#ARIA Hall of Fame

[thejoyofviolentmovement]

New Video: The Church Shares Haunting and Dream-like Visual for "Realm of Minor Angels"

New Video: The Church Shares Haunting and Dream-like Visual for "Realm of Minor Angels" @thechurchband @commvess @reybee @stevekilbey

Founded back in 1980, the Sydney-based ARIA Hall of Fame inductees The Church — currently founding member Steve Kilbey (vocals, bass, guitar); longtime collaborator and producer Tim Powles (drums), who joined the band in 1994 and has contributed to 17 albums; Ian Haug (guitar), a former member of Aussie rock outfit Powderfinger, who joined the band in 2013; multi-instrumentalist Jeffery Cain, a…

[doyoulikethissong-poll]

The Doors - Light My Fire 1967

"Light My Fire" is a song by the American rockband the Doors. Although it was principally written by the band's guitarist, Robby Krieger, songwriting was credited to the entire band. Recognized as one of the earliest examples of psychedelic rock, it was recorded in August 1966 and released in January 1967 on their eponymous debut album. Due to its erotic lyrics and innovative structure, the track has come to be regarded as synonymous with the '60s psychedelic and sexual revolutions.

The song spent three weeks at number one on the Billboard Hot 100 chart; it re-entered the Billboard Hot 100 in 1968 following the success of José Feliciano's cover version (which charted at number three), peaking at number 87. The song also spent one week on the Cash Box Top 100, nearly a year after its recording. "Light My Fire" achieved modest success in Australia, where it peaked at number 22 on the ARIA chart. The single originally reached number 49 in the UK in 1967, but experienced belated success in that country in 1991, when a reissue peaked at number seven. This reissue was more successful in Ireland, peaking atop the IRMA chart for two weeks. The reissue occurred due to revived interest in the band following Oliver Stone's biopic film The Doors.

"Light My Fire" has been widely considered as the Doors' signature song, and a quintessential work of the psychedelic rock genre. In 2004 and 2010, the song was ranked at number 35 on Rolling Stone's 500 Greatest Songs of All Time. It was included in RIAA's Songs of the Century list, at number 52. In 1998, the track was inducted into the Grammy Hall of Fame under the category Rock (single).

"Light My Fire" received a total of 75,3% yes votes!

[myhughniverse]

World Music Awards - via social media - "Happy Birthday to the gorgeous chart-topping, history making, top-selling Singer, Actress, Fashionista, Global Icon and Legend, the One & Only Kylie Minogue!

Kylie Minogue is the best-selling Australian Female Recording-Artist of All Time, with record sales of over 80 Million! Time named her one of the most influential people in the world! Kylie became famous starring in the Australian Soap Opera 'Neighbours' from 1986-88! She began her music career in the late 80's, becoming hugely popular after releasing 4 very successful dance/pop albums via PWL, and scored several top ten singles in Australia and the UK, including with the hits "The Loco-Motion", "I Should Be So Lucky", "Especially for You", "Hand on Your Heart" and "Better the Devil You Know". In 1993 Kylie signed with Deconstruction Records and released the albums 'Kylie Minogue' (1994) and 'Impossible Princess' (1997). In 1999, she released the #1 hits "Spinning Around" and "On a Night Like This". 'Fever' (2001) became her best-selling album to date, spawning the smash hit "Can't Get You Out of My Head" which she performed at the 2002 World Music Awards! It became one of the most played, top-selling singles of the 2000s, with over 5 million units sold. "In Your Eyes" and "Love at First Sight" were also huge hits! Kylie continued to release global hits including "Slow", "I Believe in You", "2 Hearts" and "All the Lovers". In 2023, Kylie made a huge comeback with the critically acclaimed and hugely successful album 'Tension' which debuted at #1 in Australia and the UK. With its lead single, "Padam Padam", she became the only female artist to achieve a UK top 1O hit from the 1980s to the 2020s. The single won her an ARIA Award for Best Pop Release and a Grammy Award for Best Pop Dance Recording. In November 2023, Kylie embarked on a concert residency, 'More Than Just a Residency', at The Venetian in Las Vegas. The show sold out within minutes. Kylie is also a very talented actress having starred in 'The Delinquents' (1989), 'Street Fighter' (1994), 'Moulin Rouge!' (2001), 'Holy Motors' (2012) and 'San Andreas' (2015). She is also a big TV star, appearing as a judge on The Voice UK and The Voice Australia in 2014. Her other ventures include product endorsements, books, perfumes, charitable work and a wine brand. Kylie's Awards include 2 Grammys, 2 MTV Video Music Awards, 3 World Music Awards, 3 MTV Europe Music Awards, 4 Brit Awards including the Global Icon Award in 2024, 6 Mo Awards and 18 ARIA Music Awards! In August 2004, she held the record for the most #1 singles in the ARIA singles chart (9)! In January 2011, she received a Guinness World Record for the most consecutive decades with top 5 albums in the UK! In February 2011, she made history charting 2 songs in the top 3 on the U.S. Dance Club Songs chart, with "Better than Today" at #1 and "Higher" at #3! In June 2012, the UK Official Charts Company named her the 12th best-selling singer of All Time, and the 3rd best-selling female artist, with over 10 Million singles sold! In December 2016, Billboard ranked her the 18th most successful dance artist of all time, honouring her with the Women in Music's Icon Award earlier this year. In November 2020, she became the only female artist to reach #1 on the UK Albums Chart in five consecutive decades! In 2007, Kylie became the 1st Female to receive a Music Industry Trust award for her 20-year career, hailed 'an icon of pop and style'! In July 2008, she was invested by Charles III as an Officer of the Order of the British Empire and in January 2019, she was appointed Officer of the Order of Australia. Kylie is an ARIA Hall of Fame inductee, a Chevalier (knight) of the Ordre des Arts et des Lettres and an honorary Doctor of Health Science

[thefinn-ternet]

Day: Sept 26th

#Finn365 

#NeilFinn

#TimFinn

#SplitEnz

Split Enz inducted into the  Aria's Hall Of Fame play "Poor Boy" & "History" 2005

[lboogie1906]

Robert Calvin Bland (Robert Calvin Brooks; January 27, 1930 – June 23, 2013), known professionally as Bobby "Blue" Bland, was a blues singer. He developed a sound that mixed gospel with the blues and R&B. He was described as "among the great storytellers of blues and soul music... [who] created tempestuous arias of love, betrayal, and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed." He was sometimes referred to as the "Lion of the Blues" and as the "Sinatra of the Blues". His music was influenced by Nat King Cole. He was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and the Memphis Music Hall of Fame in 2012. He received the Grammy Lifetime Achievement Award in 1997. The Rock and Roll Hall of Fame described him as "second in stature only to B.B. King as a product of Memphis' Beale Street blues scene." #africanhistory365 #africanexcellence https://www.instagram.com/p/Cn6wkepriNF/?igshid=NGJjMDIxMWI=

[memorableconcerts]

Nick Cave The Bad Seeds - "From Her To Eternity" - Live 1989

Live 1988

Nicholas Edward Cave AO FRSL (born 22 September 1957) is an Australian singer, songwriter, poet, lyricist, author, screenwriter, composer and occasional actor. Known for his baritone voice and for fronting the rock band Nick Cave and the Bad Seeds, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love and violence.

Born and raised in rural Victoria, Cave studied art in Melbourne before fronting the Birthday Party, one of the city's leading post-punk bands, in the late 1970s. In 1980 they evolved towards a darker and more challenging sound that helped inspire gothic rock, and acquired a reputation as "the most violent live band in the world". Cave became recognised for his confrontational performances, his shock of black hair and pale, emaciated look. The band broke up soon after moving to Berlin in 1982, and Cave formed Nick Cave and the Bad Seeds the year after, later described as one of rock's "most redoubtable, enduring" bands. Much of their early material is set in a mythic American Deep South, drawing on spirituals and Delta blues, while Cave's preoccupation with Old Testament notions of good versus evil culminated in what has been called his signature song, "The Mercy Seat" (1988), and in his debut novel, And the Ass Saw the Angel (1989). In 1988, he appeared in Ghosts... of the Civil Dead, an Australian prison film which he both co-wrote and scored.

The 1990s saw Cave move between São Paulo and England, and find inspiration in the New Testament. He went on to achieve mainstream success with quieter, piano-driven ballads, notably the Kylie Minogue duet "Where the Wild Roses Grow" (1996), and "Into My Arms" (1997). Turning increasingly to film in the 2000s, Cave wrote the Australian Western The Proposition (2005), also composing its soundtrack with frequent collaborator Warren Ellis. The pair's film score credits include The Assassination of Jesse James by the Coward Robert Ford (2007), The Road (2009) and Lawless (2012). Their garage rock side project Grinderman has released two albums since 2006. In 2009, he released his second novel, The Death of Bunny Munro, and starred in the semi-fictional "day in the life" film 20,000 Days on Earth (2014). His more recent musical work features ambient and electronic elements, as well as increasingly abstract lyrics, informed in part by grief over his son Arthur's 2015 death, which is explored in the documentary One More Time with Feeling (2016) and the Bad Seeds' 17th and latest album, Ghosteen (2019).

Cave maintains The Red Hand Files, a newsletter he uses to respond to questions from fans. He has collaborated with the likes of Shane MacGowan and ex-partner PJ Harvey, and his songs have been covered by a wide range of artists, including Johnny Cash ("The Mercy Seat"), Metallica ("Loverman") and Snoop Dogg ("Red Right Hand"). He was inducted into the ARIA Hall of Fame in 2007, and named an Officer of the Order of Australia in 2017.

Live 1988

Nick Cave and the Bad Seeds (1984–present)

The band with Cave as their leader and frontman has released seventeen studio albums. Pitchfork Media calls the group one of rock's "most enduring, redoubtable" bands, with an accomplished discography. Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. Critics Stephen Thomas Erlewine and Steve Huey wrote: "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk."

Reviewing 2008's Dig, Lazarus, Dig!!! album, NME used the phrase "gothic psycho-sexual apocalypse" to describe the "menace" present in the lyrics of the title track.[23] Their most recent work, Ghosteen, was released in October 2019.

In mid-August 2013, Cave was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and the Drones. The Australian music prize is worth A$30,000. The prize ultimately went to Big Scary. In a September 2013 interview, Cave explained that he returned to using a typewriter for songwriting after his experience with the Nocturama album, as he "could walk in on a bad day and hit 'delete' and that was the end of it". Cave believes that he lost valuable work due to a "bad day".

Live 1986

[jennifersminds]

Top 5 pll chars, Top 5 tvdu chars, Top 5 f/f pll ships, Top 5 tvdu ships

ooooo,,

top pll character’s

Mona (girlboss hall of fame)

Hanna

Spencer

Tippy the bird

Alison (dead era only)

top pll f/f ships

vandermarin

spanna

sparia

emily and maya

aria + therapy

top tvdu character’s

elena

bonnie

elijah

rebekah

klaus (but mf’ son thin ice at all times)

top tvdu ships

elejah

beklena

bonlena

klaroline (ik ik just- they served some cunt okay))

bamon (i’m not proud of it but,,,)

[molsons112000]

So i'm down at museum park in chicago, and they can do spooky, shed aquarium, Adler planetarium and the field museum... They can work with the chicago bears who can do all kinds of things related to halloween throughout the month of september and october.... Then they can work jointly with the bears to create a theme for thanksgiving, christmas and new year's! Yes, the stadium has all kinds of function rooms.....

So the chicago bears can work with the different museums and have all kinds of joint events, and it is a great way for the players to meet different types of fan bases! So it could be Chicago, bears night out at the field museum. Can you come to the field museum? And then the Chicago Bears are there. And you go to each different exhibit, and there's a different Chicago bear, including coaches, and they get trained by museum staff, the different arias. And they give little speeches or presentations, and they can dress up like something related to that, like say, they're in front of The dinosaur... And they could wear a Barney costume, a dinosaur costume and say something about the dinosaur. I don't know, making it creative, or they can just dress up as a prehistoric caveman... But they can do it with the shed aquarium, an adler planetarium, and you can meet the chicago bears, and this way, the chicago bears cross promote the field museum, the adler planetarium, the shed aquarium and then further down towards hyde park is the museum of science and industry!!!!

Then they can have different events like the field museum could have events and they could use the private event rooms and the shed aquarium, as well as the Adler planetarium, and they could use the event rooms that are within Soldier Field and they could project things on to the big screen in the stadium, but they could be in the sky boxes. And people can see out from the skyboxes, the big screen for different types of present presentations! So they could take the telescopes view and put it on the big screen at soldier field and have an event where they're renting out skyboxes, and they have food and drink and a whole presentation.The stadium's big screen!!!! But the chicago bears can start doing things like the chicago bears night out at the art museum!!!! So they couldn't do it at the modern art museum and the architectural museum. And then I think there's a TV radio hall of fame, but they can have these different events during the season or after the season, n different Chicago Bears would host these events and then you can do them with the Chicago white socks and The chicago cubs, and there's chicago bowls, and then you can get the teams like the chicago wolves can do things in Schaumburg.... So the Chicago Cubs can do things around wrigleyville. The chicago white sox can do things around their area, and so the chicago bulls and hawks can do things around their area, promoting local establishments.... Like the chicago wolves can do stuff at different rosemont, they can even do stuff at the casino.That's right there as well...

Soldier Field

https://www.soldierfield.com › ...

Private Events

Flexible hospitality spaces to host large-scale conferences or smaller meetings with multiple break-out rooms, two videowalls, and multiple TVs. ... Versatile 

It's funny and this is a side note all these years. I called the chicago cops when I needed them, and they've never once showed up... But yeah, when I'm just sitting around, trying to do something like I was taking a video at wintrust arena. Some girl attacks me and then attacks me with some guy, and then the cops tell me to get out of there, not them and they were the ones who approached me.I stayed in my car the whole time.. The girl backed up. Her car rolled down the window, started, threatening me. Then she put her car in parked. She got out of it, and then she approached me, and then the guy got out of his car and approached me, and then the cops came up and told me I had to get out of there!!! But when a truck comes down here and terrorizes me and threatens to hit me and playing all kinds of games threatening me. I call 911 and they hang up on me and they constantly hang up on me.Hang up on me, hang up on me, hang up on me... But when they wanna push me around, they do it all the time and they support everybody against me, constantly pushing me around and bullying me... So as long as they can push me around when i'm not doing anything wrong and they have been, and when I needed any help, they ignored me... Like when I was broken down on the highway with a flat tire, the minuteman came up, he was supposed to take my car and move it to a safe place. He didn't, and the state trooper came up and he didn't help me.Everybody ignores me... And then when other people do me wrong, they stand up for them against me, and they empower them to hurt me to attack me to abuse me... So that's all the Chicago police has been doing anytime. I need him ignore me and then anytime that other people hurt me.They stand up for them and further victimize me over and over and over and over and over again!!!! So I'm getting victimized all the time by everybody continuously, and then I have, I can't count you a massive amount of pain internally besides poverty, loneliness and everything else. And then I got them victimizing me every time somebody does something to me, they stand up for them. And they further victimize me.... Like, i'm on private property, and I tell some kid to put his shirt on, and he starts yelling obscenities at me... And then he's pointing out, I'm the bad person, and then what do they do? They come over to my house and threaten me. And then they send me summons to go to court in the mail, standing up for him, who is the pervert, the little exhibitionist, the person doing indecent exposure!!!! But they constantly stand up for them like I've watched with the LGBTQ and the abortion people. They got so many friends standing up for them. All the time, everybody helping them, everybody standing up the federal government, the state government, the county, the local everybody, helping them Facebook, all social media. Everybody standing up for them against me!!!!! They constantly terrorize me, and I'm the one who has been victimized. Raped molest it, an abuse not once multiple times and i'm the victim and everybody abuses, me abuses, me abuses, me abuses, me abuses, me!!!! And then law enforcement stands up for them. Further, abusing me, threatening me pushing me around!!!! So I'm telling you, they're all going to burn in hell good for them. I'm glad they liked the idea of them being totally condemned and burning forever. I don't want it that way, but it seems like they want it that way so they'll get what they want. Don't get total damnation and they deserve it !!!

[thejoyofviolentmovement]

New Audio: The Church Share Shimmering and Slow-Burning "Realm of Minor Angels"

New Audio: The Church Share Shimmering and Slow-Burning "Realm of Minor Angels" @thechurchband @commvess @reybee

Founded back in 1980, the Sydney-based ARIA Hall of Fame inductees The Church — currently founding member Steve Kilbey (vocals, bass, guitar); longtime collaborator and producer Tim Powles (drums), who joined the band in 1994 and has contributed to 17 albums; Ian Haug (guitar), a former member of Aussie rock outfit Powderfinger, who joined the band in 2013; multi-instrumentalist Jeffery Cain, a…

[beatdisc]

Murray Engleheart dropped off a few signed copies of his brand new book Radio Birdman: Retaliate First. The first-ever in-depth biography of iconoclastic Sydney punk band Radio Birdman

Sydney's legendary Radio Birdman were a stake through the satin and scarfed hearts of the mid seventies' music scene, revolutionising the conservative Australian industry in the process. Regarded as one of the earliest punk bands, before the world had heard of the Sex Pistols, Birdman were feared and loathed by many, yet adored by fiercely loyal fans. But their story has never been told in depth—until now.

Murray Engleheart's Radio Birdman: Retaliate First is drawn from more than 150 interviews with the band members, their closest associates, devotees and observers. From tales of singer Rob Younger filling his mouth with sheep brains from a human skull to fans breaking limbs while dancing wildly at gigs and publicans cutting the power in a desperate bid to halt their force-of-nature-like performances, the Radio Birdman story is one of confrontation, commitment and inspiration.

With 2024 marking their half-century of existence, and a commemorative tour that may be their last, it's the perfect time to look back over fifty years of the band that never took a backward step and made rock and roll thrilling and dangerous once more. Radio Birdman: Retaliate First is the ultimate insider's guide to how Australia's most hated act were inducted into the ARIA Hall of Fame and became global icons.

Limited copies in-stock now for $38.

[1anzuma1]

The Biggest problem found in Delina Hair Mist | How to avoid imitation of it

ssf

  Delina Exclusif Hair Mist: A Fragrant Tapestry Woven with Luxury

Unfurl a billowing plume of elegance with Delina Exclusif Hairs Mist, the pinnacle of luxury crafted by Maison Parfums de Marly. This article isn't merely a review; it's an invitation to a sensory soiree, where we'll unravel the exquisite tapestry woven with Delina's origins, its enchanting olfactory narrative, and the practical benefits that elevate it beyond a simple hair fragrance. We'll delve into the exclusive ingredients that set it apart, and explore creative ways to incorporate Delina Exclusif Hair Mist into your daily ritual. Whether you're a seasoned aficionado of fine fragrances or an aspirant to haircare opulence, Delina promises to be the missing aria in your symphony of sophistication.

A Legacy Steeped in Splendor: The Delina Hair Mist Lineage

Delina Exclusif Hair Mist proudly emerges from the hallowed halls of Maison Parfums de Marly. This esteemed brand has built its reputation on olfactory odes to French royalty, and Delina Hair Mist is the heir apparent to this legacy. Rooted in the success of the original Delina perfume, famed for its timelessly alluring blend of floral and fruity notes, Delina Hairs Mist extends this olfactory dynasty to the realm of haircare. Prepare to be swept away by the meticulous craftsmanship and unwavering passion poured into Delina Hairs Mist, a testament to both artistic excellence and the art of fragrance itself.

The Olfactory Odyssey: A Symphony for Your Senses

Embark on a multi-sensory voyage with Delina Exclusif Hair Mist. Each spritz envelops your hair in an aura of sophistication, a fragrant poem composed with top notes of Turkish rose and lychee, a heart of peony and vanilla, and a base of musk and woods. Delina Hair Mist offers a harmonious concerto that will leave your senses captivated. But the magic goes beyond the captivating melody. Delina Hair Mist elevates your haircare routine by delicately perfuming your locks, leaving a lingering trail of refinement that whispers elegance throughout the day. Beyond the Ethereal: The Practical Allure of Delina Hair Mist Delina Hair Mist transcends the boundaries of traditional hair perfumery by offering a symphony of practical benefits. Infused with luxuriously moisturizing and hair-strengthening ingredients, Delina Hair Mist conditions your tresses, leaving them feeling silky soft and effortlessly manageable. Discover how this opulent elixir adds a layer of nourishment and protection, Ensuring your hair not only smells divine but also boasts luminous health. A Symphony of Ingredients: The Heart of Delina's Uniqueness At the core of Delinaa Exclusif Hairs Mist lies a meticulously curated orchestra of exclusive ingredients, each chosen for their unparalleled quality and efficacy. From rare botanical extracts to premium essential oils, every component plays a vital role in enhancing the olfactory profile And nourishing properties of Delina Hair Mist. Dive into the luxurious world of these ingredients, the ones that distinguish Delina Hairs Mist from the rest. Prepare to be enveloped in a bespoke experience that elevates your haircare ritual to unprecedented heights of indulgence. A Spotlight on Style: Weaving Delina Exclusif Hair Mist into Your Daily Tapestry Embrace the versatility of Delina Exclusif Hair Mist as it seamlessly integrates into your daily beauty ritual. Whether you're preparing for a night of exquisite revelry or simply elevating your everyday style, Delina Hair Mist offers endless possibilities. From a light misting onto freshly styled hair to incorporating it into your morning routine, explore innovative ways to make Delina Exclusif Hairs Mist your signature. Let its sophisticated fragrance and nourishing benefits become the leitmotif of your personal style. The Final Note: A Legacy of Luxury In conclusion, Delina Exclusif Hairs Mist represents the quintessential essence of luxury in hairs perfumery. It's a multifaceted masterpiece that blends elegance, fragrance, and practicality, all designed to elevate your haircare experience. From its prestigious lineage at Maison Parfums de Marly to its exquisite olfactory narrative and exclusive ingredient list, Delina Hairs Mist embodies the artistry of fine fragrance, meticulously crafted for your hairs. Embrace the alluring invitation of Delinaa Exclusif Hairs Mist and embark on a sensory journey that defines luxury, leaving an indelible mark of sophistication wherever you go. Read the full article

[sarockradio]

"ROCK MOVES"

with Julie Reynolds

This Week:

Family, fame and tragedy, Bill and Guy McDonough were members of Australian Crawl, one of Australia’s biggest 80’s rock bands.

TUES & THURS 2PM

Founded in 1978, Australian Crawl sold over 2 million records and have been awarded some of Australia’s highest music accolades, including an induction to the ARIA Hall of Fame in 1996.

This is a “warts and all” music memoir, about the good and bad times, and how the trappings of fame ultimately lead to Guy’s tragic demise, and the band’s untimely end.

Join us!

"ROCK MOVES"

with Julie Reynolds

TUES & THURS 2PM

Listen @ www.sarock.com.au

SA ROCK RADIO

[wutbju]

Another long one.

Bob Jones University has the enviable reputation of presenting one of the finest cultural series to be offered anywhere in America. Certainly no other university offers as many top quality programs featuring internationally known artists as does the opera, concert, and drama series at BJU.

This season's programs will include a grand opera, two Shakespearean productions, a chamber symphony, a concert pianist, a musical drama, a vocal duet, a folk singer, and Verdi's "Requiem.

Nine programs are included in the series, and a limited number of season subscriptions are still available at the programs and productions office for $12.50 each. Individual tickets to the one-night performances will not be available.

All programs are presented in Rodeheaver Auditorium, and curtain time is 8 p.m.

Opening the 1967-68 series Oct. 24 will be Benjamin Britten's moving musical drama, "Curlew River." featuring a company of 25 including first desk players of the Little Orchestra Society and members of the Concert Opera Association of New York. Thomas Scherman will be musical director of the company.

The famed Bob Jones University Classic Players will present Shakespeare's "As You Like It," Thanksgiving Thursday and Friday, Nov. 23 and 24. The Shakespeare repertoire group is listed by the international "Shakespeare Survey" as one of the "noteworthy classic repertoire companies" in the United States.

On Dec. 7 Guiseppe Campora -- the distinguished young leading tenor of the Metropolitan Opera and La Scala, Milan -- joins his talents with one of America's most beautiful and gifted singing actresses, Dorothy Coulter, for a delightful evening of opera arias and duets.

Following a highly successful career in Europe. Campora made his Metropolitan Opera debut in 1955 in the role of Rodolfo in "La Boheme." Miss Coulter, a soprano, also made her debut at the Met in "La Boheme." She has appeared with major opera companies in this country and in Europe and has been featured in leading roles in several productions on NBC-TV opera.

America's first permanent chamber symphony -- the Chamber Symphony of Philadelphia -- will be heard in a concert Feb. 1. The symphony, composed of 36 players, will present a program featuring masterpieces of the baroque and romantic periods as well as compositions by outstanding contemporaries, some of which have been especially commissioned.

Anshel Brusilow, conductor, made his debut as a violinist at Carnegie Hall when he was just 17. He has conducted the world renown Philadelphia Orchestra and other major symphonies. Most recently, he was guest conductor of the National Symphony in Washington, D.C.

'The fifth program of the series will feature Stephen Bishop, American-born prodigy pianist, in a recital March 4. The 26-year-old pianist appeared with the San Francisco Symphony while still in his teens.

On March 28 and 30 the Bob Jones University Opera Association will present a fully staged production of Verdi's opera, "Rigoletto." Guest soloists from the Metropolitan and other leading opera companies include Sherrill Milnes, baritone, as Rigoletto; Doris Yarick, soprano, as Gilda; John Craig, tenor, as the Duke; and Ara Berberian, bass, as Sparafucile.

The latter two singers have appeared in BJU Opera Association productions on previous occasions Mr. Berberian sang in "Faust" in 1964, and Mr. Craig was heard in "Lucia di Lammermoor" in 1965.

The artistry of singer-guitarist Kay Britten has been heralded throughout England and the United States. She will present a recital at BJU April 30. Having a high degree of artistic integrity and devotion to folk music in its original and authentic form, she brings a dimension all her own to folk music. Her unusually large repertoire includes songs in several languages, and she has a particular interest in songs of the British Isles.

A highlight of the university's commencement week activities will be the second production of the season by the BJU Classic Players -- Shakespeare's "King Lear," on May 23 and 28. Dr. Bob Jones Jr., president of the university, will portray the title role.

The ninth and final production of the season will be Verdi's "Requiem," which will be presented May 25 and 27 by the BJU Oratorio Society and Symphony Orchestra. Guest artists singing the solo roles include Walter Fredericks, Peter Harrower, and Miss Antonio Kitsopoulos.

[libidomechanica]

“To tempt Gods Providence by fire”

A rispetto sequence

               I

Seventeen years away, my hart I then begins a journeys, here assurance need not agree, that passions and streight through the breath in arias of death his Fellows; from which a spring danced when came melissa, O pardon their Lord. To tempt Gods Providence by fire. Organ in me ye playne, for father’s wrath, by all delight. Or change from love? Into her heart than she.

               II

From thy fellowship in the Desperate Fame. Throb with my plaint to her; now, young Corinth—O the blythest bird upon their Taxes double Danger bring? Venus is taught. But my Corinna, come; and above the wedded dame, august her beauty was as right. What say Good-bye; and now what no her tongue aspire. Rain on the more account, for Ten to One, in forbidden fires.

               III

Desire of wonder at her left, a child is frayle corruption, that his Anguish of his Faction of the world may streams of man? Tell her sacred peace and plum, and dewdrops wet; and said … Nay, we are onely completer; for nothing else these halls, and yawn’d a good deal with Sally Brown! Whilst Ben he was no sins of Royal Robes, and blew the languid fool, who was left.

               IV

In any chronicles of dress were not complains before. But that very fair; the which tempred still the rest, with such a yoke She danc’d along the twilight wings, for ages, taught. Yet let them on the rolling the loves attend lyke captiued are so firmely, too, when shall be there but we will that ancient Hag of Fate. My stockings there survived his fear in a female dress.

               V

Lifting me, where upon they St. Fatal interview, by all aspect, but Thanks, ’ she least as truth, and cut this the Curse of hers did close implide, with them Joyn’d all this world one way and another, husband, like a Pen to step into Heav’n inspiring I might be, or naething to end that to thrall forts which she doth more dread, until the funeral direct, with his Teeth.

               VI

The hours my loues might his Darling Son? The hand on a Minion! Truth the highest way of change eyes, resign’d, and said he, hold up your hands do not me my love some rest; all the green-recessed woodland air! And, last not ask me with Skill, for humane Good old Cause by whom he was unseen: and drear! Breathes. And often round. Now, young monarch, till ioy makes us cowards the pass’d for spill.

               VII

From his knees that your eyes in the chace forsooke, my hart, that my exceed the queen-priest throne, his Highness’ years, but Save me most regulated charming with vile adders sting, in one ship is Reproof, and overmuch of a Good Son, who had the court’ said Cyril, Madam, all the reveries of Jacob Behmen with cinnamon; despair print thy Soul, oh Taper of the pain.

               VIII

Your gentle Lycius! Learning unto their heart, with the Day, misguide the Justice a Seráb. And harass’d well for better not before. Most sorts of flowers, the virgin purest lipp’d, yet in vain. You are the years for Monarch tame, and that my zone unmanned me: the Land. For shame! And acted on, when she took Juanna, whose throng, too feeble vassal blest, by new unfolds cleanly.

               IX

Ah, what woe after long maintain’d where thereby much great hope I well find her lord were said the loves to swarm their very Garment-hem Pollution! Ring; some said he love the gloom of all countenance his crime, can reason, shame loade mine eyes, a lover yet, tis after fresh arrivals threat for earthly eye: that bosom worn, which we stands the low: for lacking it, that mercy too.

               X

This side,—so beautiful old rhyme in praises are taught to witless walls! As sacred through the porch, with all its watery sun&three were constrayn. Just as he’s mounted—he and Absál the Father worth nor rues my stonisht hart stood at bold Defiance, hate whate’er the rocks once-a- boy pilfering me withall. So woful, and sew for peace, an hundredth part his future Race?

               XI

What guyle is th’ author of my kind? Would not the more my love can be no longer Just. Feed their first she slept in hand my brother articles of vnualewd price: far passing the demons of thunderbolt hangs silent, shy, and from Heaven—from then she seems the ghost away. Of the scientific animals are the Sun upon Designs, and for God, not the right!

               XII

And children, ran before from them fills the roadside, succulent peaches to be broke his might sit beside juan had no great loues prayses form. And in hue could e’er he did not with fire the brow of earthly lyres, while at themselves in my selfe for euer to enjoy! Not grace is her breast: her neck regal white till the Elves and Names assured to haste, while, like a peace shall haue tride.

               XIII

His Youth, thy disencumbred Soul mounts up, and beckon from the skye. So long, dead called Beauties treasure, and in the blight on my face press’d. Till the golden tongue that runneth often doe redound, as is a Godlike Kings are made: he takes place; they could he gain, his vanquish’d days, had eyes aghast the Beadsman, affianced, scale with carven imag’ries good Angela, by the heart.

               XIV

And won his pinions lay, and mantle, which we Right, from far where there died at his Highness, there that tongue. And slight but hastily subscribed the Branch that French novel? And yet the Statesman we abhor, but not stuck all exceeding want; more rich, who Heaven, and scatter my sins that thought— meet, if the Crowd: that cluster’d in all her names in which in the memory of Civil Wars.

               XV

And choke on me were a mermaid now, for this chirrup at her glauncing sight, the fainting to mine, condemn it; but I turn a lady’s eyes; mine eye: but though it sounds of his strength was his due? To Beauties peece for me to mow: and yet the serpent, but effectually is out; for in your skill, some in the heathen Priests the transient roses at first appeared his phantasies.

               XVI

The musick, which you graced in thinke at an Eurydice; for that, waxing wanton o’er the matter than what a flint is free? I shall it bee that fail to beare: so weake my sorrow out of saddest words, embrace my bane. Can reason, shame, and wife, a sullen might for her whisk the stain’d where when those on the beginning, full of silence seal’d. A death-like silence in. And splendour.

               XVII

Save to and from piety, or from birth or growth, is more strong in Corinth talk: over tedious absence of Angels from cruelty she wore a wannish fire sparks, without-end hour whilst I, myself—and you. Besides, the creature newly-caged, commenced the un-apple. Her heads were Useless, lasting chain; and her wil be the numerous wood the grey downs dulled to save.

               XVIII

In her snowy browes lyke dying tone, but I, vnbid, fetch in May, when my toung tipt with awfull Lord. On the features goodly colour of night; in vain,—to bless nor curse to hang on her sound sleep disclos’d the place forbear to make vnpitteid spoile. With his Prerogative. With lesser chill it hold? Now clear’d, but Save me nothing their faults with tapers comes soothingly with scorn.

               XIX

Permit me, Julia, I bring to do with the think, do allow life has not violently wake. Votes shall Ever-wanting sense, which some pines that old man? For had thy maisters keep his return and silent grown, I have given signal ta’en their piques, they likest be, or what her dream’d a dream, of walking in a slumberous they are more to the firmer will, that evening brest.

               XX

Night by lesson which they had arrived before; for which did her form create to be forgiv’n. Flatter all utter’d by a Niggard no: now will I, with a high hand, she writing on her I stand who knows. There in want or peril, therefore: now warm gules on Madeline! Our mother; so Cantemir can they steps or more my Eyes the Seasons train: from Earthy Vapours rise!

               XXI

Then hangeth all fair theoric’ it appears; barzillai thou canst not the heauenly fury doth hart and Stars and Dreams; lo, this place, the most him so hugely stood in madness near and hate, I feel estrange, that heuenly spheare of Justice draws; constrayne. Soft as homeward I from heavens Anoint his lofty looke on it streight back. If not happens, that he had for love is liberty.

               XXII

A Hand to Loyalty were two lovers of thy love doth worke that with disturb you something so whence flee; foole, who made new porridge for injured lover can hope my verse vowd to eternity I forgive? Promiscuous use of Sorrow the sweet soul, were taught: let theyr snaky heads the custom, and you fayre, misdeeme so fair as fair, ’ said Cyril, having piously.

               XXIII

And Madeline asleepe thou must no more by our long hall glittering taketh. The harbor whose his first day the golden dreamt of man, the promise! And is he gone, and thunder shrines all with two tame leopards couches, toilets—and much I fear, her mouth in waves, your sweet pleasures in hers, am profanation far with all you fairly. Which cost little worth, and zoned with Me!

               XXIV

For lusty sprinkled on Sally she did agree, in mine eyes, where you to soothe my pillow took their tedious riddles of vnualewd price: by loue we weigh’d her cruell might coin, the gift of closing gainst the String of my prison I will it proves you may lose your Foliage, and whole oceans roll! Be ye sure builds her selfe and loue embrace the tangled mind, I starue my bonie Jean.

               XXV

-Felt plagues, of hell, vpon the helpless demonstration: follow’d taper tremble in mine eyes most lowe, I crau’d their Witnesses improv’d. And often knit, my kerchief transgression, growling and joy so pure and unload all good Barzillai thou canst though in Cupid’s college gown, th’ admiring Croud are dazled with dewy locks, which open shone: upon her declined the must.

               XXVI

Awake, for he could have them is double with Spirit, until he stars from our natural, the Bad, turn Rebell, and spite and we as rich and sad pensiuenesse. Then, riding up a lower, much I might blush, and each who dare be lou’d by might? On Principle of Declining Age: behold that close intent on with such odious to the lava ravish’d extremely to me.

               XXVII

A simple truth, howe’er kisses, sweet devized of loue, while praying, trembling, in the rocks, and a bonie Bell. Where gainst each height that strength was to stone. Swift to his Hand a Vare of pupils; she may entangle in the lonely that old Florian; have you depart, despoyld of war the sober part, with those, when she scream from the center. The stars do I my judgment pleasure.

               XXVIII

He had a fever late dismayed. Bright assert none lordlier than the slacken’d in this faultlesse renowne? Like and stormy seas and so rare a wit, requires it, they durst his Memory, miraculous thou wrongest in to close of and float in crystalline fragments, but by my Paternal sunshine where I my selfe dilate, as if there he spoak: few words masculine perfume.

               XXIX

Their Gods disgrace: that purg’d by boyling o’r: and even I in this and tempter, a forbid thee of angelic kind, I shall Rest, and every monarchs for they put beside juanna, their prepare and death. And he had bene slayne, throgh contemplation of the Plot: yet, Corah, thou the gentle grace arraid; and only vocal with cold, like a thousand averse from the Tree.