#All Nations Drum Group

[nyancrimew]

When I was a freshman in college I accidentally joined a cult based on Avatar the Last Airbender. A dude with a goatee and a fire nation beanie was legit trying to start a religion for his senior thesis.

All my friends now are people I met through that group and now I have to deal with the fact that all my friends (and me to be fair) are the kind of people to stick around after a white guy told them he’s starting a religion based on a children’s tv show.

(One of those friends left a drum circle they joined to go to avatar nights, and that circle later turned into a vaguely Wiccan confessional spiritual group. And I’d just gotten out of homestuck paganism. So yknow. There were already trends.)

HOMESTUCK PAGANISM??????

[ms-demeanor]

Some people on the left are discussing whether the left is kind enough to me. Especially after the results of the election like lots of men of some demographics voting for Trump. Do you have any thoughts on that? Seems more about women should be nicer to men in some people’s opinions. And I am not sure about this discourse

i think that the social atomization that contributes to the radicalization of young men also contributes to, like, tradwifery and the radicalization of young women so I think that people are looking at a deep systemic issue with a shallow lens.

I don't think this is so much an issue of people being "nice" but of spaces making people feel *valued.*

The right-wing space full of toxic masculinity where people call disaffected young men "brother" isn't comforting just because people call you brother, it's because they're framing disaffected young men as valuable members of society who have been dismissed and degraded by the left. It tells them they're important and have worth and are necessary for the future of the world just because of who they are.

Of course they're getting called pussies and cucks and are being bullied in that space, but they're also being told that if they perform a certain standard of masculinity they are the future of their nation/race/species/family/etc. The toxicity of that space isn't something that makes them question their value, or whether or not they're a good person, or if they have something to offer the world. It is something they endure to prove that they are a member of the in-group, and that they belong, and that they do have value and are a good person.

So, there are people dunking on that post because it does kind of read like "i was almost eaten up by the alt right because women weren't nice enough to me" and to an extent i think that it was ungracefully worded. But i also think that it's addressing something that a lot of people feel in a lot of political spaces.

I do not think that whatever the hell we consider "the mainstream left" in America is particularly welcoming to anybody. I think that it very superficially values diversity while not actually valuing people. I think that it says "You are important! And that's why I need you to donate three dollars to my campaign to prevent the Republicans from harming [your identity group]! I am asking for your help as a senator, a mother, and a person who wants to defeat my opponent in two to four years."

I think that what a lot of people are looking for is not acceptance or niceness but is a community and i'm not at all surprised that people feel like they're not getting that from democrats/the mainstream left/whatever.

I mean. My real response to this is:

I don't think that the *actual* issue is that men don't feel welcomed by "the left," I definitely don't think the issue is women being insufficiently nice to men, I think the issue is that all of us are little cogs in a capitalist machine and actually there's very little out there that is saying to anyone "you are worth more than your productivity."

And it turns out that people will put up with huge amounts of abuse if the abuser makes them feel like they belong. People getting sucked into the alt-right pipeline because it is "nice" to them are exactly analogous to people who get sucked into cults because the cult provides community and affirmation and a sense of belonging.

Anyway, I am once again and as always begging people to put together or join any kind of at-least monthly meetup based on your specific interests. Start a radio club. Start a quilting circle. Put together a free store at the park once a month. Literally join a drum circle. Participate in a community garden. Start a walking club with your neighbors. Go to events at the library on weekends.

As a side note: there absolutely are lefty spaces that function by making people feel worthless or feel like bad people. They tend to have high turnover, short lifespans, and explosive fallout. These are shitty spaces and if your participation in a space is primarily motivated by some combination of guilt and self-flagellation, you should leave that space.

[doyoulikethissong-poll]

The Ronettes - Be My Baby 1963

"Be My Baby" is a song by American girl group the Ronettes that was released as a single in August 1963. Written by Jeff Barry, Ellie Greenwich, and Phil Spector, the song was the Ronettes' biggest hit, reaching number 2 in the US and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and has been regarded by various publications as one of the greatest songs of all time. Ronnie Spector (then known as Veronica Bennett) is the only Ronette that appears on the track. In 1964, it appeared on the album Presenting the Fabulous Ronettes; the only studio album by the Ronettes (credited to "the Ronettes featuring Veronica"). Produced by Phil Spector and released in November 1964 through his label, Philles Records, the album collects the group's singles from 1963–1964. In 2004, it was ranked number 422 on Rolling Stone's list of "The 500 Greatest Albums of All Time".

"Be My Baby" has influenced many artists, most notably the Beach Boys' Brian Wilson, who wrote the 1964 hit "Don't Worry Baby" as a response to "Be My Baby". Many others have replicated or recreated the drum phrase—one of the most recognizable in pop music. As for the opening drum beat, drummer Hal Blaine stated, "That famous drum intro was an accident. I was supposed to play the snare on the second beat as well as the fourth, but I dropped a stick. Being the faker I was in those days, I left the mistake in and it became: 'Bum-ba-bum-BOOM!' And soon everyone wanted that beat." Sonny Bono and Cher were among the backing vocalists. Cher stated in a television interview, "I was just hanging out with Son [Bono], and one night Darlene [Love] didn't show up, and Philip looked at me and he was getting really cranky, y'know. Philip was not one to be kept waiting. And he said, 'Sonny said you can sing?' And so, as I was trying to qualify what I felt my … 'expertise' was, he said, 'Look I just need noise – get out there!' I started as noise, and that was 'Be My Baby'."

The song appears in the opening sequence of Martin Scorsese's film Mean Streets (1973), and the 1987 film Dirty Dancing. The song appears in a fantasy sequence involving Kamala Khan in the Marvel series Ms. Marvel, in the second episode "Crushed". In 1999, it was inducted into the Grammy Hall of Fame. In 2006, the Library of Congress inducted the Ronettes' recording into the United States National Recording Registry. In 2004, it was ranked number 22 on Rolling Stone's list of the "500 Greatest Songs of All Time", where it was described as a "Rosetta stone for studio pioneers such as the Beatles and Brian Wilson." In 2017, the song topped Billboard's list of the "100 Greatest Girl Group Songs of All Time".

"Be My Baby" received a total of 86,9% yes votes!

[jirsungs]

first halloween... gone wrong? | dms drabble #4

word count: 1.6k words

pairing: drummer!jisung x girlfriend!reader

synopsis: halloween was never your favorite. you would choose christmas over it in a heartbeat, but with your dorky drummer boyfriend who absolutely loves it never leaving your side, you might just tolerate the spooky holiday. (set in the drum me, stupid universe but can be read as a standalone!)

warnings: a knife is mentioned, the dms!couple is flirty and GROSS, but most of this is just fluff.

a/n: HIIII 😭 jirsungs nation, rise! it's been 2 weeks since any story related post has been uploaded, and i just want to deeply apologize for not being here ): i missed writing and putting my delusions down in a google doc. but i hope you guys enjoy this short drum me stupid drabble and missed these cutie patooties as much as i did ☹️ as always, feedback is ALWAYS loved and appreciated! happy reading <3

You were never fond of Halloween. Sure, you loved being able to go all out in costumes and go to Halloween parties with your friends, but you knew immediately that once those plans were over, you were left in your own accompaniment once again.

Some people would be joyful with spending the rest of their nights after parties and such alone, but you? You were used to the party scene and loved it when it never ended. Lucky for you, your dorky boyfriend of a few months, Park Jisung, always kept the party going.

“Hey, have you guys seen Ji?” You asked Ningning and her boyfriend, Jeno, after finally spotting them dancing together on the dance floor. Your voice was louder than usual due to Michael Jackson's Thriller bumping from the party speakers.

“No, we thought he was with you." Ning looks over to Jeno. “I thought he came with you and the guys.”

You both wait for Jeno's reply, but he just shrugs. “He was supposed to, but he was the last one to get ready. If anyone knows where he is, that's Chenle.”

You click your tongue. “I figured. I'm going to keep looking for him. Thanks, guys!”

Ning’s shout of “Good luck!” was the last thing you heard before you committed to walking through the crowd of musty bodies. You were surprised at how many people went all out on their Halloween costumes this year. Your surprise wasn't a bad thing though; if anything, you loved it.

You almost second-guessed your choice of costume. With you and Ning being the only girls in the group, you felt that it was right if the both of you matched. The angel costumes were cute; you were wearing a black tight dress while she wore white, but taking a look at the decided costumes this year, you began to feel basic.

Once you're out of the crowd, you spot Haechan, Mark, and Yeonjun in the corner. You take notice of Yeonjun trying his best to impress some girl while the two boys next to him silently judge, taking occasional sips out of their red solo cups. 

Haechan, in his Pennywise makeup and attire, sees you walking towards them, tilting his head at your costume. “What are you supposed to be? A demonic angel?”

Mark snickers at his friend's comment, which you pout at. “No. I'm just an angel who happens to wear black. And says you, Pennywise, isn't your costume like... super basic?”

Haechan gasps, his hand on his chest for the dramatic effect. Mark rolls his eyes and answers your question instead.

“Every year, the Rockway guys do a group costume. This year, we somehow decided on iconic horror movie killers.” 

“Ahhh… So, that explains your Leatherface mask.”

With a nod of his head, Mark replies with a “Yup.”

You glance back at the party, and the sudden remembrance of why you came up to them in the first place hits you. “Oh! By the way, have you guys seen Jisung? I literally can't find him anywhere.”

Your body physically sulks at their answers, telling you they haven't seen him in a while. With your hope slowly decreasing and the urge to ditch the party increasing, you decide to call him one last time. If he doesn’t answer, you’ll cut the party short and head home, unfortunately finding the comfort of your bed more enjoyable than being here. You loved the company of your friends, but it bummed you out that you haven’t seen your boyfriend all night after him telling you that he’ll be here.

After bidding your goodbyes to the group and giving Jeno the responsibility to get Ning home safely, you make your way to your car. It's late October with the breeze finally coming through, resulting in you rubbing your arms in hopes for warmth. As you walk, your ears pick up on the sounds of your heels clicking against the sidewalk cement until they pick up another pair of footsteps near you. At first, you don’t sweat it, already aware of the scattered groups outside of the frat. 

But as you walk more down towards your car, the shuffling footsteps don’t leave you. Okay, you’ve had enough of this. Your slight irritation was slowly increasing due to this sudden interruption of your plans to waste the rest of your night away by changing out of this angel get-up and watching comfort films.

The only person you craved to see you in this costume was nowhere to be found, anyway. Finally turning around, you face the person but stay near your car for safety reasons.

“Who are you, and why do you keep following me?” You ask.

You didn’t mean to have your words come out sharply, but when you found out your culprit to be someone in a Ghostface costume, it only made you roll your eyes.

“I don’t mean to be rude, but if you’re just here to mess with me, is it okay if you can choose someone else? I really don’t have the energy for this.”

A beat passes and still no response from the person. It was almost as if their feet were stuck in the cement; you were starting to feel chills at the creepy mask staring back at you. But then, your brain starts to put the pieces together.

The replay of what Mark told you earlier back at the party plays in your head. “Every year, the Rockway guys do a group costume. This year, we somehow decided on iconic horror movie killers.” Would it be a coincidence that Jisung, who you haven’t seen all night, just happens to be right in front of you?

Your face softens at the thought of the mysterious Ghostface being your boyfriend. “Ji, baby, if that’s you, I’m going to smack you. Where have you been all night? I called you three times.” 

Still no answer, but now they were slowly walking towards you, revealing what they were holding behind them to be a knife. From where you’re standing, you couldn’t tell if it’s real or a fake replica, but that doesn’t stop your grip on the driver seat handle tightening, ready to pull on it and get the hell out of here. 

But you try one last time. “Okay, quit it. This isn't funny.”

By this point, the wondering thoughts of whether this was Jisung or not cloud your mind. You’re now close to each other, and the Ghostface still hasn’t said anything. 

You know what? Fuck it! You’re not dying today! 

You tug the car door open, ready to rush inside, but the masked John Doe shuts the door before you can. Their gloved hand doesn’t budge on the door, making their body lean against it and impossible for you to get inside.

The fact that they haven’t shoved the knife into your body by now has you suspicious and less frightened, but more agitated. Finally, they remove the mask from their face, revealing— 

“Hi, pretty angel.” 

Your stupid, cheekily smiling boyfriend. 

He has no time to lean in and give you an apologetic kiss on the lips before you smack him on the chest and punch his arm. “You motherfucker!”

“Ow! What the hell was that for?” 

Your eyes squint at him asking you that, resulting in another punch to his arm. “Don’t ‘what the hell was that for’ me! You scared the shit out of me!”

You’re about to smack his chest again, but Jisung’s reflex hits faster than yours. Not giving you another opportunity to hit him, he’s quick to take hold of both of your wrists, which you immediately try to get out of. You hate (love) how strong he’s been getting. With his constant drumming and going to the gym with the guys on the side, it became more and more difficult for you to get out of his grip. 

With your hands unable to move, he takes the chance and plants quick kisses all over your face. Your face flusters quickly with you trying to move away from his lips. He knows he got you when your tugging to get out of his hands stops and you start giggling.

“Ji, stop it!” Your giggles only increase when his kisses do, leading him to drop your hands and place his on your waist instead. 

“I missed you. I’m sorry I didn’t answer; I wanted to keep up the bit of scaring you.” He says after giving you a big cheek kiss and pulling you closer to his chest.

You can’t stop the giddy smile forming on your face. “It’s okay. Just never scare me like that again or I will—” you point your pointy finger on his chest, almost in warning, creating some space between you two, “cut your balls off.” 

But he pays no mind to your threat, smiling down at you like a loser in love. “Yes, ma’am. Never again.”

You encircle your arms around his waist, looking up at him doe-eyed. “Now, can we please go home and watch comfort movies?” 

“Can I first admire how fuckin’ gorgeous you look in this and then go home?”

Oh. You forgot you had this costume on.

Your cheeks heat up at his words. “Language, Park. You could’ve admired this all you wanted earlier if you didn’t leave me alone the whole night.”

He pouts, “Will I at least see this costume some other time, baby?”

"Hmm.” You pretend to think. “I guess, you just have to wait and see.”

“Why wait when I can see it on you tomorrow?” There's a glint in his eyes, and you know it can only mean trouble.

“Easy, drummer boy.”

Little did he know that his almost insulting prank on you sparked an idea in your head. But it’s best to save that for next year, right? 

You guess, with Park Jisung by your side, you wouldn’t mind waiting another year to see what other Halloween pranks he has in store for you.

[0kurakura0]

Case Files Pt.1 (intro)

Simon Riley "Ghost" x UN lawyer Reader

TF 141 receives a visit from a UN prosecutor working at the ICC. This overworked prosecutor is trying to build a case against war criminals and must team up with them to catch these criminals. Along the way, they may even catch feelings for a brooding soldier. slow-burn, M/F, mention of law terms, Human rights violation (genocide), cursing

>> Part 2

The dim, sterile lights of the briefing room flickered overhead as the members of Task Force 141 gathered around the table along with Core, a fellow private military group that was hired along with 141 for a mission. Soap MacTavish leaned forward, eyes locked on the Price as he gave the mission report, his fingers drumming quietly on the polished surface. Price, ever the sentinel, stood at the center of the room along with Leopold; the captain of Core a fellow private military company. Ghost remained an imposing figure at the far end of the room leaning against the side wall. Gaz who was sitting in the seat next to Price listened in on the report on their course of action as well as all information gathered on their target. 

"Intel checks out," Soap muttered, his accent thick with the fatigue of too many nights spent in hostile territory. "I think we’ve got it locked down."

Price didn't respond immediately, waiting for the Core captain to add any information on their part. "Just keep sharp. We're not totally out of the blue just yet," Price said.

“Not much to worry about, luckily, but who knows, maybe if we find these bastards as fast as we can, we can have some fun with them,” Leopold snickers in a sadistic tone. 141 just staring at him with disdain in their eyes. Even though they are fellow operatives in this mission, 141 and Core did not see eye to eye on matters surrounding how they handled the enemy combatants. While 141 would be over and done with it. Core, they came to find out they were ruthless and would like to “play” with the enemy, much to the discomfort of others. 

“Prick,” Ghost rumbles under his breath, low enough that it couldn't be heard. 

Before anyone could reply, the door swung open, and all operatives in the room shot from their seats at the sudden interruption. Two armed guards came in and following after them a woman wearing a suit that screamed of legal authority rather than combat experience walked in. The woman’s eyes flicked across the room, taking in each of them, her gaze cold and unwavering.

"Hello Gentleman, I do hope I'm not interrupting at a bad time but I have a pressing issue at the moment" the lawyer’s voice cut through the tension like a blade. Not waiting for an invitation, stepping fully into the room, and looking directly at Price and Leopold.

"Excuse me?" Leapold barked, his brows furrowing as he straightened, clearly not amused. "And who exactly are you? And what the fuck are you doing here?”

The lawyer didn’t flinch at the sudden hostility. "I’m ___, a lawyer assigned by the United Nations to prosecute violations of international law," she said, her voice laced with authority. "I’m here on a matter of grave importance. It seems there have been violations in more ways than one."

Price exchanged glances with Ghost, each sensing the impending storm. "What’s this about?" Price asked, his tone sharp but controlled.

___ walking further into the long table in the middle and held up a folder, its contents heavy with the weight of documents, before dropping it onto the center table "Leopold O'Reilly you are being detained on violations of International Humanitarian laws along with all other soldiers under the command of the Private Military Company “Core”," she said, letting the words sink in. "Violated the Geneva Conventions, among other things. you’ll either face prosecution or give up your position and pay a hefty fine. The decision is yours, but I’m here to make sure that happens and you're brought in." She says as the 2 armed guards come around cuffing Leopold, 

“What the fuck do you mean violation I haven't done shit, and Im a private actor, not a state, so the Geneva Conventions don't apply to me,” Leopold screams at the lady as he struggles against the 2 guards. 

“Under certain circumstances, yes, but 3 years ago, you were hired by a state official in Nigeria to clear out a village to make way for oil drilling in the area where you were not, and while there, it was reported that your team violated multiple human rights law including the violation of the 1948 genocide convention, and since you where hired by a state official you are considered a state actor under contract,” ___ states with a cold glare towards Leopold. As she motions her head to the 2 guards to escort him out.

"You can't Fucking do this to me- fuck stop let me go!" Leopold yells as he's dragged out of the room by the guards.

“Hold, you can't just come barging in here like this,” Soap says as he stands up, half yelling at the lawyer.

___ not flinching turns to him saying. "This is a matter of international law, and as of now out of yalls hands. So unless you want to see the rest of your operation crumble under legal scrutiny, I suggest you start taking this seriously and just let me do my job,"

The room seemed to freeze, the air thick with the weight of her words. Ghost’s gloved hands tightened into fists, his gaze never leaving ___. The lawyer wasn’t backing down. She had a mission, and She would not be swayed.

Price stepped forward, his voice low but filled with command. "We have a mission that we are carrying out. We can't just up and stop this. You think you can just waltz in here and disrupt everything we’ve worked on?"

___ met his gaze head-on. "I don’t care about your mission. What I care about is justice. And that’s what you’re going to face, whether you like it or not," she says, ending the conversation as she turns around leaving the room. 

Price’s phone rings soon after. “Laswell, what the bloody hell is going on right now?” He half yells through the phone. 

“Sorry, John, I guess you just met the reason for my call,” Laswell says from the other side of the phone, sighing. “That was __ a UN litigator. It seems like they are starting to push harder to crack down on violations by sending out their dogs to bring them in. And Leopold was apparently on the top of their list. I tried to call you about the situation as soon as I caught word, but seems I was just a tad bit late,” 

Price grumbles “So what do we do now?”

“Nothing, the mission is being called off, think of it as an early break let off to go home,” Laswell says in a monotone voice before ending the call.

Soap leans over looking over to Ghost with one of his trademark grins. “Well that was something,” he says with a chuckle. “But I will have to say seeing a lassie like that being so commanding is kinda hot, ain't it LT,” he says.

Ghost looks at him with annoyance through his mask, saying, “Can it, Johnny” as he pushes off the wall, leaving the room annoyed with the whole situation. Thinking back to the lawyer. Hoping for his annoyance that he doesn't have to deal with that shit again.

Okay hey, y'all this is my first fic ever so not the best but will edit and add more here and there as I figure out what I'm meant to do and how this app works lol.

I'm always open to little imagine ideas or other stuff. but this fic will take some time also will make a masterlist for it as soon as I figure it all out.

but yeah hope you like this kinda a law nerd but to make it interesting it's not 100% accurate but if I can help it I will be in some.

[niteshade925]

April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 5 – Ancient Chinese Porcelain exhibition/中国古代瓷器展):

First post of the year, gotta start with something good: this is a rather famous vase from Qianlong era of Qing dynasty (1644 - 1911). It's made in the suantouping/蒜头瓶 (lit. "garlic-head vase") shape, and decorated with falangcai/珐琅彩 (basically cloisonné but done on porcelain instead of metal). The design features a nice combination of traditional Chinese chanzhihua/缠枝花 motifs (traditionally this continuous plant motif symbolizes longevity) and European art influence, specifically from rococo. This is interesting as rococo was also influenced by Chinese porcelain, making this vase another example of cultural influence going both ways.

As mentioned in my previous announcement post, my visit to the National Museum of China was very brief, everything took place in the span of one day (plus traveling to and from Beijing), please pardon the picture quality.

And from here on I will be going in chronological order. Below is an urn from the Northern Dynasties (439 - 581 AD). This urn was decorated with lotus petals all around, and was specifically a type of grave good, not made to be used by the living. Lotuses are a commonly used symbol in funerary rites due to its association with Sukhavati (Sanskrit: सुखावती; referred to as "极乐世界" or "Land of Bliss" in Chinese) in Mahayana Buddhism.

Another urn, this time from the Sui dynasty (581 - 618 AD) Shouzhou kiln/寿州窑. This urn may also have been grave good, as evidenced by the numerous Buddhist symbols all around.

Left: a small Sui-era vessel, found in a tomb. It's probably also a grave good, because of its pointy design (imagine holding that).

Right: a group of small Sui-era grave goods, these were tiny and adorable

In the middle is a Tang dynasty (618 - 907 AD) pitcher, made by the Lushan kiln/鲁山窑. This pitcher displays Lushan wares' characteristic blueish glaze, where the blue comes from different concentrations of iron oxides.

Left: a Northern Song dynasty (960 - 1127) white-glazed wine vessel called a meiping/梅瓶 (lit. "plum vase"), but in Song dynasty it was called a jingping/经瓶.

Middle: a Northern Song era white-glazed Ding ware/定窑 plate decorated with the double fish motif.

Right: this one is pretty cute, it's a container for weiqi/围棋 pieces that's shaped like a drum, made by Yaozhou kiln/耀州窑.

Left: forgot to take a picture of the placard, but my guess is that it's a bamboo-necked celadon-glazed Longquan ware/龙泉窑 vase (I might be wrong).

Right: a small Southern Song dynasty (1127 - 1279) Ge ware/哥窑 bixi/笔洗. Bixi are containers used to rinse traditional brushes. This bixi has the crackled glaze that's characteristic of Ge wares.

Left: a small haitang/海棠 flower-shaped celadon-glazed lidded container box called a taohe/套盒, made by Southern Song dynasty guan kiln/官窑 (guan/官 means "official", so "guan kiln" is best understood as the kiln that's run by the imperial court; this is important as later dynasties may have their own guan kilns). These containers can hold various small objects including food, and are stackable.

Right: a Song-era haitang-shaped rose purple flower pot, made by Jun kiln/钧窑. Jun wares are known for their glaze colors, which shift and change according to the firing temperature, this is known as yaobian/窑变 (aka kiln transmutation or "flambé"). This particular flower pot became part of Qing imperial court's collection later on.

A Yuan dynasty (1206 - 1368) qinghua/青花 ("blue and white") porcelain pot, decorated with dragons. The blue color in the famous qinghua porcelain comes from cobalt blue pigment in the underglaze.

A Yuan-era qinghua porcelain vase decorated with a flying fenghuang:

Two Ming dynasty (1368 - 1644) tall-footed bowls, the left one has a glaze known as "sweet white glaze" (甜白釉), since this shade of white was likened to the white of crystal sugar; the reign mark indicated that it was made during the Yongle era of Ming dynasty. The bowl on the right has the peacock blue glaze (孔雀蓝釉), and the reign mark indicated that it was made during the Xuande era of Ming dynasty. Reign marks are markings that indicate the dynasty and era during which a piece was made.

A side note on era names or nianhao/年号: nianhao was a way of identifying years in imperial China and was usually decided by the reigning emperor at the time. One emperor may have multiple era names during their reign if they so choose, however since Ming and Qing dynasty mostly have just one era name per emperor, Ming and Qing emperors are often referred to simply by the era name they used, for example Yongle Emperor (temple name Emperor Chengzu of Ming) or Qianlong Emperor (temple name Emperor Gaozong of Qing). Depending on the context, usage of a Ming or Qing era name may refer to the time period during which an emperor reigned, the emperor who used the era name, or even both.

Three Ming-era monochrome (called danseyou/单色釉 in Chinese) porcelain plates. Monochrome porcelain became popular in Song dynasty, and has been popular ever since, but overall three dynasties were the most famous for their production of monochrome porcelain: Song dynasty, Ming dynasty, and Qing dynasty (1644 - 1911). Recently monochrome porcelain has been gaining popularity again, since their vibrant colors fit into modern aesthetics surprisingly well.

A wall of monochrome porcelain plates, illustrating the effect of different elements and firing temperatures on glaze color.

A set of wares that may be found in a study, made in the Kangxi era of Qing dynasty (1662 - 1722). The glaze used here is quite famous, called jiangdouhong/豇豆红 (aka cowpea red), created by applying copper red glaze in high temperatures. The end result is notoriously hard to control, so some pieces may turn out to have multiple colors, mostly the shade of red as seen below and apple green. The left and back pieces are both small decorative vases (for the longest time I thought the one on the left was an upside-down bowl......lol), the small box in the front is a seal paste box, and the flat bowl on the right is a bixi.

Left: red and blue yaobian vase, made during the Yongzheng era of Qing dynasty (1723 - 1735); unfortunately due to the angle here, you can only see a little bit of the blue streak running down the front. The colors are so vibrant here that this kind of yaobian has earned the nickname of "flaming red"/火焰红.

Right: a langyaohong/郎窑红 (also called "sang de boeuf" or "oxblood") vase, made during the Kangxi era of Qing dynasty. Langyaohong glaze is known for its deeply red color, hence the names that relate it to blood.

A Kangxi era blue glazed gilt porcelain vase. I love the intricate interconnected lotus patterns (chanzhilianwen/缠枝莲纹) here. I didn't have time to take a picture of the placard so it literally took hours of pulling my hair out reverse image searching to find out when (which era) this vase was made................. (btw the text in the back refers to the painting in the background, not this vase)

Left: a youlihong/釉里红 vessel that's shaped like an apple, so it's quite literally named a pingguozun/苹果尊. This shape is rather unique to the Kangxi era. Youlihong (lit: "red inside glaze") is basically a red copper oxide underglaze.

Middle: a youlihong vase made in the Yongzheng era.

Right: a larger vase made in the Yongzheng era that combines qinghua underglaze and youlihong underglaze in one piece.

This giant qinghua vase from the Qianlong era of Qing dynasty (1736 - 1795) was made in the shape of Shang and Zhou dynasty ancient bronze ritual vessel named gu/觚. This is also one of the few pieces produced in history that had the name of the potter attached to it. The potter who made this vase was Tang Ying/唐英, and he was the superintendent who oversaw imperial porcelain production in Jingdezhen/景德镇 (basically the Ming and Qing dynasty guan kiln) during the Yongzheng era and the Qianlong era. Together with the Kangxi era, these three Qing dynasty eras are collectively called "清三代", or "the three Qing generations (of emperors)", this was the second height of porcelain making in Chinese history after the "five great kilns"/"五大窑" of Song dynasty.

A column shaped openwork fencai/粉彩 incense holder from Qianlong era, where fencai is basically overglaze enamel decoration that falls under famille rose.

Left: a Qianlong era green fencai vase that feature kaiguang/开光, which were window or panel-like designs on the piece where scenes may be painted. This particular vase also displays poetry by Qianlong Emperor himself.

Middle: a fencai shuanglianping/双联瓶 made during the Jiaqing era of Qing dynasty (1796 - 1820). Shuanglianping are conjoined vases that symbolize the coming together of matching talents or generally good things.

Right: a Qianlong era gourd-shaped doucai/斗彩 vase with kaiguang. Doucai combines both underglaze decorations and overglaze decorations.

I want to draw special attention to this leaf-shaped fencai cup in the middle that was made in the Guangxu era of Qing dynasty (1875 - 1908). The "leaf" part is actually a lotus flower, but the cool thing about it is that the green stem part is a built-in straw, so this is a highly decorative porcelain straw cup. I really do hope there are cheaper modern replicas of this cup sold somewhere, I want one

Finally, to wrap up this exhibition, here's an arrangement to show how these different porcelain pieces would be utilized in a traditional study room.

[mj1343]

The Fallout Show, The NCR, Vegas, and Taking a Chill Pill

Fallout Show spoilers hi

i knew when i saw they were going to touch Shady Sands people would get angry regardless of what they did and i totally 100% understand being upset with the treatment of that location and the choices of writing that it took to get there but i genuinely do not understand the sentiment that Vegas is noncanon all of a sudden

Shady Sands is where the NCR formed and the first capital but they do not exclusively exist there. We know by New Vegas the NCR holds a lot of territory, and has territories they want to claim in the future:

'Hayes: "Sure can. The NCR was founded from the survivors of one of the great Vaults. We started as a small settlement called Shady Sands. We now consist of 5 states, that make up the greatest nation since the Great War."'

'NCR history holodisk: "Founded eighty years ago, the NCR is now comprised of the states of Shady, Los Angeles, Maxson, Hub, and Dayglow. Approximately 700,000 citizens are pleased to call NCR home."

In fact, we SEE a small sect of NCR remnants IN THE SHOW. I know a small group of people does not equate an entire nation but just the fact people are still fighting under the flag means they are not magically game ended forever and it is VERY overzealous to assume the ENTIRE NCR was housed in Shady Sands as late as 2277 when we know they were incorporating new territories before AND AFTER 2277

On the 'Vegas is a desolate nuked wasteland' front, i also genuinely do not understand it because, shockingly, locations IRL are larger than they are in the game!!!! The Strip in New Vegas is what, two cells? and one road with 4 casinos on it? The irl Strip is a 4 mile stretch of road that can have anywhere from 30 to 50+ casinos depending who you ask and over 100 casinos in all of Vegas easily. I understand they flash the Lucky 38 and the New Vegas sign to get excitement built but we have to look at scale a lot differently in the show than in the games. There are many scenes (which i have criticized) that are completely empty deserts for miles to see. Hell, the scale of the Vaults is different because they need to actually function as a building and not a location in a video game.

Yes. We see a few dead securitrons in the ending. You know where else you can find dead securitron? Littered about in the hit 2010 role playing game Fallout New Vegas. This is not a sign of desolation. This is a sign of some wasteland asshole killed a few. There are no people on the strip because this is supposed to drum up intrigue and tease a second season. We Do Not Know what has happened in Vegas. There could be hundreds of people on the strip and we just dont see them because they wanted a moody shot with no one in it. We have no idea. But you want to know what i can reasonably assume? it WASNT NUKED. because SHADY SANDS WAS NUKED AND ITS A CRATER AND YOU CAN STILL SEE EVERYTHING IN VEGAS STANDING. This is a post apocalypse franchise that, for better or worse (mostly worse) prides itself on Not Fixing Things from 200 years ago. A broken building or sign in New Vegas at the end of the show Does Not Mean New Vegas is completely removed from canon.

I know. I know you guys cannot be happy with anything Bethesda touches. I know you refuse to just take a breather for a moment. And i understand and entirely agree nuking a notable location from the original games is dirty. i am not giving Bethesda credit. There was some good in the show and some bad. I Understand. But this show has not decanonized New Vegas in any way and i truely do not understand the outrage from this point of view specifically. You can be angry about anything else. i know i cannot stop you if i wanted to. You will always find something to be mad about. But PLEASE think critically about this for a moment

[copajay]

how to write a love song

.・。.・゜✭・.・✫・゜・。.

masterlist

taro has been heavy on my mind for the last 24 hours and i’ve always wanted to write a fake dating fic so here we are

summary: you have been a solo idol under SM for years now. unfortunately, you’ve seen a decline in your popularity in the last year. sm’s newest boy group, riize, on the other hand, is blowing up in korea and overseas. in an attempt to generate buzz around your upcoming album, your company sets you up in a PR relationship with riize’s shotaro. (not proofread)

date: 04/07/24

scenario themes: fake dating, idol!au, lowkey grumpy x sunshine lmao

idol: osaki shotaro of riize

concept: fluff, angst-ish

warnings: swearing

word count: 5.3k

"fucking hell." you curse to yourself, alone in your private studio. you were looking at the sales for your last mini album. this was the lowest number you've seen since your debut. flopping onto a chair, you opened up youtube to check your streams, then spotify, then naver, and so on and so forth.

you were beginning to become obsessive, looking to numbers for validation. you put your phone down, sighing. looking up at the wall in front of you, you were greeted with your debut poster.

you were so young, so passionate. you didn't care about streams or sales, you just wanted to share your art with the world. feeling a bit ungrateful, you began to gaslight yourself into feeling better: it's not like the figures were that low, and many artists would kill to have half of what you're complaining about.

it didn't work. you felt even more like shit. somewhere along the way you fell in love with stardom. you became used to high-end brand endorsements, sold-out stadiums, and paparazzi everywhere you go. life has changed a lot for you in the last year.

you got so caught up in everything that you haven't been able to produce as much music. and if you're being honest, the only music you have put out hasn't exactly been your best work.

you initially stood out since you were an idol who didn't dance or put on flashy performances but instead wrote and composed captivating songs with meaningful lyrics. this attracted the attention of a nation, and later on, you developed a global fanbase. a fanbase that is currently fighting for their lives to defend your shitty mini-album.

somewhere along the way, you lost your spark. your lyrics which used to be about raw emotion and life experiences now seemed out of touch and cliche. your instrumentals had so much care poured into them, with most of them containing your own playing of the guitar, piano, drums, and more. now, they were created electronically for the most part by multiple big-shot producers.

you followed the formula for success, so why weren't you reaping the benefits?

your phone screen lit up, notifying you of an email sent by your manager:

RE: Staff Meeting

Y/N,

The numbers aren't looking too good. We need another drop, and soon. We’re having a meeting and you can show us what you came up with so far. We brought in the PR team and they're going to share some ideas with us. The meeting's at 6, don't be late.

you glanced over at the clock. it was 4:44 p.m., which means you still have an hour and 16 minutes to come up with something to show your team.

no matter how hard you tried, you just couldn't come up with anything. it used to come so easy to you. your love songs in particular were always so easy to write, and guaranteed hits at that.

unfortunately for you, being in love is nearly impossible when you're a full-time idol. between hectic schedules and invasive fans, you can't find the time or place to catch feelings for someone.

before you knew it, it was 5:50 and all you had done was mope about how hard it is to make music. packing your belongings, you headed out of the studio and made your way to the SM company building.

once seated at the meeting, you were greeted by your manager and the PR professionals he invited. "so, y/n. we're looking forward to hearing about any progress you might have made for the album." your manager encouraged, smiling at you.

"i... don't have anything," you admitted. the room was dead silent and you were holding yourself back from cringing at your own words. "I was hoping we could maybe just look at a couple of demos?"

"y/n, that's what we did last time, and it clearly isn't appealing to the fans. they want your music. we need the finished album from you by next month." your manager stressed.

"i know, i know. i'm working on it." you muttered. clearing his throat, your manager looked to the PR team, "since there's no new music for us to listen to, i guess you guys can take it from here."

"right, thank you." an unnamed woman in glasses began, "we were thinking of creating a fabricated relationship between miss l/n and another idol here at SM. his group is having a comeback around the same time you are."

you were about to protest before she cut you off, "the relationship doesn't have to go on for long, just until you release new music. it'll generate buzz and people will be more likely to tune in if they think your songs are about him. just consider it." she pleaded.

"who is it?" you questioned, still apprehensive. "shotaro from riize. the group is still recovering after a member of theirs has gone on hiatus following a scandal free seunghan until it's backwards. the two of you are close in age and he's been an idol for a few years now so he's perfect." she persuaded. you saw your manager nod in agreement in the corner of your eye.

"isn't dating as an idol a scandal in itself?" you argued. "yes, but you would generate more good exposure than bad. fans online have been talking about how good of a couple you would make for a while now." your manager butted in.

great. so you're not only going to get death threats from delusional fans but also affirm crazed shippers' beliefs. as badly as you wanted out, you really did need more attention on you as you were preparing to come back. besides, any publicity is good publicity, right?

"fine." you agreed begrudgingly. "wonderful! shotaro has also agreed, we'll have another meeting tomorrow at 10 a.m. with the two of you to go over everything." the lady exclaimed, clasping her hands together excitedly.

smiling politely, you excused yourself and left the room. your manager rushed after you, stopping you from leaving the building. "y/n, listen. I know this is all probably really uncomfortable, but I think it'll be good for you." he insisted.

good for streams, maybe. "i'll be fine. it's only a month, right?" you smiled. "right." he affirmed, patting you on the back before walking in the opposite direction.

once he was out of sight your smile immediately dropped. you made your way out the doors of the building preparing yourself for the lonely commute home.

despite being surrounded by fans and paparazzi constantly, you felt pretty lonely most of your days. you rarely had time to see your friends and family, and you didn't have any group members to share the burden of loneliness with.

making your way to the parking lot, you bumped into an energetic figure, causing your keys to drop. the two of you bent down at the same time and your heads collided. stepping back, you looked up at the stranger that had just made your already shit day even shittier.

he picked up your keys first before standing straight and looking back at you. laughing, he handed them over to you, apologizing for the inconvenience.

to your surprise, it was shotaro. the man you had to act like you were in love starting tomorrow. he had incredibly soft features and the brownest, biggest eyes that you could get lost in forever.

"hey, I recognize you!" he chirped, "I was told you would be at the meeting tomorrow for..." he trailed off, the air between you suddenly awkward.

"yeah." you added dryly. "well it was nice meeting you." you pushed past him. "nice meeting you as well!" he called out, enthusiastically waving.

he's so sweet it's sickening.

maybe you're being a bit of a bitch, but your life feels like it's falling apart. stepping into your car, you took a moment to breathe before starting it and heading home.

the next morning, you wanted nothing more than to rot in bed, but your annoyingly loud alarm reminded you of your impending meeting with shotaro. you didn't see the harm in getting a few more minutes of beauty sleep so you hit the snooze button and drifted back off.

unfortunately, those few minutes turned into an hour, and the next thing you know, you had twenty minutes until your meeting. panicking, you rush to wash your face and get dressed, sprinting down the stairs of your apartment.

once you're seated in the car, you're greeted with a blaring sign: empty tank. just your luck. you have under 10 minutes to get to the SM building and it's a twenty-minute walk from your place.

you checked the bus schedules frantically but none of them seemed to come in time. mentally cursing yourself, you began running in the direction of the company building.

there was no way you were going to make it in time. but this was better than nothing. after about 5 minutes of sprinting like your life depended on it, you saw a familiar face in a car waiting at a stoplight: shotaro.

you don't know how you managed to bump into him yet again but you couldn't really afford to care at this moment. knocking on the window lightly, you saw him look at you shocked.

he rolled down his window, "are you okay?" he asked, slightly freaked out. "i'm so sorry i promise i'll explain but could you please let me in because the light is about to turn green." you begged.

he stared at you shocked for a few seconds before you practically yelled at him to let you in. unlocking the doors, he watched you jump in. he definitely thought you were crazy.

and you couldn't blame him either. looking in the window, you saw your reflection for the first time since you left home: sweat beading on your forehead from running and your hair frizzy and half out of your bun.

while putting together your appearance as best as you could, he coughed loudly, "you said you were going to explain...?" he cautioned.

"right. I slept through my alarm, my car ran out of gas, and I was planning on booking it for the interview since there were no buses available either. oh, and sorry again for scaring you." you rattled on.

you expected him to react like most people if put in this situation: slightly annoyed but accepting of the situation.

he simply laughed. "well then I'm glad you ran into me!" he cheered with a genuine smile on his face. what the hell was his problem?

you knew idols would put on cheery, cute personas for the camera, but you never met someone so honestly enthusiastic. you would be lying if you said it wasn't refreshing, but it felt too good to be true.

you arrived at the building within a matter of minutes. "thank you, once again." you turned to shotaro once the two of you reached the elevator. "no worries." he smiled.

you’d be lying if you said he wasn’t extremely handsome, and his kind demeanor made him even more attractive.

you caught yourself staring at him intensely, suddenly feeling nervous in the cramped elevator alone with him.

he kept trying to make conversation but you were completely zoned out, only being able to focus on how good he looked in his oversized black sweater.

your eyes kept nervously flitting between him and the elevator door, and you were beginning to sweat. has he always been this hot?

after what felt like an eternity, the elevator door opened and you practically sprinted out, making a beeline for the conference room. never have you been more relieved to see a room full of PR professionals.

you and shotaro sat down a safe distance away from each other. you’re not sure what overcame you in the elevator.

you haven’t had any romance in your life for so long that every little thing gets you flustered, including being alone in a small space with a good looking man.

“thank you both for coming today.” the same woman from yesterday greeted. “if you don’t mind, we’d like to walk you through the month-long plan of your ‘relationship’” she shared, using quotation marks.

“firstly, we want the two of you to be spotted out together. going to cafe’s, the movies, even just for a walk. hold hands, hug, kiss if you feel like it.” you couldn’t help but look at shotaro for the last bit and you were shocked to see he was already looking at you.

“we’ll call on paparazzi and companies like dispatch to ‘catch you in the act’ and post your photos online for people to catch on.” she continued, nodding at a man next to her.

“then we’re going to make an official announcement on behalf of the company that you two are officially dating. you know, ‘the pair are getting to know each other and we would appreciate your privacy bla bla bla’” the man said, far less professionally.

“right. you two will continue your outings for another week or so after and then you come back, and we will make a statement on behalf of the company that you have broken up to focus on your schedules. how does that sound?” the lady wrapped up.

“sounds good to me.” shotaro replied coolly. “yeah, um, sounds good.” you sputtered, a bit overwhelmed.

suddenly, you heard a loud ping on the woman’s phone. she looked down and looked up again between you and shotaro, “well, it looks like you two have already set the plan into motion.” she chuckled.

looking closer at her phone, you saw an online article showing pictures from just an hour ago of you in shotaro’s car titled “y/n and shotaro: potential lovebirds?”

what the hell? how did those photos get out so fast… and when were they even taken?

although you were growing increasingly anxious about your lack of privacy, you had to admit the PR team knew what they were talking about, people were going insane over the article.

“since you’ve already been spotted together today, you might as well go on a ‘date’ later in the afternoon to seal the deal.” an older man opposite you added in air quotes.

you and shotaro simply nodded in agreement and before you knew it, the meeting was coming to a close.

grabbing your bag, you prepared to speed-walk out of the room and avoid shotaro until your inevitable ‘date’ but he seemed to have other plans.

“wait up, y/n!” he hollered, catching up to you. “i know we’re kind of being forced to hang out, but that doesn’t mean we can’t enjoy each other’s company!” he began, “what’s your favorite coffee shop? mine’s-”

“look i appreciate you trying to make light of the situation, but this is just a marketing strategy, nothing more and nothing less.” you cut him off, “let’s just go to the bakery across the street, make lovey dovey eyes at each other, and go our separate ways, yeah?”

his smile faded a bit which made you feel guilty, but he recovered quickly and nodded, following you out the company building.

once you arrived at the bakery, you tried to seem as interested as possible in whatever shotaro was talking about, but your brain was still foggy from the hectic morning you had.

“anyways, what about you?” the singer excitedly asked, “…what about me?” you repeated through gritted teeth, forcing a smile in case any cameras were on you.

“i was asking if you started preparing for your new album.” he smiled. “oh. um, yeah.” you shrugged, avoiding eye contact.

“you know i’m a big fan of your music,” shotaro started, “i loved your debut album, i listen to at least one song from it every day.” he shared shyly.

well great. now you felt even more bad for being so unnecessarily rude to him. softening your demeanor, you replied with “thanks… i really liked ‘get a guitar’, too.”

his eyes lit up upon you mentioning his track, which you took as a sign to continue, “but i can never get the dance quite right.” you added, grinning.

“i can always teach you!” he beamed.

“that would be nice-”

“oh my GOD, is that shotaro?” a stranger gasped, causing both your and shotaro’s heads to snap in opposite directions.

even though you were technically trying to get caught, old idol habits die hard. dating scandals are every idol’s biggest fear: an entire dedicated fanbase turning on you just for experiencing romance? true nightmare fuel.

“and i think that’s y/n with him! why are they here together?” another stranger spoke up. you and shotaro swiftly picked up your belongings and left, worried you’d attract more attention.

“i’ll-um-see you, bye.” you mumbled with your head down as shotaro gave you a small thumbs up underneath the table.

the two of you set off in different directions and you began dreading the long walk home. you were wearing a mask and a beanie, which meant your chances of getting recognized were pretty low, but they definitely weren’t zero.

however, you loved walking through seoul, especially this time of year. the weather was nice, and the streets were bustling. you used to love brainstorming song lyrics and melodies during walks.

deciding to take advantage of your situation, you racked your brain for any potential lyrics.

nothing.

how could you have lost all your creativity? did your songwriting talent just disappear? how would you get it back?

doubts filled your mind as you realized you were already halfway home and failed to come up with a single verse.

maybe you were lacking inspiration. your life was filled with romantic endeavors prior to your debut, which filled your mind with several ideas for new songs.

but you seemed to have forgotten all of them, and as cheesy as it sounds, you might have forgotten how it feels to be in love as well.

nearing your apartment, you felt a vibration in your pocket. taking out your phone, you opened up an email from your manager:

Re: Dating News

Hello Y/N,

Seems like your bakery date is already going viral on SNS. A pair of fans spotted you two and uploaded a photo of you sitting at a table together. Keep up the good work.

[1 Attachment]

clicking on the attachment, you saw a screenshot of a tweet exclaiming ‘RIIZE SHOTARO AND Y/N L/N ON A DATE???’ with a picture of the two of you smiling and sitting across from each other at a table.

it freaked you out how happy the two of you looked in the photo, almost like a real couple.

shutting off your phone, you couldn’t help but smile as you entered your apartment, maybe shotaro was starting to grow on you.

in the next few weeks, you and shotaro would go on several public outings, getting spotted almost immediately.

before you knew it the two of you were the hottest topic in k-pop, headlining several media outlet articles and trending on social media.

you would periodically receive correspondence from your manager and PR team praising you for how well you were pulling the stunt off.

although you wouldn’t admit it, you were really starting to enjoy shotaro’s company as well. the two of you began texting until late hours at night and planning ‘dates’ without instruction from your team.

you’d be lying if you said you weren’t starting to feel a bit attached to him but you reminded yourself that this was simply a work thing. besides, it’s not like he’s interested anyway… right?

you couldn’t read shotaro at all. he always had a sweet smile plastered on his face and seemed excited about everything and anything.

weirdly, you felt your writing ability start to come back slowly as well.. but it obviously has nothing to do with shotaro!

it’s just a coincidence that you draw on your memories of him to come up with lyrics; that you describe his mannerisms to a T in your potential choruses and scribble about how he makes you feel in your notebook on your off-days.

yup! definitely just a coincidence.

“y’know i used to love these growing up,” shotaro shared as the two of you stood at a street food stall indulging in dango.

“you must miss japan a lot, huh?” you asked, staring at the side of his face. his expression faltered slightly.

“of course i do, but i’m glad i chased after my dreams. it sounds cliché but it paid off. i get to do what i love, even if i’m hundreds of miles away from home.” he replied softly.

you don’t know what it was, but in that moment you wanted nothing more than to kiss him. you stared at his lips for a few moments before he caught on.

“do i have something on my face..?” he questioned, raising a finger to wipe his mouth.

you leaned in, centimeters away from touching your lips with his when he stepped back.

shit. way to go, y/n.

“sorry, i just- i don’t think we should…” he stammered,

“no, i’m sorry. i don’t know what came over me. we-i should go.” you said awkwardly, biting your lip.

you headed off before he could reply, mentally cursing at the world and wanting to crawl into a hole and die.

how could you let your guard down like that and embarrass yourself?

that night, you didn’t receive a single text from him like you usually do, so you tried reaching out.

no response.

every time you contacted him afterwards or tried to set up another ‘date’ he would flake last minute or respond dryly until he full-on ghosted you.

you stopped heading out together and your manager seemed content with it as you had already generated enough anticipation for your comeback.

the next time you saw him would be at a company meeting, discussing the end of your ‘relationship’.

you zoned out the entire meeting, barely hearing anything coming out of anyone’s mouth. you focused on trying not to look at shotaro and keeping your thoughts preoccupied so you felt less embarrassed just being in his presence.

your manager briefed you on the contents of the meeting afterwards, sharing that all you had to do was release a joint statement that confirmed you were now broken up.

“it’s easy enough, you mostly leave it to the social media managers. just send them your virtual signature and be sure to post it on your instagram as soon as possible. got it?” the man asked.

you nodded wordlessly with your head still in the clouds. for the first time in a long time your mind was filled with new ideas for lyrics, ranging from lovestruck to heartbroken to enraged.

you opted to walk home that day, even taking the longer route, furiously typing in your notes app and recording several voice notes on the way. you must’ve looked insane to everyone else around you but you didn’t care.

if you couldn’t get your mind off shotaro, you’d at least make it work in your favor. that night, you wrote an impressive 10 drafts of different songs, staying up until late and getting up early the next morning to head to the studio.

you drowned yourself in your work, hoping you’d forget about the boy whose presence was still all around you in both your thoughts and lyrics.

eventually, you refined and recorded all 10 songs, ready to release them in your new album.

shortly before your album announcement, you posted your official ‘breakup’ statement, feeling empty as you tapped on your screen.

you never would’ve predicted the somewhat annoying and yet incredibly charming guy that you were forced into a relationship with would haunt you this much.

you even found yourself looking through old posts and articles about the two of you, reminiscing on your time as a fake couple.

it stung knowing it was completely one-sided, and it stung even more knowing you could’ve still had him as a friend if you didn’t stupidly act on impulse.

you saw him here and there entering and leaving the SM building and the two of you would share a polite smile and bow before rushing off.

the response to your breakup announcement was unprecedented, and the amount of people heartbroken for the both of you took you by surprise.

riizeandrealize: ‘love isn’t real after all 💔💔’

y/n4eva: ‘at least we know the new album is gonna hit’

y/ntaro: ‘NOOO MY PARENTS’

tarosho28: ‘awww… so that means shotaro’s single again? 😁’

scrolling through the comments absentmindedly, one in specific caught your attention:

user1129399: ‘she always seemed more into him than he did. he’s probably the one that broke it off’

you felt hot with rage, what does a stupid netizen on the internet know? and why is their comment making you so upset?

maybe because they were partially right. you obviously were more into him or he would’ve been more receptive to your humiliating attempt at a kiss.

your album was set to come out in a week and you had a set track list recorded and ready.

and yet, you felt compelled to add one more song.

you went to work immediately, writing so fast your words were barely legible but you could read it perfectly fine.

you wrote as intensely and specifically as you could about everything—from your first encounter to your last. you tried to keep your other songs vague enough to avoid any suspicion on shotaro’s part about the subject of the lyrics, but you didn’t care anymore.

you were in love with osaki shotaro and you needed to express it in the only way you know how.

“are you insane?” your manager’s voice boomed over the line.

“it’s already recorded, and i have the backing vocals done too. i just need one more day to get the production team together and it’ll be done and ready to add to the album.” you pleaded.

“fine.” he sighed, “this better be worth it.”

“it will be.” at this point you weren’t sure if you were assuring him or yourself.

this was your most personal and emotional piece of work yet, and you were worried shitless about what response it would receive.

luckily for you, it did amazing on the charts and with your fans. in fact, your fanbase almost doubled in size and you were experiencing even more success than you were already.

unluckily for you, you still felt like shit.

your life felt empty without shotaro in it and no amount of fans, cameras, or praise could fill that void.

as you were preparing to go out onto stage for a music show, you ran into a familiar figure heading out of the green room.

of course it was none other than the one person you have been thinking about nonstop for the past month, wrote an entire album about, and the same guy who probably cringes every time he hears it play on the radio.

you gave him a polite smile before rushing towards the hair and makeup room.

“wait. y/n, can we talk real quick?” he began nervously.

fuckfuckfuckfuckfuckfu-

“y/n?” he repeated, snapping you back to reality.

“yes. of course.” you responded, trying to sound as collected as possible.

“i-uh listened to your new album. it’s amazing. i loved track 11 the most.” he smiled softly, but it didn’t quite reach his eyes.

of course you liked that track, it’s obviously about you.

“thanks! is that all?” you rushed, preparing to sprint away at any moment.

“no! honestly, i wanted to apologize for the way things ended.” he confessed,

you knew how this was going to end. he was going to give you some bullshit excuse for ghosting you instead of just telling you he wasn’t interested and waste 5 minutes of your time.

but you don’t have 5 minutes to waste. you need to get up on stage and sing about how bad he hurt you.

pathetic, but at least you’re self aware.

“save it. i know you don’t feel the same way and that’s fine. but you could’ve at least told me. you didn’t have to shut me out, I thought we were friends at the very least.” you exploded, suddenly feeling a burst of adrenaline.

“but y/n-”

“and i’m not in the mood for excuses. you had a month to think of a good excuse but i guess there just isn’t one. you know i just hope you can take this experience and learn to never do this to some other girl because-”

“y/n you’re not listening to me.”

“why should i? you didn’t bother listening to me when i called you all those times. and about track 11, yes it’s about you. the whole fucking album is about you and i bet you already knew that-”

your petty rant was cut short when you felt something press gently against your lips… but he definitely wasn’t kissing you.

oh my god. did he just physically shush me? he carefully removed his finger from it’s place in front of your now-closed lips.

“did you just shush me?! have you lost your damn mind-” you began again,

“y/n!” he practically yelled, now gaining the attention from several staff members.

“i know what i did was shitty and I’m sorry. you’re right, i shouldn’t have ghosted you. but it’s not because i didn’t feel the same way. i’ve loved you for a while now.”

your jaw dropped, along with several eavesdropper’s jaws throughout the now dead-silent hallway.

“i was scared that you didn’t see me in that way but when i found out that you did… i panicked. i was too scared to tell you how i felt and i know i’m an idiot for it.” he looked down. “i’m not going to beg you to take me back or anything, but can we at least go back to the way we were? friends?”

“y/n, you need to get to hair and makeup NOW! you’re running out of time before your performance!” a staff member called out before you could respond, dragging you away.

well great. now you have to pretend everything’s alright and sing a little song on stage when your whole world has been flipped upside down.

as you sat in the makeup chair, you pondered over what would happen if you did agree to start over with shotaro, would you be happy?

before you knew it, you were on stage facing a crowd full of people staring right at you. you usually wouldn’t mind, you’re an idol after all. but the whole situation was just overstimulating you.

luckily the backtrack began playing before you could overthink and you were able to escape from reality for a few minutes to sing and perform.

you missed this feeling. you missed staying up writing, listening proudly to your new music you poured your heart into, and giving your all on stage every performance.

at the end of your song, the crowd erupted into cheers. you looked onto all the banners with your name and face plastered onto them gratefully.

whether you liked it or not, shotaro brought your spark back. yes it caused you immense pain and suffering, but it also gave you moments of joy, including the one you were experiencing right now.

once you wrapped up, you headed backstage, surprised to see shotaro standing by the monitor. was he watching your performance?

“i made up my mind.” you announced, walking up to him.

“are you sure you don’t need more time?” he asked, nervous.

“you’re a dumbass for what you did,” you started, noting how his face fell, “but i’d be an even bigger dumbass to pretend i don’t want to be with you.”

the contagious smile you’re used to seeing slowly reappeared on his face, causing you to slowly smile as well before you quickly corrected yourself.

“but… i want a proper apology. maybe you could give me one at the bakery tomorrow morning?” you mused.

“it’s a date.” he responded warmly.

[minhypen]

Minyoung (ENHYPEN) Profile & Facts

Minyoung (민영) is a member of the Plus-One boy group ENHYPEN who debuted on November 30, 2020, under HYBE Entertainment.

Stage Name: Minyoung (민영) Birth Name: Park Min-Yeong (박민영) English Name: Madison Park Japanese Name: Arai Mizuki Position: Female Center, Sub-Leader, Main Dancer Birthday: December 23, 2003 Zodiac Sign: Capricorn Chinese Zodiac Sign: Sheep Height: 170 cm (5’6) Weight: N/A Blood Type: B MBTI Type: ESTJ (Her previous result was ESFJ) Nationality: Japanese Ethnicity: Korean Solo Fandom Name: Min-ions Representative Emoji: 🐰 Mic colour: Sparkly white

Minyoung Facts:

She was born in Osaka, but she studied in a Korean all-girls school rather than a Japanese one

She has two representative animals, cat because of her eyes and bunny because of her teeth. That's why she's sometimes called a 'cat-like bunny', but bunny is the more often used nickname

Minyoung's mom made her take English lessons, so she is somewhat fluent in English

She used to play for her school's badminton team and even won gold in some inter-school tournaments

She has the second shortest training period in her group, training for only 10 months excluding I-Land

Her nicknames/titles are Pradagirl because of their ambassadorship, Alive Barbie-doll because of her perfect visuals, Minnyang-ie because of her resemblance to a cat, given by her members and Maddy Hopps because of her resemblance to Judy Hopps from Zootopia, given by her fans

She is said to be someone born for the stage, because she seems her happiest when she's performing

She is very close with her sister, who came all the way to Seoul with her when she started her training (Minyoung's birthday live, 2021)

Being an ARMY since 2014, Minyoung picked BTS's RM as her biggest inspiration

She said she wants to learn how to play the drums and the guitar, if she ever has time

She used to be very popular in her school for being on the badminton team, so she always recieved chocolates from the girls in her grade on White Day

Minyoung's pet is a white ragdoll cat named Tsuki (I-Land ep. 12)

Her favorite color is white, but beige is a close second

She is known for her luck that always helps her at the right time. Her members gave her the name Golden Hands because she always picks the best option during a random draw

She has admitted that she's the worst at flirting among all the members

Sunghoon said that Minyoung likes to go out a lot and can easily make new friends, describing her as a perfect extrovert

She likes to read books in her free time and is a big fan of the Harry Potter series. She has a 3-foot bookshelf filled with novels and also has E-Book apps on her phone

Her childhood dream was to become like Tiana, who is her favorite Disney princess

She would like to try writing and composing songs for a change from her usual contribution of choreographing

Likes: sweets, Korean hot dogs, Disney, plushies, sports, the color white, Enhypen, Sunghoon (Self-Revised Profile)

Dislikes: coffee, carbonated drinks, bitter things, unorganized bed, bugs, needles, slimy things (Self-Revised Profile)

(Details as of December 2023)

Is Minyoung your Enhypen bias?

𝙗𝙖𝙘𝙠 𝙩𝙤 𓈒 𓈒 𓈒 𝗛𝗢𝗠𝗘

© 𝐌𝐈𝐍𝐇𝐘𝐏𝐄𝐍 　　(　　����𝗅𝗅 𝗋𝗂𝗀𝗁𝗍𝗌 𝗋𝖾𝗌𝖾𝗋𝗏𝖾𝖽　　) 𝗄𝗂𝗇𝖽𝗅𝗒 𝗋𝖾𝖺𝖽 𝗍𝗁𝖾 𝗋𝗎𝗅𝖾𝗌 𝖻𝖾𝖿𝗈𝗋𝖾 𝗂𝗇𝗍𝖾𝗋𝖺𝖼𝗍𝗂𝗇𝗀

[weaselandfriends]

K-On! and Fascism

Cool discussion on the Alexander Wales discord today about how slice of life and pastoral fantasy has become commonly associated with the alt-right and fascism (see various memes about how everyone who likes K-On! is a fascist). This led to Gazemaize, the author of Chili and the Chocolate Factory, to post this excerpt from Orwell's review of Mein Kampf:

Also he has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all ‘progressive’ thought, has assumed tacitly that human beings desire nothing beyond ease, security and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. The Socialist who finds his children playing with soldiers is usually upset, but he is never able to think of a substitute for the tin soldiers; tin pacifists somehow won’t do. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades. However they may be as economic theories, Fascism and Nazism are psychologically far sounder than any hedonistic conception of life. The same is probably true of Stalin’s militarised version of Socialism. All three of the great dictators have enhanced their power by imposing intolerable burdens on their peoples. Whereas Socialism, and even capitalism in a more grudging way, have said to people ‘I offer you a good time,’ Hitler has said to them ‘I offer you struggle, danger and death,’ and as a result a whole nation flings itself at his feet. Perhaps later on they will get sick of it and change their minds, as at the end of the last war. After a few years of slaughter and starvation ‘Greatest happiness of the greatest number’ is a good slogan, but at this moment ‘Better an end with horror than a horror without end’ is a winner. Now that we are fighting against the man who coined it, we ought not to underrate its emotional appeal.”

This assessment of course makes sense. Actual fascism, i.e. Hitler and Mussolini, was an outgrowth of futurism, and had an almost fetishistic love of the machine and its power, even (or especially) its power for war and destruction. The fascists saw themselves as "new men," ubermensches who turned away from Christian traditionalism toward a new ideal suited for modernity. Fascism was, in effect, a modern (at the time) philosophy, not one positing a glorious retvrn to some pre-industrial pastoral existence.

Compare that to today's conception of the fascist and alt-right as retvrners who want to reachieve some "lost" past ideal. It's actually the complete opposite ideology. Is K-On! fascist (or do fascists like it) for its idealization of a traditional core, clean and secure and devoid of any "other"? Because based on Orwell's conception of fascism, K-On! and other slice of life shows are actually anti-fascist. The girls of K-On! are tin pacifists for people to play with - and people actually choose to play with them over tin soldiers.

This aesthetic confusion of fascism and traditionalism reminds me of this meme:

A mixing of wires where idyllic, pacifistic entertainment can be seen as a launching point for either the far-left or far-right makes me wonder what is truly causing these groups to cleave apart, what causes people to believe the things they believe. I can't say I know the answer, or even have any definitive conclusions beyond pointing this out. It's something to think about, at least.

[workingclasshistory]

On this day, 23 July 1967, one of the biggest rebellions in US history occurred in Detroit, following a police raid on a bar in a poor, majority Black area in the early hours of the morning. Black and white residents fought police in the streets and looted goods while snipers took potshots at officers from windows. Police, National Guard and US troops retaliated with outright brutality and intense violence. By the time it was over, more than 40 people were dead, 7,000 arrested and over 2,000 buildings destroyed. General Baker, a Black auto worker at the Dodge Main assembly plant in Hamtramck said that he and his colleagues "learnt from the Detroit Rebellion… When the Detroit Rebellion took place, and the National Guard and 101st Airborne was sent in, and they imposed curfew, if you got sick, you couldn’t go to the doctor. If you got hungry, you couldn’t get no food. But if you had a badge from Chrysler, Ford or General Motors, you could get to the police line, the National Guard line, the army line, all of them to take your butt to work. The conclusion we draw from that was that the only place in this society that Black people had any value was at a point of production. That’s why after the rebellion, we turned all our efforts into organising inside the plants." The following year, Baker and others formed the Dodge Revolutionary Union Movement (DRUM), part of the League of Revolutionary Black Workers. Learn more about the group in episodes 61-62 of our podcast: https://workingclasshistory.com/podcast/e61-the-league-of-revolutionary-black-workers-in-detroit/ https://www.facebook.com/photo.php?fbid=666624525510766&set=a.602588028581083&type=3

[moineauz]

𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃'𝐒 𝐒𝐈𝐗 ( rockin'roll ! )

"and if you don't love me now, you won't ever love me again."

★ 𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃'𝐒 𝐒𝐈𝐗 / the 70's rock band that took teyvat by storm

ISSUE 01. Everyone knows who The Sunbird's Six were. Their songs revited through the nations: tender and ethereal with each poignant verse. Yet, the group of six showed they could sing verses of ardour while thirsting with unrequited rage that tore souls apart in one sitting. Their debut and only album ‘Vermilion’ was hypnotic and utterly divine. It was a mosaic of winsome pieces that were put together to make one gut-wrenching album that you ultimately ugly cry to.

SO WHO WAS THE SUNBIRD'S SIX? Comprised of four founding members from Mondstadt, one from Snezhnaya, and the other from Fontaine, we get a cast of Teyvat's most talented musicians. Specifically, Diluc Ragnvindr as lead guitarist, songwriter and vocalist and ( Name ) St. Laurent as lead vocalist and songwriter. The duo bewitched the throng and perhaps themselves with both their flaming allure and vocals. Youth of the 70's wanted to become ( Name ) with all her charm and freedom while some fans died to get a strand of Diluc's hair alone. The other members include Jean Gunnhildr on keys, Rosaria on drums, Kaeya Alberich as bass guitarist, and 'Childe' as rhythm guitarist.

ISSUE 02. Yet, as The Sunbirds Six became a renowned household and rock name, their disbandment remains unknown- until now.

★ 𝐏𝐑𝐄𝐕𝐈𝐄𝐖 𝐎𝐅 𝐓𝐇𝐄 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃𝐒 𝐒𝐈𝐗

Kaeya Alberich ( bass guitarist ) : Ha! We were good... too good.

Rosaria ( drummer ) : Back then- things were simpler. You wanted to play? Grab an instrument and fucking play. That was our original motto... until things started getting messy. And by messy I mean Diluc and Childe. Maybe even ( Name ) too. *Sighs* Actually, all of us. But, you can't write an album like 'Vermilion' without going through all that shit.

Jean Gunnhildr ( pianist ) : When the four of us first came together, we were decent. We all loved playing- some more than others- but we were okay! *Smiles slightly* But, if you're going to go beyond the walls of the Ravginder basement- we needed more.

Childe ( rhythm guitarist ) : Do I sit here? *Laughs* Oh okay. When I was invited to join the band- I said, "Okay, my partner will join too." and of course, there was zero objection cause you don't find a musician like ( Name ) anywhere... a small part of me selfishly wishes that she [ ( Name ) ] said no when I asked. *Laughs* But who am I kidding? I'd go through all that again and again... even if it meant dealing with Diluc-

Diluc Ragnvindr ( lead guitarist ) We only needed another vocalist, a female one. So, we found one.

Kaeya : I was the one who told him we needed a female vocalist and I found her and Childe.

Rosaria : Rockin' roll is not serious till you really add whatever emotions ( Name ) had in the mix- and that's exactly what she did.

( Name ) St. Laurent : *Smiles sweetly* It was ugly, so ugly. However, bygones be bygones. It was only rockin' roll.

Diluc : It was not just rockin' roll.

★ ARTISTS AND OTHERS. Diluc Ragnvindr, 'Childe' or Ajax, Jean Gunnhildr, Rosaria, Kaeya Alberich, Zhongli, Lisa, Neuvillette, Albedo Kreideprinz, Xinyan, Pantalone, Rosalyne Lohefalter and more.

UPDATES AND POSTSCRIPT. Updates at least once a week (subjective to change). Female pronouns and vocal references.

SIDE COMMENTS. I love rock so let’s combine both. (If you genuinely understand the song reference in the beginning you are my friend now). Inspired by Fleetwood Mac, Stevie Nicks, Florence Welch, the ambient sounds of the 90’s (Mazzy star and Mojave 3), Daisy Jones & the Six and of course the 70’s. Warnings will be in each chapter.

WHAT DO THEY SOUND LIKE? Here is a playlist of the previous artists and more to give you a feel!

★ 𝐕𝐄𝐑𝐌𝐈𝐋𝐈𝐎𝐍 / the album , track 01

expect occasional changes to the track as the story develops

PREFACE — who are you? WILD CHILD — don't stop the music!

Vermilion

Stay Around (or not)

Reverie

Don’t Look Back Now

Runner Up

Tell Me You Love Her

Bright, Young, Woman

The Voices

White Lies

Visceral

Underneath My Skin

Valberry

Gone to Waste

Shoot Your Shot

From Afar

Dawn’s Shadow

In Leather and Faux Fur

Two for Two

My Monoceros Caeli

Deep Six

INWARDS NOT OUT — tell me, how have you been honey?

TAGLIST. @aphrodict @tragedy-of-commons @tipheeweefee @nyoomiin @https-mika @stvrdew @kascar-chronicle if you are interested in becoming part of the taglist, then drop by through an ask!

[formlines]

Medicine Drum

Joe David

from the website: ‘Medicine Drum‘ – The Drum has been part of every culture on earth, prominent at one time or another. For our native people the drum represents the heartbeat. It is believed that the inside of an actual long house represents the inside of a whale. The large beams and planks of wood representing the spine and ribs of a whale, while the drums are considered its heartbeat and the songs represent the spirit of the whale.

Drummers are known to congregate and play individual hand drums together. The use of a single drum was traditionally isolated to a few groups, such as the Kwakwaka’wakw (Kwakiutl), who are known to have used a single wooden plank struck by multiple players. As in other regions, the drum is used to begin and to mark certain points within a song. Some indigenous people of the Northwest Coast utilize the drum to indicate the presence of spirits. For example, a tremolo created by rapidly striking the drumhead can be perceived as an audible manifestation of a spirit being’s presence. Aside from use within the potlatch setting, drums are employed by shamans—powerful individuals who have the ability to move in the liminal space between this world and others, communicating with spirit guides. Many of the musical instruments used on the Northwest Coast can be associated with shamanic practice. Often, a physical representation of a shaman’s spirit guide is carved in the form of a rattle or whistle, as an effigy used to invoke the spirit’s power.

The Native Symbol or Totem Eagle is known as “The master of skies” and is a symbol of great significance. He is believed to be the creature with the closest relationship with the creator. By soaring great heights, he can travel between the physical world and the spiritual world. He is said to be a messenger to the creator. Unlike the raven’s ability to send messages down, the eagle sends messages and prayers to the Creator. If an Eagle was seen during a Prayer session it was a sign of having a prayer accepted If a prayer needed immediate attention from the creator an eagle feather would be held up towards the sky. Although every part of the eagle has separate and significant meanings, the Eagle as a whole signifies focus, great strength, peace, leadership and incredible prestige. The wings of an eagle symbolize the balance and co-dependency between females and males, and how each gender must work unitedly in order to achieve harmonious results. The eagle feather plays a substantial part in religious and shamanic practices and ceremonies. The feathers were only allowed to be worn by people who had earned the privilege. For example warriors that had done extremely well in battles would have a feather rewarded to them. The eagle feather transmits strength; it gives the ability to speak honestly from the heart, without hurt or anger. The middle vane in the feather symbolizes the path that every man walks in their life time, and every barb that comes of the middle vane symbolizes the choices we all have in life, and that every choice we make is attached to the middle or main path that we take. Eagle down is scattered in entrances as a friendly welcome when people of great importance come and it is also often used in dances. Besides being a member of many different clans, every descendant from the Northwest Coast First Nations belongs to either a Raven or Eagle Clan. The membership is always defined by which clan the individuals mother belonged to.

The Moon lightens the darkness of the night and is known as the guardian of the earth at night and the night-time protector of humans. Moon is a symbol of power and was traditionally used to show prestige. Full moons are credited with providing direction, vision and guidance. He signifies height as a sign of status. The Moon has the ability to change our moods and thoughts.

The Moon was the exclusive crest of only a few of the highest ranking chiefs. Northwest coast First Nations legend tells us of the Raven who is said to have released the Moon into the sky. The stars are pieces of the Moon that flung off when Raven threw it into the sky. An eclipse was said to be a Codfish trying to swallow the Moon. In order to prevent this, a bonfire was set with green boughs to add smoke. As people danced ceremonially around the fire, thick smoke rose to the sky causing the codfish to cough and spit out the Moon. When the people saw the Moon appear at the edge of the mountain they would drum to bring the Moon higher into the sky.

[doyoulikethissong-poll]

Lil Nas X featuring Billy Ray Cyrus - Old Town Road 2019

"Old Town Road" is the debut mainstream single by American rapper Lil Nas X, first released independently in December 2018. After gaining popularity, the single was re-released in March 2019. The rapper also recorded a remix with American country singer Billy Ray Cyrus, which was released on April 5, 2019. Both were included on Lil Nas X's second EP, 7 (2019). Dutch record producer YoungKio composed the instrumental and made it available for purchase online in 2018. It features a sample of "34 Ghosts IV" by the American industrial rockband Nine Inch Nails. The sample was placed behind trap-style Roland TR-808 drums and bass. Lil Nas X purchased the instrumental for US$30 and recorded "Old Town Road" in one day.

The song reached number 19 on the Billboard Hot Country Songs chart before the magazine disqualified it from the chart on the grounds that it did not "fit" the genre, sparking a debate on what constitutes the "definition" of country music. Though "Old Town Road" did not re-enter any country charts, both versions of the song collectively peaked at number 1 on the main Billboard Hot 100, remaining at the top for a record-breaking 19 consecutive weeks; the remix peaked at number 50 on Billboard's Country Airplay chart. "Old Town Road"'s overall run at number one is the longest in chart history, surpassing the previous record of sixteen weeks achieved by both "One Sweet Day" (poll #296) and "Despacito". One or more versions of "Old Town Road" have topped the national singles charts in Australia, Canada, France, Germany, Ireland, the Netherlands, New Zealand, Norway, Switzerland and the UK, and have charted in the top 10 in various other international markets.

The song was certified diamond by the RIAA in October 2019 for selling 10 million total units in the US, the fastest song to be certified diamond. At the 62nd Annual Grammy Awards, the remix featuring Billy Ray Cyrus was nominated for Record of the Year and won Best Pop Duo/Group Performance and Best Music Video. In September 2021, the song set the record for the second-highest certified song in history by the RIAA, at 16× platinum in the US - meaning it accumulated 16 million equivalent song units. The single has sold over 18 million copies worldwide, making it one of the best-selling singles of all time.

"Old Town Road" received a total of 80,6% yes votes!

[sniperct]

Once again, this is why voting matters, voting will always matter.

A group also already got enough signatures before this ruling to put abortion rights on the ballot in AZ this november.

Abortion, Birth Control, IVF, Surrogacy, the Civil Rights Act and more, its all on the line this year. At the local, state and national level we have to send the Republican Party to the same place the Whigs went: Oblivion.

I have been beating this drum since the 2010 midterm disaster and the Tea Party, and they've only gotten worse since then. They're only going to get worse from here on out.

[wheelsgoroundincircles]

Zora Arkus Duntov saw a huge problem for GM, due to their lack of participation in the Hot Rodding community in the early 50's.

Check out this letter he wrote on the subject:

TO: Mr Maurice Olly, ADDRESS: Research & Development Section

FROM: Mr Z Arkus-Duntov, ADDRESS: Research & Development Section

DATE: December 16, 1953

SUBJECT: Thoughts Pertaining to Youth, Hot Rodders, and Chevrolet

The Hot Rod movement and interest in things connected with hop-up and speed is still growing. As an indication: the publications devoted to hot rodding and hop-upping, of which some half-dozen have a very large circulation and are distributed nationally, did not exist some six years ago.

From cover to cover, they are full of Fords. This is not surprising that the majority of hot rodders are eating, sleeping, and dreaming modified Fords. They know Ford parts from stern to stern better than Ford people themselves.

A young man buying a magazine for the first time immediately becomes introduced to Ford. It is reasonable to assume that when hot rodders or hot rod-influenced persons buy transportation, they buy Fords. As they progress in age and income, they graduate from jalopies to second-hand Fords, then to new Fords.

Should we consider that it would be desirable to make these youths Chevrolet-minded? I think that we are in a position to carry out a successful attempt. However, there are many factors against us:

Loyalty and experience with Ford.

Hop-up industry is geared with Ford.

Law of numbers: thousands are and will be working on Fords for active competition.

Appearance of Ford’s overhead V-8, now one year ahead of us.

When a superior line of GM V-8s appeared, there where remarkably few attempts to develop these, and none too successful. Also, the appearance of the V-8 Chrysler was met with reluctance even though the success of Ardun-Fords conditioned them to the acceptance of Firepower.

This year is the first one in which isolated Chrysler development met with successes. The Bonneville records are divided between Ardun-Fords and Chryslers.

Like all people, hot rodders are attracted by novelty. However, bitter experience has taught them that new development is costly and long, and therefore they are extremely conservative. From my observation, it takes an advanced hot rodder some three years to stumble toward the successful development of a new design. Overhead Fords will be in this stable between 1956 and 1957.

The slide rule potential of our RPO V-8 engine is extremely high, but to let things run their natural course will put us one year behind – and then not too many hot rodders will pick Chevrolet for development. One factor which can largely overcome this handicap would be the availability of ready-engineered parts for higher output.

If the use of the Chevrolet engine would be made easy and the very first attempts would be crowned with success, the appeal of the new RPO V-8 engine will take hold and not have the stigma of expensiveness like the Cadillac or Chrysler, and a swing to Chevrolet may be anticipated. This means the development of a range of special parts – camshafts, valves, springs, manifolds, pistons, and such – should be made available to the public.

To make good in this field, the RPO parts must pertain not only to the engine but to the chassis components as well. In fact, the use of light alloys and brake development, such as composite drums and discs, are already on the agenda of the Research and Development group.

These thoughts are offered for what they are worth: one man’s thinking aloud on the subject.

Signed,

Zora Arkus-Duntov

December 16, 1953