#Also don’t say anything about the design it doesn’t really mean anything I just wanted it to be there

[coverfox-officia]

Make sure to color inside the lines!

[yanderenightmare]

does bakugos protectiveness mean he won’t get intimate with reader? like does he see them more as like …. a fragile pet/person to look after?

Bakugou Katsuki

♡ TW: nsfw, noncon, immobilization, yandere, captive reader, quirkless reader, grief, discrimination, drawn comparisons between quirklessness and disabilities, implied bakudeku, drugging, needles, hypochondriasis adjacet, also angst

♡ manga spoilers in a way, but also not really. anyway, read at your own discretion.

♡ part one

♡ fem reader

Despite all his lingering stares, the way he washes you in the bath and holds you at night, and the bulge you feel press against your ass—he hadn’t taken it further, and you’d started thinking he never would. His worries for your health might be so restricting he believes an act such as sex would be too exhausting and harmful for you. Sometimes, on his more rigid days, he doesn’t even allow you to walk on your own. So you wouldn’t put it beyond him.

But then, one night four months in, it comes. Creeping in slowly. You’re left wondering about it for a moment, lying there in anticipation as his large hands roam more than usual—over the plush of your thighs, up the small of your waist. The bed shifts as he slots himself closer—you think you might feel his heart thunk at your back. His breath comes with wet heat against your ear, his words even more so, drenched in arousal, yet oddly restrained, “Can I… touch you?”

He's so hesitant about it. Something in his voice, something so careful, makes you feel you can take it as an actual question and not one of his usual orders in disguise. Even so, you hesitate in return. But after a minute of contemplation, you decide to take advantage of the offered choice. Whispering back a firm and trying “No.”

You await his reaction warily—the possibility of him ignoring you is still very much plausible despite his caution.

But then… his touches recede to their designated places—to their normal hold, to the one of a simple dragon guarding treasure and nothing more. He releases a pent-up breath, then takes another deep one before settling.

“Okay.”

It seems somewhat anticlimactic. You’re not entirely sure you believe it. But as you wait for him to go against his own word, he doesn’t do anything but hold you like any other night, and then, a while later, you hear him snore.

You suppose it was expected. If your theory is correct and he doesn’t want to put you through the strain, it would only make sense he definitely wouldn’t do it if you were going to fight back on top of it. And as he doesn’t use the sedatives without deeming it utterly necessary, you can’t see him regard his horniness as a need that would justify its means.

Which can only then mean he wouldn’t touch you like that without consent. Perhaps the only saving grace in it all.

Or at least that was what you thought…

You’re both in the tub. You’d since allowed his thorough bath rituals without fighting back. Those times you’d bothered in the beginning, he’d used a sedative each time and left you as limp as a puppet. And even though you didn’t enjoy having any part of it, going through with it consciously was better than the alternative. And so you sit there, letting him lather and rub—trying to ignore the fact that his callused hands are twice your size and that he’s entirely naked, paired with the occasional feeling of his cock bumping into your lower back.

“There’s a lot’a health benefits to it…”

There he goes again. Health this, health that—constantly. He’ll most likely never let up on convincing you, no matter how much you declare you don’t need any of this inane insanity he calls protection.

“Sex, I mean…”

Your ears draw back at that. What… what did he just say? Your skin tightens around you, crawling with shivers even in the hot water. Health benefits… Sex…

You don’t like the sound of that. You thought he’d decided the means outweighed the need—his need, which is, in fact, not a need at all but a selfish desire. Similar to your desire to drink coffee or eat cake—both things you’re no longer allowed to do since it’s not compatible with your health regimen. Sex, as was decided, is also not compatible with your health regimen.

“It improves the immune system, lowers the risk of heart disease, decreases depression, makes you sleep better…” he mutters behind you. “Also… it’ll help you settle.”

“What are you talking abou—” Your outcry is cut off by the needle deep in your arm. The liquid enters you quickly and taints your bloodstream shortly thereafter. You watch him pull it out and place it gently on the neatly folded stack of towels beside the tub. Your breath is forcibly subdued before it has the chance to flare with the panic rioting your chest. The only protest leaving is a wasted “No…”

“I’m sorry…” he apologizes, wrapping his thick arms around your softened body before it could collapse forward, pulling you close while pressing his forehead between your slumped shoulder blades. “But this is for your own good.”

You don’t know whether he’s trying to convince you or himself. When he subjects you to all his other methods, he does so with impenetrable justification—as though religiously, sanctioned, with a rigid belief of what he’s doing. But now he seems more torn—as if he’s sullying himself with dubious intent, not entirely able to hide from his own ulterior motives.

He carries your limp body out of the bath in a fluffy towel. Your eyes are half-mast and blurry at times, but still, you can see it, written plainly on his face—guilt. No, not of the tiny needle hole he’d made in your arm—that shame is more fleeting, more of a grit-teethed all’s fair in love and war. This look on his face was different from that—weighted with a burden he still isn’t sure if’s worth it.

He lays you down softly on the bed, then takes a step back, swallowing thickly.

His shoulders look braced from what you can tell when looking down at where he stands at the foot end—overall uncomfortable in his stance, looking as though he doesn’t want to be there, as though he shouldn’t be there. Maybe he’s changed his mind? Maybe the guilt has fostered regret? Maybe he won’t go through with it after all?

The bed sinks to accommodate his weight. You feel it swallow you from beneath as if you’re drowning in the sheets. You feel heavy enough for it to be true—heavy like lead, unmovable. And yet, Bakugou moves you all too easily. Parting your thighs as if they didn’t have any gravity to them whatsoever, placing them atop his own as he shuffles in close.

You want to scream, but you can only cry silently. You feel so betrayed—that’s what gets you most. Familiarity in what you’d always known about how to live had been stripped away, leaving you to Bakugou’s rules and regulations—which weren’t much to find comfort in. Still, you had felt you could in the least trust in them, in his mania, in this unshakable need of his to keep you safe and healthy. But now he was breaking that trust.

“You aren’t comfortable with me yet. That’s the issue,” he says—insists on it. And it’s very clear now—he doesn’t even have himself assured. You can see it on his face, behind his eyes, racking his brain, grasping at straws.

Your skin ignites with goosebumps as he trails up both your thighs—his red stare rimmed with unease, brows cinched, looking at the place between you. His mouth hangs slightly open—you hear the shallow breaths seeping in and out, thicker and thicker with heat.

“We need this.”

That’s different. We have never been a part of it before. It’s always been you first and foremost and then him as an afterthought. Your chest churns again with the same sensation of back-stabbing—this isn’t right—he’s breaking all the rules! He said he wouldn’t—he promised he wouldn’t!

You squeeze your eyes shut with all the might the drug allows you when you feel his gritty finger filter through your slit. His warmth tells you he’s leaning down close, then the sensation of his mouth wrapping your nipple, soaking it in spit, even hotter than the steaming tub from earlier.

“I want to make you feel good—I need you to be happy,” he moans around the nub, sucking it into a pretty pebble before doing the same with the other—leaving them both glossy. “To smile. And laugh. You aren’t healthy if you don’t want to live.”

You can feel the bed shake beneath you, and you can tell from the tremor in his voice it’s from jerking himself—teasing your entrance with the other hand. You wince when his fingers enter you. The bathwater makes it easier—one digit first, testing you out, then quickly followed by the sting of another. It’s a stretch—after all, you haven’t done it in the many months since arriving here, and even before then, you’d been busy with work. You don’t remember how long it’s been, but it’s far long enough to make it feel both a little painful but also way overdue.

It's embarrassing how quickly you come undone. Two fingers barely doing anything but fill you out, and you’re already throttling them and cumming—wetting them with slickness of your own.

He pulls them out shortly. You don’t want to open your eyes, but the stillness that befalls the bed tells you everything of how he’s inspecting them with that god-awful doctoral leer in his eyes.

You think you hear the sounds of suction a second later—yes, definitely slurping.

You want to crawl in on yourself and die.

The hand returns, settling flatly upon your pelvis—a fat thumb nuzzling your pearled clit. And then something grazes the puffy lips below it—softly and slowly, ever-gently. Something hard. Something big. Something bulbous.

“This will hurt a little. But then you’ll feel good,” he cares to explain as if you’ve never done this before. It’s awful how soft and sweet he makes his tone, masking the brute—but the room is too quiet to hide behind, and you hear it anyway. “Don’t worry. I’ll be gentle.”

Liar.

Liar, liar, liar liar liar!

He nudges against your entrance to find purchase, a request soon granted—though it requires much more than what his digits did. A cry cracks from your chest and his movements halt. But that’s somehow worse—the slow burn is all but torture—you wish he’d rather do it quickly, in one full motion, like ripping off the band-aid. But no, he eases in, and the tear feels everlasting until it nudges right and tight against your womb.

“Fuck.” His whole body labors with his breaths, trying hard to restrain himself—and you suppose that’s something to be thankful for. “Fuck, that’s so nice…”

He, as well, hasn’t had a fuck in ages. Since before he met you.

He’d been too much of a wreck after the funeral when the realization had finally settled. Unfit in every sense of the word. Put on mandatory sick leave.

He had a month of binging. Too many hookups in poor taste and even shittier circumstances—sloshed at exclusive clubs, taking home the first person he could play pretend with. It was easiest with his fans—they remind him of him—how they fawn over him so wholeheartedly, cute nerds all too eager to let him use them.

Kirishima had beaten him half to death at some point, fed up with his bullshit—told him he was tainting his memory. His words hit harder than his fists. Set him straight. He’d sobered up, and then he’d gone back to work as the new number-one hero.

He had touched neither bottle nor another human being since. It had been all business.

And then he met you.

He hunkers down—his lips and nose brush along your neck in small kisses. “I love you,” he confesses under his breath, circling your clit under his thumb while his other hand dwarfs your hip tenderly. It’s the first time he says it out loud like that. It doesn’t mean much to you, or no, it means you want to twist away—but to him, it’s as if he’d said so under the climax of a romance, or maybe an even more dire intimacy than that, like the last breath he’d take before death, coated head to toe in blood, knowing he’d never be able to see you again.

All previous reservations are thrown as he pulls back and starts rocking forth slowly.

“Ah fuck—” he hisses. “I love you.”

The patterns drawn on your clit get messier—so do his kisses—sloppy and getting needier. The hand on your hips has to grip the mattress instead, supporting him while his breaths turn gruffer.

“I love you,” he keeps repeating, and you keep your eyes closed.

The bed rocks softly beneath you like you’re lying on a saucer swing—making you a little nauseous, and yet you feel it coming anew—the sweet tingling from below, simmering beneath Bakugou’s thumb.

Then his lulling picks up, veering on thrusting—just hard enough to make your skin softly clap upon meeting. It’s just enough friction to make you jerk again, seizing up and shivering on his cock. It jitters shortly, stutters, and then stills—and you feel it fill you—swarm you—hot and wet and spreading.

His chest rests on you—heavy and plump with brawn coated in sweat mixed with bathwater. It’s suffocating, yet you breathe fine, albeit in shambles, recovering from the toll.

“I love you,” he says a final time, breathless.

And you don’t know… something about the entire thing feels as though he’s talking to someone else.

♡ more thoughts on this ♡ BAKUGOU KATSUKI masterlist ♡ BOKU NO HERO ACADEMIA masterlist

[lexirosewrites]

as much as I enjoy “instant love,” I also think that maybe omega Steve would be a little freaked out by finding out his alpha friend, Eddie, wants to court him

Steve’s only ever dated women before (of all designations— but still) and he doesn’t know how he feels about this

but Eddie’s his friend

and if there’s one thing Steve does know, it’s that he can’t afford to lose any more of those in his life

so maybe he’s not super excited when he hears Eddie’s courting offer…

maybe he’s hiding his shaking hands in his pockets and choking back a lot of panic and anxiety when he’s asked

Steve’s ready to puke and run away without answering in order to escape the conversation, completely, but Eddie’s expression alone keeps him planted

because it’s the first time anyone has looked at him with so much open happiness, like Steve could be the best thing in the world

sure, he looks nervous too, but that’s a given for this sort of thing

and there’s no denying it

for whatever reason, Eddie is in love with him. he even says as much

“I know we had a bumpy start, Stevie. you never would’ve given a guy like me the time of day back in school—”

Steve interjects

“you don’t know that”

Eddie smiling, but his eyes look sad

the alpha shakes his head slightly. not condescending per se, but a little amused

“trust me. I wouldn’t have even made it this close before one of your lackeys would’ve been threatening to shove me into a locker”

his heart aches at that. it’s a little more true than he wants to admit

“well then… I guess it’s a good thing we’re not in high school anymore,” Steve concedes

Eddie nods, exhaling with a shaky laugh

god he looks so nervous

“guess so”

Steve still hasn’t answered him. they’re both acutely aware of that

his tongue feels too big for his mouth

“so you want to court me”

it’s less of a question, more of a stated summary of the confession Eddie had opened this conversation with

still Eddie nods once more, confirming

“yeah. I- I really do, Steve. more than anything I’ve ever wanted and I know how crazy that makes me sound”

“not crazy,” Steve squeaks out, “I just didn’t know you felt that way about… me”

Eddie takes a moment to process that, looking up at the sky as if his next words might be written up there

“of course i do. you’re the most beautiful omega I’ve ever met”

he’s sure that his surprise is all over his face

“beautiful?” Steve questions

he’s been called a lot of things in his life, but that’s not a word he’s ever associated with himself. maybe handsome, rugged, strong? but beautiful is reserved for omegas who don’t look like him

the pretty ones

the dainty, feminine, demure ones

Eddie looks so earnest when he states, “you’re drop dead gorgeous, sweetheart. inside and out. I mean, your face is perfect, but you have the biggest heart too. how could I not fall for you?”

Steve lets out his own nervous laugh. the air feels thin. maybe he cares about this more than he thought

“I’m really nothing special,” he protests

Eddie must be mistaken. there are so many other omegas that fit the mold much better than him

the alpha frowns, looking more than a little displeased at his response

“you’re wrong about that. in fact, I think I’d be the luckiest guy alive if— well, if…”

if Steve accepts Eddie’s courting offer

if Steve accepts that someone might actually want him for more than what he can give or do for them

…if Steve accepts the fact that Eddie’s been in the back of his mind since the boathouse and never quite left afterwards

his hands are still shaking

“you really want to court me?” Steve asks, his voice small. smaller than it should be

Eddie takes a step forward, hand extended towards Steve. he pauses before making contact, seeming to realize he should ask first

Steve nods, holding his breath

the gentle hand that touches his cheek, feather light and shaking as much as Steve’s own, grounds him to the earth and the moment

this is actually happening

“I realize you have no reason to believe me right now because I’ve not always been straightforward, but I love you, sweetheart”

his stomach is full of butterflies

Eddie’s telling the truth. it’s written all over his face and all over his alluring scent that has Steve wanting to lean in a little more every second that they’re this close

“you love me?”

he realizes he sounds like a broken record, just repeating Eddie

Eddie’s chuckles, seeming to notice the same thing

instead of affirming once more that Steve’s hearing is intact, Eddie just asks “can I kiss you?”

he’s nodding before he has a chance to doubt himself— to doubt this or doubt Eddie’s intentions

it’s soft

it’s light

it’s sweet

the kiss leaves him floating

the entire world could be split open again and Steve wouldn’t notice because he’s in Eddie’s arms and they might be courting now

he’s not head-over-heels in love quite yet, but it won’t take long to fall

now he knows Eddie will catch him when he does

[cusimmrbrightside]

I have always liked the idea of the school for mutants being very literally a school, and I know yes it is but I mean in the sense of if you want to be an X-men, you have to be a teacher. They have exams at the end of years, they have Ofsted checks (for those who don’t know what they are, it’s essentially people coming to check that the school is good at being a school) and they have teachers for every subject, which brings me to my next point;

“I’m Right You’re Wrong, Here’s What The X-Men (‘97 specifically) Would Teach As Subjects”.

(Also this is based off of UK school system but I use American terms like “seniors” and “AP” and “Midterms”)

Maths Teacher Gambit is surprising, for a guy most assume to not being entirely smart, an idiot goof off who’s the comedic relief. But you need to know numbers to gamble, and that he does with being very well versed in mathematics way past an AP level. He’s made the promise for every senior class that he will teach them to play blackjack on the final day, and has only ever lost once. Which is when the rule of “no betting real money” came into place.

English teacher Jean reminds me of the kind of teacher who would let the social outcasts into her class for their lunch breaks. The kids more likely to be bullied and she will fight tooth and nail to make sure those kids bullies don’t come into that classroom. they’re loud and shout and shouldn’t really be in there but no one has to know and she certainly won’t be telling them to leave any time soon.

Physics teacher Magneto is very specific to my highschool experience I’ll be honest. I had a physics teacher who was an actual Dr with a PHD and he hated being there. His classroom has (well, had since the building was knocked down about 5 years ago now) this one cabinet that was never fully shut, it was always open just about an inch or two, and he’d stand with his foot hovering just above it and then slam down on it whenever we got too loud so the noise would shut us up. That’s very magneto coded. Erik Lehnsherr would purposefully make the cabinet always a little open so he can do that.

Biology teacher morph is just a funny concept, a person whose physical form and change and morph into just about anything. They are considered one of the “fun” teachers, you could easily convince them to let you watch a movie all class as long as it was biology centred, but with classics like Osmosis Jones, you’re not stuck watching a documentary about animals giving birth.

Chemistry teacher Storm does not fuck about with children’s education. She is not strict by any means whatsoever, she just will not bend to someone saying they want to watch a film or should do a practical instead of theory. She has a set curriculum. She knows what she will be doing by the first week of the summer holidays and already has the room set up all pretty and organised.

Geography teacher Scott has the unfortunate job of telling his students that, they just won’t be looking at memorising country flags and politics. But hey!! Rocks are cool!! Beach shores are cool! Lake formations are cool! He’s the vice principal and designated nerd teacher. He once beat the elite four for a student on their copy of Pokémon Red because the student promised they’d do well in their midterms. Yes, he was in his 30s when the game came out, he doesn’t care.

History teacher Logan is a walking fun facts book. He’s exhausted, goes on smoke breaks on every gap of time he has, dislikes his job and will randomly get passionate about one specific topic, and will then dedicate his next 4 classes to that topic. Having been through a lot of modern history with personal experiences, he’s able to bring a lot of souvenirs to show his classes. Bullets, helmets, clothes he once wore hundreds of years ago, his personal memories of basic inventions like the vaccine.

PE (physical education) teacher Rogue is full of fun sports games, you can join any kind of sports team you can imagine and if you ask nicely enough, she’ll put Just Dance on a projector in the sports hall so you can just play that instead of actually play an actual sport. As long as you leave her class exhausted and without time to have a shower before your next class then she’s succeeded in making whoever your next teacher is absolutely miserable (bonus points if it’s Logan with his enhanced sense of smell).

Art teacher jubilee does believe that there is a right way to critique art. And she can be a little in your face about it. She does think you can have wrong opinions especially when it comes to your own art. If she overhears you saying you didn’t something wrong, she’ll scream into a megaphone “adapt, improvise, overcome!”. There are no mistakes! She’s eccentric, bubbly, creative and brilliant, the only one suited for the job.

It wouldn’t be a school without budget cuts. That’s why Nightcrawler is both the languages and religions teacher and he’s beloved at both. He comes up with roleplay scenarios the students can play to help learn their chosen languages, he has varied religious texts in his room and when he says to the students “I’ll pray for toy during exam season” he’s not actually joking.

(I forgot about Hank I’m actually going to cry he’s one of my favourites and I forgot about him. He’ll be in pt two or smth.)

[no1deepspacehater]

⸻⋅☾SYLUS - NSFW ABC's☽⋅⸻

TW: Spoilers, General TW (It's Sylus, c'mon now) and mentions of CNC (he doesn't like it, it's just mentioned)

AN: Since he's come out i've been spending so much time exploring his character and unlocking his myths!! This man has me in a chokehold. I'm so sorry Xavier.

A = Aftercare (What they’re like after sex)

He’s gonna have you in his hold for a bit, he’s not a big cuddler, but he wants you to come down nicely. So it’s a bit of him watching you relax and whipering how good you were etc for a bit.

Then, mostly for him, he’s gonna have a bit of wine (he’s such an alcoholic).

He’ll offer you a bath and shower, which he does take even if you don’t want to (remember, aftercare goes both ways, this is his way to relax.)

But don’t worry, if you want some cuddles he’s willingly, after much teasing of how much of a needy kitten you are.

B = Body part (Their favourite body part of theirs and also their partner’s)

Everything is his favourite part.

But if he has to choose, his arms and hands.

He’s put a lot of hours into training, without his evol he can still strangle the light from someone’s life on his own and punch the daylight out of them too.

For you, he is an ass and tits man. Why does he have to choose? He can and will have both.

Loves to see a curvy dress on you that shows off your physique. His hand is so quick to slide around your waist, proud to have a good looking person like you by his side to show off.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

Thick, clear ropes of the stuff. He almost gets annoyed with how messy it can be.

Not that he’s opposed to covering you with the stuff, no he just prefers to fill you with it.

Loves tasting you, and having you coat his entire hand with your essence.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

During his surveillance of you (stalking), has watched you bathed and shower at least once or twice.

Didn’t make it a habit, even he has lines, but he’s found himself enraptured with just watching you do these simple things.

It weird because he doesn’t watch you masturbate, nor masturbate himself really during the times he watched you shower.

E = Experience (How experienced are they? Do they know what they’re doing?)

Knows about sex. Fucks.

He’s experienced, you can’t tell me otherwise. He’s had a few workers here and there.

He also knows that just because he has experience with other women, doesn’t mean he knows all about your likings.

But trust, he’ll spend all night learning you.

F = Favourite Position (This goes without saying. Will probably include a visual)

Reverse and regular cowgirl, surprisingly.

Bet let’s dissect, even though you’re the one on top of him, he’s of course in control.

He has no trouble holding you down on top of him, or moving you up and down on him.

And of course, the sight is beautiful to him, he’s in close reach of everything, and of course, most of the time you have no other option to be face to face with him.

Where he can really see wha’t going on in your mind.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

I wouldn’t say he’s overly serious, but if you call his constant teasing humorous then he’s fucking hilarious.

But yes, he’s more focused on whispering the most outright naaesstttiest filth close into your ear while you come undone before him.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

Shaved down to a minimum and neat. He has his own (very high quality) clippers for down there. Takes pride in his look.

Wouldn’t mind if you like to keep things natural, but does like to have things low for you as well.

Hell, he’ll go crazy if you have some type of design on it!

I = Intimacy (How are they during the moment, romantic aspect…)

He’s more of a dirty romantic.

But he can be sweet, in his own way.

Telling you how much he adores you, your sounds, your body.

Soft touches, handling you delicately at times.

And he keeps you pretty close during the act, lots of skin to skin touching.

His kisses range from feather light to deep kisses, and leaving marks is definitely one of his acts of affection.

J = Jack Off (Masturbation headcanon)

This might be crazy, but hear me out.

I do not see this man masturbating often.

Maybe like ONCE in a literal blue moon, like if he’s deadly bored. (And let’s face it, he’s too much of a busy man to be bored.)

Also, he’s the most powerful man in the N109 zone, and basically has most of Linkon in his hands, I’m sure he will find someone (You) that will satisfy his needs.

K = Kink (One or more of their kinks)

Need I say, BLOOD KINK!?!

Yeah, he get’s down like that, and I will die on this hill.

He’d love to see your pathetic attempts at trying to make him flinch as you draw a blade against his skin, it winds him up.

Won’t go too crazy on you, but let’s just say you’re going to need a bandage for that bike mark.

Ropes, whips, cuffs, he’s into that entire scene, anything to make you submit to him.

Vibrators are common place, one of his favourite things to do is to watch you fall apart without even laying a finger on you.

L = Location (Favourite places to do the do)

One of his many secluded castles or cabins. He can get you as loud as he wants there.

Not that he really cares if anyone hears the both of you.

Prefers to be in a comfortable place really, but doesn’t mind if you want to get dirty in a semi-public place (Like a private room, clubs, office).

M = Motivation (What turns them on, gets them going)

Seeing you stand your ground.

Once, you pistol whipped a high ranking gangster during an undercover mission, after he ‘joked’ about a female being in a room. Then you proceeded to berate him and his whole crew coldly and put him in his place.

He was rock hard after that. Wanted to take you then and there.

Also has a thing for you being bratty, replying smartly to his teasing. Makes him want to fuck it out of you.

Seeing you dressed up. He knows you’re not materialistic, and neither is he, but seeing you in a fitting outfit that you bought with his card (that probably cost thousands), drives him crazy.

N = NO (Something they wouldn’t do, turn offs)

Consensual-non-consensual, or noncon stuff. Yes, he likes when you’re bratty and put up a fight a little, but not in that way. (He sees the effect of trafficking in the N109 zone, and doesn’t feel comfortable seeing anyone portray that.)

Anything that involves other types of bodily fluids, yes, that type of stuff. He finds it weird.

O = Oral (Preference in giving or receiving, skill, etc)

LOVES a blowjob with all his cold heart. Would never say no. He can be kind of a head pusher, because he knows it ticks you off, but if you’re not comfortable he can resists, he just likes to hear you choking on him.

Does also like to eat you out, only if you’re cool with him doing it to the point of much overstimulation (he’s going to do that anyway).

P = Pace (Are they fats and rough? Slow and sensual? etc.)

Definitely prefers Slow, sensual, but DEEP!!

You swear, you don’t know how he does it, but he’s gotten to places you can’t even reach with a dildo.

He’ll go wild sometimes and fuck you with sharp, sudden movements, because he’s close but he wants you to come before him (But he won’t tell you that).

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Prefers to have his way with you.

He can get busy at times, so he’s not always available for that. He tends to disappear randomly in the night and show up randomly.

If you beg him enough, rile him up enough secretly, he will not hesitate to push you up against a wall in an alleyway and give you what you’re asking for, just know that he always ties up loose ends, and we will be continuing later.

R = Risk (Are they game to experiment, do they take risks, etc.)

He’s very open, apart from the hard no’s.

Likes the heart pounding excitement from taking new, kind of dangerous risks.

Won’t do anything that will put you in serious danger or grievous harms way.

S = Stamina (How many rounds can they go for, how long do they last…)

If it’s night, he’s going to town.

But that’s mostly because he’s taking his time with you.

Short refractory period after the first 2-3 times, then after the 5th time he’s just focused on making you cum.

If it’s the day, let’s say about 2, maybe three rounds max. He’s definitely less energized because he’s normally asleep.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

Not really toys, since the handcuffs, muzzles and whips have actually been used for other affairs... But they’re multipurpose, anyway, or so he says.

Does invest in vibrators and the like when he sees how much he can do to you with them.

U = Unfair (how much they like to tease)

Do you really have to ask this, for SYLUS?

The man was practically born to tease. You think it’s his new way of trying to kill you, or drive you insane, at least.

If he’s really feeling like a prick, he’s denying your orgasm a couple times, and punishing you hard if you do, by overstimulating you until you’re shaking.

V = Volume (How loud they are, what sounds they make)

He’s not a moaner, honestly, if he wasn’t talking you through it most of the time it’d be deadly quiet.

He’ll let out a grunt here and there, a breathy sigh that still gets you weak occasionally.

But of course, he’s talking you through it, and his vocabulary is quite expressive.

With his baritone voice, he could be talking about pineapples and it’d still get you going.

W = Wild Card (Get a random headcanon for the character of your choice)

He knows the twins have been trying to eavesdrop sometimes.

Once, you asked if they could watch, and he allowed it.

He can always tell when they're there, and tells you that you spoil them too much.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

Big, I don’t care, argue with the wall.

Okay okay, more length than girth if we’re being real, but he’s not skinny either.

At least 9 inches. He’s GIGANTIC, look at him! Def a shower.

VEINY!! Decorated from tip to balls.

His entire shaft turns red from stimulation, the tip being the brightest. It rivals his eyes.

Y = Yearning (How high is their sex drive?)

Surprisingly not that high, honestly.

Sure, he likes to tease and rile you up, but it’s not like he’s expecting or wanting sex just because.

Can go pretty long without it honestly, there are other ways of having his fun with you.

Z = ZZZ (… how quickly they fall asleep afterwards)

Unless it’s in the morning/day, he’s staying awake.

Sex is one of the few energy-inducing activities for him that will keep him awake for hours.

Will probably play with your hair, or just lay by you for a while until taking a short nap himself, maybe sipping a few wines to relax him.

[crheativity]

Hello how have u been I was wondering if I can request a slightly part 2 of the reader making the overblot squad cute little plushies so wha if the reader makes the plushies clothing and accessories like for vil’s plushie little fake makeup and same clothing he has sorry if my English is bad I’m still learning

SUMMARY: You decide to make the Overblot Squad’s plushies clothes! How do they react?

WARNINGS: None that I am aware of!

COMMENTS: Oh my GOSH this is such a cute idea!! And no worries Anon, your English is just fine :D I hope you enjoy it!!

Part one - Prefect making the Overblot Squad plushies of their respective Seven member - can be found here. Part three - their reactions when the plushies are stolen - can be found here.

You made his plushie some… clothes? He didn’t even know you could remove her current ones! He would never think to try something so scandalous on his own! Especially not with a plushy of the Queen of Hearts!! Ah, wait- he meant no disrespect! He just meant that he wouldn’t- uh… He’s just gonna stop talking now.

You have to show him how to change his plushy’s clothes – he refuses to figure it out on his own in case someone walks in – but once you show him it’s not like that, he’s more comfortable with it. He doesn’t change things around a lot – maybe whenever you make him a new one. He keeps them all safely in a box under his bed. Occasionally, he’ll take them out just to look at. Seeing them always makes him smile.

You decided to make the powerful, feared and mighty King of Beasts… a hat? And slippers? Hah, you got guts, Prefect. He’s gotta say, he respects it. Alright, he’ll indulge you. He’s slightly surprised at how small yet detailed the accessories are. There’s something slightly endearing about such small clothes… maybe that’s one of the reasons why people like children? Tch. He can’t relate.

Nonetheless, it’s amusing to him what kind of accessories you think of. He’s also not the type to change up the doll’s outfit a whole lot, but he’ll stash them all around his room. Much like the toy, they all smell of you. It’s starting to annoy the other Beastmen. Ruggie’s strongly considering having an intervention.

Prefect… these are adorable! Are you sure you don’t want to sell these? Ah, r-right. Please forgive him for forgetting they were for-... for his eyes only. Please stop looking at him and let him regain his composure. He absolutely loves them! He hopes you know how much of a friend the doll has become to him. He’s starting to tear up, you’re so kind. Give him a minute.

Azul has designated different clothes for different purposes. Before bed, he puts his doll in her pajamas. When he wakes up, he selects her outfit for the day and changes her into it. He does this almost ritualistically every day. Floyd and Jade have teased him for it, but surprisingly, Azul doesn’t seem to mind.

Oh? You made his Sorcerer of the Sands doll some different outfits? Pft– that’s so cute. He didn’t mean to laugh at you – he’s delighted, really! He just… can’t believe that you’d spend precious free time doing something like that. Hey, come on, he’s not judging you or anything, but free time is precious, right? You should spend it more on doing what you want to do. Still, though, he loves the clothes - and finds your cute little pout adorable. 

He definitely keeps them with the doll. Whenever you make him new ones, he’ll pick up the doll and change the outfit. Otherwise, he’ll only change them a couple times every so often. This has given him an idea though. Maybe you’d like a doll too? Then you could match. Although, Ramshackle dorm doesn’t really have a mascot… maybe he could make you a ghost? Or a plushie of Grim? 

(Didn’t he say that spending ‘precious free time’ doing something like ‘that’ was wasted? Point it out to him and he’ll get flustered and walk off in a huff. He will return with a plush and an apology for you two days later. He enjoyed making it a lot.)

You made his doll clothes?! He’s trying not to squeal like a teenage girl. He didn’t know that his doll could change clothes!! Oh, prefect, he loves you so much. He’s going to ask you to make so many clothes, you better be prepared for what you’re getting into!

He, like Azul, changes the clothes all the time and will often just sit down for like an hour and change the doll into perfect outfits. As you could probably guess, Vil LOVES using the doll to try out new looks. Whenever he’s designing an outfit or a piece of clothing, he always asks you to make a small version for him to try out on the doll. This helps him to be able to practise styling them and getting an idea of how the finished piece would look. 

His favourite kind of outfit to ask for, however, is anything that reminds you of fashion from your homeworld.

You made his marketable plushie some marketable clothes?? Oh my gosh. That’s adorable. It’s so small! Looks like those itty bitty cutey kitty clothes– AH– ahem. you didn’t hear that. He definitely wasn’t just having a total fanboy moment. no siree… do you think you could make him an outfit from his favourite anime? that’d be cool, he guesses.

He’s DEFINITELY gonna make the little guy cosplay his favourite characters. Maybe that’d improve his gacha roles even more? Oh he is 100% down to help too. Any clothes that require metallic details he is WELDING that stuff together. It’s so cute how invested he gets in this. Ortho loves seeing his brother get so passionate about this too!

Malleus is DELIGHTED. He was not aware that his little friend could change outfits! How adorable! He loves you so much! He is this close to buying an actual, fully sized wardrobe just for them! …But Lilia talks him out of it. Actual, fully sized wardrobes take up a surprising amount of room. So, he ends up getting two, miniature wardrobes. Which fills about the same space. Lilia’s not sure his advice really worked.

Malleus will now dress up his dolls for tea parties, picnics, or whatever outings they decide to go on. He is constantly surprised and delighted by whatever you make him, although he’s not very good at suggesting ideas. One of the few ideas he came up with was fashionable about a hundred years ago and was a very complicated piece of clothing. However, when he received the outfit, he took great measure to ensure that no harm would ever come to it. 

♥Thank you for reading!! I hope you enjoyed it!!♥

[plasticferal]

keeping score | matt & chris sturniolo.

prologue: 'they say love is the sixth sense that destroys all other five senses’

authors notes: 1.9k, explicit language, reader discretion is advised. welcome to my first series, please enjoy the ride.

they both want you. the only way matt and chris can agree to settle who wins is through competition, one where you’re the prize. your own heart is torn between the two brothers. the thing is though, love doesn’t keep score.

they have two very different experiences to offer. two sides of the same coin. a coin you refuse you flip and settle on.

matt is the first to catch your eye in any room. he makes you nervous. butterflies, awkward laughs, stuttering over your words. all of it. you like him. you’re unsure if he feels the same toward you.

however, you also like chris. the compliments he showers you in, the subtle flirting, the way he softens his tone around you, how giving he is, the way he’s so shamelessly himself. the list goes on. he’s different. 

it’s a weird triangle of intrigue and unrequited feelings that lingers and is never acknowledged.

you’re already convinced it’ll never happen. with either of them. you’d be putting too much at risk considering how deeply you value your friendship before anything else. the fear of falling in love, and losing them both. 

which might just be your karma for being into both brothers. 

they occupy the living room. you’re upstairs, using nick’s bed to take a nap while he showers, and he takes long showers. he’s always given you a safe space in the house, to make it feel like home. 

you love to annoy chris and matt by stealing their clothes, blankets, soft drinks out of the fridge, tagging along to every late night drive and fast food pick up. 

they share everything with you, but you designate yourself in nicks’s room as to not stir up any terrible, rash decisions on your accord.

being fast asleep and tangled up in crisp, cold, silk sheets, it’s a deep sleep. completely escaping into your dreams.

you’re left unaware of the chaos that’s about to ensue in the living room between the two brothers who occupy your mind. chaos is the score in which reality is written upon.

“you like y/n, right?” matt asks chris. 

you’ve had a strange feeling for a while now that matt is trying to set you up with his brother. which, as flattering as it is, it’s bittersweet. 

matt is sinking lazily into the lounge while scrolling through his phone, on the furthest left. chris is on the furthest right with his feet kicked up on the coffee table. 

they’re in direct view of each other on the L shaped couch. not in a literal sense, just in proximity. neither brother is actually looking up from a screen of some kind.

“what?” chris snaps his head toward matt, diverting from the television for a moment. 

“just answer the question.” matt huffs.

“of course i like y/n. she’s the closest person in our life besides like, nick” chris shrugs, going to look back at the screen again. 

matt groans in disappointment at his response. 

“you know i don’t mean it like that.” matt sits up slightly, readjusting his position and posture.

“god here we go again.” chris runs a hand down his face, fearing his brother's next words. 

“how do you really feel about her?” matt pries. 

unusual for him. out of character even, chris is usually the one who needs to know everything all the time, and is never afraid to ask the hard hitting questions, as annoying as it may be. but not with this topic of conversation.

the difference is, chris does it because he’s genuinely curious. matt asks questions for his own selfish reason, to chris’s oblivion. 

chris needs reassurance that he’s making the right decision in not pursuing you. matt needs to know if or when he’s going to have to compete. little does he know that time is nearing. 

“man, i don’t know. i just- i like her. can’t we leave it at that?” chris’s tone is anguished. 

“you’re avoiding the question-”

“i answered your question!” chris cuts matt off before he can fully form his sentence, and matt’s jaw tightens. 

“fine, whatever.” matt waves his hands in the air with defeat before diverting back to his phone, leaving chris to linger on his words.

“i’m never gonna make a move. i know how you feel about her, too.” chris huffs, as though he’s annoyed at the response he’s had to give.

“what’d you mean?” matt gives chris a glare, like he’s daring his next words.

“you know exactly what i fuckin’ mean” chris scoffs, shifting in his seat, crossing his arms over his chest and pulling the sleeves of his gray hoodie past his knuckles.

matt takes a loud inhale through his nose and exhales through his mouth 

“we can’t just keep pretending that we both don’t want her.” matt drops his phone onto his stomach face down, being slightly slumped. 

“i’ve been fine pretending” chris throws the hood of his sweatshirt over his head to hide his eyes more from matt, a natural reaction to not enjoying the grilling. 

“well if you don’t make a move, i will.” matt’s tone is serious.

“you wouldn’t.” chris deadpans, a sincere tone of disbelief seeping from his lip that he’s now biting the corner of.

“you’ve been saying you’re gonna make a move forever and haven’t done shit."

he knows it’s not nice, but there’s something about the lack of passion from chris despite the obvious crush just makes matt's skin crawl. if someone is going like you and not do anything about it, matt is more than willing to shoot his shot, give you what you deserve. 

“that’s not fair” chris twists his face, glaring at his brother. 

"i think it’s more than fair play at this point, kid.” matt scoffs.

if looks could kill, matt would be dead.

all those times you’ve perceived matt bringing up chris to entice you have just been a ploy to gauge how both of you feel. he knows it’s manipulative, but no harm, no foul.

the worst part is, chris isn’t actually even sure he wants a relationship. he’s infatuated by you, undoubtedly. matt on the other hand would marry you with a paper ring. 

they’re both scared of their own feelings, and the intentions that might come along with them. they don’t ever want to hurt you, but their carnal desire is misleading their moral compass.

“alright then,” chris starts, matt’s words hitting a nerve for him. he slaps his hands onto his thighs and sits up in his spot. 

“how do we settle this? who gets her?” chris continues, staring at his brother intently now.

“i don’t think we get to make that decision.” matt shakes his head, bringing his hand to his mouth as he begins to bite his nails, which muffles his words.

“you’re right, we don’t. but we’re gonna have to compete for it to even be an option.”

“compete” matt repeats chris’s words with a sour huff, a slight arrogance in the sense that he doesn’t view his brother as a threat. 

not when it comes to you, and there might be a small part of that statement that’s correct. you have a sweet spot for matt, which fires up chris even more. he is conscious that he’s the underdog, as much as you try to show an even amount of attention to the both of them.

“what’s wrong? you scared you’ll lose?” chris taunts. 

“that’s the least of my worries.” matt scoffs, his mind traveling down every possible path this terrible idea could go down. 

“fine, then you won’t be afraid of a little competition.” chris says nonchalantly, pushing back with the same energy matt’s been giving, turning the tables.

“what’s your plan here? we just tally up the moments we get with her until someone wins? to boost our own egos?” matt speaks with his hands.

“i do love to have my ego stroked” chris grins to himself, the thought of you crossing his mind as the words leave his mouth. his train of thought tends to wonder easily.

“seriously, chris, how do we plan on settling this?” matt rubs his hands together, like the action you do when you’re trying to stay warm. 

“i think there’s only one answer to that.” chris responds, in a “duh” tone, without explicitly sharing what’s on his mind.

their sixth sense of being able to unpack each other's minds sparks like an electrical fault in the moment. of course, neither of them hate the thought of getting you in bed. they just hate the thought of you being unaware. 

somehow it’s more challenging than falling in love, or securing a relationship. betting to sleep with you is actually the hardest challenge of them all, let alone covering all the bases in order to attain it. 

the intimacy, the intensity of it all. it just seems so unattainable. it requires them, and you, to be completely and utterly vulnerable. 

“that seems kind of, objectifying.” matt shifts his demeanour, ironic considering he sparked the conversation. 

“it wouldn’t be a competition without a challenge.” chris acknowledges, and unfortunately for the both of them, he’s right. 

“this sounds so fucked up” matt says, running his hand through his scruffy hair.

“first brother to five points takes all. all of her.” chris speaks, confidently setting up the challenge. 

essentially their plan is to see who can get the closest to you, and let the other brother suffer in watching it happen. which occurs points. loser has to back off of you completely. unless someone gets to you first, in which case all their hard work flies out the window. they won’t be making it easy for each other.

“points won’t matter when i get her into bed first.” matt’s smug, knowing it’ll make chris go insane. 

“so i take it that you’re up for the challenge?” chris ignores matt’s words with a prompt, because if he doesn’t disregard it, he’ll lash out. 

matt considers it. at least he acts like he does. he knows his answer. if he wants you, if either of them do, they have no choice but to compete. neither of them are sure if it’s love or lust, but they’re about to find out. 

they are certain of one thing though. they like everything about you. the way you look. the way you smell. the way you sound. they know exactly why they want you. it’s the first time ever someone has been able to grab the attention of both brothers. hence the severity of the agreement.

“when do we start keeping score?” matt responds, and that’s all the reassurance chris needs in his brothers answer. 

as if on command, you trudge down the stairs in a sleepy state. their eyes snap toward you simultaneously, and you blink repeatedly to make sure you’re seeing them right. 

you are their favorite part of every day, so it’s not out of the ordinary for them to acknowledge your entrance, but you can feel the intensity of their eyes on you with a different energy. 

with foggy vision still clearing as you rub your heavy, tired eyes, you let a small yawn escape. they both melt at the sight, despite you feeling like you’re in your least desirable state. 

you’re not even paying attention to their back and forth bickering. the sound of their voices muffling through your ears. whatever it is they’re saying, they’re not saying it loud enough for you to hear before you even make it down the stairs.

“now.” chris states, eyes snapping back at his brother as they both raise off the lounge.

all is fair in love and war.

tag list: @luverboychris @floofparker @fake-sturniolos @letstripsturniolo @imwetforyourmom @mattsneezing @mattslolita @breeloveschris @rootbeerworshiper @mattstattoo @mxqdii @tay-laaaaa @pettydollie @lacysturniolo @annamcdonalds67 @landrysflannel @goandcomebsck @sleepysturnss @call-me-ninaaa @lustfulslxt @txssvx

[hmslusitania]

Ask meme! For TimKon, either 17. “Please stay.” or 34. “When did you know for sure?”

May I offer you: an angst with a happy ending? (who am I kidding; it's you, of course I can)

“When did you know?” Kon asks, staring out well past the horizon. Tim thinks that surely, he must see it, must be able to tell, he’s got fucking super vision of various sorts, but… But he sounds so dejected about it. Like he… like he hadn’t been able to tell. “For sure, I mean, when did you figure it out?”

“Um,” Tim says, and picks up a handful of sand on this very not-at-all real version of Kon’s favourite beach in Hawaii. “Last… night.”

Kon’s face burns bright red and Tim can’t really look at him anymore.

It all feels too real, even though this place isn’t anything of the sort.

And he’s pretty sure that includes Kon.

It had been a smart plan, Tim can tip his hat at the villain du jour for that, at least metaphorically. Trap Tim in a simulated reality, but instead of making it somewhere he knows inside and out, like Gotham, like Happy Harbour, they’d programmed him into a place he only knows in story and rumour. Tim wouldn’t really have any way of determining if there were differences between the real Hawaii the real Kon’s been talking about for as long as Tim’s known him, and this fake, simulation of it. And the programmers had done a pretty perfect job with Kon, too, except for the parts where he can’t tell that this whole place is a simulation, and the part where…

“My Kon, I mean the one who’s not a computer programme, because, like, he’s not mine, mine,” Tim starts. “He’s not… y’know. In love with me.”

Kon is silent for a minute, just staring out at the water and at the small waves lapping steadily higher up the beach while the sun rises. Tim would find this whole conversation a lot less excruciating if computer!Kon was wearing more than boxers with the House of El logo on the crotch, but, well, this simulation was designed to trap and torture him, so he’s not.

“I don’t feel like a computer simulation,” Kon says finally, and buries his toes in the sand like he’s making a point of feeling the sensations. “I remember — I remember meeting you when you were still Robin and I didn’t know who I was beyond Superman’s replacement, and I remember Bart, and Young Justice, and Cassie, and the Teen Titans, and dying and—”

“They probably built you off a brain scan of the real Kon,” Tim says. Tact and gentleness have never been his fortes but, fuck he tries this time.

“Right, and just, like, tweaked my memories so that I can remember being in love with you half that time, and the entire time I was lost in Gemworld, and—”

“Yeah, I guess they must’ve,” Tim says, even though it makes him want to puke. “This place is too… it’s too perfect. You’re too perfect.”

Kon scoffs, and makes a choked off noise that’s all too familiar after last night and Tim flushes with shame that he knows what Kon sounds like now. The thing is, it’s a very, very good simulation, and this isn’t knowledge Tim should have, because out in the real world, Kon doesn’t want to share that information with him.  It’s none of Tim’s business, no matter how desperately he wants it to be.

“Nice to know I’m apparently good enough in bed to convince you it’s all too good to be true,” Kon says, with forced bravado.

Tim swallows, because that assessment isn’t untrue, but it’s only part of the story. “Also I think my biometrics must’ve spiked high enough to temporarily overload the system, because a bird clipped through our room while we were, uh…”

“Oh,” Kon says, blushing even harder. “So, um, now that you know this is fake, does that mean you’re going to escape?”

“Yeah,” Tim says. He swallows. “I just have to crash the programme, make it generate something so insanely huge its processing power can’t keep up.”

“Oh, right, just that,” Kon says. He very gamely swallows, and because he’s built on a very convincing facsimile of Tim’s real Kon, he stands up and nods. “So what do you need me to do?”

**

Tim is not surprised when the explosion they trigger in the simulation tips him out of it’s destabilising pixelated mess into a sketchy futuristic lab. Spaceship? Probably spaceship by the black starfield outside the windows.

He is surprised when his own exit from the gel couch matrix situation is echoed by someone else in another matching chair thing behind him.

He grabs for any kind of weapon available and rounds the central structure, ready to strike, only to find himself face to face with—

“Kon?” he demands. “You’re here too?”

Kon defuses the heat vision that had been starting to build behind his eyes, and then just stares at Tim, blushing a violent red like the heat vision had dispersed through his cheeks.

“Of course he is here too,” an annoyed voice that gives major evil scientist vibes says over the PA. “The simulation traps work best when there are two parties within them to reinforce the shared folie à deux!”

“Sh-shared?” Kon asks.

“Both of us were in the same—” Tim starts, and he understands Kon’s blush better now because he can feel his own viciously taking over his face.

“You thought I was a simulation,” Kon says, floating out of his matrix plug in chair to loom over Tim even taller than he usually is.

“You’re in lo—” Tim starts, but their captor’s voice crackles over the PA system again.

“Yes, yes, teenaged angst. You may continue your argument once my assistants have placed you back in your simulation!”

“We’re twenty-one, actually,” Tim corrects. “And you can—”

He means to tell the disembodied voice exactly where he can expect Tim’s bo staff (as soon as he finds it in one of the cargo pods here in this space station situation they’ve got going on) but Kon cuts him off by pulling Tim’s face into his hands and kissing him.

No birds clip through the walls this time, and the sensation of Kon’s TTK sweeping over him, like it’s not enough to just be touching Tim with his hands, like he has to touch all of him at once, is one that Tim hadn’t been able to fully conjure up out of his imagination. It’s different enough that Tim actually forgets for a second that they’re imprisoned on a space station and have been under for god knows how long, and he seriously considers simply climbing Kon like a tree right then and there to get the actual physical details mapped out.

“I can’t believe you thought my love confession was a simulation,” Kon murmurs against Tim’s lips.

Tim hums and kisses him again. Really, actually kisses Kon. Who really, actually wants to kiss him, too. “I meant it when I said you’re too good to be true.”

“Good thing we’re in a really shitty situation we need to figure our way out of if we want to get back to earth so I can show you the real version of that beach,” Kon says. “Because that part feels pretty on par.”

“Yeah,” Tim agrees, and sighs. He can hear the distant thuds of whatever sorts of robocop automata their captor has coming towards them now, and this fight’s gonna kinda suck, he thinks. At least there will be one hell of a reward for making it through to the other side. “Ready to fight for our lives?”

“With you?” Kon asks, and can’t help himself but to pull Tim in for one more kiss. “Always.”

[suzukiblu]

WIP excerpt behind the cut; "Tim's free cloning lab". (( chrono || non-chrono ))

“Red Robin’s commitment issues are his own problem, not mine. I’ve got a schedule to keep,” Luthor replies dismissively, then knocks back the last of his hopefully-actually-a-protein-shake-and-not-Bane-venom-or-something and gets to his feet, picking up his tablet again as he does. He does not seem concerned to be alone in a lab full of sharp objects and computers with two only negligibly-restrained Bats. Admittedly Luthor doesn’t tend to seem concerned during literal multiversal apocalypses, but Tim is vaguely insulted on principle. A multiversal apocalypse couldn’t do any worse than uncreate Luthor and everything he’s ever done in his life, after all. He could tank his stock prices and drive up all his insurance rates, and then make him have to live with it. 

A little respect isn’t that much to ask, is it? 

“Wow, called out by the supervillain,” Steph mutters to him under her breath. “The Metropolis supervillain, even.” 

“I do not have commitment issues,” Tim mutters back to her. 

���Yes you do, the issue is you commit yourself to somebody and then become an insane person about them but never actually mention the existence of said commitment to them,” she retorts frankly. 

“I do not–” 

“When did you go for the red and black suit again and how long did you stick with it?” 

“. . . we’re in a supervillain lair in Connecticut, I don’t have to answer that right now.” 

“Oh, so you will later?” 

“So anyway, new supervillain trap, how’s that going for you?” Tim asks Luthor. Steph snorts at him; he ignores her and all her baseless, ridiculous, baseless accusations that are definitely not currently reading him for absolute filth. “All coming together nicely, no tech issues? Because we could troubleshoot those for you while we’re waiting for extraction, no charge.” 

“The chemical breakdown of the necessary stabilizer you missed when you were cleaning out my old labs is laid out in file B-2.13, speaking of ‘troubleshooting’,” Luthor mentions, and Tim . . . pauses. 

“‘Stabilizer’,” he echoes carefully, and then glances around the sunroom lab. The sunroom cloning lab. 

The sunroom. 

Ah. 

That is probably a connection he should've made, like . . . literally instantly, yeah. 

“Oh my god, do you think you can actually convince Red Robin to make you another–wait, why do you even want Red Robin to make you another Superman or whatever, you did it better than he ever did,” Steph says, squinting in bewilderment at Luthor through her mask. Tim’s much more insulted this time, even if it’s objectively true that Kon is objectively–never mind. Luthor just looks dubious. 

“I don’t want another Superman, there are already far too many of those running around and being an issue as it is,” he snorts dismissively, waving her off. “And I’m willing to provide a useful little resource or two, of course, but it’s hardly traditional to have to make my own grandchildren, now is it. Besides, Supernova won’t be as annoyed about it if they come from you. Though I did include some potential design notes for your consideration in the C folder, of course. Streamlined the tactile telekinesis a bit, for starters. It really didn’t come out as effective as intended, unfortunately.” 

“Of course,” Tim echoes, perfectly aware of that one time that Kon took apart every single gun inside the exact city limits of Los Angeles and nothing else without even meaning to, and also that one time last week when he very much did mean to disassemble a bomb immediately after its trigger mechanism had been tripped, and did it so fast that it didn't detonate. 

So as politely as possible, that makes Luthor’s use of the word “effective” slipped in there a little mind-numbingly terrifying to consider. 

More than anything else, though, Tim really hopes that he’s just gone insane and hallucinated all this, because otherwise he’s going to have to write all this down in a report, and Steph will not lie for him about this one. 

Case in point: she is currently laughing her fucking ass off at him.

[haaarry]

Harry and Y/N make-up.

Harry has to be quick.

He and Y/N haven’t been on good terms for about two weeks now, and they agreed to not talk and give each other space so they could think about what to do.

But that hasn’t stopped him from still fulfilling his boyfriend responsibilities.

He still thinks it’s right to text her good morning and good night, as well as leave her little goody baskets at her front door for when she gets off work.

Like today!

He realized the first of the month is coming up, and Y/N has to pay rent. He knows she’s good on cash, but he likes to help her in any way he can (even when he’s supposed to be giving her space) and thought it’d be nice to send her a little something — actually, a quite big amount. He sends her the entirety of her rent through a money-sending app, as well as a few extra hundred dollars. He labels the memo with “rent/groceries/anything, really.” He smiles and presses send. He hopes she doesn’t send it back.

Then, he places down the goody basket he got for Y/N at her door step (filled with all her favorite snacks, as well as a note to let her know he still loves her so she doesn’t forget) and turns quickly on his heels. As much as he would like to see Y/N, he knows she gets home at about this time after work, and he doesn’t want to make her uncomfortable. He’s already pressing the boundaries as it is.

But, as luck would have it, he’s face-to-face with her as he turns around. His breath hitches in his throat, feeling his body go numb with excitement yet also feeling anxious. He notices Y/N’s eyes go wide.

“Hi,” she says simply, yet in a slightly higher-than-normal-pitch due to being caught off guard.

“Hi,” he returns the greeting. He realizes he must look foolish — standing outside her apartment when they’re supposed to be giving each other space. “I, um-“ he stutters, “brought you this.” He gestures to the goody basket, feeling his cheeks heat. He doesn’t know why he’s so nervous.

Y/N tilts her head around Harry’s body to look at the basket on the ground. She looks back at him and gently smiles. “Thank you,” she looks around nervously. “And thank you for the money. You didn’t have to…”

“I wanted to,” he proclaims. “I wanted to make sure you were okay.”

Y/N’s eyes soften. She takes note of his anxious demeanor and looks at the goody basket again. “Do you want to come inside?” She asks randomly. But not really — she misses him, and she accepts it.

“Yes,” he blurts out. He realizes how eager he sounds, but he doesn’t care.

“Okay,” she smiles and looks anywhere but at him, feeling a warmth encompass her body suddenly.

They enter her home. Harry sets down the goody basket on her kitchen island, taking a second to inhale the familiar scent. It was weird; he used to sleep here every night, but before this moment, he hadn’t been here in two weeks.

“How was work?” Harry abruptly asks, not liking the silence.

“Oh!” Y/N softly giggles. “It was good! I actually had a good day.” She swings her arms back and forth, not sure of how to act or stand. She doesn’t know why she’s so nervous.

“That’s good,” Harry lamely replies, looking down at the design on her kitchen island and tracing it with his finger.

A silence falls between them again, neither of them knowing how to act around the other — given their situation.

“How was your day?” Y/N asks.

“I don’t want to talk about my day,” Harry states, looking up at her. Y/N notices he’s slightly teary-eyed. “What’re we doing?” He asks in an upset tone. “Are we going to be in this awkward state forever?”

“Harry-“ Y/N tries to interject.

“No, really,” Harry continues. “I mean, we’re just going to go on and pretend we’re together, but we’re not really together because you don’t answer my texts and you don’t let me come see you and-“

“Harry,” Y/N says in a stern yet calm tone. She grabs Harry’s face, him not even realizing she had gotten closer to him during his spiel. “I love you.” Her voice is incredibly soft.

Harry looks into Y/N’s eyes, replaying her words in his mind. Her watery eyes match his own, and he feels himself sink lower into her touch, falling into her hands. He closes his eyes, and the salt of his tears burn.

“I love you,” he says back with his eyes closed. “I love you more,” he says with his eyes open.

Y/N shakes her head with a light laugh and sniffle. “No.”

“Yes,” Harry says firmly, inching his face closer toward hers. His lips brush hers, waiting to receive a confirmation his tongue can enter her mouth with either her body language or a simple word. She parts her lips, just barely, and Harry takes the opportunity.

He kisses her, rather sloppily, and their lips create a smooch sound before he slips his tongue into her mouth. Y/N moans, missing Harry's kisses, and falls into his body. She caresses his face and holds onto his jawline with one hand, while the other travels through the hair at the back of his head, slightly tugging. Harry reciprocates the moan and instinctively juts his hips forward, hitting Y/N's pelvis. She laughs into Harry's mouth and pulls away -- although not without Harry whining in disagreement.

"Where ya goin'?" He murmurs against her lips, with a smile. "Need you," he juts his hips forward again.

Y/N becomes shy, resting her forehead on Harry's cheek and giggling. "I can tell." She looks down at him in his pants, pushing hard against the material. "You want my mouth?" She asks bravely while looking up at him, with a mischievous smile.

"Please, baby." Harry grabs hold of her waist and slips his right hand into her pants, wanting to see if she'd gotten wet yet; and she has. "Fuck," Harry moans, slipping his middle and ring fingers easily through her folds, "you're already so wet, baby."

Y/N is already a whimpering mess, moaning into Harry's mouth as he gathers her wetness and brings it up to rub against her clit. "I thought... I..." she struggles to get out, "I thought you wanted me to-" her breath hitches in her throat at Harry slips two of his fingers into her.

"Later, sweet girl." Harry whispers into her ear. "I think you need to be taken care of first, hmm?" The speed of his fingers quicken, causing them to create a squelching noise that sends Y/N into a frenzy.

"But I... I wanna... please," Y/N begs him, ready to lap all over his cock, despite how wonderful Harry's fingers feel.

"You wanna what?" Harry encourages her. "Hmm?" He thumbs at her clit, rubbing circles against it.

Y/N looks up at Harry, doe-eyed. She cradles his dick, bulging through his pants. "I want you in my mouth," she says seductively, and Harry feels himself begin to leak.

She gets down on her knees, not even giving Harry and opportunity to pull his own hand out of her pants before doing so. She lifts her shirt up and over her head and unclasps her bra. She knows how much Harry likes to see her breasts when she takes him in her mouth.

Usually, Y/N likes to unzip Harry's pants and suck him off through his zipper, but today she's eager and pulls his pants all the way down. His cock springs up and points at Y/N's face. The wet tip brushes her lips -- puffy from Harry's kisses -- and coats them in his precum. She tastes it and Harry watches, his chest rising and falling as he eyes the beauty on her knees for him.

"Gonna suck my cock?" He asks her in a taunting yet playful tone. Grabbing her hair, Y/N feels herself getting even more needy for Harry's dick, and she wraps her lips around his tip, closing her eyes. "My pretty girl," he praises her, voice hitching as she takes him deeper. She slides her tongue all around him, getting him nice and wet so she can work him with her hand while sucking on his tip.

"So big," she gushes, jerking him off while looking up at Harry. She slathers a mixture of her spit and his precum onto her nipples, using the head of his dick as a sort of paintbrush. She knows Harry has a peculiar obsession with her tits -- her nipples in particular. Seeing them hard and dripping (from him) gets him going more than anything.

"Ah," Harry throws his head back and sucks air between his teeth. He speaks heavily and grittily. "All mine, right?" He reaches his right hand down and squeezes her nipple. She takes him back into her mouth and groans. "Right?" He persists, squeezing her nipple again before tangling her hair into a makeshift ponytail and giving it a good yank.

Y/N pops him out of her mouth. "M'all yours," she says honestly.

Even when they were broken up, she was his -- and she always will be.

Harry pulls Y/N up to her feet, guiding her by the hold he still has on her hair. He grips her jaw with the other hand and kisses her hard. He's ready to take her, and he can't wait another second.

"All mine." He spins her around and bends her over slightly onto the kitchen island, just enough to have her behind push back against him. Removing her pants is quick. He slips into her, finally, and they voice how good it feels at the same time, such as fucking hell and so big, baby, both in pure ecstasy.

"You're all mine," Harry reiterates with a whimper, breath shuttering against Y/N's neck. "My pretty girl." His hips speed up, knowing this will be quick. His lips drag against her neck as he whispers filthy things to her, causing her to melt even further and push her behind onto him, wanting to take control. They both missed each other so much, and they're finally getting their release.

"Missed you," Y/N manages to get out, almost losing her voice with how hard Harry's fucking her.

"I missed you more," Harry says back with a firm tug on her hair, sending the sensation of pain mixed with pleasure to her scalp. "M'all yours, too," he says as he gets close, and he can't wait to cum. "You want me to cum, baby?" He asks her because he knows how hot she thinks it is -- to perceive that she has the control (she really does. She could tell Harry to cum 30 seconds into sex and he would). "Want my cum inside?"

"Ngggh," Y/N gurgles, knowing she's close too. She breathes frantically and squeezes her walls around his cock as he scrapes his teeth against her neck. "Please."

In no time Harry cums, shooting from his tip deep inside her. His grip on her hair tightens, pulling her hair so tight it almost hurts, but she takes it. The burning pit in her stomach was ignited as well, set off as she felt Harry's cum paint her walls inside her. She cums, clamping down on Harry's dick and gripping the kitchen island for stability.

"Harry," she whines as her legs grow weak.

Harry gives a few more slow strokes of his cock before pulling out. His tip rests on her behind, leaving traces of their mixed juices on her skin. Harry shutters, feeling extra sensitive. He turn her around and falls against her body -- his head limp on her breasts. He falls to his knees and hugs her hips, giving her tummy a kiss before closing his eyes and sighing contently.

Y/N giggles breathlessly, tousling his hair. Just a few short minutes ago, their positions were reversed. She knows how tired and sleepy Harry gets after he cums (if they were in bed, he'd be fast asleep by now) so she lets him rest for a couple of minutes before encouraging him to look at her. Her hands on his face startle him (he was asleep) but he looks up at her with a loopy smile.

"Hi," he says innocently.

"Hey," she says back, still playing with his hair. "You okay?"

Harry stifles a laugh, burying his face against the skin of her stomach. "I haven't been this good in a long time."

Y/N's heart flutters. She knows what he's implying.

"Are we..." Suddenly Harry feels nervous. He doesn't want to say the wrong thing or make the wrong assumption.

Y/N helps Harry up to his feet and rubs the tip of her nose against his with her eyes closed. "I love you," she says simply yet truthfully. "Fuck that break."

Harry's laugh fills the kitchen. He pushes his forehead against hers, feeling as if his heart is going to explode. "I love you more."

[lxmelle]

Gojo was once described by Gege as a “man of resignation”.

It is a facet of enlightenment - in which the concept of “non-attachment” is a big part of (attachment is viewed as the root of suffering).

We can interpret “resignation” in so many ways, as it explains so much about his immense capacity for love / acceptance, but also his tendency to... simply resign himself to an outcome / fate I guess - a form of passivity that can be either considered positive or negative, perhaps depending on outcome.

Going with the flow, neither chasing nor halting anything in particular with his immense might and potential. He swayed things to gently influence an outcome. Followed a designated path trying to rebuild the sorcerer world through being a teacher... which he couldn’t fully commit too either, because he had a role as a special grade who had to keep working.

That’s not to say he didn’t achieve anything - because of course he did. But nothing revolutionary. He said so himself to Geto: he didn’t see a point in it. There were just some things he didn’t think would change - someone else would replace the higher-ups.

And thus. Despite his massive strength, he never did ever manage to go all out. Perhaps this is symbolic of an inherently gentle/accepting nature? But there was indeed a monster inside him too - the one that thrived on the thrill of killing and defeating. It was a beast he seldom let out. It was a beast with a thirst.

I’ve said it before, and I’ll paraphrase: like a sprinter limited to go at 8kmph, like a singer who is only allowed to whisper her song, a painter unable to use any paints for their desired masterpiece - how dreadfully, painfully unfulfilling.

So of course it was FUN to have this final brawl with Sukuna - to give it his very best, especially when he also didn’t feel lonely anymore with a bunch of monsters he can pass the gauntlet (his body and his will) onto in the worst case scenario.

But of course Gojo doesn’t have the ability to predict the future, so how can anyone expect that he make decisions and judgements perfectly or accurately? All he can do is consider based on his own judgement. Alone. As the only other person who help him plug those holes in his judgement, Geto, had left him.

It is up to interpretation whether Geto was left behind first, but this really isn’t a competition or about assigning blame… because where do we even start?

One cannot hold Gojo totally accountable for things that happen around him or how others interpret his actions. He was born different to everyone else. Probably treated as if he had this role to fill where people had an idea of what they wanted or needed him to be, but never gave much thought over what it would feel like for him.

Gojo, Shoko, and those left behind have had to suffer the same resignation. After all: What else are you supposed to do but resign yourself, in the face of a reality where even to things you don’t wish to happen, have to happen? All you can do is what you can... and if you can, you wield it with all your might.

Geto tried it to the best of his ability.

He wasn’t Gojo, who could do it if he wanted to.

Understanding that Gojo wasn’t, and accepting that he (Geto) shouldn’t change that about him (Gojo), as he was likely more suited to be at the school - essentially following nanami’s words and “leaving it to him” as Gojo was in his element / thrived on it, but Geto couldn’t be complicit in the system that would lead them to watch their own kind die one by one — Geto left to follow his ideals.

Gojo was referred to as the only one who can take that curse into his own hands. I used to see it as “the only one to kill Geto” after he failed and almost lost his humanity for the sake of power (killing Yuta would go against his principles) but now it also has a new meaning: the only one who can take charge and pursue the ideals to actually change the world.

The curse is the sh*t that is in the world of sorcery in jjk. Gojo seemed to (imho) now feel the need to catch up and hold the reins this time.

It is the end of Resignation Man Gojo Satoru. The emergence of The Monster Gojo Satoru (who Geto assisted in helping Gojo keep at bay through being the “model of humanity” that Gojo could follow) who was then fully ready to take the stand. Like Geto on that stage.

Bye higher ups.

Before, despite his immense strength, he didn’t force his way through. Perhaps this was the outcome of having been forced to be born and live with no choice but to be the six eyes + limitless. You do not actually have freedom.

Unless, you’re willing to become a pariah. To wield these cards that were dealt to you and completely become the extraordinary.

And now, Yuta embraces the same resigned acceptance of becoming a monster. After all... only a few will be able and willing to turn into a Monster.

Out of love. A Monstrous love indeed.

Geto had monstrous motherhood in him. I guess this extends to others now too. To cast away humanity because nobody else will. Nobody else can. So they have to wield it. Become it.

Yuta represents both the old and new world... in some way, he is like Gojo and Geto combined... power / strength + sincerity / kindness. Of course, like the yin and yang, each half has a bit of the other in it - so Gojo and Geto had a combination of power and compassion, but they symbolically represent each,

Arguably, had Geto someone else by his side, things may have been different.

All of this mess… ugh.

It didn’t have to come to this, right? Nor did it have to be the extermination of humans, but it could’ve been a collaboration of the special grades (Yuki, Gojo, Geto) all trying to solve the 3 different factors to the problem: humans as the origin of curses (research), the old-fashioned higher ups + clans, and the elimination of the curses. There may be others, but you get my gist.

But alas, this is the jjk world.

Just some thoughts, I’ll end it here before it’s more word vom.

[peanutbubba]

Bepo and Chopper with reader who really likes their fur

Platonic, featuring other Heart Pirates and Straw Hats, drabble

———————————————————————

Bepo

Bepo, who really likes how you like his fur! When you first joined The Heart Pirates you were so curious about Bepo, the polar bear mink immediately interested you.

Penguin and Shachi who are honestly pretty jealous. No way they got outplayed by that mink without even being played. It should be them not him!!

Everyday you gush and fush over how cute Bepo is, Bepo always blushing and thanking you for your compliments. Bepo usually gets told that his fur is really itchy, and gross, so when you say the exact opposite he’s literally so giddy. You like his fur?? You think it’s soft? Oh he could just crush you in his arms! But not actually…

Law doesn’t really care, or so he says… He loves Bepo, don’t get him wrong, but his fur is kinda dirty at times so when he sees you so casually rub on it even though it's gross… yeah, no. Shower. Immediately. For both of you. This germaphobe literally can not handle the fact that you would touch Bepo when he’s all wet or dirty, absolutely not!

If it gets in the way of duties then Law is pretty quick to call it out, but usually it doesn’t considering that Bepo has a good grasp of when it’s time to be co-captain again.

Bepo also loves when you pet his fur or ruffle it in a respectful way, his eyes sparkling with joy. Will nuzzle into you or your hand, the petting just feels good.

You’re Bepo’s designated groomer now as well, Bepo usually does a good job grooming himself but he does have hard to reach places like his back so you usually help him. It makes the entire crew’s lives easier because now shedded, itchy, polar bear fur isn’t everywhere.

TonyTony Chopper

Chopper, who is like super duper scared of you at first. Why are you chasing him?! He didn’t do anything!

He probably thinks you’re chasing him because you think he’s food, like how Luffy chased him when they first met.

Speaking of Luffy, he probably thinks you guys are playing a game and joins you. He either starts chasing Chopper which makes him run even more, or he starts chasing you so Chopper just ends up getting away.

When you finally get your hands on him and just hug him, or compliment how soft his fur is, suddenly he’s doing a complete 180.

“Whatt, just because you say nice things doesn’t mean I’m going to like you dummy!” A chummy smile and blush on his cheeks.

Please stop chasing him though. Just ask if you want to touch his fur again, he’ll most likely say yes if he’s not busy.

Clings around you during missions, so you touch his fur a lot usually. Like, how Chopper and Law were together for a while, or how Chopper acts with Zoro. On top of your head, or on your face, or in your arms.

Also he’s terrified, please save him. Will fight if he has too, but like one look at how you fight with someone else… You’re a monster! Absolutely beast! Chopper’s your number one supporter, cheering for you while you fight. This doesn’t mean he’s weak, he’s strong, he’d just rather not fight.

Kinda sees you like a parent/older sibling. He really admires you along with Usopp, like you’re literally his hero.

—

Guys please, I literally love Bepo so much. I need to be his friend, I need like a plushie of him to hug every night 😭

Anyway, hoped you enjoyed! Pea’s out!

[flowerfreya]

Cherry Wish

Deny

Cherry Wish Masterlist

Pairing: Omega!Simon x Alpha!Soap x Beta!Reader

Content: Johnny and Simon are in a established ten year relationship and Reader works at a grocery store, hasnt been in a relationship in three years and can't go to sleep without Nyquil, and they want her but she likes to be alone (not really, in fact it's quite the opposite)

They found you working at the grocery store. Immediately enthralled. Had to have you. Their one collective brain cell couldn’t think anything other than mine.

Simon and Soap have been together for 10 years, never thinking about taking a third, of course they have bouts. One night stands but the longest they had kept one was for a month. It doesn’t usually work out, they don’t discriminate with designation either , Beta, Omega, Alpha it’s really up to them. 

But your scent calmed them , smelled like fresh laundry and lavender and one of those perfect fall days. 

~

You smiled at them when you saw them, just like how you did with any other customer. You’re kind of over today , just wanted to go home and curl up with a good book and maybe some wine and Nyquill. You are checking them out with all their stuff , when you glance up again and see that they are just smiling at you. You give them a brighter smile and a small and awkward , okay. You haven’t seen two Alphas in a relationship for a long time, it’s actually very uncommon but not impossible. Good for them. 

“Hi”, the  one with the mohawk says. 

“Hi” you reply back hoping to be polite but also get the point across that you don’t really want to talk. 

“You smell nice”, the taller one says , which has you giving him a wide eyed stare. God damnit. Of course they are weird. It’s always the cute ones that are fucking wierdos. You know your beta and most of the time betas are with other betas, considering that the only gender that can really make an alpha’s knot comfortable is omegas. It is possible for other genders too , but it’s a lot of stretching , prepping , and messy. 

For a beta, you do have a pretty strong scent, multiple people have told you that, but that is about where the similarities stop with identifying with omegas. 

Mohawks gives the bigger guy an elbow to the gut and shake his head, “What he means is that you are really pretty and maybe you would like to go out with us?”. 

You’re unamused but you know some men can’t take the fucking hint, “I have a boyfriend”, you shrug in a what can you do motion, “sorry” , you tac on just in case. 

“You don’t smell like you have a boyfriend”, tall one chides. 

“What’s it to you?” , you reply back, who the hell does this Alpha thinks he is talking to you like that. I mean he’s right you don’t have a boyfriend, haven’t had one in three years, you wouldn’t smell like someone else even if you wanted to. 

“Woah, woah,woah, let's calm down everyone, no harm done, `M sorry hen didn’t mean to make you uncomfortable” , you can smell him pushing off a calming scent. 

“He started it”, you mumble under your breath. Looking up at the tall Alpha. And when he quickly shifts his eyes down it shocks you. Most alphas would stare you in the eye until you broke but not this one. Maybe he was broken. 

“Stop”, mohawks chastise the tall one , and he bows his head and sort of shrinks into himself, smelling of shame and humiliation. 

Oh. 

Oh

An omega. Interesting, you’ve never seen one so big and tall and so Alpha. It’s interesting, and you want to know more. 

Mohawk turn back towards you, “Sorry about him, I guess he forgot all his training at home” , he laughs at the end , you guess trying to make everything a joke, “Anyway, thank you for all your help, and see you around”, you watch them leave , feeling confused and sad and more lonely than you felt in a long time, maybe you should have gave them you number but maybe not.

Simon is angry at Soap , “You know she doesn’t have a boyfriend”. 

“I know that” , he replies, calm, cool, collected, it makes him mad that he’s not upset about this. 

Simon stumps his feet, having a tantrum, “So why can’t we take her out”, he whines. Soap already put the groceries in the back and is moving to the front of the car but to the passenger side, since he can’t drive because he could just pass out. Randomly. With no warning, so no driving for him. 

“If she lied about having a boyfriend, she obviously didn’t want to go out with us”, Simon knows that, he just doesn’t understand why. It’s making him upset and he knows he’s stinking up the car but he can’t help it. He put his foot on the brake and is just about to push the button when Soap stops him , “You okay to drive?”

“Maybe I need to take a second”, Simon answered, as an Omega, getting rejected is hard and it makes his emotion all over the place but usually the only one that gets conveyed is anger, “She smells so good”, he groans out. 

“I know hen, don’t worry, we’ll figure something out”, Soap answers with authority that only an Alpha with a plan would have. 

[teeth-cable]

I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

[artist-issues]

Tell me every reason you enjoy Zootopia enough to give it all the rewatches you do.

Every? Oh boy.

Good Story

Perfect Characters

Visual Appeal

Earnestness

Let me break it down.

1. Good Story

Zootopia’s main point is: “Try to make the world a better place by realizing we’re fundamentally the same.”

That’s a really good main point.

It has the benefit of being true. Right now our culture is super into “self-identification,” and this crazy contrast between, “I want to be able to identify as something special” and “Now that I know what categories I fit in, I can choose who’s ‘one of us’ and who’s ’not one of us.’” Okay well that sounds pretty and I’m sure it fulfills some emotional need at some point, but it’s actually super divisive, and self-serving, and it’s the seeds for all prejudices. Including racism.

Do we have differences in origins and experiences? Yes. Of course. Do we also have some fundamental things in common? Yes. Of course. Which truth are you going to give the highest priority to? If it’s “no, I’m a prey animal, I know exactly where I belong, that’s who I am, that’s how I dress, that’s my compass for how I interact with others” then you’re getting all your security from your “sense of self,” and being able to understand what that is…which is just a fancy way of saying “I’m all about me. My own perspective informs everything I do.”

Anyway. Zootopia’s message was super true.

And the coolest thing about it is that if only Judy were in the wrong, and the other half of the dynamic duo, Nick, was this open-minded, un-prejudiced guy…and she just hurts him and has to apologize…the movie’s message wouldn’t be as well-communicated.

They have their prejudices and their hurt-from-being-prejudiced-against in common!

They’re the same…because they’ve both felt what it’s like to be treated like they’re not “the same.”

Nick isn’t the only character being mistreated and written off because of his species. The whole first half of the movie is about Judy being mistreated and written off. They think she can’t be a cop because she’s little and cute and a prey-animal. They think Nick can’t be trustworthy because he’s sneaky and small and a predator.

So literally…if Judy represented one race, and Nick represented a completely different race…the movie would be saying that both those races are discriminated against. They even have discrimination in common. AND, if Nick represented men who people make assumptions about because he’s a man, and Judy represented women who people make assumptions about because she’s a woman—the movie would be saying that both those genders are falsely judged.

I mean. Wow. Right now, your movie is either pro-woman or pro-man. Right now, your movie is either BLM or white-supremacy. Everybody’s lining up on one side of the line or the other. Zootopia says, “it doesn’t matter what character you’re looking at, from the elephant that can’t remember anything to the two main characters—every single one of them has fundamental things in common, and one of those things is that they all live like they’re in their own special category. When actually, they’re all fundamentally the same.”

I don’t want to keep beating the dead horse. But I have a post somewhere that lists every background character and points out that each animal is the exact opposite of what you would assume they are based on their animal-stereotype. The otters are never shown being playful or snuggly, only traumatized and ferocious. The cheetah is fat and slow, not quick or even quick on the uptake. Etc.

Even if you look outside of characters—look at the sets. Look at the environments. The whole city is designed “for animals, by animals.” But it’s in neat little segments. The animals organize themselves by habitat. Of course, in one sense that’s practical—the polar bears can’t live in Sahara Square, etc. but the point is, by making Judy and Nick, the main characters, small animals, in a city where everything is built to accommodate by species—UGH this is so good—they have to figure out how to problem-solve in situations that weren’t made to accommodate them.

Little Rodentia? Judy has to avoid stepping on all the mice or knocking over their buildings. Parking tickets? She has to figure out how to jump to reach bigger animals’ windshields—or she inconveniences smaller animals because the tickets are all printed at the exact same size. Stuck in a cell? The guards didn’t think about the fact that small animals can fit down the pipes made to accommodate big animals.

Zootopia is a city advertised to be where all the animals can come together. But the way they do that is by trying to accommodate every species’ preferences. So then actually while they try to come together, everything from their cars to their districts remind them of their differences. The whole idea is that they prioritize the wrong truths. Yeah, mice can’t drive giraffe cars—but they still have “driving” in common. See?

And oh my word. Initially it was supposed to be a spy story. But they changed it to a buddy cop story. Why? Well because justice doesn’t discriminate. Or at least, it’s not supposed to. So then there’s another lens to look at the story’s main theme through.

It’s just that every layer, every perspective you look at the movie from, is just hammering that truth into you: “Try to make the world a better place by realizing we’re fundamentally the same.”

2. Perfect Characters

Every character is so well-thought-through in this movie, even the side characters. You get the feeling you could watch a whole movie based on the side characters, because that’s the amount of love and nuance built into them.

Look at the main ones, though. Bellwhether is supposed to be soft and a follower. She’s a sheep. Instead, she’s hard and bitter—and she’s a leader. A villainous leader, but a leader, nonetheless. Even as she tries to keep animals divided based on fear of their stereotypes, she’s not fitting her own stereotype. Her voice actress has this strained, half-hoarse, but sweet voice. Like you can tell that this character has spent a lot of time under pressure and trying to manage appearances. Appearing like she’s fine, and she can handle it—until you realize that the appearance she’s really managing is “the cultural fear-based identify of the city.” They dress her in plaid and flowers and she’s a farm animal, because that’s the kind of character Judy would be most likely to trust. But she still has green eyes, and jagged teeth, so that when she does start making evil expressions there are some caricature-pieces in there that come out and accentuate that.

Nick Wilde—everybody’s favorite—is supposed to be sly and smooth and shifty. And he is. He’s a fox. But he’s also brave, helpful, and trustworthy. The first time you see him is when he’s dodging out of the way of a bigger animal ignoring him and about to run him over. Well, that’s important.

Because Judy knows what it’s like to have to get out of the way of larger animals, because they overlook her.

So right off the bat, this character she has to get along with and work with, this character who furthers her development and nails the main point, is introduced in a way that has something in common with her. But he’s also introduced in a way that gives her an opportunity to focus on a different truth—that he is different from her. Because the sheep is yelling that he’s a “fox.” Right away, we’re back to species-as-identification.

And that’s what the movie does, all the way through. It presents new animal characters, and with those new animals characters, more than one thing is true at a time. And Judy has to try to focus on which truth is more important. “Try to make the world a better place by realizing we’re all the same.” Yes, Nick is a criminal. But Nick is also brave, helpful, and eventually, becomes trustworthy.

Judy, too. Judy is an incredibly well-done character. Because she believes, in her head, that anyone can be anything—which is not what the movie ends on. In fact, she goes from saying, “anyone can be anything,” to saying, “we all have limitations.” It’s not true that a fox can be an elephant. But it is true that a fox can be trustworthy. Figure out what’s true, and try to make decisions for the better, based on that.

I could talk about character design and acting. Ginnifer Goodwin gives just the right amount of smugness and self-confidence to Judy without making her unlikeable—you don’t realize she’s smug and her self-confidence is misplaced until she does, when she fails to make the world a better place for Nick.

Judy wears tight, actionable, well-fitting uniforms for the whole movie. In her civilian clothes when she comes to Zootopia, she’s wearing athletic t-shirts and shorts. Ready for action, that’s Judy, even in her civvies. Meanwhile, Nick? Nick wears loose-fitting clothes. Loud, patterned clothes that don’t match. Like he didn’t even what, ladies and gentlemen? Like he didn’t even TRY. “Try to make the world a better place…”

Because when you meet Nick Wilde, he’s long since given up on trying, in life. So his character design reflects that. He rarely even stands up straight, or opens his eyes all the way—his default is drooping. And guess what?

When Judy “gives up?” Quits her job? Goes back home? Stops trying? Her civvies aren’t ready-for-action, trying clothes. They’re loose flannels. And her “ears are droopy.”

SERIOUSLY, you can find things like this in every corner of the movie. For every character. Not one character is a throwaway, not in voice acting, not in design, not in animation, and not in narrative.

3. Visual Appeal

Which leads me into this point—no other animated anthropomorphic animal movie is as visually appealing as Zootopia.

What Zootopia does is it matches the best of the best anthropomorphic animal designs from past Disney movies:

And they marry it with this incredible intentionality with modern CGI.

Did you know Disney invents its own software for things like fur textures?

The sheep’s wool, the velvet pig skin, the fox fur, the bunny fluff—it’s all completely different textures. There’s no one “fur” covering all the hairy mammals.

Nick isn’t just orange. He’s orange with deep red and dark tufts. Judy has black tips to her ears, too—which helps the two of them look like, in some sense, they belong “together” in every shot.

It’s so important to the movie that the animals feel like animals that they worked this hard to do this. And then that extends to the textures of the snow, the ice, the sand, the wet leaves, the grass, the fire.

Every character moves like their animal, and like themselves. Nick and Gideon are both foxes, but they don’t move similarly at all. Gideon is aggressive and glowering and physical. Nick, again, is slouchy, leans on everything, completely non-confrontational.

Other anthropomorphic animal movies like Sing or Puss in Boots—they’re not doing both as well. Zootopia is appealing, without sacrificing realism completely, and without cutting character acting.

The lighting. Nope. This post is too long, I can’t talk any more.

4. Earnestness

There is no disingenuous moment in this movie.

The animators are never lazy. They always go for the challenge. They don’t cut corners. Have you ever seen “Over the Hedge?” I like Over the Hedge. But I watched it recently and it’s crazy how many shots are strategically placed so that the animators don’t have to solve a certain effects problem.

For example, when RJ sprays Hammy with cool whip to make it look like he has rabies? He doesn’t. You never see the cool whip leave the can. It just cuts away, then cuts back when RJ is pulling the can away from his face. The shots are also cut so that you never have to see gas actually come out of Stella—and you never see Vern’s full body as he gets back into his shell, just the upper part of the shell as he wiggles it around, going through the motions of putting it back on.

That’s because that stuff would be painstaking to animate. Any time one character has to interact with props or substances (especially liquids) that are not part of their model, it’s harder on the animator.

Zootopia? We’re getting full-on views of characters getting wet, fur and all, characters touching various objects and elements, foam coming out of the mouth, new clothes, new set pieces, multiple models, huge crowd shots of different animals in different outfits, all with their own movement patterns and acting.

And all that hard work and effort, aimed so totally at the main theme of the movie? Making sure it looks as good as it can? Not just that, but the way it’s written, the acting, is so genuine. They don’t hold anything back. They don’t shy away from real emotion.

Judy Hopps’ apology scene is brutal. She’s crying, having a hard time finishing a sentence, her voice is all tight. It’s not pretty, it’s not romantic, it’s like…ugly crying. And her character is wrong in a super embarrassing way. They're not afraid to go there. The writers, the actors, the animators—they’re not afraid of being too vulnerable with these character flaws.

So many movies, especially kids’ movies today—they just pull up and shy away from being real through their characters. They think a quick sad facial expression will get the point across. And it does. The audience gets that the character feels sad about whatever the circumstance of the scene is. But not as powerfully. Because you didn’t put as much work and heart into it.

Zootopia is all heart, from work ethic to vulnerability to the filmmakers enjoying what they’re doing, enough to make it as good as it can possibly be. I can’t explain it better, other than to say, you feel like they would’ve been happy making this movie much much longer than it was. You feel like they’re cramming every bit of joy and passsion into every little joke, every side character, every hair on a CGI bear.

There you go. Long post, you did ask for it

[saphronethaleph]

Filing a P-90

“Young man, a few moments of your time?”

CT-0102 looked up, confused.

“...how so?” the trooper asked. “You’re, uh, if you want to talk, you can just talk. If you have orders, go ahead and give them. Ma’am.”

“I’d rather not force you to discuss something,” the elderly woman said, by way of explanation. “I was wondering if you had a perspective on… weapons.”

“Weapons,” 102 repeated. “I guess… I’ve been trained with them? Using weapons is my job, I mean? Does that count as an opinion?”

“It might,” the old woman said. “But I meant more the philosophy of why a weapon exists.”

She shrugged, one hand resting for a moment on a long box by her side. “And, in particular, whether a weapon’s design tells us something about what it’s meant for.”

“This is getting dangerously philosophical, ma’am,” 102 admitted. “It’s above my pay grade.”

“It’s not above mine, I think,” the woman told him. “If you don’t want to talk, say so. I give you that permission, if you need it. But what I mean is that, for example… a lightsaber is a Jedi’s weapon, and that means that it’s a weapon of defence and of decisive attack. A lightsaber in trained hands is able to both protect others and to bring a quick end to any fight, and the respect it earns from those who see it can prevent a fight in the first place… a blaster, meanwhile, well, it depends on the blaster, doesn’t it?”

“I suppose that’s true, ma’am,” 102 admitted, glancing up for a moment as the turbulence around the ship increased – for a moment, at least.

There wasn’t anything he could do about it, so he just shrugged.

“A small pistol is intended to be concealed,” the woman went on. “It’s a weapon of self defence, but it’s also a weapon for committing an unexpected crime. While a larger, more powerful pistol, that’s a weapon of intimidation. It’s bulky enough to be difficult to conceal, and it’s less accurate than a long weapon, so it’s for both scare tactics and bringing a battle to a quick end. So does that mean it’s like a lightsaber?”

102 considered that.

“Our training covered how to handle most weapons, but it didn’t really address the cultural side of things,” he admitted. “We mostly focused on weapons for once a fight is inevitable.”

“Quite,” the woman agreed – 102 hadn’t actually got her name at any point. “The long rifle, which is designed for military efficiency on a battlefield. Harder to conceal in civilian life, almost impossible in fact, but it’s more effective than most weapons on a battlefield… at least, until you start dealing with either larger targets that they simply can’t damage, or more confined spaces where you want a shorter weapon. They share the attribute of being practical.”

She looked at his eyes, through the helmet. “Isn’t that interesting?”

“I guess,” 102 said, not really sure how to react. “Why do you say that?”

The woman was silent for several seconds, and as she was CT-0102 heard over the battalion push that they were getting close to their deployment point.

“If you don’t mind, I’d prefer this gunship to take up an overwatch position,” the woman said. “I do apologize, I should have mentioned it sooner.”

She pulled the box over to her, and undid the latches, then paused before opening it.

“What about this description of a weapon?” she asked. “A weapon that is designed for killing?”

102 blinked.

“Aren’t… most weapons designed for killing?” he asked. “That’s why they’re weapons.”

“Not at all,” the woman replied. “As we’ve just discussed. Your rifle is designed for practical battlefield use. Weight, length, shot count, rate of fire, all these considerations went into making it. Many other weapons are shaped by different design constraints entirely – a hold-out pistol, or a large heavy blaster. A lightsaber. I’m talking about a weapon that isn’t designed for a fight at all. That isn’t designed to be seen. That’s meant to be used as sparingly as possible, because you’re only meant to use it in the very direst need.”

She pushed open the box, and revealed a kind of long weapon, perhaps a blaster and perhaps not. It looked archaic, with some of the furniture made of actual wood and the rest out of something 102 couldn’t even identify, and there were odd protuberances and glowing blue segments on it.

“For such a weapon, all other considerations would be secondary to lethality,” the woman said. “If they were involved at all. It’s not intended to be involved in a battle, where you try to defeat the enemy; it’s not intended for a warning shot. The only purpose is to kill, and it is only to be used when there is no better choice.”

She knelt down on the floor of their gunship, and a few seconds later the Commander called out the launch order. Their assault ship was passing over the target zone, and all the gunships deployed.

Below, 102 could see the desert, and the darting red shapes of Aethersprite starfighters giving them cover against Geonosian fighter craft. More gunships were deploying, blasts going left and right, and 102 grabbed onto the handles overhead with a free hand for stability.

The woman didn’t seem to notice.

Instead, she took something from her belt, and slotted it into the weapon. It lit up, and she tapped a few controls before snugging the stock of the weapon into her shoulder.

“It’s a shame, you know,” she said, almost conversationally. “He was a great friend of mine, once. I thought he still was, until recently.”

“Who was?” 102 asked.

“Dooku,” the woman answered, her voice slightly distracted. “Emotion, yet peace… my old friend, I do not do this for revenge, but to prevent a greater wrong.”

The strange weapon spat out a bolt of brilliant sky-blue light, one that was like a solid bar connecting their gunship to the ground, and the woman hesitated for a moment… then let out a sigh.

“May you find the peace in death that so failed you in life,” she said, in tones of quiet prayer.

“Sorry, but – did you just…” 102 asked.

“What the kriff was that?” the gunship pilot asked, over the comm connection.

“Well, you can view it in two ways,” the Jedi Master said, ejecting her lightsaber from the rifle and examining it. “No, three, I think. Firstly, that my lightsaber and I were united in the need for that to be done. Secondly, that Count Dooku was too great a threat to peace in the galaxy to live. And third…”

Jocasta Nu placed the rifle back in its box.

“Nobody messes with the Jedi Archives,” she concluded.