#Ags Connolly

[americanahighways]

REVIEW: Ags Connolly "Your Pal Slim: Songs of James Hand"

REVIEW: Ags Connolly "Your Pal Slim: Songs of James Hand" @agsconnolly @americanahighways #newmusic2024 #jameshand #musicreviews #americanamusic #writtenbyahuman #honkytonk #texasmusic

Ags Connolly – Your Pal Slim: Songs of James Hand Ags Connolly is a bonified old style Texas country musician and singer songwriter hailing, unlikely as it may seem, originally from the UK.  He’s offered here a collection of tribute songs written by James Hand (with one bonus track written by Ags.) James Hand was a little known Texas honky tonk musician and songwriter who wrote quality songs and…

[yankeeblue]

[cladriteradio]

Here are 10 things you should know about Walter Connolly, born 137 years ago today. Though his Hollywood career lasted just 10 years, he left his mark with strong performances in nearly 50 films.

[oakendesk]

New Detective Magazine Sep 1948

Howard Connolly

[youthchronical]

Schumer’s Retreat From a Government Shutdown Has Young Democrats Fuming

Senator Chuck Schumer’s sudden decision on Thursday to support a Republican-written bill to avert a government shutdown so enraged his fellow Democrats that some were already talking about primary challenges to the 74-year-old Democratic leader from New York. The eruption of anger about Mr. Schumer’s seeming surrender thrust into public view a generational divide that has emerged as one of the…

[lichtluxx]

A guide to demonolatry

What is demonolatry?

Modern Demonolatry is a polytheistic religion, focusing on the worship and cult of demons, both adepts and students of the Left Hand can adopt it in two ways, one through a more theistic view and another more practical and modern view. Demons are spirits with a great degree of wisdom that the magician can access their energies, the adept can choose to worship them, or just work with the energies by performing ceremonial rituals.

In Demonolatry, we invoke them without trapping them in magic circles - like in goetia - because we are similar to them and like us, they deserve their freedom and autonomy.

As described by S. Connolly on her book: The complete guide of demonolatry: "A DEITY IS COMPOSED OF MATTER. WE WORSHIP (WORK WITH) THIS "MATTER". THROUGH PRAYER, WE GIVE IT FORM AND POSITIVE ENERGY. IN TURN, IT WILL RETURN THE FAVOR."

In other words, we work with and honor demons to discover our true potential as imperfect but divine beings bound to a physical plane of existence. They do not control or harm us, we control ourselves, we remain our own person as we worship them.

WHAT ARE DEMONS?

Demons/daemon = spirit of knowledge and wisdom, a devil in Christian mythology, daemon derives from daimon which means full of wisdom, divine power, the word is of Greek origin. These deities were worshipped in the pre-Christian (pagan) era and religions, many entities of paganism, Roman, Greek, Egyptian pantheons were classified as demons by the Christian church. We can say that these spirits are great teachers, ancient gods.

CATEGORIES OF DEMONOLATRY

First let's understand what demonolatry and demonology mean, just so you don't get confused.

Demonology = the study and cataloging of demons.

Demonololatry = the worship of demons and/or the practice of ritual magic with the help of entities known as demons.

Demonolators = those who practice demonolatry in the form of worship or practice magic.

Theistic Demonolatry: they see demons as real entities, they are gods of the past, ancient gods, they are rulers of the world, like Satan, the whole, the universe.

Modern Demonolatry: In this current, demons are forces of elemental energies that help with spiritual self-knowledge and magical operations. They personify an emotion, an element or an idea. Demonolatry is an individual system, each follower has their beliefs regarding demons, if you work with demons you are a demonolator.

As pointed out before, many entities considered "demons" were ancient gods that were demonized by Christianity, with this image perpetuated for so long that many people still believe that they are, in fact, just demons.

An example of this would be the Canaanite god Baal, whose origins are distorted but also complex. Analysis of archaeological and epigraphic artifacts points to Upper Mesopotamia, associating him with the Gods of "time." Specifically, his origins date back to Aleppo, considered the motherland of the God Hadu. During the Middle and Late Bronze Age, the cult of Hadu expanded throughout the Levant. In Lower Mesopotamia, he was known under the names Haddu, Hadda, Hadad, Addu, and Adad. On the Syro-Palestinian coast, in the middle of the second millennium BCE, Hadu was initially worshiped with the epithet "Baal" (Baal-Hadu). Over time, this epithet replaced the original name, transforming Hadu into the "new" God Baal.

As one can presume, Baal lost his origin and was turned into one of the demons in the Ars Goetia, described as the King of the East, Lord of storm and fertility.

He has a very fascinating origin, but let's get back to the topic we were discussing!

ENNS

Enns are magical invocations designed to summon demonic spirits. No one knows what language the Enns come from - some have said that they were given to us by a demon. They were first considered demonic enns in the late 16th century by the demonolator Alexander Willit. Enns are unique in that they appear in several family grimoires from different geographic locations and always remain the same.

You can chant the enn while you meditate so you and the demon can connect to each other, you can use it as a form of flattery. There's many ways one can use it.

SIGILS OF DEMONS

Sigils are symbols created for a specific magical purpose.

In Demonolatry, sigils are representations of demonic entities. Sigils allow the practitioner to focus on the demonic entity, connect with the demon's energy, and also simply honor the demon. They are tools used to help the practitioner summon a Demonic Entity.

THE NINE DIVINITIES

The nine deities, according to Richard Dukante, are the demons of the fundamental energy of the universe, of existence and balance. These energies are: fire, earth, air, water, positive polarity (health), negative polarity (destruction), life and death. All these energies together form Satan (the Whole), but individually, they are distinct demons.

These demons are:

Fire – Flereous

Earth – Belial

Air – Lucifer

Water – Leviathan

Health – Verrine

Destruction – Amducious

Life – Unsere

Death – Euronymous

HOW TO WORK THEM / TYPES OF OFFERINGS

In Demonolatry, offerings depend on the purpose and the demon you are working with. You can offer blood, as it contains our vital energy, or you can offer sexual fluids, an hour of study about a demon, or the disclosure of their seal and names.

In Demonolatry, the magician does not use a triangle or a circle of protection, because contact with these energies (demons) will not be aggressive or hostile, and there is no need for banishments and threats. Here, the magician and the entity work in partnership. You can light the candle and invite them to come to you, and many times, they will come. Research about them and make a sincere offering as a thank you for their time and for them coming to your ritual.

What's the difference between Satanism and demonolatry?

The word and its derivation “Satanist” appeared for the first time in French and English in the sixteenth century during the European Wars of Religion. In publications from this period, Roman Catholic authors directed it against Protestant Christians, and vice versa, while both applied the epithet to Anabaptists.

Their polemical use of the term did not necessarily mean that they thought their religious counterparts were self-consciously and secretly worshipping the devil — although mutual abuse might occasionally spill over into such allegations, particularly with regard to the Anabaptists — but rather that Roman Catholic veneration for “graven images” or Protestant adherence to “heresy” implied being a fellow traveler on Satan’s bandwagon. In the early nineteenth century, the terms “Satanist” and “Satanism” acquired even broader meanings and came to designate a person or thing with a “Satanic character,” a person or thing inherently evil or wicked.

Only toward the end of the nineteenth century did the word “Satanism” come to hold the significance that it still has, for historians of religion, B-film directors, and the general public alike, namely, as the intentional and explicit worship of Satan. This is not to say that the concepts and practices embodied in this word did not exist prior to that time.

According to Children of Lucifer: The origins of modern religious Satanism - Ruben Van Luikj.

Satanism as we know now is divided into two: theistic Satanism and atheistic Satanism. Let's delve a little into how differente they are now.

Modern Satanism has its roots in the 20th century, with figures such as Anton LaVey, founder of the Church of Satan in 1966, and writer of the Satanic Bible. LaVey also structured his own commandments, which are: I - You shall love and hate with equal intensity.

II - You shall love yourself above all else.

III - You shall love others as they love you.

IV - You shall know yourself.

V - You shall always seek material and spiritual improvement.

VI - You shall not use Satan's name for wrongful purposes.

VII - You shall respect and protect children and animals.

VIII - You shall live every second as if it were your last.

IX - You shall walk your own path but respect the path of others.

X - You shall give your best in everything you do

LaVeyan Satanism, for example, is more of an atheistic philosophy that uses the figure of Satan as a symbol of rebellion, individualism, and skepticism. There is no belief in literal demons or deities. Theistic Satanism, though, involves belief in Satan or demons as real entities and may include worship practices similar to Demonolatry.

In LaVeyan Satanism, practices include symbolic rituals, ritual magic, and the celebration of values such as hedonism and rational selfishness. In Theistic Satanism, practices may include worship, invocations, and offerings to Satan or demons.

Demonolatry involves the worship of demons as deities, and is more devotional and spiritual. LaVeyan Satanism does not believe in literal demons, and focuses more on an atheistic philosophy focused on individualism and skepticism, while Theistic Satanism may involve the belief in Satan or demons as real entities.

What's the difference between Goetia and demonolatry?

Luciferian Goetia is a modern evolution of Solomonic Goetia, adapting ancient practices to a more contemporary philosophy. It emphasizes collaboration and learning from demons, viewing them as spiritual mentors or allies. The approach is more enlightened and less authoritarian, focusing on spiritual growth and self-knowledge. This branch uses rituals, sigils, and invocations, but with an intention of partnership and mutual respect rather than control or domination.

Solomonic Goetia has its roots in ancient texts such as the "Lemegeton" or "The Lesser Key of Solomon". It is a traditional and well-structured practice. It involves the evocation and control of demons through detailed and authoritative rituals. The practitioner seeks to dominate and command these entities to obtain benefits or perform specific tasks. Its practices include the creation of magic circles, the use of sigils and the performance of complex rituals to evoke and control demons. The focus is on controlling and dominating demons to achieve specific goals, such as power, knowledge or the accomplishment of tasks.

Demonolatry = Veneration and worship of demons as deities.

Luciferian Goetia = Collaboration and learning with demons as mentors.

Solomonic Goetia = Control and domination of demons to obtain benefits.

Each of these practices offers a unique path for those seeking to interact with demonic entities, but with different philosophies, methods, and goals.

A/n: there was so much info i could write about, but i think this went really well. If I notices that I missed an important detail, I may do a part 2. Hopefully I was able to shed some light on this topic!

[mimi-0007]

FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."

Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.

Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).

Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.

Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.

Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).

Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).

Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.

Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.

THEATRE

1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway

1945 Strange Fruit (Henry) McIntosh NY theater production

1948 Volpone (Commendatori) City Center

1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway

1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway

1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway

1956 Mister Johnson (Moma) Martin Beck Theater, Broadway

1962 Infidel Caesar (Soldier) Music Box Theater, Broadway

1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway

1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York

1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway

1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway

1975 Death of a Salesman (Charley)

1977 Unexpected Guests (Man) Little Theatre, Broadway

1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway

1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway

FILMS

1939 Lying Lips (Detective Wenzer )

1940 The Notorious Elinor Lee (Benny Blue)

1959 Odds Against Tomorrow (Club Employee uncredited)

1960 Wild River (Sam Johnson uncredited)

1960 The Secret of the Purple Reef (Tobias)

1964 Terror in the City (Farmer)

1964 One Potato, Two Potato (William Richards)

1968 Hang 'Em High

1971 Mississippi Summer (Performer)

1973 The Sting (Luther Coleman)

1974 Cockfighter (Buford)

1977 Proof of the Man (Wilshire Hayward )

1982 Cold River (The Trapper)

1983 Trading Places (Attendant)

1983 Sleepaway Camp (Ben)

1984 The Cotton Club (Stage Door Joe)

1984 Billions for Boris (Grandaddy)

1985 Witness (Custodian)

1988 Starlight: A Musical Movie (Joe)

1990 Maniac Cop 2 (Harry)

1993 Rain Without Thunder (Old Lawyer)

TELEVISION

1964 The Defenders (Joe Dean) Episode: The Brother Killers

1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?

1977 The Displaced Person (Astor) Television movie

1978 Lou Grant (Earl Humphrey) Episode: Renewal

1979 Jennifer's Journey (Reuven )Television movie

1980 Oye Ollie (Performer) Television series

1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes

1982 One Life to Live

1985 Great Performances (Creon) Episode: The Gospel at Colonus

1990 True Blue (Performer) Episode: Blue Monday

[heavenlyyshecomes]

misc readings pt. 11

tech edition

It's not your fault you're a jerk on twitter, katherine cross, wired

Becoming human again: a reading list for the extremely offline, lisa bubert, longreads

The internet is rotting, jonathan zittrain, the atlantic

ambient cruelty, linda besner, real life magazine

Searching for lost knowledge in the age of intelligent machines, adrienne lafrance, the atlantic

Ghosts of the future: the smart home is a haunted house, julia foote, real life magazine

The internet is flat, charlie warzel, galaxy brain

How TrueCaller built a billion-dollar caller ID data empire in India, rachna khaira, rest of the world

Vivid hues: what does it mean to think of the internet as a color? anna rose kerr, real life magazine

Singapore’s tech-utopia dream is turning into a surveillance state nightmare, peter guest, rest of the world

The $2 per hour workers who made chatgpt safer, time

I cut the 'big five' tech giants from my life. It was hell, kashmir hill, gizmodo

Social media is not self-expression, rob horning, the new inquiry

The narcissism of queer influencer activists, jason okundaye, gawker

On losing perspective, or, why i don't give a fuck about geronimo the alpaca and nor should you, rachel connolly, novara media

The exploited labour behind artificial intelligence, noema

The class politics of the instagram face, grazie sophia christie, tablet

Google, amazon, and meta are making their core products worse on purpose, ed zitron, business insider

All advertising looks the same these days. Blame the moodboard, elizabeth goodspeed, eye on design

Seen by, megan marz, real life

[spiralhouseshop]

More stuff back in stock!

Sigil Magic: Fir Writer, Artists, and other Creatives by T. Thorne Coyle

A Witch's Guide to Spellcraft by Althea Sebastiani

Folk Witchcraft: A guide to Lore, Land, and The Familiar Spirit for the Solitary Practitioner by Roger J Horne

Memento Mori: A Collection of Magickal and Mythological Perspectives on Death, Dying, Mortality & Beyond

Sigil Magic: Fir Writer, Artists, and other Creatives by T. Thorne Coyle

A Witch's Guide to Spellcraft by Althea Sebastiani

Folk Witchcraft: A guide to Lore, Land, and The Familiar Spirit for the Solitary Practitioner by Roger J Horne

Memento Mori: A Collection of Magickal and Mythological Perspectives on Death, Dying, Mortality & Beyond

Magical House Protection: The Archeology of Counter-Witchcraft by Brian Hoggard

Weird Walk Zines and the new Weird Walk books!

By Rust of Nail and Prick of Thorn-The Theory and Practice of Effective Home Warding by Althea Sebastiani

Curses, Hexes, & Crossings: A Magician's Guide to Execration Magic by S Connolly

Cloven Country: The Devil and the English Landscape by Jeremy Harte

Magic: A History Alchemy to Witchcraft, from the Ice Age to the Present by Chris Gosden

Pagan Book of the Dead by Claude: Ancestral Visions of the Afterlife and Other Worlds by Claude Lacouteux

[americanahighways]

Music Reviews: Expanded Reissues of Little Feat ‘Dixie Chicken’ & ‘Sailin’ Shoes,’ plus Son Volt, Ags Connolly, and Bob Bradshaw

Music Reviews: Expanded Reissues of Little Feat ‘Dixie Chicken’ & ‘Sailin’ Shoes,’ plus Son Volt, Ags Connolly, and Bob Bradshaw #littlefeat #bobbradshaw #sonvolt #byjeffburger #americanahighways #agsconnolly

Expanded Reissues of Little Feat Dixie Chicken & Sailin’ Shoes, plus Son Volt, Ags Connolly, and Bob Bradshaw With varying lineups over the years, Little Feat has released well over a dozen albums, but anyone who wants to explore its catalog needn’t think twice about where to start: the clear high points are Sailin’ Shoes, the Los Angeles band’s 1972 sophomore release, and Dixie Chicken, that…

[musiconspotify]

Ags Connolly

Siempre (2023) …  great album. …

#AgsConnolly

[artbyblastweave]

"If they put more superheroes in Fallout I'll talk about it more."

🔥 The Silver Shroud?

The Silver Shroud falls somewhere on a spectrum between genuinely really conceptually interesting and borderline meanspirited to me. As I've mentioned briefly before, the paradox of superheroes in the Fallout universe is that they aren't a fundamentally weirder class of person than any of the other 1950s genre pastiche archetypes that we're expected to take seriously, but the flip side is that superheroes would match with the rest of the Fallout idiom so perfectly, and are so modular in terms of what other genre elements they can incorporate into their own genre, that they could easily become the most overbearing element of the Fallout setting if steps aren't taken to keep them siloed. Fallout 3 and Fallout 4 share a throughline in that they both silo superheroism by portraying it as the product of arrested development.

Kent Connolly is a sad, sad guy, with good reason. He's been trying to keep his hobby alive for centuries- terminals in Fallout 76 reveal that he's been adjacent to attempts to make superheroes a real thing for over 200 years, and it has never, ever worked over the long haul, and yet he keeps on trucking, trying to make everyone else see what he sees in these characters. The Shroud is a significantly different archetype of pulp hero from the ones who show up in Fallout 3- rather than a pastiche of the bloodless, stakeless four-color capes of the golden age, he's a more directly a pastiche of The Shadow- the 1930s radio-show proto-superhero who was significantly more willing to use gun violence as a conflict resolution tool than his successors would be. This dovetails with the gameplay loop- In Fallout 3, the entire point of the superheroes is that they're engaging in a significantly more limited playfight compared to what the Lone Wanderer gets up to on a typical Tuesday, but the Sole Survivor, when adopting the Silver Shroud persona, doesn't really have to change their MO at all in order to embody the (admittedly somewhat exaggerated and retroactively attributed by later writers and audiences) retributive ultraviolence of the Shadow's pulp archetype. They're doing their normal thing in a funny voice. And the extent to which you're just doing your normal thing is what really puts the screws to the idea that doing it in a costume is actually adding anything here. You are, at best, making a slight detour to slightly brighten a shut-ins day, and that adds a fundamental air of sadness to the entire outing. But at the end of the day, you do briefly embody the archetype. You do kick down the door and save the hostage from the gangsters. And as a result it does end up briefly straddling the line between deeply silly and deeply cool. The other thing about The Silver Shroud is that in a roundabout way it re-enforces my standing theory that Fallout 3 was originally meant to take place within living memory of The Great War. Of the three Fallout games that directly feature living superheroes, two of them- 4 and 76- are associated with characters who were directly enmeshed in pre-war pop culture. The Mistress of Mystery and her cohort adopted the superheroic aesthetic because it would still be legible to a plurality of survivors; Kent Conolly's rock to roll uphill forever is that he's one of the only people left to whom any of this means anything. But in Fallout 3 the two superheroes just sort of....materialize, after 200 years, with their shticks fully formed. Furthermore, in the Hubris comics office in downtown DC you can find a pre war letter to the editor extolling the relatability of the fictional AntAgonizer, and doing so prior to starting The Superhuman Gambit gives you a unique option for talking down the real one. My strong suspicion is that in an earlier draft of the story, The AntAgonizer was written as a pre-war character who sent that letter to the editor herself as a teenager or young adult, and adopted the AntAgonizer persona after living through the war as a coping mechanism.

[the-hottest-band-tournament]

Submissions for the hottest 80s male musicians

Go wild everyone! We have 256 slots to fill!

Submissions 256/256

List of submitted people

Phil Collins 

Michael Monroe

Duff McKagan

Vince Neil

Kee Marcello

Michael Sweet

Roger Taylor 

Joe Elliott

Sting

Michael Hutchence

Bono

Larry Mullen Jr.

Tom Petty

Axl Rose 

Razzle Dingley

Eddie Van Halen

Dave Mustaine

Nikki Sixx 

Morten Harket

Tommy Lee

John Deacon 

Zakk Wylde

Steven Adler

Slash 

Izzy Stradlin 

Jon Bon Jovi

Richie Sambora

Kelly Nickels

Bret Michaels

Warren Demartini

Sebastian Bach

Rachel Bolan

Jerry Harrison

Eric Brittingham

Steven Tyler

George Harrison

Brian May

Tom Keifer

Mick Mars

Paul Stanley

Joey Tempest

Jani Lane

Prince

David Bowie

Ozzy Osbourne

Sami Yaffa

Angus Young

Rikki Rockett

David Lee Roth

Bobby Dall

Robin Zander

Eric Bazilian

Jimmy Page

Kirk Hammett

James Hetfield

Jason Newsted

Morrissey

Nick Beggs

Steve Clark

Chris Lowe

Rick Savage

Robert Smith

Robbin Crosby

David Sylvian

Daryl Hall

John Oates

Rod Stewart

Billy Squier

Nasty Suicide

Geddy Lee

David Coverdale

George Lynch

Randy Rhoads

Alice Cooper

David Bryan

Steven Sweet

Freddie Mercury

Terry Hall

Stone Gossard

Nuno Bettencourt

Bruce Kulick

Leif Garett

Adam Yauch

Mike Tramp

Blixa Bargeld

Dave Vanian

Nick Cave

Gary Numan

C.C. DeVille

Bryan Adams

Eazy-E

Bob Dylan

Bernard Sumner

Kenny Loggins

Richard Marx

Lionel Richie

Patrick Swayze

Billy Ocean

Michael Stipe

Corey Hart

Murray Head

David Byrne

Warren Cuccurullo

Rob Zombie

Russell Mael

Mark Mothersbaugh

Martin L. Gore

Dave Gahan

Tracii Guns

Phil Lewis

John Cougar Mellencamp

Jon Farriss

Roland Orzabal

Yoshiki

Billy Joel

Weird Al Yankovic

Joe Strummer

Billy Idol

John Taylor

Michael McDonald

Klaus Nomi

Rob Halford

George Michael

Terence Trent D'Arby

Joe Perry

Paul Williams

Brad Whitford

Stephen Pearcy

Juan Croucier

Bobby Blotzer

MC Hammer

Rick James

Eddie Murphy

Mick Jagger

Don Johnson

James Lomenzo

Meat Loaf

Keith Richards

Ronnie Wood

Cliff Williams

Lars Ulrich

Cliff Burton

Steve Harris

Dave Murray

Adrian Smith

Bruce Dickinson

Marian Gold

Bernhard Lloyd

Frank Mertens

Per Gessle

Tim Farriss

Kirk Pengilly

Rockwell

Andy Scott

Brian Connolly

Peter Wolf

Bruce Springsteen

Jason Becker

Neil Tennant

John Norum

Alex Lifeson

Neil Peart

Paul Simon

Art Garfunkel

Nick Rhodes

Andy Fletcher

Alan Wilder

Robert Sweet

Oz Fox

Magne Furuholmen

Paul Waaktaar-Savoy

Dave Stewart

John Rees

Thomas Anders

Huey Lewis

Adam Ant

Falco

Rick Springfield

Martin Fry

Mark King

Jerry Dixon

Paul Simonon

Howard Jones

Paul Young

Clark Datchler

John Waite

Rick Allen

Paul Engemann

Kurt Maloo

John Levén

Mic Michaeli

Ian Haugland

Erik Turner

Dr. Robert (Robert Howard)

Rick Wright

Andy Taylor

Tony Thompson

Robert Palmer

Brian Johnson

Neil Murray

Rudy Sarzo

Vivian Campbell

Jake E. Lee

Steve Vai

Rowland S. Howard

Steve Perry

Robert Plant

Ivan Doroschuk

Martin Kemp

Roger Daltrey

Jeff Beck

Bob Geldof

Limahl

Anthony Kiedis

Simon Le Bon

Donald Fagen

Rick Astley

Neil Finn

Michael Bolton

Michael Jackson

Glenn Hughes

Elton John

Paul McCartney

Christopher Cross

Bryan Ferry

Thomas Dolby

Steve Jansen

Jeff Lynne

Atsushi Sakurai

Bob Seger

Justin Hayward

Gerry Woo

Markus Grosskopf

Phil Lynott

Gustavo Cerati

Holly Johnson

Jimmy Somerville

Richard Coles

Paul Nicholas

Norman Cook

Paul Weller

Billy Bragg

Andrew Ridgeley

David Gilmour

Glenn Frey

Roger Waters

Mike Patton

Pete Burns

Boy George

Georgy (Gustav) Guryanov

Stewart Copeland

David Ellefson

Miles Davis

Andy Wood

Chris Cornell

Steve Howe

@tournament-announcer

[justinspoliticalcorner]

The Left Hook with Wajahat Ali:

The septuagenarian somnambulist, Senator Chuck Schumer, once again demonstrated that the current crop of Democratic leaders are not built for this fight or made for this moment. In a stunning reversal, Schumer said he will break with his party and vote to advance the Republican spending bill to avoid a government shutdown. Schumer needs seven more Democratic votes to help push the GOP bill that will allow Trump and his co-President, Elon Musk, to redirect funding and continue slashing long-standing projects. Meanwhile, Schumer rationalizes his decision by suggesting a government shutdown would be a “gift” to Donald Trump by taking attention away from the tanking economy and the gutting of our institutions, such as the Department of Education, IRS, and USAID. However, who has all the power? It’s the Republicans. They have the Presidency, the Senate, the House, the Supreme Court, and the media, so why be complicit in their authoritarian agenda? Because it will look bad? Because some misinformed, bad faith actors will blame Democrats? Why not hold out, be strong and stay united with a Democratic caucus and force Republicans to find their 60 voters or be compelled to come back to the negotiation table? Why not use whatever leverage you have to get a better deal?

[...] There is a vacancy for leadership in the Democracy Party. It's a brand new ball game. The old rules, customs, and backroom deals don’t apply when you’re facing an aspiring authoritarian who just invoked the Alien Enemies Act, wants to undo birthright citizenship, and quotes Hitler to rationalize unleashing the military against “the enemy from within.” No one “deserves” a leadership position due to age, seniority, and their large donor class. This was the justification to make 74-year-old Rep. Gerry Connolly, who is currently fighting cancer, the top Democrat on the House Oversight Committee instead of Rep. AOC. 71-year-old Rep. Debbie Dingell was chosen over Rep. Jasmine Crockett to be the Chairwoman of the Democratic Policy and Communications Committee. Have you heard anything from Reps Connolly and Dingell? Have they inspired anyone to do anything of consequence in the past 2 months? Please let me know. I’d love to see the CVS receipts. [...] Civility and cowardice in the face of rising GOP authoritarianism is complicity. With Democrats like these, who needs Republicans? It's time for a new generation of fighters to step up and claim the mantle of Democratic leadership. Fighters will be embraced, welcomed, and rewarded by the majority.

Vichy Democrat Chuck Schumer (D) sold out the American people and the Democratic Party base by capitulating on the DOGE giveaway continuing resolution with his endorsement to vote yes. Even almost all the House Dems rightly voted NO on this crud.

It is time for him to step down as the Senate Minority Leader and leave the Senate entirely!

Call your Democratic Senators and tell them to hold the line by asking them to vote NO!

#NYSen #CapitulatingChuck #SelloutSchumer

See Also:

The Guardian: Chuck Schumer to vote for Republican funding bill to avert shutdown

HuffPost: Chuck Schumer Will Vote To Advance GOP Funding Bill, Signaling Surrender

[treeroutes]

what's up ! non-exhaustive list of stories featuring weird plants :

The Day of the Triffids, John Wyndham

The Night of the Triffids, Simon Clark

In the Tall Grass, Stephen King and Joe Hill

The Boats of the 'Glen Carrig', William Hope Hodgson

The Man Whom the Trees Loved, Algernon Blackwood

The Red Tree, Caitlín R. Kiernan

Annihilation, Jeff VanderMeer

The Willows, Algernon Blackwood

The Nature of Balance, Tim Lebbon

'Bloom', John Langan

The Ruins, Scott Smith

The Wise Friend, Ramsey Campbell

'The Green Man of Freetown', The Envious Nothing : A Collection of Literary Ruins, Curtis M. Lawson

The Beauty, Aliya Whiteley

The Ash-Tree, M.R. James

Canavan's Backyard, J.P. Brennan

Invasion of the Body Snatchers, Jack Finney

The Hollow Places, T. Kingfisher

'Reaching for Ruins', Crow Shine, Alan Baxter

'Vortex of Horror', Gaylord Sabatini

Hothouse, Brian W. Aldiss

Vaster than Empires and More Slow, Ursula K. Le Guin

Odd Attachment, Ian M. Banks

Deathworld #1, Harry Harrison

The Bridge, John Skipp and Craig Spector

'The Garden of Paris', Eric Williams

Apartment Building E, Malachi King

The Seed from the Sepulchre, Clark Ashton Smith

Rappaccini's Daughter, Nathaniel Hawthorne

The Nursery, Lewis Mallory

The Other Side of the Mountain, Michel Bernanos

The Vegetarian, Han Kang

Sisyphean, Dempow Torishima

The Root Witch, Debra Castaneda

Semiosis, Sue Burke

The Wolf in Winter, Charlie Parker #12, John Connolly

Perennials, Bryce Gibson

Relic, Douglas Preston and Lincoln Child

Gwen, in Green, Hugh Zachary

The Voice in the Night, William Hope Hodgson

Ordinary Horror, David Searcy

The Family Tree, Sheri S. Tepper

The Book of Koli, Rampart Trilogy #1, M.R. Carey

Seeders, A.J. Colucci

Concrete Jungle, Brett McBean

The Plant, Stephen King

Anthologies/collections :

The Roots of Evil: Weird Stories of Supernatural Plants, edited by Michel Parry

Chlorophobia: An Eco-Horror Anthology, edited by A.R. Ward

Roots of Evil: Beyond the Secret Life of Plants, edited by Carlos Cassaba

The Green Man: Tales from the Mythic Forest, edited by Ellen Datlow and Terri Windling

Sylvan Dread: Tales of Pastoral Darkness, Richard Gavin

Evil Roots: Killer Tales of the Botanical Gothic, edited by Daisy Butcher

Weird Woods: Tales From the Haunted Forests of Britain, edited by John Miller

'But fungi aren't plants' :

The Fungus, Harry Adam Knight

Growing Things and Other Stories, Paul Tremblay

The Girl with All the Gifts, M.R. Carey

Mexican Gothic, Silvia Moreno-Garcia

Fruiting Bodies, and Other Fungi, Brian Lumley

'The Black Mould', The Age of Decayed Futurity, Mark Samuels

What Moves the Dead, T. Kingfisher

The House Without a Summer, DeAnna Knippling

Mungwort, James Noll

Fungi, edited by Orrin Grey and Silvia Moreno-Garcia

Trouble with Lichen, John Wyndham

Notes :

all links lead to the goodreads page of the book, mostly because i like to look at book cover art ;

list features authors/books that i love (T. Kingfisher, Silvia Moreno-Garcia, Ursula K. Le Guin, the collections from the British Library Tales of the Weird, etc.), but also a few that i don't like and some that i have not yet read ;

if upon seeing that list the first novel you check out is by Stephen King's you have not understood the assignment ;

not all of those are strictly horror stories, some are 100% science fiction (Brian W. Aldiss' Hothouse for instance).

[gwydionmisha]

Nancy Pelosi sabotaged Alexandria Ocasio-Cortez, even though she would be better for the party.