#Adrien Brodie

[guycourtheoux]

KING KONG, le gorille le plus impressionnant de l'histoire du cinéma ressurgit dans la version 2005, de Peter Jackson, qui réunissait Naomi Watts et Jack Black et cette fois, c'est sur un BluRay 4K

KING KONG, le gorille le plus impressionnant de l’histoire du cinéma ressurgit dans la version 2005, de Peter Jackson, qui réunissait Naomi Watts et Jack Black et cette fois, c’est sur un BluRay 4K Doit-on vous retracer l’histoire? Le film était produit par Peter Jackson, remake du célèbre Peter Jackson de 1933. Depuis tout jeune Peter Jackson avait envie de réaliser son King Kong, et il lui a…

[heateron]

the grand budapest hotel (2014) dir. wes anderson

[freshmoviequotes]

Asteroid City (2023)

[mieczyslawn]

⠀⠀ ⠀⠀ ★ . . . my boyfriend’s pretty cool

[chrasilla]

i love wes anderson's regulars because if i was a famous director i too would only do stuff with my friends and include them in everything i do

[entertainment]

Have a question about Wes Anderson’s upcoming film, Asteroid City? The cast may have answers! 

Submit your questions here, and join the cast of Asteroid City for their Answer Time on June 20th at 12pm PT / 3pm ET. 

[everyframeapainting20]

It’s an unmistakable metaphor, but Wes Anderson handles it with his signature charm: In this shot from “The Darjeeling Limited,” the Whitman brothers abandon their literal baggage just as they begin to shed their emotional burdens. The suitcases, once their late father’s, are cast aside in a frantic sprint to catch the moving train, symbolizing the weight of grief and lingering family issues that have held them back. It’s a moment of both liberation and finality, bittersweet and inevitable, capturing a poignant release that feels both earned and deeply moving.

[mrs-stans]

‪@latimes: Dive inside The Envelope Actors Roundtable cover shoot, starring Adrien Brody, Kieran Culkin, Colman Domingo, Peter Sarsgaard, Sebastian Stan and Jeremy Strong. Watch on Spectrum and YouTube this Friday.‬ Read the full roundtable now: latimes.com/entertainment-…‬

[azyracrowleyseb]

♥️♦️♣️♠️

[catabasis]

“Am I doing him right?”

[ashstfu]

boyfriend reveal

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[reiwanwan]

Beneath the streetlamp

While walking the streets of London, Y/n Shelby unexpectedly encounters a grief-stricken Luca Changretta. As Luca reveals the pain driving his revenge against the Shelbys, y/n offers him quiet compassion.

content includes: Mentions of angels, slight violence, Y/n is referred to as a woman, Y/n has a complex relationship with Luca.

Y/n walked the dimly lit streets of London, her footsteps echoing softly against the cobblestones. The city had a way of feeling both alive and desolate at night, the flickering gas lamps casting long shadows that danced along the walls of the narrow alleyways. She had no particular destination in mind, simply wandering to clear her thoughts, to momentarily escape the constant tension that surrounded the Shelby family.

As she turned a corner, her heart skipped a beat. Standing under the faint glow of a streetlamp was Luca Changretta, his figure unmistakable even from a distance. He was smoking, the ember of his cigarette glowing red in the darkness. Y/n’s first instinct was to turn back, to avoid any confrontation, but she had barely taken a step when she heard his voice.

“Y/n,” Luca called out, his tone almost casual, as if they were old friends meeting by chance.

She froze, cursing her luck. There was no escape now. Reluctantly, she turned to face him, forcing a calm expression as she approached.

“Luca,” she greeted him, her voice steady. She kept her distance, though, her eyes never leaving his.

He smiled at her, a cold, almost predatory smile, but there was something behind it—something darker, more tormented. “Out for a stroll?” he asked, taking another drag from his cigarette.

Y/n nodded, keeping her answers short. “Yes, just needed some air.”

Luca exhaled the smoke slowly, watching her with those sharp eyes of his. “A dangerous time to be out alone, don’t you think?”

She didn’t rise to the bait. Instead, she looked at him directly and asked, “Are you going to kill me now?”

Luca’s smile widened, but there was no warmth in it. “No, not tonight.”

They stood there in a tense silence, the distant sounds of the city barely reaching them. Y/n waited, sensing that Luca had more to say. She knew that despite his casual demeanor, there was a storm brewing inside him.

He broke the silence first. “Do you know why I’m doing all this, Y/n? Why I came here, why I won’t stop until every Shelby is dead?”

Y/n said nothing, simply watching him. She had heard it all before—revenge, blood for blood. It was the code they all lived by, the cycle of violence that seemed never-ending.

Luca’s expression darkened, and for the first time, Y/n saw a flicker of vulnerability in his eyes. “Arthur killed my father,” he said, his voice low and filled with anger. “He took him from me. And now I’m going to take everything from him.”

Y/n remained silent, though she felt a pang of sorrow for him. She understood his pain, his desire for vengeance. But she also knew that nothing good would come of it.

Luca’s composure suddenly shattered. His face twisted with emotion as he began to cry, his tears mingling with a bitter smile. He looked like a man unraveling, caught between rage and despair.

Y/n watched quietly, her heart heavy. This was not the Luca Changretta she had expected to see—a cold-blooded killer, yes, but this? This was a man broken by grief, consumed by the need to avenge his father.

Without thinking, Y/n reached out, her hand gently resting on Luca’s tear-streaked cheek. He flinched at her touch but didn’t pull away. Instead, he suddenly grabbed her, burying his face against her stomach as he sobbed.

Y/n stood there, looking down at him, her hand still on his face. She didn’t say anything, didn’t try to comfort him with words. She knew that sometimes, words only made things worse.

As Luca cried, he looked up at her with red-rimmed eyes, a strange, almost pleading look on his face. “Are you an angel?” he whispered, his voice trembling. “Are you an angel sent down by God to make me feel alive?”

Y/n smiled, but it was a sad, pitiful smile. She didn’t know what to say to that—how could she, when the man in front of her was so lost, so desperate for something, anything, to ease his pain?

“Pray,” she told him softly, her voice barely above a whisper.

Luca nodded, as if in a trance, and he began to pray, his words flowing in Italian. Y/n didn’t understand all of it, but she could hear the anguish in his voice, the way he begged for some kind of solace, some kind of peace.

When he finished, he looked at her with a mix of hope and despair. Y/n knew she should walk away, leave him to his grief and his madness. But something kept her there, rooted to the spot, her hand still holding his face.

“What do you want?” she asked, using the ability she didn’t fully understand herself.

Luca blinked, as if startled by the question. He seemed to think for a moment, his gaze dropping to her lips. “A kiss,” he said finally, his voice barely audible.

Y/n hesitated, her heart pounding in her chest. She knew she should refuse, should walk away before this went any further. But then she saw the look in Luca’s eyes—how broken he was, how much he needed something, anything, to hold on to.

Still holding his face, she leaned in, her lips brushing against his. It was a soft, almost chaste kiss, but it lingered, a moment of fleeting connection between two lost souls.

When she pulled back, Luca’s eyes were still closed, as if savoring the moment. Then, slowly, he opened them, and the cold, dangerous Luca Changretta was back.

“Do you still want to kill me?” Y/n asked, her voice quiet.

“Yes,” Luca replied without hesitation, though there was a softness in his tone that hadn’t been there before.

Y/n nodded, letting go of his face. “Then remember that,” she said, her voice tinged with sadness, before turning and walking away, leaving Luca alone with his demons.

[thegarrisonpub]

My little cousin was born blind. As a result, I now donate a considerable sum of money to a charity which gives dogs with eyes to blind Jews. The chairman of the board recommends that those of us who were blessed with the gift of sight, and that we spend, you know, at least half an hour a day with our eyes closed so that we may better understand the...well, the darkness, and um...also to increase our donations and that. What time is it? Twenty-nine minutes past eight. Peaky Blinders | 4x05 The Duel

[milfs5evr]

this is what i masturbate to btw

[everymangetshiswish420]

Whatever the pic said 😇