#Anarchicks
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I was tagged by @padmeedala
Rules: pick a song for each letter of your url and tag that many people
N: No freedom under fascist rule - Anarchicks
O: Oh, Santa! - Mr. b the gentleman rhymer
R: Rebecca - Against me!
I: In the blood - Hades OST
E: Eyes wide shut - Bukahara
N: No me enfado pero me da coraje - Putt-Off
T: Time Adventure - The Marcus Hedges Trend orchestra
U: Ulls de Coral - Txarango
S: Sockosophie - Käptn Peng
I don't really have anyone to tag so feel free to do whatever you want with this
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"No Freedom Under Fascist Rules" é o novo single de Anarchicks
“No Freedom Under Fascist Rules” é o novo single de Anarchicks
No Freedom Under Fascist Rules é o novo single de Anarchicks, uma mistura explosiva de energia, audácia, irreverência e atitude. É um statement directo e sem metáforas que grita com todas as letras LIBERDADE. Quando, na penumbra e na calada da noite sentimos o bafejar fétido de um fascismo que pensávamos adormecido, tornou-se urgente lembrarmos que um mundo sem liberdade é um mundo incompleto,…
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Throwing Punches, uma agência de "pêlo na venta"
Throwing Punches, uma agência de “pêlo na venta”
Numa conversa fluída a três, Rita Sedas e Diogo Barbosa abriram as portas da Throwing Punches ao Altamont.
Amigos há algum tempo, recentemente decidiram criar uma agência de música que, como explicam, é muito mais que uma simples promotora.
Altamont: Como começou esta ideia de fazer uma agência de música?
Diogo Barbosa – Era uma ideia que eu tinha e a Rita também [Rita ri e interrompe].
Rita…
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Fuck Yeah! Portuguese Music 2.0
Desde 2012 sem publicações. Vamos lá tentar ressuscitar isto!
Sejam bem vindos ao Fuck Yeah! Portuguese Music 2.0 (e sim, ainda estou a trabalhar no template)
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AASPP Enfrentó Sola a Lo Peor del Globo
AASPP Enfrentó Sola a Lo Peor del Globo
https://wordpress.com/post/juntos2015.wordpress.com/4695 Argentinos Ayudando Sin Pedir Permiso, Enfrentaron Solos a lo PEOR del Globo .(ARCHIVO HAKEADO Y RECUPERADO + TESTIMONIOS DOCUMENTADOS PARA SASS (Sociological Anarchick Scizophrenic Syndrome) ¡POBRE ARGENTINA! Enfrentada SOLA contra lo Peor de USA Chile y la Traidora Corte Suprema de Justicia! Argentina Alemania y Eliot Ness agredidos…
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#Argentina#ARTICULO 29#CONSTITUCION ARGENTINA#CONSTITUCION PATAGONICA Art 11#El Crimen De La Guerra#HOLANDA#MAXIMA de HOLANDA#USA#Vaticano
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No próximo fds acontece em Santo Ovídio (Fafe), o Festival @santorockfafe com as presenças de @anarchicks @thetwistconnection e @lux.yuri entre outros 🤘 (em RUM - Rádio Universitária do Minho) https://www.instagram.com/p/Cgeh5E3DtCD/?igshid=NGJjMDIxMWI=
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enquanto estamos no tópico das trampstamps, thoughts on anarchicks? se nunca ouviste música delas, primeira impressão?
nao conheço, daqui a pouco vou experimentar
a ser sincera nao oiço punk desde q ouvia pennywise com tipo 15 anos prai e nunca tive muito dentro mas curto do genero ptt aceito sempre sugestões
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El coronavirus comienza a trastocar los planes culturales de la ciudad con algunas cancelaciones
La propagación del coronavirus ha requerido que se tomen medidas para evitar un número de contagios decano y obtener contener su expansión, lo que ha comenzado a afectar a los eventos culturales de la ciudad.
Así, la recital que la humorista Valeria Ros tenía prevista para el sábado en la sede de Afundación queda pospuesta, todavía sin plazo definitiva.
También en el plano musical se ha hecho notar, la sala Mardi Gras anunció a través de sus redes que las bandas Anarchicks, que iba a comportarse el 21, y A Contra Blues, mañana, no podrán recorrer para ofrecer sus conciertos.
En el plano de eventos, FNAC lanzó un comunicado, a nivel doméstico, con el que anunciaba la suspensión temporal de sus actividades culturales que, en el centro de A Coruña, afectan, entre otros, al showcase que iban a ofrecer Triángulo de Amor Bizarro el próximo día 27.
También los centros cívicos están notando la influencia del virus en sus actividades, ya que, por ejemplo, en el de Elviña, a la actividad prevista para ayer, que contaba con una treintena de personas apuntadas, solo acudió un estrecho asociación.
Grandes eventos
En cuanto a la celebración de grandes eventos, la Xunta de Galicia comunicó una serie de medidas para evitar la propagación del virus, así, los que tengan zona en recintos cerrados no podrán aventajar las 1.000 personas de superficie, mientras que los que sean al medio disponible, el periferia será de 3.000.
La sala Pelícano, emitió un comunicado en la etapa de ayer en el que señalaban que sus eventos, como la turista del Dj Don Diablo el viernes, se celebrarán igualmente, aunque limitando las entradas a las 1.000 establecidas.
Por otro banda, la promotora Go Events decidió anular la recital de Regis y Klauida Gawlas, a pesar de que la sala Pantalán tiene un superficie inferior.
from La Crónica Coruña https://lacronicacoruna.com/el-coronavirus-comienza-a-trastocar-los-planes-culturales-de-la-ciudad-con-algunas-cancelaciones/
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El coronavirus comienza a trastocar los planes culturales de la ciudad con algunas cancelaciones
La propagación del coronavirus ha requerido que se tomen medidas para evitar un número de contagios decano y obtener contener su expansión, lo que ha comenzado a afectar a los eventos culturales de la ciudad.
Así, la recital que la humorista Valeria Ros tenía prevista para el sábado en la sede de Afundación queda pospuesta, todavía sin plazo definitiva.
También en el plano musical se ha hecho notar, la sala Mardi Gras anunció a través de sus redes que las bandas Anarchicks, que iba a comportarse el 21, y A Contra Blues, mañana, no podrán recorrer para ofrecer sus conciertos.
En el plano de eventos, FNAC lanzó un comunicado, a nivel doméstico, con el que anunciaba la suspensión temporal de sus actividades culturales que, en el centro de A Coruña, afectan, entre otros, al showcase que iban a ofrecer Triángulo de Amor Bizarro el próximo día 27.
También los centros cívicos están notando la influencia del virus en sus actividades, ya que, por ejemplo, en el de Elviña, a la actividad prevista para ayer, que contaba con una treintena de personas apuntadas, solo acudió un estrecho asociación.
Grandes eventos
En cuanto a la celebración de grandes eventos, la Xunta de Galicia comunicó una serie de medidas para evitar la propagación del virus, así, los que tengan zona en recintos cerrados no podrán aventajar las 1.000 personas de superficie, mientras que los que sean al medio disponible, el periferia será de 3.000.
La sala Pelícano, emitió un comunicado en la etapa de ayer en el que señalaban que sus eventos, como la turista del Dj Don Diablo el viernes, se celebrarán igualmente, aunque limitando las entradas a las 1.000 establecidas.
Por otro banda, la promotora Go Events decidió anular la recital de Regis y Klauida Gawlas, a pesar de que la sala Pantalán tiene un superficie inferior.
from La Crónica Coruña https://lacronicacoruna.com/el-coronavirus-comienza-a-trastocar-los-planes-culturales-de-la-ciudad-con-algunas-cancelaciones/
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Celebrating Portugal’s past, present, and future
In heavily trafficked areas, such as the food pavilion seducing passersby with goodies like Porto-style bifana sandwiches and Alentejo wine, you’ll see literature pushing the party’s agenda and overhear panelists addressing topics ranging from child and parenting rights to social security and capitalism’s detriment to the environment.
This year, among other tributes, discussions also reflected on Portugal’s political past in honor of the 45th anniversary of the Carnation Revolution. Speakers remembered events like the 1969 students’ rights protest in Coimbra and youth opposition to the Estado Novo regime in its dying days. Some who lived through it shared their stories.
Debate has always been central to Avante! But in light of the revolutionary anniversary and Portugal’s then-upcoming October 6 general election, which saw Prime Minister António Costa secure a second term, this year’s discourse was particularly weighty.
Though the prime minister belongs to the center-left Socialist Party, his administration is significant for the PCP. During the last election in 2015, Costa brokered an unprecedented, informal alliance with the PCP and Left Bloc after winning fewer votes than the center-right Social Democrats, clenching a parliamentary majority and claiming the premiership.
Few expected the minority administration to succeed. It was labeled a geringonça, or “contraption,” comparing the coalition to an unstable machine.
Since 2015, however, Portugal has seen impressive economic growth in the wake of the eurozone crisis, nearly eliminated its budget deficit, increased the minimum wage, lowered unemployment rates, and reversed austerity measures, such as restoring four public holidays. Tourism and start-ups have also flourished.
Failing to win a majority in parliament earlier this month, Prime Minister Costa has expressed interest in renewing the alliance with the PCP and Left Bloc, as have both parties and Portuguese voters. In return for its parliamentary support, the PCP advocates for social welfare programs and workers’ rights, as well as issues like free textbooks in public schools and cheaper public transport — the same issues that fuel Avante!’s annual debates.
Daytime at Avante! is a choose-your-own-adventure extravaganza of art, activism, education, and culture. Music plays throughout the day, whether an afternoon set by an indie rock band, a traditional fado performance, or a round of “Carvalhesa,” the communist anthem that always seems to be playing somewhere.
At night, though, the festival fulfilled my friend’s prophecy.
The crowd that had earlier rallied around General Secretary of the PCP Jerónimo de Sousa, who opened the festival to loud cheering and a sea of red flags, morphed into a more familiar mosh of dancing festivalgoers.
This year’s lineup featured Portuguese artists like the all-female pop-punk band Anarchicks and heavy metal group Moonspell, as well as international acts like politically vocal American rock band The Last Internationale and Spanish songstress Sílvia Pérez Cruz, whose debut solo album was nominated for album of the year in both Spain and France.
Avante! is not Woodstock. It’s not Glastonbury, and it’s certainly not Coachella, though it is fair to call it a music festival. It’s also political, cultural, and contradictory, at once engaged and carefree, wholesome and a little bit rowdy. In truth, it’s a fitting tribute to a country-defining revolution that’s often recounted as jubilant, festive even, and to an unlikely administration that’s finding leftist success when much of Europe is moving toward right-wing populism.
In an era in which the news cycle churns out more dramatic twists than soaps, Avante! is the rare political festival that manages to be politics-optional. It may be hard to pin down, but one thing’s for sure: It’s a hell of a party no matter how you vote or, as it turns out, what country you’re registered.
In previous years, Richie Havens and The Band, both of whom performed at Woodstock in 1969, also played the festival, as did Dexy’s Midnight Runners of ‘80s-classic “Come on Eileen” fame.
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Tetris completo, seguimos sempre em frente! Ready, set, Vi... GO! #espana - - - #anarchicks #anarchicksotour #music #musica #rock #rockmusic #punk #punkrock #banda #band #art # https://www.instagram.com/p/BnJMK2Lgsmf/?utm_source=ig_tumblr_share&igshid=r3k5uspk0jsa
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Throwing Punches: uma agência que promete agitar o panorama musical A Throwing Punches abarca consigo uma atitude punk-rock: distribuir música às pancadas sem pedir satisfações a ninguém!
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Segunda edição do Indiegente Live a 19 de Outubro
Evento criado por Nuno Calado será realizado no Lisboa ao Vivo e terá nomes como Anarchicks, Rui Maia e The Parkinsons
Act-ups, Algumacena (Alex D’Alva Teixeira e Ricardo Martins), Anarchicks, a estreia dos Knot3 (Selma Uamusse e Toni Fortuna), Rui Maia, The Dirty Coal Train e The Parkinsons são os primeiros nomes. Outros mais serão anunciados para um evento que tem como conceito ser um espectáculo único, non-stop,em que os artistas tocam alguns temas e se encadeiam uns com os outros. Este sistema permite que…
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Celebrating Portugal’s past, present, and future
In heavily trafficked areas, such as the food pavilion seducing passersby with goodies like Porto-style bifana sandwiches and Alentejo wine, you’ll see literature pushing the party’s agenda and overhear panelists addressing topics ranging from child and parenting rights to social security and capitalism’s detriment to the environment.
This year, among other tributes, discussions also reflected on Portugal’s political past in honor of the 45th anniversary of the Carnation Revolution. Speakers remembered events like the 1969 students’ rights protest in Coimbra and youth opposition to the Estado Novo regime in its dying days. Some who lived through it shared their stories.
Debate has always been central to Avante! But in light of the revolutionary anniversary and Portugal’s then-upcoming October 6 general election, which saw Prime Minister António Costa secure a second term, this year’s discourse was particularly weighty.
Though the prime minister belongs to the center-left Socialist Party, his administration is significant for the PCP. During the last election in 2015, Costa brokered an unprecedented, informal alliance with the PCP and Left Bloc after winning fewer votes than the center-right Social Democrats, clenching a parliamentary majority and claiming the premiership.
Few expected the minority administration to succeed. It was labeled a geringonça, or “contraption,” comparing the coalition to an unstable machine.
Since 2015, however, Portugal has seen impressive economic growth in the wake of the eurozone crisis, nearly eliminated its budget deficit, increased the minimum wage, lowered unemployment rates, and reversed austerity measures, such as restoring four public holidays. Tourism and start-ups have also flourished.
Failing to win a majority in parliament earlier this month, Prime Minister Costa has expressed interest in renewing the alliance with the PCP and Left Bloc, as have both parties and Portuguese voters. In return for its parliamentary support, the PCP advocates for social welfare programs and workers’ rights, as well as issues like free textbooks in public schools and cheaper public transport — the same issues that fuel Avante!’s annual debates.
Daytime at Avante! is a choose-your-own-adventure extravaganza of art, activism, education, and culture. Music plays throughout the day, whether an afternoon set by an indie rock band, a traditional fado performance, or a round of “Carvalhesa,” the communist anthem that always seems to be playing somewhere.
At night, though, the festival fulfilled my friend’s prophecy.
The crowd that had earlier rallied around General Secretary of the PCP Jerónimo de Sousa, who opened the festival to loud cheering and a sea of red flags, morphed into a more familiar mosh of dancing festivalgoers.
This year’s lineup featured Portuguese artists like the all-female pop-punk band Anarchicks and heavy metal group Moonspell, as well as international acts like politically vocal American rock band The Last Internationale and Spanish songstress Sílvia Pérez Cruz, whose debut solo album was nominated for album of the year in both Spain and France.
Avante! is not Woodstock. It’s not Glastonbury, and it’s certainly not Coachella, though it is fair to call it a music festival. It’s also political, cultural, and contradictory, at once engaged and carefree, wholesome and a little bit rowdy. In truth, it’s a fitting tribute to a country-defining revolution that’s often recounted as jubilant, festive even, and to an unlikely administration that’s finding leftist success when much of Europe is moving toward right-wing populism.
In an era in which the news cycle churns out more dramatic twists than soaps, Avante! is the rare political festival that manages to be politics-optional. It may be hard to pin down, but one thing’s for sure: It’s a hell of a party no matter how you vote or, as it turns out, what country you’re registered.
In previous years, Richie Havens and The Band, both of whom performed at Woodstock in 1969, also played the festival, as did Dexy’s Midnight Runners of ‘80s-classic “Come on Eileen” fame.
0 notes
Photo
Celebrating Portugal’s past, present, and future
In heavily trafficked areas, such as the food pavilion seducing passersby with goodies like Porto-style bifana sandwiches and Alentejo wine, you’ll see literature pushing the party’s agenda and overhear panelists addressing topics ranging from child and parenting rights to social security and capitalism’s detriment to the environment.
This year, among other tributes, discussions also reflected on Portugal’s political past in honor of the 45th anniversary of the Carnation Revolution. Speakers remembered events like the 1969 students’ rights protest in Coimbra and youth opposition to the Estado Novo regime in its dying days. Some who lived through it shared their stories.
Debate has always been central to Avante! But in light of the revolutionary anniversary and Portugal’s then-upcoming October 6 general election, which saw Prime Minister António Costa secure a second term, this year’s discourse was particularly weighty.
Though the prime minister belongs to the center-left Socialist Party, his administration is significant for the PCP. During the last election in 2015, Costa brokered an unprecedented, informal alliance with the PCP and Left Bloc after winning fewer votes than the center-right Social Democrats, clenching a parliamentary majority and claiming the premiership.
Few expected the minority administration to succeed. It was labeled a geringonça, or “contraption,” comparing the coalition to an unstable machine.
Since 2015, however, Portugal has seen impressive economic growth in the wake of the eurozone crisis, nearly eliminated its budget deficit, increased the minimum wage, lowered unemployment rates, and reversed austerity measures, such as restoring four public holidays. Tourism and start-ups have also flourished.
Failing to win a majority in parliament earlier this month, Prime Minister Costa has expressed interest in renewing the alliance with the PCP and Left Bloc, as have both parties and Portuguese voters. In return for its parliamentary support, the PCP advocates for social welfare programs and workers’ rights, as well as issues like free textbooks in public schools and cheaper public transport — the same issues that fuel Avante!’s annual debates.
Daytime at Avante! is a choose-your-own-adventure extravaganza of art, activism, education, and culture. Music plays throughout the day, whether an afternoon set by an indie rock band, a traditional fado performance, or a round of “Carvalhesa,” the communist anthem that always seems to be playing somewhere.
At night, though, the festival fulfilled my friend’s prophecy.
The crowd that had earlier rallied around General Secretary of the PCP Jerónimo de Sousa, who opened the festival to loud cheering and a sea of red flags, morphed into a more familiar mosh of dancing festivalgoers.
This year’s lineup featured Portuguese artists like the all-female pop-punk band Anarchicks and heavy metal group Moonspell, as well as international acts like politically vocal American rock band The Last Internationale and Spanish songstress Sílvia Pérez Cruz, whose debut solo album was nominated for album of the year in both Spain and France.
Avante! is not Woodstock. It’s not Glastonbury, and it’s certainly not Coachella, though it is fair to call it a music festival. It’s also political, cultural, and contradictory, at once engaged and carefree, wholesome and a little bit rowdy. In truth, it’s a fitting tribute to a country-defining revolution that’s often recounted as jubilant, festive even, and to an unlikely administration that’s finding leftist success when much of Europe is moving toward right-wing populism.
In an era in which the news cycle churns out more dramatic twists than soaps, Avante! is the rare political festival that manages to be politics-optional. It may be hard to pin down, but one thing’s for sure: It’s a hell of a party no matter how you vote or, as it turns out, what country you’re registered.
In previous years, Richie Havens and The Band, both of whom performed at Woodstock in 1969, also played the festival, as did Dexy’s Midnight Runners of ‘80s-classic “Come on Eileen” fame.
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