#All this is just so damn true..

[yashley]

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[b0nelessdoodles]

started this before mystic flour dropped and then was too busy trying to pull her to finish this lmao anyway tfw you and the besties are going nuts or something

[moliathh]

the scorpion and the frog

[kit-screams-into-the-future]

jesus christ, doc, i thought you were a goner! warn a guy next time, will ya? jesus christ, doc. jesus christ

bonus doodle post-extra-long-hug:

(listen im a sucker for the forehead kisses alright. whenever it happens in a fic i eat that shit UP. it's the cutest thing ever idc)

[arthursfuckinghat]

I know a lot of people wanted John to have shot and killed Micah first, but there's something so awfully poetic about Dutch being the one who had shot him.

How Micah, in those mere moments, felt the same betrayal that Arthur had felt when Dutch left him on that mountain, despite being the one who was supposed to betray Dutch.

Micah thought he was untouchable after manipulating and driving a wedge into the gang, but he was blindsided by the very man he tried to align himself with. Dutch’s betrayal of Micah feels like a really distorted reflection of what Arthur wanted - for Dutch to see what damage Micah had done. But it's just a reminder of the sick cycle of loyalty and betrayal that defined Dutch as a character.

John pulling the trigger first would have been satisfying, but Dutch's choice gives it a haunting depth that sticks with you.

"You shot me.. you shot me pretty good."

[qkmlh]

Still ducking hilarious to me that Zoro & Sanji began their beef because they thought the other was misogynistic and it came to a head of no return when Zoro felt his title of ‘Luffy’s specialest boi’ threatened by Sanji’s comment

[bacchuschucklefuck]

it just idea .......

[softspeirs]

gosh, these prompts are just so fluffy, it makes me want to cry! 🥹

maybe these for whoever you're feeling in the moment:

❛ what, am i not allowed to look at you? ❜

❛ seeing you happy is all that matters. ❜

A/N: First, you asked for this so long ago, I'm sorry it took so long! I wanted to explore a lil reunion for Rosie and Grace after (one of the times) his plane goes down and he makes it back. I did a smidge of research for this, but to be clear, this isn't the time he lands in Russia that we see in the show. This is an earlier mission where he crash lands in France - p422 (? I think?) in Masters of the Air if you want to read more. I tweaked the dialogue of that second prompt just a tiny bit, hope that's okay. These Heartbeats Clear Masterlist

Seven. Wounded.

When Robert Rosenthal opens his eyes, for a moment he doesn't remember where he is. There's a brief unsettling moment of sheer panic where he tries to get his bearings, tries to sit up and tries to remember what's happened to him in the last 48 hours.

"Whoa, whoa, slow down." A voice says. American. He sighs in relief.

An unfamiliar worried face swims into his vision. "Major Rosenthal?"

"What--" His throat hurts, his entire body hurts, and he stops trying to talk.

"You've been asleep for almost two days."

"Where am I?"

"Please, try to relax. You're safe. You're in Oxford."

Now that he hears the words, he remembers loud, urgent voices, he remembers flashing lights and the feeling of being manhandled around. It doesn't do much to quell the fear rising in his gut. "My crew."

"They're fine. Some wounded, but everyone's going to be okay." She moves around the bed with quick, sure steps, checking his chart before meeting his eyes again. "You've got a broken arm and a few broken ribs, Major. Now that you're awake, we'd just like to monitor you for a few hours and then we can talk about a transport back to your base."

He nods, thanking her, and she smiles before disappearing down a corridor, leaving him to his thoughts. His mind is slow, fuzzy, but there's one thought blaring like an alarm louder than anything else - he needs to find a way to call Grace.

He swore to her a long time ago that he'd never give her a reason to think he wasn't coming back. He has no idea if anyone knows he and his crew are here.

He also has a panicked thought that he won't be able to fly again, not if they were helped the French resistance. He forces himself to take deep breaths and tries to beat back the anxiety fluttering in his ribcage.

"Rosie?" A familiar voice breaks him out of his thoughts, and he tries to sit up before pain laces up his spine, making him wince.

"Croz?"

Harry's worried face peeks around the curtain. "Jesus." He says, making Rosie wonder what he must look like.

"What are you doing here?"

"We got a call. Wasn't going to let you guys walk back to Thorpe Abbotts, was I?" He takes a few steps closer, scraping a chair closer to the bed before sitting down. He looks exhausted. "I volunteered to come get you."

"How long--"

"It's been five days since the mission." Harry rubs a hand over his face. "Can't begin to tell you how lucky you were, Rosie."

It starts to hit him, how close he was to not coming back. He doesn't even remember the plane going down, not entirely. He has no memory of being rescued. He feels strangely guilty. He's the one that's supposed to lead and help his crew when he can.

"Have you talked to a doctor?" Harry asks.

Rosie shakes his head. "Not yet, just a nurse. Obviously I can't do much with this--" He struggles to shrug with his injured arm in a sling.

"It'll be fine. Desk duty until you're well."

"Croz, you know I hate--"

"You can't fly like that, Rosie. Technically you should be pulled from duty altogether."

Rosie clenches his jaw, takes a deep breath and tries to calm himself down. It's not Harry's call, even though he knows he's right. He's going to do everything he can to get back in the seat again, even if he has to get demoted to do it.

.

He discharges himself so he can leave with his crew and with Crosby and hitch a ride back to base. The doctor fixes him with a stern look as he does it, but he must see the determination on Rosie's face, and just tells him to take it easy for the next few weeks.

Fat chance of that.

"Stop looking at me like that." He grouses to Harry as they bounce along the road back to Thorpe Abbotts, Rosie biting back a wince with grit teeth as the road jostles his muscles uncomfortably.

"I'm not looking at you like anything."

Harry has long stopped trying to convince Rosie of anything, just like Rosie has stopped trying to tell him to get more sleep or eat more. They're all just doing whatever they can to survive at this point. The cost of it all is secondary.

"I'll save the lecture for Grace." He mutters.

Rosie's head snaps up. "Is she--"

"Worried sick? Probably, but you know her. Once she knew you were alive, she went from worried to furious."

"Not like I had any say in the matter," Rosie counters, voice dry. "Didn't try asking them not to shoot at us, though."

Harry smiles, shaking his head. "You know what I mean. Angry at the circumstances. Frustrated with herself for being emotional. That's Grace."

That's Grace. And isn't that the truth. Rosie can't help but smile softly, because he knows Harry is right - he's going to get an earful when he gets back. But he must be a masochist, because he's almost looking forward to it - it means she cares. Not that he's ever had any reason to doubt that.

The truck rumbles along for miles. Rosie hadn't thought about how long it would take them to get back to the base, but he tries to close his eyes and get relatively comfortable until they arrive.

He hears the noise of the gates and opens his eyes to find the sun nearly down. There's a big commotion as they enter and he takes a deep breath to try to get his bearings.

"We'll go to command first, and then to the infirmary. You'll probably have to sleep there." Harry says groggily.

They're let out in front of the command building, Jack Kidd already there waiting for him along with the Colonel. Both look like they haven't slept in days. A few paces behind them is Grace, and the sight of her softens Rosie, makes his shoulders lose their tension. He meets her eyes and tries for a smile, but he thinks it comes off as more of a grimace.

Grace, for her part, is restraining herself. She feels a mixture of relief and anger wash over her at the sight of him, arm in a sling and bruises and cuts littering his handsome face. He looks exhausted, and she's sure she looks much the same.

She knows being angry is the wrong thing. It's not his fault he got shot down, after all. Really, she's angry at herself. She's angry at her heart, at the way it plummeted to her feet when she heard the news that his plane didn't come back, and she's angrier that every day since confirms to her what she already knows: she's in love with him.

And that's as terrifying as it is liberating, because there's a very real chance he could break her heart, whether he means to or not. (She knows that Robert Rosenthal doesn't have a cruel bone in his body, but sometimes, in war, the choice isn't his)

"Jesus Christ, Rosie." Jack says quietly, voice heavy. "I--" He takes a deep breath, and seems to remember what he needs to do. "It's good to see you back. We need to go to interrogation."

"The crew isn't ready--"

Kidd shakes his head. "I'm sorry, Rosie, but the quicker we do this, the better. It's already been a few days."

"Who's back?"

"Maddox, Rubick, Palmer, and Hartos. The others won't be back until tomorrow, but we'll debrief them then. I don't want to wait an extra day."

Jack looks over his shoulder, and Rosie is sure he catches an apologetic look on his face that's there and gone quickly as he sees Grace there. "Twenty minutes, then go to the infirmary." He says as he turns back to Rosie. "Let's go."

The interrogation is as grueling as Rosie expected. He's glad to see some of the members of his crew again. Despite his brain telling him that none of this is his fault, his heart can't help but beat wildly, flooding him with guilt as they give their account of what happened after they went down, when Rosie was knocked unconscious.

It feels like hours before he's trudging towards the infirmary, luckily only a few steps away from the interrogation hut.

The door is opening before he arrives, and Grace's worry-filled face fills his vision. "Grace." Her name leaves his mouth without his permission, his tone exhausted, but full of emotion.

She swallows hard. "Major." Her tone is relieved and... frustrated. He's not surprised, but he hopes she'll spare him Nurse Grace and instead give him the Grace he's been dreaming of for days, though he knows it's selfish, knows that she has a job to do.

He sees the doctor hovering behind her. She opens the door wider so he can come through.

All he wants is to be alone with her. He wants to tell her he's sorry, he wants to tell her that she was on his mind every second, that she is one of the reasons not only that he gets in the seat, but the reason he comes home.

Home.

The exam is quick, thankfully. They took good care of him in Oxford. The doctor leaves Grace to administer pain meds and do the paperwork, and it's only when they're finally alone that he sees the emotion on her face, though she's trying valiantly to hide it.

With each injury she catalogues, her face hardens. Her eyes meet his as she tilts his face up to dab a cooling salve on a bruise forming on his orbital bone.

"You have a look on your face." He says quietly.

"What, I'm not allowed to look at you?" She asks, and he can see how she's trying so hard to hold it together. Pretending. Pretending this is all business for her. He wishes she wouldn't.

"I'm sorry." He croaks, throat dry from overuse.

"Please don't apologize," she says, expression suddenly stricken, as if she realizes what she must look and sound like. "You didn't--" She stops herself, eyes closing for a moment as she gathers her professionalism. "I'm just so relieved you're alive." She whispers. "I'm not angry at you. I'm upset... I'm angry at the war. At these circumstances. That you're hurt--" She stops herself.

He wishes more than anything he had the use of both his arms. He settles for reaching out with one hand, thankful when she doesn't hesitate to take it, lacing their fingers together.

"I never want you to worry." He says, and it's the truth, even though they both know it's pointless.

She shrugs. "Comes with the territory, Major." She squeezes his hand. Her voice lowers to a whisper. "Worry happens naturally when you love someone."

His pulse pounding in his ears is all he can hear. He feels like the world tilts on its axis and then rights itself, all at once.

"Maybe it's too soon or too big for me to say it, but I don't want you to fly ever again without knowing it." She says, voice strong this time. He loves her for it.

He loves her.

He tugs her a little closer and she seems to understand, her face softening as she stands as close as she can, leaning down to meet him halfway. He tries to tell her how he feels when he kisses her gently, mindful of the black eye he's sure he's sporting and the soreness of his cheekbone. His hand leaves hers in favor of cradling her jaw, and the sigh that leaves her is music to his ears.

"Of course I love you." He murmurs, barely a centimeter between them when they break apart. "Probably have for a long time, Grace."

She pulls herself away, just for a moment, and starts to tidy up the triage area where he sits with her. He recognizes what she's doing and gives her the space she needs to gather herself, to come to terms with whatever she needs to. He's relieved at least that the smile hasn't left her face.

"Winning this war and seeing you happy are just about all that matter to me anymore." He admits, and watches as she stops what she's doing to turn back to face him.

"I just want to be sure I'm not a distraction for you."

He shakes his head. "No."

"Rosie, I'm--"

He shakes his head again, cutting her off. "Grace, you don't think I'm going to let you tell me you love me and then push me away, do you?" He tilts his head to one side.

"That's not what I'm doing. I promise."

"Then come over here and let me kiss you again."

She smiles, and he swears to himself that he's going to be responsible for that smile on her face every day, for as long as he can help it. He has no doubt that they have some trials ahead, but they have each other, and sometimes the will of the heart is stronger than anything else.

[sluttyten]

yall what the fuck 😭😭

It’s one thing after another this week

I’ve been a one direction fan for years, loved most of their solo work, and although I didn’t like Liam anymore and didn’t stand for any of the shit that had been coming out about him, I still can’t believe this

[shannonsketches]

I just think Toei gives Vegeta a lot of shit for a guy who's maintained his rank within the top ten most powerful beings in the mortal realm since he was like five years old.

[sunsetsandsunshine]

Actually don’t fucking talk to me... @ziipzeepzop-eez

[knowlesian]

one of the handy things being a word nerd/ex-debate kid taught me is that if you talk long enough and do enough fancy rhetorical backflips you can make a reasonably convincing argument for some absolutely ridiculous ideas, especially if your audience doesn’t have a level of baseline knowledge to lean back on

the reason this is handy because it also taught me that just because somebody sounds confident and seems informed doesn’t mean they aren’t cherrypicking data and thus, using the truth to lie their fucking faces off

[ao3userforgets]

i need to mutter into the void so i’m going to post under the cut the trials and tribs of my current clegan fic writing experience so no one including (especially) me has to make eye contact with it. it’s basically a diary entry. god bless anyone that reads it lol. love and light 🫶

goddamn writing this fic is kicking my ass. it was just meant to be an angsty gale introspective. then i started another and that was meant to be them just fucking absolute nasty style. now i fear they have combined, morphed, metamorphosed, and it’s becoming a monster. goddamn. what does one do in this situation? it would be my first time posting in this fandom and my second time posting fic at all. i’m shaking in my boots about it. there is so much wonderful fic being posted for this pairing and so many approaches and styles. i would love to get mine out and see it amongst those works. i’m just not sure how to go about constructing this fic and how to post about it. i’d like to post some bits and pieces and maybe someone will see it and tell me it’s worth it to finish it but first and foremost i’m really writing this for myself, because it’s the type of fic i love to read and also i feel like i need to be writing it so my mind is creating something. and it would feel like a waste to me and a let down for myself if i never post it. also i’m projecting very hard onto it and onto gale as a character, so it feels kind of personal in some parts? which can’t totally be avoided but because of that and because the way i write is also very personal to me it’s making something that should be fun to post about feel quite daunting. but i want to push myself so badly because it’s been years since i’ve done that, maybe i’ve never done that. and Of Course it’s wwii yaoi that’s gotten me to this point.

anyway, y’all ever think about gale identifying as a more feminine being than is expected for a man like him in the time he’s in, thus manifesting itself into years of repression he’s not entirely aware of until he meets and grows closer to bucky, and how he comes to terms with being awakened in such a way that has laid dormant until he’s in the literal u.s. military, and eventually in one of the least survivable theatres of the war, and in suffocating proximity day in and day out with one john bucky egan? and how he navigates his bond with marge, now in contrast to how he feels for john? and how even his childhood and the lives of his parents is being pushed forwards in his consciousness in relation to his sense of self and his place in the lives of others? oh and also how absolutely Biblically he wants john, in the most unconventional and all encompassing ways? all while he has no context for queerness and sexuality as it relates to himself? i dunno what freak would be into writing or reading that ��� 🚬💀

[leenaur143]

if anyone was wondering, i'm doing fine after finding out our two fated individuals are dorming together i'm like so so okay, okay? 💚🩷 like totes fine definitely everything is good like no one is surprised but ohmygODDDDDDDDDDDD

[beck-nightengale]

Catharsis (Spoilers)

And it is only these moments in which we can make a decision - the decision to either act, or to let the moment pass, until the veil seals itself again and we once more are the slaves of our habits.

What we were granted, was a moment of lucidity.

And it gives me hope that the woman I loved has not died in vain...

...and that we continue walking.