#AV ​actor

[avfanatics]

AV actor Tips

Shimiken しみけん squad

[therotonin]

[fiiiiin]

I’m sure I’m not the first to point this out but the Daniel Craig–Hugh Grant–Ben Whishaw love triangle needs to be studied…

Daniel and Hugh as lovers in Knives Out, Hugh and Ben as lovers in A Very English Scandal (and, strangely, enemies in Paddington 2), Daniel and Ben as (virtually lovers) coworkers in James Bond.

And I’m so certain these guys will continue to star in the same films, because they somehow just run in that British circle of the film industry. I can’t wait.

[scarefox]

Yo, is that porn or a new movie with Riku? 👀

Oh it actually is a BL movie! Didn't see that coming for him tbh (to go back to BL-ish content. He did f/m porn the last time I checked. for female audience btw which is a neat concept).

It's just the question if we would ever get to see it. Looks like it only airs in a japanese cinema for now 😔

[therafanatics]

RAFAEL CASAL - AV CLUB INTERVIEW / ARE YOU AFRAID OF THE DARK? (2019)

Rafael Casal isn’t necessarily who you’d go to if you were casting a stereotypical Nickelodeon villain. The up-and-coming actor and renowned slam poet starred in the critically acclaimed Blindspotting last year with pal Daveed Diggs before popping up in the forthcoming Bad Education, which just sold to HBO for big bucks at the Toronto International Film Festival.

That’s kind of why his casting as Mr. Tophat in the new Are You Afraid Of The Dark mini-series is brilliant, though. Casal got the gig through his buddy BenDavid Grabinski, who penned the new Are you Afraid Of The Dark miniseries, and brings real depth and age-appropriate terror to the series. He’s sharp and creepy, and brings the project the weight his character’s Slender Man-esque name might otherwise have taken away.

The A.V. Club sat down with Casal on the set of the new Are You Afraid Of The Dark, where we talked about thrills, chills, and how psyched is he to be creeping out kids in grocery stores for years to come.

Video by: AV Club

[oldshowbiz]

Percy Helton giving Hollywood directions.

[koskela-knights]

Good Evening from here 😳😇

[thekittyfox2999]

when your mate is not interested in you so you go consult the painting you have of him

[damnprecious]

tfw you go see a musical comedy and it makes you cry

[petrichor-and-moondust]

NO SERIOUSLY. I MISS THESE. WHAT THE FUCK. WHERE IS MY SECOND DISK OF SPECIAL FEATURES. MY DIRECTORS COMMENTARY. MY THEATRICAL TRAILERS?

if it weren't for special features on DVDs i *genuinely* would not be on the path I am now. Some Studio Ghibli disks have a special feature called "storyboard mode" where the original animatic of the animation is played instead of the finished movie. That's what inspired me to want to be an animator! That's what lit that fire! Kids today are LOSING that! Give us the DVDs back! Give us back Xtra-Vision and Blockbuster and video rental stores!

And you can't even rely on a streaming service for movies because they can be removed at any time. I have my own collection of DVDs because of this fact. I have films you can't get on streaming over here because of whatever the fuck reasons. I have six disks of tobey's spider-man films; 3 film features, 3 special features. I have A Silent Voice. School of Rock. I have Into The Spider-Verse with a director's commentary. I have the Care Bears movie from 1985! KEEP YOUR MEDIA PHYSICAL. That way it can't be taken away for bullshit reasons.

the death of dvds is so fucked. what about bonus features

[typheus]

okay im at the point when rick grimes leaves the show 🫡

[watasemasaru]

you tagging that video with an actual name made me feel like i just came across some lore dark souls style

you rn <3

[therotonin]

[pinkie-quinns]

rocker eddie/actor steve | exes to lovers | fame au p6 (final part)

p1 p2 p3 p4 p5 interlude

Steve thinks about second chances, as he walks along Greenwich Ave. He thinks about them when he tosses the wig in a garbage can that reeks of puke. 

And he thinks about them, when Eddie opens the door, eyes catching on the rip in Steve’s jeans, the liner under his eyes. When he lights up & says, “You came.”

Yeah, Steve thinks about second chances.

He offers Eddie a small smile as he walks in, can’t bring himself to acknowledge it all. The world of them. Him going. Eddie playing that song.  What that could mean, like, actually mean. Can’t do it yet.

He likes this place better than the mansion in LA. It’s messy and grungy with stupid, corny shit plastered on the walls. Feels more… Eddie.

They walk out to the balcony. It overlooks a tiny little green space, his neighbors’ homes. Eddie lights a cigarette and offers one to Steve. Steve quit years ago. Eddie knows that now. He takes it anyway. 

“Last tour I sold out Madison Square Garden and now I sell out Forest Hills.” Eddie’s chuckling, “Like I’m back at the trailer park.”

Eddie’s third album didn’t do the numbers his first two had. So they’d downsized, just a little.

Steve sighs, he didn’t fly all the way out here to coddle his ex, “It was a good show, Eddie.” 

“Yeah.” He drags, smiles to himself. “It was a really good show. I’m really glad you saw it, baby.”

Steve cringes, full body shiver. Eddie doesn’t seem to realize what he said, Steve’s sure as hell not gonna clue him in.

“How’d your meeting go?”

Steve tries to play it off. “Good. Pretty good.”

Eddie chuckles again, leans into him that way he always does, like personal space is more of a suggestion than a boundary. A hand brushes his cheek, a light, teasing tap of knuckles, “What’s pretty good, Harrington?”

Steve smiles into it. Can’t help it. “There’s uh… you know that blacklist script I mentioned last month? There’s probably a lead there for me.”

Eddie lights up again, bright and true, “Steve, that’s amazing.”

Steve snorts, “Not jealous?”

“Nah, I’m happy for you ba-” Eddie catches it this time, chokes on his drag, coughs and flounders, “Happy for you, man.” 

Steve’s not sure if he can do this, actually. Can’t face this Eddie. The one whose ego isn’t a storm cloud, who’s okay failing, who’s okay seeing him succeed. Who’s honest and sincere and wants the best for him. Eddie who would lose thousands of fans just to sing Steve’s favorite song. 

Eddie’s eyes are shiny, “But you’ve been good?”

“Yeah, yeah. Good. Keeping busy. I filmed an Amex commercial. Good money. Made my agents happy.” He’s rambling around it. He squints into the dark, drops it casually as he can muster. “I’m gonna start seeing that country singer, probably. The one with that Kansas song? Our people are setting something up.”

Eddie’s face falls, the sun out with a sentence. “What are we doing here, Harrington?”

Steve’s tone is bleary, sheepish, “What?”

“Been losing my mind this last month. Can’t stand not having you around. But you- you’re dating?”

It’s a shrug, it’s all he's got, “Sure.”

Eddie’s hunched, shoulders tight. He talks small. “You told me you loved me. Before you left.”

Steve huffs a breath. The air is cold. “C’mon. You were like, obliterating my brain with your dick. I say impulsive shit like that all the time.”

He doesn’t. They both know that. 

Eddie clicks his teeth, shakes a whisper. “Nah. You don’t.”

Steve falters, trips on his tongue. He finds his voice low and hoarse, he can barely say it, “Please don’t hold me to it.” 

Eddie won’t look him in the eye. He blinks up at the sky, “I love you. For the record. I um, I never stopped. Guess I’ve been pretty obvious about it.”

“Eddie, c’mon. Don’t do this. It’s not fair.”

“Date Dorothy.” His laugh is glacial. “I don’t mind. It won’t be real, right? Those things never fucking are.”

“I don’t know– it could be.” The ground’s falling under Steve’s feet. “Down the line, or whatever.”

Something cracks, crumples. “I had you. God fucking damnit. I had you and I–”

Steve’s not expecting the sobs until they happen. Flemmed and shaky and pathetic. Those brown eyes silver-wet like moons. 

Eddie pushes his palms into his cheeks. “Sometimes, after you leave, I just stare up at the ceiling and try to invent like, time travel or something. Just to go back and slap the shit outta myself. I was a goddamn coward. Couldn’t face it. Could talk around it, sure. Write it into my songs like that was honest. But, nah, I couldn’t look in the mirror. Definitely couldn’t look at you. I’m facing it now. I need you to know that. It won’t fix all shit I did, won’t fix the stupid fucking way I tried to fix it the first time. It’s there, it’s out, hell, it’s goddamn double platinum.” He sputters it out miserable, “But I am trying. Even if this– if we can’t. Need you to know I’m facing it now. I want to be better.”

Then Eddie looks right at him, looks at Steve like looking is enough to break his heart. “And I don’t wanna be selfish anymore cause it’s poison, Steve. But fuck. I know I don’t deserve it but if you’ll have me, I’ll– I’m there. Whatever way you’ll take me.”

“Eddie.” Steve doesn’t know why he’s here. Why he keeps digging this wound, ripping out stitches.

“Please? Can’t walk away again. Don’t have it in me.”

“Yeah.” Steve laughs. “You only do that when it’s easy.”

Eddie flinches. Shoves a ringed hand into a pocket. “Too late, huh?”

Steve scratches the back of his head and turns on his heel, “We can’t keep doing this.”

He gets as far the kitchen. Eddie quicksteps in front of the counter, blocks his out. But he’s cowering, ducking his head. “Did you um, like the song?”

It swells up all at once, that bone-deep cruelty of it. A gust turned tsunami. “Not really, Ed. Kinda broke my fucking heart.”

“Shit,” Eddie clicks. “Yeah, I, um, I’m not all that good at the grand gesture thing. Probably should have figured that out by now.”

Steve lets it all in. The red that’s been thrumming through his body since this whole thing started. Lets it possess him. He pushes into Eddie’s space, callous and cruel. “You’re really fucking me up, here. Do you know that?”

“I– I’m not trying to.” Eddie blinks. Frustratingly earnest. 

“What we’re doing– Whatever this is. It makes me feel pathetic. I’d be the dumbest asshole on the planet if I took you back.” He’s screaming now. The balcony door is still open. He doesn’t care if anyone hears. He wants them to hear.

Eddie’s lip is shaking. “I’m sorry.”

“I hate you.” Steve murmurs. The red’s coming off in whisps, quicker than it ever had, easier than it should. 

Eddie’s smile is weak. His face is wet. “I know.”

“You ruined me.” He leans in, finds half a punch in it. Last one he’s got. 

Eddie closes his eyes, brow furrowed. “I know.”

“I don’t want anyone else.” He’s tired. Bone tired. Tired of the ache that only ever seems to go away around, well–

Eddie’s guilt is plain. It's all of him. “I’m sorry.”

Steve takes a breath. He thinks about second chances.

“You really want to be with me?”

Eddie looks at him like he’s already burrowed in. Ribs and guts and blood. “Got my priorities way out of whack for a minute there. Jesus, way too many minutes there. But yeah. It’s all I’ve ever wanted.  You’re it for me, Stevie.”

Steve groans, taps his forehead lightly against a shelf. Eddie’s hand lands steady at his arm, awkward and cautious and right. “I’m a fucking idiot.”

“No.” Eddie says soft. “You’re not.”

“Yeah, I am.” Steve shakes his head. Waves a finger into Eddie’s chest. “You sang Dave fucking Matthews.”

“Don’t remind me, man. They’re gonna start shattering my CDs.” He pauses, sincere as ever. ‘I, uh, wouldn’t take it back though.”

Steve groans again, presses his head into Eddie’s shoulder. “No, you don’t get it. You sang Dave Matthews and now I’m gonna have to call my team and tell them it’s not gonna happen with the country singer.”

Eddie blubbers, big Saturday morning cartoon recalibration. “You’re– what?”

Steve shrugs, catches his eye. “Now I’m gonna have to talk about my coming out journey with Angie at People and dude, she’s been on my ass about it for years. Total sore winner.”

He’s shaking his head, “Harrington… Steve. Stevie.”

But Steve keeps rattling on, “I’m gonna have to tip off the paparazzi that Dark Pines star Steve Harrington was spotted sneaking into Eddie Munson’s brownstone at midnight for a secret rendezvous. Gonna have to go for a jog around the block first thing tomorrow, with like, more hickeys than a teen who just got their first girlfriend.”

“You’ve really thought about this, huh?”

Eddie’s back pushes into the edge of the kitchen counter. And Steve thinks about that photo that forced them together again, about Eddie’s easy grin, about the soft adoration high on his cheeks, about never being so young. He thinks about fucking up and growing up and growing apart and changing. And he smiles against chapped lips that taste like cigarettes and coming home.

And he says, “Gonna have to find someone to give me the hickeys.”

And Eddie lights up like the sun, “I know a guy.”

And Steve, well, he thinks about second chances. 

[khruschevshoe]

How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)

Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:

Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special

Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show

The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season

The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"

Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive

The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)

Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather

Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career

Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus

During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series

And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?

[oldshowbiz]

The former apartment building of Grady Sutton, as it looked today.