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jenroses · 1 year ago

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Hey! Please feel free to ignore but you did say to ask you about masks :P the ones I've found that are multiple layers for max protection are really stiff, which squishes my face and leads to gaps. Do you have recommendations? Thanks!

I know that there's a lot of noise about elastomeric masks but for me they're a nonstarter because of the stiffness you talk about. I think it's important to understand that most of the 94-95 standard masks that actually meet that standard are going to be plenty good enough where most people are concerned. Is it possible to catch Covid with a mask on? Yes. I've done it.

Is it likely? No. I'm immune compromised. This isn't data, but our experience has been that a combination of masks, reasonable common sense and good filtration are enough that despite having a school-aged child, a husband who travels for conventions, and me, immune suppressed, with a college student living in our house, I have only had covid twice, the first time was an unfortunate collision of me going to a store at the wrong time where a clerk had both covid and the flu and gave them to me, and the other one involved a family member not using a mask at a public event while eating. Even then, when I caught covid and the flu at the same time and isolated immediately with filtration and everyone coming into my space being masked... not one other person in our house caught it, and when someone else caught it a year later, the only people who caught it were sharing sleeping spaces. Our roommates did not catch it, and everyone was masking from the moment of the first positive test. When my kid got half-assed about masking at school, he immediately got flu and strep at the same time. I pointed out that his lack of care about it could mean a lot of missed school for him and serious health impacts for both of us, and he started wearing a mask again, and did not get sick for the rest of the school year. He HATES the masks that go behind the head and wears Armbrust kn95 masks exclusively (dark blue, lol) And it's pretty clear that without the masks he was getting sick a lot and with he just...doesn't. He is wearing them all day except for lunch through full school days, so that says something. Armbrust will send little behind the head doohickies to keep them off the ears but he never uses them. At $2ish per mask they're not the cheapest but he uses one mask for multiple days so it's not too bad overall cost wise. They have kid sizing, but he's in the regular adult size now at 11. Now, I'll talk about Armbrust for a minute because I really like the company. On pretty much every mask they sell you'll see a video of one of their people reviewing the mask and going over testing data... but they ALSO have reviews of almost every other mask on the market, bad, good and in between, and if you find a mask on Amazon or something and want to know more about it, search the mask name and "armbrust" and the youtube video and product data page will pop up. I've found several special masks for very particular needs by looking through their database for combinations of breathability and shape that weren't even masks they sold. So if you are struggling, take a look at the database, eliminate "failed" masks, look for the ones that meet your needs and then watch the video to see what he says about them first. There are some VERY inexpensive masks out there that work very well, and some masks that are incredibly breathable or incredibly high filtration and a few unicorns that are both.

Now Hubby is okay with the same KN95 masks that our son likes but he exercises and his lungs get a little touchy sometimes so he needs maximum ease in breathing, so using that database I found Dr. Puri masks. Here's the Armbrust review. Here's the listing I found them on. Hubby LOVES them. He also prefers behind the ear. About $1.50 each.

I *hate* behind the ear with a hot hate, they bug me. But I can't just use one type of mask all the time because I have EDS and neck issues so pressure there can be awkward, plus I get short of breath sometimes anyway (history of pulmonary embolism that long predates covid) and I have sensory skin issues.

Bar none the most breathable mask I've ever tried, which also does not fog my glasses, is the Drager mask. These are soft, extraordinarily easy to breathe through, and have a unique strap that makes on/off very easy, and lets you pull the top strap and let it hang around your neck if needed. Unfortunately it has a VERY snug fit across the nose and leaves marks on my cheeks, or it would be perfect, but it's a good option, and possibly someone with a smaller face would have an easier time. These are possibly the best filtering and most breathable masks on the market, so for high risk situations this is the mask I would use. They filter 99.7% in testing. They're a little more expensive at about $1.25 per when I checked today. For a good intersection of fit and comfort, but a little less breathable, are the ACI N95 surgical respirator duckbills. These do not leave marks, don't fog much, good seal around the face, and the single most comfortable head strap I've ever seen. The fabric is very smooth, it is sensory good, but the breathability is not as high. It's not hard to breathe through, it's just not as easy as Drager or Dr. Puri. But... They could probably pass an N99 standard by Armbrust's testing, as they filter >99.4% of particulate, where the standard is 95%. These are also incredibly cheap. If you get their subscribe and save discount (you can do every 6 months) you can get 50 for $25, so 50 cents apiece.

All of these masks are pretty soft, easy to wear, and very good at what they do.

The TL:DR though.... The important thing is to find a mask that you will wear consistently and correctly every time you need it. A mask that hangs on your face and slips is not a good mask for you. A mask you hate so much you make excuses not to wear it is not a good mask for you. A mask that breaks easily or makes it hard to breathe so you end up taking it off is not a good mask. If what you have isn't working, there are LOTS of things that might.

Last Armbrust plug: THEY HAVE A SAMPLER PACK. You can buy a pack of a zillion different types and styles of mask and try a bunch! And order the one you like best! If you aren't sick, one sampler pack can be tried by the people in your household so everyone can figure out what works for them!

Also, I used to get sick very very often and now I just...don't. Not from contagious viruses, anyway. I don't understand why people are so cavalier about it. I've been sick less since 2020 than in any given six month period in my entire life. Despite being on immune suppressants.

#masks #face masks #n95 masks #covid isn't over

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free-amazon-products · 9 months ago

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#Amazon Product Tester #Discounts And Freebies #Shopping Perks #Product Tester #Testing Niche #Shopping Guide

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fuckyeahgoodomens · 9 months ago

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The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

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headspace-hotel · 2 years ago

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It's easy to see how chemophobia became so widespread to the point that companies advertise their products as containing "only ingredients you can pronounce." It's wretched that this spawned the antivax movement and other similar movements, but there are incredibly good historical reasons behind WHY people are terrified of "chemicals."

Reasons like: Agent Orange, DDT, Superfund sites, any of a wide range of incidents where chemical companies—in many cases, knowingly—poisoned people and communities because Number Go Up. History has shown again and again that companies do not give a fuck about ruining people's lives exposing them to toxic substances.

Unfortunately these people live in a world where EVERYTHING around them contains ingredients they can't pronounce and there is very little knowledge of basic chemistry, and a person has no choice but to either develop life-altering paranoia about contamination, or just settle into a sense of (naive?) security about the Chemicals in the world around them.

So these powerful cultural memories (and totally rational distrust of Bayer, DuPont, and Monsanto) have been hijacked to Sell Product (No chemicals! Ingredients you can pronounce! All Natural! Organic!) and/or been channeled into some horrible and ultimately baseless movements that, these days, form a pipeline straight into fascism.

Alex Jones' anxiety about chemicals "turning the freakin' frogs gay" is part of The Anxiety about a world that is now made of ingredients we can't pronounce. Our world is now made of very different physical stuff than the world of our ancestors, and it makes total sense for panicky reactionaries to blame sexualities, genders, religions, and ways of existence they don't understand on the strange, unprecedented "chemicals" that have intruded into the material components of the world around them.

The material changes to our lives mesh quite nicely with the paranoia of fascism. People, without any scientific expertise that would inform them, decide that "natural" things are good and "artificial" things are bad, and this leads people to reject very simple, comprehensible, and well-understood processes like "heating something up, but not quite to boiling, and letting it cool down" (pasteurization) in favor of "contracting bovine tuberculosis."

But it's not that natural is good and artificial is bad, it's that natural is, at least in theory, understandable, and artificial is bound only to the laws that tell DuPont it must disclose what is in a product being sold and test the product for harms to human and animal life—and the power of those laws to actually control DuPont. Hemlock and nightshade can be recognized and avoided, but a Product emerges from an Amazon Prime box in a curiously sterile afterbirth of plastic and foam, stinking of acrid VOC's that some people enjoy in the form of the "new car smell."

And we know that nature has no shortage of things that kill us that we CAN'T readily detect with our senses, like lead and uranium, but before mining for coal and metals ripped open our Earth and pumped thousands upon thousands of tons of toxic waste up from its depths, any given creek or patch of dirt in Eastern Kentucky was at least less likely to be dangerously toxic and radioactive.

This definitely fuels the blind and often dangerous urge to go back to a time when things were "simpler." It lubricates the slide down into reactionary bigotry a little bit, this abundance of ways the world has gone Wrong and has been irreparably changed.

It gets harder and harder to say "No, natural is not always good/bad, no, unnatural is not always good/bad" and be listened to. Our world is far, far harder to understand now in some ways, but we have to try, and that's a hard sell.

#chemophobia #environment #fascism

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knitmeapony · 5 months ago

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You should donate or subscribe to Consumer Reports

So this was one of those things I thought everyone knew about, and I was very wrong about that.

If you are looking to buy something expensive and don't trust the ratings on Amazon or random websites that make you wonder if they're sponsored by a company, Consumer Reports is your answer.

You can get a one month subscription for $10, and if you're going to be buying a $1000 TV, that's absolutely worth it.

CR is a not-for-profit. They buy everything they test, and are only sponsored by donations and subscriptions to their magazine.

Here's what you get for that $10:

articles on how to decide what kind of thing to buy -- don't know the difference between OLED and LCD and other kinds of TVs? They'll tell you the difference. How big a TV is worthwhile in a space the size of your living room? What is HDR? Is it better to get a streaming box separate, or stream directly through the TV? They have guides for everything.

Price guides -- they will tell you, for instance, that new TV models tend to get released in the spring, so late spring/early summer is when you get slightly discounted rates on the last year's models

How to take care of your thing -- what should you use to clean a flat-screen TV? Does it matter if it's antistatic or antidust? Should you shade it from the sun? What features are worth turning off if you don't use live TV?

And then the big one: their rating guides

They rate hundreds of products in dozens of categories. You can then filter down. Say you live in an apartment and you can only afford $500 for a TV, and you really care about data privacy.

Those are your top 3 options for a 52 inch or smaller TV in your price range with better than average privacy. Click that Shop button and it'll show you where to buy it. Want to know how those ratings were created?

You can then add up to 5 products to a 'compare' grid.

Want to know how many products they've tested and have guides for?

Pet GPS collars. Countertop icemakers. Streaming services. Air travel. Seriously, this should be your first stop before making any big purchase, and if you subscribe it can be your first stop for ANY purchase.

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sh4wty18 · 6 months ago

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hii can you write a long fluffy Johnnie x reader? 🙏🫶

of course! i hope you love it :)

date night.

pairing: johnnie guilbert x reader

summary: after a long night of filming, you decide to surprise your boyfriend by bringing date night to him.

cw: fluff, language

word count: 1.0k + edited

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After a long day of filming videos for both his and Jake’s channels, the one thing Johnnie feels up for is spending time with you. He would always make time for you, no matter what. Tonight, he had been busy filming back to back videos with Jake in their filming room, presumably testing weird Amazon products or trying new snacks from a convenience store.

You knew Johnnie would be exhausted after filming, so you decided to surprise him with dinner and a movie. You had a key to their house, so you let yourself in quietly, so that they wouldn’t hear you. Then, you ordered your favorite go-to meals from Dave’s Hot Chicken, and had them delivered. You’d also built a cocoon of pillows and blankets on Johnnie’s bed, and brought your favorite lava lamp from your apartment to light the room– nothing too bright which could induce a headache. After grabbing your dinners and sneaking them back into Johnnie’s bedroom, you wait in the dimly lit room for your boyfriend to enter.

By around 9 pm, you hear muffled voices from down the hall, no doubt Jake and Johnnie discussing the editing and posting schedule for their videos, as they usually did after filming. Then you heard Johnnie ask, “Do you smell chicken, or is it just me?”

“No, dude, I smell it too… that’s fucking weird,” Jake replies with a laugh.

“Whatever, maybe we’re both going fucking insane,” Johnnie laughs, before opening his bedroom door, “Goodnight!” he calls out to Jake, and turns around. He’s taken aback at the sight of you curled up in his bed, waiting for him. “Y/n?” he closes his bedroom door and runs over to you, hurling himself into bed and wrapping his arms tightly around your body. “What’re you doing here? Did you set all this up for me??”

You giggle as he kisses the top of your head, “Yes! I wanted to surprise my hardworking boy with a treat tonight.”

“Oh babe, you’re the best, thank you,” Johnnie starts, tilting your chin up with his thumb and pointer finger and pulling you in to kiss your lips. “Have I ever told you I have the best girlfriend of all time?”

“Hmm… nope, I don’t think you have,” you joke, scratching your head with fake confusion.

“Well, she’s the best. She’s the most beautiful, smart, kind, thoughtful person I’ve ever met, and I love her more than anything,” he grins at you.

“You aren’t too bad yourself, boyfriend.” you nudge him in the side softly, and plant a kiss on the side of his neck. “I got your favorite,” you shake the Dave’s Hot Chicken bag in front of his face, and he grabs it happily.

“I knew I smelled chicken!” he shouts gleefully, taking a sandwich out of the bag and handing it to you, then taking the other one for himself, placing your shared order of fries on the paper bag between the two of you.

“What do you wanna watch, Johnnie?” you ask, “It’s your pick, tonight is all about you.”

“You can pick, baby. You know I suck at picking movies. Anything you wanna watch, you know I’ll wanna watch.” He kisses the top of your head again, and gently rubs circles into the small of your back as he watches you search up one of his favorite movies, Edward Scissorhands.

“Edward and Kim remind me of us,” you whisper in his ear as the opening credits begin, and you kiss his cheek, feeling his smile stretch across his face.

You spend the next twenty minutes leaning over your sandwiches and fries, eating silently while watching the film. After you’re both done eating, you get up to throw all the trash away. Johnnie scoots over in your blanket cocoon, patting the space next to him, indicating for you to rejoin him. You jump back into the fort, finding a comfortable spot between his legs, laying back against his torso. He leans against the pillows and wraps his arms around your sides, intertwining both his hands with yours.

You tilt your head back to look at him, and he leans down to kiss your lips spiderman style. You smile against his mouth, “Baby, watch the movie,” you giggle, “there’ll be plenty of time for messing around after.”

Before you know it, you’re drifting off in his arms, which Johnnie is prepared for. He slowly maneuvers your body so you're laying on your side next to him, and he lowers the volume of the movie. He lays down beside you and wraps his arm around your waist, resting his other hand under his pillow.

Just as he’s about to drift off as well, he feels you jolt awake. You turn to face him, wrapping your arm around his waist as well, so you’re holding each other.

“Did I fall asleep again?” you ask quietly.

Johnnie giggles under his breath, “Yeah, baby. But it’s okay. I’m sleepy too.” he leans in to kiss you, pulling your body closer to his, and you move your hand up to hold the back of his neck.

It’s a slow, sloppy make out– the best kind. The kind that you both know isn’t going to lead anywhere. It’s romantic, a way to deepen your connection and express your love for one another.

“I love you so much, and I’m proud of you everyday.” you whisper between kisses, as you catch your breath. You play with his hair, softly twirling your fingers through it, and he traces his fingers up and down your back.

“I love you more.” he kisses your nose, “you're the most perfect girl in the world.”

He turns to lay on his back, allowing you to wrap your arm around his stomach, and drape your leg over his. He rests his hand on top of yours, and turns to smile at you. Neither of you have to say another word, there’s nothing to be said that you both don’t already know.

So instead, you lean in to press your foreheads together. He kisses you again, long and deep. When he pulls away, you bury your head in the crook of his neck, kissing him one last time before getting comfortable for the night.

“Goodnight, angel,” he whispers up at the ceiling.

“Goodnight, my love,” you breathe into his neck, before drifting off to sleep in his arms.

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do you guys prefer this type of fluffy fic, or do you like more plot beforehand? let me know! as always, likes and reblogs are appreciated <3

#sh4wty18 #original one shot #one shot #original fiction #fluff #fluffy one shot #johnnie guilbert fluff #johnnie guilbert x reader #johnnie guilbert fanfic #johnnie guilbert #johnnie guilbert one shot #johnnie guilbert x you

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