#AlessandroNivola

[film-book]

‎

KRAVEN THE HUNTER (2024) Movie Trailer 2: Aaron Taylor-Johnson is an Anti-hero from the Spider-man Universe https://film-book.com/kraven-the-hunter-2024-movie-trailer-2-aaron-johnson/?feed_id=144265&_unique_id=66bd71ad26156

[venusleone]

They needed a local who spoke fluent italian and English so @venusleone got to fly over to Italy and open a bank account. No wonder Italy has free health care: 47% of income gets taxed! Although I’m Italian native, I grew up and worked in Switzerland where you pay for health insurance so I had no idea. Anyways, this was chaotic but fun. I got to rush around to mic up 10+ A-Listers, who honestly were super fun to work with, boom, eat and got to go visit my family in Rimini and Chieti after wrap for whole 2 weeks. 🇮🇹🍝🎬 #spinmeround #soundengineer #hollywoodmovies #behindthescenes #audioinfilm #boomoperator #italy #italian #polyglot venusleone #vkswizz #goddessimage #aubreyplaza #debbyryan #lilrel #allisonbrie #laurenweedman #mollyshannon #aydenmayeri #alessandronivola #triciahelfer #bensinclair #zachwoods #timheidecker #jeffbaena (at Toscana, Italy) https://www.instagram.com/p/CmRnPtRJEpB/?igshid=NGJjMDIxMWI=

[andrepitz]

Interessant zu sehen, wie hier in der Regel als schlechtes Handwerk wahrgenommene Elemente eingesetzt werden, um viel tiefergehende Gedankengänge anzustoßen. https://letterboxd.com/andrepitz/film/the-room-next-door-2024/

[etcemais]

[🎬] Primeiro pôster oficial de Kraven, O Caçador

O filme estreia no dia 5 de outubro.

[alex6186]

My MCM aka Movie Crush Monday is an all star cast in a world of con artist, Blackmail, FBI agent, Betrayal, Crime and Money schemes in David O. Russell film American Hustle.

______________________________________________

A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.

#MCM #MovieCrushMonday #AJBMCM #Allstarcast #AmericanHustle #ChristianBale #JenniferLawrence #BradleyCooper #JeremyRenner #AmyAdams #JackHuston #AlessandroNivola #ElizabethRohm #RobertDeNiro #LouisCK #CrimeDrama

[duranduratulsa]

Now showing on Steve's Favorites Filmfest...Jurassic Park III (2001) on glorious vintage VHS 📼! #movie #movies #horror #scifi #monstermovies #creaturefeature #jurassicpark #JurassicParkIII #dinosaurs #SamNeill #LauraDern #TeaLeoni #WilliamHMacy #AlessandroNivola #trevormorgan #MichaelJeter #RIPMichaelJeter #2000s #vintage #vhs #stevesfavorites

[awardseasonblog]

#Venezia81: con #TheRoomNextDoor #PedroAlmodovar ci ricorda la necessità di affrontare il passato per dare una nuova dimensione al valore dei ricordi attraverso un tema molto delicato.

Da una parte, una scrittrice che esplora le profondità dell'anima attraverso le parole. Dall'altra, una reporter che affronta le brutture del mondo con coraggio e determinazione.

Ingrid e Martha, un tempo inseparabili, si ritrovano a vivere vite agli antipodi, ma un destino imprevisto le riunisce, ponendole di fronte a un passato che le lega indissolubilmente.

Un'amicizia nata tra i banchi di redazione, un legame forgiato dalla giovinezza e dalla condivisione di sogni e aspirazioni. Anni dopo, Ingrid e Martha si ritrovano, le loro vite segnate dalle esperienze e dai traumi. Un incontro intenso e commovente, che le costringe ad affrontare le ferite del passato e a ridefinire il loro rapporto.

In un'atmosfera carica di nostalgia e di malinconia, due amiche si ricongiungono dopo un lungo silenzio. Le loro vite sono cambiate radicalmente, ma il legame che le unisce rimane intatto. Un incontro che le porta a ripercorrere i momenti più belli della loro amicizia e a confrontarsi con le scelte che hanno fatto e che stanno per fare.

CAST: #TildaSwinton, #JulianneMoore, #JohnTurturro, #AlessandroNivola, #JuanDiegoBotto, #RaúlArévalo, #VictoriaLuengo, #AlexHoghAndersen, #EstherMcGregor

#VeniceFilmFestival

#BiennaleCinema2024

#PalaBiennale

#SalaGrande

#SalaDarsena

[thekylemeredith]

"What they cared about was bettering their community"

Tiffany Boone, Alessandro Nivola & PJ Byrne joins Kyle Meredith to talk about the Apple TV+ series, The Big Cigar, Huey P Newton, & the Black Panthers

#TheBigCigar #TheBlackPanthers #AlessandroNivola #TiffanyBoone #PJByrne

[ramimalekbrasil]

🖤🖤🖤 . Rami Malek na première de Amsterdam, em Londres. 💚🧡 21/09/2022 . #ramimalek #amsterdam #amsterdammovie #Notimetodie #oppenheimer #christianbale #margotrobbie #johndavidwashington #anyataylorjoy #michaelshannon #taylorswift #timothyolyphant #alessandronivola #matthiasschoenaerts #andreariseborough #mikemyers #robertdeniro #prada #cartier https://www.instagram.com/p/Cix4hCEOOG_/?igshid=NGJjMDIxMWI=

[thestarringrole]

Alessandro Nivola

[thatsmovietalk]

A Most Violent Year (2014) Directed, Produced & Written by#JCChandor Starring #OscarIsaac #JessicaChastain #DavidOyelowo #AlessandroNivola #AlbertBrooks #ElyesGabel #AMostViolentYear #Hollywood #hollywood #picture #film #movie #cinema #films #theater #movies #movieposter #movieworld #movielovers #movienews #screen https://www.instagram.com/p/CAuzAbug2zq/?igshid=kzfcgux6oas5

[film-book]

‎

Film Review: THE BRUTALIST: Brady Corbet's Hard-Hitting Dramatic Film Showcases Three of the Year's Top Performances [NYFF 2024] https://film-book.com/film-review-the-brutalist-brady-corbets-hard-hitting-dramatic-film-showcases-three-of-the-years-top-performances-nyff-2024/?feed_id=158970&_unique_id=670d7172a7a7b

[i-love-michielhuisman]

#TheRedSeaDivingResort #gideonraff Movie, Out on @netflix @michielhuisman #michielhuisman #ChrisEvans #AlessandroNivola @alessandro.nivola #alexhassell @alexanderhassell #HaleyBennett @halolorraine #TheLastRight #indianhorse #savethechildren #TheHauntingofHillHouse #StateLikeSleep #TheOtherLamb #gameofthrones #got #daarionaharis #theguernseyliteraryandpotatopeelsociety #GuernseyMovie #irreplaceableyou #orphanblack #nashville #wild #aboycalledchristmas #theageofadaline #222film # #redseadivingresortmovie #theottomanlieutenant #theinvitation #harleyandthedavidsons #michiel huisman https://www.instagram.com/p/B07z_yOpO0s/?igshid=5ed7p29fce2k

[twotrey23]

#awards screener delivery today: #BleeckerStreet @bleeckerstfilms package of #Colette @colettemovie , #Disobedience @disobediencemov , #LeaveNoTrace @leavenotracemovie , #WhatTheyHad @whattheyhad . #KeiraKnightley #DominicWest #WashWestmoreland #BenFoster #ThomasinHarcourtMcKenzie #DebraGranik #RachelWeisz #RachelMcAdams #AlessandroNivola #SebastianLelio #MichaelShannon #RobertForster #BlytheDanner #ElizabethChomko #HilarySwank #film #cinema #movies #movie🎬 #films #awardseason #awardsseason #award https://www.instagram.com/p/BpjNMzSFJgE/?utm_source=ig_tumblr_share&igshid=1chxzpeh4vauj

[etcemais]

A Sony finalmente liberou o primeiro trailer oficial de Kraven, O Caçador.

Com Aaron Taylor-Johnson no papel principal, vamos conhecer a história de Kraven, personagem que foi apresentado ao público na edição nº 15 de The Amazing Spider-Man, lançada em agosto de 1964. Ele é um humano modificado de origem russa, descendente de uma família de caçadores, que nutre uma obsessão por capturar e matar o Homem-Aranha.

Este é o primeiro filme da Marvel feito pela Sony com classificação Rated R, ou seja, para maiores de 18 anos. Anteriormente, todas as franquias do Homem Aranha e do Venom sempre foram classificadas nos EUA como PG-13, ou seja, não recomendada a menores de 13 anos.

Além de Aaron, o elenco ainda conta com Russell Crowe, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Levi Miller e Christopher Abbot. A direção fica na conta de J.C. Chandor, com o roteiro assinado pela dupla Art Marcum e Matt Holloway ao lado de Richard Wenk.

Este é apenas um dos projetos desenvolvidos pela Sony que terão foco em vilões e anti-heróis relacionados ao Homem-Aranha. Vale lembrar que além de Venom e Morbius já lançados, também teremos um filme focado na Madame Teia e estrelado por Dakota Johnson.

Kraven, O Caçador estreia no dia 5 de outubro.

[doomonfilm]

Review : You Were Never Really Here (2018)

As the 2018 film season comes to a close, I am realizing that I have a little bit of catch-up to do.  As much as I’ve been on top of new releases this year, I have managed to let a few slip by me that deserve a viewing before I start locking in my year end lists.  One of the top films on that list, if not the top one, is You Were Never Really Here. 

Joe (Joaquin Phoenix) is a former soldier and FBI agent haunted by experiences in his past, but attempting to find redemption by rescuing trafficked girls from their captors, often using brutal force.  He takes care of his aging mother (Judith Roberts), with whom he shared a past full of abuse at the hands of her husband and his father.  Due to this lifestyle, Joe often flirts with the idea of suicide.  While meeting Angel (Frank Pando), the messenger between Joe and Joe’s handler, John McCleary (John Doman), Joe is seen by Moises (Vinicius Damasceno), Angel’s son.  Joe is given a new job rescuing Nina (Ekaterina Samsonov), the daughter of New York State Senator Albert Votto (Alex Manette), from McCleary.  Joe lets McCleary know that his address may have been compromised, but McCleary urges him to push forward with the job.  Upon completion of the job, Joe is accosted by NYPD, at which point he realizes that he and everyone he loves may be in grave danger, and that he must do whatever it takes to set things right.

I’ve heard many comparisons to Taxi Driver for this film, but I think that people are not looking past one or two obvious points of comparison (New York, human trafficking, vigilantism).  As much as I love the character of Travis Bickle, Joe is a much more complex specimen, at least in terms of direct information we are given about both his past and his state of mind.  Where Travis was a man pushed to the limits of acceptance by his view of society who was given a chance at redemption via rescuing Iris, Joe is truly a tender killing machine.  The way he cares for his mother, even when she is partially responsible for the abusive situation they both found themselves in, lets you know that he is patient, accepting, and not naturally malicious.  The way that he attempts to shield the girls he rescues from the violence he dishes out further drives those qualities home, not to mention his actions and choices in the now famous kitchen scene.  In Joe, we get a young man with an unfortunate fascination with death due to his bad situation become a savior for those who cannot save themselves as he constantly cheats the death that he is anchored by, yet still embracing.

For a film as violent as You Were Never Really There is at its core, it is far from a glorification of this violence.  The violence portrayed in the film is certainly a means to an end, and for the most part, we are either given only brief flashes of the violence or shown the immediate aftermath of it.  Our antihero is driven by both a sense of regret for past actions and the way he is haunted by his distant past, but despite the immediate validation he receives for his acts, there is not true ceiling for redemption.  He is heroic in a sense, but between the volume of damage he inflicts, and the fact that he will never truly be rewarded for his heroic actions, the toll taken on his soul far outweighs the good it does.  The brief looks into Joe’s thoughts, fears and memories are unnerving, and only further the fact that redemption is not his motivating drive for doing what he does.  In a sense, Joe is a broken man who, with a hammer, is attempting to ‘fix’ something else broken.

The camerawork is astonishing in this film, giving a wonderful sense of claustrophobia that makes the viewer feel both the pain of Joe and the sense of getting your hands dirty by proxy.  The intense, driving, erratic score that often erupts from long periods of being restrained perfectly evokes Joe’s rushes of adrenaline and the subsequent comedowns, all courtesy of Radiohead’s sonic genius Jonny Greenwood.  The film was adapted from a book, and in a weird way, it is easy to tell.  In my opinion, the pacing, characterization, and overall tone of the movie makes it oddly book-like, one of the most book-like film adaptations I can remember, and it definitely has me interested in reading the original source material.

In a career full of standout performances, Joaquin Phoenix has managed another notch on the belt, doing so much with so little (and in such a reserved manner) that you physically feel the struggle within him... I can almost guarantee a Best Actor string of nominations, if not wins, for this performance.  Ekaterina Samsonov is mysterious and intriguing, giving you the impression that she is ‘letting herself’ be saved in order to unleash a much greater vengeance on a much bigger target.  John Doman plays his role with the coolness and assurance it takes to be the man in charge, making the downfall of all around him that much more heartbreaking.  Judith Roberts is charming in her codependency that the role required, both immediately endearing her to audiences, and breaking their heart eventually.  Alex Manette, Alessandro Nivola, Frank Pando and Vinicius Damasceno also stand out.

Due to a limited run, I did not get to see this one on the big screen, and now that I have seen it, I’d be lying if I said that doesn’t bum me out a bit.  While most compare this film to Taxi Driver, I’d say a more apt comparison would be Good Time, by the Safdie brothers, and I will probably pair the two films together for a viewing at some point.  Definitely a high contender for Film of the Year, and one that will make my list that much more difficult to determine.