#Akira Takasaki

[ricfreak]

Seeing Reds ❤️

[queenofthemasquerade]

Loudness - Crazy Nights

[themetalmassacrevault]

[heavymetal-maniac]

[mikeladano]

REVIEW: Loudness - "Slap In the Face" (1991 Japanese CD single)

[kelin-is-writing]

kelin may i hear more about rockstar touya \(★ω★)/

I was planning to post other headcanons before going for these, BUT I’ve got some for Rockstar!Touya that are pestering my mind these days and your asks come in the right moment, so bear with me please 🤧

࣪𖤐�� ROCKSTAR!TOUYA

The first time Touya knew that he wanted to become a rockstar was in middle school, right at the age of thirteen, his influent CEO of a father was trying to mold him into a carbon copy of himself to rival Yagi Toshinori’s Enterprise. While taking a break from studies, he saw his sister watch on TV a rock concert of “Loudness” and to say Akira Takasaki is his role model is the least. That’s a true legend to him.

After “Loudness” and Akira Takasaki, he discovered “Metallica” and Kirk Hammett which made him go like “HOW??? HAVE??? I??? MISSED??? ALL??? THIS???”, scolding himself for taking so long to fall in love with the electric guitar and its sound. The next week he’s blasting full volume “The Final Countdown” by Europe inside the Todoroki Mansion like the good old stamp rock fanatic he is, getting himself scolded and grounded by Enji who is a fan of traditional Japanese music so yeah…

At one of the Todoroki family gatherings during the weekend, he was scrolling down his phone looking first of all where to take guitar lessons and second for a guitar to buy, but he knew his father would never agree to get him one. That’s when his grandfather, peeking at his grandson’s phone, butted in and asked Touya if he’s interested in music. He wasn’t sure if it was a good thing to answer that question, since he’s the father of his father, but he did and hell has it been the best thing he did!

On his fourteenth birthday, Enji’s father bought Touya his very first electric guitar, a good old Fender Stratocaster CUSTOM MADE for him. It’s snow white like his hair and has a his name engraved on the bottom left side of the guitar, while on the other side there were engraved tiger’s fangs, all in turquoise… The color of his eyes. And this has been by far Touya’s best birthday ever.

After finishing Middle School he choose to attend an Art School, taking the music classes as main classes of course; he may or not have done it to piss off and raise Enji’s blood pressure from how mad he got for choosing something different from Finances and Management. Oh his father was livid and Touya was so proud of himself for that.

He has formed a rock band, of which he’s the guitarist and vocalist, with Tenko Shimura (Bassist&Vocalist) and Shuichi Iguchi (Drummer) called “The Villains”… Are we even surprised about this name? Really? Because I am not. Tenko suggested, Iguchi supported strongly and Touya just went with it because complaining and thinking about another name was “Too much effort”. He likes it a lot but will never admit it.

At the age of nineteen, Touya owns a Fender Stratocaster (Custom Made), an Elite Stratocaster, an ST-83-80 Japan (1983) black, Lone Star Strat, IC350 black, IC50 black, ICHI00 white, Gibson SG Standard mahogany and a Jackson Pro Series DK Modern HT6 MS. He also owns four acoustic guitars for songwriting, like a Martin GPC-X1E, Martin 000-28 Modern Deluxe, Taylor GS Mini-e Rosewood SN LTD and a Taylor AD22e. Did he pay all them with Enji’s credit card? Hell yeah. Did he do it out of spite? Absolutely. Did he care about his father’s blood pressure rising even more? Not even remotely.

His favorite groups are Loudness, Metallica, Led Zeppelin, AC/DC, Europe, Scorpions, Slipknot, Three Days Grace, Green Day, Skillet, Linkin Park, The Rasmus, L’Arc-En-Ciel, UVERworld, Nirvana, Guns N’ Roses and Evanescence to list some, because there are many more he adores honestly. He isn’t a picky ear as long as the song gives him chills and inspires him, being someone who’s driven by emotions that’s what makes him likes something he hears.

Atsuhiro is their homeroom teacher, at the Art University they attend, who introduces them to Giran, a friend of his, who has an agency for new talents and after they sent him six of their songs wants to launch their very first album by August to make them debut at the “Rock In Japan Fes.��

Touya, being the emotional driven type of musician, is the one put to write the lyrics for the band’s songs and most of the times are hits, especially because his and Tenko’s voice brings to life the emotions of the lyrics in a way that it reaches the listeners right into the heart and soul.

You will never catch Touya’s fingers empty, there’s always rings decorating them and some rings are even custom made by his cousin Geten, who owns a Jewelry shop that he promotes a lot on his social media. One of his most precious rings is the one that he got made for him, with his birthstone carved in it, when he turned eighteen.

He has three earrings on his right ear: an helix, mid helix, conch and low helix. Four on his left one: two helix, a low helix and one on the lobe, plus three nostril piercings on the right side of his nose.

After “The Villains” debuts and proving his father that he could succeed through music without his help nor his name, Touya owns now a black card that he lets Fuyumi and Shoto use to their heart content.

Last, but not least, be ready to be the muse of Touya’s songs the instant he falls head over heels for you. The moment it happens everything, and I mean everything, to him becomes about you driving Tenko and Iguchi to pure exasperation.

[lovejapanese80s]

LAZY　宇宙船地球号　1980年12月16日

(XユーザーのAkira Takasakiさん: 「43年。 ありがとうございました。 https://t.co/17KwM6XFBI」 / Xから)

[imasallstars]

INTERDIMENSION FESTIVAL: IDOLM@STER★♥LOVE LIVE! UTA GASSEN

Information regarding the first IJIGEN FES 2023 live has been revealed! The live will occur in the TOKYO DOME on the 9th and 10th of December 2023. This first fes will feature three branches of IDOLM@STER performing with four branches of Love Live!

The voice providers participating in this stop are as follows:

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Kotomi Aihara (Shiki Ichinose), Hiromi Igarashi (Anzu Futaba), Asami Takano (Frederica Miyamoto), Yuki Nakashima (Yuuki Otokura), Yuko Iida (Kanade Hayami), Honoka Inoue (Nanami Asari), Sumire Uesaka (Anastasia), Aya Suzaki (Minami Nitta), Miyu Tomita (Akira Sunazuka), Ru Thing (Syuko Shiomi), Teru Ikuta (Natalia), Hina Tachibana (Nagi Hisakawa), Nanami Yamashita (Yui Ohtsuki) IDOLM@STER MILLION LIVE 　Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki), Momo Asakura (Serika Hakozaki), Kotori Koiwai (Tomoka Tenkubashi), Atsuki Nakamura (Roco Handa), Emi Hirayama (Reika Kitakami), Yui Watanabe (Nao Yokoyama) IDOLM@STER SHINY COLORS 　Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku), Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama), Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa), Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Ayaka Ohashi (Uzuki Shimamura), Ayaka Fukuhara (Rin Shibuya), Sayuri Hara (Mio Honda), Amina Sato (Arisu Tachibana), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba), Makoto Koichi (Haru Yuuki), Asaka Imai (Chie Sasaki), Natsumi Haruse (Kaoru Ryuzaki), Misaki Kuno (Nina Ichihara), Yuri Komori (Koharu Koga), Mina Nakazawa (Yukimi Sajo), Maki Hanatani (Kozue Yusa) IDOLM@STER MILLION LIVE 　Aimi (Julia), Miku Itou (Yuriko Nanao), Ibuki Kido (Kana Yabuki), Arisa Kori (Kaori Sakuramori), Yuri Komagata (Sayoko Takayama), Rie Suegara (Fuka Toyokawa), Saki Minami (Tsumugi Shiraishi), Rikako Yamaguchi (Rio Momose) IDOLM@STER SHINY COLORS 　Hitomi Sekine (Mano Sakuragi), Reina Kondo (Hiori Kazano), Mayu Mineda (Meguru Hachimiya), Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa), Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi), Rina Kawaguchi (Luca Ikaruga), Haruna Mikawa (Hana Suzuki), Rena Ozawa (Haruki Iketa)

DAY 1&2

AQOURS (LOVE LIVE! SUNSHINE!!) 　Anju Inami (Chika Takami), Rikako Aida (Riko Sakurauchi), Nanaka Suwa (Kana Matsuura), Arisa Komiya (Dia Kurosawa), Shukai Saito (You Watanabe), Aika Kobayashi (Yoshiko Tsushima), Kanako Takatsuki (Hanamaru Kunikida), Aina Suzuki (Mari Ohara), Ai Furihata (Ruby Kurosawa) NIJIGASAKU SCHOOL IDOL CLUB 　Aguri Ohnishi (Ayumu Uehara), Mayu Sagara (Kasumi Nakasu), Kaori Maede (Shizuku Osaka), Miyu Kubota (Karin Asaka), Natsumi Murakami (Ai Miyashia), Akari Kito (Kanata Konoe), Coco Hayashi (Setsuna Imura), Maria Sashide (Emma Verde), Chiemi Tanaka (Rina Tennoji), Moeka Koizumi (Shioriko Mifune), Shu Uchida (Mia Taylor), Akina Homoto (Zhong Lanzhu). 　Support Member: Hinaki Yano (Yu Takasaki) Liella! (LOVE LIVE! SUPERSTAR!!) 　Sayuri Date (Kanon Shibuya), Liyuu (Keke Tang), Nako Misaki (Chisato Arashi), Naomi Payton (Sumire Heanna), Nagisa Aoyama (Ren Hazuki), Nozomi Suzuhara (Kinako Sakurakoji), Akana Yabushima (Mei Yoneme), Wakana Okuma (Shiki Wakana), Aya Emori (Natsumi Onitsuka), Yuina (Wien Margarete), Sakura Sakakura (Tomari Onitsuka) HASUNOSORA SCHOOL IDOL CLUB 　Nirei Nozomi (Kaho Hinoshita), Kokona Nonaka (Sayaka Murano), Nina Hanamiya (Kozue Otomune), Kotoka Sasaki (Tsuzuri Yugiri), Kanna Kan (Rurino Osawa), Kona Tsukine (Megumi Fujishima)

[heavymetal]

Akira Takasaki. Guitarist for Loudness

[trashexplorer]

BLCD Review: Smoky Nectar

Title: Smoky Nectar (スモーキーネクター)

Author/Artist: Minazuki Akira

Release Date: 2021/07/14

Cast: 

Satou Takuya x Enoki Junya

Komatsu Shouhei

Muro Genki

Taito Ban

Tsuchida Reo

Hasegawa Ikumi

Sugiyama Riho

Kobayashi Kousuke

Okada Sachiko

Kida Tasuku

Synopsis: Writer Hasegawa Mitsuru has been investigating a case that was rumored to be the work of vampires known as “Biters”. His childhood friend, Annaka Yuusei, a.k.a. Anna, warns him not to stick his head into where it doesn’t belong.

Review Proper

Just something about this is weird. The manga’s pretty fluid on its own, but it’s kinda, uhh, choppy? in the BLCD. Although I’m not sure if Smoky Nectar’s a serious manga with some comedy here and there, 50:50 serious and comedy, or is a comedy with some serious moments... it kinda doesn’t work in the BLCD. I mean, SatoTaku and Junya did well during the serious parts, but they seem to stumble during the comedy or the parts that lead to the comedic moments. Maybe the comedy just doesn’t transition well into the audio adaptation. *shrugs*

Let’s jump straight into the voice work, shall we?

I was quite interested in listening to this ‘cause yo??? Juujin bottoms??? If Daath and Kai were in these tones in Kemonohito, I would ship them 100% lmao, but then, uhh, idk, Junya was kind of a mess here. We’ll get to SatoTaku later, but I feel like they didn’t record this together. I do not like how Junya drags his moans on during their bedroom Redcross donations because he sounds very out of sync with SatoTaku’s ministrations (this is only very obvious in the first, though). I think he also has a hard time expressing the deadpan humor Mitsuru has. Sometimes my mind wanders off and starts having thoughts of either Reio, Ban, or Shouhei potentially being a better option for Mitsuru. That might just be my other issue with Junya. He was a bit too low for Mitsuru. I feel like if he was in a higher register, then he would’ve been able to express Mitsuru’s feelings better.

Now, as for SatoTaku, the man wasn’t free of my suspicions either. SatoTaku was a little too smooth to match Anna’s equally deadpan humor. I’m not saying that SatoTaku can’t comedy ‘cause sis you’ve heard Sonna ni, right??? But as compared to Anna, Shinobu’s more dynamic a character. Niyama and Ginger also gave the cast time to prepare before a big change in moods. Huh, I’m starting to think that this is the same thing that went down in Takasaki Bosco’s Torokeru Kuchibiru. I feel like Makonyan or Ono Yuuki would’ve done this better. But I know, I FUCKING KNOW, why Fifth Avenue got SatoTaku for this.

Thanks to Fifth Avenue, I know have my ringtone set to SatoTaku saying “erro” in the Mini Drama on repeat.

Goddamn I fucking flatlined on that one. I wasn’t really expecting much from the Mini Dramas, so thanks. 👍

Anyway, I also have to say that the sound effects as well as the bgms suck balls lmao. FIFTH AVENUE PLS. The main piano bgm also starts and ends in random places. There was also this part where Anna jumps off from a fucking building to the floor on the ground, making a table flip. Like we all know how a table sounds like flipped, right??? It definitely won’t sound like a chair shaking! 😂 I don’t think Fifth Avenue even cared at that point. 

This was actually a pretty decent adaptation despite the many issues I have with it. It’s pretty faithful to the manga too, although I would recommend reading the manga once before ‘cause you wouldn’t know what they were doing in real time without the visual cues. This is an action bl too, after all. If you’re looking for another vampire (the “biter” thing also threw me off a bit, but the “nectar” concept wouldn’t survive without ig) bl, I raise you Yuri Azuru’s Fujitsu de Fumou na Koi no Kami-kon starring Okitsu and Egu. That one’s a little disappointing on the action front, but it was a good vampire bl nontheless. Okitsu’s Lark was also a good comedic/spontaneous type, so that’s good vampire + comedy! 

[ricfreak]

Akira Takasaki is in the house 🤘😎

[alexthegamingboy]

Toonami Weekly Recap 06/08/2024

Zom 100: Bucket List of the Dead EP#08 - Sushi & Hot Springs of the Dead: After Akira, Kencho, and Shizuka try Paddleboard Yoga, the trio continue their journey where they encounter a female otaku from Germany named Beatrix Amerhauser. Akira agrees to help her deliver fish to Takasaki since eating at a sushi restaurant is on his bucket list. When they arrive there, Akira and Beatrix fight a horde of zombies until the latter are lured away and killed in an explosion caused by Kencho and Shizuka. Everyone has a good time eating sushi that night. Sometime later, the quartet arrive at a hot spring. As they are enjoying themselves, they discover it is surrounded and are forced to flee. While he is alone, Akira finds a seemingly unoccupied hot spring in the mountains. However, he runs into Shizuka where they have a heartfelt conversation about love before they are joined by Kencho and Beatrix.

-Toonami Rewind Shows-

Sailor Moon EP#02 - Punishment Awaits! The House of Fortune is the Monster Mansion: Having failed his previous mission, Jadeite informs Queen Beryl, the leader of the Dark Kingdom, that he is using another plan, this time involving fortune telling. Meanwhile, Usagi's classmate Gurio Umino is smitten with her. After confessing that he wants to go on a date, Naru has him consult a fortune teller but he decides to go to the House of Fortune. Luna tells Usagi to go to a fortune teller, in an attempt to check that Motoki is an admirer of her but decides to go to the House of Fortune. However, Umino and some of the other students are hypnotized by the tarot cards and cause trouble at school the next day. Realizing that the students were being hypnotized from the House of Fortune, Luna and Usagi infiltrate the house and encounter Balm, a monster disguised as the fortune teller. Balm orders her hypnotized subjects to attack Usagi, but Tuxedo Mask distracts her and, with his encouragement, Usagi kills Balm, returning the customers to normal.

Slightly Damned Page 1121: https://www.sdamned.com/comic/1121

[themetalmassacrevault]

HBD Akira Takasaki (Loudness)

[heavymetal-maniac]

[dirjoh-blog]

Rock N Roll Obscurity-Episode 1:Loudness-Crazy Nights

Crazy Nights(aka Crazy Night) is the fourth single by Japanese heavy metal band Loudness, from their 1985 album Thunder in the East. Written by lead vocalist Minoru Niihara and guitarist Akira Takasaki and produced by Max Norman, the single was released by Nippon Columbia on December 1, 1984, in Japan and by Atco Records on November 1, 1985. The song was the band’s big break in the American metal…