#Alasdair Elliott

[eliaswoodt]

The Name List

Organized from A-Z (yes I will add more names whenever I find more I like, probably in reblogs)

I currently have 1035 names (and that’s only including the first names. I have a list of last names, too.)

Angel, Atticus, Atlas, Apollo, Ares, Athena, Achilles, Artemis, Adonis, Avery, Aubrey, Aubry, Aceline, Ashlynn, Aislinn, Anjanette, Arthur, Archer, Addison, Arrietty, Amity, Autumn, Alastor, Alastair, Alasdair, Alistair, Alison, Arren, Arin, Astra, Aoife, Adalyn, Adeleine, Astoria, Agnes, Angus, Abigail, Ann, Anne, Ambrose, Adeline, Avarsel, Agatha, Ari, Azariah, Aniyah, Armani, Anastasia, Annabelle, Adah, Adelaide, Avis, Amelia, August, Axel, Adelina, Amir, Amin, Ayala, Arne, Averett, Adil, Astro, Ava, Anti, Ailun, Akemi, Asahi, Akari, Asako, Atsuko, Azumi, Aka, Aren, Akko

Blossom, Bambi, Babs, Bo, Bella, Blair, Bea, Bonnabel, Badeea, Betty, Bailey, Boris, Bee, Bugs, Blaise, Benjamin, Bog, Buford, Beatrice, Bryce, Bryan, Bazil, Brutus, Bellamy, Brigitte, Bailee, Bailey, Bao, Belladona, Belladonna, Bell, Bill, Bishop, Bones, Boneothy, Benno, Behemoth, Barry, Bellynn, Bowie, Bunki

Clover, Canyon, Cleo, Cameron, Celestial, Celestino, Ciro, Camilo, Cain, Charlotte, Clara, Corey, Cin, Charlie, Cassidy, Chiara, Callista, Cisco, Cynthia, Casper Clinton, Celestina, Clement, Christopher, Cornelius, Clifford, Claudius, Carey, Carrie, Coatl, Cyrus, Cyril, Cecil, Caisus, Castiel, Calla, Cosmos, Cherry, Cheryl, Crowley, Crow, Cassius, Cliodna, Clíodhna, Cliona, Conan, Cordelia, Calypso, Cas, Cillian, Chiyo, Chiaki, Chihiro, Calcifer

Danny, Darlene, Dex, Dot, Diana, Daphne, Demeter, Daedalus, Daeddel, Darphel, Dawn, Derrick, Derek, Dravan, Dravid, Drae, Dallas, Dimas, Dominic, Damien, Drew, Delilah, Dakota, Darian, Darius, Darwin, Devan, Darla, Dagmar, Daelyn, Dale, Dae, Dacey, Desmond, Dabria, Daniel, Daniela, Danialla, David, Davis, Donnel, Dennis, Demitrius, Delaney, Daiki, Daiyu

Everest, Emery, Ember, Elliott, Elliot, Earlana, Eliseo, Ezequiel, Emie, Evan, Eloise, Eric, Emmet, Elizabeth, Eugene, Ethan, Eret, Ester, Elias, Eos, Ellis, Edwin, Ebony, Elijah, Eliza, Enzo, Elissa, Edward, Eddalyn, Esther, Eda, Edalyn, Edalynn, Edison, Eddison, Estervan, Emma, Eden, Erfan, Eun-hae, Erytheia, Egan, Errol, Eiichi, Eiji, Eriko, Etsu, Etsuko, Eiichiro, Ezume

Flint, Finn, Fae, Fred, Fritz, Fang, Frankie, Frank, Fermin, Freddie, Freddy, Finley, Freya, Fai, Felix, Freda, Faolan, Frey, Feylynn, Faelynn, Failynn, Felipa, Febby, Febbie, Febie, Feby, Flynn, Fuji, Feiyu, Fukiko, Fumitaka, Fumito, Fuyuko

Griffin, Garnet, Gothi, Gertrude, Gabe, Grant, Giovanni, George, Gage, Gregory, Gabriel, Gabrielle, Guy, Gilbert, Guadalupe, Gerry, Grey, Gray, Gia, Grace, Gracian, Gracis, Gracie, Gretel, Gideon, Griffilow, Ghost, Ghazaleh, Gavin, Gryphon, Griffith, Goliath, Grayson, Greyson

Harmony, Hannah, Harlei, Harlie, Haritha, Haris, Harry, Harlan, Harvey, Hadrian, Harley, Hari, Harlow, Howl, Hank, Harper, Herbert, Humphrey, Hestia, Helios, Hephaestus, Hollis, Hunter, Hero, Henry, Helda, Hajar, Hasta, Hadis, Howard, Howie, Hannan, Haoyu, Hisako, Hachi, Hiroto, Hoshiko, Honoka, Hiroshi, Hiro, Haitao, Hamako, Haruhi, Harue, Hayate, Hide, Hideyo, Hidetaka, Hisaye, Hisayo, Heiji, Higari

Ivy, Ivey, Ivo, Ida, Iris, Ilyssa, Illy, Irene, Iren, Isaiah, Ira, Idelle, Ivan, Illaoi, Isabel, Isabell, Isabelle, Isobell, Isabella, Ismelda, Io, Ismael, Isolt, Icarus, izuru, Isamu, Itona, Ichiro, Ichiko, Ichigo, Isoko, Ishiko, Isaye, Inari, Ikuko, Itsuki, Itsuko, Inosuke

Juniper, Jupiter, Jinx, Jamie, Javier, Josiah, Joan, Jake, Julia, Jamil, Jamila, Jesse, Jessie, Jess, Jasper, Janus, Jordan, Joshua, Julian, Juilliard, Julius, Juliana, Jeremiah, Jace, June, Junebug, Jazzy, Jackson, Jackie, Jackalynn, Jodie, Johnnie, Jan, Jaime, Jason, Jorge, Justin, Justice, John, Jay, Janelle, James, Jennifer, Jillion, Jill, Jana, Jonah, Jaycee, Jaxen, Junpei, Jona, Jun, Jin

Kenneth, Kat, Kas, Kris, Keith, Kingston, Kaeton, Kingsley, Kent, Katherine, Kyle, Knox, Kristen, Kristin, Kristeen, Kylie, Kaylee, Kamila, Kehlani, Kendall, Kerry, Kry, Kenny, Kath, Kathleen, Krow, Kix, Kedrick, Kennon, Klaus, Killian, Korallia, Krank, Kaz, Kaede, Kirara, Katsuhiko, Keisuke, Kanako, Kenji, Kaemon, Kamin, Katsu, Kaki, Kazane, Kazuyuki, Kazushige, Kenta, Kei, Kimi, Kin, Kohako, Koichi, Kota, Koji, Koharu, Kosuke, Kuma, Kumi, Kuniko, Kuniyuki, Kideko, Kazuko

Lullaby, Lotte, Lapin, Lorelei, Loralai, Lorelai, Luna, Lily, Lucy, Lee, Liana, Lola, Lethe, Lance, Laurence, Luther, Luca, Lennon, Logan, Lennox, Ilias, Liu, Lui, Luis, Lefu, Liam, Lyall, Lowell, Luella, Leona, Leonie, Leon, Lev, Lincoln, Lin, Link, Laverna, Lazarus, Lewis, Louis, Louise, Levi, Leslie, Lesley, Leilana

Marley, Marlai, Mei, May, Mae, Marceline, Marshall, Marshalee, Millie, Mallorie, Marcela, Melanie, Maddison, Mary, Mirabel, Marsh, Murphy, Montgomery, Mildred, Memphis, Molly, Maverick, Maurice, Muiris, Morgen, Max, Moses, Marion, Merrill, Monroe, Melanthios, Maxwell, Matias, Melissa, Maëlle, Marlene, Meredith, Maybelle, Margaret, Maeve, Moss, Mara, Maria, Myrtle, Mona, Mark, Markus, Michael, Micheal, Michelle, Mahsa, Minoo, Mehdi, Mohammad, Matin, Morpheus, Marlowe, Monica, Marilia, Magnus, Malachi, Malachy, Maggie, Makoto, Megumi, Mio, Maemo, Maemi, Masa, Masaaki, Masashi, Michi, Midori, Michinori, Momo, Motoko

Natasha, Noelle, Noni, Neville, Nixon, Neda, Natalio, Ned, Nausicaä, Noxis, Nova, Nathen, Newt, Noah, Nash, Nox, Nathara, Nathaira, Nathair, Nyoka, Nagisa, Nathan, Nate, Nik, Nick, Naohiro, Naoko, Nara, Natsu, Naoya, Nishi, Nobuko, Nori

Olindo, Ollie, Oliver, Ophelia, Odysseus, Orion, Osono, Oxen, Onyx, Otto, Ottoline, Otitile, Ottavia, Octavio, Olivia-Marie, Oakley, Omar, Olivia, Oscar, Octavian, Octavia, Oz, Octavius, Otta, Oisin, Orson, Orlos, Osiris, Owen, Odalis, Odell, Ozuru

Penelope, Patton, Paddy, Percy, Paulie, Page, Pazu, Phoebe, Phebe, Prairie, Porter, Parlay, Pally, Piper, Parker, Payton, Phil, Paul, Philip, Pyre, Piers, Phylis, Patricia, Payne, Payneton, Pip

Quinn, Quincy, Quil, Quinley, Quinstin, Quinlan, Quillen, Quavon, Quaylon, Quensley, Qing, Qrow, Quilla, Quianna, Quita, Qiao, Quinella, Queenie, Qaylah, Qailah, Qitarah, Quenby, Qadira, Qudsiyah, Quan, Qian, Quinby, Quella

Roseline, Raul, Rahul, Rafael, Roque, Rogelio, Remmy, Rei, Rey, Ray, Robin, Ro, Reika, Rowen, Rowan, Rose, Rosie, Ralsei, Riley, Remus, Rosalyn, Rosalin, Rosaline, Renata, Ron, Rat, Ratt, Reef, Roxy, River, Reed, Rufus, Robbie, Renee, Rivia, Ross, Rex, Ruth, Rosemary, Rosabe, Rosabee, Rosabell, Rosabelle, Rosabel, Rai, Rain, Rosella, Rosalie, Rhody, Robert, Raelinn, Rebane, Ren, Rollin, Ralph, Roxanne, Rox, Roderick, Reginald, Reggie, Rio, Ryu, Ryo, Ryoji, Rinmaru

Sage, Sam, Syd, Selkie, Storig, Sal, Sirius, Summer, Susie, Scott, Sunni, Sosuke, Sophie, Satsuki, Sheeta, San, Sulley, Sully, Savannah, Sappho, Selene, Shaw, Sean, Seán, Shaun, Sawyer, Sabrina, Sebastian, Shane, Stan, Socks, Snom, Stolas, Spencer, Sammie, Stevie, Samus, Sarff, Sullivan, Seth, Susiebell, Susiebelle, Sadreddin, Shellaine, Sverre, Saoirse, Sylvania, Sanae, Silas, Sumi, Shiori, Shinzu, Sile

Toby, Tobias, Teddy, Ted, Tomas, Thomas, Tomothy, Tyche, Taiga, Tundra, Tracy, Timothy, Troy, Tatum, Tommie, Tommy, Theia, Tae, Trix, Trixy, Thanathos, Tod, Todd, Toddy, Tora, Torie, Theodore, Theo, Theophania, Talos, Thanatos, Teddy, Tomohito, Tazu, Tanjirou, Touya

Ulysses, Urijah, Uriyah, Urina, Ukiah, Ulnar, Ursula, Ulric

Virgil, Vanessa, Vito, Venacio, Vylad, Veronica, Valentina, Violet, Velma, Venus, Verna, Veld, Victoria, Victorie, Vinyl, Vincent, Vasuki, Vex, Valor, Valentine, Valerie, Valeria, Valerius, Vitoria, Vic, Victor, Vik, Vikktor, Viktor, Vick, Vicky, Vicke, Vickie, Vidya

Wynn, Willow, Warren, Wilbur, Wylie, Will, Walle, Whisp, Wade, Wendell, Wendy, Willard, Wes, Wallace, Wilber, Wyatt, Wybie, Wynnie, Wennie, Winnie, Wynnston, Wynston, Wynsten, Wiles

Xenophon, Xuan, Xio, Xori, Xanthos, Xander, Xavier

Yen, Yukio, Yae, Yoko, Yume, Yaeko, Yui, Yuzuki

Zane, Zana, Zion, Zachary, Zach, Zachariah, Zander, Ziana, Zoe, Zula, Zenix, Zenith, Zaharia, Zaria, Zack, Zakaeia, Zara, Zakaria, Zev, Zaira, Zanata

[heartfullofleeches]

Can we get more of your Yan OCS ethnicity/race? V's was a lil surprising ngl.

It's been established V and K are Italian. Both Liu and Selene have French backgrounds - Liu is from Louisiana and Selene's grandparents on her father's side moved when he was a child. Liu is African American along with Miller, Harper, Erin, Spencer, Ben, and Theodore. Erin, Ben and Spencer are mixed as Caroline is white. Harper is mixed as well as her mom was Cuban. Devlin and Alasdair are English. Elliott is of German descent

[the-edge-of-the-earth]

hello and welcome to no control!!!! this is an au managed by @bugthebugsblog and @mccall-me-maurice!

this blog’s plot is entirely run by asks. send 1, send 10, send 100! it’s up to you guys to discover more about these people :)

list of ocs available for asks:

Horus

Maykel

Anubis

Theo

Fikru

Artem

Kokebe

Casildo

Labbo

Hadees

Chenido

Vue

Hausa

Julien

Hussain

Rong

Chibu

Anil

Noro

Dagur

Galaan

Crisanto

Ji’aa

Colm

Liban

Kulap

Magan

Cayo

Adeleke

Toklo

Damola

Cilmi

Darany

Mikala

Rainsey

Giat

Baihu

Horus

Kai

Eeya

Isko

Adisorn

Luntian

Edosio

Banyu

Conan

Vikal

Erno

Hinata

Aante

Naoki

Ikal

Atsawin

Enlai

Jai

Vicente

Hadees

Mato

Senin

Juliste

Erden

Bean

Nugai

Tobias

Hai

Dion

Junjie

Tommey

Chai

Odina

Nakhon

Claudio

Lan

Taras

Pin

Alasdair

Dae-Hyun

Theo

Jae-sung

Ori

Noe

Adriel

Izan

Elek

Illuka

Valentim

Kaiya

Kerem

Dasodaha

Desta

Eskinospas

Oyelowo

Jistu

Raya

Mohe

Klement

Kallik

Korau

Nuniq

Sang-ook

Kainalu

Cairo

Lehua

In-su

Tokala

Mylan

Kele

Stefano

Ishkode

Phuc

Mikom

Aliko

Songaa

Elmar

Utah

Bela

Yahto

Timur

Akecheta

Klaus

Naji

Kasper

Aladdin

Amari

Dev

Erno

Karam

Dmitriy

Ashkan

Jelle

Mirza

Mathias

Zeke

Rago

Bane

Ölvir

Jericho

Aurelian

Zafir

Denali

Rayan

Nino

Sami

Rathana

Casildo

Feliciano

Taz

Emerho

Firas

Matheo

Kadin

Odion

Django

Tadele

Patrin

Rooble

Idris

Akio

Sofian

Oktai

Emir

Emilis

Jinan

Deri

Fitz

Vit

Olly

Camilo

Eddie

Alvize

Jasper

Pin

Janek

Ehsan

Alois

Athansios

Jelle

Danilo

Kaj

Nasir

Mihkel

Olowan

Aivo

Abnus

Aapo

Oleg

Niko

Thoma

Noël

Koa

Rainier

Elsu

Wolfgang

Alawa

Klaus

Arif

Orpheus

Alfie

Orion

Kirra

Tamas

Netra

Tomi

Anatoile

Leif

Vasilis

Håkon

Heba

Blaine

Nori

Murphy

Akil

Dino

Carmine

Gino

Atka

Emīls

Altan

Rodrigo

Nicolas

Titas

Qui

Filip

Carmela

Nikolai

Modris

Mímir

Idris

Zenon

Nour

Cibor

Ademola

Sebastião

Elliott

Tiago

Kravann

Lev

Eetu

Andrei

Corneliu

Fabio

Zero

Valerio

Tomas

Fyfe

Dwi

Jack

Noa

Teo

Nokomis

Pacífico

Cadmel

Eskil

Atheer

Jager

Ziad

Volkan

Eessa

Efe

Ludis

Yuri

Fath

Fedir

Krish

Caio

Lok

Elwyn

Aurang

[crushcandles]

13 Books Meme

Thanks for the tag @littlestsnicket! Tagging @major-trouble @samstree @zambonirider & @candybarrnerd to give me passive recs in the form of this meme.

What’s up readers?! How about a little show and tell? Answer these 13 questions, tag 13 lucky readers and if you’re feeling extra bookish add a shelfie! Let’s Go!

1) The Last book I read: I finished Poor Things by Alasdair Gray and My Heart is a Chainsaw by Stephen Graham Jones basically back-to-back 2) A book I recommend: The fact that As Meat Loves Salt by Maria McCann isn't WILDLY popular on tumblr with people who like fucked-up queer fiction is a shame 3) A book that I couldn’t put down: Tender is the Flesh by Agustina Bazterrica 4) A book I’ve read twice (or more): Fall on Your Knees by Ann-Marie MacDonald 5) A book on my TBR: Dead Blondes and Bad Mothers by Jude Ellison S. Doyle 6) A book I’ve put down: Wintering by Katherine May 7) A book on my wish list: I'd love to start collecting volumes of Killing Stalking by Koogi 8) A favorite book from childhood: Any and all Animorph books 9) A book you would give to a friend: The Song of Achilles (of course) 10) A book of poetry or lyrics that you own: Crush by Richard Siken (of course of course) 11) A nonfiction book you own: The Poisoner's Handbook by Deborah Blum 12) What are you currently reading: Nothing! I went two whole weeks without a book. 13) What are you planning on reading next? I just picked up Grey Dog by Elliott Gish from the library. I don't remember why I put it on hold but I'll find out!

[abelkia]

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : Pandit Pran Nath "Raga Todi" (Ragas of Morning & Night/Gramavision/1968-1986) Bobby Callender "Purple" (Rainbow/MGM Records-Akarma/1968) Owen Pallett "E Is For Estranged" (Heartland/Domino Recording Company/2010) Tindersticks "Ballad of Tindersticks" (Curtains/This Way Up/1997) Borja Flames "Suspicion" (Nuevo Medievo/Murailles Music-Les Disques du Festival Permanent-Le Saule/2022) François de Roubaix "Megève Mont d'Arbois" (Du Jazz à l'Electro 1965-1975/Pucci Records/2022) LEM "Les photos" (7"/Heroika/2000) Fad Gadget "Back to Nature" (7"/Mute Records/1979) The Thai Orchestra (Siamese Temple Ball) "Track 1" (The Thai Orchestra/Mississippi Records/2000-2007) Orchestre Volta-Jazz "Peyrissac" (Air Volta/Numero Group/1977-2022) Alasdair Roberts "Europe" (The Fiery Margin/Drag City Records/2019) Elliott Smith "Alameda" (Either / Or/Kill Rock Stars/1997) Lou Barlow & Abby Barlow "Run to You" (Another Collection of Home Recordings Red House Painters "Take Me Out" (Red House Painters/4AD/1993) Céline Lory, "C'était quoi" (Single Alone (Series)/Autoproduction/2022) Alain Kan "Les blouses blanches" (Heureusement en France, on ne se drogue pas/Les Disques Motors/1976) Esperenza Gustino & Son Orchestre "Dansons la Bostella" (12"/Virgin/1965-2000) Cristina "Baby You Can Drive My Car" (7"/ZE Records/1980) Arlt "Le Renard" (Turnetable/Objet Disque/2022) Ivan Tirtiaux & Claire Vailler "Le grand Lustucru" (L'Oasis/Le Furieux/2019) Leonard Cohen "Lover Lover Lover" (New Skin for the Old Ceremony/Columbia Records/1974) https://www.instagram.com/p/CjF4dzbNaJc/?igshid=NGJjMDIxMWI=

[hellocanticle]

Poul Ruders’ Fifth Opera is Another Gem from Bridge Records

Poul Ruders’ Fifth Opera is Another Gem from Bridge Records

Bridge 9257

Bridge records is an outstanding company which has taken on the production of several “complete works” sets of some of the finest 20th and 21st century composers (Elliott Carter, George Crumb, Harry Partch et al).  A combination of excellent scholarship, top notch musicians, and state of the art recording techniques virtually assures that these will be definitive productions.  Any…

[thestageyshelf]

SOLD 🎭 Urinetown @ St James Theatre 2014 (#164)

Title: Urinetown

Venue: St James Theatre

Year: 2014

Condition: Good condition

Author: Music and Lyrics by Mark Hollmann. Book and Lyrics by Greg Kotis

Director: Jamie Lloyd

Choreographer: Ann Yee

Cast: Jonathan Slinger, Karis Jack, Richard Fleeshman, Jenna Russell, Matthew Seadon-Young, Julie Jupp, Madeleine Harland, Jeff Nicholson, Katie Bernstein, Aaron Lee Lambert, Cory English, Rosanna Hyland, Adam Pearce, Marc Elliott, Mark Meadows, Simon Paisley Day, Chris Bennett, Alasdair Buchan, Joel Montague, Jo Napthine, Charlotte Scott

FIND ON EBAY HERE

[kenzonet]

Ella Has a Full Life - TrueCar from Moth on Vimeo.

We teamed up with Hornet to create a completely new campaign and direction for one of America’s biggest new and used car platforms, TrueCar.

Production Management: Hornet

Executive Producer: Hana Shimizu Producer: Ethan Christy Live-Action Director: Daniel Fries

Animation and Production: Moth Studio

Directed by Moth Studio Producers: Isobel Stenhouse, Moth Studio

Designed Léonie Després, Théo Guignard, Donghyun Lim, Emmanuelle Walker, Moth Studio

2D Animation Bianca Beneducci Assad, Hozen Britto, Rory Byrne, Marah Curran, Anne Escot, Aaron Lampert, Eamonn O'Neill, Slaven Reese, Sheetal Thankey, Emmanuelle Walker, Moth Studio

Clean up Bianca Beneducci Assad, Hozen Britto, Harriet Buckley, Marah Curran, Anne Escot, Aaron Lampert, Christina Nerland, Eamonn O'Neill, Angeline de Silva, Isobel Stenhouse, Sheetal Thankey, Emmanuelle Walker, Lior Wolff, Ash Wu, Moth Studio

CG Matteo Antoniella, Mark Ardisson, Klaas-Harm Boer, Moth Studio

Motion Graphics Alasdair Brotherston, Jeremy Carlen, Guillaume Cassuto, Victoria Jardine, Aaron Lampert

Compositing Alasdair Brotherston, Jeremy Carlen, Guillaume Cassuto, Victoria Jardine, Aaron Lampert, Moth Studio

Music Ambrose Yu

Sound Design Beatstreet Productions

Voice Over Alicia Marder, Nick Liebeskind

Production Year 2019/2020

Live-Action Production: Bombo Argentina

Executive Producer: Rocio Furmento Producer: Martin Rago 1st Assistant Director: Esteban Gomez Director of Photography: Christian Cottett Gaffer: Renzo Silvetti Key Grip: Sebastian Dellapaulera Production Design: Lorena Llaneza Wardrobe: Patricia Conta HMU: Alejandra Collivadino

Client: TrueCar

Lucas Donat - Chief Marketing Officer Shawn Bennett - Executive Producer Adam Pilkington - Creative Director/Editor Nick Liebeskind - Creative Director/Writer Robby Schaeperkoetter - Senior Director Samantha Marriott - Marketing Manager, Social Elliott Jobe - Photographer/There Studio Sven Shelgren - Producer/There Studio

[warninggraphiccontent]

29 March 2019

Happy Brexmas

What is there to say, really?

Visualising Brexit has kept us very busy at the Institute for Government this week - see all of the links below (and a useful summary from Aron, here). Though it did lead to us being called 'the Marina Hyde of charts' - thanks Alex!

One slender silver lining of Events This Week is being able to compare how we and various news outlets approached the same data and similar stories in different ways, with visualisations developing through the course of the week (the course of an evening in some cases) and different visualisations emphasising different stories.

So busy has it been this week that I haven't quite got around to posting a small sporting data side project (don't tell the government datasets, they'll get jealous). I'm sure next week will be quieter. (Ahem.)

And a reminder that the IfG is hosting the first in a series of monthly meet-ups on exciting data projects next Wednesday - join us in person or via livestream to hear more from the ONS Data Science Campus, the Ministry of Housing, Communities and Local Government, Ofgem and Vocalink on what they've been doing with data.

Gavin

Today's links:

Graphic content

Brexit

The Brexit Effect: How government has changed since the EU referendum(Institute for Government)

What happened with the indicative votes last night? (Marcus for IfG, with more here - and what it all means, Maddy for IfG)

Here's how Government ministers voted - and part two (Alasdair for IfG - see also)

How did your MP vote in the indicative votes? (The Guardian)

MPs fail to agree on any Brexit plan B in indicative votes* (FT)

Indicative votes (Jack Orlik)

Indicative votes (Azeem Azhar)

Mapping Preferences over Brexit in the House of Commons (Alexandre Afonso - see also alternative version)

A few Brexit/Revoke maps and stats (Alasdair Rae)

What could happen next (Elliott for IfG)

Ministers and manoeuvres

Ministerial resignations (me, for IfG - and words in Prospect)

Government vacancies (Alasdair for IfG)

MPs seize control of #Brexit: Is Theresa May the weakest Prime Minister ever? (Telegraph)

Support for May falls again, but she is still seen as more Prime Ministerial than alternatives (Ipsos MORI)

Who should Tories choose to win them the next election? (YouGov)

Meanwhile

Last year saw living standards stagnate and poverty rise (Resolution Foundation)

Which occupations are at highest risk of being automated? (ONS)

The Surprising Winners and Losers of This Year’s Tax Season* (Bloomberg)

Population distribution: the people in the blue area outnumber the people in the grey area (MapScaping, via Aron)

The Asian century is set to begin* (FT)

EU parliament elections: country-by-country poll tracker* (FT)

Economic growth does not guarantee rising happiness* (The Economist)

About dataviz

Mistakes, we’ve drawn a few: Learning from our errors in data visualisation (The Economist)

This is a really nice demonstration of the aggregation issue inherent in bar charts (via Jon Schwabish)

#Malofiej, #Malofiej27

A decade of the Datablog: 'There's a human story behind every data point' (The Guardian)

Meta data

Street lights

Street lighting in suburban London: a parable for digital government(Richard Pope)

Future shock: inside Google’s smart city* (FT)

How Google’s Bad Data Wiped a Neighborhood off the Map (Caitlin Dewey, OneZero)

The future of city innovation (Bloomberg Cities)

People

Campaigners cry foul over NHS Digital plans to grant policy wonks and researchers access to patient-level data (The Register)

The future of digital identity (Government Digital Service)

“We are not the user”: How consultation and continuous improvement drive the ONS website (National Statistical)

Scientists Like Me Are Studying Your Tweets—Are You OK With That?(Casey Fiesler, How We Get To Next)

Protecting privacy in practice: The current use, development and limits of Privacy Enhancing Technologies in data analysis (Royal Society)

AI

AI and Public Standards (CSPL)

Why CSPL are reviewing artificial intelligence in the public sector(CSPL, via Graham)

Inmates in Finland are training AI as part of prison labor (The Verge)

Government

Radical visions for the future of government - we want your ideas! (Nesta)

Free satellite data available to help tackle public sector challenges (UK Space Agency)

Use of statistics in public discourse: the example of policing statistics(Office for Statistics Regulation)

Podcast: How has digital changed public sector organisations?(Government Digital Service)

Opportunities

EVENT: Increasing trust in data: could 'data trusts' help? (Open Data Institute)

EVENT: OneTeamGov Bureaucracy Hack Ticket Application(OneTeamGov)

JOB: Commission Director (Geospatial Unit)

APPOINTMENTS: Commissioners (Geospatial Commission)

JOBS: International development and data (ONS/DfID)

And finally...

Hacking Social Media to Tell Meaningful Data Visualization Stories: Exploring Anxiety with Embroidery (Jane Zhang, via Johnny)

Decode Lyrics in Pop Music: Visualise Prose with the Songsim algorithm(The Lucid Manager, via Johnny)

Before the internet, they would create infographic parades and march their data right past the locals (Myko Clelland)

The Stages of Relationships, Distributed (FlowingData)

Tonight’s #IndicativeVotes as seen by #LibDems (Callum James Littlemore)

Blockchain (Anil Dash)

[thexxplace]

As The xx gear up to tour their new album, I See You, Oliver Sim reflects on a new version of himself

It was during The xx’s residency at New York’s Park Avenue Armory in March 2014 that Oliver Sim found out what stardom really looks like. “Those shows were crazy,” he says of their 25 performances at the former military headquarters on the Upper East Side. “The response we got, the people who came, the whole experience was mind-blowing.” Each night - at an event more like an art installation than a gig - the band performed encircled by an audience of just 40 people, who watched them play in complete silence. On the last night, A-list attendees included Jay Z, Beyoncè, Björk, Anohni and filmmakers Wes Anderson and Noah Baumbach. “Throughout the show I was facing (co-vocalist) Romy, and Madonna was standing directly behind her,” he says, reliving the moment. “Every time my gaze went up an inch, I was staring straight at her. It was surreal.”

Recognition and the sense of worth it brings is a central theme of The xx’s stunning new album, I See You. Recorded in Texas, New York, Los Angeles and Reykjavik as well as London, it sees this extravagantly talented South London trio - Sim, co-vocalist/guitarist Romy Madley-Croft and programmer Jamie Smith  - fully embracing their role as global players. “We wanted songs we could sing out,” says Sim, acknowledging the gaivanising effect Smith’s solo success with the rave-centric In Colour as Jamie xx had on the band. “We feel a lot more confident now. We want people to connect with the music and with us as people.”

While its predecessors - 2009′s xx and 2012′s Coexist - only contained arrangements the band could reproduce live, I See You is full of sonic surprises. From brassy opener Dangerous and the Hall & Oates sampling On Hold to the spooked space-gospel of Test Me, it nods to club culture while maintaining their trademark emotional intensity. As we’ll discover, however, for pop’s premier wallflowers learning to look the world in the eye hasn’t been easy.

London Fields, 3 January 2017, and the sky is the colour of flooded ashtray. It’s the first day back at work after the holidays, and a chance to catch up on the events of the last fortnight. Like the rest of the music community, Sim is still reeling from the death of George Michael on Christmas Day. For The xx, the star’s music holds a special significance. When Sim and Madley-Croft started making music as naïve 14-year-olds at the music-focused Elliott School in Putney, an early staple of their set was a cover of Wham’s Wake Me Up Before You Go-Go. “I’m a huge fan, we did it because that song is fun,” he says. “It was easier in the beginning to take ourselves not too seriously.” You sense that Michael must have loved The xx. With its minimalist beats and murmured vocals, their debut ushered in a new kind of suburban soul music: intimate, yet desolate. Sultry and seductive, the intertwining voices of Sim and Madley-Croft made the listener feel as though they were eavesdropping on private conversations as they quarrelled, confessed and made up. Yet  the simmering sexual tension was illusory - both, like Michael, are gay.

Winner of the Mercury Prize and one of only three gold-certified debuts by a British band in the last decade - along with Mumford & Sons, and One Direction - The xx’s stripped-bare sound quickly became a byword for understated cool. Sampled by Rihanna for Drunk on Love, covered by Shakira and an atmospheric staple of TV (CSI, Grey’s Anatomy, Gossip Girl), their ability to express complex emotions in a simple way was summed up by Kanye West after one of the armory shows. “He told us that our music reminded him of Steve Jobs, who’d taken something as big as the computer and put it into a cell phone,” says Sim with a grin. “Was he right? It’s not really for me to say, is it?”

Oliver Sim, 26, has the languid delivery of a late-night radio DJ and the dashing good looks of a 40s matinèe idol. Scrupulously polite, he exudes a warmth rarely found in pop stars. He’s also immaculately dressed. Today his 6ft 2in frame comes swathed in black turtleneck, trousers and boots, all by Ann Demeulemeester, giving the impression that he’s arrived off the catwalk rather than from his East London flat, ten minutes away. He modelled for Dior Homme last year, and is passionate about the relationship between fashion and music. “I think they can feed into each other so much,” he says, citing the example of gender-fluid Venezuelan producer Arca as someone willing to push the sartorial boundaries. “One of my favourite movies is Depeche Mode 101. Seeing these English musicians walking around small-town America in fetish gear - it’s such a bold image.”

A teenage fan of James Dean - “I liked the Hollywood rumours about him; the love affairs with men, that he was a masochist” - Sim’s firs pop-star crush was Chris Isaak. “I remember seeing the video for Wicked Game and thinking, ‘Now that is a cool man,’“ he recalls. “I had the same feeling when I saw Josh Homme. They made me excited, made me think, ‘That’s how I want to be.’“

Equally inspired by the look of 90s R’n’B artists The fugees, D’Angelo and En Vogue - “I’ve never seen wearing black as a goth thing, to me it’s chic” - his own signature look is central to The xx’s carefully cultivated image. “The xx do simple things very well,” explains Imogen Snell, creative consultant at label Young Turks. “They’re consistent and there’s a wonderful confidence to that. Oliver personally has a wide appeal. He’s confident, charming and beautiful, but also has a wonderful gentle sensitivity - as well as being incredibly down to earth and kind.” If Sim appears to have been born with impeccable taste, blame his parents. Raised in a council flat in South London by his mum (a social worker) and father (a charity administrator), he was encouraged to express himself from an early age. His dad - a fan of Talking Heads - brought him his first bass, while his mum took him to his first gig, The White Stripes at Brixton Academy.

Friends with Madley-Croft since nursery school - their parents were close - it was natural for the pair to play music together. Both cripplingly shy, they would initially exchange song ideas by email, with no ambition, at least on Sim’s part, to take it any further. “I left school thinking I wanted to be a nomad,” he says, almost wistfully. “Free-floating. Of course things didn’t work out like that.”

Signed by record label XL at 17, The xx were internationally famous while still teenagers. “We had no idea what was going on. We were thrown into it,” he says, recalling a rabbit-in-the-headlights showcase at New York’s CMJ in October 2009, reviewed by Pitchfork with the words: “Their live presence is not exactly dynamic.”

“We were promoting the album and we just didn’t have the answers,” he remembers. “Where does the simplicity come from? Where does the space come from? The truth was that those things happened through mistakes, who we are as people, and our own limitations.”

When The xx’s global touring commitments finally came to a close in 2014, Sim suddenly found himself at a loose end. “It was the most anti-climactic feeling,” he says, running his fingers through his hair. “We’d been on the road for so long with a tour manager looking after us and telling us where to go and suddenly I didn’t have that.” With Madley-Croft temporarily relocating to Los Angeles and Smith promoting In Colour worldwide, Sim filled the void by plunging headlong into the capital’s nightlife. “I wanted to celebrate being back in London - get a bit of life in me,” he says, choosing his words carefully. “I wouldn’t change it, but it wasn’t necessarily successful. I learned that I need something: not a routine, but a structure. Being idle is not my friend. I did a lot of regrettable things...” This self-destructive side of his personality reveals itself on I See You. “Am I too needy, am I too eager?” he sings in Say Something Loving, while the spectral Replica hints at an uncomfortable reconciliation. “Twenty-five and you’re just like me,” he sighs. “Is it in my nature to be stuck on repeat?”

While he doesn’t go into details, it took private interventions from his band mates to make him seek help. He’s been off alcohol for a year. “I’m in the programme,” he says, referring to the 12-steps of the AA. “I go to meetings. It’s fine. But I’m still figuring out how to celebrate.”

Spending an hour with the sparky, energised Sim, it’s clear sobriety suits him. He enthuses about Duncan Macmillan’s 2016 play about addictive urges, People, Places and Things and cites Trumbo - about blacklisted Hollywood screenwriter Dalton Trumbo - as the last film he saw; his New Year’s resolution, he says, is to “read more”. Being clean has also brought some unexpected bonuses. When The xx played across Europe in December, it was the first time he’d played live without having had a drink. “Booze took away a lot of nerves but it also dampened the highs,” he explains. “I’m not sure if it’s a spiritual thing, but when I’m up there it’s really intense. The connection with the audience is the strongest thrill there is.”

It’s time to go but there’s one last thing. Rather than play arenas in support of I See You, Sim explains they’re deliberately playing smaller, more intimate venues, including a record-breaking seven-night run at Brixton Academy. For Sim these shows will have a special significance. “I can still remember staring Jack White in the face,” he says, recalling the thrill of seeing The White Stripes there at 14. “Those are the nights you don’t forget. The album title is a message to the fans, saying that we can definitely spot them when we’re on stage.”

For Oliver Sim - songwriter, musician, model, A-list magnet and all-round pop visionary - it’s all about recognition. He says goodbye, offers a firm handshake, and strides away down the corridor. He’s got people to see.

(Interviewed by Paul Moody. Photos by Alasdair McLellan)

[heartfullofleeches]

How would your ocs feel if I ( a five foot nothing chick) called them a short stack of pancakes

Picks you up and pins you against the wall like that one picture: Mono, Orion, Gemi, Spencer, Host, Bear, Bell

"Haha you're so funny" -pats your head-: Liu, The Executioner, Host, Verona, Salem, Casper, Theodore, Dea, Selene, Wisteria, Zachary, Joie

Weird flex but okay/doesn't care: Alasdair, Maddox, Static, Travis, Elliott, Clementine, Pin, Donnie, Ben

How fucking dare you: Thane, Erin, Caroline, C.C, Saber

Starts crying: Baron, C.C, Sucrose, Gemini

Starts crying just because you talked to them: Mocha, Dea

Is "short" and accepts the title: Cherry, Bo, Mimi

Is tall accepts the title: Prince, Spot, Baron (after a while)

[revisetapop]

Révise Ton 2003

Moyenne du chart : 3,79/5 > Pô mal

Matt Elliott - The Mess We Made - Slowcore Singer/Songwriter

Radiohead - Hail to the Thief - Alternative Rock Art Rock

Sufjan Stevens - Michigan - Chamber Folk Singer/Songwriter Indie Folk

Rachel's - Systems/Layers - Chamber Music Modern Classical

Robert Wyatt - Cuckooland - Canterbury Scene Avant-Prog Progressive Rock

Bonnie 'Prince' Billy - Master and Everyone - Americana Contemporary Folk Singer/Songwriter

Smog - Supper - Singer/Songwriter Indie Rock

Johnny Cash - Unearthed - Americana Country

The Microphones - Mount Eerie - Avant-Folk Psychedelic Folk

The Postal Service - Give Up - Indietronica Indie Pop

Tindersticks - Waiting for the Moon - Chamber Pop

The Shins - Chutes Too Narrow - Indie Pop

Magnolia Electric Co. - The Magnolia Electric Co. - Alt-Country

Yann Tiersen - Good Bye Lenin! - Film Score Modern Classical

Cat Power - You Are Free - Singer/Songwriter Indie Folk Indie Rock

The Strokes - Room on Fire - Indie Rock Garage Rock Revival

The Unicorns - Who Will Cut Our Hair When We're Gone? - Indie Pop

Belle & Sebastian - Dear Catastrophe Waitress - Indie Pop Chamber Pop Twee Pop

Damien Rice - O - Contemporary Folk Singer/Songwriter

Calexico - Feast of Wire - Americana Alt-Country

My Morning Jacket - It Still Moves - Indie Rock

The Fall - The Real New Fall LP: Formerly Country on the Click - Post-Punk

Sun Kil Moon - Ghosts of the Great Highway - Folk Rock Singer/Songwriter

Six Organs of Admittance - For Octavio Paz - American Primitivism Psychedelic Folk

M. Ward - Transfiguration of Vincent - Singer/Songwriter Americana Contemporary Folk

The White Stripes - Elephant - Garage Rock Revival Alternative Rock Blues Rock

The Decemberists - Her Majesty The Decemberists - Indie Pop Folk Rock

Okkervil River - Down the River of Golden Dreams - Indie Rock Folk Rock

Death Cab for Cutie - Transatlanticism - Indie Pop Indie Rock

Elbow - Cast of Thousands - Indie Rock

Califone - Quicksand/Cradlesnakes - Alt-Country

Rufus Wainwright - Want One - Chamber Pop Singer/Songwriter

José González - Veneer - Singer/Songwriter Contemporary Folk Indie Folk

Ween - Quebec - Alternative Rock Psychedelic Rock Art Rock

The Books - The Lemon of Pink - Folktronica

Boris - Boris at Last -Feedbacker- - Drone Metal Drone Noise Rock

Massive Attack - 100th Window - Trip Hop

The Wrens - The Meadowlands - Indie Rock

The Innocence Mission - Befriended - Folk Pop

Alasdair Roberts - Farewell Sorrow - Contemporary Folk Folk Rock

Super Furry Animals - Phantom Power - Neo-Psychedelia Progressive Pop Indie Rock

Ulrich Schnauss - A Strangely Isolated Place - Downtempo

The Radio Dept. - Lesser Matters - Dream Pop Indie Pop

Explosions in the Sky - The Earth Is Not a Cold Dead Place - Post-Rock

Great Lake Swimmers - Great Lake Swimmers - Contemporary Folk Indie Folk Slowcore

Herman Düne - Mas Cambios - Indie Folk Anti-Folk

Vive la fête - Nuit blanche - Electropop Electroclash

The National - Sad Songs for Dirty Lovers - Indie Rock

Jay-Z - The Black Album - East Coast Hip Hop

Nacho Vegas - Cajas de música difíciles de parar - Folk Rock Singer/Songwriter

[pontoondock]

Dear @BBCNews. A list of former political party leaders you can interview if you get bored of @Nigel_Farage

Dear BBC News.

Here are a list of the living former leaders of all the political parties that currently have MPs who sit in the House of Commons [1]. So you don't always have to go to Nigel Farage for a comment:

Conservative Party

John Major

William Hague

Iain Duncan Smith

Michael Howard

David Cameron

Labour Party

Neil Kinnock

Tony Blair

Gordon Brown

Ed Miliband

Harriet Harman [2]

Margaret Beckett [2]

Scottish National Party

Alex Salmond

John Swinney

Gordon Wilson

Liberal Democrats

David Steel

Bob Maclennan

Paddy Ashdown

Menzies Campbell

Vince Cable

Nick Clegg

Democratic Unionist Party

Peter Robinson

Plaid Cymru

Ieuan Wyn Jones

Dafydd Wigley

Dafydd Elis-Thomas

SDLP

John Hume

Mark Durkan

Margaret Ritchie

Alasdair McDonnell

Ulster Unionist Party

Tom Elliott

Reg Empey

David Trimble

UK Independence Party

Alan Sked

Craig Mackinlay [2]

Michael Holmes

Jeffrey Titford

Roger Knapman

Malcolm Pearson

Diane James

Green Party of England and Wales

Natalie Bennett

[1] https://en.wikipedia.org/wiki/House_of_Commons_of_the_United_Kingdom [2] Were 'acting' leaders

[aboutanimation]

TrueCar "Jesse" Director - Moth from Hornet on Vimeo.

TrueCar, one of America's biggest digital automotive marketplaces, came to Hornet and Moth to create a series of films that would highlight the functionality of the TrueCar product with warmth and humanity. Moth responded with a series of films focusing on four leading characters, each of which paints a compact but illuminating story that shows how the tailored experience of TrueCar fits each of them seamlessly.

Director Moth Client TrueCar Production Co Hornet Executive Producer Hana Shimizu Producer Ethan Christy Live-Action Director Daniel Fries

CLIENT Chief Marketing Officer Lucas Donat Executive Producer Shawn Bennett Creative Director/Editor Adam Pilkington Creative Director/Writer Nick Liebeskind Senior Director Robby Schaeperkoetter Marketing Manager, Social Samantha Marriott Photographer/There Studio Elliott Jobe Producer/There Studio Sven Shelgren ANIMATION & PRODUCTION Producers Isobel Stenhouse, Moth Studio Designed Léonie Després, Théo Guignard, Donghyun Lim, Emmanuelle Walker, Moth Studio 2D Animation Bianca Beneducci Assad, Hozen Britto, Rory Byrne, Marah Curran, Anne Escot, Aaron Lampert, Eamonn O'Neill, Slaven Reese, Sheetal Thankey, Emmanuelle Walker, Moth Studio Clean up Bianca Beneducci Assad, Hozen Britto, Harriet Buckley, Marah Curran, Anne Escot, Aaron Lampert, Christina Nerland, Eamonn O'Neill, Angeline de Silva, Isobel Stenhouse, Sheetal Thankey, Emmanuelle Walker, Lior Wolff, Ash Wu, Moth Studio CG Matteo Antoniella, Mark Ardisson, Klaas-Harm Boer, Moth Studio Motion Graphics Alasdair Brotherston, Jeremy Carlen, Guillaume Cassuto, Victoria Jardine, Aaron Lampert Compositing Alasdair Brotherston, Jeremy Carlen, Guillaume Cassuto, Victoria Jardine, Aaron Lampert, Moth Studio Music Ambrose Yu Sound Design Beatstreet Productions Voiceover Alicia Marder Nick Liebeskind Live-Action Production Bombo Argentina Executive Producer Rocio Furmento Producer: Martin Rago 1st Assistant Director Esteban Gomez Director of Photography Christian Cottett Gaffer Renzo Silvetti Key Grip Sebastian Dellapaulera Production Design Lorena Llaneza Wardrobe Patricia Conta HMU Alejandra Collivadino

[gatheredinamber]

Occasional links 2019-09-08

A couple of reviews of The Fiery Margin:

Mike Elliott for Americana UK

unnamed writer for Disco Club Parma (in Italian)

This podcast by William Dart of Radio New Zealand takes the less well-trodden path through Alasdair’s career. Dart has listened very carefully, and anyone who cares about Alasdair’s music will find new ideas and perspectives. Well worth 28 minutes of your time.

[joaquimblog]

Mikeldi Atxalandabaso, Christopher Maltmann, Alasdair Elliott, Mario Luperi i Martin Mitterrutzner

Bryn Terfel

Laura Polverelli, Barbara Frittoli, Laura Giordani i Judit Kutasi

Daniel Harding

Torna Falstaff a IFL, una de les òperes recurrents, com també ho són del catàleg verdià, Otello, Don Carlo, I Vespri Sicilianni o òbviament la trilogia popular, tret que aquestes tres en ser molt més programades no són tan necessàries per a la meva subsistència.

La versió que avui ens ocupa està signada per un dels grans directors del moment, l’anglès Daniel Harding al capdavant de la luxosa orquestra de la Radio Bavaresa i un equip de cantants, sinó indiscutibles, si de nivell per oferir una versió d’equip perfectament equilibrada i on tos funcionen, malgrat el desgast de Terfel, que el supleix amb la seva proverbial actuació escènica, tot i que la versió és concertant tot i que jo m’estimaria més dir sense escenografia, perquè hi ha tot un  simple però efectiu moviment escènic al darrera, al davant i per els laterals del hemicicle de la sala Philharmonie im Gasteig de Munich.

Terfel pateix, no tenia el millor dels dies, emetent notes fixades o aguts calats o curts, també mostra un esgotament vocal que fa oscil·lar la veu quan ha d’emetre notes sostingudes, tot plegat en un altre cantant seria motiu de preocupació però en el seu cas,, sap com revestir les carències o absències de teatralitat envoltant una creació dramàtica d’alt nivell interpretatiu i de sàvia experiència. El seu Falstaff funciona encara molt bé i continua sent l’absolut centre de tota la representació. El baix-baríton gal·lès és un dels grans Falstaff que es recorden i només veient l’actuació escènica en una producció on no et distreu cap parafernàlia escènica o genialitat d’una producció escènica del divo de torn, encara té més mèrit.

Un magnífic Ford de Christopher Maltmann, el Fenton massa lleuger (pel meu gust) de sonoritats nasals i afectades de Martin Mitterrutzner (per què no ho canta un tenor líric jove i  sempre acaba sent un líric lleuger?), uns espaterrants Pistola i Bardolfo de Mario Luperi i Alasdair Elliott, al costat d’un eficaç Dr Cajus de Martin Mitterrutzner, conformen un equip masculí solidíssim i eficaç.

Les senyores no es queden enrere ja que Barbara Frittoli és una Alice consolidada, segura i que també dribla amb eficàcia els paranys d’una part de lírica ample. Laura Giordano fa alguna altra cosa que Nannetta a la seva carrera?. Ho fa bé, sense més perquè el timbre no l’ajuda gens a ser etèria. Magnífica la Quickly de la mezzosoprano romanesa Judit Kutasi i especialment lloable Laura Polverelli, una de les poques Meg audibles que recordo.

Tot perfectament engreixat que funciona com una perfecta maquinària de rellotgeria gràcies a l’experta i creativa direcció de Daniel Harding, plena de detalls que brillen amb fulgurants llampecs orquestrals de qualitat suprema. Un tempo viu, enèrgic i explosiu que dóna un sentit dramàtic molt teatral i una especial cura en la qualitat sonora d’una orquestra estratosfèrica, fan que la festa sigui festassa i estic segur que el mateix equip amb un altre director d’aquests que només llegeixen bé, no hagués obtingut aquest magnífic resultat.

Per els que encara creuen que en una òpera el director musical no té tanta importància com molts defensem, aquesta és una demostració exemplar.

Gaudiu-la

Giuseppe Verdi FALSTAFF

Bryn Terfel (Falstaff) Barbara Frittoli  (Alice Ford) Laura Giordano  (Nannetta) Laura Polverelli (Meg Page) Judit Kutasi (Mrs. Quickly) Mikeldi Atxalandabaso (Dr. Cajus) Alasdair Elliott (Bardolfo) Christopher Maltman (Ford) Martin Mitterrutzner (Fenton) Mario Luperi (Pistola)

Chor und Symphonieorchester des Bayerischen Rundfunks Leitung: Daniel Harding

Philharmonie im Gasteig München, 22 de gener de 2017

Demà us parlaré del Lohengrin a La Bastille, un dels esdeveniments de l’any, sense cap mena de dubte el que inaugura el desè aniversari de IFL i que aquí no podia quedar sense celebració.

FALSTAFF A MUNICH (Terfel-Maltman-Mitterrutzner-Frittoli-Giordano-Kutasi:SBR-Harding) Torna Falstaff a IFL, una de les òperes recurrents, com també ho són del catàleg verdià, Otello, Don Carlo, I Vespri Sicilianni o òbviament la trilogia popular, tret que aquestes tres en ser molt més programades no són tan necessàries per a la meva subsistència.