#Analysis aren't my thing but I tried

[hanakou-often]

I just happened to stumble upon your blog.. and I never really thought about HanaKou before, but these posts are very compelling. I love seeing other people’s ships in things and would love to be convinced into them.. heh. I’ve sort of fallen out of tbhk recently because the most recent arc hasn’t been compelling to me PARTLY BECAYSE KOU AND NENE AND HANAKO DONT KNOW EACH OTHWR?!?!? Which is really depressing, because I like them a lot. Ermm idk where I’m going with this I just was scrolling through the blog like “heh.. they’re cute I want to know more..” and now here I am. Please excuse my nonsense blabber idek if this makes sense 😔

Oh boy. Despite Hanakou being my hyperfixation for around 3 years, I still don't feel equipped to salesman my way into convincing someone 😭 most of my love for them has just come from PURE brainrot so I'll try my best to actually formulate more logical reasons why I like this sinking ship as much as I do. Long ass spoiler-filled rant incoming!!

1. Narrative Foils

A narrative foil is a character that contrasts another character, often the protagonist, to highlight certain aspects of their characters. Think Kabru and Laios from Dungeon Meshi, Sayaka and Kyoko from Madoka Magica, Draco and Harry from Harry Potter, etc.

To begin, Kou is a 'weak,' naive exorcist who always fights for justice and to protect the people he loves out of his own volition. Since he is the underdog of his family clan, the mediocre middle child next to his eldest exorcist extraordinaire brother, Kou is willing to do anything to prove his worth. This is primarily exhibited by his first meeting with Hanako as he recklessly plunges into a battle with the most powerful ghost in Kagome despite his inexperience with his weapon. When he's confronted about such, Kou states, "I don't care what happens to me as long as I can protect everyone!" and if that doesn't sum up his ideology, I don't know what does. He is shown to be the type of person to put everyone's safety, happiness and livelihood above his own, ultimately leading his selflessness to be his own detriment.

Contrarily, Hanako is a strong, knowledgable apparition who is given the role to protect students of Kamome, regardless of his detachment from the student body, as a way of atonement. As the long standing executive leader of the seven mysteries, Hanako has grown largely apathetic towards everyone, easily taking the cold, calculated and unconventional routes to reach the outcome he deems best no matter who it would hurt in the process. This is exemplified many times in the manga but to pick a lighter one: The time Hanako confessed to Nene under the kodama tree without telling her before hand that it wasn't real, leading him to hurt her feelings. It's clear that Hanako is the type of person to value his own goals and interests above everyone else's input, making him the more selfish antithesis to Kou's "selflessness."

Their differences in philosophy are really striking at times. Kou is endlessly optimistic while Hanako is more pessimistic, seeing the grimmer aspects of reality that Kou usually neglects. For example, Nene's lifespan has been a divisive topic between them for a while. Hanako had known about it from the start, originally intending to keep the poor girl in ignorant bliss for how much time she had left. At the point of the reveal in the clock keeper arc, he had no plans on trying to change her fate, solemnly stating that "there are things in this world that must not be changed...It's better for Yashiro this way." This is a direct contrast to Kou's more 'human' perspective as he immediately protests Hanako's claim of "There is nothing you can do," passionately asserting that he won't give up, he'll do whatever it takes save her and that is final. In the face of a dark reality, Kou completely rejects it, choosing to believe there's hope, like the naive son of a gun Hanako knows he is. From personal experience, Hanako knows it's stupid, it's idiotic, it's downright suicidal to go up against fate but somehow he ends up hoping Kou is right, trailing "I'm counting on you" as they settle back into a world that will never be the same after this revelation between them. (Something something Their differences are key to propelling the plot forward since Kou is the one to inspire Hanako not to just let Nene's life go by!!)

All of this is not to say they don't have anything in common. In fact, they are united by their desire to save the people they care about, grounded in their ruthless determination to see out their goals and are self sacrificing to an extent. I would love to go deeper on this topic but I'm afraid my brain is already starting to fry lol. In short, their differences are what make them interesting as a duo!! Each of their qualities can compliment the other's contrasting attributes and as people say, opposites attract!!!

2. Pivotal Roles in each other's Narrative

Hanakou are very important to each other's story since they are a key player in both their humble beginnings and tragic ends. Respectively, they are each other's gateway to a new life. Much like Nene, Kou is a symbol of hope for Hanako, his spunky attitude and determined nature igniting a humanitarian spark that Hanako lacked in the sixty years he lingered Kamome. For Kou, Hanako is the first apparition he meets, the one that sets off his rocky journey with navigating the world of supernaturals as a lackluster exorcist, and the second person to fuel his fire by believing in him. Specifically, Hanako tells Kou he looks forward to the day he can expel him with ease, a statement that foreshadows their distant future. In order to complete their whole character arcs (Hanako going from stubbornly clinging to the near shore to repent to accepting he's done every to atone and ready to pass on; Kou starting off weak and naive then ending as a stronger exorcist capable of understanding both the supernatural world and humanity) they'll have to do exactly what Hanako anticipated: Exorcise him once and for all. This aspect of their relationship is something intricately intertwined with their fates and while AidaIro may have forgotten about it, I can only hope they'll deliver so that they can bring their narratives full circle.

Now in the context of a romantic relationship, there are some absolutely soul crushing implications here. The hands Hanako loves to admire, intertwine his fingers with and adore are the same ones that will ultimately be his demise. Kou is Hanako's deathbed. That’s what they’ve known all along. It’s something that looms over their heads with a lingering heaviness neither boy wants address: Kou wanting to silently avoid his crushing responsibility while Hanako is just trying to savor whatever time he has with Kou. It's doomed just like everything else in TBHK <3

3. Young Exorcist arc

This one goes hand and hand with the second point but I felt that this needed to be discussed on its own since it's where many Hanakouers (ME) really took interest in their relationship. The arc begins with Kou being pulled aside by Teru, the two having a conversation about how Kou was supposed to immediately exorcise any seven mysteries he encounters. When Kou fumbles around him, insisting that he can't find it in himself to see Hanako as a bad supernatural, Teru is quick to remind him that "There is no such thing as a 'good supernatural'" and promptly takes him off the case. He was going to take matters into his own hands but the moment Kou looks at him with pleading eyes, Teru decides to give him more time to carry the duty out.

This is where Kou sets off to find Hanako, get some irrefutable proof that he's not evil like the generalization Teru makes. The effort he puts here into defending Hanako is absolutely adorable, if not a testament to their potential then a testament to Kou's sweet character. The suspicion he's built as he spies on Hanako who saunters around with a sack of stolen items is broken once the ghost explains that he's gathering them to return to their rightful owners. As stated previously, Hanako’s noble deeds are done more as a way to atone rather than out of his own good will so to see that he went out of his way to return stolen items to students, one of which being Kou’s safety earring, without being obligated to do so is great evidence to support Kou's idea that supernaturals can be good. Given this, Kou decides right then and there that he won’t exorcise Hanako after all. Now, Hanako here could have reveled in this decision, his kind act successfully manipulating Kou into compliance with his schemes, but instead, Hanako shows him exactly why he shouldn’t give up.

He cares for the kid. He does. Which is why he has to show how wrong he can be. It’s a downright dangerous thought because it lures Kou into a false sense of security that all supernaturals can be “good” like Hanako.

Cue Teru's dramatic entrance where he immediately apprehends the offending apparition and tries to execute him (for good reason). Blah blah blah Teru is condescending towards Kou because he made the wrong call again, something something Kou is trapped in Teru's bead bracelet and question his view of Hanako once more. For a moment, Kou almost gives into despair, letting Teru exorcise him without another word. After all, what does Kou know about the supernatural world? He's a weak link to Teru's infinite knowledge, power and experience. Maybe he should just let him do what he deems best.

However, as Hanako objects to his sentencing, screaming that “death would only be a release” and he still has so much to do here, it reminds Kou that Hanako is here for a reason. Sure, he’s an apparition, something that’s synonymous with evil, but all that time they spent together has to mean something, right? Hanako indulges Nene and Kou, joking around, Hanako has indulged Kou when no one else believed in him, he's saved them when he easily could’ve left them to their own devices. That definitely means something. Suddenly, Kou breaks free from the beaded prison, charges in the middle of the battle field and grips Teru's blade with an iron fist, all to save Hanako.

Just look at that. Kou slit his own palm trying to protect Hanako, someone he vowed to erase just weeks ago, because he's willing to give him the benefit of the doubt. He defies his brother, someone he highly admired for the past fourteen years of his life, for Hanako’s sake. Kou’s change in attitude towards his exorcist duties is largely attributed to Hanako. The sole notion of Hanako, the not so evil supernatural, has turned Kou’s world completely upside down.

I'll never forgive the anime for omitting this arc, not only because it excludes a pivotal moment in their relationship but also because it deprived an enriching detail to their development!!! Oh my god. Kou finally stands up for himself and owns up to his naivety. He knows he’s stupid for jumping from one extreme conclusion to the other before he has fully understood everything Hanako has to offer but he can no longer side with Teru’s one note view of him or supernaturals in general, lest more decent apparitions be erased without cause. He brings a level of nuance to the function that Teru does not appreciate!! When Kou decides to vouch for Hanako, undertaking the massive responsibility to watch over him all on his own, it shows a lot of growth in his maturity and his perspective of the ghost.

So yeah. A lot to say about the young exorcist arc. Not only has it deeply impacted the Minamoto brothers relationship, but it has brought a significant change within Kou’s mindset. He’s no longer trying to label Hanako as a definitive good or bad but trying to deepen his understanding of him and decide what to do from there. As for Hanako, he seems to respect Kou more now, giving credit where credit is due, and feels as though their bond is strengthened by the vulnerable state they saw each other in. He even acknowledges this in the first chapter of ASHK when Teru comes in to “help clean" by immediately taking cover behind Kou and questioning the commitment he made to keep Teru at bay. It's also weirdly sweet to see Hanako taking cover behind Kou here!! It really goes to show how much trust they've built for each other and how safe Hanako feels around the exorcist C:

To sum it all up, the young exorcist arc was an important part of showing how Hanakou work together and cement how their views of humanity/supernatural world are shifting because of each other!! I didn't get to talk about it too much but they also have a bunch of cute moments here which sorta feeds to the next point.

4. Classic Bromance to Romance

A bromance is defined as a quote en quote "close, friendly but non-sexual relationship between two men" and that's more or less what Hanakou brings to the table!!! First and foremost, they are complete opposites in a lot of their personality traits which makes it fun to see how they interact. Hanako's pervyness to Kou's disciplined innocence, Hanako's mischief to Kou's gullibility, Hanako's love of teasing to Kou's fiery denials, it's all just so entertaining to watch!!! They bounce off each other sorta like a coke and mentos relationship where on their own, they're absolutely fine but when they're together BOOM explosions, dumb arguments, rough housing 24/7, etc, etc. Just take a look at the shenanigans they get up to in this panel.

How? Just how did they get here? They used to be enemies, they're still supposed to be enemies but here they are, a hopeful descendent of a powerful exorcist clan and an executive leader of a important supernatural group, just play fighting with a mop and broom like they're no better than two clumsy best friends goofing off on their free time. I love their little bromance so much because it's the result of their growth during the many adventures they've had together. URUGHH After they've been through, it's deeply endearing to realize that they really are just boys being boys at their core!! C:

Now moving onto the romance part, I want to preface this with how I do believe men should be allowed to have intimate platonic relationships with each other without having to get accused of being gay but alas, I fear Hanakou's closeness as friends can easily pave the way for something more as they blur the line between friendly and flirty banter.

It's already been established that Hanako feels safe enough to be his usual self around the exorcist, knowing that no matter how mischievous, touchy and downright despicable Hanako can be, Kou won't ever hurt him. It's a sweet sort of trust that can be explored further with some typical bromance shenanigans, IE Hanako gets bored and decides to test Kou's boundaries just for the hell of it. At first, it's only joke flirting and some harmless teasing here and there. Maybe a lingering touch or two (only to push some buttons of course). Most of the time, Hanako finds this endeavor to be deeply rewarding since Kou reacts in a way that Nene doesn’t, his responses leaning into his more physical, boyish volatility as he either bashfully pushes Hanako away, chases him off or just straight up punches him in the arm, visibly flustered. The reactiveness encourages Hanako to keep upping the ante to the point where it's more unusual for him not to mess with Kou. It's grown into a bad habit of his: snaking his arms around Kou's shoulders, fiddling with his fingers with reverent fascination, sneaking glances at the boy and making funny faces in the hopes he'll look back and laugh, etc, etc. As Kou gets used to Hanako's antics overtime, his extreme reactions gradually diminish and it's becoming increasingly clearer that Hanako isn't (wasn't?) just doing it because "he's bored" anymore. No, it's something worse. With a sinking clarity, Hanako realizes boredom isn't the driving reason for being around Kou anymore, it's fondness of the cute (flustered) expressions he makes, it's the giddiness that swells in his chest when Hanako manages to make him smile, the electricity that floods his system when Kou flirts back, it's...something else he does not want to dissect. And so, Hanako will bury this revelation under the belief it's due to his unfamiliarity of friendship. Fifty years of isolation has to do a number to your perception of romance vs friendship, right???

Meanwhile, Kou is committed to the promise he made in the young exorcist arc so he's usually admiring from afar watching over Hanako to make sure he's in line and keeping an eye on Hanako isn't hard as of late; they're spending more time together before, during and after school and as much as he doesn't want to admit it, he genuinely enjoys the company. Kou likes what they have, it's good that they can rely on each other and still leave room to joke around but to be honest, Kou has some...weird feelings towards Hanako. Every time their eyes meet his heart skips a beat, whenever he lets his mind wander it usually finds its way back to Hanako, their friendly banter stuck in his head, and for whatever reason, Kou's body can't seem to forget the ghost's touch, even long after he's fucked off to who knows where. There's something different about it. It's not the detestation he had when he first met Hanako, nor is it the quaint glee he had when he decided to not exorcise him. It's something completely new, something foreign that has his stomach doing flips every time he sees Hanako's bright smile or hears his stupid laugh. Kou tries not to think about it too much, lest he gives Hanako exactly what he wants, so he just chalks it up to his view of supernaturals being challenged. After all, going from believing all supernaturals are dangerous, evil vermin that need to be exterminated to voluntarily hanging out with such a friendly one is bound to stir up some mixed feelings, right?

Do you see my vision now? The bromance to romance pipeline would be unreal with these two confused idiots!! There's so much room for the internalized homophobia, the confusion of trying to differentiate friendly feelings from the clusterfuck of emotions the other boy evokes and the funny fumblings of two teenage boys letting the joke flirting go a bit too far like a game of gay chicken gone wrong. Their relationship speaks to me in a way that can only be described as the entertainment you get from mixing two reactive substances and waiting for the inevitable chaos that proceeds. Even if you don't ship Hanakou romantically, you gotta admit their dynamic is super fun to explore!! C:

5. Other characters reactions

I swear I’m taking this somewhat seriously but I really enjoy the more wholesome aspects of this ship!! Nene being the third wheel to her two guy best friends, the LEAST romantic people she knows, is something that is deeply entertaining to me <3 She came into Hanako's life wishing for a boyfriend, failed to get one and then had to watch him get one himself. She would be so happy for them but at the same time, she'd be fighting demons trying to figure out how these two IDIOTS got more rizz than she does. (How much aura do you lose for this LMAOOOO)

Then you got Teru which if you liked this aspect of Mitsukou where Teru disapproves of his brother dating a school mystery then hooo boy YOU’LL LOVE HANAKOU!! Whatever apprehension he has towards Mitsukou it's increased tenfold because it’s one thing to date a school mystery, it’s a whole other thing to date not only the ghost of a murder but the LEADER of the seven mysteries??? Teru would absolutely flip his shit, wasting no time to charge into Hanako’s bathroom and expel him right then and there the SECOND he finds out (AND I DON'T BLAME HIM!! he just doing his job fr). I’ve been told it’s sorta like a Romeo and Juliet situation where two star crossed lovers are kept apart by a long-standing feud between their opposing houses (Montagues and Capulets WHO? I only know the Minamoto clan and Seven Mysteries) and I think that can just about sum it up!!

6. Hanako-San (ASHK)

This post is already as long as it is so I’ll save you the trouble of attempting an analysis and copy and paste my ramble from another post: “In regards to HanaKou discourse, I've always seen people say 'Kou's into Mitsuba!!' or 'they're just platonic besties! Plus Kou rejected Hanako!!!' and sure, maybe Kou doesn't have a thing for Hanako but has anyone REALLY stopped to consider Hanako has a thing for Kou??? And just. Didn't process it because of internalized homophobia AND his crush on Nene overshadowing his feelings for Kou??? Because THIS chapter had NO RIGHT to be so fruity on Hanako's part” and yeah why is the first thing Hanako decides to do when he turns into a girl is flirt with Kou??? And an even better question is why did he genuinely sulk when Kou rejected him??? If you didn't mean it why were you so butt hurt then huh??? Hanako really is the type of guy to passively think "if Kou was a girl or if I was a girl, I'd date him 100%" and it definitely shows!!!

7. Fanfiction. So. Much. Fanfiction.

This one doesn't have much to do with canon but it's more than likely why some people (ME) began to ship Hanakou!! My personal experience was I thought they were sorta interesting and I checked on ao3 to see if there were any others who thought the same. To my surprise, there were a bunch of fics lovingly written for them already and out of curiosity I started reading one. One became two, two became three, then suddenly I was tumbling down the rabbit hole feverishly consuming whatever I could get my grubby little hands on. As you've stated, seeing others' passion can be pretty compelling reason to start shipping something and I totally agree!!! Exploring the dynamics in such a freeing medium like Fanfiction can be much more invigorating than just reinterpreting canon so do give it a try if you're interested!! I promise Hanakou nation is a welcoming space and we'd be delighted to see more people on board with these two idiots C:

END

AUGHHHH I struggled to find the right words to express my thoughts but I hope it gave you a better understanding of Hanakou!! These two really are my Roman Empire and despite how much I floundered around this post, I am genuinely grateful for the opportunity to share my visions!!! Thank you so much for asking C:

[bylertruther]

not to be too real but since we're talking about it... we always talk about will feeling lonely which is fair, but... it is such an Ugly, isolating, and genuinely heart-wrenching feeling to be the odd one out in your family, and to watch them treat others who aren't related to you the way you wish they would treat you, to watch them perform their familial roles with them and not you.

nancy's the only person in his family that mike could talk to, the only person that has the same trauma and would understand, and yet... he can't. they don't ever talk unless it's to be snippy and bite. nancy spends more time caring about max and will than she does mike, her own little brother.

holly is too young for him to bond with like that. she's just barely a kid, one that still needs to be cared for.

his mom tries her best, but he doesn't feel comfortable being vulnerable with her. considering the fact that she did everything "right" according to society's standards and married their dad of all people, i doubt he feels comfortable showing her who he really is. he lets her hug him when he's at his lowest, but we don't see them actually connecting.

his dad is just some ghost that haunts his house. he doesn't care about mike or think highly of him at all. the only times we've seen him pay mike any attention are when he belittles his interests, mocks him, punishes him, or shuts him down by telling him to listen to his mother. the only support he gets from him is financial in nature.

meanwhile, everyone else has a family they can turn to. dustin, despite lying to his mother to keep her out of his shenanigans, seems to have a decent relationship with her. even if he doesn't, he still has steve and robin. lucas is shown to have a healthy relationship with his parents and erica. will and el have their family.

max's situation is different, but she has the backing of the party; people that love her and actively try to help her and pull her back into the world of the living. she isn't thrust into a leadership role that doesn't allow for vulnerability. she has nancy who is willing to fight monsters for her, el who literally performed a miracle for her, and lucas who has stood by her since the beginning.

and mike... well. he has will back now, sure, but... things have been different between them for a long time now, even if they're both trying their best to be how they were before. and before then, will obviously was in california, not returning his calls or reaching out, making mike feel like he'd lost him for good.

so... all that being said, it's not that surprising that mike is the way he is: riddled with abandonment issues, wanting to be needed, immediately apologizing whenever he dares to open up, inclined to give others the protection and comfort no one's ever given him, prone to jealousy and possessiveness, unable to be completely and wholly honest about what troubles him, not exactly the most open to new people, and someone with appallingly low self-esteem.

you know how they say people that are drowning don't always look like they're drowning? that's mike.

[eikichi-supremacy]

hey so do you think wtv keiko had to deal with growing up with yusuke could be considered a type of parentification

[dimiclaudeblaigan]

Okay I don't do this normally but out of curiosity, I looked at that guys' posts and yeah they're going around sealioning anyone who likes Dimitri being all like "how can you say Dimitri/AM is your favorite when you didn't play all the routes". Buddy it's called having preferences, subjectivity and opinion. I'm sure if we twist their behavior around back at them, they'll be like stop bothering us for liking Edel cause double standards is their bread and butter.

Yeah, I had taken a brief scroll through their blog the first time I saw them argue with Random about Claude because I had a pretty strong feeling that they were just another stan running around around against Rhea and Dimitri fans because I knew that person didn't follow Random when they started pulling the bad faith Claude takes.

I scrolled through a few posts before I was like yeah I'm not even gonna bother looking further because I could see all they were doing was arguing with people whose names I recognized, and the only people who ever do that are the stans. They also have absolutely nothing else but discourse on their blog.

It's crazy to me too, because I've seen those same Dimitri fans try to talk about anything else FE related and yet they still get pulled back into discourse. Like, I'm at the point where I believe everyone in that immediate group is just actively being stalked by the stans (and I recall one of them mentioning they are being stalked by them, but my guess is if one of them is, all of them are).

Also, the stans tend to pull the "you didn't play xyz route" when I'm quite certain most if not all of the Dimitri fans on Tumblr have at the very bare minimum watched the full route on YouTube of anything they didn't play. All these people have the information they need to know where they stand opinion-wise, and like you said, it's just... having an opinion. The stans have their opinions, we don't agree with them, and we don't engage with them unless they engage with us first.

Something I've noticed about the group of Dimitri fans that gets stans going after them is that it's always the stans who start it. They always respond to asks sent to those people. In other words they go onto those people's blogs, look at their posts/their replies to their anons, and start arguing at them over literally anything they say in thsoe ask responses.

Every single time I see a post reach my dashboard from any of those people (you might know the Faerghus/Dimitri group I'm talking about), it's always a stan going after them when they were just answering one of their own anons and posting something on their own blog. I'm sure there are people who think they engage in discourse too much, but they don't even start it. They get harassed and can't just blog in peace.

Unfortunately those same stans have been targeting Random as of late (and I've noticed it's more and more different ones so they're probably going after someone as soon as they notice their buddies are doing so) so it's not that surprising that they've taken notice of me since she and I interact regularly. They basically go through the chain of who interacts with who and try to start shit.

Oh nonnie honey, you better believe if even a single Dimitri fan did to them what they do to us, they'd be all over that and whining about it and posting callouts and shit.

I just want to be able to post whatever my feelings are about Dimitri without worrying that people will try to tear it down because "it's not about Edel-chan and it portrays Dimitri in a good light".

I've blocked every Edelstan I've come across but more of them keep popping up, so... I guess the blocking never ends. My block list is basically just Edelstans and bots at this point with few exceptions.

Funny how the stans don't block Dimitri fans who hate Edelgard to avoid seeing them (it's because they don't actually want to, because they want to argue), even though we're all over here trying to block them, but some of them block evade to keep going. Literally like Dimitri fans have tried to block them and move on, but they persistently find ways to keep harassing. And like I said, they go down the line, so eventually they'll just find every active Dimitri lover who posts about him and whine at them.

[woso-dreamzzz]

Practice II

Hardersson x Teen!Reader

Part of The Big Adventures Universe

Summary: You practice with your mums

You are a keeper.

You've been a keeper since you were a child. You were always going to be a keeper, deep down. One day, you are going to be the greatest keeper in the world. One day, you might even be the greatest keeper in history.

But right now, you are not.

You are just a girl in her backyard with inflatable people blocking your view of Pernille and her wicked shot.

She chips it over your line and you jump up to meet it.

Pernille and Magda aren't keepers. They have never been keepers. They will never be keepers.

But they're trying, for you.

They're trying to think like keepers.

"Do you think you organised them right?" Magda asks from the side," Your defenders?"

Today has been tactical training.

You'd seen keepers organising their lines at games before. You'd seen keepers throughout your childhood yell out orders before.

You'd never really been a yeller though. You weren't confrontational. You weren't loud. You weren't a leader.

"Well...I got the ball?"

Magda nods. "Okay. Let's run it again."

Pernille goes to take her kick again but squares the ball to Magda waiting in your empty middle. She shots in one touch and you scramble from where you thought the ball was coming from to get a brief glove on it.

Her shot is hard and fast but you manage to just graze it with your hand and roll it to the side.

"And now you've conceded a corner," Pernille says.

"Well," You pant, still laying on the ground," I couldn't exactly grab it."

"You need to trust your wall and be ready for the shot to come from elsewhere. Nine times out of ten, they'll send in a cross rather than a shot," Pernille continues," You need to be ready."

You're pretty sure your shoulder is bruised from the amount of times you've had to go to the ground with a ball.

Pernille used to pull back the power of her shots when you had a kick around but now she doesn't. All gloves are off and a few times you've felt a little winded after gathering one of her strikes.

But you wanted this so you're going to take advantage and repeat it again and again until you think you're ready.

Magda has been helping you with your tactics and it's with her that you find yourself now, staring out as Pernille waits to take a penalty.

"Half of it is guesswork," Magda says into your ear, standing behind you so you can both stare at your Momma," But when you're in a team, there'll have been analysis and things but right now, I want you to study the way she's moving. I want you to look at her run up and the way she's positioned herself. Some of it's subconscious. She doesn't even notice it but you have to."

You nod.

Pernille takes her penalty.

You go the right way and save it.

"Good," Magda says," But make sure you wait as long as possible. She's studying you like you're studying her. If you give an indication of what way you're going then they'll go the opposite direction.

You groan. "And everyone does this?"

"Not everyone," Pernille laughs," Only the good players."

You huff, pushing off the ground. "Alright. Let's go again."

You're hot and sweaty when practice for the day is finally over and fall face first onto the sofa.

"Hey." Magda swats you with a tea towel. "Shower, please. I don't need that sweat all over my new cushions."

"Leave me here to die," You reply, remaining where you are.

Magda's hands are on you, trying to roll you off but you go rigid in an effort to delay her. You lock up all your muscles and go stiff as a board and Magda has to bite back her own laughter at how stubborn you're being all of a sudden.

"Come on!" She says," Off! Get off!"

"No," You reply with a small laugh," If I move I'll get cramp."

"You'll got cramp because you've gone all stiff. Go and shower!" She tries to rock your body around but you refuse to even give her an inch to work with.

"No!"

Finally, she rolls you off and you flop onto your back on the carpet.

"I'm telling Momma!" You're up like a shot, running up the stairs.

Magda laughs after you. "I thought that if you moved, you'd get cramp!"

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.

[aethelwyneleigh27]

Toothache

How does one go "You're Too Sweet For Me" to "My Baby's Sweet As Can Be"?

Synopsis: Simon Riley finds himself stuck in a situation, growing feelings for his roommate who's so annoyingly caring, domestic, sweet and too good for him. What happens when he let's himself indulge in the sweetness rather than cage himself in the bitter life he's been told is the only one he's deserving of and the only life he's known?

Apologies to this mess of a lyricfic, I couldn't help it even though this was supposed to be a relationship analysis..

MEN WRITTEN BY ANA HUANG ARE GONNA BE THE DEATH OF ME. Alright back to our original programmed schedule with Hozier. ALSO SURPRISE! THIS CONTAINS 3 HOZIER SONGS as an apology for not posting these past two weeks due to me enjoying holidays, reading, prom dress picking and wanting to stab myself because of life, there's the added bonus 👀

My CoD Masterlist

My Simon Riley x You Playlist

Also reader in this one had a lot of characterization, she's me fr, so AFAB?Reader, Fem!Reader, Short!Reader, Reader is VERY feminine with fashion, soft-girl-sunshine!Reader and Chubby?Reader. Y'all have no idea how hard it is to write without a personality and physical intimacy in romance, I tried but failed 😭

Warnings and Disclaimers: Mentions and details on sexual content ahead (is this considered smut? Idk anymore). Not detailed smut but vivid memories of sexual intercourse (especially the dialogue) with Simon. Again, this is a safe account for all ages because I'm not a MDNI acc, you are responsible for your own media consumption. DO NOT GO ON MY DMS, INBOX OR REPLY TO MY CONTENT TO TELL ME YOUR AGE. I don't need to know that and let's strive to not make each other uncomfortable. Mentions of questioning of religion or rather belief on afterlife??

Pink, bold and italic: Lyrics

Italic: recalling past events

Little snippet of an image of how I imagined he'd hold you, courtesy of the one and only @ave661

"It can't be said I'm an early bird, it's 10 o'clock before I say a word. Baby, I can never tell, how do you sleep so well?"

Simon Riley was never a man to live the life he was taught to in the military, it was out of habit for him to not leave his room until around noon. Then there was you, his roommate, he didn't exactly calculate how much it would affect his personal life to save money through rent by willingly letting someone within the same living space.

He'd find himself with not even a wink of sleep, hearing your footsteps through the thin walls, hearing the lock on the windows outside click open.

"You kept telling me to live right, to go to bed before the daylight. But then you wake up from the sunrise."

He'd always hear you, quite frankly it was like nagging on the constant.

"Simon you shouldn't do that, you'll hurt yourself"

"Simon please go get some rest"

"Simon.."

He'd swear he'd rip his own ears out every time his name falls from your lips from how sweet and chirpy it sounded and yet deafening silence would consume him whenever you aren't around.

"You don't gotta pretended, Baby, now and then. Don't you just wanna wake up dark as a lake? Smellin' lika bonfire, lost in the haze?"

Something about you makes it so tempting for Simon to give in, I mean it would be a one time thing, wouldn't it? So soft, so pliant, he set himself up for an addiction. It wasn't healthy, he knew this, he'd convince himself of the fact that he would end up hurting you.

Just too different, it repeated like a mantra in his head. He was bitter, brooding and didn't find any sense of pleasure in living. Why'd you think he has the job he chose? It's all he knew, till you skip your way into his life, giving him the sweetness he was deprived of.

"If you're drunk on life babe, I think it's great. But while in this world, I think I'll take my whiskey neat"

Drowning himself in alcohol, a trait Simon promised himself he wouldn't ever do when he was young, setting his glass down with a small thud from the wooden table. But what would the kid version of him know about life. He didn't have healthier options of coping with what seems to be his dilemma.

But then there you were, sweet little thing coming home at the late hour in that skimpy dress of yours. Revealing too much to the eyes of those who wish to have you for themselves with just one look. Where did you go that night?

"My coffee black in my bed at three, you're too sweet for me"

Desperately trying to keep himself awake and at bay from his thoughts of you. Drowning himself in now two cups of straight black coffee to help him focus.

It was odd, you got used to the scent, was strong with a lack of sweetness but it calmed you down knowing he was around.

How he'd corrupt you, he wanted to shatter that rose tinted glasses of yours to save you from himself because being with him would change you. Selfish but he doesn't want that, you were utter perfection..

Simon further delved into his feelings, what the fuck was wrong with him?

"I aim low. I aim true, and the ground's where I go. I work late where I'm free from the phone and the job gets done"

Grumbling, Simon walks back into the apartment in the middle of the night. You heard a thud, you come out of your bedroom, yawing from you incomplete sleep.

"Si..? Are you hurt? What happened?" You asked in a soft tone, careful not to agitate someone would could possibly be pissed off.

Simon stays silent, glaring at you as his eyes was only thing visible because of his balaclava. Your soft gaze intimidated him, because why would he feel that squeeze in his heart?

"But you worry some, I know but who wants to live forever, babe? You treat your mouth as if it's Heaven's gate. The rest of you like you're the TSA, I wish I could go along Babe, don't get me wrong..."

The only thing Simon heard was a sigh from you and nothing more, you walk up to him, each footstep feeling louder than that last.

Something Simon didn't expect you to do was wrap you arms around his waist, tiny thing you are that your head only goes up to his chest. Your body against his, basking in the warmth in contrast to the cold weather he had to deal with coming home.

"You know you're bright as the morning, as soft as the rain, pretty as a vine, as sweet as a grape. If you can sit in a barrel maybe I'll wait, until that day.."

You took care of him that night, to his reluctance and stubbornness. Despite refusing, he had no choice, he wouldn't want a soft thing like you on his ear the whole night till he agrees. You were persuasive in your own irritating way.

Sitting on the edge of the tub of the warm bath he's in, washcloth in hand. Touch was so gentle, why was it so soft? Why's it so warm? "It's the water you fucking idiot" his subconscious screaming at him. In denial.

Why is his heart beating so fast..? He wants to stab it to stop the feeling..

"I'd rather take my whiskey neat, my coffee black and my bed at three. You're too sweet for me"

Using both your hands this time around, one gently holding his chin with your fingers while the other wiping away at the eyeblack he had. Every scar on his face felt the graze of your finger.

The slow blinks, your eyes on his. Before any conscious thoughts consume Simon, he lifts his arms from the warm water and wraps them around you.

Your nightgown was now damp but you couldn't care less, now with the man you were pinning over, foreheads against the other.

"Si.." you softly whisper. That nickname will be the death of him, you'll be the death of him. He crashes his lips on yours, not wanting to let go till you both were panting. You were too fucking sweet, your lips, your skin, everything. He wanted a taste and he got it...

"My lover's got humor, she's the giggle at a funeral. Knows everybody's disapproval, I should've worshiped her sooner"

Another sleepless night wasn't uncommon for someone like Simon.. however this aching feeling wasn't, he doesn't know where it's from or what it's about. Not until he heard you in the kitchen, letting out a giggle even though you knew better.

"If the Heavens ever did speak, She's the last true mouthpiece. Every Sunday's getting more bleak. A fresh poison each week "We were born sick"

That sweet fucking voice, like the angels speaking to him themselves. "Oh- I'm sorry Si, did I wake you up?" You asked, turning around to the sound of his footsteps.

That tiny nightdress of yours, a reminder of the night you spent together, that morning you slept in his bed.

Lashes beautifully displayed on the delicate skin of your under eyes. Soft noises while your chest was peacefully moving up and down with every breath.

"She tells me, "Worship in the bedroom". The only Heaven I'll be sent to, is when I'm alone with you I was born sick, but I love it Command me to be well. A, Amen, Amen, Amen"

"Simon.. Ahh~" you moan out softly, your body writhing underneath him. It felt hot, sweaty despite the well ventilated room, so intimate from something that was supposed to be the farthest thing from domestic.

"Shhh, you can take it sunshine.. You don't want the neighbors to hear us, do you?" Simon whispers, callous hand covering your mouth with as little pressure possible, you whimper at his words.

Closing your eyes to lose yourself in the pleasure you've never felt before. Your body being worshiped with gentle hands and soft kisses that leave marks by the very same man who kept distancing himself from you, now he'd stop at nothing for your pleasure.

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life."

"Simon.. no more–" you whined. Scratching his back hard enough to leave marks without being aware, he'd always imagine what those pretty pink nails could do to him.

"Just one more, please sunshine.. you remember our safe word right?" Simon asks for you to nod softly, you didn't have energy to take anymore. "I told you I'll make you feel good, didn't I? So be a good girl for me and take it, hmm?"

Your eyes roll back at his praise, your legs shake with one after another wave of pleasure running through your body. This man was starved.. insatiable.. who would be able to resist such a request? Not you.

"If I'm a pagan of the good times, my lover's the sunlight to keep the Goddess on my side. She demands a sacrifice, drain the whole sea, get something shiny"

It took everything in Simon not to worship the ground you walked on that night, he wasn't trying very hard, was he? Because always.. at the end of the night, you're in his bed, his mind, his life.

Was it really a sin? To want something you don't deserve? Simon stayed up that whole night, not a wink of sleep while thinking of whether this arrangement should continue. Every bone and organ in his body telling him to be selfish, take what was something that wasn't his to take.

"Something meaty for the main course, that's a fine looking high horse. What you got in the stable? We've a lot of starving faithful that looks tasty, that looks plenty, this is hungry work"

Simon's gaze, never faltering on your sleeping figure that he refuses to go anywhere but his own arms. He tries to close his eye to compose himself, free himself from the emotions you emit from him.

His efforts were to no use, all he saw was the image of you, sweetly smiling, those doe eye staring right through his soul.

"No masters or kings when the ritual begins. There is no sweeter innocence than our gentle sin In the madness, in the soil of that sad earthly scene. Only then I am human, only then I am clean"

You were getting too close for your own good, Simon knew that, he'll be damned if he let's himself hurt you. So he does what any stupid man would do, avoid you like the plague. Did it mean nothing? Were you just some fling, never to be talked about again?

Fuck you Simon Riley, he made you feel loved in bed like no man ever has or ever will, completely ruining your chance of ever thinking of anything else and that was just a hook-up session? Maybe this one time you can let yourself be delusional, was there really something more? Only one way to find out.

"Oh, oh, Amen, Amen, Amen, Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life"

You caught him, fucking finally, after days of waiting and trying to get him at the perfect time. "Si.." you whispered softly, you didn't know where to start. He took a quick glance at you before looking back at what he was doing.

"Simon Riley, don't fucking ignore me. Not after everything that happened those nights" You said, it was stern but he needed to hear it. It made him stop, think about what had happened.

Before he could generate a response, "Why?" You asked. It was a vague question, why was he ignoring you? Why does he feel this way? Why does he love you yet refuse to act on it?

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life.."

"You don't deserve a man like me, you deserve one who is like you, optimistic, sweet, fucking beautiful and alive.. A man who's not damaged, scarred, has blood on his hands and haunted by his past. A man who's not afraid to show his love for you. A man who won't put his burdens on your shoulders and a man who will take care of you instead of the other way around. That's what you deserve and I can't give that"

Everything felt like it came to a stop, were you hearing that right?

"You have no idea how much you contradict yourself, Si. How are you so sure that you haven't given those things to me already? You might not be like me but "like me" isn't what I want.. I want you, every flaw, every beautiful scar. Not once before your silent treatment have you hurt me, it's frustrating yes, but you are worthy of that. Every struggle, frustration and mistake, every bit of your love is worth all of that. I want you to see that Si, your actual true worth rather than what some psychotic fucker decided to torture you with"

"Boys, workin' on empty. Is that the kinda way to face the burning heat? I just think about my baby, I'm so full of love I could barely eat"

"Si?"

"Yes, Sunshine?"

"I love you" You whispered after smothering him in a plethora of kisses. Never has anything made Simon melt more in his life than his wife say that. Doesn't matter how long it's been, how much the both of you have been through or how much frustration the both of you were going through..

It will always stay the same, the feeling those three words give him, like the first time, every moment feels that way. Familiar, finally.. Home.

"There's nothing sweeter than my baby I'd never want once from the cherry tree. 'Cause my baby's sweet as can be, she give me toothaches just from kissin' me"

He always thought about how unfaithfulness was such a struggle between some people, he thought about how good he has it constantly, reflecting back on what he used to have to how now this is something he never thought he'd have or deserve.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

When a man finds himself in the verge of embracing death's arms, what causes the struggle? What causes him to fight that pain, to keep on going? Not once has this crossed Ghost's mind.

No. He's not Ghost, he's Simon. Your Simon.

And you're expecting your Simon home, fuck everything else, he'll give the biggest "fuck you" to death itself and crawl home to you because he'll be damned and he'll experience everything he has in his life over and over again just to hold you again.

"Boys, when my baby found me I was three days on a drunken sin, I woke with her walls around me. Nothin' in her room but an empty crib and I was burnin' up a fever I didn't care much how long I lived, but I swear I thought I dreamed her. She never asked me once about the wrong I did."

It should matter, the amount of blood on his hands. Not once did you judge him for it, what the fuck was wrong with you? Giving a monster such as him a bath like he was some innocent stray kitten, although this time around it was far more messy. The dried blood caked underneath his finger nails.

Flashing him a tired smile while you wiped off the blood that made the water in the tub a hue of brownish-red. Taking your hand in his, his lips brushing against your knuckles. The way you looked at him was enough to make him cry.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

"Fucking get up" Simon repeats to himself, "She needs you, she loves you" despite how many times he's convinced himself you didn't due to the voice of his father in his head, it felt like a knife twisting in his heart imagining how it would be for you without him.

How much you cried the night he came home a day later, you told him yourself, practically sobbing while clutching your aching chest and him with your other arm how you weren't ready for Price to show up at your doorsteps holding Simon's belongings.

He won't let that happen.. he can't...

"My babe would never fret none, about what my hands and my body done. If the Lord don't forgive me, I'd still have my baby and my babe would have me"

Simon knew it, no one would ever love him like you do. No one would show him the same acceptance, devotion, care, concern and love. It wasn't healthy to be so attached dependently to someone in love.

He couldn't help it, it felt so right, everything with you did. Never a judgmental one, at least towards him. Always first to hold him, the first to ever take away the heavy guilt that weighed his heart and shoulders down after he'd done something he knows he'll go to hell for, if it's even real

"When I was kissing on my baby and she put her love down soft and sweet In the low lamplight I was free. Heaven and hell were words to me"

Every inch was kissed, not a part wasn't worshiped. "So fuckin' beautiful, so sweet. All for me, hmm?" Simon mumbled against your skin, suckling on the soft sweetness that he so claims. All hickeys, no bruises.

Fuck, he'd not just survive but thrive on just you. No other sustenance, your supple thighs he adores to cover in purple, your neck, your lips and your skin that he often compares to sugar syrup in his head.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down I'll crawl home to her"

The question was, was it worth it to live an eternity of lifetimes filled with suffer to be with you in at least once? The only answer to ever graze Simon Riley's lips was the word "yes", the day that changes is the day that he'd be the biggest bull-shiter the world has ever known.

Simon opened the door to your shared home, "Daddy!" A loud squeal wakes him up from his dread of what he's seen on the field.

"How's my little sunshine been? 'Ave you been good to your momma while I was gone?" Simon asked, carrying the little girl in his arms.

"Yes! Momma said we'd go to the park tomorrow as a reward for me helping out!" Little one saying it so proudly, Simon couldn't help but smile, beaming with pride as his little girl grows up to be what he recognizes as a good person.

"Simon..? You're finally home, I missed you so much" You said, peeking out the laundry room. You walked out, quick to give him a peck on the lips.

"I love you Si.."

"I love you too Sunshine"

Also this is a very long fic.. I expect long feedback.. @connorsui 👀

Does this make sense? Idk anymore it's like almost midnight and I'm running on a few hours of sleep. GOD MY PROM DRESS LOOKS SO GOOD, I CAN'T WAIT.

Taglist: @wishesforyou @puff0o0 @simping4konig @simp4konig @blingblong55 @azereus @rustic-guitar-notes @shadofireshinobi @thelightdjinnofpalestine @09maruchan @anonymuslydumb @skeletalgoats @icarustypicalfall @ghosts-cyphera @fawnchives @connorsui @capuccino192 @miss-gms-and-the-rotten-womb @celestialhole @the-second-sage @starryylies @everlastingmoonlightsworld @keiva1000 @iexiam @drewsmusee @konigceo

Trying out new dividers as well by @anitalenia

[writingquestionsanswered]

Hi, I'm quite new to writing and would like to start writing fanfiction as practice, but I find it hard to keep my writing in character. Do you have any recommendations for that? I've tried keeping like notes of how they act, but I'm unable to keep track of them.

Fan-Fiction: Keeping Canon Characters in Character

If you're struggling to keep a canon character in character, it's very likely you're just not familiar enough with the character to write them yet. This can be remedied easily by consuming the canon material--particularly when the character in question is heavily featured--and, if it's a TV, movie, or video game character, you can look for character tribute videos on YouTube, which often highlight the key elements of the character.

Other things you can do: make sure you know their backstory and understand how it influences who they are and how they behave, make sure you're familiar with their "voice," or in other words how their personality comes out in the things they say and think. Make sure you know their strengths and flaws and highlight them accordingly. Keep in mind what motivates the character and what life goals they're striving toward, as these often affect character behavior.

Some exercises you can do: find an "about me" questionnaire and fill it out as if you were the character. Try doing a little role playing and answer the questionnaire questions out loud as though you were being interviewed. Write a detailed analysis of the character as though you were analyzing them as someone potentially thinking of hiring them for an important job. Look at a favorite moment from canon involving the character, then write it in first-person POV from the character's POV. What do they think about the moment? What do they feel in the moment? What internal emotional cues do they feel? Alternatively, try writing a few diary entries from their perspective, detailing canon events, or expanding on moments that aren't canon but could be.

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[neptuneiris]

sparks (03/04)

Did i drive you away?

pairing: business-boyfriend!aemond x fem!reader

summary: at the beginning your relationship with aemond is perfect and there were no worries. until he becomes the Heir of his father's company, the most important in the whole country and certain events and certain people start to interfere in the relationship.

word count: 8.8k

previous part • next part • series masterlist

there will be an epilogue coming soon!

here it is finally! thank God!

I'm so sorry for the delay beautiful people, it's been heavy weeks where I was writing parts but I couldn't finish them, so my writing time was extended more because I didn't finish, plus I moved, my cat is lost and I've felt very sad about that, besides college, presentations and more, but seriously I love writing, it's my way to escape, so I didn't feel any pressure, don't worry about it :)

I hope you like this new chapter a lot, I'll be waiting for your comments, so enjoy and thank you so much for your patience and support!

In the midst of your relationship with Aemond, things between the two of you are charged with tension.

After the conversation with his grandsire, Aemond's suspicions could not have been more accurate because of the way he behaved. Despite everything he told him and left him thinking about the future of the company, he still tried to talk to you about it.

But you, again, did not let him.

Aemond had to go back to work, just as you also went back to taking care of your own responsibilities such as college.

Aemond's life was still immersed in a whirlwind of responsibilities and commitments. From the moment he woke up, got ready and set foot inside the company, he was already doomed to a busy day.

He had to attend meetings with his key executives, discuss financial analysis, take online conferences, answer emails, calls with partners and clients.

Every moment his desk was filled with reports, financial projections, documents and more that he had to review in detail. Not to mention that the partnership with Alys Rivers is still ongoing.

Still he would make the effort to get home early and spend time with you, every night making an attempt to talk to you about what happened that night, but you wouldn't let him, as you had things to do as well.

If not college, then work, besides having to clean the apartment, do laundry and make food, which Aemond offered to help you with, but the two of you feel completely distant from each other.

Because both he and you know that things between the two of you just aren't right.

They are not since that one night nor does it help you to read every moment in the magazines how Alys Rivers has been seen entering the Targaryen building, where Aemond is always mentioned as well and he assures you that they only had meetings even though you don't even question him about it anymore.

Each of you is immersed in your own thoughts, Aemond feeling helpless, frustrated and sad, his gaze reflected by a deep regret in his heart at not being right with you.

And although he wants to find a way to fix things, you don't want to create any more problems, more than anything else you don't want to interfere between his grandsire and him.

And as the days turn into weeks, communication is no longer paramount, the whole relationship feeling like emotional paralysis, with no clear path of how to reconnect where you hide in your to-do's and Aemond barely has time to spend time with you.

So you find it easier to forget about it and wait for him to do it too. But inside you are still just as hurt, humiliated and sad.

And that little free time he has left for you is simply not enough to try to talk to you, besides you won't let him.

Until that time of the year when Aemond has to travel to attend social events or board meetings, also to meet with his partners around the country to oversee the expansion of the company.

Until he tells you that the first trip will be to Storm's End with his brother Aegon, then to Highgarden and Winterfell with Helaena and at the end to Casterly Rock… with Alys Rivers.

And that you definitely don't like to hear.

"I'm not traveling with her, we're just meeting there for the event."

He lets you know as he starts packing his bags for this two-week trip and you help him out, because even though you're both going through a silent fight, you still care about him and have always helped him with this kind of thing.

But you do feel that discomfort all over you knowing that she is also going on a trip to the same place as him. And Aemond knows it as he watches you out of the corner of his eye, knowing your mannerisms very well.

"Eleanor and Cole will be with me the whole time," he tells you softly, "And I'm already preparing everything with my publicity team for when the press starts publishing pictures of her and me, I don't—

"It's okay," you tell him softly, placing his ties perfectly in the suitcase, "I understand."

He watches you for a few seconds without saying anything, as you continue to put his clothes away the right way, feeling his gaze on you but not watching him back, to which he lets out a long breath.

"I just want to make sure you'll be okay," he tells you just as softly as before, getting up to stand next to you, "I don't want you to be worried all the time. You know I would never do anything to hurt you."

You press your lips together, watching him for a few moments to refocus on the suitcase.

"Yes, I know," you tell him to cut the subject short, saying nothing more.

At this Aemond watches you with some sadness, concern and anguish, but at the same time with love and tenderness, desperately longing for you to share more of your thoughts and emotions with him without pressuring you.

But since he knows you won't, he chooses to hug you.

And he does it carefully, tactfully, knowing that at any moment you may push him away, but to his surprise, you feel your high barriers of defense crumble at that moment, his gesture catching you off guard.

And you with a little hesitation, in the end decide to hug him back, since of course you missed him just as much as he missed you, both of you sinking into a soft and comforting embrace, where finally just for that moment, everything feels right.

There is hope.

Aemond feels his whole body stop tensing the moment he feels your arms wrap around him to hug him back, he lets out a long breath and pulls you tighter against him, hiding his face in your neck.

And you hide your face in his chest too, inhaling his comforting scent, feeling at home again.

"You know you can come with me, right?"

He murmurs in your ear, making you smile softly against his chest.

"I'd love to but I can't. I have to work and attend my classes."

He lets out a resigned sigh.

"Then on your vacation we'll arrange a trip, I promise," he tells you then leaves a soft, tender kiss on your forehead.

You raise your gaze to him as he lowers his so he can watch you.

"Like when you took me to Winterfell?"

"Yes," he smiles softly, "Now where would you like to go?"

"I don't know," you shrug, "Maybe to the Iron Islands?"

"Perfect."

He tells you then leaves a soft kiss on your lips which you reciprocate, both of you pulling each other back into a tight embrace where neither of you want to let go.

And even though Aemond doesn't want to ruin the moment and the fact that possibly this invisible barrier between the two of you will no longer be there, he feels it's the perfect time for you both to talk about the topic you've been putting off that needs to be talked about.

"Y/N, about that ni—

"We need to keep packing."

You interrupt him instantly, gently pulling away from him and turning your gaze back to his suitcases, causing him to look at you sadly for a few moments.

"But—

"I'll go get your shoes."

You cut him off again, to start to move away from him and head towards the huge closet, leaving him with no choice since you definitely don't want to talk about it.

After that moment you both went through, that comforting moment, fortunately you don't feel that emotional distance anymore, since now you both sleep hugging each other, share breakfast and dinner together, also share about how the day went, like before.

Even on some nights there are movie nights, where finally Aemond finds that comfort in your arms, hugging and kissing you at almost every moment.

And you too after a stressful day at work or you are going through a lot of stress because of your classes, you hide from the world in his arms, feeling good and being that exactly what you need.

Until the day comes.

Aemond has to leave.

You drive him to the airport, where his private jet will be waiting for him along with Cole, Eleonor, you understand, his agent as well, and other security people.

The goodbye is hard, even though he's had to leave for business trips before, so neither of you know why. And by the time Aemond's jet flies, that discomfort returns throughout your body and so does that uneasiness.

At all times he lets you know of what he's doing, or at least the important things, like that he's already landed and also that he's already arrived at Aegon and Cassandra's penthouse where he'll be staying.

Before when he went on a trip he also did the same, letting you know where he is and what he will do, mostly to keep you informed, even now he sends you pictures of his breakfasts and also some views from Aegon's house.

You are more concerned that he is well and of course being miles away, it makes you feel safe that he talks to you about what he is doing and what he will do next, like attending those social events which is what he travels mainly for.

Until the day of the important event arrives.

Being at work, about to finish your shift, obviously you are not allowed to have your phone at hand, but when the time comes and now you have to go to class, when you look at your phone, you see severe messages from Aemond and also the notification of a link to a magazine.

This immediately tells you bad news.

And it definitely is when you read the title of what the magazine link is about.

Alys Rivers, co-owner of Riverlands Group seen at Storm's End… click for more.

You click on the link, curious, attentive and with a frown on your face.

The very famous businesswoman, soon to be partner of the important company Targaryen Inc, Alys Rivers has been spotted at Storm's End to attend an event attended by the most important businessmen from all over the country, among them, Aemond Targaryen. She has been spotted an early partnership between them but rumor has it that there may be more than just a partner relationship. We have also been informed that Rivers will be attending the same events as Targaryen in some parts of Westeros where Targaryen Incorporation has distributions of his company, so it is no coincidence.

After reading this, you read Aemond's messages, getting an idea of what they are about.

And you… you don't even know what to think anymore, let alone feel.

It makes sense that he didn't know anything, since at this point after what happened with his grandsire, it doesn't surprise you that he didn't tell him anything because he knew Aemond would do something to prevent it.

And how convenient that also Alys didn't report anything about her presence at all the other events since it was only known that she would travel to Casterly Rock.

Later that day you see how Alys does indeed show up at the Storm's End event and Aemond quickly sends you a picture of everything, of him with Aegon, Cole and Eleonor, wanting to make you feel at peace and safe.

Then later he sends you picture of him arriving to his hotel room, he even sends you a voice message telling you about everything that happened at the event, he tells you that Alys talked to him, that again she tried to cross physical boundaries but he wouldn't let her.

Also that they both had to take pictures together, but nothing else.

And the next morning there are a lot of videos and photos of the event where he is with his brother, his partner Borros Baratheon and more businessmen.

There are also the photos of him with Alys, even videos where the two of them talk and she again touches him on the shoulder and arm like that, smiling flirtatiously at him all the time, but Aemond turns away from her to go to some men.

It's as if she knows that at that moment there are many cameras around and they are recording, so you get the impression that she is doing it on purpose.

But all you can do is really nothing since Aemond is the one telling you everything to make you feel calm, so you just continue with your daily routine, focusing on work and your classes.

Although of course unconsciously your mind is on Aemond and his trip, also on her.

Fortunately what comes next is more… relaxing.

The next event is in Highgarden, where once Aemond lands, he sends you a picture of him with Helaena, where he tells you that she sends you greetings, both smiling at the camera, making you feel a comforting warmth all over your chest as you see the picture, smiling softly.

During the whole trip in Highgarden there is nowhere where Aemond is not with Hel, even in the event when he is around Rivers, Hel is always with them.

The same happens in Winterfell, as Hel must also attend as she is the one who made the partnership with the Starks possible.

Aemond sends you picture of her very comfortable on one of the jet couches, also of the two of them having dinner and watching a movie, even at the hotel they both ask for a room for the two of them with two beds.

At the event also the two of them are together, there is even a very professional photo of the two of them with their partner, Cregan Stark, where he with Hel give a welcome speech to all the guests and then Aemond with him make known the innovations in their companies thanks to the partnership.

It's simply all work, as it should be. You even see Rivers in some photos and videos, but compared to Storm's End, she doesn't look very pleased lately.

Until the moment comes when Hel will no longer be in Aemond's company. And from then on, you can't help but feel uneasy.

And apparently Aemond also feels the same restlessness as you do despite the miles of distance that separate you.

He sends you pictures of absolutely everything, from the moment he starts his day until it ends. He also tells you what he's going to do, even if it's taking a shower, yet he tells you to let you know that's why he won't write you back quickly.

He even sends you video of what he will eat, mostly to let you know that there is no one with him in the room if that is your concern, also at night, telling you that he will go to sleep.

Honestly, Aemond has never done this before on a trip and even though you didn't ask him to, as if wanting to see where he is and what exactly he is doing, wanting to check on him at all times, Aemond does it for your peace of mind.

And without wanting to, you already find yourself waiting for him to send you picture or video of what he will do next, feeling paranoid and to some extent a controller.

You know that this is wrong, that it is not necessary, that neither of you have ever acted this way before and that it is as if you want to know Aemond's movements every second in an unnecessary and… toxic way.

And it's not right, you know it's not.

But Aemond feels that need and so do you, even if you don't want it, you feel that need to know that Rivers is not taking advantage of your absence and worse…. That he is giving in to it by making the partnership possible.

But Aemond would never hurt you, he has told you that and you know that, but you also know as well as he does that he has the eyes of almost everyone on him and will have problems with his grandsire by the time he returns because of Rivers' disconformity.

So even in the event, Aemond feels more that need to let you know that she's not around Rivers, that he's not doing anything wrong or giving her and him anything to talk about.

And the worst part is that you are there, attentive, waiting and watching it all.

Even after the event is over, Aemond tells you that he's going back to his hotel room, telling you that he's going to take a shower. Then he sends you a picture of him brushing his teeth and then another one of him in bed and at an angle so that you can see that he is all alone.

And only at that moment, for two full weeks, just this very night you feel completely calm and at peace, knowing that he is coming back tomorrow and will be by your side again.

And you don't understand.

You just don't understand what happened to both of you.

You don't understand how you went from having the most beautiful and healthy relationship ever, to this, where both you and he acted in a toxic and completely unnecessary way.

And when you least expect it, tears begin to flow from your eyes as you stare at the dark ceiling of the room, alone in the huge bed, with frustration and sadness completely invading you and loneliness settling in your heart.

You are honestly afraid.

In the midst of your storm of emotions, you fear that the beautiful and healthy connection with your boyfriend will soon be gone. You're afraid that the relationship will become toxic.

You just don't want to lose the intimacy and complicity you both have to be replaced to this, the insecurities and these needs to look good and want to prove that neither of you, especially him, is failing in the relationship.

And with everything that's going on, the company, his grandsire, Rivers, you have no idea how to fix it.

Aemond's arms wrap around your body tightly, clinging completely to your figure, holding you tight against him as he hides his face in the curve of your neck, inhaling of your soft scent that drives him absolutely crazy.

And you reciprocate his embrace in kind by slipping your arms around his neck, hiding your face between his chest and neck, leaving a soft kiss on his cheek to cling to him again.

"I missed you," he murmurs lovingly and almost melancholy in your ear.

You hug him tighter, lovingly, as you place a small smile on your lips.

"Me too, babe."

He too leaves replete kisses on your cheek, tucking you back into his body, not wanting to let you go, while to you all his scent and the feeling of being in his arms is more than gratifying, being just what you needed.

He strokes your hair as he inhales deeply, not being able to get enough of it. And neither of you say anything else, as actions speak for themselves and what two need, is the touch of each other.

It was two weeks but for both you and him it felt like months.

You both look at each other and he leaves a soft kiss on your lips which you reciprocate as you both have a small smile on your lips. Then you both separate and start to head towards the car once Cole and the other men help Aemond to put his suitcases in the trunk.

All the way he keeps holding your hand, while you drive to the apartment and he talks to you about everything that happened on the trip.

"Our trip to the Iron Islands will now be easier," he tells you proudly and visibly excited.

You are glad to hear that the companies are doing well and that he has had friendly meetings with his partners, in fact you tell him so, as he smiles softly throughout and thanks you.

He also gives you the news that he will have a meeting with Rodrik Greyjoy very soon that involves talking about plans for an early partnership between Pike and Targaryen Inc.

You hum in agreement, smiling softly.

"I could tell," you look at him for a second to refocus on the road, "I'm sure your conversation with him will go well. But you want to go on a trip there too?"

"Sure," he tells you willingly, holding your hand against his lips, "They say it's a beautiful place. I've seen pictures too," he says then leaves a soft kiss on the back of your hand.

Once you both get home, you help him with his suitcases and unpacking, while now you tell him about your days at work, college and also here.

Fortunately for him and you, it's Friday, so you both stay home and rest. He tells you that he won't be going to work Saturday and Sunday, so you have the whole weekend for the two of you.

You still have to work Sunday afternoon but you don't mind, it still won't be long, so you enjoy and take advantage of these free moments with your boyfriend.

Later that same night you both resume your nights of intimacy, which is something Aemond had longed for since you both had that fight after the event, leaving after traveling not too soon after that was just awful for him.

First you both take a little nap where nothing feels better than sleeping in each other's arms again, both of you without being an inch apart from each other in the huge bed.

Then when you wake up you go together to the supermarket to do the week's shopping and at the end you stay in the living room watching movies.

And it was also something you craved.

Obviously you're not as insatiable as he is, as Aemond really can't get enough of you when it comes to sex and really takes all his time with you. This time is no exception.

But once that glorious weekend ends and a new week begins, you both resume your routines from before and in which he simply has no time for you.

Again Aemond tries to do everything in his power to come home early and spend more time with you, which is something you consider and are grateful for his effort, as you knew that sooner or later he would have to go back to his old busy routine.

Not being on good terms with his grandsire, having to attend meetings and phone calls from his partners, making and reviewing reports, delaying as much as he can the partnership with Rivers just so he doesn't have to see her, it's too much.

And little by little, although he doesn't want to, he returns to his exhaustive routine of before and in which unfortunately also affects you for seeing him only at night at a very late hour.

Although he still does everything he can to make sure that work doesn't take up more of his time than it should.

You continue as normal, going to work and attending your classes, but you find it again sad and annoying that you are again having less time with Aemond.

As well as what you didn't want to happen.

And of course Aemond would have to explain himself, having that need like on the trip so you wouldn't think other things, telling you all the time, either by message or in person, that nothing happened, they just talked about work and nothing else.

Sooner or later Alys Rivers would reach her breaking point, so if Aemond wasn't looking for her, then she would be looking for him.

So you had to go back to reading magazine articles online where they talk about how they've seen her in the Targaryen building and so on.

That's how things were going on for a few weeks, almost for a month, until again and unexpectedly, Aemond has to travel again.

Aemond is technically not yet the head of Targaryen Inc, his father is, but due to his health, he must attend for him.

Again to Casterly Rock to an important event and also to a conference where Aemond will meet with the board of directors and his partner Jason Lannister.

Other businessmen will also attend as it is a general event and heads of major companies all over the country are in attendance.

The news of having to travel again catches Aemond and you off guard, explaining that the board meetings normally take place in November, but that they are earlier this year.

So as soon as he gets the news, he starts preparing everything for his trip, even preparing work papers and other preparations for his presentation at the conference, while you again help him and make sure he misses nothing.

He can't miss his meeting with the board of directors, it is paramount and a really big commitment, so you understand but you are disappointed all the same.

Honestly you are disappointed that you have to be separated from your boyfriend again, as you were not expecting to have to stay home alone for a week again.

The event lasts two days and Aemond will have to travel there from before to ensure his presence and avoid any unforeseen events as it is an important event.

Until again when you least expect it, the day comes for Aemond to leave.

He paces back and forth, making sure nothing is missing, while you help him finish packing one of his two suitcases, while he talks on the phone to Criston and then to Eleonor to continue making sure he has the right information about what time he has to board his private jet.

You then head to the kitchen and make a quick breakfast for him and yourself, you also make him a cup of coffee and ask him to stop for a few moments to get some food in his stomach, to which he does while still busy on his phone.

"Which hotel?"

You hear him ask Eleonor as he takes a sip of his coffee.

"Ah, yes, that's fine. But… about the documents, did I bring the folder with me?"

You at all times stand still, eating your breakfast and listening to what he says to Eleonor back.

"Okay, I'll go check," he says and quickly heads back to his office, still holding his phone to his ear.

You continue to stand still, as you watch him disappear down the hallway and let out a breath, not really being able to do anything since you know him too well and he always gets paranoid when he has to travel, making sure to get everything ready one last time.

A few minutes pass and finally Aemond stands still in the kitchen to finish his breakfast, though when he's done he heads to the bedroom to check his suitcases one last time and start placing them in the hallway for when Cole arrives and he has to take them down to put them in the car.

He paces back and forth, wasting no time, watching his wristwatch every second, counting down the time for when Cole arrives and he has to leave.

You meanwhile take his briefcase and place it on the island with you, waiting for the moment when he has to leave.

When they start calling him.

You look at the screen and see that it's about his grandsire, causing an unpleasant feeling all over your body as you remember the way he treated you last time, but you quickly let Aemond know.

"Your grandsire is calling you!"

Aemond comes out into the hallway with one of his suitcases.

"Please pick up, love."

You nod and accept the call, put it out loud and resume your breakfast.

"Aemond?"

"Yeah? What's wrong?" he exclaims from where he stands.

"How's it going, son? Are you ready?"

"Yes," he replies with a little force in his voice, securing his suitcase one last time, "Cole should be here any minute."

"You got all the conference details?"

"Yes, Eleonor mailed me everything," he says as he walks over to the island and pulls the phone towards him to take a sip of what's left of his coffee cup.

"Very well. Then you'll meet Alys and her uncle at the airport, I've offered them to travel with you, after all the three of you are going to the same place."

You immediately stop chewing, as well as your whole body stops moving, standing completely still and with tension all over your shoulders.

Aemond also immediately watches you, instantly realizing your reaction, but you look away from him trying to appear indifferent and with the lump in your throat you go back to chewing, bringing your cup to your lips.

You feel your heart start to beat wildly, feeling instantly how your tranquility disappears and suddenly you feel overwhelmed by all the mixture of emotions that invade you.

Meanwhile Aemond frowns and with a bewildered and also annoyed look, quickly turns back to his grandfather.

"What?" he snaps at him.

Otto Hightower lets out a long breath on the other end of the line.

"Aemond—

"I didn't even know she was going to the event too and why are you telling me this now?" he inquires her completely serious, in an annoyed and deadly tone.

"Because I knew you would do anything to avoid it and I wasn't going to allow it. We're so close to signing the contracts and I knew this was going to please Alys, so she'll see you at the airport and I expect… that you'll give her a good treat and please her for the entire trip."

A shiver of jealousy, insecurity and sadness runs through you, as you bite the inside of your cheek and try to act nonchalant about it all, but you know you're not good at hiding your true emotions and Aemond sees that, not liking his grandfather's words at all.

"Have you lost your fucking mind?"

He inquires him just as serious and annoyed as before and Otto sighs.

"I'm not having this conversation with you again, Aemond. Grow up and do what you're told if you want your company to survive."

"Maturity doesn't mean I have to do everything you say!" he exclaims angrily and exasperatedly at him.

"For the love of the Seven, it's only a flight, stop acting like a fucking little child!"

Aemond sighs and runs a hand over his face, wearily.

"I can't believe you're doing this to me."

"Everything is already decided. You're going to have to deal with it, whether you like it or not, I honestly don't care. And I hope..." he begins to say in a threatening tone, "That by the time you get back, Rivers doesn't cause a scene for me again because of your lack of commitment and interest."

"That's your problem and hers, not mine. When I get back I want to have a serious conversation with you."

And finally Aemond hangs up annoyed with his visibly frustrated face, where in comparison to him, you hide your emotions, not wanting to frustrate him more with your behavior upon hearing this new travel plan, acting disinterested.

So you try to make yourself really look carefree by taking your dirty plate and cup to the dishwasher, starting to wash them, not observing Aemond at any moment, fearing that he will notice your true state.

While you at all times bite the inside of your cheek, resist the urge to cry and insecurity as well as a host of other frustrating emotions completely invade your body.

And Aemond immediately notices, because he knows you too well.

So feeling the weight of the situation, he stands up with an almost tired face and walks towards you, instantly slipping an arm around your waist to turn you towards him and leave a soft kiss on your forehead.

Something inside you snaps as you hear this.

"I know what you must be thinking, but you have nothing to worry about."

He says softly, hugging you tightly and lovingly, holding you close against his body.

"The only one I care about is you and I promise I will stay in touch with you for as long as I can."

And a realization comes over you, holding you completely still against him.

"No matter how busy I am, I will always find time to call or text you, just like last time," he promises you, wanting to comfort you, "I will do everything I can to keep you calm while I'm away."

You feel that realization hit you all at once again and with your gaze gone and your lips parted you just blink, because suddenly you don't have the strength anymore, for anything.

And because of your lack of response and movements, Aemond separates his head from your shoulder to watch you, still hugging you tightly and not wanting to let you go until he is sure you will be okay, watching you with concern.

"Hey, did you hear me? You will always be my priority, no matter where I am."

"Tell me you understand, please love," he pleads with slight anguish, completely attentive to you, holding your face with both hands gently in a desperate action.

He assures you firmly, wanting to make you understand and wanting you to say something back, anything. But you just watch him for a second, then stare at a spot in the kitchen and say nothing, your face without much expression.

With a lump in your throat, because you really can't speak, you feel like a fool even though it's part of all the emotions you're feeling at the moment, unable to help it.

"Good," he murmurs confidently, feeling a little calmer and leaves a soft kiss on your cheek, to pull away and continue to prepare everything for when he has to leave.

So the only thing you can do, is that nod in his direction, without uttering a word. And apparently, that's good enough for him.

Aemond continues to make sure he has everything ready in his suitcases and that nothing is missing, leaving them by the doorway.

While you watch him silently, still with all that overwhelming mix of emotions invading your mind. Again you feel your strength drain away and anxiety takes over, with an ache beginning to spread throughout your chest.

While he in comparison to you is calm, unconcerned, having no idea of everything that is going through your mind at that moment, making you feel bad to be thinking this now.

How cruel am I going to be?

You wonder with sadness, as you bite the inside of your cheek and try to hold back the tears that want to come out of your eyes. You don't want him to notice your agitation, at least not yet, but it's getting harder and harder to control it.

You love him.

You love him deeply.

You know that perfectly well. There is no doubt about it. And you know he loves you too.

But it all comes to your mind hitting you like a violent wave, drowning you, the magazines, his work, the association with Riverlands, the event, his grandfather, the press, his travels and Alys Rivers.

You watch as he ready waits for Cole with his phone in hand at the entrance, typing quickly, assuming he must be texting him, with the suitcases at his side and his face of concentration.

"Love, could you hand me a folder I left on my desk, please? It's black."

He asks you while at the kitchen island he hurriedly checks his briefcase, as you bite your lips and swallow hard.

"Sure," you say without much emotion and head for his office.

When you return you hand him the folder and he thanks you to arrange everything perfectly back into his briefcase.

"Cole won't be long, we're already late," he speaks to you also in a hurry, "If you need anything you know you can call me. But you can also call my mom if you need someone to come over, she's going to Oldtown for another two months," he lets you know, "Okay?" he watches you for a moment and you force a small smile, nodding in his direction, "Okay," he mumbles.

And he disappears back into the room, mumbling that he hasn't taken his jacket, while you watch him, standing still again with your hard face, wondering:

How cruel am I going to be?

Then Aemond stands still again at the entrance to the apartment, answering a call from Cole.

"Have you arrived yet?" he pauses slightly, "Fifteenth floor, C100. All right," he ends the call and looks a little more paranoid, turning to his suitcases, "Almost leaving, love."

You don't say anything back, you just watch him and feel that lump in your throat again, wanting to talk to him but the words get stuck, feeling more of your anxiety, agitation, sadness and anguish, with tears in the corners of your eyes, not being able to control it anymore.

How cruel am I going to be?

It repeats constantly in your mind until the tears fall down your cheeks and that pain in your chest gets stronger, watching it without being able to contain your emotions anymore.

"I can't do this anymore," you say in a shaky voice, getting his attention.

Aemond looks away from his phone and watches you, where your state slowly takes him by surprise and he watches you completely attentively, a little confused, not understanding, starting to worry.

"Love—

"I know it's not your fault," you make it clear to him, starting to cry loudly, shaking your head, "But I can't anymore."

Aemond surprised, quickly turns to you, trying to speak.

"Y/N—

"The first time you went to Casterly Rock with her, I wasn't at peace. I was scared and not for you, but for her," you confess to him, sad, "And you sending me pictures and videos of where you were and what you were doing, made me feel like we didn't trust each other."

"Y/N, I only did it so you would be calm and safe while I was away," he tells you in a soft, confused voice.

"You don't understand," you insist, "That made me feel like a controller, like you think I need to be constantly watching everything you do, and when had that ever happened on your previous trips?" you inquire, "It hadn't been like that since she—

You stop, not wanting to say more, as you sniffle and wipe your tears with your fingers, lowering your gaze, sorrowful, sad and disconsolate.

Instantly Aemond stops in front of you, trying again to hold your face in his hands, completely worried.

But before you can say anything, the doorbell rings at that moment and you both know who it is, Cole. But despite this, he continues to be attentive to you.

"My love, I understand," he says softly, wanting to comfort you, "I understand that you don't trust her, I understand your reasons, but—

"It's not just her, it's also what happened at that event, the press wanting you and her together, the magazines, your grandfather, and I-I…" you sniffle your nose, "I don't want our relationship to become a toxic one."

At that moment Aemond looks at you completely unsure, his heart beginning to pound, his gaze completely intent and anxious.

"What? Y/N, what are you saying?"

How cruel am I going to be?

"I can't anymore, Aemond," you tell him in your completely broken voice.

He watches you silently, his lips parted, fully inspecting your expression, beginning to feel his pulse quicken a little too much, understanding perfectly what you are implying.

When again you ring the doorbell, which catches your attention amidst your trail of tears but not him, he remains attentive to you, not caring, beginning to feel a huge void in his chest, incredulous, advancing towards you in a needy manner.

"Y/N, don't do this."

"I don't have a choice," you tell him in pain and he again tries to take you in his arms.

"But—

There's a knock on the door, interrupting him, as he feels a painful lump form in his throat and he looks at you in complete shock, disbelief and hurt.

"Listen, can we talk about this when I get back, please?" he asks pleadingly, holding you by the waist firmly, not wanting to let you go, "Just…" he shakes his head anguish, "Wait for me, okay? And when I get back, we'll talk about it."

You shake your head, pointing your gaze at the door for a second.

"You must leave now."

And Aemond becomes more concerned about this, seeing the determination and defeat in your whole look of sadness, giving this up now and not intending to wait for him, beginning to feel his eye begin to burn and despair along with anguish invade him more.

"Sir? Are you there?"

You hear Cole ask from the other side of the door, but Aemond pays him no attention, wanting to fix this, desperately.

"Yell at me," he implores you, "Get angry, reproach me, anything you want, anything but this, please, I beg you."

You close your eyes, swallowing hard.

"Sir? I'm sorry but we must leave now," Cole again speaks from the other side of the door, "Your flight departs in less than an hour."

And al Cole again knocks on the door in desperation, clearly because he has to do his job and you're taking advantage of it.

You open your eyes and both of you stare at each other without saying anything, where you just wait until he has to leave, your face completely devastated.

But he barely processes what's happening, his eye reddening and his heart rate racing, waiting for you to understand and say something back to him.

"Go now," you mutter sadly to him.

"No, I'm not leaving until I fix this," he tells you desperately, on the verge of losing patience, "Just…please don't do this, not now. I-I don't… I don't want to lose you."

"Your grandfather will be upset with you."

"I don't fucking care about my grandfather, Y/N! Right now I don't care about anything, just this, us!"

Cole again knocks on the door, insistent.

"Just fucking wait!"

He yells at Cole desperate, upset, distressed, his emotions running high, not being able to control himself anymore and you decide that enough is enough, because Aemond won't leave, then it's best that you leave.

"I'll be leaving too."

You know that this trip is very important to him and you still love him too much not to worry about his work.

And the last thing you want is for you to be the reason for not being on time, which could lead to him not doing well at his event and conference with the board and his partner.

You murmur to him with a broken heart and turn around, walking towards the room, instantly being followed by him.

"No, Y/N, please, just wait," he tells you more pleadingly than before, "I promise you this whole thing with Rivers will be over soon, I promise!" he insists, "Or not, I just won't make any association with her, I can find another way for the company, I don't care what my grandfather says or—

"You can't do that and you know it. The company depends on hers."

"But you can't do this! Not now, please!" he exclaims in frustration, starting to cry.

And just as you're about to go into the closet to grab your clothes, he stops you, turning you to him to hold you and make you look at him, make you see how devastated he is, definitely not expecting any of this at all, feeling completely helpless and powerless in the face of the situation.

"Please Y/N, please," he says to you with a broken voice, as he puts his forehead together with yours for a moment, starting to tremble and feel an unpleasant sensation all over his stomach.

And seeing him like this completely destroys you.

You've never seen him like this before, you know you're breaking his heart and more by breaking up with him now, like this, like you're taking advantage of the fact that he has to leave to get on a plane.

How cruel am I being?

And even though you didn't want to do it, at least not now as he is asking you to, you know this is necessary.

Because you know that if he gets on his jet with her and you and he are still together, you will not be calm at all, you will over think things, things that are not.

If the partnership with Rivers passes and you and Aemond are still together, you will feel the same insecurity as always because the two of them will be partners and will have to keep seeing each other for the report of both companies coming together.

You will feel controlling, he will have this need to want to be good to you in an unnecessary way and you will just feel bad about yourself. And it won't end there.

And you'll have to keep putting up with the press, the boundaries Rivers oversteps, what Otto asks Aemond to do with her and the necessary justifications from him to you.

"I'm so sorry," you tell him with tears streaming down your cheeks and your face completely broken.

And Aemond shakes his head in frustration, in hopelessness, closing his eyes tightly, not believing it, not accepting it.

"Wait until I come back so we can talk about it and work it out. Don't end things like this, please," he tells you in a broken voice, starting to cry, "I-I love you."

"I love you too," you tell him the same way he does.

"And if you love me then why are you leaving me?" he asks you in a painful voice, not understanding.

Your whole face transforms into anguish.

"Aemond—

"Please don't leave me," he begs you once more.

Silence envelops you, where you both cry, you completely broken and he in complete despair, in the room where you both have shared so many special moments throughout your relationship, in the apartment where you began to form a little life together.

The air is charged with so much tension and nostalgia, where you both suffer from an intense mix of emotions, where you both suffer equally, as everything feels unreal, so suddenly and without time to react.

And Aemond tries to find any hope of being able to hold on, to get you back. But in the depths of his broken heart, he feels and knows that he has lost the battle.

And you also feel and know that this has been necessary, as broken as it has made you feel and in which you know, you are probably not going to fully recover by doing this.

The last thing you see of Aemond is how with his completely devastated look he watches silently as you pack some of your clothes in a bag to leave, still not accepting it, completely broken inside and imploring you with his gaze not to do this.

But you knew that if you didn't leave, he wouldn't leave and it's important that he catch his flight to Casterly Rock.

So without even saying hello or giving Cole a glance, you leave the apartment quickly with tears streaming down your cheeks, walking away from there and him.

You arrive at Floris' house in search of temporary lodging where she opens the door and you burst into tears in her arms, without even being able to talk to her about what happened when you cried uncontrollably.

And after a few hours, the next thing you know from Eleonor, simply because you needed to know for the last time, is that Aemond managed to get on his jet at the estimated time to land promptly at Casterly Rock.

She tells you that it was difficult but that they managed to convince him. And that's the last you hear from him.

Despite your determination to move on, every day at all times you can't help but feel a deep sadness and a sense of loss that won't leave you alone.

Letting go of your relationship with Aemond is difficult, you just can't. And rightly so if it's only been weeks, because leaving him behind, feels like giving up a very important part of your life.

You tried to find comfort in your daily routine, classes and work, but everything reminded you of him, all the time you were thinking about him and when you least expected it, you were already crying again, without being able to help it.

At night it is more difficult, you feel completely alone, you cry until you fall asleep, you questioned what you had done and in the middle of everything, you miss him deeply.

Days after Floris accepts you in his house, you immediately request a room in your university's residence halls and fortunately there is one available near your Marketing department.

You asked Floris to please accompany you to the apartment to get the rest of your things, which she did not hesitate to do in order to support you and also help you, taking advantage of the fact that Aemond was still away.

You did everything as fast as possible, not wanting to remember and think too much, you just wanted to get out of there with your things, avoiding to feel and let all the memories consume you, because you couldn't stand it.

A few tears escaped you, but as soon as it happened, the two of you left the apartment, locking it and slipping the key under the door, so as not to return it to him in person.

After a while, exactly after the week in which Aemond would already be back in King's Landing, he started looking for you through messages and calls, begging you to please see each other and talk.

Feeling even more broken, you decided to block him from everywhere, which caused him to come looking for you at work, hoping to talk to you.

But as soon as you recognized his car parking on the street, you quickly hid in the small back rooms, begging Sophie to cover for you.

You later found out that Aemond had been texting your mutual friends, asking how he could find you, where you lived now, wanting to sort things out, unwilling to let the two of you end up like you did.

Hel messaged you, so did Daeron, even Baela, but you decided it was best not to respond, because if you did, you would agree to talk to Aemond. And it broke your heart not to reply to any of them, especially Hel, but you know yourself too well and you did it for your own good.

But you never let him find you, because you knew you'd go back to him the minute you both sat down to talk and that's not what you want.

Not with his grandfather and Rivers still behind him.

Until one day Aemond stopped.

He stopped trying to find you and stopped asking your friends where you might be, you also stopped reading about him in magazines and social media. You read about his family, but nothing about him.

And so it went for a while, for about two months, where you to this day do not heal and you keep thinking about him, finding it strange this new life without him.

When one morning, a magazine article and almost all the social media announce a news that makes you understand now a little more the disappearance of Aemond not only from your life, but also from the world, surprising you.

You read the news in complete disbelief, thinking of Alicent, Hel, Daeron, Rhaenyra, everyone, but most of all him.

You know what this means, the note itself says so, but even though you knew it was only a matter of time, as Aemond told you, you are still surprised to see this, surprised that it has already happened.

Suddenly you feel a need and urge to text or call him, but you know it's not a good idea, yet the urge is there, thinking about how he must be feeling and all that he and his family must be going through.

Fortunately you don't do anything, but this leaves you thinking.

After almost everyone reads this news, the whole Targaryen family is kept in hiding, there is no sighting of them, no statements and absolutely nothing, which is what the press wants.

That's what happens for a month, until finally sightings of Otto and Alicent Hightower are reported. Also of Aegon with Rhaenyra and Daemon.

Until you simply decide not to be aware of it anymore, having to continue your life without him, since these are matters that don't concern you, at least not anymore.

So a few weeks later, Floris' birthday arrives, who invites his closest friends to a pub to celebrate in a small group, wanting to have a good time, relax and nothing more, to which you agree to go.

What you definitely didn't expect, was to meet your ex, Aemond Targaryen after all that happened and after almost five months.

general taglist:

@melsunshine @n4forlife @iamavailablesstuff @ttkttt @elliaze @trshngyn @tsujifreya @imsoshygirl @watercolorskyy @kckt88 @zenka69 @yentroucnagol @crispmarshmallow @bellastwd @queenofshinigamis @strangersunghoon @happinessinthebeing @iloveallmyboys

taglist part 3:

@hoziersfairy @bananaminion678 @targaryenmoony @skzenhalove

[graves-simper]

What really happened in Room 302?

Yes, just like everyone else I am finally doing a small essay/analysis on TCOAAL.

This time I wanted to dive in something that wasn't a big part of the game, but has been on my mind since my first play through of the game and that is like the title states; What really happened in Room 302? Lets begin.

I wanted to start off by talking about the Lady in Room 302. Who is she?

We really don't know much. Her eye color isn't shown, she looks somewhat average but in terms of others opinions (ie; the Warden's and even Ashley) She is a very pretty woman. Even at a point Andrew says that she looks good. Take a look at some of the dialog below:

I mean, wasn't she?

After this very tasteful conversation these two love-birds have, Ashley heads up to commence the ritual to sacrifice the 2nd Warden, and of course Our Ashley pulls it off with no problems, and back downstairs she goes with full intentions of painting the wall with Lady 302's brains, but it appears someone beat her to the punch.

AND NOW I PRESENT WHERE I IMMEDIATELY BEGAN TO CALL CAP ON MR. DOORMAT EXTRAORDINAIRE AND HIS SILLY LITTLE LIES.

Your honor, this man is absolutely lying. The first thing that made me question everything about his story here is where she is lying dead. On the damn bed. Your honor, let's enhance this real quick.

That nail gun is a damn good several feet away from where Lady 302 lies dead on the bed. In fact it is in exactly the same position as when we left Andrew alone with her, and look at the sheer distance. These apartments clearly aren't huge but let me just be critical for a minute. Her mattress appears to be a single style mattress, so lets take in some measurements.

I can settle on the length being 75" or 6.25ft. So the apartment is about 12 feet wide. Not huge by any means, but to go from sitting down on a bed, even the edge, she would have to make quite the lunge while accounting for some random maniac being right next to you with a meat cleaver. I also do not think she would be the type to risk her life for a daring escape. Look at how absolutely bewildered she is the second Andrew rushes her.

That is NOT the face of someone who is absolutely down to fuck around and find out. She also had a chance to get help while also risking her life, when she is given the radio she could have screamed for help, and while yes she would've died, at this point I would say the risk factor was relatively similar.

Now that I have established my reasoning for why I don't think this lady tried to kill Andrew with a nailgun or even had the chance to, let's go over some of the reasons I think he DID choose to kill her.

No Witnesses.

This is a very boring theory but I have to bring it up no less. I think there is a good chance he just said fuck it, and killed her for the sake of not leaving evidence behind. She saw their faces, heard their names, and they even said they were her neighbor from upstairs. Leaving her behind could've ruined EVERYTHING for them after this point, and based on Ashley's sour reaction to her mere existence, I think he already knew damn well Ashley would want her dead too.

Make my Ashley happy.

This ties back to the point I made in No Witnesses. Ashley took her as a threat, and obviously Andrew noticed. She was not pleased after he called her "Pretty". I think once he was alone, he figured he would off her to show Ashley that he wasn't ogling her or wanting to do anything with her. In fact she meant so little to him, he butchered her right on her bed. To support this, the way Ashley reacts when she returns absolutely floors Andrew, he is calm about what happened but Ashley is still coming up with thoughts that he tried to fuck her, when in his mind, he was probably hoping she would be thrilled that he killed this awful, hell-bound, hussie. But instead she is still somehow mad despite her being now a corpse. He becomes to fed up that even though he did what she would've anyways, it is somehow not good enough for her. (I will dive deeper into this interaction below with another theory that relies heavily on this.)

The Hussie hit on him.

This one ties into Make my Ashley happy. There is a good chance this obviously sexually attractive woman tried seducing Andrew while they were alone. She had no problem doing it with the Warden's to get better treatment, and I have no doubt this was her go-to get out of trouble free card. This charming young man would surely fall for her good looks right? Right? There's two thought processes that would make this reasonable. 1. He was worried how Ashley would react if she walked in with her clearly flirting with him and how that would make her feel. 2. My personal favorite of these two, he is dedicated to Ashley and was offended by her advances and killed her in a show of devotion to her.

Now that we have the more sane theories out of the way, lets get to the GOOD STUFF.

Andrew's Fantasy.

This theory is more of a mental guess as to Andrew's relationship and views of Ashley. He has been clearly fed up with her more than once up to this point, having arguments, dealing with her shit, and all the trauma he just experienced from starving for weeks, isolation, and having to butcher and eat someone, and then murder a man to save her.

What if once Andrew had a moment alone with someone who was essentially his victim, he decided to truly see how he felt about something. I believe Andrew may have not seen Lady 302 as Ashley, but just for the hell of it, imagined that she was Ashley. Despite the different appearances, I'm sure he could overlook it in the state of mind he was in at this point, and decided how it would feel to finally kill "Ashley". The way he kills her just doesn't feel like he said fuck it and wanted the lady dead, she is laid out on the bed, there's no signs of a struggle either. Later in the game during one of the visions, there is the one where Andrew finally kills Ashley. When she accepts that he will kill her, he brings the cleaver to her throat similarly to how the throat of Lady 302 was cut. The similarities just feel so similar that I had to bring this up despite it being possibly far fetched but that's what makes these fun!

and now for my most absolutely far fetched theory yet.

Don't these two look similar?

This theory is much more far fetched but hear me out on this!

I know this may be a result of Nemlei's artstyle but these two have some stark similarities in my opinion. Both blonde, same eye color based on the greyscale of them, similar hair parting, and a similar face shape.

After all the trauma Andrew went through in the weeks locked in their apartment and then killing several people and eating one no doubt sent his brain to a bad place.

I think after all that hell he endured he may have simply had a breaking point and felt like he saw a ghost or just the stark similarities between Lady 302 and Nina just made something snap.

I want to back this up by making a point to the story telling in the game. Before they go and escape their apartment conveniently before the Room 302 incident, there is a dream about how Andrew and Ashley killed Nina. This could be just the flow of the story telling however, I feel like it was a lead up to what really happened in Room 302. It just feels too perfect to include that scene right before he kills someone who I am assuming is what Nina may have grown up to look like, AND then with this scene occurring once Ashley returns almost feels like a nail in the coffin of this theory.

Nina isn't brought up in the apartment, or once they're in the motel. Nina is brought up during a heated exchange in Room 302 right after Andrew might have felt as if he killed Nina once again, yet just like when they killed Nina, Ashley still somehow thinks that Andrew has a thing for a woman he helped kill, and this absolutely drives him off his fucking rocker.

This exchange floored Mr. Doormat so intensely he finally was ready to absolutely throttle the life out of her. Andrew was finally so fed up with being berated for doing things for Ashley's sake he just wanted it to be done and over with forever. Andrew once again found himself in the same place Ashley put him in all those years ago, but this time he knows he isn't as vulnerable as he was and uses it to his advantage, but after their little squabble, they leave together to bless our hearts with Chapter 2.

------------------------------------------------------------------------------

Perhaps this was as plain as the story made it out to be. There is a good chance that Andrew didn't want to leave a witness and said hell with it and butchered the woman in Room 302. But I'd like to believe that with all the hidden details Nemlei has scattered throughout this game that there is truth to one of these theories, hell maybe even a giant jumble of them all together is the true story of Room 302.

But with everything I presented today I hope you all perhaps are too questioning what really happened in Room 302 like I was.

I'd love to hear any theories you guys have regarding this or twists/opinions on the ones I presented here!

Thank you all for reading!

[celaenaeiln]

Am I interested in Dick Grayson's innovativeness and how that makes him a terrifying opponent?

Nah, not really, no, it's no- EXCEPT THAT I AM!

I love your analysis and honestly, I always surf through the dick Grayson tag once a day to see if u have posted. Pls drop the innovatiness wala analysis. I would absolutely eat it up

ADSAJHFGAJLHADJLHA YOU CAN'T SEDUCE ME LIKE THAT-MY HEART CAN'T TAKE IT!

But I am here to deliver *bows*

Let's start this off with a bang

Dick is completely naked except for a towel and with one (well defined) leg he hooks the handle of the beer bucket and sends it smashing into Midnighter to stop him from using the knife on another person.

Pure. Fucking. Platinum.

That move was so delicious, there's an ease-fluidity-grace-to that split second movement. Also notice how accurate his aim is despite swinging it with the arc of his toes. The bucket slammed right into the medulla oblongata, or more specifically the pyramidal tracts which are crucial for controlling voluntary muscular movements. Nerves from the brain cross over at that area as they go down and then synapse onto other nerves that are responsible for controlling muscles when they leave the spinal cord. The precision at which he aimed the bucket is glorious. And with what? His feet.

The only reason Midnighter wasn't injured is because he is a meta which is the point. Otherwise Dick wouldn't have aimed there unless he was fighting an enemy.

Oh that brings me to my next point.

Dick has extraordinary control of his actions

He's so right though. Nightwing doesn't need to kill because fighting is too easy for him. I swear he has some kind of messed up idea (aside from his need to be absolutely good) that killing someone with a gun would take the joy out of fighting. He loves to live life on the hardest mode only.

The rapid fire throw of the gun, calculating the distance, time, velocity of return, and angle? I mean I studied physics and calculating even half of that on paper is a headache. The fact that he did it in one second? It's extraordinary. Things that are pure, dumb luck to literally everyone else is carefully calculated at a speed faster than light, making it look like luck. Damn.

Yeah.

Forget Slade. Midnighter is my new favorite nemesister.

DO YOU SEE WHAT HE FOUGHT WITH?! WHILE DEATHSTROKE AND BLACK ADAM WERE FIGHTING WITH META POWERS AND A CURSED SWORD, HE FUCKING WRAPPED CHAINS AROUND HIMSELF LIKE A BOSS AND WHIPPED THE SHIT OUT OF THAT MAN.

Please take a moment of silence to relish in this sight.

Dick's innovativeness is a formidable skill when fighting allies.

Dick and Ras are evenly matched in sword fighting.

Wait, wait. I don't need any doubts about Dick's strength in sword fighting so I'm going to include a couple panels here:

Dick fights Azrael to a standstill which is absolutely incredible because Azrael solos. He's gone through many upgrades and skills and is one of the best fighters ever. He's even defeated Bruce.

He also defeated Jason and Tim together in Batman and Robin Eternal.

This is just another point towards the fact that Dick actually won in his fight against Bruce before going into Spyral. They weren't holding back.

Oh yeah. Ra's vs Dick panel, Dick and Ra's aren't going anywhere because Dick is a swordsman equivalent to one of the best in the world. So how do you win a draw? By one upping the opponent. He swings his foot up in midair and completely defeats him. "But that isn't a defeat...Ra's just stopped fighting!" It was complete defeat because Ra's is intelligent and knows when he can't win. Also they have been fighting for a while until they reached the breaking point in the battle. This move is a show of how Dick has that just one inch more that will lead him to be a victor.

Ra's honors Dick so much he tried to give the sword he used to fight with Batman because he thinks Dick is worthy of it. Can anyone receive a higher honor than this from that man?

He'll also use the broken glass of a car window to take down his opponent. If that's not innovation, then what is?

But one last thing since a car door cannot be considered innovative these days.

sticks. He literally took two twigs off the ground to use as weapons against his highly skilled, one of the best assassins, great-grandfather who is fighting with daggers in his hands and all over his body.

But you know the best part?

He draws his opponent to a tie. A tie? Not a win? No it was win after, considering he used his relative's falling body as a launching pad in the middle of the air when they were falling off the bridge to grab onto the bridge with the help of his friend. So it was his win but it's insane how incredible Dick's skills are.

It's really innovative because who thinks of using twigs and winning? Let me also clarify another point. Dick could've used the knives he'd gotten from his talon suit and thoroughly won because when he was brain washed he almost killed Red Condor from how skilled he was but he conscientiously chose to use twigs. In a sword fight. This man.

His improvisation is an asset that many have come to know him for and classify him as dangerous because he can fight with anything, anywhere, and win.

Something I want to end with. Dick only fights people who are stronger than him. I know he's fought mob characters and stuff but his enemies? They are all metas, assassins, skilled fighters, Russian Black Ops, and more. Essentially, people who are the top of the class in their categories and him defeating them equally and fairly is the reason why he has the respect of his enemies. He's just that good.

[mccromy]

In regards to why Yue Qingyuan is like that when it comes to Shen Jiu, I have some thoughts.

To begin with, I always interpreted their relationship as purely platonic/familial (though perhaps with potential to turn into something else had things been different. I think their personalities are compatible in that way.)

Because of that, I empathize with Yue Qingyuan from my place as the oldest sibling, and because of it I think I can understand him when it comes to his behavior regarding Shen Qingqiu. (Because of that, I admit I'm not objective, so don't take this as a serious analysis and just my thoughts)

And for this I feel that Yue Qingyuan, more than allowing Shen Qingqiu to do what he pleases because he feels guilty, feels responsible for Shen Qingqiu's actions. He doesn't let Shen Qingqiu abuse his disciples, be hostile towards their fellow peak lords, and "engage in debauchery" just because he doesn't want to further strain their relationship, but because all of this is his fault.

When Shen Yuan first transmigrated and Yue Qingyuan asked him to stop punishing Luo Binghe, it didn't feel like he was making an attempt to stop Shen Qingqiu from further abusing the boy, but like the admonishment of an older sibling telling their little brother to stop acting a certain way. A "why are you doing this? You are not getting anything out of it, there's no reason for this other than you being cruel, stop it." Had Yue Qingyuan been making an attempt to stop him from harming his disciple, he would've actually put an end to it. He's the sect leader, he could just take Luo Binghe to another peak if not outright order Shen Qingqiu to stop.

There was a time my younger sister started bullying a classmate, she didn't see it as such, and I know she's not purposely cruel but she was young and thoughtless. In that situation I didn't take the other kid's side and reprimanded her harshly, yelled at her for being mean, ordered her to stop. I asked her why she did that (boy was annoying/everybody else was doing it too (and so it couldn't be wrong)) and told her that what she was doing was cruel, that everybody was being cruel to that boy, explained to her how bullying works, asked her how would she feel if she was annoying and everybody made fun of her, and asked her if she wanted to be a bully.

Yue Qingyuan said something along the lines of ''that boy hasn't done anything wrong, he tries so hard, aren't you tired? Hasn't it been enough?" He didn't take Luo Binghe's side like he should have, but he appealed to Shen Qingqiu's logic. He knew Shen Qingqiu and had an idea of why he was doing it, and addressed it calmly, tried to convince him to stop because there was no point, he was only making himself angry. He wasn't assertive either, only coaxing, because he also felt all of this was his fault. And not only that;

I believe Yue Qingyuan genuinely loved Shen Qingqiu, but he didn't like him anymore, and he felt terrible for it. He cared so much for him, yes, Shen Qingqiu was the only person he actually cared about and he couldn't be objective when it came to Shen Qingqiu. But he was constantly exasperated by him, he was so disappointed, and he knew he could like him again if Shen Qingqiu just stopped acting so caustically. But what right did he have to dislike Shen Qingqiu after how he failed him? If Shen Qingqiu acted like this it was because he was hurt, and whose fault was that?

Love and like do not always go hand in hand.

Think about a parent, a friend, a sibling, an aunt or an uncle. Someone you loved so much as a child and who was good to you. Someone who gave you gifts and played with you and heard you ramble and rant for hours, who defended you from others, who always had a smile for you. Now think about the time you realized they were a bigot, or that they yell to waiters, are cruel to animals. That they hit their partners or their children. You felt disappointed (and even betrayed) but you still loved them, you just didn't like them anymore, and you could no longer trust them, but if something happened to them, you'd be inconsolable. And you just know that if they just stopped you would like them again, you'd be so proud, you'd be so happy. In many cases like this what actually happens is that people feel guilty for loving someone so awful. In Yue Qingyuan's case, he felt guilty for not liking him.

Shen Jiu was not a good man, but he was hurt and the world had never been kind to him, so Yue Qingyuan took it upon himself to be unconditionally kind to him (even if he didn't realize that the way he chose to be kind also hurt Shen Qingqiu) and Yue Qingyuan was also the reason why Shen Qingqiu was so hurt, if Shen Qingqiu was cruel or violent, the blame fell on Yue Qingyuan's shoulders. How could he even dare to side eye Shen Qingqiu for how he behaved, when he wouldn't be like this if it weren't for Yue Qingyuan?

Yue Qingyuan's guilt doesn't come solely from not getting Shen Qingqiu out of Qiu manor, but from every single consequence that followed his failure. He's at fault for any and all of Shen Qingqiu's sins. He is also the only person who will ever be good to Shen Qingqiu, who knows he isn't the monster he made himself to be. He has no right to be disappointed in Shen Qingqiu's actions because they are his fault, he would never dare impose his own will above Shen Jiu's because hasn't Shen Jiu been subjected enough to the whims of others? he will never use his authority to stop him, he's the only ally Shen Jiu has, and he's also the only person in the whole sect with power over Shen Qingqiu, not only because of his position as sect leader, but because of how well he knows Shen Qingqiu, his secrets, his past and weaknesses. This puts him in a position to hurt Shen Qingqiu in ways no other could, to damage beyond what any other would be able to.

Yue Qingyuan's regrets are way more complex than what people make them out to be. Yue Qingyuan is aware that his silence about the fact that he did come back but was too late wounds Shen Qingqiu deeply, and the longer he doesn't explain himself the more Shen Qingqiu hurts. But this is also the only way he has of punishing himself, and he also feels guilty about it.

Imagine how he must see his own situation, Yue Qingyuan is respected and well liked, rich and powerful, he will never have to submit to other's wishes, he is free, untouchable, his brother is alive and healthy and close by. He has it all and more than he ever dreamed of, and deserves none of it, how could he ever allow himself to be forgiven? When in the end he's the person who has hurt Shen Jiu the most.

There are more reasons why he keeps quiet about the Linxi caves, most stem from trauma, and I believe his own need for punishment is one of them.

So when I see his behavior being reduced to ''he doesn't want for sqq to hate him more'' or ''he's just ashamed and guilty'' I feel sad because, Shen Jiu might be the most misunderstood character by other characters in the story. But Yue Qingyuan is the most misunderstood character by the fandom.

[biscuitsofthesevenseas]

DRAGON LORE ANALYSIS TIME

Warning: kind of long(an)

I think we all know where this story is going. The fact that Longan is normally quite nonchalant but then we get this monstrosity of a facial expression as soon as Pitaya decides to chip off his helmet, is just... like I think this guy has more going on than the game is letting us know. Like why did he just decide to sink into the ocean for a couple thousand years after seeing the vision instead of, you know, eagerly anticipating it? Why do they hate cookies so much, how did they receive more power than the other dragons, and if they do despise cookies with all their might then how did Snakefruit get to the palace alive for the first time? I mean, we do know that their power is flawed (proof of that is Pond Dinos existence) , but considering how much the dragon talks about its raw power, I'm not exactly sure whether they actually know about the flaws (well, except for acknowledging, and having therefore, beef with Pond Dino).

Im also slightly disappointed this update ended on a cliffhanger, especially with all the hype, leaks, and the amount of time the Dragon Saga has been going on for. Its been nearly 5 or 6 years since Pitaya was released, and we still haven't even gotten to the final battle yet.

On that note, I think I might as well say what I think will happen in finale. For a start, I kind of hope there will be a Lychee redemption arc. It sound hilarious, but like, think about it. Rambutan wants her friend back, even if said 'friend' was and is a life-sucking succubus dragon. Lychee herself is probably the least popular of the dragons (used to be ananas but they gained a bunch of new fans, including myself, this update.) She's been completely sidelined in lore, even her own release cutscenes focusing on Rambutan more than her. She appeared a total of two times this entire update, and not much more throughout this megaupdate. Oh and she's the only legendary without a costume since Ananas and Pitaya got theirs this megaupdate, so I think that update will give her one. A redemption arc would be interesting and it would give her the opportunity to not end the saga as longans servant. (I also realised that it would be extremely funny if longan also got redeened and received a costume for it. Like, angelic Longan. Angelic Longan. Think about it.)

Now, Snakefruit. I do not trust that thing one bit, and I am 100% expecting a plot twist on the final DS update where it tries to steal longans dragon form after longan gets inevitably defeated (crob doesn't do killing most of the time, although it would be great if longan just straight up died.) I mean sure, it made a deal with lotus, bla bla blah, but you aren't forgetting that this is the creature that somehow managed to steal all the cookies' life forces in order to become a dragon. And whats the deal with Snakefruit anyways? How did it even grasp the idea of becoming a dragon? I just happened to realise we know almost nothing about it apart from its goals. Devsis, give the snake lore please.

My fingers hurt now I think I'll stop typing-

[thurio-edau]

SBG GANG MENTAL ANALYSIS

yup, him for part two. funny thing despite Aiden being my favourite character I'm most excited for the other three posts I'll make, especially the last one. there's a lot to unpack here so

also im writing this with a migraine pls read it-

Part 2: Aiden Clark

ah, yes. the obviously-mentally-ill from the start fan favourite Aiden Clark. let's go.

first, I want to start with something I find really important about his character, what makes him heavily mischaracterized in the fandom. the 'psychopath' cliche.

the terms 'psychopath', 'insane' and 'unstable' are often confused with each other due to media stereotypes, such as Aiden here. one, he is not a psychopath. psychopath literally means a self-centered person who lacks sympathy, affection and care; making them far from most other characters in their franchise. their lack of sympathy/empathy often makes them criminalized, here

disturbing content warning, for an example of a psychopath.

let's take Gressil from Homesick for example since a lot of SBG readers also read Homesick. so, here, Gressil is a perfect example of an actual psychopath. his lack of empathy makes him torment others, he's very self-centered. and when asked why he's doing this? he says he was bored. let's look at Aiden here. what does Aiden do when bored? probably dumb ideas or annoy Tyler. not torturing people for fun. Aiden is just a boy who likes thrills, but he has a sense of empathy, care and justice.

you wanna see a psychopathic Aiden?? the canvas is it

(our local Logan hater is publishing the canvas eps go checc beachy out)

but that's him, not our Aiden. canvas does not equal originals y'all

alright, now since we got that cleared out!! firstly, ADHD.

I think everyone in the fandom is already aware that Aiden is ADHD but I'm still going to talk about it just like Ashlyn's autism. Red has also said that she wrote Aiden with ADHD in mind but hadn't canonically confirmed anyone as neurodivergent. let's start with the main symptoms of ADHD, also known as Attention Decifit and Hyperactivity Disorder.

I know about 5 different ADHD people myself and did some research, it probably won't be extremely accurate since I'm not ADHD myself, but I'll try to do whatever I can. first with the AD part, Attention Decifit.

now as seen, he doesn't exactly have any problems with theorizing itself. but the problem is that his attention just goes away easily.

i mean cmon bro was making memes on the job

he tries to do work, but can't. he has a low attention span which makes him not able to concentrate. he can't keep it up for long, he'll get distracted or bored too easily about things that doesn't interest in specially.

it's just distracting. what his attention is on constantly changes, there's more to that after the ADHD part but we're here for now.

the hyperactivity... it's a lot more apparent. but I should explain the insane-unstable thing before that.

insane means that someone's mental health is not in an okay situation, where it prevents the person from thinking normally, acting rationally, very often found together with delusions. the person is seriously mentally ill where it might count as a disability.

unstable, however, where someone is prone to psychiatric problems, has moodswings etc. they're not exactly the most sane person, but they aren't insane either. Aiden here, obviously falls on the unstable side. maybe just a little bit insane if you squint. this will be brought up later too, but it mixed well with his hyperactivity too.

and as we all know, our boy isn't exactly the most stable person. (sorry for the collages, but since there is a tumblr picture limit i have to keep on collaging. yes i learnt from the last time) his hyperactivity mixes with his unstable mindset which makes him incresingly vulnerable to danger- which he likes. from when the first shift happened, he's been really careless about stuff but it's been all about his love for thrill.

and it irritates Tyler, too.

the main subplot about his character is that he's a person of excitement. guess what? ADHD people like the excitement, they like new things, they like the adrenaline and thrill. now, Aiden's main characteristic of being unstable mixed with ADHD makes him an even more reckless person. another thing mixing with the hyperactivity, is boundaries.

this part will mostly be about Ashlyn since the boundary issue only happens with her.

I talked about this on Ashlyn's side on my Ashlyn analysis, now it's time for Aiden's side.

he's really annoying to her at first. Ashlyn is someone with lots of boundaries, like high walls. and who tries to climb them with his dumbass? Aiden of course.

she kept rejecting his efforts to befriend her for some time, until the night they stole the jeep. then she managed to actually bring the walls down, and accept them all into her life. but damn was she blunt.

felt that honestly

and Aiden understands her that night, too.

Ashlyn was hesistant to hug him, yes, he was aware. but she still did which made him realize she was also trying. i have to tell you, people with ADHD and people with autism either have trouble getting along, or go perfectly well. my ADHD sibling for example, I have to push them away for a lot and tell them to lower their voice. but once they remember my boundaries it actually becomes a normal, even pleasant hangout. which, Aiden realizes and tries to get along with. he tries.

seeing his efforts on her boundaries makes something click in her mind. and she starts to be a lot nicer when they hang out in the arcade.

Aiden eventually learns and remembers what she's like and what she loves to do. he already tried to watch her ballet sessions once -got slammed-, he's been to her room where he remembered the mat from and her fighting makes it obvious. I'm sure he knew he'd get cooked by betting that. but he still did,

because he knew it'd interest her. which he succeeded, he saw her smile again. the arcade day went great until Barron and his gang pulled up, but if we ignore that part it all went well. Aiden started to understand and respect her boundaries.

anyways then Tyler fucking dies

he knows that Ashlyn feels guilty. Aiden wants to comfort her through it, but also do it correctly. without going over any boundaries. which makes him really,

really,

really surprised when she responds.

also including this pannel cause its hilarious

here we see that he's still trying. hell, I'm sure he spent minutes thinking if he should come close physically to help her. that's probably why he just nudged her softly before anything else. he's not used to it, he has to conciously make an effort to not cross said boundaries. keeping his voice lower, try to not be so reckless, not doing anything physically close unless she reciprocates. wow how i wish another someone i knew irl tried that hard instead of blaming it on me cOUGH COUGH COUGH

also other small things to include

he's yapping a lot

he has a comically large amount of puzzles in his backpack for one single trip

and sticks his head into lamps for some reason

but that's just Aiden and his little neurodivergent brain for ya.

now the part I wanted to get to the most.

Borderline Personality Disorder.

first, what is Borderline Personality Disorder?

shortened as BPD, borderline is when someone's mood is inconsistent and swinging. think of it's name; the person's mental state is in the border, in the border line, switching up fastly. the most easily understood and common type is when the person goes from a depression to a happy state. but no matter which state they are in and/or go to, one thing stays the same: it is unstable.

one thing about borderline is that it is frequently mixed with bipolar. however bipolar is a neurodivengercy which means it is what someone is born with and cannot be changed. but borderline is obtained later in life. it usually happens with depression. bipolar is much more random and the episodes last longer in comparison. it may last up to hours, and the person's memory might have trouble remembering their episodes. borderline, on the other hand, is a short-lived mood swing.

now here. here's the catch; people with BPD during mood swings can have reckless behaviour, suicidal thoughts -in his case as far as we know, lowered sense of protecting himself- or a loss of understanding danger. sounds familiar?

borderline's recklessness and dangerousness, sometimes self-destructive acts combines with ADHD's love for thrill and excitement, combined with Aiden's own personality all make up for a great condition of instability.

Aiden's behaviour constantly goes crazy, I think his most frequent mood swing might be his normal self (at least, as normal as he could be) to this more maniac way of acting. I noticed it from his eyes, when he's in a more calm-ish normal state his pupils are a bit more dilated. in the pictures above, you can clearly see that he's still in the episode; filled with the adrenaline, the unstable way of thinking.

but, what causes that? surely a mental illness such as borderline doesn't happen on it's own.

right?

cause it didn't.

it never works that way.

but it can get better.

eventually.

but what happened to him?

personally, as much as a large amounnt of people seems to believe it's something like family abuse I don't think so. maybe neglect, maybe withdrawal, maybe maybe. but we've seen his parents. I don't think they would hurt him like that. I can't put any more pictures, but this is the last part anyway. his parents seem to be kind and gentle, despite that picture in his house. I'm thinking the picture was only for the dramatic effect. his parents said that he used to be really calm and quiet during Lily's birthday, and both Aiden and Ben seem comfortable around them. they were happy taking Ben in too, any kind of abusive parent wouldn't do that at least that's what I believe. also there is that Aiden got serious and concerned when he learnt that their parents were also in the facility, most likely worried for his own as you would have thought.

there was a post that I've been trying to find for like half an hour, I commented on it but I can't find the post now. the person talked about their own theory. if I remember correctly it was that when Aiden was depressive as a child, his parents took him to a thrilling activity like the ones he's been talking about (bungee-jumping, skydiving etc.) and the thrill made him actually get excited. which is why his parents allowed him to go even more reckless, because they are aware of how prone their son could be to the depression.

what happened? let's ignore the parents factor. someone can have a loving family and still be traumatized, someone can be taken care of and still feel abandoned, someone can never have confronted a situation they are terrified of.

one of my theories is that, the loneliness. it must get to a child heavily considering children need to not be left alone, but Aiden was. he didn't have any actual friends since they always moved from one place to another from his parents' business, and they might have not had enough time to make for him (which I believe is bullshitting, every child deserves to be taken some time out for. some people quit their jobs entirely for their child.) and be unaware, and that doesn't change that he was still depressed and alone. his depressive state was seemingly before Ben was taken in. now here one thing with borderline, at least from my experience, is faking actions. smiles, laughs, friendships, conversations... almost as if there's two different lives; one fake, and one real. you keep on switching, you keep on swinging between the sides where you're yourself and where you're just mimicking 'normal human behaviour'.

it starts from faking a happy state during their depression, and by time you're faking it it becomes an automatic adition to your personality. to your mind. once it furthers, it becomes the disorder. Aiden we see is always smiling. it becomes a habit that only breaks sometimes. now, I'm not saying his smile is fake- I think his face is literally just stuck like that. it breaks ever so slightly sometimes. fake it till ya make it yanno? that kind of thing. and when he swings from his calm mood to his borderline-d mood, his pupils get small and his smile gets worse. noticably worse. I'll be rereading the series (AGAIN) and this time look at all the small details since Red loves putting them and I love theorizing so

which, wraps up the Aiden thing! im actually really proud of how i could put my thoughts into text which i never could. i'd love any additions because i love other opinions as well.

and you know what? im glad Ash and Ai are out of the place because the rest are what I'm actually looking forward to >:)

...and i should sleep. really.

(wow sorry yall i finished this hours ago and said 'alright reread to make sure its good before sleep' and fell asleep through it lol sorry for 4 hour delay ig)

(leaving for school rn see yall 8 hours later 🫡)

[andhumanslovedstories]

hey here's another question that I've been thinking about for about a week with no particular breakthrough. I'm so much on the healthcare side that all my advice is on that side. Dude, I read academic articles for this and didn't come up with anything particularly useful. That's why I'm answering this publicly, so other people hopefully add something useful. (Also I know you said you're not looking for opioids. I'm gonna talk about opioids anyway they certainly affect perceptions of chronic pain. In your case, try making clear early on that you don't want opioids.)

I'll say some things that I've noticed from my work to maybe provide some insight into healthcare's side of the exchange. I'm not saying this is the way things should be, I'm giving advice based on how I see things are. I wish I could say this wasn't the case, but when there's a pain medication standoff, the two ways I've seen it work out best for a patient are:

A third party advocates for the patient. (like family, nurse, social worker, different specialist, patient advocate, etc)

Change in caregiver.

I don't like those as the top answers, but that's what I've seen and it's consistent with a lot of the accounts I encountered. There is also a third way that the pain medication standoff can quickly end in a patient's favor:

3. New evidence (new symptom, imaging, vital signs, lab test, etc) forces a reexamination of how we're thinking about the patient.

This is also the "oh shit they seem worse" method, but it can also be "we have gained new information that re-contextualizes the information we already knew." This is like hey the xray came back, your whole bone is dust, or hey your blood pressure is now significantly higher, or hey oops your appendix exploded.

In all three cases, something new happens to change the dynamic. This works for healthcare providers operating in good faith because someone comes in fresh and/or the new dynamic causes the healthcare team to do a new assessment and cost/benefit analysis with this updated information. This works for healthcare providers operating in bad faith because they are either removed from the situation or put in a position where giving pain medication is less onerous than not giving pain medication. I genuinely, genuinely believe far more healthcare employees are operating in good faith rather than bad faith, although the end results can look the same from the patient side. This means I think that far more people are swayed by additional information that makes pain management have more benefit and less cost.

I don't know how actionable any of this is from the patient side unfortunately. I don't love being like "my advice? wait till shift change, see if you can shake it up." Bring someone to the emergency department with you if you have someone available, preferably someone prepared to make a fuss on your behalf. If you don't have a third person, see if you can get one. Hospitals can have patient advocate as a job. If they aren't available, is there someone on your healthcare team that seems most sympathetic? Try asking them if they have any advice. They might be able to give you some, they might advocate for you. Be careful about badmouthing staff to other staff and avoid compliments to one member of the team that relies on insulting another member. You don't know the relationships at play, and it's sort of like how you shouldn't trash talk your old job when interviewing for a new job. You may be completely right in everything you're saying, but being like "my boss was a crazy asshole who refused to recognize my work," doesn't come off as objective. It can undercut your credibility and introduce hostility into the conversation where it is not productive.

I'd also be prepared to talk about what you already tried to relieve the pain. Again, with you I'd mention upfront that you don't want opioids because they don't work for you. Then say what you have already tried at home before you came in (tylenol, ibpurofen, heating, ice, exercises, stretching, shower, other meds, etc) and the effect of both the pain (can't sleep, makes you nauseated, had to call off sick from work, aren't able to be a caregiver to someone, etc) and your already attempted interventions (no significant pain control, symptoms got worse, called PCP, they said emergency was the next step, etc). If your condition is chronic, compare it on the pain scale and the functionality scale to your baseline. (i.e. "I'm always at least a 3 out of ten on the pain scale, but it doesn't usually leave me bedbound." "Normally Symptom improves after Intervention At Home, but that didn't work this time.") Something that can make providers hesitant is if opioids, benzos, or other powerful drugs are the first and only thing a patient says will help and they're unwilling to try anything else, so sometimes demonstrating flexibility with your pain plan can signal "I'm not here for oxy to sell, I'm here because I want my symptoms to stop (and, if relevant, figure out what is causing them)."

Also if you can and feel safe doing so, consider providing feedback to the hospital. Nothing changes without something documented.

[starlight-bread-blog]

My Interpetation of The Southern Raiders: Part 1 – A\ang

Warning: The views expressed in this analysis will be very critical of Aang. If you aren't critical of him in this episode, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.

——————

The Southern Raiders is probably one of the most discussed episodes in the fandom. Everyone knows Zuko Alone is great, but the discussion surrounding this episode is a war zone. In this essay I will try to answer every question posed in the discourse. This is part 1 out of three. In this part, I will discuss A\ang. I believe that understanding both Zuko and Aang's decisions in this episode will give us great insight into Katara's. Because the this episode is hers.

——————

1. Is Aang's philosophy of forgiveness valid?

(1) "Revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself".

(2) "You do have a choice: forgiveness". // "It's easy to do nothing, but it's hard to forgive". // "Forgiveness is the first step you have to take to begin healing".

This philosophy is indeed morally sound. Revenge comes from rage, a negative emotion that causes harm in the long run. Forgiveness is letting go of that rage, which is healing. I cannot write a full thesis, this essay is not about that. But on paper, I do agree with A\ang. He's right to say that letting go of rage is a better alternative than getting consumed by it. (However, his philosophy might not help some).

——————

2. Was A\ang being insensitive when talking to Katara?

First I must reiterate, a lot of people frame the conflict of the episode as one regarding the ethics of murder. In my interpretation, it is not. During this episode Katara was in a deeply emotional place. Her rage stemmed from intense grief and those around her should treat her as a mourner - with great sensitivity.

Now, was Aang being this sensitive with Katara? Well, in my opinion, very much so.

Imagine a scenario where A\ang just happens to meet Haru, and he's about to go on a quest to find revenge on who imprisoned his father. He tries to help him with the following sentences:

(1) Um ... and what exactly do you think this will accomplish?

(2) Wait! Stop! I do understand. You're feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?

(3) I don't think so. I think it's about getting revenge.

(4) Haru, you sound like Jet.

(5) The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

(6) Haru, you do have a choice: forgiveness.

(7) No, it's not. It's easy to do nothing, but it's hard to forgive.

(8) You did the right thing. Forgiveness is the first step you have to take to begin healing.

Everything makes sense, right? The pieces fit.He just talks about his cultura\personal values, nothing about what Katara needs at the moment. He could have had this exact conversation with Haru without changing a thing.

Therefore his lines are impersonal and thus preachy. In this conversation he doesn’t show signs of trying to convince Katara not to end her mother’s killer because she is, fundamentally, a good person and couldn’t live having committed murder. He shows signs of trying to make her obey his cultural ethos. This is highly insensitive. Katara was in a very emotional place, filled with rage and grief. And his response was, intentionally or not, to impose his own cultural principles onto her.

But his lines weren’t insensitive just because they were preachy, some of them were judgmental and even harsh. When A\ang is first confronted with Katara’s intentions, he says:

A\ang: Um ... and what exactly do you think this will accomplish?

You can tell from his tone and how the rest of the conversation plays out that he does know what Katara thinks this will accomplish. He asks the question as a form of disapproval - that he thinks that going after Yon Rha won’t accomplish anything. He’s not being genuine, he’s casting judgment on her. He’s almost looking down on her and Zuko, looking down from a moral high ground and sarcastically interrogating the two. Another line that sticks out is

A\ang: Katara, you sound like Jet.

He says she sounds like the man who wanted to flood an entire village full of innocent civilians. He’s insulting her, and greatly so, all the while wanting to keep a moral high ground. This is incredibly rude and condescending.

In the next scene, right after the intense argument concludes, it appears as though A\ang comes around to the journey Katara was about to go through.

A\ang: I wasn't planning to. This is a journey you need to take. You need to face this man.But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

While he’s still discouraging Katara, it’s not outright condescending. But it’s as clear as day that he’d just preferred if she didn’t go on the journey at all. When he sees Zuko and Katara taking Appa to find Yon Rha, he says:

A\ang: So you were just gonna take Appa anyway?

Clearly disapproving of Katara. He doesn’t want her to go on the journey to find inner peace, he wants her to forgive the man who killed her mother right here and right now. He couldn’t change her mind on the subject, so he’ll advise her the next best thing. It is worth noting that in the beginning, before he advises her, he cracks a joke.

A\ang: It's okay, because I forgive you. [Pauses.] That give you any ideas?

Overall, A\ang’s behavior is unsympathetic and callous.Instead of placing his focus on Katara’s wellbeing, he preaches about Air Nomad teachings and goes as far as insulting her. Even when he comes around, it’s not because he realized his mistakes, it’s because he knew he couldn’t change her mind. And then he makes a humorous remark while giving him his supposed new found advice. The answer is: Yes. Aang was very insensitive when talking to Katara.

——————

3. Did A\ang know what Katara needed?

I don’t think he did. A\ang thought Katara needed to forgive Yon Rha, and as we previously established, without going after him. But even if we look at his second advice, she still doesn’t follow it.

A\ang: This is a journey you need to take. You need to face this man. [Katara situates herself on Appa's head.] But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

Katara explicitly didn’t forgive Yon Rha, and yet the whole point of the ending is that she’s in a better place now. No matter what Zuko says, A\ang didn’t know what Katara needed. And considering that his lines in the episode were as impersonal as they were, it isn’t a surprise.

——————

In conclusion, A\ang’s behavior in The Southern Raiders is questionable at best. He might have had pure intentions, and had a good message, but the way he put out the message was degrading and preachy. And in the end, he didn’t know what was the right thing for Katara.

Continued