#Adam R. Harrison

[theadamantium]

Singer & songwriter, Barns Courtney, joins us for a third time on The Adamantium Podcast to discuss his latest album, Supernatural, the inspiration behind the post-apocalyptic cult leader concept, his look for the album, and why this album was the most Sisyphean project he’s ever worked on. We also talk about touring with The Struts, on stage chaos, video games, and our mutual admiration for the great Camden Town artists.

[treeroutes]

what's up ! non-exhaustive list of stories featuring weird plants :

The Day of the Triffids, John Wyndham

The Night of the Triffids, Simon Clark

In the Tall Grass, Stephen King and Joe Hill

The Boats of the 'Glen Carrig', William Hope Hodgson

The Man Whom the Trees Loved, Algernon Blackwood

The Red Tree, Caitlín R. Kiernan

Annihilation, Jeff VanderMeer

The Willows, Algernon Blackwood

The Nature of Balance, Tim Lebbon

'Bloom', John Langan

The Ruins, Scott Smith

The Wise Friend, Ramsey Campbell

'The Green Man of Freetown', The Envious Nothing : A Collection of Literary Ruins, Curtis M. Lawson

The Beauty, Aliya Whiteley

The Ash-Tree, M.R. James

Canavan's Backyard, J.P. Brennan

Invasion of the Body Snatchers, Jack Finney

The Hollow Places, T. Kingfisher

'Reaching for Ruins', Crow Shine, Alan Baxter

'Vortex of Horror', Gaylord Sabatini

Hothouse, Brian W. Aldiss

Vaster than Empires and More Slow, Ursula K. Le Guin

Odd Attachment, Ian M. Banks

Deathworld #1, Harry Harrison

The Bridge, John Skipp and Craig Spector

'The Garden of Paris', Eric Williams

Apartment Building E, Malachi King

The Seed from the Sepulchre, Clark Ashton Smith

Rappaccini's Daughter, Nathaniel Hawthorne

The Nursery, Lewis Mallory

The Other Side of the Mountain, Michel Bernanos

The Vegetarian, Han Kang

Sisyphean, Dempow Torishima

The Root Witch, Debra Castaneda

Semiosis, Sue Burke

The Wolf in Winter, Charlie Parker #12, John Connolly

Perennials, Bryce Gibson

Relic, Douglas Preston and Lincoln Child

Gwen, in Green, Hugh Zachary

The Voice in the Night, William Hope Hodgson

Ordinary Horror, David Searcy

The Family Tree, Sheri S. Tepper

The Book of Koli, Rampart Trilogy #1, M.R. Carey

Seeders, A.J. Colucci

Concrete Jungle, Brett McBean

The Plant, Stephen King

Anthologies/collections :

The Roots of Evil: Weird Stories of Supernatural Plants, edited by Michel Parry

Chlorophobia: An Eco-Horror Anthology, edited by A.R. Ward

Roots of Evil: Beyond the Secret Life of Plants, edited by Carlos Cassaba

The Green Man: Tales from the Mythic Forest, edited by Ellen Datlow and Terri Windling

Sylvan Dread: Tales of Pastoral Darkness, Richard Gavin

Evil Roots: Killer Tales of the Botanical Gothic, edited by Daisy Butcher

Weird Woods: Tales From the Haunted Forests of Britain, edited by John Miller

'But fungi aren't plants' :

The Fungus, Harry Adam Knight

Growing Things and Other Stories, Paul Tremblay

The Girl with All the Gifts, M.R. Carey

Mexican Gothic, Silvia Moreno-Garcia

Fruiting Bodies, and Other Fungi, Brian Lumley

'The Black Mould', The Age of Decayed Futurity, Mark Samuels

What Moves the Dead, T. Kingfisher

The House Without a Summer, DeAnna Knippling

Mungwort, James Noll

Fungi, edited by Orrin Grey and Silvia Moreno-Garcia

Trouble with Lichen, John Wyndham

Notes :

all links lead to the goodreads page of the book, mostly because i like to look at book cover art ;

list features authors/books that i love (T. Kingfisher, Silvia Moreno-Garcia, Ursula K. Le Guin, the collections from the British Library Tales of the Weird, etc.), but also a few that i don't like and some that i have not yet read ;

if upon seeing that list the first novel you check out is by Stephen King's you have not understood the assignment ;

not all of those are strictly horror stories, some are 100% science fiction (Brian W. Aldiss' Hothouse for instance).

[fatehbaz]

Just in case, some might enjoy. Had to organize some notes.

These are just some of the newer texts that had been promoted in the past few years at the online home of the American Association of Geographers. At: [aag dot org/new-books-for-geographers/]

Tried to narrow down selections to focus on Indigenous, Black, anticolonial, Latin American, oceanic/archipelagic geographies; imaginaries and environmental perception; mobility, borders, carceral/abolition geography; literary and musical ecologies.

---

New stuff, early 2024:

A Caribbean Poetics of Spirit (Hannah Regis, University of the West Indies Press, 2024)

Constructing Worlds Otherwise: Societies in Movement and Anticolonial Paths in Latin America (Raúl Zibechi and translator George Ygarza Quispe, AK Press, 2024)

Fluid Geographies: Water, Science, and Settler Colonialism in New Mexico (K. Maria D. Lane, University of Chicago Press, 2024)

Hydrofeminist Thinking With Oceans: Political and Scholarly Possibilities (Tarara Shefer, Vivienne Bozalek, and Nike Romano, Routledge, 2024)

Making the Literary-Geographical World of Sherlock Holmes: The Game Is Afoot (David McLaughlin, University of Chicago Press, 2025)

Mapping Middle-earth: Environmental and Political Narratives in J. R. R. Tolkien’s Cartographies (Anahit Behrooz, Bloomsbury Publishing, 2024)

Midlife Geographies: Changing Lifecourses across Generations, Spaces and Time (Aija Lulle, Bristol University Press, 2024)

Society Despite the State: Reimagining Geographies of Order (Anthony Ince and Geronimo Barrera de la Torre, Pluto Press, 2024)

---

New stuff, 2023:

The Black Geographic: Praxis, Resistance, Futurity (Camilla Hawthorne and Jovan Scott Lewis, Duke University Press, 2023)

Activist Feminist Geographies (Edited by Kate Boyer, Latoya Eaves and Jennifer Fluri, Bristol University Press, 2023)

The Silences of Dispossession: Agrarian Change and Indigenous Politics in Argentina (Mercedes Biocca, Pluto Press, 2023)

The Sovereign Trickster: Death and Laughter in the Age of Dueterte (Vicente L. Rafael, Duke University Press, 2022)

Ottoman Passports: Security and Geographic Mobility, 1876-1908 (İlkay Yılmaz, Syracuse University Press, 2023)

The Practice of Collective Escape (Helen Traill, Bristol University Press, 2023)

Maps of Sorrow: Migration and Music in the Construction of Precolonial AfroAsia (Sumangala Damodaran and Ari Sitas, Columbia University Press, 2023)

---

New stuff, late 2022:

B.H. Roberts, Moral Geography, and the Making of a Modern Racist (Clyde R. Forsberg, Jr.and Phillip Gordon Mackintosh, Cambridge Scholars Publishing, 2022)

Environing Empire: Nature, Infrastructure and the Making of German Southwest Africa (Martin Kalb, Berghahn Books, 2022)

Sentient Ecologies: Xenophobic Imaginaries of Landscape (Edited by Alexandra Coțofană and Hikmet Kuran, Berghahn Books 2022)

Colonial Geography: Race and Space in German East Africa, 1884–1905 (Matthew Unangst, University of Toronto Press, 2022)

The Geographies of African American Short Fiction (Kenton Rambsy, University of Mississippi Press, 2022)

Knowing Manchuria: Environments, the Senses, and Natural Knowledge on an Asian Borderland (Ruth Rogaski, University of Chicago Press, 2022)

Punishing Places: The Geography of Mass Imprisonment (Jessica T. Simes, University of California Press, 2021)

---

New stuff, early 2022:

Belly of the Beast: The Politics of Anti-fatness as Anti-Blackness (Da’Shaun Harrison, 2021)

Coercive Geographies: Historicizing Mobility, Labor and Confinement (Edited by Johan Heinsen, Martin Bak Jørgensen, and Martin Ottovay Jørgensen, Haymarket Books, 2021)

Confederate Exodus: Social and Environmental Forces in the Migration of U.S. Southerners to Brazil (Alan Marcus, University of Nebraska Press, 2021)

Decolonial Feminisms, Power and Place (Palgrave, 2021)

Krakow: An Ecobiography (Edited by Adam Izdebski & Rafał Szmytka, University of Pittsburgh Press, 2021)

Open Hand, Closed Fist: Practices of Undocumented Organizing in a Hostile State (Kathryn Abrams, University of California Press, 2022)

Unsettling Utopia: The Making and Unmaking of French India (Jessica Namakkal, 2021)

---

New stuff, 2020 and 2021:

Mapping the Amazon: Literary Geography after the Rubber Boom (Amanda Smith, Liverpool University Press, 2021)

Geopolitics, Culture, and the Scientific Imaginary in Latin America (Edited by María del Pilar Blanco and Joanna Page, 2020)

Reconstructing public housing: Liverpool’s hidden history of collective alternatives (Matt Thompson, University of Liverpool Press, 2020)

The (Un)governable City: Productive Failure in the Making of Colonial Delhi, 1858–1911 (Raghav Kishore, 2020)

Multispecies Households in the Saian Mountains: Ecology at the Russia-Mongolia Border (Edited by Alex Oehler and Anna Varfolomeeva, 2020)

Urban Mountain Beings: History, Indigeneity, and Geographies of Time in Quito, Ecuador (Kathleen S. Fine-Dare, 2019)

City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 (Marcus P. Nevius, University of Georgia Press, 2020)

[operachristine]

Holiday Gifting Day 2

Day 2 of 5 features a few Wicked videos!

Idina Menzel (Elphaba), Kristin Chenoweth (Glinda), Norbert Leo Butz (Fiyero), Sean McCourt (u/s The Wizard), Carole Shelley (Madame Morrible), Michelle Federer (Nessarose), Randy Harrison (t/r Boq), William Youmans (Doctor Dillamond) July 18, 2004; Broadway || Notes: This is Kristin and Norbert's last show. It was also supposed to be Joel Grey's last show, but he was ill. Video is sound only for first 4 minutes. This is a great video and excellent sound. Includes the speech by Idina. Definitely the best of the early Wicked captures. Idina wiping tears from Kristin’s face is touching and priceless. This bootleg is a treasure.

Link

Eden Espinosa, Megan Hilty, Derrick Williams, David Garrison, Carol Kane, Jenna Leigh Green, Robb Sapp, Sean McCourt May 28, 2006; Broadway || Notes: Megan Hilty's last show in the Broadway run! A very Megan-centric recording, good close-ups and follows the action very well.

Link

Jenna Leigh Green (u/s Elphaba), Kendra Kassebaum (Glinda) 2005; First National Tour Notes: 10mins of highlights include Defying Gravity, the catfight, and No Good Deed.

Link

Jenna Leigh Green (u/s Elphaba), Katie Adams (u/s Glinda) 2005 (2); First National Tour || Notes: Very minimal highlights. Flying portion of Defying Gravity only. Still a nice and rare video of Jenna as Elphaba! Though not great quality.

Link

Willemijn Verkaik (Elphaba), Céline Purcell (alt Glinda), Ferry Doedens (alt Fiyero), Bill van Dijk (The Wizard), Pamela Teves (Madame Morrible), Christanne de Bruijn (Nessarose), Niels Jacobs (Boq), Jochem Feste Roozemond (Doctor Dillamond) January 10, 2013; Scheveningen || Notes: Penultimate, final performance of Cèline Purcell and Ferry Doedens. Muck-up show.

Link

[deadpresidents]

2 and a half weeks until JC passes Cactus Jack!

It took me a little bit to figure out what you were referencing, but yes, Jimmy Carter will pass John Nance Garner as the longest-living President or Vice President in American history on September 18th. And if he is still with us on October 1st, Carter will be the first President or Vice President in American history to celebrate their 99th birthday.

And since I'm a huge dork who finds this stuff interesting, here's the big, complete list of longest-living to shortest-living Presidents and Vice Presidents in American history: (Presidents are in bold text, Vice Presidents are in italics, and those who served as both POTUS and VP are in bold italics.) John Nance Garner: 98 years, 351 days Jimmy Carter: 98 years, 337 days (As of Sept. 3, 2023) Levi P. Morton: 96 years, 0 days George H.W. Bush: 94 years, 171 days Gerald R. Ford: 93 years, 165 days Ronald Reagan: 93 years, 120 days Walter Mondale: 93 years, 81 days John Adams: 90 years, 247 days Herbert Hoover: 90 years, 71 days Harry S. Truman: 88 years, 232 days Charles G. Dawes: 85 years, 239 days James Madison: 85 years, 104 days Thomas Jefferson: 83 years, 82 days Dick Cheney: 82 years, 216 days (As of Sept. 3, 2023) Hannibal Hamlin: 81 years, 311 days Richard Nixon: 81 years, 104 days Joe Biden: 80 years, 287 days (As of Sept. 3, 2023) John Quincy Adams: 80 years, 227 days Aaron Burr: 80 years, 220 days Martin Van Buren: 79 years, 231 days Adlai E. Stevenson: 78 years, 234 days Dwight D. Eisenhower: 78 years, 165 days Alben W. Barkley: 78 years, 157 days Andrew Jackson: 78 years, 85 days Spiro Agnew: 77 years, 261 days Donald Trump: 77 years, 81 days (As of Sept. 3, 2023) George W. Bush: 77 years, 59 days (As of Sept. 3, 2023) Henry A. Wallace: 77 years, 42 days James Buchanan: 77 years, 39 days Bill Clinton: 77 years, 15 days (As of Sept. 3, 2023) Dan Quayle: 76 years, 211 days (As of Sept. 3, 2023) Charles Curtis: 76 years, 14 days Al Gore: 75 years, 156 days (As of Sept. 3, 2023) Millard Fillmore: 74 years, 60 days James Monroe: 73 years, 67 days George Clinton: 72 years, 268 days George M. Dallas: 72 years, 174 days William Howard Taft: 72 years, 174 days John Tyler: 71 years, 295 days Grover Cleveland: 71 years, 98 days Thomas R. Marshall: 71 years, 79 days Nelson Rockefeller: 70 years, 202 days Elbridge Gerry: 70 years, 129 days Rutherford B. Hayes: 70 years, 105 days Richard M. Johnson: 70 years, 33 days William Henry Harrison: 68 years, 54 days John C. Calhoun: 68 years, 13 days William A. Wheeler: 67 years, 339 days George Washington: 67 years, 295 days Benjamin Harrison: 67 years, 205 days Woodrow Wilson: 67 years, 36 days William R. King: 67 years, 11 days Hubert H. Humphrey: 66 years, 231 days Andrew Johnson: 66 years, 214 days Thomas A. Hendricks: 66 years, 79 days Charles W. Fairbanks: 66 years, 24 days Zachary Taylor: 65 years, 227 days Franklin Pierce: 64 years, 319 days Lyndon B. Johnson: 64 years, 148 days Mike Pence: 64 years, 88 days (As of Sept. 3, 2023) Henry Wilson: 63 years, 279 days Ulysses S. Grant: 63 years, 87 days Franklin D. Roosevelt: 63 years, 72 days Barack Obama: 62 years, 30 days (As of Sept. 3, 2023) Schuyler Colfax: 61 years, 296 days Calvin Coolidge: 60 years, 185 days Theodore Roosevelt: 60 years, 71 days Kamala Harris: 58 years, 318 days (As of Sept. 3, 2023) William McKinley: 58 years, 228 days Warren G. Harding: 57 years, 273 days Chester A. Arthur: 57 years, 44 days James S. Sherman: 57 years, 6 days Abraham Lincoln: 56 years, 62 days Garret A. Hobart: 55 years, 171 days John C. Breckinridge: 54 years, 116 days James K. Polk: 53 years, 225 days Daniel D. Tompkins: 50 years, 355 days James Garfield: 49 years, 304 days John F. Kennedy: 46 years, 177 days

[medium-observation]

AUGUST RELEASE

Beetlejuice - First US National Tour

February 19, 2023 - Medium Observation

Video

Cast:

Justin Collette (Beetlejuice), Isabella Esler (Lydia Deetz), Britney Coleman (Barbara Maitland), Will Burton (Adam Maitland), Jesse Sharp (Charles Deetz), Kate Marilley (Delia Deetz), Lexie Dorsett Sharp (u/s Miss Argentina), Abe Goldfarb (Otho), Brian Vaughn (Maxie Dean), Karmine Alers (Maxine Dean/Juno), Jackera Davis (Girl Scout), Ryan Breslin (s/w Ensemble), Morgan Harrison (s/w Ensemble)

Notes:

Excellent video of the tour, featuring Lexie's second show as Miss Argentina. There is a head on the left side that is always worked around and doesn't take away at all. some washout is seen in wideshots but it's minimal.

NFT Date: February 6, 2024

Screenshots: https://flic.kr/s/aHBqjAsWs4

Video is $20

Some Like it Hot (Shaiman and Wittman) - Broadway

April 26, 2023 - Medium Observation

Video | Matinée

Cast:

Christian Borle (Joe/Josephine), J. Harrison Ghee (Jerry/Daphne), Adrianna Hicks (Sugar), Kevin Del Aguila (Osgood), NaTasha Yvette Williams (Sweet Sue), Adam Heller (Mulligan), Mark Lotito (Spats), Angie Schworer (Minnie), TyNina Rene Brandon (Ensemble), DeMarius R. Copes (Ensemble), Casey Garvin (Ensemble), Devon Hadsell (Ensemble), Jenny Hill (Ensemble), KJ Hippensteel (Ensemble), Jarvis B. Manning (Ensemble), Brian Martin (Ensemble), Abby Matsusaka (Ensemble), Amber Owens (Ensemble), Charles South (Ensemble), Brendon Stimson (Ensemble), Raena White (Ensemble), Richard Riaz Yoder (Ensemble)

Notes:

Absolutely Flawless video. There is a small head on the bottom left but it only obstructs the very front of the stage. The whole cast was really fantastic.

NFT Date: February 6, 2024

Screenshots: https://flic.kr/s/aHBqjABxXi

Video is $20

Videos can be purchased through me at mediumobservationtrading@gmail.com

[dailyanarchistposts]

Bibliography for FAQ

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“Workers’ Control on the Railroads and Some Suggestions Concerning Social Aspects of Labour Politics in the Russian Revolution”, pp. D1181-D1219, The Journal of Modern History, vol. 49, no. 2.

Rosmer, Alfred, Lenin’s Moscow, Bookmarks, London, 1987.

Rosnick, David and Weisbrot, Mark, Are Shorter Work Hours Good for the Environment? A Comparison of U.S. and European Energy Consumption, available at: http://www.cepr.net/documents/publications/energy_2006_12.pdf

Rothbard, Murray N., The Ethics of Liberty, Humanities Press, Atlantic Highlands, N.J., 1982.

For a New Liberty, MacMillan, New York, 1973. “Praxeology: The Methodology of Austrian Economics” in The Foundation of Modern Austrian Economics, pp. 19–39,Dolan, Edwin G. (ed.), Sheed & Ward, Inc., Kansas, 1976. Egalitarianism as a Revolt against Nature and Other Essays, Libertarian Press Review, 1974. “Nations by Consent: Decomposing the Nation-State,”in Secession, State and Liberty, David Gordon (ed.),Transaction Publishers, New Brunswick, 1998. Power and Market, Institute for Humane Studies,Menlo Park, 1970. Man, Economy, and State, with Power and Market, Ludwig von Mises Institute, Auburn, 2004. “Society Without A State”, pp. 191–207, Anarchism: Nomos XIX, J. Roland Pennock and John W. Chapman (eds.), New York University Press, New York, 1978. America’s great depression, Van Nostrand, Princeton/London, 1963. Conceived in Liberty (in four volumes), Arlington House Publishers,New Rochell, 1975. The Logic of Action II: Applications and Criticism from the Austrian School, Edward Elgar, Cheltenham/Lyme, 1997. Classical Economics: An Austrian Perspective on the Historyof Economic Thought, Edward Elgar, Brookfield, 1995. Konkin on Libertarian Strategy, available at:http://www.anthonyflood.com/rothbardkonkin.htm Are Libertarian’s ‘Anarchists’?, available at: http://www.lewrockwell.com/rothbard/rothbard167.html

Rousseau, J-J, The Social Contract and Discourses, Everyman, London, 1996.

Rowbotham, Sheila, Hidden from History: 300 Years of Women’s Oppression and the fight against it, Pluto Press, London, 1977.

“Edward Carpenter: Prophet of the New Life”, Rowbotham, Sheila and Weeks, Jeffrey, Socialism and the New Life: The Personal and Sexual Politics of Edward Carpenter and Havelock Ellis, Pluto Press, London 1977.

RSDLP, Minutes of the Second Congress of the RSDLP, New ParkPublications, London, 1978.

St. Clair, David, The Motorization of American Cities, Praeger, New York, 1986.

Sakwa, Richard, Soviet Communists in Power: a study of Moscow during the Civil War, 1918–21, Macmillan, Basingstoke, 1987.

Sawyer, Malcolm C., The Economics of Michal Kalecki, MacMillan, Basingstoke,1985.

The Economics of Industries and Firms: theories, evidence and policy (2nd ed.), Croom Helm, London, 1985.

Schapiro, Leonard, The Origin of the Communist Autocracy: PoliticalOpposition in the Soviet State: The First Phase, 1917–1922, Frederick A. Praeger, New York, 1965.

Schlosser, Eric, Fast Food Nation: What the all-american meal is doing to the world, Allen Lane, London, 2001.

Schneider, Cathy Lisa, Shantytown protest in Pinochet’s Chile, Temple University Press, Philadelphia, 1995.

Schor, Juliet B., The Overworked American: The Unexpected Decline of Leisure, BasicBooks, New York, 1992.

Schorske, C., German Social Democracy, 1905–1917, Cambridge, Mass., 1955.

Schulkind, Eugene (ed.), The Paris Commune of 1871: The View from the Left, Jonathan Cape, London, 1972.

Schumacher, E.F., Small is Beautiful: A Study of Economics as if people mattered, Vintage, London, 1993.

Schweickart, David Against Capitalism, Cambridge, Cambridge University Press, 1993.

After Capitalism, Rowman & Littlefield Publishers, inc., Lanham, 2002.

Sen, Amartya, Resources, Values and Development, Basil Blackwell, Oxford, 1984.

Development as Freedom, Oxford University Press, Oxford, 1999.

Senior, Nassau, An Outline of the Science of Political Economy, Alan & Unwin, London, 1951

Serge, Victor, Memoirs of a Revolutionary 1901–41, Oxford University Press, Oxford, 1963.

Revolution in Danger: Writings from Russia, 1919–1921, Redwords, London, 1997. Year One of the Russian Revolution, Bookmarks, Pluto Press and Writers and Readers, London/New York, 1992. The Serge-Trotsky Papers, D. J. Cotterill (ed.), Pluto Press, London, 1994 Anarchists Never Surrender: Essays, Polemics, and Correspondence on Anarchism, 1908–1938, PM Press, Oakland, 2015. The Life and Death of Leon Trotsky, Haymarket Books, Chicago, 2016

Service, Robert, The Bolshevik Party in Revolution: A Study of Organisational change, Macmillan, London, 1979.

Silk L., and Vogel, D., Ethics and Profits: The Crisis of Confidence in American Business, Simon and Schuster, New York, 1976.

Sirianni, Carmen, Workers’ Control and Socialist Democracy, Verso/NLB, London, 1982.

Shanin, Teodor, The Awkward Class: Political Sociology of Peasantry in a Developing Society: Russia 1910–1925, OxfordUniversity Press, London, 1972.

Skidelsky, Robert (ed.), Thatcherism, Chatto & Windus, London, 1988.

Skidmore, Thomas E. and Smith, Peter H., Modern Latin America, Second Edition, Oxford University Press, 1989.

Smith, Adam, The Wealth of Nations, Everyman’s Library, London, 1991.

The Wealth of Nations, book 5, contained in An Inquiry intothe Nature and Causes of the Wealth of Nations: A SelectedEdition, Oxford University Press, Oxford/New York, 1998.

Smith, S.A., Red Petrograd: Revolution in the Factories 1917–1918, Cambridge University Press, Cambridge, 1983.

Revolution and the People in Russia and China: A Comparative History, Cambridge University Press, Cambridge, 2008. Russia in Revolution: An Empire in Crisis, 1890–1928, Oxford University Press, Oxford, 2017.

Solvason, Birgir T. Runolfsson, Ordered Anarchy, State and Rent-seeking: The Iceland Commonwealth, 930–1262, available at http://www.hag.hi.is/~bthru/ritgerd.htm

Sorel, Georges, Reflections on Violence, Cambridge University Press, Cambridge, 1999.

Sorenson, Jay B., The Life and Death of Soviet Trade Unionism: 1917–1928, Atherton Press, New York, 1969.

Spriano, Paolo, The Occupation of the Factories: Italy 1920, Pluto Press, London, 1975.

Staub, Ervin, The Roots of Evil: The Origins of Genocide and Other Group Violence, Cambridge University Press, Cambridge, 2000

Stauber, John, and Sheldon Rampton, Toxic Sludge is good for you! Lies, Damn Lies and the Public Relations Industry, Common Courage Press, Monroe, Maine, 1995.

Steinberg, I., Spiridonova: revolutionary terrorist, Methuen, London, 1935.

Steinbeck, John, The Grapes of Wrath, Mandarin, London, 1990.

Stewart, Michael, Keynes in the 1990s: A Return to Economic Sanity, Penguin Books, London, 1993.

Keynes and After, 3rd edition, Penguin Books, London, 1987.

Stiglitz, Joseph, Globalisation and its Discontents, Penguin Books, London, 2002.

Stretton, Hugh, Economics: A New Introduction, Pluto Press, London, 2000.

Suny, Ronald Grigor (ed.), The Structure of Soviet History: Essays and Documents, Oxford University Press, Oxford, 2003

Swain, Geoffrey, The Origins of the Russian Civil War, Longman, London/New York, 1996.

Sweezy, Paul, Theory of Capitalist Development, Monthly Review Press, New York, 1942.

Targetti, Ferdinando, Nicholas Kaldor: The Economics and Politics of Capitalism as a Dynamic System, Clarendon Press, Oxford, 1992.

Taylor, M. W., Men versus the state: Herbert Spencer and late Victorian individualism,Clarendon Press, Oxford, 1992.

Taylor, Michael W. (ed.), Herbert Spencer and the Limits of the State: The LateNineteenth-Century Debate Between Individualism andCollectivism, St. Augustine’s Press, 1997.

Thomas, Hugh, The Spanish Civil War, Hamish Hamilton, London, 1986.

Thomas, Paul, Karl Marx and the Anarchists, Routledge & Kegan Paul plc,London, 1985.

Tomlins, Christopher L., Law, Labor, and Ideology in the Early American Republic, Cambridge University Press, New York, 1993.

Thompson, E.P., The Making of the English Working Class, Penguin Books, London, 1991.

Customs in Common, Penguin Books, London, 1993.

Thompson, Noel, The Real Rights of Man: Political Economies for the Working Class, 1775–1850, Pluto Press, London, 1998.

Ticktin, Hillel and Cox, Michael (eds.), The Ideas of Leon Trotsky, Porcupine Press, London, 1995.

Tokes, Rudolf L., Bela Kun and the Hungarian Soviet Republic: The Origins and Role of the Communist Party of Hungary in the Revolutions of 1918–1919, Pall Mall Press, London, 1967.

Trotsky, Leon, History of the Russian Revolution, in three volumes, Gollancz and Sphere Books, London, 1967.

Writings of Leon Trotsky: Supplement (1934–40), Pathfinder Press, New York, 1979. Writings 1936–37, Pathfinder Press, New York, 1978. Writings 1933–34, Pathfinder Press, New York, 2003. Writings 1932, Pathfinder Press, New York, 1999. Writings 1930–31, Pathfinder Press, New York, 2002. Writings 1930, Pathfinder Press, New York, 2003. Terrorism and Communism, Ann Arbor, 1961. The Revolution Betrayed: What is the Soviet Union and where is it going?, Faber and Faber Ltd, London, 1937. Leon Trotsky Speaks, Pathfinder, New York, 1972. How the Revolution Armed: the military writings and speeches of Leon Trotsky, vol. I, New Park Publications, London, 1979. How the Revolution Armed: the military writings and speeches of Leon Trotsky, vol. II, New Park Publications, London, 1979. How the Revolution Armed: the military writings and speeches of Leon Trotsky, vol. IV, New Park Publications, London, 1979. Stalin: An Appraisal of the man and his influence, in two volumes, Panther History, London, 1969. The Death Agony of Capitalism and the Tasks of the Fourth International, contained in How Solidarity can change the world, Alliance for Workers’ Liberty, London, 1998. First Year Years of the Communist International, (in 2 volumes), New Park Publications, London, 1974. The Third International After Lenin, Pioneer Publishers, New York, 1957. The Challenge of the Left Opposition (1923–25), Pathfinder Press, New York, 1975. The Challenge of the Left Opposition (1926–27), Pathfinder, New York, 1980. On Lenin: Notes towards a Biography, George G. Harrap & Co. Ltd., London, 1971. “Lessons of October”, pp. 113–177, The Essential Trotsky, Unwin Books, London, 1963. Leon Trotsky on China, Monad Press, New York, 2002 In Defense of Marxism, Pathfinder, New York, 1995. Platform of the Opposition, available at: http://www.marxists.org/archive/trotsky/works/1927-plo/ch01.htm The Lessons of October, available at: http://www.marxists.org/archive/trotsky/works/1924-les.htm How Did Stalin Defeat the Opposition?, available at: http://www.marxists.org/archive/trotsky/works/1935-sta.htm Work, Discipline, Order, available at: http://www.marxists.org/archive/trotsky/works/1918-mil/ch05.htm More Equality! available at: http://www.marxists.org/archive/trotsky/works/1919-mil/ch12.htm The Revolution Betrayed, available at: http://www.marxists.org/archive/trotsky/works/1936-rev/index.htm The Class Nature of the Soviet State, available at: http://www.marxists.org/archive/trotsky/works/sovstate.htm The Path of the Red Army, available at: http://www.marxists.org/archive/trotsky/works/1918-mil/ch02.htm The Moralists and Sycophants against Marxism, contained in Their Morals and Ours, pp. 53–66, Pathfinder, New York, 1973. The Makhno Movement, available at: http://www.marxists.org/archive/trotsky/works/1919-mil/ch49.htm Stalinism and Bolshevism, available at:http://www.marxists.org/archive/trotsky/works/1937/1937-sta.htm

Turner, Adai, Just Capital: The Liberal Economy, Pan Books, London, 2002.

Utton, M. A., The Political Economy of Big Business, Martin Robinson, Oxford, 1982.

van der Linden, Marcel, Western Marxism and the Soviet Union : a survey of critical theories and debates since 1917Brill, Leiden, 2007

Wade, Robert, Governing the Market: Economic Theory and the role of governmentin East Asian Industrialisation, Princeton University Press,Princeton, 1990.

Walford, George, George Walford on Anarcho-Capitalism, available at http://flag.blackened.net/liberty/walford-on-anarcap.html

Wallerstein, Immanuel, Geopolitics and Geoculture, Cambridge University Press, Cambridge, 1991.

The Capitalist World System (vol. 1),

Walras, L, Elements of Pure Political Economy, Allen and Unwin, London, 1954.

Ward, Benjamin, What’s Wrong with Economics?, Basic Books, New York, 1972

Ware, Norman, The Industrial Worker 1840–1860: The Reaction of American IndustrialSociety to the Advance of the Industrial Revolution, Elephant Paperbacks, Chicago, 1924.

Watson, Andrew, From Red to Green: Green Politics and environmentalism cannot save the environment. A socialist politics can,Privately Published, 1990.

Weisbrot, Mark, Globalisation for Whom?, available at: http://www.cepr.net/Globalization.html

Weisbrot, Mark, Baker, Dean, Kraev, Egor and Chen, Judy,The Scorecard on Globalization 1980–2000: Twenty Years of Diminished Progress,available at: http://www.cepr.net/publications/globalization_2001_07_11.htm

Weisbrot, Mark, Baker, Dean, Naiman, Robert and Neta, Gila, Growth May Be Good for the Poor — But are IMF and World Bank Policies Good for Growth? available at: http://www.cepr.net/publications/econ_growth_2001_05.htm

Weisbrot, Mark and Rosnick, David, Another Lost Decade?: Latin America’s Growth Failure Continues into the 21st Century, available at: http://www.cepr.net/publications/latin_america_2003_11.htm

Wilkinson, Richard and Pickett, Kate, The Spirit Level: Why More Equal Societies Almost Always Do Better, Allen Lane, London, 2009.

Williams, Gwyn A., Proletarian Order: Antonio Gramsci, factory councils and the origins of Italian Communism, 1911–1921, Pluto Press, London, 1975.

Artisans and Sans-Culottes: Popular Movements in France and Britain during the French Revolution, Edward Arnold, London, 1981.

Wilson, H., The Labour Government 1964–1970, London, 1971.

Wilkinson, Richard and Pickett, Kate, The Spirit Level: Why More Equal SocietiesAlmost Always Do Better, Allen Lane, London,2009.

Winn, Peter (ed.), Victims of the Chilean Miracle: Workers and Neoliberalism in the Pinochet Era, 1973–2002, Duke University Press, Durham and London, 2004.

Wolff, Edward N., Top Heavy: A Study of Increasing Inequality in America, Twentieth Century Fund, 1995

Wolff, Jonathan, Robert Nozick: Property, Justice and the Minimal State, Polity Press, Oxford, 1991.

Wray, L. Randall, Money and Credit in Capitalist Economies: the endogenousmoney approach, Aldershot, Elgar, 1990.

Zinoviev, Grigorii, History of the Bolshevik Party: A Popular Outline, New Park Publications, London, 1973.

[identity-library]

Disability (Books)

A:

A Christmas Carol (Charles Dickens)

Tiny Tim (Unspecified Disability)

A Different Kind of Beauty (Sylvia McNicoll)

Kyle (Blind, Diabetes)

All Our Broken Pieces (L.D. Crichton)

Kyler (Facial Difference - Scarring)

American Girl (Series - Various Authors)

Blaire (Food Allergy)

Gabriela (Stutter)

Josie Myers (Paralyzed, Wheelchair User)

Joss Kendrick (Deaf)

Joy Jenner (Deaf)

Maryellen Larkin (Limited Mobility)

Sam Walker (Amputee)

A Step Toward Falling (Cammie McGovern)

Anthony (Down Syndrome)

Belinda Montgomery (Low Vision, Unspecified Developmental Disability)

Douglas (Unspecified Developmental Disability)

Eugene (Unspecified Disability, Wheelchair User)

Francine (Down Syndrome)

Harrison (Autistic, Blind)

Sheila (Autistic)

All The Light We Cannot See (Anthony Doerr)

Marie-Laure (Blind)

Animorphs (K.A. Applegate)

Collette (Paralyzed)

Craig (Unspecified Disability)

Erica (Unspecified Disability)

James (Paralyzed, Wheelchair User)

Jessie (Unspecified Disability)

Judy (Unspecified Disability)

Julio (Unspecified Disability)

Kelly (Cystic Fibrosis)

Liam (Unspecified Disability)

Ray (Unspecified Disability)

Timmy (Cerebral Palsy, Wheelchair User)

Tricia (Unspecified Disability)

B:

Blind (Rachel DeWoskin)

Emma Sasha Silver (Blind)

Blindsided (Priscilla Cummings)

Natalie O'Reilly (Blind)

Blind Sighted (Peter Moore)

Callie (Blind)

Blind Spot (Laura Ellen)

Roswell "Roz" Hart (Blind - Macular Degeneration)

Bruised (Tanya Boteju)

Caihong "Cai" (Deaf)

C:

Catching the Light (Susan Sinnott)

Cathy (Unspecified Learning Disability)

Cemetary Boys (Aiden Thomas)

Julian Diaz (ADHD)

Connection Error (Annabeth Albert)

Josiah Simmons (ADHD)

Ryan Orson (Multi-Limb Amputee)

Crown of Feathers - Series (Nicki Pau Preto)

Sparrow (Blind)

D:

Daughter of the Deep (Rick Riordan)

Ester Harding (Autistic)

Dear Mothman (Robin Gow)

Noah (Autistic)

E:

F:

Finding Phoebe (Gavin Extence)

Phoebe (Autistic)

Frankie's World (Aoife Dooley)

Frankie (Autistic)

Sam (Wheelchair User)

Future Girl (Asphyxia)

Piper McBride (Deaf)

G:

Gifted Clans (Graci Kim)

Sahm (Limb Difference)

Girl, Stolen (April Henry)

Cheyenne Wilder (Blind)

Good Kings, Bad Kings (Susan Nussbaum)

Joanna Madsen (Paralyzed, Wheelchair User)

H:

Handle With Care (Jodi Picoult)

Willow O'Keefe (Osteogenesis Imperfecta)

Hello, Universe (Erin Entrada Kelly)

Valencia Somerset (Deaf)

Highway Bodies (Alison Evans)

Jojo (Amputee)

House Rules (Jodi Picoult)

Jacob Hunt (Autistic)

How to Speak Dolphin (Ginny Rorby)

Adam (Autistic)

Zoe (Blind)

I:

J:

Jerk, California (Jonathan Friesen)

Sam Carrier (Tourette's Syndrome)

K:

Keep This to Yourself (Tom Ryan)

Junior Merlin (Partially Blind - One Eye)

L:

Learning Curves (Ceillie Simkiss)

Cora McLaughlin (ADHD)

Light a Single Candle (Beverly Butler)

Cathy Wheeler (Blind)

Love and First Sight (Josh Sundquist)

Cecily Hoder (Facial Difference)

William "Will" Porter (Blind)

M:

Maximum Ride (James Patterson)

Iggy (Blind)

N:

Nestlings (Nat Cassidy)

Ana Greene (Paralyzed, Wheelchair User)

Not If I See You First (Eric Lindstrom)

Parker Grant (Blind)

O:

On the Edge of Gone (Corinne Duyvis)

Denise (Autistic)

P:

Percy Jackson - Universe (Rick Riordan)

Amphithemis (Short Term Memory Loss)

Ben (Unspecified Disability, Wheelchair User)

Ethan Nakamura (Partially Blind)

Halcyon "Hal" Green (Mute)

Hearthstone (Deaf)

Hephaestus (Facial Differences, Limb Differences)

Leo Valdez (ADHD, Motion Sickness)

Phineas (Blind)

Thalia Grace (ADHD, Dyslexia)

Peter Nimble and His Fantastic Eyes (Jonathan Auxier)

Peter Nimble (Blind)

Planet Earth is Blue (Nicole Panteleakos)

Nova Vezina (Autistic)

Punk 57 (Penelope Douglas)

Ryen Trevarrow (Allergies, Asthma)

Q:

R:

Rainbow Magic (Daisy Meadows)

Camilla (Deaf)

Elsie (Unspecified Disability, Wheelchair User)

Harper (Down Syndrome)

Riley (Limb Difference)

Remember Dippy (Shirley Reva Vernick)

Remember "Mem" Dippy (Autistic)

Retina Boy (Ben Shaberman)

Doug Anderson (Blind)

Marcy (Unspecified Disability, Wheelchair User)

S:

Sadie (Courtney Summers)

Sadie Hunter (Stutter)

Sal and Gabi Break the Universe (Carlos Hernandez)

Floramaria Vidón (Diabetes)

Salvador "Sal" Vidón (Type 1 Diabetes)

Scholomance (Series - Naomi Novik)

Dinesh (Facial Scarring)

Hideo (Unspecified Tic Disorder)

Jowani (Stammer)

She is Not Invisible (Marcus Sedgwick)

Laureth Peak (Blind)

Six of Crows (Leigh Bardugo)

Kaz Brekker (Chronic Pain, Cane User)

Wylan Van Eck (Dyslexia)

Song for a Whale (Lynne Kelly)

Grandfather (Deaf)

Grandmother (Deaf)

Iris Bailey (Deaf)

Wendell (Deaf)

T:

Tall Story (Candy Gourlay)

Bernardo (Gigantism)

The Body in the Woods (April Henry)

Nick Walker (ADHD)

Ruby McClure (Autism)

Agatha (Down Syndrome)

The Good Hawk (Joseph Elliot)

The Heart of Applebutter Hill (Donna Hill)

Abigail Jones (Blind)

The Idiot (Fyodor Dostoevsky)

Lev Myshkin (Epilepsy)

The Locked Tomb (Tamsyn Muir)

Cytherea the First (Cancer)

The Luis Ortega Survival Club (Sonora Reyes)

Ariana Ruiz (Autistic, Situational Mutism)

The One Thing (Marci Lyn Curtis)

Ben Milton (Spina Bifida)

Maggie Sanders (Blind)

The Storm Runner (J.C. Cervantes)

Renata "Ren" Santiago (Allergies, Epilepsy)

Rosie (Amputee)

Zane Obispo (Leg Length Discrepancy, Cane User)

The Tragedy Paper (Elizabeth LaBan)

Tim Macbeth (Albino, Blind)

The Wheel of Time (Robert Jordan)

Mat Cauthon (Blind)

The Window (Jeanette Ingold)

Mandy (Blind)

Things Not Seen (Andrew Clements)

Alicia Van Dorn (Blind)

Thousand Worlds - Series (Yoon Ha Lee)

Myung Juhwang (Amputee)

Quartermaster Yang (Deaf)

Tristian Strong - Series (Kwame Mbalia)

Jessica "Jess" (Unspecified Disability, Wheelchair User)

U:

V:

W:

Warriors (Erin Hunter)

Berrynose (Amputee)

Briarlight (Limited Mobility)

Brightheart (Partially Blind)

Cinderpelt (Limited Mobility)

Deadpaw (Limb Difference)

Fallowfern (Deaf)

Finleap (Amputee)

Halftail (Amputee)

Jayfeather (Blind)

Leopardstar (Diabetes)

Lilywhisker (Paralyzed)

Longtail (Blind)

Moth Flight (ADD)

Oddfoot (Limb Difference)

One-Eye (Partially Blind)

Petalfall (Epilepsy)

Shadowsight (Epilepsy)

Snowkit (Deaf)

Whitewater (Partially Blind)

Wicked: The Life and Times of the Wicked Witch of the East (Gregory Maguire)

Nessarose Thropp (Unspecified Disability, Wheelchair User)

Wings of Fire (Tui T. Sutherland)

Addax (Limp)

Battlewinner (Fantasy Disability)

Chameleon (Facial Difference, Limited Abilities)

Clay (Limp)

Dune (Amputee)

Jerboa ||| (Amputee)

Mayfly (Amputee)

Onyx (Limited Mobility)

Osprey (Blind, Paralyzed)

Peregrine (Partially Deaf)

Sapphire (Amputee)

Scarlet (Facial Difference)

Sequoia (Amputee)

Snowflake (Limited Mobility)

Starflight (Blind)

Stonemover (Limited Mobility*)

Tamarin (Blind)

Tau (Limb Difference, Limited Mobility)

Vengeance (Facial Difference)

Wasp (Facial Difference)

Wonder (R.J. Palacio)

Auggie Pullman (Facial Difference)

X:

Y:

Z:

#:

100 Days (Nicole McInnes)

Agnes (Progeria)

100 Sideways Miles (Andrew Smith)

Finn Easton (Epilepsy)

13 Gifts (Wendy Mass)

Angelina D'Angelo (Facial Difference)

[pop-pop-pop-popculture]

Who, in your opinion, are ✨Legendary, Talented Actors and Actresses✨ (deceased, alive and "legend in the making")?

Nice question!!!!  Like the word “versatile”, I feel that when referring to an actor or actress, “legendary” is thrown around too often without actually understanding what that word means and how it correlates to an actor or actress. That being said, I hope I do this right...

Alive: - Daniel Craig - Winona Ryder - Christian Bale - Julianne Moore - Jim Carrey - Meryl Streep - James McAvoy - Julia Roberts - Willem Dafoe - Susan Sarandon - Ewan McGregor - Charlize Theron - Johnny Depp (like him or not) - Nicole Kidman - Tom Hanks - Kate Winslet - Edward Norton - Morgan Freeman - Robert Downey Jr. - Leonardo DiCaprio - Allison Janney - Christopher Walken - Will Smith - Michael Caine - Brad Pitt - Dakota Fanning - Denzel Washington - Viola Davis - Gary Oldman - Bryce Dallas Howard - Idris Elba - Helena Bonham Carter - Tom Cruise (like him or not, and I, personally, absolutely despise him) - Jessica Chastain - Al Pacino - Cate Blanchett - Steve Carell (his career took off after he landed his iconic role as Michael Scott in The Office, but since his last episode in 2011, he's come a long way and has even branched out into a variety of genres as well as role types) - Angelina Jolie - Michael Keaton - Michelle Pfeiffer - Daniel Day-Lewis - Sandra Bullock - Robert De Niro - Renée Zellweger - Colin Farrell - Patricia Arquette - Colin Firth - Joaquin Phoenix - Keanu Reeves - Matthew McConaughey - Brendan Fraser - Harrison Ford - Jack Nicholson - Stanley Tucci

**There are tons of actors and actresses from the 30s-60s that were in-demand and could definitely be considered a legend, but I chose to leave them off because I didn’t want this list to be long and I wanted to focus on only the ones I grew up with as well as heard of**

Gone, but NEVER Forgotten - Heath Ledger - Carrie Fisher - Robin Williams - Brittany Murphy - River Phoenix - Chadwick Boseman - Chris Farley - Patrick Swayze

Legend in the Making: - Anya Taylor-Joy - Robert Pattinson - Margot Robbie - Julia Garner (I can just feel it...!) - Finn Wolfhard - Melissa McCarthy - Andrew Garfield - Sadie Sink (I can just feel it...!) - Cillian Murphy - Kate McKinnon - Saoirse Ronan - Anne Hathaway - Amy Adams - Lin-Manuel Miranda - Kristen Stewart (like her or not)

Honorable Mentions: Emma Thompson, Natalie Portman, Elle Fanning, Halle Berry, Chris Evans, Ryan Gosling, Ryan Reynolds, Zoë Saldaña, Emma Stone, Will Ferrell, Adam Sandler

Unsure:

Hugh Jackman - click here

Matthew Modine - A true artist at heart who was quite versatile with his roles and genres in the 80s (and so fine 😍), but he isn't super well-known nor popular like, for example, Tom Hanks; however, the role of 'Papa' on Stranger Things won him tons of new fans as well as awoke his fans that grew up with him

Jason Bateman - He's been around since the 80s, but aside from Ozark, he only really stars in crude R-rated films, so I'm on the fence about whether he'd be considered one or not

Amy Poehler

Adam Driver

Tina Fey

Jake Gyllenhaal

Chris Rock

Florence Pugh

Bill Skarsgård

Tom Holland

|---------------------------------------------------------------|

There are definitely tons--I mean tons of more actors and actresses I could write out for each category, but I'll end the lists here. Thank for the ask, this was fun to think about! If any of you have suggestions, then send me an ask.

[the-fruit-tea-devil]

Chomos that were unalived part 2

⚠️TRIGGER WARNING: Violence, rape⚠️

Chomos that were unalived part 1

1. Dennis Pegg

Dennis Pegg was a former scout leader who molested young boys, one of his victims was Clark Fredricks. He was sexually, physically, and emotionally abused by Pegg from ages 7-12. Clark Fredricks also recalls a moment when Pegg’s dog heard his screams and Pegg beat up the dog and threatened to do the same to Clark.

His murder: In 2012, Clark broke into Pegg’s home and stabbed him to death and cut his throat. He later became a motivational speaker for sexual abuse victims.

2. Mitchell Harrison

A young British man named Mitchell Harrison was jailed in 2009 for luring a 13 year old girl in his apartment and r*ping her. He was arrested for an indefinite amount of time with a minimum of 4 1/2 years.

His murder: In 2011, Michael Parr and Nathan Mann, two inmates both jailed for murdering people at a hospital, wanted to torture Harrison and even eat his liver, likely because they found out he is a sex offender. They basically disemboweled and murdered him in short. They were both given life sentences, if not already for their prior murders.

3. Christian Maire

40 year old Christian Maire was an online child exploitation ring leader who exploited and manipulated over a 100 adolescent girls to strip, perform sex acts and even cut themselves on camera. He was sentenced to four decades of prison time.

The murder: Christian was killed by two men, Alex Albert Castro and Adam “Creeper” Wright. Castro was convicted of gang crimes like drugs and Creeper was allegedly convicted of a robbery. They kicked him, stomped him, stabbed him and threw him down a flight of metal stairs. They each served an additional 20-24 years for this second degree murder.

4. Deandre Austin

In 2008, Deandre Austin was sentenced to life in prison for the continuous SA of his 3 elementary school aged nieces from 2002-2006. His murder: In 2020, Deandre Austin was killed by his cellmate, Rodney Jordan, who was convicted of a burglary. Not a lot of details were released but it is said he probably killed him because…you know… he was a chomo…

5. Roy Whitling

Roy Whitling was the killer of 8 year old Sarah Payne and he already had a history of child SA and kidnapping. In 1995, he was already given a four year sentence for the kidnap and r*pe of an 8 year old girl. In 2001, he was convicted again for the murder and kidnapping of 8 year old Sarah Payne.

His attack: I say “attack” because he wasn’t murdered but attacked. Convicted killer Rickie Tregaskis (who was already serving life imprisonment with a 20-year minimum for the 1999 murder of a disabled man in Cornwall) slashed Whitling’s cheek with a razor and left a 6 inch scar. Roy is also said to have been (possibly on a separate incident) beat up with a wooden plank with nails and called a “nonce”

6. David Kever

David Kever was convicted on four counts of lewd and lascivious indecent assault on a child under 16, sexual battery, and attempted sexual battery in 1996. He was temporarily released in December 2009 before being reincarcerated a few months later. He was sentenced 8 or 9 years in jail for failure to register as a sex offender. In 2019, he was killed and stomped to death by his 44 year old cellmate Jimmy Ray Carruthers. Now before you cheer him on, just note that Carruthers himself was also a child molester.

Jimmy Ray Carruthers has been in bars since 1994. He was convicted of aggravated child abuse on a victim under the age of 13, two counts of sexual battery on a victim under 12, two counts of battery against a law enforcement officer, and misconduct related to a false fire alarm. Before the murder, Carruthers was going to be released in 2021.

7. David Oseas Ramirez

David Oseas Ramirez was serving life in prison for molesting an 11 year old girl. In 2019, he was killed by Paul Dixon, who was already a convicted murderer. They had an argument, it got physical and Paul ended up shoving David’s head down a toilet and drowning him.

8. Jason Turnball

Turnball was serving a 10-15 sentence for a single count of third-degree criminal sexual conduct and 4 counts of fourth-degree criminal sexual conduct.

In 2016, he was killed by Timothy Dickerson, a 24 year old inmate who was serving a 6-15 year sentence for two counts of robbery. It was said he killed him due to a heated argument between the two. Because of this Dickerson was given an extra 20 years.

9. David Bobb and Graham de Luis-Conti

David Bobb and Graham de Luis-Conti were both child molesters killed by Johnathan Watson during prison. Both men were already serving life sentences for the aggravated sexual assault of a 14 year old girl.

Their murders: David Bobb was shamelessly watching PBS kids in front of the other inmates, all of whom were very uncomfortable since they knew about his crime. Watson then proceeded to beat him to death with a walking cane. When Watson found other that Graham was convicted for the same crime as Bobb, he decided to beat him in the same way he did to Bobb.

10. John Geogan

John Geogan was a defrocked priest with many charges and scandals of child sexual abuse.

In 2002, he was defrocked and arrested with a 9-10 year prison sentence. But in 2003, he was killed by Joseph L. Druce. His murder: When Druce found out about Geoghan’s crimes, he “saw him as a prize”and planned to murder him. Druce was arrested for killing a man who he thought was flirting with him. Druce was also said to be a member of a Neo-Nazi hate group and had a deep seated hatred for sexual abusers and homosexuals since he was molested by his father.

[theadamantium]

Canadian singer-songwriter, Scott Helman, joins us again on this episode of The Adamantium Podcast. We discuss his latest collection of singles, coming into a new chapter of his music career, and getting back on tour. We also talk about his move to Los Angeles, our mutual adoration for Zion National Park in Utah, his new appreciation for the Toronto subway, his love of tattoos and how he was able to spend a day tattooing his fans.

[disneyparktournament]

Here is the bracket:

Group 1 - The Frontier

Barnabas T Bullion (Big Thunder Mountain) vs Jason Chandler (Big Thunder Mountain)

Big Al (Country Bear Jamboree) vs Henry (Country Bear Jamboree)

Billy the Goat (Big Thunder Mountain) vs Rocky, Mother Lode, & Nugget (Big Grizzly Mountain)

Constance Hatchaway (Haunted Mansion) vs Melanie Ravenswood (Phantom Manor)

Hatbox Ghost (Haunted Mansion) vs Hitchhiking Ghosts (Haunted Mansion)

Ghost Host (Haunted Mansion) vs The Phantom (Phantom Manor)

Madame Leota (Haunted Mansion) vs Mayor (Phantom Manor)

Sun Bonnet Trio (Country Bear Jamboree) vs Swamp Boys (America Sings)

Group 2 - The Future

Cynthia Lair (Body Wars) vs Go Go Scientist (Spaceship Earth)

Dreamfinder (Journey into Imagination) vs Nigel Channing (Honey, I Shrunk the Audience)

Figment (Journey into Imagination) vs Kimballum Horriblus (World of Motion)

Grant Seeker (Dinosaur) vs John (Carousel of Progress)

Officer Zzzzyxxx (Star Tours) vs Sonny Eclipse (Cosmic Ray’s Starlight Cafe)

R-3X (Star Tours) vs Seeker’s Puppet (Dinosaur)

Robot Butler (Horizons) vs SMRT-1 (CommuniCore)

Timekeeper (Le Visionarium) vs Tom Morrow (Innoventions)

Group 3 - Adventure

Albert Awol (Jungle Cruise - Magic Kingdom) vs Nigel Greenwater (Jungle Cruise - Disneyland Park)

Albert Falls (Jungle Cruise) vs Merriweather Adam Pleasure (Adventurer’s Club)

Albert the Monkey (Mystic Manor) vs Prison Dog (Pirates of the Caribbean)

Alberta Falls (Jungle Cruise) vs Paco (Indiana Jones and the Temple of the Crystal Skull)

Fortune Red (New Orleans Square) vs Shrunken Ned (Adventureland)

Harrison Hightower III (Tower of Terror) vs Henry Mystic (Mystic Manor)

Mara (Indiana Jones Adventure) vs Q’arác (Roaring Rapids)

Mary Oceaneer (Disney Cruise Line) vs Redd (Pirates of the Caribbean)

Group 4 - Fantasy

Bill McKim (Test Track) vs Patrick (Soarin’)

Betty (Expedition Everest) vs Harold (Matterhorn Bobsleds)

Buzzy (Cranium Command) vs Chuuby (Runaway Railway)

Chandu (Sindbad’s Storybook Voyage) vs Small World Cactus (It’s a Small World)

George (Cinemagique) vs Sage of Time (Tapestry of Nations)

Ice Gator (Blizzard Beach) vs Lagoona Gator (Typhoon Lagoon)

Jose (Enchanted Tiki Room) vs Orange Bird (Sunshine Tree Terrace)

Monorail Voice (Monorail) vs Skyliner Voice (Skyliner)

(Characters are listed by the attraction they first appeared in)

[worlds-largest-juice-container]

PRESIDENTS, BASED ON HOW PRESIDENTIAL THEIR NAMES SOUND

46. John Tyler. Literally just two first names, none of which have authority.

45. Franklin Pierce. Who the fuck is this guy lmao two first names again, slightly higher than tyler cause of what i call the two syllable rule, elaborated later

44. Donald Trump, donald is NOT a presidential sounding name, neither is trump, more of a business name. Two syllable rule strikes again

43. John Adams. Adams is a good last name, so slightly higher. Lots of johns on here.

42. James Madison. He had three terms and I think thats whack, name sounds like a kid.

41. James Monroe, similar to Madison but monroe is more presidential sounding, has more professionality.

40. Chester A Arthur, first middle initial, could be baller but chester is a really stupid name lmao ( no disrespect)

39. William McKinley, I think the Mc-names are copouts presidential sounding wise, ads an unneeded syllable.

38. Herbert Hoover, sir your name is a vacuum now also two syllable so higher

37. James K Polk (Napoleon of the stump) Cool tmbg song, two first names, higher cause polk is uncommon and middle initial.

36. Millard Filmore, honestly just alright. two syllable rule works in favor, but filmore is a NERD ASS name.

35. John Quincy Adams, a different adams. I like the name quincy

34. William Henry Harrison, Trying too hard to sound presidential, nice name but the three two three just doesnt flow.

33.Calvin Coolidge. Alright two syllable rule, this name has two or more syllables in BOTH names, adding much more authority. Calvin is the name of that tiger kid BUT coolidge is so goddamn swag.

32. Andrew Jackson, two syllable rule, two first names but first names that fit together well.

31. Benjamin Harrison. Solid name. Benjamin is not all that respectable but harrison is, solid last name.

30. William H. Taft. I like that Middle initial, but that last name? Get out of here, so cool. points off for william, unoriginal.

29. Franklin D. Roosevelt. copied the cooler roosevelt, still one of the best last names. Anyone I can call frank does not scream authority, but rather respectable low ranking construction worker who loves his wife and kids a lot and is a really great guy when you get down to it.

28. James A. Garfield. Thats a caaaat. Middle Initial and Garfield is inherently funny to me. would be higher without orange lasagna feline

27. James Buchanan. That last name though, First name boring, But Buchanan? Awesome. they all called him Mr Buchanan, nobody called this mf james

26. Zachary Taylor. Honestly despite being so high up, this one is not too presidential. I just really think this name fucks hard so honorary president points.

25. Grover Cleveland, I like this guy, two non consecutive terms? Swag name as well.

24. Thomas Jefferson, Classic name, good name, strong name. Though just cause you could call this man tommy its knocked down.

23. George Washington. I do not like the name george but come on. Washington is the most presidential word in the english language.

22. Grover Cleveland, Haha i did the joke where he is in here twice. because of his non consecutive terms

21. Harry S. Truman. Middle Initial, two syllable rule. Good president name. Harry though? could do better, how about Harrier? would be much higher if was that, more syllables= more president.

20. Joseph R. Biden. Name shortened to Joe, which is average, but that R initial and the fact that Biden is a very uncommon last name is pretty good in his favor.

19.George Bush, George is a bad first name for this list but i dont know the bush just screams president name.

18.George W. Bush, exact same as previous but middle initial.

17. Jimmy Carter. Carter is VERY professional last name, Jimmy not so much. Carter does lots of heavy lifting in this arrangement.

16. Ronald Reagan. Two syllables, Reagan is a nice name. would be higher but i dont like the guy.

15. Richard M. Nixon. Nixon, great last name. thats all

14. Gerald R. Ford. Dont like ford, but Gerald is a baller first name, very authoritative, and that R initial is pretty nice too.

13. Dwight D. Eisenhower. That last name is probably my third favorite overall last name, though dwight is bringing it down a bit.

12. Lyndon B. Johnson. Very nice name, rolls off the tongue well.

11. Bill Clinton. I like bill cause Bill is like the dollar bill and that last name works hard too.

10. John Fitzgerald Kennedy. Such a good name. we getting into the good ones one.

9. Barack Obama. Obama is just a fun word to say. Obama. Obama. read it out loud it flows very nice. Barack is cool too.

8. Woodrow Wilson. Fucking Woodrow. that name fucks hard. perfect early 20th name.

7. Andrew Johnson. Like jackson's name, but better.

6. Theodore Roosevelt. the better Roosevelt. Theodore is just a good name all around.

5. Martin Van Buren. Put van Buren on a nice first name like Gerald, and that would take the cake, but martin is just an average name, keeping him out of the big boys. the top 3.

4. Hard Decision but Rutherford B. Hayes is number 4. Incredibly hard name, so good, but the others just smack it out of the park with presidentiality

3. Warren G. Harding. Initially what i considered by top pick, usurped by the other two. This name is so good. Two syllable rule, uncommonness of first and last, as well as the G initial being very nice to look at. supreme pick.

2. Ulysses S. Grant. This fucking name hoo boy. Ulysses is possibly the hardest first name ever. So fucking good, Middle initial, but the last name grant is just ever so slightly holding it back. but the real winner was never a question

Abraham Motherfucking Lincoln. The best name anyone has ever had. I don't feel the need to elaborate. this man's name is the most fucking bad ass name, even his nickname, which as you saw knocked some people out, is so fucking good. toppest tier name. Goodnight now.

[inappropriatestork]

Finally got to see Les Mis live again after almost 10 years. And since my memory is terrible nowadays and I barely remember those shows other than what I recorded on Tumblr, I figured I better do so again, LOL.

The anticipation dramatically rekindled my Les Mis obsession. I watched the 25th and the Staged Concert versions again about 5 times each in the span of a week and a half or so, developed a bit of a new Thing for Javert in general and Michael Ball's Javert in particular, abruptly became a Valjean/Javert shipper, dove into Les Mis fic (I'd read a few E/R things here and there but not a lot), and decided to give The Brick another try (the new Donougher translation this time, which I've really enjoyed - especially with helpful historical and cultural footnotes on Kindle - though I've gotten a bit stuck at Waterloo again).

Anyway, this was by far the best of the three times I've now seen it live. The first time, in 2012, I had an unsatisfying understudy playing Valjean. The second time, in 2013, the cast was mostly great but there were some technical glitches. This time was more or less perfect and the cast was amazing.

And yes, I painted my nails to match the program.

Loooong rambling review/notes/thoughts, mainly for Future Me, below the cut.

It was opening night in Charlotte, January 31 with my mom and Jeff, and I think we had the full cast with no understudies or anything.

Nick Cartell as Valjean, Preston Truman Boyd as Javert, Haley Dortch as Fantine, Christine Heesun Hwang as Eponine, Devin Archer as Enjolras, Gregory Lee Rodriguez as Marius, Addie Morales as Cosette, Kyle Adams as Grantaire, Matt Crowle and Christina Rose Hall as the Thenardiers.

Looking at their headshots beforehand I wondered if Nick Cartell and Preston Truman Boyd weren't a bit young for the roles, but they were fantastic.

Cartell's voice was a little higher and lighter at times than some Valjeans, but also a bit deeper at others, and he held his own in duets with Javert. His Bring Him Home was gorgeous and his Finale was beautifully emotional and moving. Boyd was perfect as Javert. Powerful voice but still a lot of feeling and emotion.

Haley Dortch as Fantine was wonderful but a little soft and quiet at times. When she put some volume into it, like on I Dreamed A Dream, she was great, but some of her factory bits and deathbed bits were a little too soft and hard to hear. Addie Morales had a beautiful clear soprano as Cosette, and Christine Heesun Hwang was amazing as Eponine.

I thought Gregory Lee Rodriguez as Marius was perfectly good for most of the show but then his Empty Chairs at Empty Tables was absolutely showstopping, maybe the best I've ever heard.

All of Les Amis were good, and Harrison Fox as Gavroche. Devin Archer especially was extremely good as Enjolras. I feel like in the other live shows I've seen Enjolras didn't have a lot of interaction with Grantaire or anyone else outside of specific lines that require it, really? This one had a bit more humanity and feeling to him and I really liked him. Kyle Adams as Grantaire was also excellent, even apart from Grantaire's relatively few lines, his mannerisms and acting were spot on and compelling - cynical and mocking, knowing what's coming and scared for his friends, heartbroken as they begin to fall, starting with Gavroche.

The Thenardiers were pretty good, maybe a little more exaggerated and broad humor than some I've seen, and M. Thenardier's voice seemed a bit obviously a put on funny/evil caricature sort of voice? IDK, I've never heard his natural voice, but this seemed more obviously fake and cartoony than most, sometimes kind of tilting toward Billy Crystal as Miracle Max?

I also thought he played Dog Eats Dog much too funny. I kind of feel like that scene should lean more into the sinister aspect of Thenardier, which Matt Lucas does very well. This one played it a good bit lighter and sillier with his mannerisms and tone, which kind of made the dark lyrics about God being dead and the harvest moon feel a bit out of place and less impactful. I feel like Master of the House should be his sort of genial host persona, even if he's humorously admitting to being a scheming crook at the same time, but Dog Eats Dog (and the robberies) should be more a brief glimpse of his real sinister and base nature without the veneer of humor, what he truly is when there's no one to fawn and flatter and manipulate - and then by Beggars At the Feast he's back to scheming and flattering, craven and vulgar but the darker side hidden away again.

Other stuff:

I'm not sure how much the staging changed since I last saw it live? The souvenir program says the visuals and scenery were revamped in 2009, and a lot of that looked the same, though I think the Paris and barricade sets were a bit different?

I think the opening and Look Down were a little different from what I've seen before. And I've definitely never seen a version that included some extra scenes of Valjean being abused and driven away by the townspeople after his release and before meeting the Bishop. There was even an extra verse about the Mark of Cain? that I had definitely never heard before at all. It was a nice addition, though.

The Fantine scenes were good and about the same as I've seen, I think. One slightly jarring note was the American-ness that showed through in a few parts. I guess I'm just used to British versions, but Mme Thenardier had a very sort of brash American accent, and the factory foreman sang "sitting flat on your ass doesn't buy any bread," which just seemed glaringly out of place? Like I could buy "arse," maybe, but "ass" just seems jarringly American and modern. I kept thinking about the Fry & Laurie "American Ass" sketch.

I'm pretty sure the staging of Lovely Ladies was a good bit different than I remember. One of the whores also had a verse I've never heard in Lovely Ladies, something about "will the bleeding ever stop?" And instead of Fantine singing "Come on, Captain, you can wear your shoes - don't it make a a change to have a girl that can't refuse?" they changed it to "did you wear your shoes?" and had the other whores sing those lines when Fantine came back after her first time with a customer. Which seemed a slightly odd decision to me, I always thought Fantine bitterly singing those lines was pretty central to showing that she's accepted her lot and how far she's fallen as she joins the fallen women.

There's a few other bits that I'm not super familiar with as they're not in the recorded versions I know best - Valjean's lines to Cosette just after they've left the Thenardiers', Grantaire's "fleas will bite" part, Cosette's "you are loving and gentle and good"/"in your eyes I am just like a child who is lost in a wood" verse of In My Life - but I had at least some familiarity with them. I'm still quite sure I'd never heard Valjean's Mark of Cain verse or the one in Lovely Ladies before at all.

I'm not sure if Who Am I? was a bit different from the other times I've seen it in person too. In the recorded versions I've seen most, they mostly skip Valjean actually going to court and revealing himself. I only recently saw a recording of a London version that had the end of Who Am I? in the courtroom and Valjean opening his shirt to show his brand, and it was new to me, so I don't think the previous versions I've seen did it that way? I like this version of it, though.

(ETA: Found the playbill and program from the 2012 show and it does have a Champmathieu - normally played by the guy who ended up as my disappointing Valjean that night instead - in the credits, so perhaps it did have a court scene and I've just forgotten ever seeing it 🤷‍♀️ Goodness knows what else I've forgotten, lol.)

I'm not sure about Enjolras' verse admitting the people have not risen and telling the women and fathers to leave the barricade to not waste lives - it was unfamiliar enough that I was startled by it, but I think I might have at least heard of it or read the lyrics or something at some point but mostly forgot about it? It still surprised me. I also feel like the others I've seen must have had some form of the runaway cart scene, but I'm quite sure never as in depth as this one? Usually just more suggested or glossed over quite quickly, I feel like. Here we had Valjean asking around desperately trying to get the townspeople to help (more like the book) before doing it himself and Fauchelevant thanking him afterward, which I haven't seen before.

I definitely liked Les Amis (and the bits of E/R content) more in this version than past ones. If I remember right (and judging by my notes) the other versions had only the bare minimum of Enjolras & Grantaire interaction, and Grantaire mainly interacted with Gavroche? This version kept the Gavroche & Grantaire bond, which I rather like, but did have a fair bit of E/R too. Early on in the cafe, Enjolras sort of grabbed Grantaire while he sang "don't let the wine go to your brain." and in Drink With Me, Enjolras was up on the barricade looking all statuesque and dramatically lit when Grantaire began his verse, but he quickly came down and stopped the others from bothering Grantaire, looked into his eyes for a long moment, and clasped Grantaire's arms in a somewhat comforting way for a moment, at least.

This Grantaire was not very comforted, though - he turned away and sort of staggered miserably off to the corner of the room and hid his face in his arms against the wall until Gavroche ran and threw his arms around him. Enjolras looked after him for a moment, but didn't follow. I really liked this Grantaire, he was very mocking and sarcastic early on, then pretty wretchedly angry and scared and bitter knowing what was coming for his friends and Enjolras, and showed all of that even in his manner and gestures when he didn't have lines. On the barricade he hung around the fringes, hanging back when the others had all climbed up. He was the one to stay and watch the captive Javert during the first battle and clearly wasn't in any hurry to join in. It was subtle enough that if you didn't know the characters you probably wouldn't catch much of the nuance, but if you do and you were making a point to watch Grantaire especially, he was absolutely perfect.

And then when Gavroche died! Apparently the other versions I've seen, his death was off-stage. Here he'd climbed down behind the barricade out of sight and Les Amis and Grantaire all panicked when there was a shot but cheered when he turned out to be fine. He'd climbed back up the barricade and was standing at the top finishing Little People when he was shot and fell forward across Enjolras' lap. And gah, the way they all reacted, but especially the tender sorrow of Enjolras picking up his body and the sad, lingering touch as he handed him down to Grantaire. And then Grantaire carried him to the front of the stage and just sat bowed over him for a good long time. I also liked how after everything was over, Javert stopped and looked sadly at Gavroche's body, bowed his head and crossed himself (I can't remember exactly where but earlier in the Paris street scenes there was a quick, cute little sassy interaction between Gavroche and Javert at one point, too.)

I wasn't expecting the Grantaire & Gavroche relationship the first time I saw it live, being mostly familiar with the 25th and YouTube clips of older versions, but I like it (though I prefer they don't make that Grantaire's *only* real interactions, which I think the first versions I saw live kind of did). It gives Grantaire a little more softness and humanity. This version had a cute moment, I think maybe during Red & Black? where Gavroche, feeling like one of the grown up rebels, is enthusiastically swallowed up in a crowd of most of Les Amis singing fervently about rebellion and stuff, and Grantaire, who has kept his distance from the passionate crowd, sort of sighs, walks over, reaches into the crowd and extracts Gavroche at arms length and pulls him away. I thought it was sort of a sweet moment of Grantaire not wanting Gavroche to get so enthusiastically swept up and involved in this adult (albeit young) rebellion that he's quite sure is doomed.

(Another minor Gavroche bit - after Eponine died, he was standing next to Grantaire and turned his face into Grantaire, who hugged him for a bit. Then Gavroche went and hugged Marius for a long moment and then picked up Eponine's fallen hat after she'd been carried away and handed it to Marius. The show usually doesn't acknowledge him being Eponine's brother, but it was a nice little touch.)

I really wish I'd followed the final barricade death scene better. I'm seeing it again in March, so will pay closer attention to that. It's quite dark and strobey, so that makes it harder to follow, but it seemed like Grantaire kept trying, at the very end as his friends began to fall, to climb the barricade at last, maybe toward Enjolras, but never made it all the way? It's not quite "will you permit it?" but if I was reading (and am remembering) it right, at least it's a sort of nod to Grantaire still being willing to die with his friends and Enjolras in particular even if he can't truly embrace their cause.

While I'm on a shippy note, I have recently found myself enthusiastically on board the Valjean/Javert ship (IDK how I wasn't before, tbh, but I blame Michael Ball for giving me a new appreciation for Javert that I never quite got from Norm Lewis) and there were some good moments for them too. I'm so used to recorded concert versions with minimal acting, so it's always nice to actually see stuff. And this Valjean and Javert had pretty good chemistry, quite a lot of physicality, pushing each other around and grappling and a lot of long tense eye-contact. Especially after saving Fauchelevant, if I remember right Javert ended up holding Valjean's coat when he went to lift the cart? And there was some lingering eye contact as Valjean cleaned up and put his coat back on. And it might have been there or some other scene around that time, Javert holding onto Valjean, like they shook hands or maybe Javert was handing him his coat and kind of grabbed him and lingered for a moment while singing the "I have only known one other" stuff? Something like that, anyway, and I enjoyed it.

Boyd did a great Javert's Soliloquy, enough convincing fury and despair and agony. Some Javerts don't put enough emotion and absolute end-of-his-rope despair into it for my liking, but his was excellent. And as I mentioned, Gregory Lee Rodriguez was very good as Marius in general - even a few humorous touches I hadn't seen before when he's in the throes of awkward infatuation with Cosette - but then his Empty Chairs at Empty Tables blew me away, both the voice and the emotion.

The staging of the finale bugged me a little. I did like that once Valjean joined the company for DYHTPS, the Bishop stepped forward and hugged him in welcome - I've seen that in other versions but never live. But it drove me nuts that from the "take my hand" line on, well into the DYHTPS reprise, Marius and Cosette were just sitting at center stage holding each other sadly, which felt a bit distracting? Valjean was a bit off to one side, but it would have felt more fitting to me to have him at center stage and let Cosette and Marius move off to the side to comfort each other. It's not their moment! And then they stayed sitting there when the rest of the cast was gathered singing the closing lines, which still felt a bit off. I think they finally got up and joined the company on the very last line or two? Meh.That staging bothered me a bit.

That scene, especially once it gets to "take my hand" and he's actually dying, should be entirely Valjean's moment. Fantine and Eponine too for the gorgeous harmony, but Valjean and "to love another person is to see the face of God" should absolutely be the focal point. And then the DYHTPS finale should be about unity, everyone together. So it just seemed weird to have them just sitting around in the middle of the stage for so much of that transcendent ending.

(Very on brand for Marius though, that boy can never read a room. Always making him and his love life center stage when everyone else is busy with serious things like dying.)

Overall, though, it's definitely the best of the three times I've seen it live. Really no significant complaints about the cast or anything at all, other than fairly minor nitpicking. I loved it and was just in heaven from start to finish. I'm seeing it again in March with my friend and I already can't wait.

My mom, who has seen the movie long ago but isn't super familiar with the story, said she found it a little hard to follow a few bits (at least from our upper level seats, though I did bring my binoculars). It took her a while to realize that M. Madeleine was actually Valjean, as he looked quite different between leaving the Bishop and showing up there, and she didn't realize who Javert was on the barricade until he'd gone and returned and Gavroche called him out. The musical also doesn't really mention Valjean's having been famous on the chain gang for his strength, which makes it not super clear why the runaway cart scene makes Javert suspicious. But overall both she and my brother loved it too, though not quite as rabidly as I did, lol.

[deadpresidents]

Has any president ever not been given the oath of office by the chief justice of the supreme court

Yes. The Constitution does not specify who must administer the oath of office to the President and government officials who are required to swear (or affirm) an oath can essentially be sworn in by any federal or state judge or even a notary public.

The oath of office has been administered eight times by someone other than the Chief Justice of the United States -- usually when a Vice President has assumed office upon a President's death and it was necessary to quickly locate somebody who could administer the oath. George Washington was also sworn in by someone other than the Chief Justice at both of his inaugurations. In fact, not only was there no Chief Justice at the time of Washington's first inauguration but there was literally no federal judiciary (and, obviously, no federal judges). The Judiciary Act establishing the Supreme Court wasn't enacted until September 1789 -- almost five months into President Washington's first term -- and that's when the first members of the Supreme Court were nominated and confirmed.

Of course, the Chief Justice of the United States has been the person swearing in the President the vast majority of the time. John Marshall, the longest-serving Chief Justice in American history (1801-1835), administered the oath of office more times than anyone else -- nine times to five different Presidents. However, Chief Justice Roger B. Taney (served from 1836-1864) administered the oath to more individual Presidents than anyone else -- seven times to seven different Presidents. The nation's first two Chief Justices -- John Jay (1789-1795) and John Rutledge (August-December 1795) -- are the only two Chiefs who never administered the oath to a President.

Here is the list of Presidential Inaugurations not conducted by the Chief Justice of the United States along with the person who administered the oath of office: •GEORGE WASHINGTON's 1st Inauguration (April 30, 1789): Robert Livingston, Chancellor of New York (The Chancellor of New York was the presiding judge of the New York Court of Chancery, the highest court in New York State from 1701-1847) •GEORGE WASHINGTON's 2nd Inauguration (March 4, 1793): William Cushing, Associate Justice of the U.S. Supreme Court •JOHN TYLER's Inauguration (April 4, 1841): William Cranch, Chief Judge of the U.S. Circuit Court of the District of Columbia (Tyler assumed office upon the death of President William Henry Harrison. Interestingly, Cranch was the nephew of John and Abigail Adams.) •MILLARD FILLMORE's Inauguration (July 9, 1850): William Cranch, Chief Judge of the U.S. Circuit Court of the District of Columbia (Fillmore assumed office upon the death of President Taylor.) •CHESTER A. ARTHUR's Inauguration (September 20, 1881): John R. Brady, Justice of the New York State Supreme Court (Arthur assumed office upon the death of President Garfield. Brady was the first judge that could be tracked down to administer the oath at Arthur's home in New York City after notification of Garfield's death arrived shortly after midnight on Sept. 20, 1881. After returning to Washington, D.C. on September 22, 1881, Arthur was administered the oath of office again in a formal ceremony by Chief Justice Morrison Waite.) •THEODORE ROOSEVELT's 1st Inauguration (September 14, 1901): John R. Hazel, Judge of the U.S. District Court for the Western District of New York (Roosevelt assumed office upon the death of President McKinley.) •CALVIN COOLIDGE's 1st Inauguration (August 3, 1923): John Calvin Coolidge Sr., Justice of the Peace and Notary Public in Plymouth, Vermont (Coolidge assumed office upon the death of President Harding. Coolidge was staying at his father's home in Vermont when he was notified shortly after midnight on August 3, 1923 that President Harding had died a few hours earlier in San Francisco. Since Coolidge's father was a Notary Public, he administered the oath of office to his son in the sitting room of the family home. After being sworn in by his father, President Coolidge promptly went back to sleep.) •LYNDON B. JOHNSON's 1st Inauguration (November 22, 1963): Sarah T. Hughes, Judge of the U.S. District Court for the Northern District of Texas (Johnson assumed office upon the death of President Kennedy. Johnson was in Dallas with Kennedy when the President was assassinated, and he was sworn in as President aboard Air Force One on the airport tarmac of Love Field before leaving Texas to return to Washington with Kennedy's body.)

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A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house’s dark past. Credits: TheMovieDb. Film Cast: Caroline Ellis: Kate Hudson Violet Devereaux: Gena Rowlands Luke Marshall: Peter Sarsgaard Ben Devereaux: John Hurt Jill: Joy Bryant Bayou Woman: Marion Zinser Mama Cynthia: Maxine Barnett Hallie: Fahnlohnee R. Harris Desk Nurse: Deneen Tyler C.N.A.: Ann Dalrymple Nurse Trula: Trula M. Marcus Madeleine Thorpe: Jen Apgar Robertson Thorpe: Thomas Uskali Grace Thorpe: Jamie Lee Redmon Martin Thorpe: Forrest Landis Nurse Audrey: Tonya Staten Creole Gas Station Owner: Isaach De Bankolé Creole Mother: Christa Thorne Papa Justify: Ronald McCall Mama Cecile: Jeryl Prescott Frail Customer: Lakrishi Kindred Luke’s Secretary: Sabah Paramedic: Joe Chrest Party Guest: David J. Curtis Party Guest: Tiffany Helland Party Guest: Brian Ruppert Film Crew: Producer: Stacey Sher Set Decoration: Beauchamp Fontaine Original Music Composer: Ed Shearmur Costume Design: Louise Frogley Producer: Iain Softley Director of Photography: Dan Mindel Art Direction: Drew Boughton Producer: Michael Shamberg Unit Production Manager: Clayton Townsend Casting: Ronna Kress Production Design: John Beard Producer: Daniel Bobker Editor: Joe Hutshing Writer: Ehren Kruger Costume Supervisor: Joyce Kogut Producer: Lorenzo P. Lampthwait Steadicam Operator: Colin Anderson Carpenter: Leo Lauricella Sound Mixer: Peter J. Devlin Set Production Intern: Hiro Taniguchi Key Hair Stylist: Susan Germaine Gaffer: Adam Harrison Sound Designer: Harry Cohen Standby Painter: Andrew P. Flores Location Manager: M. Gerard Sellers Production Supervisor: Gary R. Wordham Visual Effects Coordinator: Stephanie Pollard Greensman: Ronald S. Baratie Key Grip: Thomas Gibson Craft Service: Chris Winn Stunt Coordinator: Buddy Joe Hooker Lighting Technician: Greg Etheredge Supervising Sound Editor: Wylie Stateman Construction Foreman: Chuck Stringer Painter: Andrew M. Casbon III Stunts: Liisa Cohen Transportation Captain: Louis Dinson Scoring Mixer: Chris Fogel Video Assist Operator: Greg Mitchell Special Effects Supervisor: Jason Hamer Thanks: Michelle Guish Post Production Supervisor: Tania Blunden Stand In: Lexi Shoemaker Digital Compositors: Sean McPherson Art Department Coordinator: Stephanie Higgins Frey Makeup Artist: June Brickman Set Costumer: Laurel Frushour Set Dressing Artist: Dale E. Anderson Propmaker: William Davidson Rigging Gaffer: Martin Bosworth Production Manager: Kimberly Sylvester Music Supervisor: Sara Lord Leadman: Jason Bedig Leadman: Brad Bell Grip: Gordon Ard Production Intern: William Jackson Transportation Coordinator: Ed Arter Set Designer: Mick Cukurs First Assistant Camera: John T. Connor Visual Effects Supervisor: Karl Herbst Script Supervisor: Elizabeth Ludwick-Bax Best Boy Electric: Larry Cottrill Production Coordinator: Zoila Gomez Still Photographer: Merrick Morton Special Effects Coordinator: Bob Stoker Editorial Production Assistant: Jen Woodhouse Foley: Craig S. Jaeger Dolby Consultant: Thom ‘Coach’ Ehle Art Department Assistant: Amanda Fernald Jones Sculptor: Fred Arbegast Aerial Director of Photography: Phil Pastuhov Orchestrator: Robert Elhai Visual Effects Supervisor: Dan DeLeeuw Construction Coordinator: Dave DeGaetano Seamstress: Giselle Spence Driver: Bill C. Dawson Property Master: Peter C. Clarke Publicist: Patti Hawn ADR Supervisor: Hugh Waddell Sound Effects Editor: Christopher Assells Assistant Art Director: Jann K. Engel Hairstylist: Kathryn Blondell First Assistant Director: Gary Marcus First Assistant Editor: Davis Reynolds Electrician: Jimmy Ellis Production Accountant: Gregory D. Hemstreet I/O Supervisor: Ryan Beadle Set Medic: John Lavis Visual Effects Producer: Gary Nolin Rigging Grip: Mike Nami Jr. Boom Operator: Kevin Cerchiai Casting Associate: Courtney Bright Stunt Coordinator: Tom Bahr Stunts: Conrade Gamble Stunts: Annie Ellis ADR Mixer: Jeff Gomillion Camera Production Assistant: Alex Scott Storyboard Artist: Richard K. Buoen Assistant Location Manager...