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merzbow-derek · 6 years ago
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POST-SCRIPTUM 932
AGITATION FRITE 3
Agitation Frite 1 et 2, TĂ©moignages de l’underground français sont donc sortis chez Lenka lente. Un troisiĂšme volume est en prĂ©paration, fait d’interviews pour moitiĂ©, mais aussi de textes cette fois, dont un TOP 500 commentĂ© des meilleures productions en la matiĂšre. On en trouvera ici des extraits, rĂ©guliĂšrement. Par exemple, JEAN-MARC MONTERA (DEUXIÈME).
Cet entretien a Ă©tĂ© rĂ©alisĂ© en mars 2018 afin de servir de notes de pochette pour l’album de L’Orchestre Inharmonique de Nice (L.O.I.N.) dirigĂ© par Jean-Marc Montera.
Te souviens-tu de ton premier contact avec l’Ɠuvre de John Cage ?
Mon souvenir le plus lointain avec John Cage remonte au dĂ©but des annĂ©es 1980 et se traduit par une frustration, celle de n’avoir pu me joindre Ă  AndrĂ© Jaume et Christian Tarting, partis interviewer le compositeur Ă  la Sainte-Baume, alors haut lieu de rencontres consacrĂ©es Ă  la musique contemporaine. PubliĂ© dans Jazz Magazine, le fruit de cet entretien rĂ©vĂšle la pensĂ©e surprenante de John Cage sur le  jazz, le free jazz et  l’improvisation. Étrangement, ce qu’on ne supporterait pas de quiconque, on le tolĂšre de John Cage

Mais qu’en est-il d’un contact musical à proprement parler ?
Par la suite, les piĂšces pour piano prĂ©parĂ© ont Ă©tĂ© dĂ©terminantes dans mon parcours d’autodidacte dans ce genre musical qu’est la musique expĂ©rimentale. En tant que simple auditeur dans un premier temps ; mais aussi, un peu plus tard, en tant que musicien dans mon approche de la guitare prĂ©parĂ©e. Ces piĂšces (bacchanales, sonates et interludes, etc.) me servent encore aujourd’hui comme introduction Ă  la musique expĂ©rimentale dans les cours de musicologie et mĂ©diation culturelle que je donne Ă  l’UniversitĂ© d’Aix-Marseille.
Et sur une scĂšne ?
Le premier contact « physique » avec une piĂšce de Cage s’est fait de maniĂšre impromptue, incongrue, comme il se doit ! En 2000, Sonic Youth Ă©tait en tournĂ©e avec Goodbye 20th Century. J’étais Ă  Paris et ils jouaient Ă  Gand. L’occasion de voir mes amis amĂ©ricains et belges, notamment le pianiste Daan Vandewalle et l’organisateur du concert au Vooruit, Wim Wabbes, Ă©tait trop tentante pour la rater : j’ai donc pris un train pour cette belle petite ville universitaire, certain que j’allais assister Ă  un excellent concert. À ma descente du train, Wim m’a presque mis sa strato rouge dans les mains en me disant que Sonic Youth avait su par son intermĂ©diaire que je venais au concert et qu’ils m’avaient « rĂ©quisitionnĂ© » pour ĂȘtre le quatriĂšme, non pas pour une belote, mais pour jouer en double quartette une piĂšce de John Cage : « Four6 ». Ça tombait bien, je n’avais pas mon matĂ©riel, je ne connaissais pas la piĂšce et ne savais pas qui Ă©taient les autres musiciens. C’est donc muni de la strato rouge de Wim, de quelques pĂ©dales prĂȘtĂ©es par Jim O’Rourke et d’objets achetĂ©s au pas de course au bazar du coin, que j’ai attaquĂ© la rĂ©pĂ©tition de cette piĂšce avec Sonic Youth d’un cĂŽtĂ©, et William Winant, Jim O’Rouke, Daan Vandewalle et moi, de l’autre.
Alors ?
« Four6 » a rĂ©ellement Ă©tĂ© une rĂ©vĂ©lation. C’est une piĂšce superbe de complexitĂ© et de libertĂ©, d’ouverture et de contrainte. Elle fait fonctionner simultanĂ©ment les contraires, en offrant aux interprĂštes, Ă  la fois la libertĂ© que permet leur imaginaire, et la rigueur temporelle qu’impose le chronomĂštre. C’est un outil fantastique que j’utilise lors de workshops destinĂ©s Ă  des musiciens qui n’ont pas ou peu  l’habitude d’improviser, car il offre une structure (temporelle par le chronomĂštre, et sonore par les douze sons choisis par les musiciens) dans laquelle la crĂ©ativitĂ© des interprĂštes peut s’exprimer totalement.
Depuis cette expĂ©rience, « cagienne » dans tous les sens du terme, j’ai participĂ© Ă  des manifestations autour des piĂšces de ce compositeur : tout d’abord avec Chris Cutler et Daan Vandewalle, trio Ă  l’origine de l’Ensemble d’Improvisateurs EuropĂ©ens, formation dĂ©diĂ©e Ă  l’interprĂ©tation de partitions graphiques, devenu quartette en 2008 avec l’arrivĂ©e du violoncelliste Arne Deforge, Quartet Bad Boys avec lequel on a investi la totalitĂ© du Concertgebouw de Bruges pour une journĂ©e consacrĂ©e Ă  John Cage.
Tu as aussi Ă©tĂ© un interprĂšte de « Treatise ». En quoi diffĂšre l’approche des partitions de John Cage et Cornelius Cardew ?
En 2001, j’ai donc fondĂ© l’EIE (l’Ensemble d’Improvisateurs EuropĂ©ens) rĂ©unissant Hans Koch, Thomas Lehn (puis Taavi KerikmĂ€e), HĂ©lĂšne Breschand, Dan Vandewalle, Lelio Giannetto, Chris Cutler et Nicolas Dick (au son), ensemble dĂ©diĂ© Ă  l’interprĂ©tation de partitions graphiques, et plus particuliĂšrement de « Treatise » de Cornelius Cardew. Nous avons abordĂ© cette piĂšce sous diffĂ©rents angles – interprĂ©tation de seulement quelques pages, des 193 pages du recueil aussi, avec une vidĂ©o et une time line dĂ©filante qui permettait au public de suivre le dĂ©roulement du rapport entre l’image et la musique jouĂ©e en direct
 C’est une Ɠuvre qui laisse toutes les libertĂ©s, et qui  pourtant est  d’une exigence..., ..., ...
( John Cage, par lĂ  )
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smashpages · 7 years ago
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Nominees for the 2018 Eisner Awards announced
Comic-Con International has announced the nominees for the 2018 Eisner Awards, presented annually in San Diego at the convention.
Monstress by Marjorie Liu and Sana Takeda and My Favorite Thing Is Monsters by Emil Ferris each received five nominations across various categories; other comics with multiple nominations included Mister Miracle, Black Hammer, The Flintstones, Grass Kings, Eartha and Hawkeye.
Check out the complete list of nominees below.
Best Short Story
“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix) “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!) ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), https://ift.tt/2I41VPy “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant) “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)
Best Single Issue/One-Shot
Barbara, by Nicole Miles (ShortBox) Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse) Pope Hats #5, by Ethan Rilly (AdHouse Books) The Spotted Stone, by Rick Veitch (Sun Comics) What Is Left, by Rosemary Valero-O’Connell (ShortBox)
Best Continuing Series
Black Hammer, by Jeff Lemire, Dean Ormston, and David RubĂ­n (Dark Horse) Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box) Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel) Monstress, by Marjorie Liu and Sana Takeda (Image) The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)
Best Limited Series
Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel) Extremity, by Daniel Warren Johnson (Image/Skybound) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Mister Miracle, by Tom King and Mitch Gerads (DC) X-Men: Grand Design, by Ed Piskor (Marvel)
Best New Series
Black Bolt, by Saladin Ahmed and Christian Ward (Marvel) Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios) Maestros, by Steve Skroce (Image) Redlands, by Jordie Belaire and Vanesa Del Rey (Image) Royal City, by Jeff Lemire (Image)
Best Publication for Early Readers (up to age 8)
Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books) Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow) Egg, by Kevin Henkes (Greenwillow Books) Good Night, Planet, by Liniers (Toon Books) Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)
Best Publication for Kids (ages 9–12)
Bolivar, by Sean Rubin (Archaia) Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf) Nightlights, by Lorena Alvarez (Nobrow) The Tea Dragon Society, by Katie O’Neill (Oni) Wallace the Brave, by Will Henry (Andrews McMeel) Best Publication for Teens (ages 13-17)
The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House) Jane, by Aline Brosh McKenna and RamĂłn K. PĂ©rez (Archaia) Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi) Monstress, by Marjorie Liu and Sana Takeda (Image) Spinning, by Tillie Walden (First Second)
Best Humor Publication
Baking with Kafka, by Tom Gauld (Drawn & Quarterly) Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Rock Candy Mountain, by Kyle Starks (Image) Wallace the Brave, by Will Henry (Andrews McMeel)
Best Anthology
A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press) A Castle in England, by Jamie Rhodes et al. (Nobrow) Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press) Now #1, edited by Eric Reynolds (Fantagraphics) The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)
Best Reality-Based Work
Audubon: On the Wings of the World, by Fabien Grolleau and JerĂ©mie Royer, translated by Etienne Gilfillan (Nobrow) The Best We Could Do, by Thi Bui (Abrams ComicArts) Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW) Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW) Spinning, by Tillie Walden (First Second)
Best Graphic Album—New
Crawl Space, by Jesse Jacobs (Koyama Press) Eartha, by Cathy Malkasian (Fantagraphics) My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics) Stages of Rot, by Linnea Sterte (Peow) The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)
Best Graphic Album—Reprint
Boundless, by Jillian Tamaki (Drawn & Quarterly) Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics) Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence) Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly) Unreal City, by D. J. Bryant (Fantagraphics)
Best Adaptation from Another Medium
Beowulf, adapted by Santiago GarcĂ­a and David RubĂ­n (Image) H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse) Herman Melville’s Moby Dick, adapted by Christophe ChaboutĂ©, translated by Laure Dupont (Dark Horse) Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)
Best U.S. Edition of International Material
Audubon: On the Wings of the World, by Fabien Grolleau and JerĂ©mie Royer, translated by Etienne Gilfillan (Nobrow) Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW) FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero) Ghost of Gaudi, by El Torres and JesĂșs Alonso Iglesias, translated by Esther VillardĂłn Grande (Lion Forge/Magnetic) The Ladies-in-Waiting, by Santiago GarcĂ­a and Javier Olivares, translated by Erica Mena (Fantagraphics) Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)
Best U.S. Edition of International Material—Asia
Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon) Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media) My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon) Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics) Shiver: Junji Ito Selected Stories, by Junji Ito translated by Jocelyne Allen (VIZ Media)
Best Archival Collection/Project—Strips
Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel) Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press) Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books) Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press) Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)
Best Archival Collection/Project—Comic Books
Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha) Behaving MADly, edited by Craig Yoe (Yoe Books/IDW) The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum) Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)
Best Writer
Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC) Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant) Jeff Lemire, Black Hammer (Dark Horse); Descender (Image) Marjorie Liu, Monstress (Image) Mark Russell, The Flintstones (DC)
Best Writer/Artist
Lorena Alvarez, Night Lights (Nobrow) Chabouté, Moby Dick (Dark Horse); Alone, Park Bench (Gallery 13/Simon & Schuster) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Cathy Malkasian, Eartha (Fantagraphics) Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)
Best Penciller/Inker or Penciller/Inker Team
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Mitch Gerads, Mister Miracle (DC) Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse) Ramón K. Perez, Jane (Archaia) David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)
Best Painter/Multimedia Artist (interior art)
Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic) EFA, Monet: Itinerant of Light (NBM) Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW) Cyril Pedrosa, Portugal (NBM) Sana Takeda, Monstress (Image)
Best Cover Artist
Jorge Corona, No. 1 with a Bullet (Image) Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal) Brian Stelfreeze, Black Panther (Marvel) Sana Takeda, Monstress (Image) Julian Totino Tedesco, Hawkeye (Marvel)
Best Coloring
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Mitch Gerads, Mister Miracle (DC) Ed Piskor, X-Men: Grand Design (Marvel) David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image) Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image) Rosemary Valero-O’Connell, What Is Left (ShortBox)
Best Lettering
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse) John Workman, Mother Panic (DC Young Animal); Ragnorok (IDW)
Best Comics-Related Periodical/Journalism
Alter Ego, edited by Roy Thomas (TwoMorrows) The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics) Hogan’s Alley, edited by Tom Heintjes Jack Kirby Collector, edited by John Morrow (TwoMorrows) PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com
Best Comics-Related Book
Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids) How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group) How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics) Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk) Monograph, by Chris Ware (Rizzoli) To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)
Best Academic/Scholarly Work
The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi) Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press) Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press) Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press) Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)
Best Publication Design
Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH‱ROOM (Kodansha) Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel) Monograph, designed by Chris Ware (Rizzoli) My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)
Best Digital Comic
Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate) The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant) Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm) Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideon Kendall (comiXology Originals/Kitchen, Lind & Associates) Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)
Best Webcomic
Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital) Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon) Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib) The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com (Oni Press) Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)
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starwarsnewsit · 7 years ago
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Eisner Awards 2018: poco "Star Wars" tra le nomination
New Post has been published on http://www.starwarsnews.it/2018/04/27/eisner-awards-2018-star-wars/
Eisner Awards 2018: poco "Star Wars" tra le nomination
Eisner Awards 2018. VerrĂ  assegnato a breve uno dei premi piĂč importanti del panorama fumettistico. Quest’anno tra le varie nomination c’ù anche qualcosa legata a Star Wars, ma veramente poco

Eisner Awards 2018 – Tutte le nomination
Best Short Story
“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
“Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), http://magazine.columbia.edu/features/summer-2017/life-comics?page=0,0
“Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
“Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)
Best Single Issue/One-Shot
Barbara, by Nicole Miles (ShortBox)
Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
Pope Hats #5, by Ethan Rilly (AdHouse Books)
The Spotted Stone, by Rick Veitch (Sun Comics)
What Is Left, by Rosemary Valero-O’Connell (ShortBox)
Best Continuing Series
Black Hammer, by Jeff Lemire, Dean Ormston, and David RubĂ­n (Dark Horse)
Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)
Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)
Monstress, by Marjorie Liu and Sana Takeda (Image)
The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)
Best Limited Series
Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)
Extremity, by Daniel Warren Johnson (Image/Skybound)
The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
Mister Miracle, by Tom King and Mitch Gerads (DC)
X-Men: Grand Design, by Ed Piskor (Marvel)
Best New Series
Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)
Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)
Maestros, by Steve Skroce (Image)
Redlands, by Jordie Belaire and Vanesa Del Rey (Image)
Royal City, by Jeff Lemire (Image)
Best Publication for Early Readers (up to age 8)
Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)
Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)
Egg, by Kevin Henkes (Greenwillow Books)
Good Night, Planet, by Liniers (Toon Books)
Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)
Best Publication for Kids (ages 9–12)
Bolivar, by Sean Rubin (Archaia)
Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)
Nightlights, by Lorena Alvarez (Nobrow)
The Tea Dragon Society, by Katie O’Neill (Oni)
Wallace the Brave, by Will Henry (Andrews McMeel)
Best Publication for Teens (ages 13-17)
The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)
Jane, by Aline Brosh McKenna and RamĂłn K. PĂ©rez (Archaia)
Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)
Monstress, by Marjorie Liu and Sana Takeda (Image)
Spinning, by Tillie Walden (First Second)
Best Humor Publication
Baking with Kafka, by Tom Gauld (Drawn & Quarterly)
Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)
The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
Rock Candy Mountain, by Kyle Starks (Image)
Wallace the Brave, by Will Henry (Andrews McMeel)
Best Anthology
A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)
A Castle in England, by Jamie Rhodes et al. (Nobrow)
Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)
Now #1, edited by Eric Reynolds (Fantagraphics)
The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)
Best Reality-Based Work
Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
The Best We Could Do, by Thi Bui (Abrams ComicArts)
Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)
Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)
Spinning, by Tillie Walden (First Second)
Best Graphic Album—New
Crawl Space, by Jesse Jacobs (Koyama Press)
Eartha, by Cathy Malkasian (Fantagraphics)
My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
Stages of Rot, by Linnea Sterte (Peow)
The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)
Best Graphic Album—Reprint
Boundless, by Jillian Tamaki (Drawn & Quarterly)
Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)
Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)
Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)
Unreal City, by D. J. Bryant (Fantagraphics)
Best Adaptation from Another Medium
Beowulf, adapted by Santiago GarcĂ­a and David RubĂ­n (Image)
H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)
Herman Melville’s Moby Dick, adapted by Christophe ChaboutĂ©, translated by Laure Dupont (Dark Horse)
Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)
Best U.S. Edition of International Material
Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)
FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)
Ghost of Gaudi, by El Torres and JesĂșs Alonso Iglesias, translated by Esther VillardĂłn Grande (Lion Forge/Magnetic)
The Ladies-in-Waiting, by Santiago GarcĂ­a and Javier Olivares, translated by Erica Mena (Fantagraphics)
Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)
Best U.S. Edition of International Material—Asia
Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)
Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)
My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)
Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)
Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)
Best Archival Collection/Project—Strips
Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)
Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)
Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)
Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)
Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)
Best Archival Collection/Project—Comic Books
Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)
Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)
The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)
Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)
Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)
Best Writer
Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)
Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)
Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)
Marjorie Liu, Monstress (Image)
Mark Russell, The Flintstones (DC)
Best Writer/Artist
Lorena Alvarez, Night Lights (Nobrow)
Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Cathy Malkasian, Eartha (Fantagraphics)
Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)
Best Penciller/Inker or Penciller/Inker Team
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
Mitch Gerads, Mister Miracle (DC)
Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)
RamĂłn K. Perez, Jane (Archaia)
David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)
Best Painter/Multimedia Artist (interior art)
Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)
EFA, Monet: Itinerant of Light (NBM)
Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)
Cyril Pedrosa, Portugal (NBM)
Sana Takeda, Monstress (Image)
Best Cover Artist
Jorge Corona, No. 1 with a Bullet (Image)
Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)
Brian Stelfreeze, Black Panther (Marvel)
Sana Takeda, Monstress (Image)
Julian Totino Tedesco, Hawkeye (Marvel)
Best Coloring
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Mitch Gerads, Mister Miracle (DC)
Ed Piskor, X-Men: Grand Design (Marvel)
David RubĂ­n, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)
Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)
Rosemary Valero-O’Connell, What Is Left (ShortBox)
Best Lettering
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)
John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)
Best Comics-Related Periodical/Journalism
Alter Ego, edited by Roy Thomas (TwoMorrows)
The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)
Hogan’s Alley, edited by Tom Heintjes
Jack Kirby Collector, edited by John Morrow (TwoMorrows)
PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com
Best Comics-Related Book
Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)
How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)
How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)
Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)
Monograph, by Chris Ware (Rizzoli)
To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)
Best Academic/Scholarly Work
The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)
Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)
Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)
Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)
Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)
Best Publication Design
Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH‱ROOM (Kodansha)
Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)
Monograph, designed by Chris Ware (Rizzoli)
My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)
Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)
Best Digital Comic
Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)
Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)
The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)
Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)
Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)
Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)
Best Webcomic
Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital)
Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon)
Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib)
The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com
Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)
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// Live Video ARNE DEFORGE, ÉRIC LOMBAERT, BASS HOLOGRAMS DUO, CHRIS CUTLER, CHRISTIAN MALFRAY, DAAN VANDEWALLE, DOMENICO SCIAJNO, ELECTRIC POP ART ENSEMBLE, FAUNE, FRANCE, FREDERICK GALIAY, FUEGO, JEAN-FRANÇOIS PAUVROS, JEAN-MARC MONTERA, JOËLLE VINCIARELLI, JULIEN BLAINE, LA GÉNÉRALE D’EXPÉRIMENTATION, LA MORTE YOUNG, LE RÉVEIL DES TROPIQUES, LUC FERRARI, MICRO/MACRO/MASHUP, MINISYM, NICOLAS DICK, PIERRE FAURE, SOURDURE, THIERRY MONNIER, TONY HYMAS
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