you know, aside from the fact that I fully believe that All Might living would be 100% more interesting and is backed with past foreshadowing and theming, there's another factor that points to that outcome.
The only other time Nighteye's prediction has been wrong was back at the Overhaul battle, in which Deku used Eri's quirk to prevent himself from sustaining injury. At the time, fans speculated that the true reason that Nighteye's prediction didn't come true was because her quirk messes with the natural flow of time, thus negating Nighteye's ability to accurately view what was in store -- in other words, her quirk's ability to literally undo what would've happened in any other situation distorted the vision that Nighteye saw because, well, she undid it before it could happen. And you know what quirk is yet again in play now that All Might is in his would-be final battle? It's Eri's (reverse-engineered) quirk again.
Perhaps if AFO wasn't rewinding indefinitely -- if he was at his full power and maturity -- he would've been able to easily kill All Might here. But instead Rewind is coursing through his veins, and whatever might've happened without it is doomed to never be. He's missing quirks he gained later in life, he's impulsive and desperate, and All Might is just as determined as ever. He's got this, and he'll live.
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hey! i was sort of reading “something to rely on” lyrics, and i remembered that you analyse some of miles, monkeys and tlsp songs. so, i just wanted to ask what are your thoughts on this song, cause i particularly think it’s about alex or some of it. anyway, other songs from cdg can be fully about alex, but barely no one talks about this one, so i thought it’d be great to discuss about it.
there’s also “adios tara tara” that i also think it’s about alex, as other songs from change the show, but that’s for another time! i also love your blog, your fanfics and song analysis, they’re always really good! 🫶
sooo first of all sorry for being this late lmao this is kinda embarrassing because this ask was sent MONTHS ago maybe almost a year ago it was so long ago i literally don't remember. i'm only just answering now BUT better late than never i guess skgshdfh
(as usual don't take this too seriously lmao this is just a silly theory, i'm in no way implying it's the truth. it's just delusion o'clock)
now, if you follow me you know what i think of coup de grace as an album - and that is, the fact that it's soooo about alex it's crazy like. bro was so angry and in love and heartbroken????? and he wrote a literal masterpiece of an album????? that's iconic if you ask me
so to no one's surprise, let's follow the usual theory - them having some sort of falling out after eycte because of miles getting serious and alex consequently chickening out, which led to Peak Gay Drama Year, also known as 2018, when they both release albums that - more or less explicitly - contain images that could easily be interpreted as references to each other. something to rely on is no exception:
"crescent moon, left in my drive / all too soon, you made your point"
the reference to the moon creates a pattern, since the semantic field of astral entities is also present in songs such as killing the joke, with "interstellar, dressed in leather, drinking bitter boy" - which as we all know is one of miles' most direct lines when it comes to referencing alex, and it can easily be linked to am's own space-themed album, which miles definitely got to listen before its official release date.
opening the song with a reference to the moon could be a way of @ a certain someone, letting him know that yes, this song *is* in fact about him, if he didn't get the other billion hints in the whole album. (however, for the sake of keeping it vague, i won't be referring to him directly but rather to a ~mysterious person~) (i'm sure you get my point tho *wink wink*) [gunshots]
mentioning the moon could also be a way of referencing the ever-present theme of nighttime encounters in the entirety of mk/am/tlsp's discography: sometimes those encounters are described as fun, sometimes they mean trouble; sometimes, they leave the people involved with a sense of guilt and/or shame, on which we'll come back later and which often leads to bad decisions ("all too soon, you made your point"). in this particular case, the first image that comes to my mind is someone leaving sneakily after a (series of) one-night stands, with the song obviously being from the pov of the person being left, who also gives us a reason why they think the other person left:
"keeping off the radar, how does that make you feel? / keeping it clean, through all the things you wanted me to be / out of touch, with all the rumors i keep hearing of you / keeping off the radar, how does that make you feel?"
this person doesn't seem to want other people to know about their affair, and that's why they keep it secret; it seems that they want miles to be something he's not, or something he can't be - or maybe they ask all these things of themselves, which would maybe make it easier for them to accept the relationship going public. this person wants to keep it neat and clean, picture-perfect and fitting to everything everyone expects from them; but as much as they try to stay lowkey and not attract attention, the narrator informs us that no matter how much this person tries to hide, there's still rumors going around about them, as an individual as well as their relationship(s) with other people, most likely with the narrator too.
"all aboard the guilt train / last call before we leave / last call before we learn to love / the last call before we leave"
the line referring to guilt is insanely queer-coded and i will die on this hill because it just SCREAMS internalised homophobia, with which the other person might be struggling. it wouldn't make sense otherwise - because what would that person feel guilty about, if it were a straight-passing relationship? unless it was a cheating situation, of course... but it could be a cheating situation AND also a queer one, with this person being in another (het) relationship while having a same-sex lover (the narrator), which would give that line a double explanation. also every time i listen to this song i just can't help but think about 'all aboard the kane train' WHAT WHO SAID THAT
however, the narrator tells us that this is the "last call before we leave" - meaning, he's giving this person an ultimatum to make up their mind and decide if they want to be with him for real or not, since the latter possibility would result in him leaving - not necessarily for good, but... just trying to get over that person once and for all. at the same time, though, it's also the "last call before we learn to love" - which is incredibly soft imo, because it's him still putting trust and hope into that person and a positive decision on their part. he believes they will eventually choose to be with him, he hopes for it and trusts the other person to make the right decision, which would lead to them being together and learning how to love each other without limits nor second-guesses. the repetition of the leaving line could also be seen as a way for him to give it a new meaning compared to the first one: if they ended up together, they could leave that world based on nasty rumors and appearances, ignoring them all to just be happy together. because, after all, miles declares it openly:
"you're all that i wanted / all that i need / you're all that i wanted / you're all that i need"
i mean. does this even need an explanation. bro is down BAD
"something to rely on / something to get high on / i don't want to beg or steal, i don't want to borrow hearts / i just want to make it real / something to rely on / the making of a mystery, wishing on a falling star / i don't want to let this sadness rule my heart / your actions from the start / in spite of me insightfully inviting me to fall apart"
i left the chorus last because imo it captures perfectly the whole vibe of the song and what i think is miles' outlook on life in general: the narrator wants something stable and secure, an established relationship with the other person; he doesn't want to have to beg and argue and make it more complicated than it probably already is, he doesn't want to be a pastime or just some lover. he wants something thrilling and intense, almost addictive - but most importantly, he wants something real. this complicated situation with the other person is making them both suffer, and the other person's behaviour doesn't make it any easier; but in spite of everything, and in spite of his sense of self-preservation, he still finds himself unable and unwilling to resist them, to let them go for good. and no matter how self-destructive this might be, he doesn't want to be ruled by negative emotions; he's already fallen for them, too deep to even consider letting them go. he just keeps falling, and yeah, the outcome of their situationship might still be a mystery, but he chooses to be hopeful - "wishing on a falling star", bringing the song to a circular end by mentioning other astral entities that inevitably remind us of the "crescent moon" that opens the song. which also evokes the idea of circularity that is typical of situationships like the one described here, where the moment he seems to have made up his mind (or maybe the other person finally did?) it's like rinse and repeat, and once again they're back to square one.
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This is a question related to the mtt hobbies answer that you wrote, the murder trio go around the multiverse and live in a place together, then what happend to horrortale au and horrortale papyrus? If the murder trio got to meet horrortale papyrus how would it go? (The meeting propably wouldnt end well with more canon mtt haha)
aaaaa i dont think it through to be honest when i talk about that concept. they just do. maybe horrortale's issues are already solved and aliza's already gone through horrortale and somehow fixed the hellhole (ALIZA MY GOAT PLEASE SAVE HORRORTALE I DON'T CARE IF IT TAKES 10 YEARS‼️‼️‼️) by the time that horror somehow meets dust and killer (since i dont see a feasible way that horrortale could be fixed outside of aliza or outside intervention.) or maybe he just visits from time to time. and by time to time i mean probably quarterly weekly. idk sorry i cant be bothered to think about it,,, they just do. anyways bad answer i KNOW I KNOW put the tomatoes down pls PLS
if the mtt met horror paps? horror would obviously do his little bantering thing with paps (he's probably revealing every single one of horror's embarrassing moments to them as they speak and horror's desperately trying to get him to shut up because he can tell. dust and killer are piiiiiiissed.) dust is probably like eerily calm during the whole thing. he manages to hold up a conversation pretty well with horror paps and gets along with him good enough without mentioning that theres a ghost version of him screaming asking why dust is ignoring phantom paps. meanwhile killer is mostly silent during it too probably only responding when he's spoken too. i mean like killer already doesn't like being around papyruses (papyri? papyri is so shitty i dont like it we will be saying papyruses) and then seeing horror's papyrus??? what the FUCK happened to horror paps??? sunken in eyes and cracks in his bones and those jagged teeth AND THEN THE FUCKING CROOKED SPAGHETTI????
needless to say once horror paps is gone all of them get into a biiiiig fight. dust drops the cool act because he's not gonna lose his cool around a papyrus but also he's absolutely fuming. he can tell that the changes that phantom papyrus has gone through have something to do with horror with the way that he's acting. killer is also incredibly irritated too (surpringly. being around papyruses just gets him like that) and seeing papyrus like that just gets him upset and angry. like wtf horror did you even TRY with keeping your papyrus safe??? at least killer reset his au and now papyrus is living an unharmed life (with minor concerns about killer's whereabouts but he'll ignore that for now) but horror paps looks so fucked up that there is no WAY that horror tried to prevent him from getting to that point
obviously they fight and many many many many MANY words are said about eachother's characters and the state they left their respective papyruses in. horror knows damn well that horrortale paps's state is because of him but he regretted telling paps to eat humans and neither dust nor killer knew the struggle of living with that guilt and how much he regrets it so they dont get to drag him for not trying hard enough to keep papyrus safe. dust is definitely getting some low blows here and there (but he's getting fucking assisted by phantom paps so he's got some of the deepest hitting insults) and he's definitely getting ganged up on for killing his papyrus and like. not even attempting to leave him alive in someway shape and form aside from the absolute insult that is phantom paps. surprisingly killer is winning this fight because he left his papyrus in a relatively good state. even though he's in a more emotional state than he normally is and would've absolutely OBLITERATED dust and horror in the fight in stage 2 he's actually doing pretty well. probably because hororr and dust dont really have anything to drag him on. they might bring up how something new papyrus is searching for killer but like,,,, is that really that bad compared to how they left their papyruses
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am i the only one who feels like alex(the world ender guy) was kind of a missed oportunity in vide noir? like, he was set up by johnnie to be a badass gang leader just for him to never even appear in the end, we just got a close up to his face scar
i feel like buck's encounter with the psychic would've been way more powerful if it was alex instead. its implied that johnnie and moonbeam had a relationship ig, but its barely even hinted at, and he never even mentions her. but with johnnie and alex, johnnie actually mentions him and speaks highly of his brother, and says alex will help buck if he sees the red cloth that belonged to johnnie
the fact that all that build up led to buck not even TALKING to alex kinda irks me. imagine how much better the payoff would be if alex had received the cloth instead of moonbeam? if we had seen his reaction to johnnie's death? if he would've helped buck like johnnie said he would? if we saw what johnnie implied alex would do to the guys who black brained his brother? idk man i think we were robbed
im new to the fanbase, so im gonna be very embarassed if this is a topic that already came up here LOLL but i still wanted to get it off my chest💀sry if this ask is messy, i suck at writing down my thoughts lmao
No I gotta agree on that. Like I LOVED seeing Moonbeam and getting know her as her and having all this new information about her (her being part of the World Enders is still wild to me and I love it) and it’s a good scene and all, but I’m still confused as to why they built up Alex so much, especially since this is the first time we’re hearing about him, and he never even got the chance to speak. If it were Dale I’d be a bit more understanding as we know him already (tho not by much cause I would have loved to see more of Dale). But it’s Alex, whose not only the leader of the World Enders but also Johnnie’s (and Dale’s) brother. I would’ve have loved to, you know, actually meet the guy. Especially with how much build up he got. And I GET IT Lord Huron’s lore is meant to be weird and vague and hard to pin down but like. Didn’t need to tease me like that come on
The only reason I could think of was maybe they needed to get Buck on his own again? Like having this the beginning of a war between the World Enders and Z’Oieasu shown or having Buck work with them consistently might have thrown off the tone. It is supposed to be Buck’s story and his own descent into madness. The whole album has this isolated vibe to me, like being alone in a city of people Hard to get that when there’s other people around, especially a group as lively as the world enders. Or maybe they just wanted to include Moonbeam back into the story again lol
GOD I would have loved to see Moonbeam’s scene with Buck done with Alex. I can only imagine how that scene would’ve played out and his reaction to Johnnie’s death. Contrasting Buck’s scene with Johnnie with Alex’s own personality, the possible dynamics, the anger and grief that could arise…..ough
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Edward leaving in new moon is such a shit thing to do.
I don't like him nor bella nor them together, but that was what they choose.
Bella knew the risk and wanted to be with him. He knew too. After one attack of his brother he got scared, but it was always that. Dangerous. Tempting natural behavioral.
You are either a danger or not, and if you are, why go to school or be around people. Because you are selfish. Because you want to experience something you are not a part of anymore, and you don't care as much about other people's well being as you are about your own comfort and pleasures. It's not to hold onto any humanity they had, because they stopped caring about people a long time ago and they definitely don't respect humans.
I digress. Edward leaves for Bella's well being. Actually destroying her well being (yada yada therapy was needed all along, but it does not seem to exist because bella ain't like that! (Who is? Who's meant for therapy or who fits therapy? you go because it's needed not for funsies) point is she's fragile and this broke her).
He makes decisions for her all the time, or forces her to follow his. And this is the biggest one. He isn't honest to her, he lies and crushes her and leaves her, and moves and breaks all contact with her, including with the rest of the family (side eyeing Alice here for being a shit friends, honestly, if it were me I'd never be closer to her again after she came back).
It's for his own guilty mind. Was he really thinking of her? Because he admits he would've gone back (and uproot her life again). He is selfish. He doesn't communicate and there aren't mutual decisions and this relationship isn't equal.
And she took him back, within a second. Because she's afraid to lose him again.
It's so unhealthy. And that's okay for a book, but in real life, you'd worry your love would leave your again everyday and you'd pay attention to little things if they're a sign and you can never relax or trust fully. You change your behavior to make them pleased enough they'll stay.
It's sickening if I think about it. I wanted this to be short. But Edward is so infuriating that everything he does is just so wrong. Because yes he's a vampire and at any level could be wrong. But his worst decisions aren't vampire based, it's his arrogance and selfishness and self-importance that causes all this pain.
Fuck you Edward! Go mope in a cave and stop bothering everyone with your shit.
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