#Amos Poe
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Debbie Harry on the set of The Foreigner (1978)
Photographed by Fernando Natalici in East Village, New York City, New York. 1977.
#debbie harry#blondie#fernando natalici#1970s#amos poe#no wave#punk rock#punk music#punk scene#new york city#vintage style#vintage fashion#classic rock#vintage#women in music#female musicians#rock n roll#1970s music#70s music#punk#70s#70s style#1970s style#70s fashion#70s rock#1970s fashion#70s aesthetic#1970s aesthetic
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Andy Warhol, Amos Poe, James Baldwin, Nicole Wisniak, Jodie Foster, and Jed Johnson at the Casino de Deauville during the Deauville American Film Festival, September 1977.
#andy warhhol#james baldwin#amos poe#1977#jodie foster#deauville film festival#france#jed johnson#1970s
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1976
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ALPHABET CITY, 1984 DIR. AMOS POE
#alphabet city#alphabet city 1984#amos poe#80sedit#filmedit#80sdaily#filmgifs#fyeahmovies#movieedit#moviegifs#junkfoodcinemas#junkfooddaily#**mg#vspanoedit#vincentspanoedit
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Unmade Beds (1976)
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(via Otto Steinert René Groebli Robert Heinecken Gordon… - all things amazing — LiveJournal)
Debbie Harry, Amos Poe “The Foreigner”
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Happy 74th, Amos Poe.
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Anthony Bourdain with filmmakers Amos Poe and Jim Jarmusch
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Stills from Amos Poe's 1978 "The Foreigner" with the Cramps ganging up on the protagonist, Eric Mitchell, in the CBGB's bathrooms after a drunken brawl with Bryan Gregory and Miriam Linn upstairs.
dailypublic.com/: "Filmmaker Amos Poe is today considered one of the progenitors of New York’s “No Wave” movement, but back in the late 1970s he was just a guy trying to make movies about the scene he knew with minimal resources and the help of friends. The Foreigner, his second film, was made in 1978 but looks like an artifact from the early 1950s. Part of that is intentional: He’s trying to recreate the same no-budget, black-and-white crime films that inspired Godard’s Breathless. The plot is improvised around Eric Mitchell as a Eurospy who arrives in Manhattan ready for his next assignment. What that is, he doesn’t know, and his attempts to find out take him through some of the seedier back alleys of Alphabet City, way back before the era of gentrification.
Punk fans will want to see it for a CBGBs performance by the Erasers and cameos by Debbie Harry (singing a Brecht song) and the Cramps (as a gang that mugs Mitchell in the CBGB bathroom). If you’re interested in the era, it’s an invaluable time capsule."
I gotta say the bathrooms look spotless, though.
Here's the footage from that scene on YT: https://www.youtube.com/watch?v=6gAyT5UK6dU
(via)
#the cramps#amos poe#1978#the foreigner#art film#no wave#cbgb#new york#punk#punk rock#early punk scene#people
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John Lurie, Susan Tyrrell and director Amos Poe in a publicity photo for Subway Riders, 1981.
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the boxer, shuji terayama 1977
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fallen angels, wong kar-wai 1995
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the foreigner, amos poe 1977
#the boxer#shuji terayama#1976#fallen angels#wong kar-wei#1995#the foreigner#amos poe#1977#ladri di biciclette#rocky balboa#fight club#chunking express#in the mood for love#chinese cinema#god speed you! black emperor#morte a venezia#the woman in the dunes#voices in the wind#material#flyweight#about photography#the blank generation#lola rennt#mullholland drive#liberty stands still#the matrix#jonathan demme#runner
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Throwback Extra
I have a real fondness for this movie and since this year is its fourth Anniversary I wanted to throwback to my review of it.
It’s a funky little very 80’s movie about a guy trying to get out of being a drug dealer with an awesome Nile Rodgers Soundtrack, which for some reason was never released as an album. I love the look of this movie but seriously the soundtrack is amazing.
I don’t think this is a great movie but it is a good one i really liked and have seen way too many times. Wish more people knew about it.
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The Foreigner (1978)
Directed by Amos Poe
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On September 11, 1986, Alphabet City debuted in Colombia.
#alphabet city#alphabet city 1984#amos poe#vincent spano#crime drama#1980s movies#tcm underground#crime thriller#crime film#gangster film#1980s#80s movies#black and white art#low budget film#movie art#art#drawing#movie history#pop art#modern art#pop surrealism#cult movies#portrait#cult film#doris wishman
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A touch of Debbie from Amos Poe's Unmade Beds (1976). French New Wave NY style. Better than any Godard.
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Subway Riders (1981)
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