#Allegret

[detournementsmineurs]

Orane Demazis et Pierre Fresnay dans “Marius” d'Alexander Korda (1931) - 1ère partie de la “Trilogie Marseillaise” de Marcel Pagnol avant “Fanny” réalisé par Marc Allégret (1932) et “César” par Marcel Pagnol lui-même (1936) - avril 2024.

[gatabella]

Brigitte Bardot by Marc Allegret, c.1950

[gacougnol]

Marc Allegret

Brigitte Bardot

C. 1950

[onenakedfarmer]

Currently Watching

ZOU ZOU Marc Allegret France, 1932

[petersonreviews]

[chicinsilk]

Chanel Haute Couture Fall/Winter 1969-70 Collection. Sylvie Fennec in a dress andJean-claude Brialy at Coco Chanel for the preparation of the film 'Le Bal du Comte d'Orgel' directed by Marc Allegret.

Chanel Collection Haute Couture Automne/Hiver 1969-70. Sylvie Fennec dans une robe etJean-claude Brialy chez Coco Chanel pour la préparation du film 'Le Bal du comte d'Orgel' réalisé par Marc Allegret.

Paris Match Archive

[screamscenepodcast]

Your hosts encounter the 1960 "erotic horror" film ET MOURIR DE PLAISIR (LE SANG ET LA ROSE) aka AND DIE OF PLEASURE (BLOOD AND ROSES) from director Roger Vadim! But where's the horror? More importantly, where's the eroticism??

Context setting 00:00; Synopsis 34:02; Discussion 44:20; Ranking 1:10:42

[gatutor]

Cartel película "Deshojando la margarita" (En effeuillant la merguerite) 1956, de Marc Allegret.

[kino51]

dedee d'anvers 1948

[julio-viernes]

"Cabellos cortos, largos, que más da. La inteligencia se mide por algo más (...)". ¡"Sonido Mosca" ven a mí! Siempre es bueno volver a los fantásticos Salvajes. Aquí en uno de sus himnos definitivos, "Es La Edad" (Regal, 1966). Todo es bueno, el sonido rasposo repleto de fuzz casero, la descriptiva letra cargada de sentido del humor ("Osú, ¡este chico parece un león!"). Lo único que lamento es que fueran tan "versioneros" y no publicasen más canciones propias como "Soy Así", "Mi Bigote" (es colosal), "Vivir Sin Ti" o "El Don Juan", porque componían fetén.

[paolo-streito-1264]

John Springer. Simone Signoret in the film ''Dédée d'Anvers'' directed by Yves Allegret, 1947.

[detournementsmineurs]

La “Trilogie Marseillaise” de Marcel Pagnol avec “Marius” réalisé par Alexander Korda (1931), “Fanny” par Marc Allégret (1932) et “César” par Marcel Pagnol lui-même (1936), avec Raimu, Orlane Demazis, Pierre Fresnay, Fernand Charpin, Alida Rouffe, Milly Mathis, Robert Vattier, Paul Dullac, Auguste Mourriès, Edouard Delmont, Marcel Maupi, André Fouché, Doumel et Robert Bassac, avril 2024.

[alaindelontoujours]

Alain Delon and Sophie Daumier in Quand la femme s'en mêle (1957) directed by Yves Allegret

[vintage-every-day]

Louis Jourdan was born in Marseille, France, in 1921. He was educated in France, Turkey, and the UK, and studied acting at the École Dramatique. While there, he began acting on the professional stage, where he was brought to the attention of director Marc Allégret, who hired him to work as an assistant camera operator on 𝑬𝒏𝒕𝒓𝒆́𝒆 𝒅𝒆𝒔 𝑨𝒓𝒕𝒊𝒔𝒕𝒆𝒔 (𝑻𝒉𝒆 𝑪𝒖𝒓𝒕𝒂𝒊𝒏 𝑹𝒊𝒔𝒆𝒔).

Allegret then cast Jourdan in what should have been his first movie, 𝑳𝒆 𝑪𝒐𝒓𝒔𝒂𝒊𝒓𝒆 in 1939 opposite Charles Boyer. Filming was interrupted by the Second World War and was never resumed.

[mermaidsirennikita]

Hello! I hope you are having a good weekend, could you recommend HR with the jealousy mini trope? The hero being a jealous idiot, not that it takes the whole book but more like the hero could actually be very vocal about him not liking other men looking/talking at the heroine

Hmmmm this is kind of common, but also something I'll admit I don't think a lot of authors pull off. Not because it's a Bad Thing, but because it often feels shoved into the story as an obligatory "check a box" moment. And I hate a check a box moment, lol.

So, books I think do it well:

Charlotte and The Seductive Spymaster by Grace Callaway. I love this one because the entire premise of the book is that Charlotte and Sebastian were married young, he appeared to die, and it turns out he did in fact fake his death for Reasons. So twelve years later, she's finally beginning to open up to another man, and like. As they're kissing, a literal rock comes flying through a window. It's Sebastian! He's stalking her! (Stalking is Love in romance, and I'm fine with it.) And he's PISSED that this other dude is trying to make moves on his wife, who fully thinks he's dead, because of his own choices lol. There's more jealousy in the book; I wouldn't call it a love triangle, because Charlie doesn't ever really seriously consider the other dude and he in turn is not serious about her... But it is a love triangle in her husband's head.

Stephanie Laurens's Cynster series features generally jealous heroes because they're all alphas (with Conqueror's Blood). I think A Rake's Vow is a good one for this, because Patience is being approached by other men, and Vane is like UM???? BUT WE FUCKED IN THE OUTDOORS MARRY ME??????

Melissa and the Vicar by S.M. LaViolette. Magnus thinks Hugo and Melissa are fucking (albeit because they put on QUITE a show because Melissa has self-loathing issues and wants Magnus to leave; Magnus Will Not Leave because he's OBSESSSED) and is fuming with jealousy. Also: ? I think Hugo actually also has his own jealousy issues in Hugo and The Maiden, as some other guy is vying for his heroine's hand.

For My Lady's Heart by Laura Kinsale. The hero definitely experiences jealousy (and also a "what the fuck" moment) because the heroine is pretending to sleep with her teenage assassin, Allegreto. To be clear, she is not sleeping with the teenage assassin. Also, Allegret is pretending to be castrated but is like "SHE WANTS ME FOR OTHER THIIINGS" and our hero is all "I really wish I hadn't joined this weird traveling band of freaks". Poor Ruck. Flowers from the Storm, another Kinsale, also has a jealous hero who's like "THESE FUCKING QUAKERS ARE TRYING TO TAKE THIS WOMAN I FORCED TO MARRY AWAY FROM ME GODDAMMIT".

Monica McCarty's Highland Guard series has very possessive heroes who tend to be jealous of like. Anyone who gets near their heroines. Which is like? Actually kind of a thing. The Saint actually has the hero watch the heroine marry his best friend at the beginning, and there is much angst about it when Shit Happens.

Seduce Me at Sunrise by Lisa Kleypas. BUT OF COURSE. Julian, the Nice Guy Doctor, is trying to court Win, and Kev refuses to be with her because He'll Kill Her with His Horse Cock, but he WILL absolutely seethe with jealousy if Julian even breathes near her.

Dreaming of You by Lisa Kleypas. Derek is very jealousy of Sara's wet blanket fiancee. There's an entire scene where he finds out she kissed the fiancee (and mind you, Derek was very much the other man in this situation lol) and he's like "WHAT THE FUCK" and Sara's dad observes this, surmises that Derek and Sara have Done Things, and is all "okaaaaaay so we'll need to get y'all married ASAP".

It Happened One Autumn by Lisa Kleypas. Westcliff is, naturally, extremely twitchy and jealous when St. Vincent is doing his whole "let's court Lillian for the evil" thing. And has a whole "i think THE FUCK not" when Sebastian offers for her. Sebastian is also pretty jealous and possessive in Devil in Winter when Evie turns out to have a Hot Guy Buddy in Cam Rohan. Which he should be. Because Cam fucks.

In When the Earl Met His Match by Stacy Reid, the hero takes the heroine's daughter on as his own when she shows up pregnant by another man and in need of a marriage of convenience... and then the biological father of the kid shows up. Our hero is Not Happy.

In The Heiress Hunt, The Lady Gets Lucky, and The Bride Goes Rogue by Joanna Shupe, all of the heroes are super jealous of the Duke of Lockwood--and to be fair? In like, two and half of those situations, Lockwood WAS trying to get with their women. And we love him for it. In The Duke Gets Even, Lockwood is also jealous of this one guy Nellie has fucked recently, and additionally Nellie's cousin, because he does not in fact know that it's her cousin at first. What does kill me is that even in Lockwood's book, the beef is like still real with him and the other guys. They're all so threatened lmao. Which they should be, because Lockwood is hot, and the ULTIMATE example of Gentleman in The Streets, Freak in The Sheets.

Elizabeth Hoyt heroes are usually jealous lol. Winter Makepeace is definitely jealous of the various guys trying to fuck Isabel in Thief of Shadows.

When the Duke Was Wicked by Lorraine Heath features Human Disaster The Duke of Lovingdon being jealous of the guys he's literally trying to set Grace up with.

[barkingbonzo]

Simone Simon

Diminutive, fiery-tempered Simone Simon was born in France, but spent much of her early childhood in Madagascar, where her father managed a graphite mine. Her schooling was somewhat unsettled, her family moving from city to city (Berlin, Budapest, Turin) before finally establishing themselves in Paris in 1930. Simone started as a dress designer, fashion model and occasional performer in stage musicals. She eventually met the director Marc Allégret, who took her under his wing. Her film debut was in 1931 and she had her first major hit as Jean Gabin's co-star in The Human Beast (1938), directed by Jean Renoir.

There were two halves to Simone's history in Hollywood. In 1936, Darryl F. Zanuck signed her to a contract at 20th Century Fox on the strength of a picture she had made two years earlier, Allegret's Ladies Lake (1934). She was launched with an expensive publicity campaign which accentuated her continental allure, particularly, her 'sexy pout'. During her tenure, problems surfaced regarding her command of English and also her limited singing skills. Dissatisfied with the roles she was given, Simone returned to France and 'La Bete Humaine'. She made a second attempt at Hollywood, acting in William Dieterle's The Devil and Daniel Webster (1941) as Belle, the devil's handmaiden. The New York Times review of October 17 considered her 'completely out of key'. Simone's best work, however, was to come in the shape of the cult horror classic Cat People (1942). Producer Val Lewton and director Jacques Tourneur used her triangular-faced feline qualities to best effect in the story of a girl who obsesses about an ancient Balkan curse turning her into a panther. The film was stylish and subtle, creating imagined rather than actual menace. Simone's performance was commensurate with perfectly studied cat-like mannerisms. During the production of 'Cat People', Simone was under FBI surveillance because of her relationship with MI5 spy Dusko Popov. She made two further, less successful, films at RKO, then returned to France for good. Simone made several films there and worked on the stage. In spite of many affairs and relationships, she never married.

- IMDb Mini Biography By: I.S.Mowis