#Alba Romero

[bonobochick]

Finally started The Cable Girls via Netflix. 🍿 💻

Enjoying it so far! Lots of drama plus the acting & writing is good.

(Still watching S1, so no spoilers please 🙏🏽)

[aestheticmoody]

Cable Girls - Alba Romero/Lidia Aguilar

[darklinaforever]

So... one of you will have a couple equivalent to Carlos & Lidia (Carlidia) from the series Las Chicas del Cable ? I swear these two should have ended up together...

The whole plot to separate them in season 4 was heavy and tiring...

I need a couple with the same vibe but with a happy ending ! Tips ?

[andrew3garfield]

THE EYE (2008) — dir. David Moreau & Xavier Palud

[edithshead]

from 4 Elements Andrea Romero by Ana Abril hair and makeup by Antonio Romero for Harper’s Bazaar Vietnam, March 2022

[meowmeowmessi]

naw not these conflicting reports..............

[pinpilinpaux]

Spain's Women's Basketball Olympic Team

[skyfullofpods]

Random Podcast Recommendations Mega-List Part 1!

Updated: 07/12/23

Collected here in part 1 because tumblr has a limit of 100 links per post of my alphabetical list are the fiction podcasts from A-M I've recommended so far for my random podcast recommendations! Part 2 is here

A A Ninth World Journal Afflicted Aishi Online Alba Salix Among the Stars and Bones Apollyon Arden ars PARADOXICA

B Back Again, Back Again The Ballad of Anne & Mary The Beacon Believer Black Friday Breaker Whiskey The Bright Sessions

C CARAVAN Chaika Chain of Being Civilized Coexistence Come On In, The Water's Fine Copperheart Counterbalance

D Death by Dying Desert Skies Desperado Diary of a Space Archivist Dining in the Void Directive Do You Copy Dos: After You Down

E The Earth Collective Elaine’s Cooking for the Soul Electromancy The End of Time and Other Bothers Ethics Town Exoplanetary Everything is Alive

F Falling Forward Fan Wars: The Empire Claps Back The Far Meridian Fireside Folktales Folxlore Forgive Me!

G Gay Future Georgie Romero Is Done For Girl in Space The Goblet Wire Gone Great & Terrible Greater Boston Greenhouse

H Hallway to Nowhere Hand in Glove Harlem Queen Hauntingly Humdrum Hello From the Hallowoods Hi Nay Hit the Bricks Human Error

I Immunities InCo Inhale Inn Between In Transit

J Janus Descending Jar of Rebuke Joy to the World Jupiter Saloon

K Kalila Stormfire's Economical Magick Services Kane and Feels Keep It Steady The Kingmaker Histories

L The Last Echoes Less is Morgue Liars & Leeches Life On Pause Light Hearts LIMBO Lost Terminal Love and Luck

M Margaret's Garden Margaritas & Donuts The McIlwraith Statements Me and AU Mercury: A Broadcast of Hope Meteor City Middle:Below Moonbase Theta, Out

[cant-get-no-worse]

Highlights of the parade

Laporta checking the girls weren’t breaking their skulls on the bridge

Koundé wearing a Dembélé shirt

People throwing random clothes at the buses to get them signed

Lewandowski, Raphinha, Koundé, Busi, Dembélé hangover asf wearing sunglasses

Chants for Busi

Chants for Pedri

Chants for Leo

Chants for Xavi

Xavi happy and throwing kisses at the crowd

“This is kind of a side parade for the femeni cause they’re playing the UCL next week”

Pizzas

Gerard Romero beefing with policemen

Gavi being an overexcited puppy

CAMPEONES CAMPEONAS OE OE OE

Chants for Alexia

Xavi facetiming his family and shoving the phone in Araujo’s face

Koundé throwing flags at the crowd like medieval spears

Gavi’s (18 yo) « congrats little bro » to Ousmane (26 yo)

Stream shit ass quality reflecting our broke ass institution

Xavi throwing beers at the crowd

UNNNN CRIIIIT VALEEEEEENT

Busi and Alba celebrating their last parade together

Raphinha looking like Brazilian Santa Claus

Aitana and her beige scarf making me choke

Families on balconies with various shirts and flags from old seasons

Pedri being a rare pokémon you see three (3) times during the whole parade

“Oh no me I’m here for the girls”

Frenkie de Jong life-size cardboard cutout

Araujo shouting at Romero with a mic

Romero running away

Kessié, Dembélé, Gavi and Koundé posing for a rap album cover

Pedri signing bananas

“It’s not just about the title, it’s about bringing the joy back to Barcelona fans and to a whole city.”

Everyone helicoptering their scarves at Plaça Catalunya

Lewandowski activating his inner tiktoker genes

Commentators rambling about for two hours

Xavi spotting Corbella, former FCB kitman for 3 decades in the crowd and asking him to hop on the bus

[soulshines]

spanish  surnames   :   a  masterlist   

below  the  cut  you’ll  find  a  list  containing  #  150  spanish  surnames  sorted  alphabetically  .  these  are  some  of  my  personal  favorites  so  please  enjoy  and  consider  giving  this  post  a  like  /  reblog  if  you  found  it  useful  !

acevedo

águila

aguirre

almada

alonso

ángeles

aragón

araiza

arias

arjona

armas

arriaga

atenas

augusto

ávila

ayala

báez

barrera

bautista

beltrán

blanco

bolívar

bonilla

bracho

cabrera

camacho

cardoza

carrera

casillas

castañeda

castillo

cervantes

claudio

cortés

costa

cuervo

dávalos

dávila

de aguilar

de alba

de carvajal

de la vega

de lucena

de narváez

de peralta

del río

escobar

escobedo

espino

espinosa

estrada

farías

fernandino

ferrera

fierro

galindo

gamboa

gavilán

garza

granada

granados

grijalba

guardado

guerrero

heredia

herrera

hurtado

ibáñez

ibarra

jiménez

jaramillo

lafuente

leal

león

leyva

lima

lira

lombardo

lozano

luna

maldonado

maltés

marciel

miranda

molina

montano

montenegro

montoya

moralo

naranjo

navarro

nieto

noriega

novo

obregón

olivero

olmeda

olmos

orozco

osuna

ortega

ortiz

palomar

paz

pedrosa

peralta

perdomo

pineda

prado

reyes

reynoso

rivas

rivera

robles

rocha

rodríguez

rojas

romero

román

rubio

salinas

salvador

sandoval

santángel

santiago

serrano

solano

solar

soto

sáez

toro

ureña

uriarte

uribe

usaga

uveda

valdiva

valencia 

valentín

valenzuela

vargas

vega

velarde

ventura

vidal

vivero

zambrano

zamora

zelaya

zepeda

[docpiplup]

LA ABADESA (2024)

Synopsis

In the 9th century, Emma of Barcelona (c. 880-942), a 17-year-old girl, is named abbess in order to repopulate and Christianize border territories in 897. Upon arriving at the abbey, she will have to overcome the mistrust aroused by a woman determined to fulfill her mission, which will lead her to confront nobles, like her brother Count Guifré II Borrel of Barcelona (874-911), peasants and the nuns themselves. Despite everything, Emma will show that it is possible to challenge established power structures. Although she will pay a high price to get it...

Emma is willing to carry out the commission of her deceased noble father, Count Guifré I of Barcelona, Guifré el Pilós (840-897), founder of the House of Barcelona: convert the abbey that he founded in 885, the Monastery of Sant Joan de les Abadesses, for which she is now responsible into the engine of change and transformation of a society that comes down. She must help with all her resources to help the lands that are emptied due to hunger caused by border wars, which in turn are a consequence of the ambitions of the feudal lords of the area.

Emma acquired small or large properties with which the monastery came to have a territory equivalent to that of a county. Her sovereignty was also similar to that of a countess: by concession from her father, her domains were exempt from all interference from the neighboring counts, whom she knew how to oppose with resistance.

On cinemas: Friday 22 March

Filming began in January 2023 at the Loarre Castle, and included scenes filmed at the Turó de la Seu Vella, until concluding at the end of February 2023.

Main cast

Emma of Barcelona - Daniela Brown

Eloisa - Blanca Romero

Guifré II Borrel of Barcelona - Carlos Cuevas

Eduard - Ernest Villegas

Odón - Oriol Genís

Bishop Gotmar of Vic– Joaquín Notario

Clara-Berta Sánchez Bajona

Melisenda - Anäel Snoek

Elvira- Olivia Auclair

Data sheet

Script and direction: Antonio Chavarrías

Produced by: Antonio Chavarrías, Jose María Morales, Miguel Morales, Mónica Lozano

Photography direction: Julian Elizalde

Editing: Clara Martínez Malagelada

Music: Ivan Georgiev

Casting: Irene Roqué, Carla Bisart, Sara Bisart, Elena Gómez Zarzuca and Doriane Flamand

Direct sound: Elsa Ruhlmann

Sound editing: Corinne Dubein

Blends: Emmanuel de Boissieu

Art direction: Irene Montcada

Costumes: Catherine Marchand and Pau Aulí

VFX: Natacha Brohan

Assistant director: Falele Ygueravide

Production direction: Anna Boneta

Executive producers: Alba Bosch-Durán, Flavia Biurrun and Jennifer Ritter

Co-producer: Huber Toint, Alex Verbaere, David Claikens, Samuel Feller

Production of Oberon Media, Wanda Films, Icono 2020, Saga Film, RTVE and TV3.

Poster

(Based on a true story/ Based on a true woman)

[darquitectura]

Antonio Fernández Alba. Laboratorios de control de materiales de las obras del Ministerio de la Vivienda INCE, La Coruña, 1973

Rehabilitado por Mihura, Romero y Rey

[jackredfieldwasmyjacob]

i decided to unite my love for maps and for OT and make a map of the distribution of OT contestants from OT 2017 - 2023 in regards to their residence* because i find it so fascinating, like yeah it does kinda follow where major urban centers concentrate but also why is there so little people in valència? so many in iruña specifically? how is that outside madrid the only other OT contestant from castile is from guadalajara from all places???

*I followed the locations from the wikipedia page; in OT it's necessary to reside in spain but you don't need to have the spanish nationality to participate so i'll add the nationalities when needed!

below the cut i'll specify where each contestant is from, province by province, with pics of all the towns and cities !!!

A CORUÑA:

OT 2017: Pontedeume (Miriam Rodríguez), Santiago de Compostela (Roi Méndez)

OT 2018: As Pontes de García Rodríguez (Sabela Ramil)

OT 2020: Sada (Eva Barreiro)

OURENSE:

OT 2017: Ourense (Luis Cepeda)

BIZKAIA:

OT 2017: Bilbo (Juan Antonio Cortés)

OT 2023: Getxo (Martin Urrutia)

NAFARROA:

OT 2017: Iruña (Amaia Romero)

OT 2018: Iruña (Natalia Lacunza)

OT 2020: Iruña (Anne Lukin, Maialen Gurbindo)

ZARAGOZA:

OT 2023: Zaragoza (Naiara Moreno), Magallón (Juanjo Bona)

TERUEL:

OT 2020: Alcañiz (Anaju Calavia)

BARCELONA:

OT 2017: Sant Climent de Llobregat (Aitana Ocaña), El Prat de Llobregat (Alfred García), Gavà (Nerea Rodríguez), Montgat (Raoul Vázquez), Terrassa (Miki Núñez)

OT 2018: Esplugues de Llobregat (Carlos Right)

OT 2020: Sant Cugat del Vallès (Nick Maylo), Sant Joan Despí (Ariadna Tortosa)

OT 2023: Vallirana (Lucas Curotto, he's Uruguayan)

ILLES BALEARS:

OT 2017: Palma (Ricky Merino)

OT 2018: Bunyola (Joan Garrido)

OT 2023: Ciutadella de Menorca (Chiara Oliver, she's half British)

GUADALAJARA:

OT 2023: Yunquera de Henares (Omar Samba, he's half Senegalese)

MADRID:

OT 2018: Madrid (María Villar, África Adalia, Alfonso La Cruz - he's Venezuelan)

OT 2020: Alcalá de Henares (Bruno Alves, he's Uruguayan)

OT 2023: San Fernando de Henares (Bea Fernández), Madrid (Ruslana Panchyshyna, she's Ukranian and has lived several years in the Canary Islands; in fact her accent is Canarian. I do not know which island / town and in the wikipedia page it listed her as a Madrid resident, that's why she's included here)

CÁCERES:

OT 2017: Malpartida de Plasencia (Thalía Garrido)

ALACANT:

OT 2018: Elx (Alba Reche)

OT 2020: Beniarrés (Samantha Gilabert)

MURCIA:

OT 2020: Murcia (Flavio Fernández)

GRANADA:

OT 2017: Huétor Tájar (Mimi Doblas)

OT 2023: Armilla (Paul Thin), Motril (Violeta Hódar), Ogíjares (Denna Ruiz)

MÁLAGA:

OT 2017: Alhaurín de la Torre (Mireya Bravo)

OT 2018: Torre del Mar (Marta Sango), Málaga (Noelia Franco)

OT 2023: Mijas (Salma Díaz)

CÓRDOBA:

OT 2020: Córdoba (Hugo Cobo), Adamuz (Rafa Romera)

OT 2023: Córdoba (Álex Márquez)

SEVILLA:

OT 2017: Dos Hermanas (Marina Rodríguez)

OT 2018: Bormujos (Famous Oberogo, he's Nigerian)

OT 2023: Sevilla (Álvaro Mayo)

CÁDIZ:

OT 2018: San Fernando (Julia Medina), Sanlúcar de Barrameda (Dave Zulueta)

OT 2020: Barbate (Jesús Rendón, Javy Ramírez)

CEUTA:

OT 2020: Ceuta (Gèrard Rodríguez)

LAS PALMAS:

OT 2018: Gáldar (Marilia Monzón)

OT 2020: Las Palmas de Gran Canaria (Eli Rosex, Nia Correia - she's half Cape Verdian)

SANTA CRUZ DE TENERIFE:

OT 2017: San Cristóbal de La Laguna (Ana Guerra), Adeje (Agoney Hernández)

OT 2018: Adeje (Damion Frost, he's German)

OT 2023: San Cristóbal de La Laguna (Cris Bartolomé, he's half Equatorial Guinean), Santa Cruz de Tenerife (Suzete Correia, she's Sao Tomean)

[sefaradweb]

The Beginnings of Ladino Literature

En "The Beginnings of Ladino Literature: Moses Almosino and His Readers," Olga Borovaya presenta a Moses Almosino (1518-1580) como un destacado escritor sefardí otomano, conocido tanto en Europa como en el Imperio Otomano. Aunque sus obras en hebreo fueron valoradas, su literatura en ladino obtuvo una prominencia notable. Almosino se hizo conocido en Europa en 1638 cuando Jacob Cansino adaptó su obra en escritura latina, titulada "Extremos y grandezas de Constantinopla", para el Conde-Duque de Olivares en Madrid. Este texto alcanzó una amplia difusión y fue referenciado por historiadores como Joseph von Hammer y Eliakim Carmoly. Además, Almosino escribió "Rejimyento de la vida" y "Tratado de los sueños", que se imprimieron en Salónica en 1564 y se reeditieron en Ámsterdam en el siglo XVIII. A pesar de su fama, su literatura en ladino ha sido menos estudiada debido a la percepción errónea de que estaba escrita en castellano.

Borovaya señala que, aunque la literatura ladina suele considerarse originaria del siglo XVIII, los sefardíes otomanos publicaron obras vernáculas desde el siglo XVI. La percepción de que el ladino alcanzó su forma final en el siglo XVIII ha llevado a una marginalización de textos anteriores como los de Almosino. Elena Romero e Iacob Hassán clasificaron estos textos como español, contribuyendo a su exclusión de la literatura sefardí. Borovaya propone que toda la literatura producida en el Imperio Otomano desde el siglo XVI hasta mediados del XX debe ser considerada parte de la literatura ladina y destaca la necesidad de una nueva periodización para reconocer los múltiples estilos funcionales del ladino.

En su estudio, Borovaya también menciona que su obra anterior, "Modern Ladino Culture" (2011), y otros estudios se enfocaron en el desarrollo de la cultura impresa sefardí moderna desde el siglo XIX. La literatura ladina del siglo XVIII ha sido analizada principalmente por Matthias Lehmann, pero Borovaya busca llenar el vacío existente sobre el siglo XVI, investigando las obras de Almosino. Ella explora cómo Almosino dirigió sus escritos a los exconversos que, tras emigrar al Imperio Otomano, necesitaban educación judía antes de aprender hebreo. Este contexto educativo impulsó a Almosino a escribir en ladino sobre temas de ciencia, filosofía y teología.

El prólogo del libro examina la controversia sobre si los judíos ibéricos tenían un lenguaje propio antes de su expulsión en 1492. Aunque algunos académicos creen que hablaban dialectos locales similares a los de los cristianos, Borovaya sugiere que usaban un sociolecto más que un lenguaje separado. Los judíos en la Iberia del siglo XV hablaban varios dialectos como aragonés, catalán, portugués y castellano, y su capacidad para mantener el hebreo se vio afectada por las conversiones y la violencia antijudía. Pese a ello, continuaron produciendo textos literarios en dialectos vernáculos, utilizando tanto el alfabeto hebreo como el latino.

Borovaya también analiza la conversión forzada de judíos durante y después de la Disputa de Tortosa (1413-1414) y cómo muchos conversos continuaron practicando el judaísmo en secreto. La coexistencia entre conversos y judíos fue una característica común, aunque la Inquisición buscó separarlos. El siglo XV fue testigo de un intenso intercambio cultural e intelectual entre judíos y cristianos, con ejemplos como la Biblia de Alba (1422-1430), encargada por Don Luis de Guzmán, que incluyó comentarios rabínicos y elementos judíos.

El estudio concluye con una mención de Shem Tob ben Isaac Ardutiel (ca. 1290-1369), un autor judío destacado que escribió en lenguas ibero-romances. Su poema didáctico "Proverbios morales" y su tratado hebreo "Debate Between the Pen and the Scissors" reflejan la ambivalencia hacia el uso de lenguas vernáculas frente al hebreo.

En resumen, Borovaya argumenta que, a pesar de que los judíos ibéricos no dejaron una gran cantidad de escritos vernáculos, su producción literaria y glosarios muestran su compromiso intelectual con la cultura dominante y que, al emigrar, llevaron consigo tanto el idioma vernáculo como un vasto bagaje cultural.

Bibliografía: Borovaya, Olga. The Beginnings of Ladino Literature: Moses Almosnino and His Readers. Indiana University Press, 2017.

[diva-calderu]

Gratiela Brancusi should've been Wanda instead of the MCU whitewashing her

Yes, I agree, nonnie. Though I do have quite a few friends and mutuals that love mcu Wanda and I admit I have found entertainment and enjoyment in her appearances I've watched so far, and I've liked the actress in other movies and shows so nothing against Elizabeth Olsen or anything, or fans of her portrayal of Wanda, but yeah I'm with you there pal 100%. I, like a lot of my other friends, was pretty disappointed when the casting came out. I personally was rooting for either Alba Flores, Blanca Romero, or Franziska Farkas at the time of casting speculations. I hadn't discovered Gratiela Brancusi until I saw her in 1883 and Mayor of Kingstown, but ever since then I've been IN LOVE with her omg. She's my dream comic accurate Wanda tbh, I am a Gratiela Brancusi Wanda truther 🙌

[la-semillera]

Lygia Clark & Hélène Cixous

“Primero gritamos. Después escribimos: traducimos en el ultrasilencio de la escritura los gritos agudos y breves de la realidad. La literatura es para aullar largamente, lanzar gritos hasta la música; el derecho a los gritos que la realidad y la comunidad nos prohíben. Como al alba los pájaros se reparten el territorio acústico –¿la habéis oído, la orquesta de la hora indecisa?–, oigo el grito de topo de la literatura”.

_ Hélène Cixous

_ Lygia Clark, Relógio de sol (Sundial) (1960). Photo: The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of Rafael Romero. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.