#Amiya Chakraborty

[kobikolpolota]

Ayna kobita lyrics Amiya Chakraborty আয়না কবিতা অমিয় চক্রবর্তী

[lismusart]

What makes this #event so special? Find out tonight. “Call and Response” is a project organized by Kristine Schomaker, Sheli Silverio, S. Vollie Osborn, Emily Wiseman and Susan T. Kurland of Shoebox Arts/Art and Cake. Drawing on the tradition of Jazz, Exquisite Corpse and ping/pong this project is meant as a way for us to stay connected, to check in with each other and to support each other. This is collaboration at a distance. Follow what the artists are creating using the hashtags #shoeboxcallandresponse and #collaborationatadistance 102 Artists Participating: June Stoddard/Sean-Michael Gettys Francisco Alvarado/Genie Davis Sarah Soward/Adriana Zúñiga Velásquez Madeline Arnault/Sonji Art Sandra Mueller/Kamelyta Sue Jenkins/Kristine Augustyn Victoria Martino/Debra Vodhanel Marthe Aponte/K Muldoon Çağlar Tahiroğlu/Alexandra Boaru Rhiannon Barry/Michele Mekel Sabene Rizvi/Iris Peretz Leah Cupino/Theresa Francisco Mary Frances Christine Ruffatto/Eva-Marie Amiya Taarn Scott/Aya Sabry Cázares Cortéz/Lidia Kaku Elena Viktorovna Stromberger/Payal Chakraborty Mahalia X. Smith/Devon Paulson Pau Gold/Zarnescu Andrei Dellis Frank/Andrei Rodeanu Hope Ezcurra/Michelle Andrade Cynthia Cole/Serena Potter Susan Dickman/Hannah Jeremiah Alice Quarterman/Rebecca Bennett Duke Donal O'Sullivan/Endika Basaguren Sue Cutler/Carla Pohl Adrienne Cole/Ashley Ehrhardt Skye Amber Sweet/Stacy Prihoda Heather Arndt/Pradnya Kapshikar Nino Khundadze/Dave Clark Kerrie Smith/Ashley Violet Hester Ashli Kingfisher-Sisk/Lyla Paakkanen Kendra Larson/Amanda Champ Andu Marcu/Shloka Shankar Madara Tropa/Elisabeth Kelvin Ilke Ilter/Anne M Bray Bree Diaz/Marta Feinstein Angela Brooks/Vija Doks Rachel Barnard/Marquise Grace Angela Aiosa/Shirley Murphy Kayla Cloonan/Breanna Martins Debbie Swanson Patrick/Candice Greathouse Natasha Rudenko/Ameyalli Gutiérrez Eliza Day-Green/Jody Zellen Larisa-Elena Stan/Matt Milligan Blanca Daniela Ramírez/Sina Evans Adeola Davis-Aiyeloja/Aazam Iriliam Conchi Sanford/Zhenya Muhina Lara Buffard/Stephanie Han Brenda Oelbaum/Vidhi Ashar Beatrice Antonie Martino/Leslie Pierce Galina Kovshilovsky/Eva Poulopoulou Cover photo - Serena Potter. #art #artist #artisttalk https://www.instagram.com/p/CNzPwbTFM6l/?igshid=15ldtvv7tz71q

[bollywoodirect]

Remembering Hemant Kumar on his 97th birth anniversary. Hemanta Mukherjee, often credited as Hemant Kumar (16 June 1920 – 26 September 1989), was a playback singer, music director and film producer, who sang in Bengali, Hindi and other Indian languages. He won two National awards for the category best male playback singer. Under the influence of his friend Subhas Mukhopadhyay, Hemanta recorded his first song for All India Radio in 1935. The first line of the song was "Amar Ganete Ele Nabarupi Chirantanii." Hemanta's music career was primarily mentored by the Bengali musician, Sailesh Duttagupta. In an interview on television in the early 1980s, Hemanta had mentioned that he had also received classical music training from Ustad Faiyaz Khan's student Fanivusan Banerjee, but his tutelage was cut short by Ustad's untimely death. In 1937, Hemanta cut his first gramophone disc under the Columbia label. The songs (non-film) on this disc were "Janite Jadi Go Tumi" and "Balo Go Balo More" whose lyrics were by Naresh Bhattacharya and music was composed by Sailesh Duttagupta. Thereafter, every year Hemanta continued to record non-film discs for the Gramophone Company of India (GCI) till 1984. His first Hindi songs were "Kitana Dukh Bhulaya Tumne" and "O Preet Nibhanewali", released in 1940 under GCI's Columbia label. Music for these songs were composed by Kamal Dasgupta; lyrics were by Faiyaz Hashmi. Hemanta's first film song was in the Bengali film Nimai Sanyas released in 1941. Music was scored by Hariprasanna Das. Hemanta's first compositions for himself were the Bengali non-film songs "Katha Kayonako Shudhu Shono" and "Amar Biraha Akashe Priya" in 1944. Lyrics were by Amiya Bagchi. His first Hindi film songs were in Irada in 1944 under Pt. Amarnath's music direction. Lyrics were by Aziz Kashmiri. Hemanta is considered a foremost exponent of Rabindra Sangeet. His first recorded Rabindra Sangeet was in the Bengali film Priya Bandhabi (1944). The song was "Pather Sesh Kothaye". He recorded his first non-film Rabindra Sangeet disc in 1944 under the Columbia label. The songs were "Aamar Aar Habe Na Deri" and "Keno Pantha E Chanchalata". His first movie as a music director was the Bengali film Abhiyatri in 1947. Although many of the songs Hemanta recorded during this time received critical acclaim, major commercial success eluded him until 1947. Some contemporary male singers of Hemanta in Bengali were Jaganmay Mitra, Robin Majumdar, Satya Chowdhury, Dhananjay Bhattacharya, Sudhirlal Chakraborty, Bechu Dutta and Talat Mahmood. Like बॉलीवुड डायरेक्ट Bollywoodirect

[shankerjaikishen-the-unbeatables]

1st Jaimala by Shankar of Shankar-Jaikishan duo on Vividh Bharati (Roman transcript)

By

Shri Devendra Shastry

pyaare fauji bhaaiyon ko, aur sunnewaalon ko Shankar ka namashkaar. main sangeetkaar hoon aur mera kaam hai sangeet banaana. main aur Jaikishan, ham sangeet ke baare mein jaante hain, duniya ke baare mein to naheen jaante hain, aur yeh sangeet ke zariye hi jo bhi bolna hai woh aapke saamne rakhte hain. aur sangeet ki zubaan hi aapko sunaate hain. Song: honThon pe sachchaai rehti hai (Jis Desh Mein Ganga Behti Hai) yeh aap logon ko maaloom hai, yeh Raj Kapoor saahab ke film ka gaana hai. aap jaante hain ki gaana ek 'situation' par banta hai. aur woh 'situation' ka gaana ek insaan ki zindagi se bhi taallukh rakhta hai aur film ke 'situation' ke saath bhi. to yeh zaroori hai ki gaana jo hai woh sabko pasand aaye, aur sabko samajh mein aaye, usi ko gaana kehte hain. gaana Khaas taur par, gaane ka matlab yeh hona chaahiye ki agar woh film ke 'situation' ke hisaab se bhi hai Theek,to insaan ki zindagi ko bhi lag jaata hai. to ab yeh gaana aap jaante hain ki desh bhakti ka gaana hai, jo hamaare desh mein hazaaron log sunte hain, aur kitni bhaashaaen hain, aur har koi apni apni bhaasha bolta hai, lekin is gaane ka matlab yahi hai ki ham ek hain, aur ham hindustani log kahin bhi rahen, kidhar bhi rahen, jahaan bhi rahen lekin hamaara dil ek hai aur ek hokar chalna chaahiye, aur ek rahenge. hamaari ektaa mein hamaara sangeet bhi hamaari madad karta hai. aur jo sangeet sirf yaheen naheen saari duniya mein mashoor hai,woh hai shaastriya sangeet. aur shaastriya sangeet ko log samajhte hain bahut mushkil hai, yaa bahut kaThin hai. lekin aisa naheen hai. woh to shaastriya sangeet to aisa hai ki jaisa banaayenge waisa banta hai. kuchh logon ne bahut mushkil banaa diya isliye shaayad log samajhte hain ki mushkil hai. mushkil ekdam naheen hai. ek gaana hamne shaastriya sangeet par banaaya hai, woh ham aapko sunaana chaahte hain. Song: koi matwaala aaya mere dwaare (Love in Tokyo) fauji bhaaiyon, aapko shaayad naheen maaloom hogaa yaa kisi 'paper' mein paDhaa bhi hogaa mujhe kasrat ka bhi baDaa shauk tha. aur us waqt main kasrat bhi karta tha, kushti bhi laDtaa tha. yeh mere Khayaal se aapko Khushi hogi ki sangeetkaar pahelwaan bhi tha. lekin us kushti ke saath saath maine chhoTepan se sangeet mein bhi baDi mehnat kee hai, usmein bhi kushti kee hai maine. lekin sangeet ki kushti aam kushti ki tarah naheen hoti hai. yeh to pyaar, mohabbat se hoti hai. aur sangeet jo hai yeh haath aur taaqat se naheen chalti hai. sangeet mein aap jitne pyaar se banaa sakte hain, jitna pyaar aap de sakte hain, utna hi sangeet mein aanand aur mazaa aata hai. ab ek gaana hamne baDe pyaar se aur baDe dil se hamne banaaya hai, aawaaz hai Mohd Rafi saahab ki, aur film hai Basant Bahar.. Song: baDi der bhayi kab loge khabar more Raam (Basant Bahar) filmi duniya mein hamesha se baDe baDe gaayak rahe hain, aur kuchh chale gaye hain, aur aaj bhi baDe baDe gaayak hain. bhagwaan kare hamesha rahen, aur naye bhi aate hain, naye naye logon ko bhi mauka milta hai. aur ham to chaahte hain ki naye aane se unse nayi baaten hamein bhi milti hain, nayaa kaam kar bhi sakte hain. jaise aapko yaad hoga, kai saal pehle ham ek nayi gaayika ko laaye the. aur uska naam hai Sharada. kai gaane uske 'popular' huye hain, aur aapko yaad hai Sharada ka sabse pehla mashoor gaana kaun sa tha? Song: titli uDee uD jo chalee (Suraj) ek chhoTaa sa waaqya aapke saamne rakhta hoon. woh hai mere aziz jo Jaikishan hain, unke baare mein kuchh baaten sunaata hoon. kya huya ki jis waqt yeh gaana ham 'compose' karte the "mere dil kahin yun chal", usmein baDaa mazaa aaya, to Jaikishan saahab apna baaja lekar baiThe huye hain, keh rahe hain ki 'bhai, yeh kiska dil leke tu chal?' maine bolaa ki 'aisi kaisi baaten kar raha hai? dil lekar to aap hi leke jaate ho, ham to yaheen baiThe rehte hain, ab kahin jaldibaazi mat karo kahin jaanewaane ki'. kehne lage ki 'naheen yaar mujhe kahin jaana hai, main bahut thak gaya'. maine bola ki 'yeh gaane ka jo kaam hai abhi tum poora 'complete' karo kyunki hamaare 'producer' saahab, Amiya Chakraborty saahab sunne ke liye aa rahe hain, aaj tum baiTho, usey Khatam karo, aur uske baad tum jaana'. to kehne lage ki 'naheen yaar mera koi 'appointment' hai,mujhe jaana zaroori hai'. to kahaa ki 'koi laDkee vaDkee hai kya?' to bolne lagaa ki 'ismein poochhne ki kyaa zaroorat hai, yeh to samajhne ki baat hai'. to is tareeke se ham logon ka kaam hota tha. to usmein ek aur kya Khaas baat thi Jaikishan mein, woh rangeela raaja tha, Khushmizaaj tha, hansta rehta tha, aur hamesha achchhe kapDe pahenna,aur gaaDi mein baDe shaan se jaana, aur kaam ke waqt mein woh itna sahee Dhang se kaam karta tha ki jiska koi jawaab naheen tha, lekin is gaane mein jo usne jaadoo bhara aur jo kiya hai, jaise ham usko lehri aur rangeela raaja kehte the, is gaane mein bhi "ae mere dil" mein jo jaadoo bhar diya uska koi jawaab naheen hai. Song: ae mere dil kahin aur chal (Daag) filmi geeton mein sirf dhuno ka achchha hona, bolon ka achchha hona,aawaaz ka ahchha hona kaafi naheen. iske alaawa 'orchestra' ki bhi bahut zaroorat hoti hai. us 'orchestra' mein achchhe saaz, naye naye Dhang ke saaz, aur unko istemaal karna aana bhi chaahiye aur main aur Jaikishan, dono ko bahut shauk hai 'orchestra' ka, aur ham dono hi sab saaz bajaate the, jaise jaikishan Accordion, Piano, Harmonium bahut achchha bajaata tha, waise main bhi Tabla bahut Khoobsoorat bajaata tha, aur uske alaawa Piano, Harmonium, Accordion, aur 'dance' vagerah bhi ham jaante hain. in tamaam cheezon ki zaroorat paDti hai,tamaam aise gaano mein, unki madad lekar gaano ko sajaate hain aur gaano mein jo hai Khoobsoorti paida karte hain. ab main aisa ek gaana sunaana chaahta hoon aapko jispar 'orchestra' mein hamne bahut mehnat kee thi, aur woh 'orchestra' mein hamne kya kya bajaaya hai, kaun kaun se 'instruments use' kee hain, woh ab main aapko naam bataata hoon, jaise ek solobox hota hai, aur ek accordion hota hai, aur ek 'synthesizer' hota hai, aur bhi bahut se 'instruments' hain jo English mein aur doosra Saxophone hota hai, aur uske baad 'drums', 'side drums', aur ponga, bonga, yeh tamaam cheezon ko hamne usmein 'use' kiya, aur 'double base', aur do do 'double base' ko 'use' kiya hai. aur bahut se chhoTe moTe 'instruments use' keeye aur in tamaam cheezon se us gaane mein itni Khoobsoorti aayi hai, woh gaana ab aapke saamne hai. Song: aapki raay mere baare mein kya hai kahiye (Elaan) abhi aapne baDe 'orchestra' ka mazaa liya. zaroori naheen ki har gaane mein baDaa 'orchestra' ho. chhoTe 'orchestra' ka gaana bhi mazaa aata hai. ab main aapko ek gaana sunaata hoon jismein Mr Robert ne Piano bajaaya hai, usmein maine bhi unke saath Piano bajaaya hai,aur woh gaane mein ek hi saaz hai jo sunne mein aata hai. aur us saaz ka mazaa aapko zaroor aayega. to suniye woh gaana aur yaad keejiye woh do dost jo hamse bichhaD gaye, Jaikishan aur Mukesh. Song: dost dost na raha (Sangam) fauji bhaaiyon, ab main ruKhsat chaahta hoon, ummeed hai zindagi ke safar mein isi tarah milte rahenge. jaate hain Khudaa-haafiz bas itni guzaarish hai, ham yaad jo aa jaayen milne ki dua karna. Song: zindagi ek safar hai suhaana (Andaaz)

[healerhomeopathy-blog]

homeopathy clinic in jaipur

After completing BHMS from University of Calcutta with distinction, Dr. Arnav performed 3 years of hands on training as Internship and Senior House Resident at Calcutta Homeopathic medical College and D. N. De Homeopathic Medical College at Calcutta. During this period, he was under guidance of different stalwart Homeopathic Physicians of Kolkata, like Dr. (Late) Prabir Chakraborty, Dr. Prasun Banerjee, Dr. Amiya Chatterjee, Dr. R. K. Dutta, Dr. S. K. Moinuddin. There he learnt the Calcutta School of Classical Homeopathy. He also got hands on training on modern medicine from Dr. Shambhu Nath Pandit Hospital, Dr. Pavlov Hospital for Psychiatric diseases, Dr. B. C. Roy Post Graduate Institute of Pediatric Sciences. After this Dr. Mukherjee had shifted to Jaipur in early 2007. Since then he has been practicing classical homeopathy here at Jaipur for the last around 10 years.

[rpkohc-blog]

High Quality Antony Firingee Movie

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Actors:

Bhanu Bannerjee Ajit Chatterjee Amiya Chakraborty Haradhan Bannerjee Asitbaran Ratan Banerjee Jiben Bose

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