale’s hand right back as he shakily tries to keep his breathing under control, wills the coughing to leave him alone for a little while. Eventually, Gale feels Bucky’s hand loosen its grip on his, falling lax as he drifts off to sleep once again. 

It’s a long time before Gale allows himself to do the same. He can see the moon through the window, lighting up the night sky, and he has no idea what time it is, but it doesn’t matter. He once again doesn’t want to take his eyes off his husband even for a moment, like his continued existence is contingent on being in Gale’s line of sight. Or maybe it’s just that Gale spent so long unable to set eyes on Bucky, unsure if he ever would again, and now he can’t get enough. Making up for lost time and time he almost lost.

His fingers remain curled over Bucky’s, their hand’s resting on Bucky’s chest, and he feels the gentle, if shaky, rise and fall. He takes a deep breath of his own, as if it can somehow make up for the inadequacy of Bucky’s lungs, give strength to his body.

A song from Curt’s playlist comes to mind, and Gale finds himself singing it softly in the darkness as he holds his husband’s sweaty hand, willing the fever to break, the pain to go away. He wonders, if he stands guard in the night, will the nightmares leave Bucky in peace until morning comes?

“Ooh-ah, Soon you’ll get better,” Gale croons. He’ll stay up all night if he has to, if that’s what it takes for Bucky to rest easy.

“Ooh-ah, soon you’ll get better.”

He willed the universe to bring his husband home to him, and now he wonders if he’s being greedy, asking for more. But all he wants is Bucky to be safe and healthy again, free of pain, free of fear. He meant it when he said he’d love John Egan in any way, in any form, no matter what. But they’re so damn close.

Please. Just let him heal now. Let him rest. Let him come home. Give him this life as he wants to live it.

Please.

“You’ll get better soon.

‘Cause you have to.”

…

…

Everyone thank my beta reader (I don’t deserve them)

Part 18

[hongluboobs]

tumblr user hong lu boobs have you played any of the new canto yet im very interested in your thoughts

Yes I do!!! I don't want to make a big post on Some Of The Stuff til the whole canto is up (if you are aware of this account and some of my recent postings it may become aware of what i am talking about) but ohhghghgh. This shit Re Awakened the naive cyanism in me!! I thought it was gone. I thought I was over Hong Lu! I haven't even been doing my dailies and weeklies as of late that's how out of it i've been. but NOPE!! We are sooooo limback babey!!

(i apologize for yapping about hong lu right off the bat. its not that guy's turn yet. it's don's world and we are all just living it, but with the way don's character is structured my brain goes more towards a "wait and see" approach for her. I know it'll be awesome and i Am invested but like. this is hong lu boobs dot tumblr dot com. I'm sorry women)

I'll put some basic stuff above the cut and then some more spoiler-y stuff below.

HUGE fan of the presentation this canto. PJM continues to get crazier with this stuff every canto and this is no exception.

In the light of that previous bullet, I am fully expecting some meta fuckery here. They've pulled some cool stuff at the ends of cantos 5 and 6 but. this is the sinner about delusion/unreality! I Live In Fear of whatever pm is cooking.

The setting is also REALLY fun. whenever I saw a new battle bg i was cheering and clapping. they're all so fun and whimsical and there's so much potential for interesting things

I really like seeing how people dress in the north of the city! We've had so many new factions/branches of factions thrown at us so far and I love a lot of the outfits! Will this still hold true when I try to draw them and get upset at the level of detail after drawing standard formalwear on pm characters for so long? Maybe!

The CGs have been really clean so far? As an artist I get worried about this stuff sometimes because it's a lot of work to get done but all the ones I've seen so far are really nice :)

If you aren't reading passives and status effects this canto. do that. my brain might be a little too small atm to comprehend some of the gimmicks w the main enemy type but some of the wording in the enemies passives may be hinting at things. Also some of them are really funny

this Might be my favorite direction they've taken the OST? Honestly it's so hard to pick because this ost NEVER misses but I've been typing this whole thing to that one boss's theme (you know the one)

If you've played through the first part of the canto, feel free to click through the read more for some of my thoughts that delve more into spoiler territory

I am so intimidated anytime the screen goes black and I have to deal with various colored text and Scary Voiceover. I cannot say much on it aside from just how scared i get whenever it happens. I'm pretty bad at identifying voices (especially if i don't understand the language) but these lines just get. so interesting

Here they are all together for my convenience (and potentially yours :) )

I don't have a ton to say on it especially because anything I say can be proven wrong Very Quickly and I am not a don quixote scholar but I think the "Please, please! I don't want an adventure, stop! Please!" line from (who i assume to me) second kindred don is VERY interesting. much to think about regardless!

UPDATE: while I was writing this my buddy lu-is-not-ok (follow him. if you like what I do you'll like what he does.) sent me this image.

Yep, we've got identity stuff going on. Yellow seems to be Our Don Quixote (It's her text color, at least, but back then she'd be the bloodfiend second kindred, hence being able to obliterate that bear immediately, and acting less in line with the DQ we know and love) while red is... maybe the original don quixote? The original owner of rocinate at least,("Your running shoes look like they could fetch a nice price...") who seems obsessed with justice and fixers like ours. I haven't read the book so I don't feel like I can add a ton more to this aside from flat speculation but I am very interested in how this develops.

Ok now I want to talk about Hong Lu stuff. Let's ignore the elephant in the room for just a second :)

I'm a big fan of the exchange between Dante, Verg, and Hong Lu. THERE IS SO MUCH CONCERNING FORESHADOWING IN HERE!!!!! OH MY GOG. I can't handle it.

the specific wording of "the most lucid one" is SO interesting to me. fully expecting these cantos to be a True Combo. I was already anticipating it because they both have so much to do with rules and the boundary of reality and delusion but with the familial hierarchy theme present in bloodfiends its Definitely happening. And the light in Hong Lu's left eye going dimmer??? with the water theming being used??? Gloom/sinking themed distortion Please Please Please. you're nothing. Theres some water connections from the book irt the land of illusion (near the end bao-yu's enlightenment is seen as realizing that everything is akin to moonlight mirrored in the water- it ultimately doesn't matter and everything predestined to happen will occur regardless) and this water theming is present in Hong Lu as well (base ego) but it's really interesting to see it Like This.\

And now. there's probably some other stuff I can talk about but I wanna say things about The Elephant In The Room. If you follow my stuff and are caught up on this canto you know what I'm talking about.

I have been compiling a diagram with every mention of Hong Lu's family across all his dialogue. (which you can see here if interested, though it's now outdated for obvious reasons) We only really get vague mentions, the only direct family appearance is Jia Huan, who shows up to say one line and then fucks off.

I was not expecting to get stuff on Hong Lu This Early. They've been giving us mostly crumbs and I was NOT expecting to get hit by All This. I have been surviving on scraps and I just had the Hong Lu lore equivalent of a rotisserie chicken thrown to me. I'm kind of rusty on DOTRC because I haven't touched up on it in a while and as such I cannot give too many details but it's very interesting to see Xichun.

I'm going to check up on Xichun's characterization in the source later because there's so many characters in that book and she wasn't really one I had that close an eye on during my read. From what I remember, she's one of Bao-yu's cousins who lives in the garden with him, and eventually runs away to become a nun when the family starts falling into decline. (mirroring Bao-yu running away to become a monk for the same reasons.) I'm probably missing stuff I'll catch when I go out to reread the book, but based on how she's depicted here it gives me more of an idea about what themes of dotrc they're pushing for canto 8.

They're for sure emphasizing the familial abuse and how fucked up the jia family is. It almost reads like all of the siblings are in competition with each other (building "factions"). and Hong Lu has said his siblings have attempted to kill him before.

Hong Lu has been like this, which lines up with his book equivalent of Bao-yu, who is notorious for being childish/naive and not necessarily working within the pre established rules and conventions set up by his family. I'm curious how he's managed to survive this long with the jias a lot more willing to Kill Eachother.

"My most amicable sibling" fucks me up so much. what the hell is this family's deal man. I'm really curious about this line, because xichun is not a sibling but a cousin in the book. I'm curious what's gonna happen with Bao-chai and Dai-yu in Limbus because it's very challenging to adapt this story without those two. Dai-yu in Dotrc is one of the characters Bao-yu feels most comfortable being himself around. Generally, the female characters in DOTRC are better people than the male ones, and Bao-yu spends most of his time with the girls as a result. I'm curious how/if they'll adapt this because it's a pretty big thing in the book and they serve as an escape for Bao-yu from dealing with the nightmare that is people like his father. I feel if it was happening, they'd probably write Xichun a little kinder, but I don't know nearly enough to make any sort of call yet. Absolutely TERRIFIED (positive. this is a good thing) for what PM is cooking.

I'm gonna have to cut this off here because i have A Lot of thoughts but i also have many assignments to finish and have been typing this for way too long! Thank you for asking the question anon I hope you enjoyed reading some of my thoughts :) !!