#Agustín Gómez-Arcos

[crueldesire]

the carnivorous lamb, agustín gómez arcos / dead ringers (1988) dir. david cronenberg

[emiliosandozsequence]

the carnivorous lamb, agustín gómez-arcos

[obsessioncollector]

It is like a dog driven off by his master that comes back to bark in front of the house at two in the morning. Not to be let in—he knows his master doesn’t love him—but to make his presence known. Can you imagine, my dear? Two o’clock in the morning, when sleep wraps you in safety and the world seems far away, beyond the darkness? Yet each time the master takes his gun and shoots—as is his right—the dog melts away into the darkness of the night. A wasted bullet.

Agustín Gómez-Arcos, The Carnivorous Lamb

[tendermimi]

Bilal Al-Shams, Sacrifice

[gabriestat]

[onyearning]

“Whether you come as a lover or an executioner, I am ready to receive you.”

Agustín Gómez Arcos, The Carnivorous Lamb

[devotion-that-corrupts]

my dear cousin or something

[emiliosandozsequence]

the carnivorous lamb, agustín gómez-arcos

[obsessioncollector]

Like a sick patient, the house deteriorated further every day. Wherever you stepped, a board would groan softly. An abscess suddenly appeared on my behind: the sickness was getting contagious. 

Agustín Gómez-Arcos, The Carnivorous Lamb

[thecosmoswhispers]

"sometimes, i thought my father was a God. i loved him that much."

— Leila Chattis, "Muslim Girlhood"

ocean vuong, "someday i'll love" / sam fender, "seventeen going under" / the front bottoms, "father" / satanay, tumblr / clementine von radics / agustín gómez-arcos, "the carnivorous lamb" / ?

[thecubanartobserver]

Exposición “Réquiem”, Colectiva

Exposición Réquiem Colectiva 12.01.2023 Arco de Belén Es la pérdida, en su sentido más general, lo que viene a unir en esta muestra las piezas de 17 artistas de las más disímiles manifestaciones y discursos artísticos. Sus curadoras reconocen que ellos, como el resto de los mortales, han pasado en algún momento de la vida por ese proceso de duelo, ya sea por pérdidas relacionales,…

[borgialucrezia]

"You are too much like me. A man feels less… favour for his own image reflected." [Give him his sanction…His support…His powder, his army, his control. His love. He is made in your image.] "Do you think we don't know that? He is me. All the fire and the fury, the drive. The pitiless ambition. I look into his eyes, I see myself. Do you expect me to love that?" — Rodrigo Borgia, The Borgias (2011-2013) // "You aren’t my son, you’re myself. The love I have for you is awkward for both of us. But it is greater than any love known. Even if you can’t understand it.” — Agustín Gómez-Arcos, The Carnivorous Lamb (1975)

The relationship between Rodrigo and his children is complex, but his love for his eldest son, Cesare, is the most intense of all. Cesare is a representation of Rodrigo's own generational trauma and personal flaws. Rodrigo loves Cesare deeply, but at the same time, he feels frustrated with him because Cesare serves as a mirror reflecting Rodrigo's own self-worth issues and flaws. Cesare's presence reminds Rodrigo of his own shortcomings and self-loathing, which created a complex dynamic between them. His intense love for Cesare is intertwined with this frustration, stemming from the recognition of their shared imperfections. Despite these challenges, Rodrigo still holds Cesare in high regard and has chosen him as his successor because Cesare represents both the best and worst aspects of himself.

[miwtual]

@rhaenicentdaily rhaenicent appreciation week — day three: quote @lgbtqcreators creator challenge — dynamics

whether you come as a lover or an executioner, i am ready to recieve you. — the carnivorous lamb, agustín gómez arcos (insp)

[tethered-heartstrings]

"The Carnivorous Lamb" by Agustín Gómez-Arcos x Will Graham

[winchestertheory]

“You remind me of a dog who has always loved his leash, but one day, when his master is away, for some reason tears it to pieces.”

Agustín Gómez Arcos, The Carnivorous Lamb

[jinghestation]

Jujutsu Kaisen, Gege Akutami / The Carnivorous Lamb, Agustín Gómez-Arcos