#All Time Best Duet Songs of Kishore Kumar

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Lyrics Tum Aa Gaye Ho Noor Aa Gaya Hai

Lyrics Tum Aa Gaye Ho Noor Aa Gaya Hai

Lyrics in English | Tum Aa Gaye Ho Noor Aa Gaya Hai | Aandhi-1975 | Lata Mangeshkar, Kishore Kumar Tum Aa Gaye HoNoor Aa Gaya HaiTum Aa Gaye HoNoor Aa Gaya HaiNahin ToCharaago SeLau Ja Rahi ThiJeene Ki Tum SeWajah Mil Gayi HaiBadi BewajahZindagiJa Rahi ThiTum Aa Gaye HoNoor Aa Gaya Hai …….. Best Duet Songs of Lata Mangeshkar and Kishore Kumar Kahaan Se ChaleKahaan Ke LiyeYe Khabar Nahi Thi…

[shankarjaikishanfansassnintl]

30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai’ (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa’ (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[orrible-orrible-orrible]

Music Facts

This was so difficult and still so much fun. A lot of my songs are Hindi songs All the ones marked in Red are Hindi songs. Thanks for the tag @softboylwt

1. Your favorite song - I don't have a favorite song. I can't choose, really can't but there are 2 songs I never skip, Lag Jaa Gale by Lata Mangeshkar and Rolling in the Deep by Adele so I will go with them.

2. Your least favorite song - I don't think I have a song that is my least favorite. If I don't like it, I simply don't have it on my playlist.

3. A song that makes you happy - Cups by Anna Kendrick

4. A song that makes you sad - Young and Beautiful by Lana Del Rey.

5. A song that reminds you of someone - Raat Akeli Hai by Asha Bhosle

6. A song that reminds you of somewhere - Zara Zara by Bombay Jayshree

7. A song that reminds you of a certain event - Bheege Hoth Tere by Kunal Ganjawala. I had to do an impromptu duet dance to this on my fresher's party.

8. A song that you know all the words to - There are about 500 songs like that but I will go with Hello by Adele and Kabira by Rekha Bhardwaj

9. A song that you can dance to - London Thumakda by Labh Jubna, Neha Kakkar and Sonu Kakkar and Paper Rings by Taylor Swift

10. A song that makes you fall asleep (or that you can fall asleep to) - Ajeeb Dastaan Hai Yeh by Lata Mangeshkar

11. A song from your favorite band - Home by One Direction

12. A song from a band you hate - I don't think there are any bands that I hate. If I don't like them, I don't listen to them.

13. A song that reminds you of someone that you would rather forget about - No such songs.

14. A song that no one would expect you to love - Work by Rihaana

15. A song that describes you - Royals by Lorde

16. A song that you used to love but now you hate - Tum Hi Ho by Arijit Singh, simply because I have heard it too much.

17. A song that you often hear on the radio - Bala (title track of the movie Bala, I hate it)

18. A song that you would love to hear on the radio - Just you and I by Tom Walker

19. A song from your favorite album - I have too many albums that I love by I will go with Hard Feelings/Loveless by Lorde and Ae Dil Hai Mushkil (translates to oh heart, it is difficult) by Arijit Singh

20. A song that you listen to when you are angry - Make Me Wanna Die by the Pretty Reckless, Saada Haq by Mohit Chauhan

21. A song that you listen to when you are sad - Jag Soona Soona Lage (translates to the world feels empty) by and Hold on by Chord Overstreet

22. A song that you want played at your wedding - Din Shagna Da (translates to The day of auspiciousness) by Jasleen Royal

23. A song that you want played at your funeral - Time of Our Lives by Tyrone Wells

24. A song that makes you laugh - Engine Ki Seeti. This song is so freaking funny and peppy. I love it.

25. A song with a great music video - Bloom by Troye Sivan and Kajra Re by Alisha Chinai, Shankar Mahadevan, Javed Ali

25. A song that relaxes you - Abhi Na Jao Chod Ke by Asha Bhosle

26. A song from your childhood - Chhaiya Chhaiya by Sukhwinder Singh. When I was a kid, I used to have one of those toy flip phones that would play songs when you would press the buttons. This was one of those songs. Also, it is very beautifully written.

27. Favorite song that you discovered recently - Toothpaate Kisses by the Macabees

28. A song that you would sing at a karaoke night - Slow Hands by Niall Horan/ Badtameez Dil by Benny Dayal and Shefali Alvares

29. Your favorite love song - At the moment it's Beautiful War by Kings of Leon or Bulleya by Papon

30. A song that you never get sick of hearing - Almost (sweet music) by Hozier

31. A song that you find annoying - Yummy by Justin Bieber. Never heard it but I find it very very annoying.

32. Your favorite rap song - I don't listen to rap music a lot but from what I have heard I will go with Apna Time Aayega by Ranveer Singh. (translates to my time will come.)

33. Most listened to song on your Spotify/itunes - I don't know. Didn't check. Sorry.

34. A song that you would perform in front of people - Hasi by Shreya Ghoshal because I know how to play it on guitar.

35. Favorite song from the 70s - Tiny Dancer by Elton John / Yeh Dosti Hum Nahi Todenge by Kishore Kumar and Manna De

36. Favorite song from the 80s - Kabootar Ja Ja by Lata Mangeshkar and S.P. Balasubramanyam

37. Favorite song from the 90s - All songs of the movie Taal

38. Favorite song from the 2000s - Toxic by Britney Spears / All songs from the movie Devdas

39. A song that you are not really fond of but you listen to anyway - Lovely by Kanika Kapoor

40. A song that evokes good memories - Barso Re Megha by Shreya Ghoshal and Uday Mazumdar

41. A song that evokes bad memories - Abhi Abhi Toh Mile Ho by Akriti Kakkar, KK, Shreya Ghoshal

42. A song from your favorite movie - Muala Mere Le Le Meri Jaan from Chak De India (translates to God, take my life away)

43. A song you wouldn't want to sing at a karaoke night - Back to Black by Amy Winehouse. I would never do it justice. Never in a million years.

44. Best female vocals - Shreya Ghoshal, Adele

45. Best male vocals - Arijit Singh, Hozier

46. Best party song - Single Ladies by Beyonce or Taare Gin Gin by Ikka Singh and Sukhbir

47. Best Duet Song - God, there are so many of those that I love but I will go with Do Pal by Sonu Nigam and Lata Mangeshkar

48. A song that reminds you of school days - Dhunki by Neha Bhasin/ Hall of Fame by The Script

49. A song you sing in the shower - Always you by Louis Tomlinson

50. A song that's currently stuck in your head - Not in The Same Way by 5SoS

51. A song that has a good beat - Don't by Ed Sheeran

52. A song from a band no one you know has heard of - Marz by The Yellow Diary

53. A song that gives you a rush - Breathless by Shankar Mahadevan. The singer sings the entire 3 minutes of the song in one breath. So it is quite exhilirating. Or Aigiri Nandini by Amit Trivedi.

54. A song with lyrics you can't understand - Thunderclouds by Sia

55. A song with no words - I don't listen to instrumental songs because lyrics are my favorite part of a song

Tagging: @aniridescentreadertoo @spiderrpcrker @moonlwt and anyone else who wants to do it.

[bollywoodirect]

Remembering legendary music composer Madan Mohan on his 94th birth anniversary.

Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was a music director of the 1950s, 1960s, and 1970s.

He scored his first big break with the film Aankhen (1950 film) in 1950. His next film was "Adaa" which saw the beginning of a long lasting collaboration with Lata Mangeshkar; who would go on to sing for many of his films. Two of his composed songs from "Sharabi" "Sawan ke maheeney mein" and the classic song "Kabhi na Kabhi koi na koi toh aayega", both filmed for Dev Anand are among the most well known renditions of the renowned singer Mohammad Rafi. In addition, his other compositions like Wo Chup Rahen To from the film Jahan Ara (1964) and Maine Rang Li Aaj Chunariya from Dulhan Ek Raat Ki (1966) are two similar examples. Madan was also able to write songs for male singers such as Talat Mahmood (Phir wahi Sham, wahi dil, wahi tanhayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Ke Aansoo from Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) and Mohammad Rafi (Ek Haseen Shaam Ko from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye from Mera Saaya, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Ke Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein from Chiraag as well. Madan did not usually employ Kishore Kumar. Nonetheless their partnership created songs as well; in this category fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, the title song from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad. Madan often collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri for his movies.

In 1957 he came out with a film named Dekh Kabira Roya in which the legendary singer Manna Dey gave his voice to the melodious Kaun Aaya Mere Man Ke Dwaare and unforgettable numbers like Tum Bin Jeevan Kaisa Jeevan in the film Bawarchi. In addition to that, he had Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tum Bin Roye numbers, and he used Talat Mahmood for the song Hum Se Aaya Na Gaya in the same movie. Once in an interview Manna Dey recalled that Madan Mohan asked him to take special care when singing Kaun Aaya Mere Man Ke Dwaare.

A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based on the Sino-Indian War of 1962. In it, he used Rafi, who sang numbers like Kar Chale Hum Fida, Main Yeh Soch Kar. Lata was used for the song Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse". And the same film saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on the screen as well for the first time, much before he established himself as a playback singer. This song is also the only song in which four top-rated male playback singers have put voices together in a song. In 1966, he again paired with Lata Mangeshkar for Mera Saaya.

Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled "Woh Kaun Thi?". This film has three Lata solos ('Naina barse rim jhim rim jhim', 'Lag ja gale' and 'Jo humne daastaan apni sunayee') and a Lata duet.

The late fifties, sixties and the early seventies were the most productive period in Madan Mohan's career. His songs from those decades include compositions for films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many others. His second last bow was for a film released five years after his death, Chalbaaz. In 1970, during the changing times of western music he gave music based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Film Award for Best Music Direction. Its songs sung by Lata Mangeshkar are still considered her finest.

His legacy wouldn't be complete without mentioning the ghazal he composed for the movie "Dil Ki Rahein" - "Rasm-e-ulfat ko nibhaein to nibhaein kaise". The shayar(lyricist) for the ghazal was Naqsh Lallayalpuri and it was sung by Lata Mangeshkar. It is considered as one of the best songs sung by Lata Mangeshkar, ever.

Madan Mohan's son Sanjeev Kohli recreated 11 of his late father's unused compositions for the soundtrack of the 2004 Yash Chopra film Veer-Zaara. Later on, Kohli brought out an album "Tere Baghair" which contains some of Madan Mohan's songs.

[rimsha0012]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[ultrasairakhalid]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[arfairfan]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[obedmanwatkar]

#MohammedRafi

“I can’t even utter a word if Almighty God wants it that way. My voice is by his mercy.”

---Mohammed Rafi (Born: December 24, 1924, Kotla Sultan Singh, Died: July 31, 1980, Mumbai)

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Today is the Anniversary of Mohammed Rafi the Elvis Presley of India, whose voice brought to life hundreds of melodies, was born in a village Kotla Sultan Singh near Amritsar long before India attained its independence. But music training beckoned him to Lahore where he cut his musical teeth under the hawk-like eye of Ustad Ghulam Ali Khan. He made his singing debut in the Punjabi film Gul Baloch by rendering a duet with Zeenat Begum, 'Soniye Ni Heeriye Ni' composed by Shyamsunder.

Wadia Movietone was a prominent film company and it was Homi Wadia who saw the talent in Mohammed Rafi and insisted that he sing for his forthcoming film Sharbati Ankhen under the Music directorship of Feroz Nizami. The voice of Mohammed Rafi encompassed a tremendous range, which is unparalleled. The peculiar trait that separates a playback singer from a classical vocalist is not the range or ability as a singer but the voice quality. With Mohammed Rafi it was the ultimate combination that helped him reign supreme in the field of playback singing. His voice quality combined with his unsurpassed range made him stand apart from his contemporaries.

His voice suited any genre of music be it a moving ghazal like 'Aap Ke Pehloo Main Aakar Ro Diye', a plaintive bhajan like 'O Duniya Ke Rakhawale', or a wild and whacky Shanker-Jaikishan composition like 'Chahe Koi Mujhe Jungle Kahe'. Mohammed Rafi added his delectable nuances to the melody and made it immortal. His voice had this unique feature of screen adaptability and when it merged with his intelligence as a singer it helped him to tailor his voice across an array of faces that remain entrenched in our memory books. Comedian Johnny Walker had a voice that was queerly rounded. Mohammed Rafi's take on him was phenomenal in songs like 'Sar Jo Tera Chakraye' under S D Burman in 'Pyasa' and 'Aye Dil Hai Mushkil Jeena Yaha' from 'CID'. Mohammed Rafi managed to sound exactly like Johnny Walker would if he sang the song himself. Rafi summoned Johnny Walker a day or two prior to the song picturization and then contributed his bit to add to the character Johnny Walker played on screen.

Actors like Biswajit (Pukarta chala hoon main), Bharat Bhushan (Zindagi Bhar Nahin Bhoolegi Woh Barsaat Ki Raat), Joy Mukherjee (Bade Miyan Deewane) are remembered more for the songs that were picturized on them with Rafi lending his golden voice to their average acting abilities.

Mohammed Rafi was known for his altruistic behavior, which was exhibited on several occasions. He has been known to charge just a token amount as his fees for singing songs of Music Directors who could not afford his regular charges. Many times Mohammed Rafi has sung songs without charging a single penny to the Music Directors. A case in point is the film 'Aap Ke Deewane' with which actor Rakesh Roshan began his phase as a Producer-Director. Rafi sang the title song of the film but did not charge any money because he felt that he liked the song a lot and after all, it was only a line, which he had to render. Very few singers were known to be so good at heart. This innate goodness in him came to the fore when he sang most of his songs.

In his glorious career, Mohammed Rafi won the coveted Filmfare Award of best playback singer no less than six times. He was also decorated with the Padmashri by the Government of India. With the advent of Kishore Kumar as a major singing sensation Rafi Sahab's career received a slight jolt in the late 60s and the early 70s but he bounced back with verve in films like Sargam, Karz, Hum Kisise Kam Nahin, Poonam and his last song under the baton of Laxmikant-Pyarelal for the film Aas Paas. He succumbed to the dreaded heart-attack on the 31st of July 1980 -ironically the man was a teetotaler and a non- smoker. He was in his mid-fifties.

His funeral procession was one of the largest that the city of Mumbai has ever witnessed. The world of music lost one of its brightest luminaries on 31st July 1980 but his melodious voice still stops music lovers in their tracks. Notable Films: Aar Paar, Baiju Bawra, Barsat Ki Raat, Dosti, Ek Musafir Ek Haseena, Hum Dono, Pyasa, Shaheed, Teesri Manzil

Salute To the legendary artist On his anniversary. Long Live his legacy, Long Live the era of Musical Revolution write, Sing and Dance in Revolution.

(Cited From Various Sources)

Obed Manwatkar

[nadiarajpootpost-blog]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[zainabmughalpost-blog]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[bollywoodproduct]

Lyrics Is Mod Se Jaate Hain

Lyrics Is Mod Se Jaate Hain

Lyrics in English | Is Mod Se Jaate Hain | Aandhi-1975 | Lata Mangeshkar, Kishore Kumar Aa…Aa…Aa…Is Mod Se Jaate Hain (2)Kuchh Sust Kadam RasteKuchh Tej Kadam RaahenIs Mod Se Jaate HainKuchh Sust Kadam RasteKuchh Tej Kadam RaahenPatthar Ki Haweli KoSheeshe KeGharondo MeTinko Ke Nasheman TakIs Mod Se Jaate HainAa…Is Mod Se Jate Hain ………… Best Songs of 1970s Aandhi Ki TerahUd KarEk Raah Guzarti…

[shankarjaikishanfansassnintl]

The brief but magical association of KISHORE KUMAR & SHANKAR-JAIKISHEN…

Feature courtesy

https://myviewsonbollywood.wordpress.com/2018/06/12/the-brief-but-magical-association-of-kishore-kumar-shankar-jaikishen/

By

Sharada Iyer

The very mention of their names immediately brings to our mind the evergreen super-hit song ‘Zindagi ek safar hai suhana…’ from the film ANDAZ. From the opening prelude to the yodelling to the fast-paced beats – everything about the song became unforgettable! Added to that superstar Rajesh Khanna’s charismatic screen presence turned this song not only into one of the most loved songs of Hindi cinema but also became one of the biggest hits of the careers of  Rajesh Khanna, Kishore Kumar and Shankar-Jaikishen.

ANDAZ (1971): ‘Zindagi ek safar hai suhana…’

Shankar-Jaikishen (SJ): The music director duo who revolutionized the very definition of Hindi film music with their path-breaking music and tunes…

Kishore Kumar: The genius actor-singer who created his own path and carved a place in the Hindi film music scene which people cannot even dream of achieving…  

Both the singer as well as the music director duo reached dizzying heights of popularity during the years they were active. And yet when we look back it is sad that three of the most loved and cherished musical geniuses of our industry hardly got much opportunity to work together during their long and illustrious careers …

Interestingly they even made their debut around the same time –

Shankar-Jaikishen’s debut film as independent music directors was R K Films’ Barsaat which released in 1949…

Kishore Kumar’s debut film as an actor and a playback singer (sang for Dev Anand) was Ziddi which released in 1948…

Shankar Jaikishen somehow always worked with heroes like Raj Kapoor, Shammi Kapoor, Rajendra Kumar, Dilip Kumar, Biswajit, Joy Mukjerjee, Shashi Kapoor, Sunil Dutt for whom Kishore Kumar never got the opportunity to playback. When they worked for Dev Anand they used Mohammed Rafi except for one instance-‘Dooriyan nazdeekiyan ban gayee…’ a Kishore Kumar-Asha Bhonsle duet that turned out to be the biggest hit of the film:

DUNIYA (1968): ‘Dooriyan nazdeekiyan ban gayi…’

It was around the late forties that the triumvirate of Raj Kapoor, Dev Anand and Dilip Kumar entered the industry, became great stars creating a special niche for themselves and also had their own favourite playback singers singing for them. While Rafi became the voice of Dilip Kumar with Talat Mehmood also contributing in some songs, Mukesh was the voice of Raj Kapoor with Manna Dey singing for him at times. In case of Dev Anand, both Rafi and Kishore Kumar’s voices were used.and hence Kishore Kumar between 1948 and 1968 sang only for himself when he acted or did playback for Dev Anand.

NEW DELHI, KROREPATI, BEGUNAAH, RANGOLI and SHARARAT are the five films for which Shankar-Jaikishen worked with Kishore Kumar where he acted and sang his own songs and what beautiful music they created:

Here is a gem from the 1962 film RANGOLI. What an absolutely haunting song- simple, hummable and so melodious

RANGOLI (1962): ‘Choti si yeh duniya pehchaane raaste hain…’

Interestingly both the above song and ‘Zindagi ek safar…’ from ANDAZ had other singers singing their version but really do people even remember that? For when Kishore Kumar sings, such is the magic and resonance in his voice that the other versions pale in comparison.

A fun-filled Kishore-Lata duet-‘Ik nazar kisine dekha aur ban gaya afsana…’

A soulful solo-‘Rangoli sajaao re…’

Listen to this superb song from NEW DELHI. The simple orchestration, the yodelling, the subtle variations in the song all go to make this a masterpiece!

NEW DELHI (1956): ‘Nakhrewaali…’

NEW DELHI (1956): ‘Milte hi nazr aap mere dil mein aa gaye…’

While Kishore Kumar enjoyed immense popularity as an actor-singer during the fifties and early sixties, he had to undergo a long period of struggle to be considered as a playback singer for other heroes. In fact there are rare instances when other singers like Mohammed Rafi and Manna Dey sang for him.

SHARARAT (1957): ‘Hum matwaale naujawan…’

After giving him such a wonderful solo, wonder why did Shankar-Jaikishen settle for Rafi to sing ‘Ajab hai dastaan meri yeh zindagi…’!!! What made them think that Kishore would not have delivered that song brilliantly in his own way?

SHARARAT (1959)

BEZUBAAN (1957)

Only audio of this song is available

To achieve his dream of becoming a playback singer, Kishore Kumar had to become an actor and act for almost 20 years before giving up acting to become full-fledged singer. This phase coincided with the coming of a new star Rajesh Khanna in the horizon and Kishore Kumar became a voice to reckon with for all the actors after 1968.

In 1968 Shankar-Jaikishen gave music in the Dharmendra-Hema Malini starrer TUM HASEEN MAIN JAWAAN. Kishore Kumar got to sing only one song and that too a comical one in the film- ‘Munne ki amma yeh to bata…’. The song did become popular with the masses:

THE FATEFUL YEAR OF 1971:

This year was important for this combination in more ways than one. Not only did they team up to give several super-hits unfortunately, it was also the last year they worked as a team together  for Jaikishen from the duo passed away due to cirrhosis of liver.

Apart from the blockbuster song ‘Zindagi ek safar hai suhana…’, the Kishore-SJ combo gave us some of these superb songs also in 1971 :

SOLOS:

LAL PATTHAR (1971): ‘Geet gaata hoon main…’

KAL AAJ AUR KAL (1971) : ‘Bhanware ki gunjan…’

DUETS:

KAL AAJ aur KAL: ‘Aap yahan aaye kisliye…’

This film which launched Raj Kapoor’s son Randhir Kapoor had superb music by Shankar Jaikishen and Kishore Kumar became Randhir’s voice and all songs were super-hit. There were two more lovely duets in the film- ‘Tik tik tik tik…,’ ‘Jab hum honge saath saal ke…’

NAGINA: ‘Tere mere pyar ka andaz hai nirala…’

MAIN SUNDAR HOON: ‘Mujhko thand lag rahi hai mujhse door tu naja…’

The song ‘Naach meri jaan…’ from the same film had Kishore Kumar and Jaikishen making a brief appearance at the beginning of the song…

SEEMA: ‘Waqt thoda sa abhi kuch aur guzar jaane de…’

First in 1966, lyricist Shailendra passed away. On Septemnber 12, 1971, Jaikishen passed away. The team of SJ was hit very badly. Though Shankar did try to keep the flag flying by continuing to compose under the name of Shankar-Jaikishen as per their agreement, but the magic had started fading away.

POST 1971:

Films like JANGAL MEIN MANGAL, AANKHON AANKHON MEIN and DIL DAULAT DUNIYA released in 1972. Probably the music for some of the songs had already been scored by the two together and kept in their music bank. Here are some brilliant songs from these films:

JANGAL MEIN MANGAL: ‘Tum kitni khoobsurat hoy eh mere dil se pucho…’

Here is a rare Rafi-Kishore duet from the film JANGAL MEIN MANGAL picturized on Kiran Kumar and his friends which included  a weird looking Pran: ‘Ae Bagh ki kaliyon sharam karo sharam karo…’

AANKHON AAKHON MEIN: ‘Aankhon aankhon mein baat…’ with Asha

Another duet from the same film:

‘Do baatein pyar bhari kar loon…’with Asha

The Rajesh Khanna-Kishore combo came together again for this film after Andaz but the results were certainly not anywhere near their best. There were a couple of solos and duets by Kishore Kumar:

DIL DAULAT DUNIYA: ‘Saath mein pyara saathi ho…’

Soon offers reduced though Shankar did manage to come up with a few aces with Kishore Kumar:

DO JHOOT (1975): ‘Chalo bhool jaayen jahan ko yahan do ghadi…’

‘Chatri na khol ud jayegi…’

AAJ KI TAAZA KHABAR (1974) : ‘ Mujhe meri biwi se bachao …’

I end this musical blog with this lovely solo from RESHAM KI DORI picturized on Dharmendra.

RESHAM KI DORI (1975): ‘Chamka pasina banke angina…’

There is no doubt that this talented and unique singer-music director combination would have definitely created a different kind of euphoria for whenever they did come together and whatever little work they did together, they created magic. Whether it was industry politics or just destiny which kept them apart, fans remain grateful for the precious and priceless legacy left behind by them…

[rabiamughalpost-blog]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs

[bollywoodirect]

Remembering legendary music composer Madan Mohan on his 93rd birth anniversary. Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was a music director of the 1950s, 1960s, and 1970s. He scored his first big break with the film Aankhen (1950 film) in 1950. His next film was "Adaa" which saw the beginning of a long lasting collaboration with Lata Mangeshkar; who would go on to sing for many of his films. Two of his composed songs from "Sharabi" "Sawan ke maheeney mein" and the classic song "Kabhi na Kabhi koi na koi toh aayega", both filmed for Dev Anand are among the most well known renditions of the renowned singer Mohammad Rafi. In addition, his other compositions like Wo Chup Rahen To from the film Jahan Ara (1964) and Maine Rang Li Aaj Chunariya from Dulhan Ek Raat Ki (1966) are two similar examples. Madan was also able to write songs for male singers such as Talat Mahmood (Phir wahi Sham, wahi dil, wahi tanhayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Ke Aansoo from Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) and Mohammad Rafi (Ek Haseen Shaam Ko from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye from Mera Saaya, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Ke Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein from Chiraag as well. Madan did not usually employ Kishore Kumar. Nonetheless their partnership created songs as well; in this category fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, the title song from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad. Madan often collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri for his movies. In 1957 he came out with a film named Dekh Kabira Roya in which the legendary singer Manna Dey gave his voice to the melodious Kaun Aaya Mere Man Ke Dwaare and unforgettable numbers like Tum Bin Jeevan Kaisa Jeevan in the film Bawarchi. In addition to that, he had Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tum Bin Roye numbers, and he used Talat Mahmood for the song Hum Se Aaya Na Gaya in the same movie. Once in an interview Manna Dey recalled that Madan Mohan asked him to take special care when singing Kaun Aaya Mere Man Ke Dwaare. A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based on the Sino-Indian War of 1962. In it, he used Rafi, who sang numbers like Kar Chale Hum Fida, Main Yeh Soch Kar. Lata was used for the song Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse". And the same film saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on the screen as well for the first time, much before he established himself as a playback singer. This song is also the only song in which four top-rated male playback singers have put voices together in a song. In 1966, he again paired with Lata Mangeshkar for Mera Saaya. Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled "Woh Kaun Thi?". This film has three Lata solos ('Naina barse rim jhim rim jhim', 'Lag ja gale' and 'Jo humne daastaan apni sunayee') and a Lata duet. The late fifties, sixties and the early seventies were the most productive period in Madan Mohan's career. His songs from those decades include compositions for films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many others. His second last bow was for a film released five years after his death, Chalbaaz. In 1970, during the changing times of western music he gave music based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Film Award for Best Music Direction. Its songs sung by Lata Mangeshkar are still considered her finest. His legacy wouldn't be complete without mentioning the ghazal he composed for the movie "Dil Ki Rahein" - "Rasm-e-ulfat ko nibhaein to nibhaein kaise". The shayar(lyricist) for the ghazal was Naqsh Lallayalpuri and it was sung by Lata Mangeshkar. It is considered as one of the best songs sung by Lata Mangeshkar, ever. Madan Mohan's son Sanjeev Kohli recreated 11 of his late father's unused compositions for the soundtrack of the 2004 Yash Chopra film Veer-Zaara. Later on, Kohli brought out an album "Tere Baghair" which contains some of Madan Mohan's songs. Like बॉलीवुड डायरेक्ट Bollywoodirect

[bhuwank]

Forgotten singers of the Bollywood world

It is not a hidden fact that Bollywood remains to be one of the biggest films industry in the country as well as in the whole world. It has given the Bollywood lovers some epic actor, actress, singer, and many more talented artists. Following is the list of some of those brilliant singers of the Bollywood industry that were great at their time but eventually got forgotten down the road : 1) Suman Kalyanpur

One of the most loved and talented singers of her time, Suman Kalyanpur entered the world of Bollywood with Mangu (Koi Pukare Dheere Se Tujhe) though it was Darwaza(duet with Talat Mahmood) that is noted to be her Bollywood break all because of its first release. This very talented singer takes the credit of around 740 songs throughout her successful career. She has worked alongside some great composers such as Roshanlal Nagrath, S.D. Burman, Hemant Kumar and many more. Likewise, she has worked and sung duets with renowned singers such as  Manna Dey, Mukesh, Talat Mahmood, and Mohammed Rafi as well.

2) Mohammed Aziz

Even though the majority of the people would not be able to recall him by his name but its quite sure that everyone must be able to remember the famous song My Name is Lakkhan from Ram Lakkhan. Yes, exactly it was he who lent his voice to Anil Kapoor for that famous song. Not only his fans, but a huge portion of the population also used to tap their boots on the beats of this great song. He started his work in the industry with Anu Malik and after that went on to work with some of the several noteworthy music composers of the Indian industry such as Usha Khanna, Bappi Lahiri, etc. He tasted success at the initial; stages of his career itself but somehow failed to fulfill the potential and was not able to take the career forward in this profession. He was nominated twice for the Filmfare Award for Best Male Playback Singer. Once for Dil Tera Kisne Toda(Dayavan) and for the second time for My Name is Lakkhan(Ram Lakkhan).

3) Shailender Singh

The singer whose voice was once considered to be pure liquid gold, Shailender Singh was the brilliant voice in the very popular and loved song Jane Do Na (Saagar). Not denying the fact that the song was not good but it was his voice that definitely made the song even better. He entered the Bollywood world with a bang, he started his career with the movie Bobby in which he sang a total of five songs. Throughout his time in Bollywood, he earned a lot of appreciation and love for his melodious voice and great talent. He had worked with some of the greatest composers of that time like R.D Burman, Laxmikant-Pyarelal and also sang duets with the legendary Amit Kumar, Lata Mangeshkar, Kishore Kumar, Mohammed Rafi and many more. After the year 1979, his struggle phase began in the industry and his name soon faded away from the industry. 

Hope you liked this blog!

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[rimsha0012]

Lata Kishore Kumar Old Songs

https://play.google.com/store/apps/details?id=com.antiqbeats.latakishoreoldsongs

Music is the name of entertainment and joy, if you talk about old Hindi music there is nothing beyond this application named "lata and kishore kumar old songs".In this application "lata and kishore kumar old songs" has made easy to listen to Hit Songs of Lata, Rafi, Mukesh and Kishore.Stop wasting time to search on fake website, Just download our Lata and Mukesh Old Songs and get all the famous hits of old singer of Bollywood film industry. Lata Rafi Old Hindi Songs app is the best app to gain access to various duet songs of the great singers Lata Mangeshkar and Mohammad Rafi. Also available on these keyword Lata Mangeshkar Songs Top Lata Mangeshkar Songs Lata Mangeshkar top 10 songs Kishore Kumar Hit Songs Kishore Kumar Songs Kishore Kumar Old Hindi Songs Kishore Kumar Old Songs Sadabahar Hindi Songs Lata Mangeshkar Sad songs Lata Mangeshkar Video Songs Lata Rafi Old Songs