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inksandpensblog · 8 days ago

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aha, I spy the element I'd failed to account for. I'd been looking at the chapter on its own without considering the player-choices in the previous chapter that led to it. that does shine a different light on it.

You've mentioned your dislike for HEA in several posts but I'm having a hard time pinpointing the exact source of your dislike. I've gotten the impression that you feel it's overrated (and thematically counterintuitive?) for favoring a more traditional form of intimacy in a game that built itself on depictions of non-traditional forms of intimacy. But some of your comments also gave me the impression that you mostly take issue with the dance ending being framed as romantic at all (both thematically and mechanically), as you believe it communicates something harmful about the type of relationship Princess and TLQ have by that point and in the leadup to it. I'm not sure I'm connecting all the same dots as you have and I'd like to understand your critique better.

I'll leave this as the last thing I say about it (negatively, anyways) for now, barring maybe a joke that's in the queue? Kind of tired of talking about it and there's only so much to say, lol.

My dislike of the dance is purely petty and I admit it. It feels very similar to the Thorn kiss, the Thorn kiss was already a HUGE moment in the main game, and learning it's labeled as a +2 satisfy variable in the code the same way the Thorn kiss is was like...bleghhhhh. As a scene, it's gorgeous, I'm not gonna pretend it isn't just to be a contrarian <- StP reference

I also don't think the player does enough to really earn it, in comparison to Thorn where you have to slowly get her to trust you enough to give the knife to you, and you can STILL stab her afterwards. We'll compare it to other +2 variables at the end, just for shits and giggles.

My dislike of HEA is...a lot more complicated. I'm sorry if the dots aren't quite connecting with the way I'm explaining it. I'll try and keep it concise, I know I've rambled quite a bit about it.

There's two Big Decisions the writers/narrative makes that combine into the dreaded Implication that I have vaguely referred to. These are: -Princess was badly hurt by us in previous chapters. Chapter 1 Princess hates killing us (her ending poem: "do i miss your heart because I can't stand to see it go?") Chapter 2 princess thought she was being rescued, then...suddenly wasn't. And, at the slightest hint of rejection, you brutally kill yourself in front of her. It doesn't matter that this was Smitten, because the Princess is unaware of the voices-she only sees US. And her response to that is to be incredibly welcoming to us and project all of her anxieties onto the shadow desperately trying to "make her happy" -The Smitten split. He kills us, then separates from our body, then does everything in his power to keep the Princess happy, including forcing us to sit down at the table and enjoy what he made for her. The game frames him as a literal shadow behind her, complete with a slasher-smile or grabbing at her, and some of his voice deliveries on the way to Damsel 3 are very...ominous in read and less Smitten-esque. I have beef with the execution of this-he felt very out of character in Damsel-leading-to-HEA, based on his Thorn characterization-but don't think it's bad as a concept.

Neither of these are bad artistic decision on their own, or in a vacuum. But what happens when you combine them is you get a narrative where you're...essentially rescuing a woman from the abuse you ended up putting her through, and she doesn't acknowledge you as the source of all of her pain.

It's compounded by factor after factor in HEA. You as the player are not allowed to toss around hypotheticals re: who's actually to blame for her suffering, or for this hell-dinner. You as the player are railroaded through the dinner into bonding with her-I tried to roleplay as the very asshole I'd need to be to see this route in the first place, and was still able to leave on good terms with her.

Not only is she not allowed to have any negative feelings towards the man who put her in this awful situation, just "We never really knew each other, did we?" when the princess is normally spiteful, petty, and grudge-holding, you as the player do not have much agency yourself, and unlike in Tower, Moment of Clarity, the Greys, or other routes where you've been railroaded into options by others, there is no real reason you're not allowed to say awful shit to this princess the way you are with Witch or Spectre or, hell, let's keep comparing this chapter to Thorn, the other traditional fairy-tale romance chapter.

I understand the dinner scene is a metaphor for slowly earning her trust again, making her realize you actually give a shit about her choices this time, that you aren't going to hurt one or both of you this time, but it doesn't work for me. Again, I was trying to be a dick and still managed to reassure her of these facts. It's a conversation, words without actions to back them. In Thorn, you're slowly, patiently waiting for her, then tenderly cut the vines once she gives you the means to do so. In HEA...you just...talk her through it. I guess. I understand the function of the dinner scene, that it's supposed to the be the part where you experience CONSEQUENCES for your ACTIONS and REDEEM YOURSELF to be able to leave with her...but for all the reasons above, it doesn't work for me.

The alternative being the burning of torches doesn't convince me I had choice or agency. It still requires a level of bonding with her. It still requires talking her through it.

It all combines into a narrative arc that echoes SO MUCH real-world domestic abuse, or at least domestic unhappiness, and you as the player get off scot-free and get to leave with your beloved in spite of all the pain you inflicted on her. The dance is not mandatory-you have to be a certain level of empathetic and open to her to get to dance with her-but it ends up as the icing on the bad-implications cake-and hopefully by this point it's clear what those implications are.

In case it's not, I'll rephrase it: Leaving with HEA, as the game currently presents it, felt like I was rescuing the princess from myself. Like I got to abuse her and she still loves me and it doesn't matter, because it wasn't actually me. My choices didn't matter.

It feels, in so many aspects, like a worse version of Thorn instead of a heartbreaking narrative about being trapped in a dying relationship like it's supposed to be. I wish she expressed any level of dislike for the player, because that would've sold the domestic-relationship-gone-wrong angle. I wish we were allowed to play with if the Smitten was a separate being from us or not, because that would've added so many fun layers to his actions that are left completely unexplored. And those two things would've killed the unfortunate implication that you can just...use and abuse her, but everything can still be okay between the two of you. This could've been the amicable divorce chapter. I would've loved an amicable divorce chapter. but the dance carries more weight than choosing to separate from someone you KNOW you've hurt, and who you have not meaningfully proven you won't hurt again.

anyways let's compare "dancing with the woman you've traumatized" to the other +2 variables because i do feel like being petty about that still

-Throwing the Wraith into the void is the only +2 deny variable in the main game, and the only one I'm aware of. You REALLY have to piss off the Princess to get Wraith in the first place, by killing Nightmare who's already kind of done with your shit or by throwing away your chance at redemption with Spectre, who is clearly Unkillable yet you're still trying to...and THEN you throw her into an eternal void, not even succeeding at slaying her, just to be petty. The "Why do you hate me?" line she gives after that hits so hard and perfectly explains why it's a +2 deny in comparison to other princess-slaying or princess-disappointment endings.

-Leaving with the Networked Wild is a +2 free variable, and again, the only one I'm aware of. It's such a unique ending, one where you're RIGHT at the cusp of leaving the construct itself, of course it deserves to stand out.

Which goes back to me being extremely petty re: the dance, the fact that the player has to be so unbelievably awful to the princess to see it and not do much to make up for their awfulness, and the fact that instead of the Kiss being unique, it's now All traditional romance scenes that give a +2, in a game where the devs repeatedly insist that everything is romantic/intimate/important. It's something so buried in the code it shouldn't matter, but it encapsulates so many of my issues re: Happily Ever After and it undermining previous messages re: player choices having consequences, all forms of intimacy being important, etc.

#I will counter that HEA Princess not expressing negativity is tied to her being a continuation of Damsel #Burned Grey didn't express much negativity either from what I recall #but that does still have to interplay with everything else going on here #and you make a lot of good points about the railroading in the dialogue options #and how the player-character is sort of disassociated by the text from their own actions in the previous chapter #it's framed as a situation you're both trapped in by some third party (Smitten in this case)#but it was your choice to be here and your choice to make her stay with you #(as someone with multiple abandoned OCs whose stories ended)#(with them amicably parting ways from someone they'd been-- often magically --stuck with against their mutual will)#(I appreciate your elaboration on how this doesn't work as that)#also is it just me or did anyone else think of Nightmare with the whole baring-your-heart thing?#...oh it just hit me. oh hang on #(does make me wonder more about Wild in the context of her leadup chapters)#(I've seen people say her telling your to bury your hatred came off as abusive to them)#ANYWAY #all that aside #thank you for illuminating this op #stp #slay the princess #the pristine cut #stp spoilers #analysis

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wuucchoo · 5 months ago

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Understanding Tsumiki and Megumi's relationship

Hey there! It's me, Megumi's defense attorney - here once more to defend my boy.

I've been seeing A LOT of people saying they cannot sympathize with Megumi's grief because they don't know Tsumiki that well. And although I would argue that you don't need to know the person who died for you to sympathize with the one who was left behind - I do understand what these people mean, i don't agree with them! But I understand why they think this. And yes, we dont know Tsumiki.

However, we first need to understand why gege chose to present Tsumiki this way. On a surface level, she can only be seen as 'the thing that would cause Megumi's downfall' - we dont know her thoughts, her ambitions, her real personality, anything really - except for what Megumi says about her. A 'textbook good person'.

And that's because she is a character that we were only able to see through someone else's eyes. We don't know Tsumiki, because Megumi doesn't know Tsumiki.

BUT WAIT!! What do I mean by that?

Before that though, I would like to say first! This doesn't mean that Megumi's love for her is diminished by this. Just because he doesn't know her doesn't mean he doesn't love her. Megumi cares about her more than anyone in his life, and that's a fact!

Now we can proceed! What does this mean? Let's look at this page from ch 56: origin of obedience:

This was a case that they have been investigating, and it is pretty damn close to Megumi's and Tsumiki's old school. And yet, the thought that Tsumiki might have went to the bridge with her classmates never crossed his mind. He doesnt know that Tsumiki is someone capable of breaking the rules, going against curfew, and joining her friends to go to a haunted bridge in the dead of night. This boy Megumi thinks his sister is a damn saint.

He put Tsumiki on a pedestal, and it resulted in her turning into nothing but the mold of a good person Megumi uses to judge other people. If a person is not Tsumiki-shaped, then they're not worth saving. ((Luckily for Yuuji, he IS Tsumiki-shaped lmao. But anyway!))

Truth be told, I used to think it sucks that we never knew Tsumiki outside of what Megumi says. I never felt bad when she died, I felt bad that Megumi's sister died. I felt bad FOR Megumi.

And now that I actually think on it, THAT was the exact point. We dont NEED to know Tsumiki, we only needed to see her through Megumi's eyes - and through that, understand that Megumi doesn't really know her that well.

It is something that Megumi have to mull over. Why did he keep Tsumiki at an arm's length despite how much he cares for her? Why is it so hard for him to let people in? Why is asking someone for help so difficult for him?

ITS BECAUSE OF THAT MFKER TOJI!!!! IM TELLING YA'LL!! /hj

Look at the face he was making in Toji's memory. That's a kid who shows his emotions outright. My boy is pouting (つ╥﹏╥)つ. But when Gojo met him, Megumi has become a total idgafker (at least on the outside). And thats not only because Gojo was a stranger - coz thats how he looks like when he talks to Tsumiki too. It's because he became that way when Toji left.

Anyway, my point is, due to Megumi's abandonment issues - he never let anyone in. EVER. Not even Tsumiki. Megumi put a wall between him and other people - for his own protection. The one who came a little bit close into breaking that wall is Yuuji (and we are yet to see how that goes).

And this is why, we as the readers are all detached from Tsumiki's character. Because we saw her through Megumi's eyes, who loves her and cares about her very, very much - yet despite that he never let her get too close. (っ- ‸ - ς)

If you read up to here, whats up! Thank you for reading! Feel free to counter it or anything, Im happy to discuss!

((also something to add: Megumi cares so much about Tsumiki because she's the first one who actively chose to stay - amidst all the people who left.

this was inspired by a great megumi character analysis i found on twitter:

read it if you have time! its really good!

#jujutsu kaisen #megumi fushiguro #jjk #jujutsu megumi #fushiguro tsumiki #megumi and tsumiki #megumi #tsumiki #jjk rant #jjk ramblings #jjk rambles #megumi and tsumiki character analysis #jjk character analysis #i miss megumi

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almightygremlinblob · 6 months ago

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Sukuna Ryomen HCs - Canon & Fanon!

CONTENT WARNINGS: Unbeta'd. None, for the first part - which may as well be a part character analysis of sorts along with hcs. Under the cut is when stuff gets weird. So minors and those uncomfy with anything remotely sexual don't click the "Keep Reading" and just scroll past! Will put another warning, tho, just in case.

Personally I LOVE Sukuna's true form, but these can be read as any of his forms (except for the tummy mouth stuff, haha).

Word Count: 1694

Sukuna HCs - Canon Sukuna

1.) Aromantic, Asexual and sex repulsed or; Demiromantic, Asexual and sex repulsed. Listen. Has never done anything to Uraume (MY LOVE) - well, that we know of, anyway. Yorozu, beautiful, beautiful Yorozu, hugs him completely nakey; no reaction AT ALL. Kenny sleeps with his brother and it's "Kenjaku does the grosest things." Come on. 2.) Contrary to popular belief, I don't actually think he's super arrogant. He just STRONGLY believes that the weak should eat their suffering at the hands of the strong - and he's at the top of the food chain. All that smirking during the fights, talking down his opponents and just generally toying with them, completely lines up with his worldview. Even when he converses with Yorozu about her conditions for winning, he says that she can do whatever she wants with him because if he loses, that's "akin to death" and she proves herself stronger than him - again with the previous point. His worldview doesn't exclude himself just because he's been given the title of the strongest, unlike a lot of arrogant characters who think they're exempt from the rules they "follow". Sukuna seems to be…like a whole lot of neutral, as long as it lines up with his worldview. When it DOESN'T (ahem-his soul nephew-ahem), then he begin to lose it. 3.) Speaking of, he's obsessed with Jujutsu and honing his craft, having good food and a good fight - it's all he wants. Sukuna doesn't care where he stands at the food chain, he'll accept if there's an opponent stronger than him and die happy, and if it's weaker but puts up a good fight then he'll kill it and still be happy. He's living moment to moment, doing what makes him happy, poking at whatever interests him and living his life according to his values. (Sounds good on paper but ALSO just sounds like he's chasing the next "high" as long as it comes from an opponent that lines up with his beliefs). 4.) Is a wonderful artist and poet and, much like traditional Japanese painting (which is surprisingly close to Chinese painting), he prefers ink for his works and calligraphy, charcoal, too. He would have plenty of it back in the Heian era. 🙃 5.) UNWANTED. As a child he was unwanted, as a sorcerer nobody liked him or working with him (also because he was tricky to work with - essentially using the other sorcerers to get the upper hand in battle), curses tried to stay clear of him, and even when he was worshipped nobody wanted to do it - they only did it to get on his good graces or get something from him. Sukuna may have been a king, but he was an unwanted one, all the same - an unwanted king who sat in his empty temple. 6.) Views Jin as simply part of himself, because by Jujutsu standards that's the case - twins are considered one - and the Jujutsu world is heavily tied to his worldview. However, Jin himself is a completely different person; personality, physique and all. 7.) Hates modern food. Just…hates it. From the meat, to the veggies, to the spices, to the PEOPLE. It tastes SOOO BAD to him. Everything's become more abundant but at WHAT COST??? Quality of the food is out the window completely. Only Uraume can make something decent out of everything (leave it to our favorite chef). Because most animal meat was prohibited from consumption in the Heian era due to the influence of Buddhism (as far as I know), he had a lot of those to choose from back then. One of the dishes he did eat frequently, though, was Hishio with rice and some kind of meat (any he had access to at the time). 8.) Loves fighting because that's when his worldview IS a reality. It's only win or lose, the strong or the weak…AND THEN THERE'S YUUJI- 9.) Given the themes surrounding his character, and Yuuji's, actually, the quote by Alfred Lord Tennyson comes to mind; "Tis better to have loved and lost, than to never have loved at all." 10.) Generally doesn't like to be stared or looked at unless it's in a fight - he's had plenty of staring and hushed whispers back in the Heian era.

Sukuna HCs - Fanon Sukuna x Reader

These are not specified to be romantic or platonic, and can be read however you'd like. Reader's gender or sex is not specified.

1.) Expect stern, gentle and very QUIET comfort from this guy. Sukuna isn't one to coddle, and he might even be annoyed if you're crying. If he isn't wordlessly wiping your tears away, he'll be softly chastising you for crying over "someone so insignificant" or "a situation you can easily handle". He's not trying to belittle your problems, not at all - he recognizes your strong points, where they are, and he just truly KNOWS you can handle whatever it is you're facing. It's less "Stop being so dramatic, it's annoying." and more "What are you upset about? You can handle this easy…" 2.) Doesn't like grandeur displays of affection, it reminds him of all the (frankly fake) worship he recieved in the Heian era. He appreciates small and meaningful gestures SO MUCH more. Likewise, he also gives small and meaningful gestures to his favorite person; a poem, a painting, good food, letting your touch linger, letting you stare at him. Don't talk down on him or about him, though, and keep the teasing to a minimum; he does demand some level of respect. 💜 3.) As stated before, he's obsessed with Jujutsu and honing his craft, having good food and a good fight - it's all he wants. But then you come along and make days without that…somehow bearable? And then somehow he begins to seek out your company. And then somehow, he feels anxious and as if something's missing without it. 4.) The tummy mouth WILL purr, but it's more of a low and content growling than a cat or cheetah's purr. 5.) Sukuna doesn't like to be looked at, although your gaze doesn't bother him as much. However, he does NOT like it when your attention is on someone else when you're with him - even if you can't look - he needs to know your mind is ON HIM, still.

Alright you know the drill. Minors and anyone uncomfy with anything remotely sexual DNI further, and just scroll past this. Don't click the "Keep Reading" if you don't wanna see all the romantic or sex-y stuff, and just go on with your day furendo!

Fanon Sukuna - Romantic & Explicit

⚠️Further Content Warnings:⚠️ Soft Sukuna, Sukuna fluff, Virgin!Sukuna, Whiny Sukuna, as usual Sukuna writings = food metaphors.

1.) Falls first, face first, and falls HARD. Was in complete denial because "love is trash" but this feeling is…actually NICE??? Actually makes his days better??? For once he's not bored out of his mind (and nearly to insanity) when he's not fighting or eating??? 2.) Virgin. Guy is inexperienced with all genders and sexes. Listen, as much as I love King!Sukuna and his favorite concubine trope, I'll have to do the 180 here. The guy probably never touched anyone in his life - cuz he also didn't want to. Why would he, when all the women and men offered to him were sacrifices from families with ulterior motives, and who were, themselves, harboring alterior motives, too? Nobody actually wants to be with him - he was an unwanted king, with followers who only bowed to get on his good graces and GET SOMETHING from him. Why would he want what they were offering? 3.) This guy has never been this close and intimate with anyone in a way that's not TRYING TO KILL EACH OTHER, and it takes him quite a bit of time to get used to this. It's all so overwhelming the first few times; the emotions, and the pleasure of it, and the fact that he's being so vulnerable with YOU. However, once he starts to get more comfortable, then he gets more eager and if we've seen anything about him - it's that he's a fast learner. Starts to pick up on what feels good for the both of you. Starts to look forward to it, too. 4.) He'll tease you - of course, but all the same he'll growl and whimper and plead for you, too. Yes, the tummy mouth will also growl and whine. The sweet noises he makes are reserved for you and only you. 5.) He WILL lick and taste your skin, let his teeth dig softly into your flesh but never biting too deep to break it - it's his favorite thing to do. Remember how he can manifest multiple mouths? Yeah, he's absolutely doing that to taste you more. 6.) His kisses, once hesitant and dare you say - shy, become passionate. Way too passionate. It's overwhelming. His tongue tastes every part of your mouth he can, gently biting and suckling and licking your lips (your neck, your shoulders, your wrists, your SKIN in general...) as if to drain the blood from them, hands roaming your body and kneading the soft flesh. Every part of you like a feast he can almost eat. 7.) Slow and intense lovemaking; almost violent in a way that feels like he's trying to literally devour you. 8.) Does NOT like your attention elsewhere and WILL NOT share you during lovemaking. Think about him, not someone or something else. Be with him, not elsewhere. Look at him, and only him.

GOD is it difficult to be a Sukuna fan sometimes - especially if you like other characters, too. Especially Gojo and Yuji...coughs awkwardly. Well that'd be just terrible now wouldn't it?

#jjk headcanons #jjk character analysis #sukuna ryomen #sukuna #ryomen sukuna #sukuna jujutsu kaisen #sukuna jjk #sukuna ryomen x reader #sukuna x reader #sukuna ryomen x you #soft sukuna #jjk x reader #jujutsu kaisen x reader #jjk x gender neutral reader #my writing

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purrpletiger · 1 year ago

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FRESH DRAWING GUIDE:

Hello everybody, I've come to give you all this absurd reference guide for drawing Fresh. yep. I decided to spend hours slapping this together.

If I got anything wrong or should add anything PLEEEASE lemme know! All ideas welcome!

If you want to see my "research" on this character, let me know in the replies, because there's so much to talk about with him and I'd love to do a character analysis or two, I couldn't put much about his personality or source posts in this because it's just a drawing guide!

Link to all the full images

Transcript and close-ups of the text on the image: (May be in a strange order)

Fresh was created by @loverofpiggies (CQ)

Main Outfit:

YOLO sunglasses

Backwards propeller cap

Pink Polo shirt

Crayola Jacket

Gold Tooth

SWAG fannypack

Convertible Zip-off pants

White Heelie shoes

Pink socks

He has thick eyebrows to emote! (The eyebrows are usually depicted with black hair but one human design has eyebrows that match the pink hair color!)

The bag says SWAG on it

His glasses say YOLO by default, but the letters can magically change mid-scene...

this design for Fresh is Tall, we dunno how tall but taller than CQ's Sans characters (or just Geno since he's literally sans undertale with some added steps). But his height is just his host's height sooo it can vary.

those (cyan and yellow) shoe details are on the innerside but not outerside

HE HAS HEELIES!

Pink glove cuffs!

his skateboard is inconsistent dont worry about it

Glasses Off:

The host's soul shows up in their left eyesocket

- The soul tends to look unstable (cracks & a sortve stroboscopic effect.. i couldn't think of a better word.) but not in some cases...

It doesn't have to be a white upside-down heart, that's just a reference to an undertale monster soul.

He has a purple substance full of little RADs that emanate from his eyesockets (when his sunglasses are off)

"The soul in Fresh's eyes CAN be cracked. That soul isn't his. it belongs to his host. And.... after a while.... things go bad for the host, and he needs a new one." -CQ

(example of soul with unstable effect with no cracks) (example of soul with cracks but lacking the effect)

The purple aura(?) can glow and emanate from the eyes when his glasses are on too

i miss this one design specifically. the colors and the SK8 OR B SK8 shirt were peak

I miss the SWAG necklace...

Fresh leaves a rainbow cloud of smoke when he "poofs". Either teleporting him and his host body somewhere or leaving his host behind.

Human Designs:

Fresh can possess humans too.

They all look physically different because they're different people that he's possessing.

Fresh can possess pretty much any body, but I thought I'd show the varied examples of humans anyway

Don't forget the orange jacket flaps! or his hat propeller!

I dunno what's up with the multicolor tongue thing. I think it was extra parasites in the host's mouth? I feel like it was scrapped at some point... but I could be wrong

FURBIES!:

Oh yeah, he also does this: (no image for the bat tho)

"I mean when he fights he pulls Furbies out of his magical fanny pack. takes out a wiffle bat. and hits the furby at his enemies.

And then the furby explodes in a blaze of glory." -CQ

Despite using some furbies as explosives, he seems to 'care' about and treat these two like precious babies:

This one is potentially named McFreshby The Fresh Furbrah (Fresh is mentioned to have one named that, and this is the only other furby he's been depicted with)

It can also do THIS: (roll its eyes back into a spookier look)

This is DJ FurBs. that's all i know about him

The REAL Parasite:

Fresh is actually this little parasite controlling a host body. (if you didn't know that why are you reading this post rn!?! but nah I love new Fresh fans, welcome!)

The main parasite is this purple one with the eyemouth and four(?) tendrils, the other colored tentacles are prrrobably Fresh's offspring (freshmageddon moment?) (I'm not actually sure, I'm just pretty sure they're not part of the main parasite but are parasite tentacles)

You can also see Fresh's five or more purple tendrils here stretching out all over his host's body

All art from CrayonQueen/@loverofpiggies

Reference guide made by PurrpleParrasite/@purrpletiger

pls suggest changes or additions if u have ideas!

That's all!

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skaruresonic · 1 year ago

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The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.

#writing #obligatory disclaimer that I am speaking broadly and this is in no way intended to make anyone feel self-conscious

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sealeneee · 6 months ago

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actually i really don't fucking get the whole ''anders was better in awakening" circlejerk. "sealene you have posted about this several times already isn't it enough" NO IT IS NOT

anders in awakening is a cliche funnyman guy whose motivations aren't particularly interesting or compelling. oh he likes cats and doesn't like templars and wants a pretty girl. truly revolutionized writing. it doesn't help, of course, that awakening is only like 15 hours long if you do all the side content, and really none of the companions are that fleshed out.

idk man i don't have any screenshots or long professional essays about character analysis i'm not that kind of blogger. i'm just some guy who finds the da2 version of anders much, much more interesting and compelling as a character. "oh they ruined him in da2" it's called fucking character development?????????????

anders in dragon age II is far from being a flawless person. some might even say he is a bad person, and while i don't really agree to that, i do see where those people are coming from. but he is an interesting character, one that provokes heated discussion even 13 years after the game's release. how often is there any meaningful discussion regarding awakening anders that isn't just "hur dur he was better back then"?

i don't even dislike awakening anders he's a fun little guy wish he wasn't voiced by fucking greg ellis tho but come on man would this man really be an interesting companion in something longer than a 15 hours long dlc with very little companion interactions

edit: i have a feeling this post might breach containment so in case it does -- i wrote this while being kinda sleep deprived and without thinking too deep, i was just pissed at dragon age reddit being stuck in 2016. i could have articulated my point better and with less generalization towards daa anders but i won't bother rewriting the post now because most people likely won't see the new version anyway

#if you want to argue with me i suggest not bothering and scrolling/blocking #i am open for normal discussion just don't start with the terrorism support accusations or whatever you people like to do #dragon age #anders #da spoilers #<- for mads #walks out of reddit covered in blood. these people are stuck in like 2016 discourse #he should blow up more buildings btw. he can blow up my house for all i care #i would make a salty comparison to other characters in this franchise. but i shan't #i am being incredibly normal about dragon age. as usual. nothing to see here

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amygobrrr · 8 months ago

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a Jackie Taylor character analysis

or, why—

[I'm serious btw. this is ~3800 words, or about 15 minutes reading time.]

──── ◦✦◦ ────

The Facts of the Case

"For the record... I was trying to save you." Jackie. 1996, 1x02

(Nothing else Jackie ever says sums up who she is more succinctly than that.)

Our first real introduction to Jackie Taylor as a character—the first shot of her bedroom scene in 1x01—is a framed photo of her sitting close to Shauna, at a party. This is also the very first protagonist-centric character scene of the entire show; from the outset, we are told that the relationship between Jackie and Shauna will be critically important to the narrative. They are best friends, it's implied they do practically everything together, and right from their very first scenes we see how important they are to each other.

Yet likewise from the beginning, we see the fractures between them.

Shauna hides her acceptance to Brown from Jackie, and is uncomfortable with the assumption that she will be following her friend to Rutgers. She disapproves of Jackie's boyfriend sneaking out of her room, and is frustrated by Jackie telling her what to wear and who to hook up with. She is visibly upset at seeing Jackie and her boyfriend together at a party, and, on the way home, has sex with said boyfriend.

Jackie makes her boyfriend drop her off from the party first, forcing Shauna to wait much longer to get home. After Shauna chooses a rival plan for survival over hers, she gives her the cold shoulder, even actively tries to make her jealous. Jackie steals and reads Shauna's journal, and outs her pregnancy to the rest of the team. She sleeps with the only eligible man in the wilderness, just to try and hurt Shauna.

Jackie and Shauna may care deeply about each other, but we see them spending an awful lot of time driving wedges into the space between themselves.

So why do they behave this way? Why does Jackie fidget sadly with her necklace, why does she look at Shauna the way she does before giving the necklace to her, why is she so heartbroken over a boy she says she barely even likes, why is she so crestfallen at the idea Shauna lost her virginity without telling her, why does she pull Travis away at Doomcoming and look back at Shauna the whole time? Why does Shauna seem to think Jackie has abruptly backtracked with Jeff, why is she so disapproving when she sees Jackie leave Doomcoming with Travis, or when she sees Jeff leave her house? Why does she look so heartbroken when she sees Jackie and Jeff dancing together at the party? Why are they both so hurt and hardened towards each other at the end of it all, and yet why does Shauna's heart still seize in anguish the next morning?

I believe all of those questions have the same, straightforward answer:

Before the crash, Jackie and Shauna were hooking up with each other in secret, and never mentioning a word of it—let alone talking through their feelings for each other.

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Some Mysteries Are Better Left Unsolved

"[Jeff and I have] been together for so long that if we're each others' firsts, then we'll be linked forever. It's more poetic that way. Oh! That reminds me—I decided on a color palette for our room at Rutgers next year." Jackie. 1996, 1x01

They make an unspoken habit of it; one always dragging the other away at parties after a few drinks under the pretense of mere friendly accompaniment. Jackie is reluctant to go all the way with her boyfriend Jeff; even after four years together, something always holds her back. She knows (or strongly believes, anyway, which is the same thing) that that's not entirely normal, and she wants more than anything to be normal, so she takes it in stages. She builds up to it with her boyfriend—slowly—and with her best friend—less slowly, but more comfortably. And it's fine—because Shauna is a girl, after all. Nothing they do together even counts. It's just fun. It's practice, for the real thing. It doesn't count.

But tipsy trysts alone aren't enough to fully explain the dynamic we see. Jackie had a change of heart regarding Jeff—what happened? Shauna seems a little hurt but also genuinely confused that they're back together at the beginning of the show, and even more so that Jackie intends to sleep with him 'for real' before college. I don't believe guilt over her actions fully accounts for her reaction. No, there is something else here, too; I think that, as important as Jackie and Shauna's clandestine hookups are to their dynamic, just as important is the fact that at some point they end. It's Jackie who puts a stop to them, possibly in the midst of the final time it happens.

I think Jackie, at a party some time around the beginning of the show—and maybe even giddy with the fresh excitement of a game or championship win—allows herself to be swept away in the moment with her best friend. Maybe she catches herself about to push too far with Shauna, about to venture into territory that she would have real trouble pretending "doesn't count," even with alcohol and adrenaline buzzing through her veins. Maybe she catches herself wishing that this could be her normal, that she could be with Shauna instead of Jeff. The specifics aren't what matters.

I think Jackie has long been vaguely aware that what she feels for Shauna falls outside of what you would expect for a friend, even a best friend. Normally, she doesn't give it a second thought; it's Shauna, of course it feels different. This time, though, she has a moment of extreme clarity about what exactly it is they're doing, and what it means that she wants it. More specifically, Jackie realizes what it says about her that she craves everything with Shauna that she cannot bring herself to crave with Jeff.

Jackie is in love with her best friend—and that makes her gay.

Jackie realizes, and the knowledge terrifies her.

──── ◦✦◦ ────

The Necklace

"And, here... it's a good-luck charm. Now nothing can touch you." Jackie. 1996, 1x01

Our attention is drawn to Jackie's heart pendant four times in the pilot episode. In order: we see it on the body of the girl hunted in the cold open, we see Jackie fidget with it after brushing her teeth, we see her fidget with it again during the pep rally, and we see her give it to Shauna on the airplane before takeoff. Three of the four scenes feature Jackie, with only the first finding her absent. That initial sighting certainly seems the most cryptic—we learn very quickly that it's Jackie's necklace, so why is someone else wearing it?

While we would need to see through Shauna's eyes to truly satisfy that question, for now at least the fourth scene—in the airplane—provides an answer: the necklace has nomadic tendencies. Jackie gives it as a protective charm to Shauna, who doesn't seem at all surprised by the gesture. Quite the contrary, exchanging the heart feels more like a known ritual between the two, maybe even first established during the trip to Hilton Head that Jackie references in preamble. (This ritual will be repeated—in the other direction—when Shauna gives Jackie a pep talk in 1x05.) Shauna holds the pendant close, clutching it with her entire fist. The thing seems just as precious to her now as it does to Jackie in the remaining scenes; perhaps it was originally a gift from one to the other?

Regardless of whether or not we are meant to infer that the necklace was a gift, in the pep rally scene we are explicitly shown that Jackie does strongly associate it with Shauna. It's a very brief moment in comparison to the full scene we get on the airplane—just one look exchanged, a set of smiles shared. After the Yellowjackets stream into the gym and line up to victorious music, Shauna looks past Lottie over to Jackie. And Jackie is already looking back, smiling as she plays with the heart pendant. Shauna's own grin widens, full and genuine, until it reaches all the way to her eyes. Jackie savors the look for a moment, then glances away, smile unbroken... her goal seemingly achieved.

What goal?

The bathroom scene is an even quicker blip than the gym, yet I believe it's the most impactful and telling of the four. One single shot with a punch-in. Jackie brushes her teeth quickly and then gazes in the mirror, looking forlorn as she fiddles with the necklace. On its own this one scene is not particularly remarkable—its true significance comes from the two others it glues together.

The scene preceding is the aforementioned bedroom introduction. Jackie is in bed with Jeff and he is clearly pushing their activities farther than she finds comfortable. Jackie fakes it to get things over with, powering through as he tells her he loves her. She lets Jeff think he's doing well... and as her immediate reward is coaxed into reciprocating his advances, and then some.

Jackie scrubs her teeth violently. She is unhappy.

The scene following is the car ride with Shauna where we learn that Jackie has suddenly gotten back together with Jeff. When Shauna brings him up, Jackie laughs and shrugs it off, but not before a flash of nervousness escapes in her chuckle—she tries twice to change the subject away from her boyfriend, only finding success once they pass a sign prompting her to talk shit on the boys' baseball team by singing the praises of the girls' own soccer team. Jackie leans out the window as her best friend rolls her eyes and giggles at her antics.

Jackie whoops for joy. She is happy.

Viewed as a whole, the sequence paints a clear picture: Jackie does not truly want to be with her boyfriend. She is unhappy both while and after she is alone with Jeff, happy while alone with Shauna, and while truly alone between the two encounters, draws some kind of strength from the necklace we know she associates with Shauna. In the car, she is eager to turn conversation away from her boyfriend and onto her best friend.

In her mind, everything she's doing with Jeff, everything she's letting him do with her? She is doing it to save her friendship with Shauna. She is working to build plausible deniability.

"I have a curfew too, you know." "Yeah, but... you know what my parents are like." Shauna and Jackie. 1996, 1x01

Conformity is the only weapon Jackie has against her parents' expectations, and naturally she is an expert in its misuse. Plausible deniability is the only tool at her disposal to avoid scaring Shauna away, and so Jackie picks up a double major. Half her work is already done; it's not like they'd ever talked about what they were doing or what it meant, so she can count on Shauna to never bring it up—as long as Jackie withdraws to the safety of being normal best friends.

If Shauna knew the truth, if she knew what Jackie cannot un-know... she would walk away, their friendship ruined, and it would be Jackie's fault. It would be Jackie's fault for being this way, and so the other half of her work must be undertaken. Jeff is living proof that whatever they've done together wasn't real, that Jackie could never be interested in her friend that way. Jeff, therefore, must stay, so that Shauna will stay. Jackie must be strong, for Shauna.

Each of the three necklace scenes Jackie has in the pilot shows us something very specific about her relationship to Shauna. On the airplane, Jackie wraps Shauna in her love—for protection. In the privacy of her bathroom, Jackie wraps herself in Shauna's love—for strength.

And in the gym, in public, Jackie suns herself in the warmth of their friendship—her strength rewarded.

──── ◦✦◦ ────

Abandonment and the Wilderness

"What did I do? When did you stop wanting me to be your best friend?" Jackie. 1996, 1x07

The thought of Shauna replacing her with another is something Jackie dreads above almost all else. Whether in conflict, in resolution, or both, most of the battles and the skirmishes that we see play out between the two revolve around this fear.

Shauna gets upset and causes trouble at the party in the woods before seeming hurt that Jackie hasn't complimented her, so Jackie attempts reassurance by emphasizing how important their friendship is. Her choice of approach here seems at least partly motivated by a guilty conscience (with a side of projection): deep down, she knows that she is trying to replace Shauna... with Jeff. Jackie feels guilty for ending their hookups in favor of her boyfriend, so she assuages that guilt by firmly stating no, Shauna, you're not going anywhere. Jeff could never be my best friend. Only you. This fight ends when Shauna confirms she understands her importance to Jackie.

(As an aside, the timid "Hi" and "Are... are we cool?" Jackie greets Shauna with after the team-building exercise have such a soft lilt to them that they seem decidedly more than friendly.)

After the crash, Shauna snubs Jackie's plan for survival in favor of Taissa's—so Jackie gets buddy-buddy with Mari. Here, Jackie nakedly projects her fear through her actions: Shauna wants to choose Tai over Jackie, well, we'll see how she likes it when Jackie chooses Mari over Shauna. Things are only patched over between them when Shauna comes to Jackie with extra blankets saying she is scared and needs her best friend. Jackie melts at once.

This next one is not really a fight, but does involve reassurance: when the team grows annoyed with Jackie for not pitching in, Shauna pulls her aside to try and find something she can do. Jackie flunks out of badass butchering school, so Shauna switches gears to attempt a pep talk, which goes badly until she lands on the winning words.

"You taught me how to be like this, you know. You make people think things are gonna be okay, just by showing up and being your dumb, hot, awesome self. At least you always did that for me." Shauna. 1996, 1x05

Jackie softens, but holds firm on putting a knife through a deer knee, which Shauna accepts, but counters that Jackie still needs to find something to do. "We need you, Jackie." Shauna pulls out her trump card—she returns the heart pendant to its place around Jackie's neck. "I mean, you're basically the best, remember?" she says. Jackie preens, and a hug seals the deal.

By the time Taissa leads her ill-fated expedition away from the cabin, Shauna has been sneaking around around conspiring with her for a while, so Jackie jumps on the opportunity to corner her and demand an answer. This fight also happens to be when Jackie finally gives voice to the worry she carries; she openly wonders what she could have done to make Shauna want to replace her. And again, the fight ends not so much when Shauna spills a half-truth, but when Shauna allows her to simply be there. Jackie's relief is palpable as she stays cheerful for her best friend, wrapping her in maybe the tightest hug we see throughout the entire show.

Throughout the entire season, virtually all conflict between Jackie and Shauna can ultimately be solved—in Jackie's view, at least—by a reassurance that they will still be best friends no matter what. That is the core of the matter to Jackie, the driving force behind everything she does; she can withstand any blow, weather any storm as long as her best friend remains by her side. Shauna's love will carry her through.

Jackie fears being replaced, because more than anything... she fears being unloved.

──── ◦✦◦ ────

Sic Transit Gloria Mundi

"It's funny, I used to pretend I didn't know if I loved Jeff, when the truth is: I didn't even like him that much. And I was so mad at Shauna, but now I realize she's right! Friendship doesn't matter. Love? Doesn't matter. They're just things we use to pretend like we aren't gonna end up like dead cabin guy, like rotted-out husks in some bullshit attic. But of course that's how it ends. That's all we are the whole time. It doesn't matter. We're just shells with nothing inside." Jackie. 1996, 1x09

Whatever reassurance Jackie has gleaned by the time of the pregnancy half-confession is shattered once again by the revelations contained in Shauna's journal—and yet, she doesn't seem to give up on Shauna entirely... until the end of their explosive argument.

Jackie spends the bulk of 1x08 and 1x09 depressed, bitchy, and passive-aggressive, yes—but through it all, she tries to make things work. She outs Shauna's pregnancy to lend urgency to Laura Lee's mission, but conspicuously deflects questions about the father, despite having the opportunity to go for the jugular. She does her Doomcoming preparations side by side with Shauna, makes her entrance to the party itself next to Shauna; continues to smile at Shauna when she's not looking.

Jackie doesn't cut ties with Shauna—to the contrary, she gives her multiple opportunities to course-correct. When Shauna confronts her about spilling the secret of her pregnancy to the group, Jackie responds with "It's not really the time to be keeping secrets." While wandering through the forest together picking flowers for decoration, Jackie brings up Rutgers before asking "You ever think about what we'd be doing if we hadn't crashed?" and stating—even more plainly—"What if this is it, Shauna? Everything we did, everything we didn't do? All the mistakes that we made, it's like... permanent." In both cases, Jackie knows what Shauna is still trying to keep from her—Jeff, Brown—and is handing her an opening to come clean.

When Shauna deflects away from her mistakes, Jackie scoffs. "Well, I was naïve. I realize that now," she muses.

Jackie still looks back at Shauna to make sure her friend is watching as she leaves the dance on her way to sleep with Travis; to make sure she cares. Just like she did with Mari at the lake, Jackie is trying to inflame Shauna's jealousy—all the way up until the very end, right up to the moment when uncertainty becomes lost to her entirely, Jackie still holds onto hope that deep down, Shauna cares for her.

In her attic confession to Travis, Jackie contrasts friendship with love—directly after explicitly stating that she never loved Jeff.

She is very obviously talking about Shauna.

Shauna was supposed to be the one person who truly loved her. The one person who loved Jackie, not as a soccer captain (like the team did), or as just a girl (like her boyfriend did), or as the mirage of perfect daughter (like her parents did), but loved her as her, as Jackie. Shauna's journal reveals even that to be a lie.

Jackie sees now... she sees that none of it matters.

The curse of the viewer is that we see what Jackie never does. We see morning light fall on the snow, sparkling. We see Shauna fall on her knees, screaming. We see the inhabited meat shed, and the pyre, and the bacchanal, and the empty meat shed, and the bridge and the uniform and the childhood bedroom. Jackie, however, is neither prophetic nor clairvoyant; all she sees is an incomplete account of Shauna's actions. She certainly doesn't see the whole picture, can't imagine the chain of events that drove Shauna to such extremes. Jackie is hurt, not over Jeff—though he provides her with a convenient excuse to the others—but over what Shauna being willing to sleep with him says to her about how Shauna must view their friendship.

Shauna has told her that love and friendship don't matter. The romantic love Jackie knew she didn't feel for Jeff, the romantic love she believed Shauna didn't feel for her, and the platonic love she believed Shauna did; none of them mattered, none of them ever existed. Jackie shaped herself into a shell by pretending, a shell perfectly tailored to accept what Shauna was willing to give—only to find that what her friend really handed to her was rotting faster than Jackie could build the husk around it. But it's not until the night after Doomcoming that Shauna twists the knife in Jackie's heart, removing any last shred of doubt.

And that, more than anything else, is what breaks Jackie in the end; the knowledge that Shauna never cared for her.

"I'm sure everyone back home is so FUCKING sad to be losing their perfect little princess, but they'll never know how tragic, and boring, and insecure you really are. Or how high school was the best your life was EVER gonna get." "Fuck you." Shauna and Jackie. 1996, 1x10

"I don't even know who you are anymore." "Or maybe you never did." The last words Jackie and Shauna ever spoke to each other. 1996, 1x10

Jackie was trying her best, she really was. She offered Shauna her love in the form of everything she endured to keep Jeff in front of her, and therefore to keep their friendship intact. Shauna knows Jeff is her boyfriend, she knows he's off-limits, and yet she gets pregnant by him anyway. Jeff is Jackie's shield (her beard; not that she would know THAT term), her proof that all is right and she can be normal. Shauna ripped that protection away from her. From Jackie's perspective, she saw Shauna take her love, crush it underfoot, and spit right in her face. Not only does Shauna not love her back the way Jackie wants, but she doesn't love her even as a friend.

Jackie is, at this point, totally convinced that no scrap even of the friendship she was so desperately clinging to really exists. Everything she feels for Shauna is unrequited—everything except, of course, the anger and the hurt. So when her attempt to banish Shauna backfires and she is told to leave instead, Jackie listens; she walks outside to reenact the ending of Romeo & Juliet.

Jackie tried hard, so hard, not to let her baggage—her longing—ruin her most valued friendship, or push away the most important person in her life... and in the end it was all for nothing. She lost her anyway.

Or worse, she never even had her in the first place.

On her way to oblivion, Jackie dreams of being loved.

──── ◦✦◦ ────

If you read all the way to the end here, you're the best, especially cause tumblr posts are so <--> narrow. I'm sorry for leaving things on such a downer note... but Yellowjackets do be that way.

this has been Jackie's side of things—I have a partially-written follow-up half from Shauna's perspective, but it has proven even harder to stick to some semblance of objectivity when arguing from Shauna's POV than it was for Jackie. if this one resonates with people I might refactor and finish part 2, we'll see.

in the meantime though, if you agree with my conclusions in this essay and hunger for a taste of Shauna's side, check out this "Jackie lives" fic I wrote:

featuring 4k of Tai trying to get Shauna to use her words, followed by 6k of Shauna's words! I wrote it between bouts of working on this (some snippets I cut from the Shauna section for being too un-essay-like made it in there), and it pretty much assumes everything I talk about here, both Jackie's-character-wise and jackieshauna-history-wise, holds true. except, of course, the part where Jackie stays dead lol

later haters (mari and crew)

#hey brain worms will you leave me alone now? no? okay #yellowjackets #jackie taylor #jackieshauna #yellowjackets spoilers #essay #amys stuff ig

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bluebasie · 2 months ago

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Hashira Character Analysis Sexuality head canons!!

Since the canon sexualities of the Hashiras were never confirmed and will likely never be confirmed, I have taken it upon myself to come up with a sexuality head canon for each of them based on scenes from the anime, manga, and fan books, etc. This is a pretty large task and analyzing every piece of Demon Slayer media is a huge task so please forgive me if I miss a piece of information that could be interpreted as information suggesting a character’s preference for love! Keep in mind that these are just personal head canon that I wanted to share, and I will include some non-canon ships to show cases of interest. Also, disclaimer, I will not be adding a head canon for Muichiro because I genuinely don't know about him, and I don't think there is enough information about his character loving another and I also don't feel comfortable speculating about his sexuality given his age. But anyways, I will be using a series of quotes, scenes, and situations to come up with each potential sexuality for each Hashira and some may be more detailed than others due to a surplus of scenes or personal bias causing me to pay a little more attention to my favorites. Sorry in advance but I'll try and make it not as noticeable!

Starting with the Water Pillar, Tomioka Giyuu!

Starting off the bat, I really don't think that Tomioka has an interest in women. Let me explain. A huge example of this can be seen in Tomioka’s attitude towards a relationship between Shinazugawa Sanemi and Kocho Shinobu. From season one we can see Kocho’s attempts and friendship with Tomioka and just how unreceived they are despite Kocho's adamant insistence to the point of annoyance. While one could say that he just doesn't like her, it is mentioned during his soba eating contest with Tanjiro in the anime that he definitely does worry about her. Despite this he treats her like an annoyed older brother with an annoying younger sister who likes to pretend they don't care about each other but actually do. Regardless of this dynamic, Tomioka has made it clear he does not always enjoy her forced company, and he has clearly shown a reluctance to try and form a deeper bond with her. On the other hand, while Tomioka is known for being socially avoidant, he actively tries to befriend Shinazugawa where he genuinely breaks his emotionless mask that he's had on for years at the thought of closeness with Shinazugawa. He is shown to genuinely have a deep fascination with Sanemi as seen in his conversation with Tanjiro in the Light novels where they talk about Sanemi and a situation where he asked Giyuu out to eat and he rejected him because he had just eaten. After understanding why Shinazugawa had gotten angry afterwards, he smiles at the thought of Sanemi wanting to eat with him. There is also the fact that in the fanbook when it shows what each hashira thinks of each other for mitsuri it says that he thinks she shows too much skin implying that he thinks it unsafe for her without regard to the sexual implications of exposing her chest and legs due to the skirt. Also, it is said in an extra chapter looking at what each character was doing after the war, it is said that Giyuu and the Uzui family frequent the hot springs which if you didn't know are common in Japan to soak in without clothes. When in the panel at the hot springs it can be seen that Giyuu sits alone away from all of them. This again shows a small glimpse into his potential disinterest in women. Then there is the entire Sabito situation. While it is not said in Demon slayer that Giyuu and Sabito were romantically involved, it is implied throughout giyuu’s entire character story of the impact that Sabito and his death has had and continued to have on his life for years. Giyuu’s interest and want for closeness for both Sanemi and Sabito throughout the Franchise shows his preference for relationships with men rather than women in general. Because of this I would say that my head canon for Giyuu would be that he is definitely a gay man. I don't really think he’s bi just because of his lack of interest expressed in women at all in the entire franchise so I think he is exclusively attracted to men. However is implied in the final chapter that he had a ‘descendent’ implying that he ended up with a woman, he has other family as seen when we was taken away by extended family after his sister’s death and I frankly don't think it’s in character for Giyuu to find and leave a woman pregnant within the three to four years he has left with the demon mark seeing as he has little to no natural charisma and social skills as well as the fact that it would be terrible to leave a woman alone to raise a baby by herself with no close family in the 1920’s but I digress. Overall, I think that based on character interactions my final head canon for Giyuu is that he is gay.

Now onto my girl the Insect Pillar, Kocho Shinobu.

Throughout the franchise it is seen that Kocho seems to have no romantic attraction to any characters in the entire manga, anime, etc. She also is shown to have no want or need for romantic connection due to her priorities is not only demon slaying but also running a hospital and planning her own death after being blinded by the idea of revenge on the demon who had killed her sister. It is also seen that her character largely revolves around family unlike Giyuu’s character revolving around friendship/love for others. Shinobu’s motives and relationships revolve around her sisters, Kanae and Kanao, as well as Aoi and the butterfly triplets. She also seems to hold a connection with Inosuke as a sort of mother figure. Clearly, we can see that Shinobu places a higher emphasis on family, including found family, which shows her character prioritizing care for platonic relationships. She also seems to not care for romantic relationships for the future because she never planned a future for herself with her plan being to sacrifice herself to kill Douma to avenge Kanae. It is clearly shown that her priorities lay in the family she has collected over the years and creating justice for the family she has lost including her sister and the fact that her reasoning for becoming a demon slayer was the impact of her parents' death. Overall Shinobu does not have any romantic feelings for others being too clouded in her mission to kill the one who had killed her sister, and she never planned to find a partner one day due to the fact that she never planned for another day after the infinity castle. Because of her preference for platonic relationships, lack of interest in romance, and opposition to sexualizing herself as seen when she burns the original female uniform given to her, I think she is aromantic asexual. This head canon is very dear to me despite not actually being aroace myself because of her serious priority to her family that just isn't seen often in shonen media with girls who are never shown to be interested in romantic love and instead have their own story and goal to focus on. If you couldn't tell at this point, I really love Shinobu’s character.

Now I'm moving onto the Sound Pillar, Uzui Tengen.

To start us off with the obvious, Uzui is polygamous. This is cannon and not a head canon so we can add that as a fact so moving on to beyond his polygamous status I guess I am mainly interested in if he is only attracted to women or also men. Right off the bat, purely based on speculation, I would say that he would be open to something like that just due to his openness to ideas that were not common during this time period or in his communities as well as his preference for the extravagant, in his words flashy. This can not only be seen with his polygamous relationship but also with his insistence that his wives put their own lives before others which was practically unheard of in the shinobi communities that they all had grown up in. While this took a long time to adjust to for Suma, Makio, and Hinatsuru, Uzui was open to this new life priority seeing as he was the one who had come up with it. He is also seen to be open to multi-gendered bathing in the hot springs with his wives and Giyuu which could further the point that he has no preference for gender or things like that and that he just wants to have a flashy time. One final thing that could possibly point towards his lack of preference could maybe be the fact that he puts a lot of emphasis on his looks. While during this time period men usually didn't wear makeup, jewels, paint their nails, and wear shiny clothes, Uzui disregards social norms to be the best self that he can so this could possibly point towards his lack of care about love between the same gender because those things just would not matter to him. Because of his supposed ‘lack of care for gender’, I definitely think he likes both genders, but I also do think he has a slight preference for women for whatever reason due to the fact that he has three wives obviously. For Uzui’s final head canon, I would say that he’s bisexual with a slight preference for women.

Now going on to the Flame Pillar, Rengoku Kyojuro.

There also isn't much to see about relationships between Rengoku and other characters but based on his dedication to his family's traditions through Hashira lineage, breathing style, and estate, I do believe that if Rengoku was to stay alive that he would have wanted to find a wife and settle down at some point like his family before him. He is shown to love being around his mother and taking care of his brother so I can definitely see him growing to be a huge family man who just loves his wife a lot. There was a small quip in a fan book where Rengoko refers to Tomioka as handsome, but it honestly just felt like a supportive bro thing where he doesn't feel ashamed to compliment his friends. Rengoku’s relationship with mitsuri could be somewhat evidence that he does not feel much attraction for women but obviously he's not just going to be into every woman he sees, and he clearly views mitsuri as a younger sister. This only proves his family man status even more with his care to those who are younger than him. Due to his constant support of others and traditions of a traditional family I feel confident in saying that Rengoku is the number one Straight ally. He would totally be supportive if any of the Hashira ended up getting together with a person who is the same gender as themselves.

Moving on to the Wind Pillar, Shinazugawa Sanemi.

Shinazugawa is one of the characters who have seemed to show interest, whether romantic or other, but interest nonetheless in both men and women. It is seen in the fan books and the light novels that he was interested in Kocho Kanae when she was alive stating that being with her made him remember his mover and his infatuation with Tomioka over the span of the series with him getting distracted by the sound of his voice, getting visibly worked up over even the smallest of actions that he does, encouraging him in the war, and being seen having a close relationship after the final war arc. Sanemi is shown to be a very expressive individual who feels a lot of feelings towards others and some of those feelings I would say are feelings of attraction, infatuation, and even love. Sanemi is also shown to be very defensive of his feelings as seen when Tanjiro walks in on his and Tomioka’s fight which is seen to be very unguarded and raw with it being a direct expression of everything Sanemi was feeling and everything he wanted to express. However, when Tanjiro views this exchange Sanemi immediately jumps to the conclusion that Tanjiro was ‘spying on them’ as if this fight was meant to be hidden and private not for the eyes or knowledge of anybody besides Tomioka. It seems to me that Shinazugawa clearly knows what he feels about Giyuu and he is scared of it and tries to hide it from others and also himself. He ends up losing this guard after the war though when it is seen that he goes out to eat lunch with Giyuu after sorting out the miscommunication between them over the years. Because of his intense feelings towards people who are both genders, I would say that he is definitely bisexual. I don't know if he has a preference and what preference he would lean towards if he had one but for now I'm just going to say that he is bisexual.

Moving on to the Stone Pillar, Himejima Gyomei.

This one is pretty simple, I think. Gyomei is a Buddhist monk so that means he is celibate. This essentially means that he would not have a romantic partner or have children in an attempt to forward his path to enlightenment. He has never shown romantic interest in anyone throughout the span of the series, so I think it's safe to say that he is Unlabeled? I don't want to say that he is aroace because I don't know if he has romantic feelings but just doesn't act on them or if he doesn't have them at all, but I guess it would make sense if he was on the aroace spectrum. I think either aroace or unlabeled would work here and are headcanons that would make a lot of sense.

Next, we have the Love Pillar, Kanroji Mitsuri.

In connection to her breathing style, Mitsuri is a very expressive and loving person to people of all types. This does also include women as well. In her character introduction in the first season this is explicitly shown where after every character introduction of the other Hashiras Mitsuri would include a small quip about some words of admiration, she has for them including Shinobu. While Kanroji did join the Demon slayers for a husband, I think that she actually does have love for everyone regardless of gender and she just really wants a husband specifically because of social norms and the fact that she wants somebody who is stronger than her and while there are very few men who are stronger than her there are few women who fit that standard as well. Other than that, I don't think that the LOVE Hashira really has a preference for gender, and she just feels a small attraction towards everybody. I think that she could be pansexual or at least under the bisexual umbrella if anybody believes she has a preference towards one gender, but I think she just feels a good amount of love for everybody and everything with a high surplus for Iguro and therefore pansexual!

Finally, we've got the most difficult to understand in my opinion, The Serpent Hashira, Iguro Obanai.

Iguro has got quite the history with a distaste towards women due to the trauma he had endured during his childhood. His lack of romantic affection had been carried with him for his entire life until meeting Mitsuri when he fell head over heels for her. Iguro’s love for mitsuri has frankly made it pretty difficult to understand or come up with a headcanon due to his disinterest in literally every one besides her. I don't think he would ever love another woman or show affection to another man which makes it difficult to come up with something. I guess I could say that he is unlabeled because he literally does not love anybody and has never loved anybody besides Mitsuri before. I could also say that he is Asexual because as seen in his entrapment, the fascination the snake demon had of him, her watching him at night, and his family overloading him with overwhelming food he did not want. This could all be seen as an allegory for sexual assault and/or grooming as a child and that might have caused him to want to avoid anything sexual and therefore I think it could be very possible that he could at least be under the asexual umbrella.

That was a lot of writing so thank you if you read this far! Keep in mind that these are head canons and if you disagree on anything please don't start a war in the comments or anything. Please. Anyways I would love to hear your own head canons and what you think of this small character analysis!

#demon slayer #kny #kimetsu no yaiba #kny hashira #giyuu tomioka #shinobu kocho #tengen uzui #rengoku kyojuro #sanemi shinaguzawa #gyomei himejima #mitsuri kanroji #obanai iguro #sanegiyuu #obamitsu #headcanon #sexuality

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miraculouslbcnreactions · 2 months ago

Note

What is your opinion on each of the known students in Ms. Mendeleiev's class (Marc Anciel, Aurore Beauréal, Mireille Caquet, Jean Duparc, Zoé Lee)? I realize that Zoé’s section of your answer will most likely be the longest, but I figured I’d go ahead and put them all in one ask anyways since there’s only five out of sixteen total and having one ask for each of the other four seemed unnecessary.

Zoé is going to get the most analysis out of me, so we'll save her for last and start with the character that I have the least to say about:

Jean Duparc

I didn't even know who this was, so I had to check the fan wiki page about him. He's apparently a minor character who gets akumatized and defeated off screen. His design is so generic that the trivia section reads, "Jean's design is a regular background model used in groups and crowds in the series."

So, yeah, nothing to say about this one. I can't have opinions on a character who barely even counts as a character.

Mireille Caquet

Mireille is a minor step up from Jean in that I actually know who she is - she's the girl who wins the weather reporter job at the start of Stormy Weather - but as far as her personality goes, I have nothing to comment on because Mireille does really have a personality. She only exists so that Aurore has someone to lose to at the start of Stormy Weather. That's why Aurore has a really cool and memorable design while Mireille looks like she's wearing pajamas. I don't think Mireille even has lines at any point in the series. If she does, they're not memorable, making her another character who barely counts as a character, leaving me nothing to talk about.

Aurore Beauréal

I really like Aurore's design, but there's not much else for me to say about her because we don't really get to know her character. She made for a fun akuma and that's all that she was meant to be. Her non-akumatized lines are just generic ranting about her loss

Aurore:(in the elevator) I should have won, I have the talent, the star looks, everything! But she took everything away from me. They took everything away from me! They--

and a generic statement of confusion after she's freed from her akuma. I wouldn't have been upset if she'd become a reoccurring character because - once again - she's got a really cool design, but I can't tell you anything else about her, so there's nothing for me to analyze.

Marc Anciel

Marc is the first character with some actual substance, but the substance is hardly abundant. He's just a kind of generic shy writer. I'm not sure why he's been added to the cast as a reoccurring character because they really didn't need more characters and they already have a writer in Alya. So I don't dislike him, I think he's fine, I'm just not sure why he's here. I was especially confused when he was given a miraculous because what has he done to earn one? He's not even part of the miracuclass where everyone gets a miraculous no matter how unworthy they are. It feels like he was just picked because they needed 18 holders, but they only had 17 and Marc is Nathaniel's comic-writing buddy, so I guess he's good enough?

Speaking of Nathaniel, I know that people ship him with Marc and that they're kind of implied to be together in the show, so I guess I should comment on that? I have to admit that I'm not a fan. Nathaniel's actions in Reverser were incredibly off-putting making this yet another couple with a really unhealthy foundation to their relationship. Why does Miraculous keep doing that???

In case people don't remember, Marinette gives Nathaniel Marc's story to read and Nathaniel assumes that it's Ladybug's private diary because the story is called "Diary of Ladybug". Why Nathaniel thinks that Ladybug would have Marinette deliver her private diary to him is beyond me. This is especially true since it doesn't read like any diary I've ever seen and the episode starts with these exchanges:

Marinette:(sees Marc) Marc you made it! (Marinette runs up to Marc and grabs his arm) Come meet everyone! (dragging him inside) This is Marc, the boy I told you about! The one who's always writing. Marc:(hides his book in his jacket) Uh... I'm sorry I didn't want to disturb you.

Jean-Pierre: Alix is our expert at street art. (Alix flips spray can in the air and catches it) And Nathaniel- Alix: He likes to draw people in skinny suits. (Nathaniel throws a piece of paper at Alix and she laughs) Nathaniel: Welcome Marc. As you'll find out, the good thing about this place is you can say whatever you want and no one will judge you, or only in good fun. (Marc notices Nathaniel's drawing and walks over to him) Marc: I... I saw your drawings on the school website, but they're nothing compared to the real thing. The movement, the expressions, the attitudes. They're all so-- Nathaniel: Thanks... That's nice.

Jean-Pierre: By the way Marc, you've shown up at the perfect time. Marinette told us that you're always writing and Nathaniel is looking for a script writer. (Nathaniel smiles at Marc)

Based on all this, it's not weird for Marinette to assume that Nathaniel would be able to guess that she was giving him Marc's writing. After all, the first few scenes of this episode all happen during the same day, meaning that Nathaniel was given this book right after being told that Marc liked his art, being told that Marc was a potential script writer, and being told that Marinette was Marc's friend, but whatever. What really matters is that, when Nathaniel goes to meet "Ladybug" and finds Marc instead, he gets extremely mad and rips Marc's book in half:

Nathaniel: What?! You're not Ladybug! Marc: Of course I'm not, it's me, Marc. Didn't Marinette tell you? Nathaniel: Marinette? (He looks over to Marinette's balcony, where he sees her filming him) Marinette: Uhh, operation "Comic Book" has hit a snag! (Tikki hides) Nathaniel: You were trying to make a fool of me, weren't you? (Points accusingly towards Marinette) Do you think it's funny to toy with my feelings? Marc: No, not at all! I-I just want.. to make.. a comic book, if you want to, that is. Nathaniel: A comic book? Us!? Together?! Never! (He tears Marc's book in half)

Oh yeah, I'm totally shipping these two. Couple of the century here. Really living up to that whole, "say whatever you want and no one will judge you, or only in good fun" thing, Nathaniel. Why did you even jump to the idea the they were making fun of you? Nothing in the episode set that up as a reasonable conclusion. No one was bullying you and you seem pretty freaking secure about yourself. If any character was set up to assume they were being made fun of, it was Marc!

This is another case where the show is trying to make things Marinette's fault, but she's actually not doing anything wrong. This is almost entirely on Nathaniel. They had a relatively minor miscommunication and, when he discovers that, his reaction is to destroy another artist's passion project in a fit of rage.

Anyone who thinks that it's okay to destroy another person's property because they're hurt needs anger management classes before they're ready to date anyone. Any time I see Marc and Nathaniel together, I remember this moment and wish that Marc would get out of there because I just don't view Nathaniel as a safe person. This was just such a massive overreaction and it gives me major ick vibes. Especially since this is yet another case where the wronged party never really gets an apology. The most we get is this:

Ladybug:(turns to Marc and Nathaniel) Marc and Nathaniel? By now you realize there was a big misunderstanding, but if you give each other a chance, I'm sure you'll find out how well you can work together. (Nathaniel holds out his hand, Marc looks, smiles and shakes Nathaniel's hand)

Why are we implying that there was blame on both sides here? Marc was the wronged party in every conceivable way. Once again, major ick vibes.

Zoé Lee

Zoé is written like someone's Mary Sue self-insert which is not a dig on Mary Sues! Mary Sues are just the most popular female equivalent to escapist male power fantasies and escapist fantasies should belong to all genders! However, if you're going to write a character like this, then they're supposed to be the main character. It's really freaking weird to have a side character written like this.

What do I mean by a Mary Sue self-insert?

Zoé shows up out of nowhere and immediately becomes best friends with all of the core cast members

Zoé has a tragic backstory that everyone finds oh so sad and comforts her over even though it really should make them wary of her ("I used to lie about everything and it lost me all my friends!" Yeah, I'll bet it did!)

Zoé is good at basically everything she tries and has no real flaws

Zoé gets brought into the magical girl squad in her second appearance, making her the character with the least development prior to being given a miraculous

Zoé is somehow the voice of reason, seeing the truth of things while everyone else is deceived in episodes like Kwami's Choice or Adoration, giving her things like the anti-Lila powers previously only held by Marinette and Adrien

Zoé is chosen as Adrien's replacement while Alya replaces Marinette, implying that these two are on equal standing somehow

In other words, Zoé is generic and kind of boring, but is treated as the best thing ever, which makes her a pretty annoying and crappy side character. The reason characters like this are successful main characters is because the whole point is escapist fantasy. You're supposed to be able to project yourself onto this generic cool person and pretend it's you being fawned over by your favorite characters. It's not my cup of tea, but I see the appeal and get why it's not hard to find stories like this especially in the romance, isekai, and fanfic genres, all of which are big on escapism.

While I will defend this type of character as fine in general, they have no place in a show like Miraculous. Miraculous is not an escapist fantasy. It's supposedly Marinette and Adrien's love story, so what is a self-insert fantasy doing here? The show really showcases how awkward this is in Adoration where Marinette spends the whole episode freaking out about Zoé liking Adrien - because of course the self-insert gets a love triangle with the leads - only for Zoé to confess her feelings for Marinette like a good little self-insert would, but of course Marinette can't accept those feelings so it's just kind of fizzles instead of leading to the standard self-insert romance with their favorite character. Writers, what are you even trying to do here? Why is Zoé getting all this attention? It's weird...

Zoé's awkwardness is only exacerbated by the fact that she's also a blatant Chloe replacement and I don't just mean the fact that she gets the bee. I mean that she's often used to disseminate information that Chloe would have or to fill the role that a redeemed Chloe would fill. For example, take this scene from the episode Gabriel Agreste:

Zoé: (rudely) Jean Quinton, did my mother tell you that the dinner party is no longer at Gabriel Agreste's tonight? Armand: Oh no! Madam didn't mention anything to me. Zoé: A helicopter will be coming to the roof, to take you over to the Eiffel Tower. Armand: Is mademoiselle sure about this? Zoé: Excuse me? Are you suggesting that I might be wrong? (walks away) Ridiculous! Utterly ridiculous! (to herself) Sorry, but it's for a good cause.

The writers needed Chloe for a minute, so Zoé adopts Chloe's personality to allow them to have a good Chloe without doing the work to actually make Chloe good. Btw, this scene shows exactly what I mean when I say that I want a wild card on the team. Someone who isn't afraid to be mean to get the job done. The writers clearly understand that a character like that has their uses, but then you'd have a character who is on the side of good, but who isn't a total goody two shoes and I guess we can't have that?

As you've probably picked up, I'm not much of a Zoé fan. I find her pretty obnoxious because she's so wildly out of place. Outside of her role as substitute Chloe, her character adds nothing to the story. There's no missing role that she uniquely fills because the cast was already bloated as heck when she showed up. To be fair, there are ways this could have been fixed.

Zoé shows up right after Chloe's betrayal and she almost immediately reveals herself to be a status chasing liar who is trying to be a better person. This should make everyone super wary of her and could have been used to demonstrate the difference between a person who doesn't want to change (Chloe) and a person who does want to change (Zoé). This would require the show to allow for multi-episode arcs, though, because Zoé's acceptance would need to be a slow process and not speed run in a single episode.

You could have also had Zoé show up at the same time as Audrey and used her as part of Chloe's story either to drive Chloe to be worse or to give Chloe someone who helps her get better because no one understands your messed up home life better than your siblings.

But those are some pretty major changes to canon. As is, Zoé is totally unnecessary and I wish that the writers would stop trying to make us love her by giving her cool roles in the story, shafting characters that we've all wanted more of in favor of this rando that they forced on us at the last minute. I will forever be salty that Zoé got the black cat instead of Nino. Alya had already had her identity outed twice, give someone else the Ladybug and let Nino get a chance to shine! Or just give the ladybug to Alya and black cat to Nino and imply that this is going to be a new love square situation. After all, Kwami's Choice has Tikki claim:

Tikki: No, they’re made for each other. Love is what gives them their strength.

Implying that the ladybug and the black cat should be in love so why are you picking Zoé and Alya? Not exactly opposed to that ship, but I don't think it's actually the plan, so what was that about? Plagg and Tikki didn't even seem to consider the comparability of their new chosen which is super weird given the whole "made for each other" line we get from Fu when he picks Adrien and Marinette in Origins. You can tell that no care was put into choosing the replacement heroes. They just once again wanted to show how cool Zoé is.

#anon ask #ml writing critical #ml writing salt #Zoe salt

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lutiaslayton · 1 year ago

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Hey everyone! Just thought I'd make a quick post to let you know that...

The complete, definite, will-not-be-edited-again-in-the-future, FINAL translation of London Holiday, is finally here for your enjoyment!

AND it comes this time with an in-character fan-translation that DOESN'T read like Google Translate!

For those who didn't know, Professor Layton and the London Holiday is an official prologue to Diabolical Box; it's a short slice-of-life story in which Luke and Layton are just having some good time solving puzzles, and at the end, they receive the letter from Schrader which starts the events of DB. This game is not really lost content per se, but it's still part of the more obscure Layton media, since we non-Japanese fans have no legal way of playing it ourselves unless we buy the Japanese version of DB.

This isn't really some breaking news or anything, but I still thought it was worth warning you that this is it -- if you wanted a fancy in-character translation, you finally have it!

I will make a small shoutout to @call-me-rucy who helped every now and then with the more accurate translation when I had doubts on how a few idioms here and there were meant to be interpreted. Thanks again for your help, and sorry for using you like this xD I do wish I could send you DMs for reasons other than just asking for your Japanese knowledge hahaha

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When I say that this won't be edited again, I mean that the only way this web page will ever be further edited in the future is if someone else shows up at some point and asks me to change something. Perhaps I took too many liberties in the fancy fan-translation compared to the original text in one or two specific occurrences, or perhaps someone will want to translate this transcript into another language that isn't English, in which case I would absolutely accept to add it! (and you would be credited for that additional translation, obviously)

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I heavily suggest you take a look at it if you haven't already, because it provides quite a bit of lore and funny/wholesome moments! We notably get the full story of how Schrader heard about, and then tried to acquire the Elysian box (...story which contradicts the fact that he would already own it in Eternal Diva, by the way), but it's not the only fun lore crumbs this prologue to DB gives us :)

Also, for the fans of the puzzle theory -- I suggest you take a look in particular at what Luke says when he solved puzzle 09. It sure is intriguing that he would mention walking from island to island on foot as if he were... Physically doing it?? Or at least had the impression that he could experience it somehow???

Heh, puzzles and hint coins have mind powers anyway, for all we know perhaps some of them can trap you inside your own mind for a bit while you're solving them. Deliciously horrifying, so much potential for fanfics/comics and lore analysis. So shameful that nobody would have thought of taking advantage of this by throwing puzzles at someone with the specific intent of slowing them down by trapping them in a trance for a bit. smh, Level 5. smh.

#professor layton #london holiday #professor layton and the london holiday #diabolical box #professor layton and the diabolical box #professor layton transcript #layton preservation #lutiasgithub #still thought I'd tag DB as well since this prologue is related to it and provides some Schrader lore #pl puzzle theory #pl theory board

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tubbytarchia · 6 months ago

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Jimmy EVO thoughts

This is a loooong thread of summarized thoughts (cough 5500 words) of Jimmy in Evo, though mostly his and Martyn's Property Police relationship and how it leads into future treatment of Jimmy, as well as general Jimmy character analysis. Plus some Netty thoughts and such in relation to Jimmy too

Obligatory: I talk about characters only

The following is separated into categories, somewhat, but 90% of that is property police related... Netty and misc thoughts are down below

Shoutout once again to my friend for pointing out some stuff I missed or better than I could

(Martyn's self portrait. Idk felt appropriate)

1. Jimmy and Martyn (Property police) thoughts

Jimmy and Martyn overall are pretty cute and supportive and protective of one another but there are many many instances that Martyn unfairly scolds and plays him down. But then he'll turn around and show some form of care towards Jimmy which leaves me feeling conflicted. The way Martyn treats Jimmy here pretty effortlessly leads into Jimmy's further mistreatment in future SMPs imo

I'm gonna start off with a lot of negative aspects to the Property Police dynamic but trust me ok I've noted down all the cool and nice things too at a later point. As I said they're overall cute and nice!!! There's just a lot... to note... (I'm a big solidwood fan ok. sobs)

1.1 Martyn's caretaker role and the "chief"

All throughout, Martyn keeps bringing up this made-up character "chief" who they speak of as both a sort of boogeyman as well as a parental figure (Jimmy later says the chief is his father)? Like Jimmy causes trouble and Martyn goes "ahh I'm gonna have to tell the chief about this" to which Jimmy tries to plead his case. Or Martyn would express needing the chief to weigh in on whether Jimmy's doing a good enough job as Property Police. This makes sense though given Martyn's self-assigned caretaker role

Martyn largely acts like he needs to be taking care of Jimmy and doesn't trust him when he's alone (will be talked about in depth at the next point) and makes up this police chief character to spook Jimmy but also to, again, serve as some kind of replication of a parental figure... Jimmy himself talks about the chief that way too, saying stuff like "the chief told me to be careful"

There's some kind of pride essential to Martyn that he gets from taking on some kind of provider role, and/or it might be essential to him being able to show affection, at least at this point in time and at least towards Jimmy

Martyn likes to feel depended on and Jimmy does make it feel that way. He's constantly considering Martyn, following him around, supporting him. When he's not there, he frequently talks about him, how he's not here today but will be another time, how he's taking a break, how they'll be doing stuff together later... How they both agree that Jimmy doesn't fare well on his own (and how Jimmy and other people in Jimmy's life will hold onto this belief)

In one episode they're both finding these vacation apartments to buy? and Jimmy goes "can we be next to each other though? I'll miss you too much if we don't" :(

At some point Netty's appalled by how poor Jimmy is so he and Martyn make plans to mine together, and they decide to mine in different directions only for Jimmy to go back to Martyn anyway

I'm so sorry to be a weeb and use a screenshot from Free! of all things but this is Martyn and Jimmy. I don't make the rules

There's also a moment where Jimmy says "I think I might need you" to which Martyn goes "is this you confessing your love to me?" and then they do this bit where they act out the chief talking to them "you can love who you want to love. As long as you do your job right". So basically the chief is validating gay marriage. Awesome

Anyway, Jimmy at several points gets told off by Martyn because he's "fine" and doesn't need Jimmy following him around but what else is he gonna do… you cant just leave him on the street like a lost puppy…

At one point in the SMP, they all get together to take on the ender dragon (after which Grian left). Unfortunately, they don't end up in one End dimension and instead, they all have to fight the Enderdragon by themselves. Jimmy does fantastic. He's very focused and gets it done in spite of a few struggles. He even says "those endermen made me so angry. I haven't been so angry in awhile" when it really didn't show that he was THAT angry when a bunch of them piled on him. He stayed focused and finished the job... Sigh. He can be so confident and competent and good, if only he didn't get played down so frequently just for often getting excited and tunnel visioned easily...

It's implied that the others thought he was gone for good when Jimmy finally made it back to the overworld after some... bliss in the great void? Of course he starts asking himself about Martyn and expressing hope that Martyn's alive. He and Martyn eventually communicate here and there but still don't meet up for awhile longer. Jimmy for this time period is surviving pretty much independently, and even when Martyn starts turning up in his episodes more again, there's much less of Jimmy following Martyn around like he used to, and I think Martyn took note. It feels like he took note that Jimmy no longer depended on him and kinda fucked off a little bit. This would carry over to stuff like 3L as reasoning for why Martyn acted the way he did towards Jimmy? Evidently caring about him yet pushing him away, even after Jimmy asked to join him, even after Martyn himself told Jimmy that he thought Scott was using him

(Headcanony here, but I still jive with the idea that there was some kind of watcher/listener/Evo members confrontation at the end that forced that world to come to an end, from which Jimmy and Pearl were spared as they went on to quickly be part of new worlds unlike the others. And then some of them eventually returning like Martyn, but not Netty, and the idea that Martyn now holds some kind of resentment towards Jimmy for not having gone through that and never being able to understand how Martyn feels, in spite of still caring about Jimmy, having wanted to spare him from whatever went down to begin with. This, combined with him seeing Jimmy become more independent, when Jimmy was always waiting for him and wanted to make him proud for surviving on his own, and missed and needed him even if Martyn doesn't think so. This will be reinforced at later points here too)

1.2 Martyn's lack of trust in Jimmy and Jimmy's self-deprecation

Apparently whenever Jimmy's on the server without Martyn, he just becomes a troublemaker and Martyn goes "I don't trust you half the time", granted, lightheartedly, but this notion will keep being repeated. His first reaction to the property police being faulted for anything, or Jimmy being hesitant with telling him something, is to assume and accuse Jimmy of messing something up. Eg when there is a scene resembling a protest built outside their base, Jimmy questions what they've done to be opposed, to which Martyn goes "What have YOU done?". This leads to/deepens Jimmy's need to prove himself to be good and competent, and his hesitancy to let Martyn know/fear of Martyn finding out when he's messed something up

Jimmy gets himself utterly blown up by Grian's prank, Martyn's not there so he goes "guys, you cannot tell Morty (Martyn), he will kill me". He sounds genuinely pretty upset too "I don't- I don't know anymore." He's not even nice to their current dog, with him walking around pretty aimlessly before going to their dog who's standing up and repeatedly trying to make it sit, sternly saying "Sit down, sit down." when previously he's shown a lot of affection towards their dogs (though honestly uncertain how much of it has been totally genuine when he has also joked about a dog dying before it can be nametagged and stuff)

Martyn's not around and look what happens - exactly what Martyn has drilled in. Of course Jimmy is flustered and upset, and of course he doesn't want Martyn to know- for Martyn to comment again about his lack of trust in him by his lonesome, or about his unsuitability for his job as a cop. It only makes sense that Jimmy comes to believe he's incapable of handling himself alone and that he needs to rely on someone. It's only natural he follows Scott around in 3L without question when Scott doesn't trust him to something. It's only natural that even with Tango, at the start of DL, he voices concern to Bdubs that he's afraid Tango will yell at him for having done a bad job begging for resources. (Ofc Tango doesn't but it's really fucking sad!! That Jimmy's been conditioned to consider that!!)

Another example of "Jimmy's incompetency" is when Jimmy's dog has been taken hostage for awhile, but they find it almost instantly when Martyn comes back on. Jimmy says he needed the dog to keep him company and expresses a lot of grievance over the dog's living condition in the hole it was kept in, while Martyn questions if he even put in that much of an effort to try and find it. They joke about and Jimmy agrees to him not doing well on his own. (Also I'm not sure what to take away from the fact that the dog was kept in oddly good conditions and Jimmy still feeling bad for the dog...? Aside from the lack of sunlight ofc, it had room and water and a bed)

At some point (spoken more of in the Netty section), Jimmy gives Netty all his resources he gathered from their mining trip together and then asks "did you get a picture? Did you get a picture of that?". Naturally Netty comments on his need to immortalize his good deeds but you can't blame the guy when the people around him, especially his best pal Martyn, keep calling him a bad cop and not trusting him to be good when he's left alone. It makes sense for Jimmy to want proof of him being good to show Martyn...

Start of Evo ep 46, Salems says in chat something along the lines of "be good now Jimmy, no one's here to watch over you" to which Jimmy replies "I'm always good tyvm!!" And then proceeds to praise himself for the rest of the episode despite having difficulty dealing with the property police station being flooded. Eg sees that he has a bucket in one of his chests and going "Good job Jim good job" etc. He's trying so hard and then turns around to see more water and goes "this makes me sad" :(

(It was genuinely really bad lol this image does not do it justice)

Jimmy's self deprecation is also present in Evo even when it's not being brought on by anyone else, only himself. Eg under the video in which he got miserably blown up by Grian's prank, he has his pinned comment: "I was excited okay. I did not see the plates, don't ruin the comment section! Thank you. I am a noob though. HA!" and at the start of a different episode, Jimmy says to the audience "You didn't miss me, did ya? I know you didn't miss me" :(

There's also the time where he, Martyn and Netty do a race all individually and in the end it's revealed that Jimmy was the last one by a second and he repeatedly goes "oh wow so funny let's laugh (mock laughter)". Something about this one... Sure they joked about him coming last a few times through the episode but that felt kind of out of left field. Why is he so mocking... why are you being so SO mean to yourself Jimmy...

Jimmy is pretty frequently insisting on being a good cop even when the situation doesn't call for it because "people have been having a go at me lately". This notion of Jimmy being a bad cop extends further yet when Martyn's mayor campaign begins

1.3 Martyn's mayor arc, Jimmy's reinforced unsuitability and getting caught in the crossfire

Martyn runs for mayor, during which Jimmy is unwaveringly backing him, ofc. Following him around, propping him up... At one point Martyn even says "You're the best run-in partner I could've asked for"

But then things start falling apart and Martyn starts to a go a little bit mad. He wants to give up and Jimmy is basically pleading with him saying stuff like "but I've done so much to back to you" but Martyn's not hearing it "You've done nothing". (what a switch from that last paragraph lol)

Back to the Property Police station being flooded - Jimmy was openly supporting Martyn's mayor campaign but he didn't cause any of the destruction during the fallout when Martyn gave up. It was all Martyn and in retaliation the property police base has been significantly flooded and plastered with vines and Jimmy's the one to have to clean it all up. This doesn't get acknowledged (in Jimmy's POV at least). This is also very true in other SMPs like X Life, that Jimmy largely suffers due to no bad actions of his own but rather the crossfire of others'

It's always Martyn being on break... It's always Jimmy saying "the chief gave him days off!" and Martyn saying "I need a break from you and everything". Has anyone considered maybe Jimmy needs a little break too.. Has anyone considered that Jimmy also feels bad for not having his efforts recognized... He's always there to prop Martyn up to largely get deprecated in return in spite of everything he does (and isn't that a familiar theme with Jimmy...)

Anyway, next episode Martyn's back and Jimmy wants to show him something nice he made for him for being torn up about the mayor thing, but Martyn's immediate reaction is "what did you do!?". Well, the nice thing Jimmy made was a padded cell and he trapped Martyn in there for a bit for having gone a little mad lol

Martyn for a short period of time ends up becoming mayor anyway, during which he hits and berates Jimmy quite a bit (clenches fist) and reasons why Jimmy would always be second in charge at most because people don't want him as mayor. They do this whole bit where Jimmy replaces all the previous signs directed towards Tatiz (the last mayor) for them to say nice things about Martyn instead cause it's not like anyone's gonna know they're all just done by Jimmy... and then Martyn doesn't even let him into the office and punches him and Jimmy fake sniffles away

Martyn has another meltdown over the Watchers being against him becoming mayor, though Jimmy's still supporting him through it even as Martyn's playing him down. At the very end of the episode, Martyn jumps down a well when he says he's gonna go sleep so Jimmy's like "oh. Don't drown, we still need you" and Martyn sounds genuinely kind of gut-wrenchingly defeated when he replies "apparently not". Good time to remember Martyn's pride in feeling needed

Next time Martyn's on, he's on a quest to exile himself, saying he's going to find the next portal and leave and never come back. Jimmy is valiantly following him around and basically pleading for him to stay and that they need him (I think it's just you Jimmy... it's you who needs him...). Him saying "we've been on the force for 9 years, does that not mean anything to you?" makes for a painful parallel to Martyn accusing Jimmy of not caring about property police in 3L... Paraphrasing a bit, but the back and forth between Martyn and Jimmy: "You can explain to Netty why I'm leaving. I didn't want to explain to anyone but you've forced it on me. I'm happy to leave, everything's fine" - "Alright, fine. Fine, I accept it, no I accept it, I'm coming to wave goodbye" - "You coming with me, or?" - "No, I'm not leaving all this behind, but I'll come wave goodbye". Even with Jimmy giving up or having implied giving up on trying to convince Martyn to stay, he still wants to follow him, to at least say goodbye... Jimmy also says he's tearing up as Martyn's digging down to the stronghold where he plans to make his exit. Martyn drops into the stronghold with a bunch of mobs though and Jimmy goes "yess kill him, kill him!" (because that'd bring Martyn back to spawn and halt his self exile) before jumping down and helping defend Martyn anyway... Ultimately Martyn fails because the portal isn't even there and he dies to a creeper. Later, when Martyn's back, this is largely treated as a bad dream and that Martyn was just in a daze

I'm not sure exactly where this thought started but at some point Jimmy starts to express having to become mayor himself (and then at a later point, as mentioned above, Martyn explaining why people would never want him as a mayor). Jimmy says things like "I'm gonna end up being the mayor aren't I?" when things get tentative and unstable with Martyn, and "I reckon anything that comes - if a situation comes along again where someone has to take charge and i-in- lead and vote for something or even go for something... think Pete Bills should take it- I think Pete Bills should take it, and, you know... Give his best shot"

This is significant to me because Jimmy wanting to be in any kind of leading role, but never managing it, is a theme that comes up frequently in his POVs. Jimmy is already treated as being at the bottom of some player perceived hierarchy, and as such constantly teased and played down, which naturally, for the others, makes it unlikely if not absurd for him to be in leadership positions, and this imo carries over to his relationships

He hardly has authority and when he tries to enforce it, he gets disregarded, discouraged and/or made fun of, eg in ESMP2. He hardly if ever gets authority in 3L FH (flower husbands), or ESMP2 fWhimmy, or, Evo Solidwood to an extent. The whole mayor deal is very resemblant of what would go on to happen in X Life too. Where Jimmy is happy to be part of "Jeremyism" with Joel as the leader, though he enforces very little power, but when that position is about to be handed over to Scott, Jimmy desperately tries to get himself to be the leader instead, and upon failing, begs Joel to retain his position, only to end up following Scott's lead anyway without further vocal protest

Jimmy taking charge, in relationships or otherwise, almost always gets shut down. Pensive

1.4 Martyn's also kind to Jimmy though...

But then there are times like Martyn showing concern towards his wellbeing, voicing fear of him hurting himself, saying things like "I was worried you hurt yourself"

There are times like Salem cornering Jimmy and Martyn going "Salem, back it up, go back a few blocks, get away from him". Times like them talking about food and Jimmy says he's the priority so he should eat. Martyn naturally questions it and then chases him around for a bit, threatening to hit him, but then throws him the food anyway without arguing against it...

Something about Martyn not being entirely against the padded cell that Jimmy made for and trapped him in briefly. Martyn willingly goes in there when "he's had a thought" and says for Jimmy to trust him to stay in there even though one of the doors is broken and keeps opening. Something about Jimmy's ideas being given a chance and made use of even when its. a fucking padded cell

There's an episode that starts with Martyn calling Jimmy upset and a loser as is not at all unusual (grrr) but then he goes all soft "How you doing, you alright? Sorry I've been away" and all I can do is shake my fist, unable to quite punch him. There's something here about Martyn struggling to express affection, really well showcased in the bread incident too, without having a go at Jimmy first as if it were a balance that he needs to keep in check, rather than being nice to Jimmy just... because.

There's a trap they build, mostly Martyn, and he claims "Jimmy was such a big support" and Jimmy naturally goes "I didn't really do much" but all Martyn replies is "well its this kind of trap that having two people work on it would have been difficult..." thank you for validating Jimmy and not making a joke out of him for "doing less"

There's this kind of respect towards Jimmy here largely absent from a lot of other people in other SMPs...

Jimmy shushing Martyn and Martyn actually shuts up. Wow basic decency and respect towards my son !!! Jimmy suggests a viewer suggested bevarage name for their little pub thing, and Martyn says it's bad, but when Jimmy reinforces a little later that he thought it was good, Martyn encourages him to put up a sign for it anyway.

It's not just Jimmy who's being accused of having done something etc. Jimmy's also more assertive towards Martyn and asking him if he's sure he's not done anything bad. And also holding Martyn accountable. This is largely a saving grace for Solidwood to me as opposed to some other Jimmy relationships in select SMPs because it goes both ways here even if still in uneven portions...

There's also Jimmy's antics being played into it as opposed to being disregarded or made fun of. A lot of it tends to be turned back around to making fun of Jimmy and then that's it, that's the joke, but with Martyn, he participates in the jokes. Jimmy can just ask for silly stuff or be silly and Martyn will easily go along or provide without knocking him or anything. Jimmy "can I get a cool intro please" and Martyn will just do it without question. The whole thing they had with Evo news (genuinely please go watch this one tiny animatic of one of their "Evo News" segments on Jimmy's channel, it's so adorable). Or whatever other cringy joke bits they do. Mmgh I just wish this was the case with more people than just Martyn

This kind of stuff, a lot of the time does still involve teasing Jimmy, but it's fun... It's not just fun on Jimmy's expense, it's fun that involves him, and that makes this endlessly more enjoyable to me than the "lol Jimmy is incompetent and stupid and deserves no rights" jokes with no further nuance to them. Those do very much appear in Evo still, and do hurt me, although I see no harm to them as long as they're less frequent and as such don't become fully stale after the first few times, but at least it's not. coughempiresseason2cough cough.

Idk where else to put this but Martyn and Jimmy start the "Property Police" bit in episode 2 already and it goes on for pretty much the entire series. They both adopt specific names for it though. Jimmy decides on “Pete Bills” but it’s mostly just him who ever uses it. Martyn picks “Morty�� and Jimmy continues calling Martyn that for the entire series. Kind of cute of them to have nicknames for one another, Morty and Timmy respectively, even if it was Grian who started the Timmy bit

1.5 Setting Jimmy up for failure

This kind of casual hitting and deprecation from Martyn is what I think leads to Jimmy's further minimization and need of dependency, which I brought into question way back at the start. While Property Police is largely pretty carefree and accountability and such isn't always one-sided and can go both ways, there are so many things to point to in retrospect as frontrunners for repeating themes in how Jimmy gets treated by others, and how he views himself. A lot of Martyn's treatment of Jimmy both within and after Evo make me grit my teeth but there's these saving factors... Where Martyn evidently does really care, and he'll at least sometimes express as much... What gets in the way is his tendency to be hot-headed and selfish, and skewed in his ways of affection and pride

It's so fucked up how Jimmy's led to believe to have been at fault for so many things that happen to him through all the deprecation and reinforcement of him being the worst player of the bunch. How when he apologizes, no one tells him he's no need to.

Before one of the portal hops, when everyone’s having a meeting to switch versions, someone trapped Jimmy in 4 Iron doors (idk who, Jimmy cut it out) but Grian goes "don’t worry I have a way to get you out of there" and blows the doors up with TNT. He then asks Jimmy to clean it up and Jimmy's all "sorry I'll clean it up" and he keeps apologizing. Another time when Jimmy loses a race in evo and Mini punches him "you're stupid, Jimmy, you're stupid, you should have won that race" to which Jimmy briefly flees before going back to him to apologize (doesn't that sound familiar...grrr)

It started with Martyn, who Jimmy followed around, supported, needed and missed, and then X Life Joel (Jeremyism) and then 3L Scott etc. Jimmy doesn't need to depend on anyone, that's just how his fucked up love life and expectations of affection (and when whether or not he deserves any) have gone, cause I feel the need to reinforce that Jimmy is very good and capable, he is!! If the damn Enderdragon fight is anything to go by if nothing else!! He should start murdering people!! Anyway

Appropriate time to think again about Martyn, in 3L, voicing concern over Scott slapping Jimmy around, when he has also admitted to using Jimmy ("Sometimes I feel that you use me" - "I 100% do")

For further similarities, few times Martyn scolded Jimmy, like when Jimmy accidentally kills Martyn at one point with a single pickaxe swipe and Martyn scolds him like "alright, now you get back on the surface, bring all my stuff back to me" and Jimmy can only stutter and make a few whimpers. His “How were you on that low H- How… Hmph :(“... I want someone to hold Jimmy so badly you don’t understand... or the time Jimmy and Martyn were standing by the blaze spawner to get double spawning rate, when for some reason Jimmy decides to leave and take a little gander alone at which Martyn very angrily goes "did you just leave? You can't do that! Are you guys seeing this teamwork??". He's getting scolded... No blazes were spawning and he got anxious and needed to go for a walk Martyn it's okay...

Also like. He lived and slept in the same room as Jimmy all throughout. Something about Jimmy only ever being part of at least SOMEWHAT nice relationships when he's sleeping together with that person and not alone. coughs

2. Jimmy and Netty (and Martyn) thoughts

Seeing as Netty's skin is a bush baby and she built a treehouse, I'm still sticking with the headcanon that little Martyn and Jimmy just found this creature (Netty) in the woods one day. Anyway

Martyn, Jimmy and Netty are on a goose chase and I found it really cute how they came across a decent water crossing, Martyn asks Netty in chat "boats or swim?" meanwhile Jimmy is already swimming off and Netty doesnt answer and just jumps in after Jimmy. He and Netty also fall down the exact same hole simultaneously later, it’s adorable.

When they make it to where the new portal is, Netty hits Jimmy into some water, to which Jimmy of course shakes his fist, and then later Netty accidentally nudged him to his death by fall. Jimmy said she will pay for her crimes, but it was an accident Jimmy... she didn't mean it that time... And then Netty's slowly crawling towards Jimmy with her head down, occasionally looking up with puppydog eyes no doubt. You know the cubito body language. But Jimmy's just shaking his head at her.... Jimmy feels bad though, I think, so he went up to her but she thought he was going to attack and ran away

Jimmy POV vs Netty POV (yeah I don't blame her for getting scared lol) Jimmy's disappointed though and says "I'm done with her" :(

In a later episode, Jimmy is helping Netty gather resources for her library. They go mining together, both having very little to their name and almost no torches, Jimmy mistakenly asks Netty for sticks before realizing he already has plenty but Netty gives him hers anyway and they rejoice and laugh about it... She also says "in real life I would actually trust you with my life but in Evo I do not want anything to do with you, you are too mischievous". Because this mentions the CCs specifically, and I'm strictly talking about characters, I'm not gonna think about it much but idk, I like that Netty's reasoning is "You're too mischevious" and they're just laughing about it. Netty's and Jimmy's banter in general is just really cute. There's a point where she's saying "Stop trying to make that a thing!" in response to Jimmy using this phrase "fan dabi dozi" with his own little inflection and when Jimmy asks "does it irritate you?" she says no, it makes her laugh. It's something about the way Netty does very much tease Jimmy but there's much less maliciousness in it than there is for some other people doing the same. She's not as quick to fault or accuse him, and she's quicker to laugh things off in unison and not at Jimmy

When they're done mining, Jimmy offers and gives her all the resources that he mined, to Netty's very genuine surprise though. Jimmy reasons "that's the whole reason I came with you" and like, yeah, he's right, this was established lol, but still... He's not being taken for granted... Netty didn't just assume he'd hand his resources over... And then Netty's New Years resolution is "to make Jimmy be less mean" ???? Netty.......

In spite of the few hiccups that I find hard to excuse though, Netty's attitude towards Jimmy is very similar to Martyn's when he's being nice. Basically what I already said a paragraph ago. Their banter is largely cute (when it involves Martyn, too, they make for a very fun and cute trio) and she spends the last episode with Jimmy and Pearl and it's very bittersweet

Other Jimmy things

There's a bit they do at the beginning of an episode where Jimmy attempts to propose marriage to Martyn. "Oh my god you need to see this, you need to see this, basically I've been... I've been thinking a lot lately and um-" - "Mate I'm already taken" (Martyn whips out the rose that Netty gave him early on and that he's kept in his hotbar ever since (mad cute btw))

At the very start of the SMP, Jimmy and Martyn immediately run off together and they're very sweet but anyway when Jimmy finds his first iron, he calls Martyn over to remember the occasion. Martyn then whips out 3 iron like “oops I already got some” but. Something about Jimmy treasuring the moment like that… Something about him and resources…

Jimmy is also claustrophobic apparently, with Martyn commenting about feeling bad about making him crawl through a tight space although Jimmy says it's fine. I'm just... thinking about 3L FH... their secure, claustrophobic base at the edge of the world away from everyone else... and Jimmy's few attempts of reaching out... Jimmy..... sorry this isn't about 3L uhhh

When Netty questions why Jimmy's bad at handling Creepers, he says "it's my parents"?? With the previous implication that the "chief" figure is Jimmy's dad, did the chief not teach him how to fight... This is kinda funny but also kinda sad because it makes me think of him being treated as the runt of the litter and no more, he was not the favorite child...

Zee throughout Evo is in direct opposition of the property police, being one of the two members of the mafia. He's responsible for doing and helping in many pranks aimed against the property police. In spite of this, near the end of the SMP, when he has reason to be upset with Jimmy, he's ultimately pretty nice about it... Jimmy's been stealing all his chickens from his chicken farm and not leaving any for Zee, but even then Zee is not that confrontational with him about it... Jimmy tries to derail, Zee catches on, Jimmy insists whilst also admitting to it and Zee's like "haha ok go on". Jimmy also tried to kill him but Zee caught on and killed him instead, but because it was with lava and all of Jimmy's stuff burned as a result (including all of Zee's TNT that he'd just stolen), Zee felt bad and gave him all the diamonds he had... Zee has 3 reasons to be upset with Jimmy, and Jimmy is usually the runt of the litter, the punching bag, and yet... Thank you Zee for being relatively kind to my son

Hello insane person for reaching this point. When my life series merch is ready I will start giving people like you discount codes at the ends of these posts. wink10 for 10% off. Remember it. Go read my X Life Jimmy thoughts too if you haven't. please

#blabber #jimmy solidarity #solidwood #property police #evo smp

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lesfir · 8 months ago

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The "tragedy" of the ascension. No, another word beginning with "T".

Triumph of Evil. confide a secret This is Great.

I rate this story as a Triumph of Evil, which however does not mean tragedy for the evil character. Such an assessment requires a basis within the canon.

Original Astarion, describes his story to the Bosk bear Act 1: Astarion: Tell him your tale - wealth, power, vampires, crypt...

He remembers what he once had and what was taken from him. He has several goals depending on how much strength he has and how successfully he plays the cards of fate: defense, free, revenge, power. \get the hedonistic pleasures debauchery but that's another topic.\ A little analysis of Astarion's path of evil to triumph.

I'm more interested in the latter (Power), as it's where the complex moral begins. These are not all examples, but these are the ones I liked this time.

Astarion: What's not to enjoy? I can walk in sunlight, trespass upon any home, manipulate minds - I'm the most powerful vampire in the Realms! Astarion suspects that the parasite may have negated some of the downsides of being a vampire spawn. Perhaps his master has no power over him anymore. I can only add 10 audios :[

Astarion: No, I'll be safe when I'm powerful enough to grind Cazador into the dust. Powerful enough to do whatever the hell I want.

Astarion: But I'd have to climb so many stairs. Anyway, I already have my eye on a palace in Baldur's Gate. devote. NodeContext: 'palace in baldur's gate' Cazador's palace.

Astarion: Now that's what I like to see an elf at the head of an army. Even a Sharran one.

This shows the dialog over cult control very well. 33 Phrase only when the player hesitates. In other cases 31, he says: it sounds fun (it's useful to have and fun) It is well crafted depending on the player's play style. I analyzed that structure here. Astarion: I'm just saying there's an opportunity here. If we can control the tadpoles, we can keep ourselves safe and liberate the world from this evil. devnote. NodeContext: pause be 'liberate' as he considers what would sound good to a goody-two-shoes player. Astarion was thinking less liberate, more dominate

Astarion: I'm just saying there's an opportunity before us. If we can control the tadpoles, we can keep ourselves safe and enjoy a little world domination on the side. Astarion: You can't tell me that doesn't sound fun.

Important to note that Astarion is cunning enough to realize: There's a chance that he won't get any help, a vampire spawn, outcast. Not "Hello, my name is Astarion, give me whatever I want". So he adds logical, understandable, honorable goals. He benefits from emphasizing honorable one, especially for a good player. He also does the "puppy eyes" thing. Goals like his desire for protection and freedom. Power - that he tries (at least a little) to soften. Softening and logic - it will help us, it will protect us and save us. It makes sense. In my opinion he is absolutely right. No one wants to be tentacles, gnomes at duergar or Arabella's parents. Power is a nice thing in Faerun to have. However, his goals are diametrically opposed to the good. Because he tends to have a brutal power style and finds it fun. (this pie wouldn't mind owning the world) depending on the style of play with the evil player, he's more open. And those goals that are half-false - to liberate the world. There is logic in "liberate the world" since mind flayer is a worldwide threat and changing the world as they please. Not Good. Astarion, however, harbors a desire to rule - a city minimum. Which incidentally was his character before slavery, Magistrates do become Magistrates for a reason. Astarion's reason is wealth and power. There are so many moments. Even if you poke at the globe.

Moments aplenty are some of the ones that show his "Evil" by DND traits. Evil in DND is selfishness, doing what I want even if it's harmful, greed. Let's get back to genres. Tragedy implies the death of the hero. This is the meaning of tragedy and the difference from drama. Drama - combines the comic and the tragic. Unlike tragedy, drama can have a positive ending. Since when is a tragedy when a character has everything they've ever dreamed of, enjoys and doesn't give a fuck? This is the arch to the beginning - wealth and power. More greater. Astarion rather doesn't change in his Ascension. It's Astarion who has a Christmas present dropped on him in the first act. And it makes him euphoric, considering "feeling alive" for the undead is quite a thing. It's important to realize that Astarion isn't exactly an ordinary character. He's an evil character. Which for Wyll is hell. For Astarion, it can be considered fun when it's not happening to him. Watching someone fight to the death like on a show, for example. Do I have to include a screenshot here? XD "Astarion Approves It" is the title of a crime book. There's something light, certainly, otherwise it's not interesting. Astarion's dark side is luring. But the book is still on the top shelf, in the "evil" section. Curious how he perceives eternity. Astarion: Immortality is only as good as the life you're living. An eternity of luxury sounds a lot better than an eternity of struggle.

Astarion doesn't like the downsides of vampirism - it's mirror, sun, hunger, and for spawn, lack of power. But the very idea of Immortality, like eternal beauty is tempting.

Ascension - it's a vampire cheat, he feels alive, the vampire depression of the Vampire Lords eternity won't work for Ascension, that's the point of it. A Vampire's dream can't just be the same vampirism.

Here's a great video everything we know about Ascension and how it works. Immortality without the downside. Power, life of luxury. Astarion approves. It's Great. It's a Triumph. And it is the Triumph of Evil. (selfish, hurtful to others, greedy payment) BG3 Epilogue. Original God Gale. Lord Astarion. Astarion: You can't be serious. You miss being weak? Falling ill? Ageing? devnote. NodeContext: Slight stress on 'aging' Astarion: We can be honest with each other, Gale - one immortal being to another: this is great. devnote. NodeContext: "this is great" as if confiding a secret.

#astarion #ascended astarion #lord astarion #bg3 #Astarion analysis #baldur's gate 3 #bg3 astarion #People: see immortality as something sad. People: Heaven and the idea of an eternal soul gardens happiness clouds and peace forever.#astarion meta #my analysis

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iforgotwhaticalledthis · 2 months ago

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Rae Morningstar and Loneliness: An Analysis

SO something that occurred to me recently is how much being alone effects. well. everyone in Fable(not like everyone everyone but like,a not insignificant amount of people.) Their society is shown to be one of few(if not the only) thriving communities, and lots of people deal with being alone either before they join the cast, or during. Take Ulysses. when he shows up in Fable, he has to grapple with the fact that he is the last of his race. Same with Ari- being one of the last of the Aether. And for characters like Icarus, Caspian, and many many others, they have to deal with being alone before they find a community of people they can be around and trust. One such case is Rae Morningstar.

At the start of the story, Rae is alone. Almost everyone has some form of connection. Icarus, Centross, and Easton have ominous bane. Momboo, Jamie, and Easton are family. Haley already knows Momboo. The only people without any connection are Athena, Will, and Rae. Will's not really around much, and well, Athena had a retconned family so it doesn't really affect his character. (Though i totally do have thoughts about this post retconned Athena and stuff but this is a Rae post). However, by the end of the series, Rae is deeply embedded in the community. He was alone once. and he tries his hardest never to be again.

Rae's lowest moments are when he's alone. In season 1, when Enderian makes him that offer, he probably wouldve taken it in a heartbeat, if not for the fact that if he did, he would be Alone. (and also that he might be used against his friends) In s2 when he finds out he and Icarus are brothers, he is so desperate to hold on to that relationship. I think its why he's so desperate to keep that connection. He doesnt want to lose his brother again. Also the beginning of S2 IS SO bad for him. All of his friends, his family all gone. he's alone yet surrounded by the people he knows. He mentions how bad it wouldve been if not for Ocie- the one person who can relate to him. Someone that stops him from being completely alone. Then theres the sculk arc, which, do I even have to explain? In s3 , Rae gets mad at Centross. A big reason is because Centross left him alone. And when Icarus starts to isolate, later on, what does Rae say, in concern "I just don't want them to be alone." Rae was alone before. so now he tries to make sure that no one else in the community is. For example, he reaches out to everyone. He's always the one people go to for help, so that when they need it they won't be alone. See where Im going with this?

Another thing. Each and every time Rae met one of his partners? Bot him and the partner have been alone. Take Caspian- I mean Cas was alone in the prison, he was isolated. And Rae had been banned from seeing Jamie and Athena was being kept away. The two people he was closest too at the time had left him- even if it wasn't their own choice. When he met Aax, everyone he knew and loved had forgotten him. And Aax had been sitting alone in a cave. Waiting for Theo to return. Even when they first met, Aax was alone, being the only one to escape from the Telchins, and Rae was trapped in a home where he had no one to turn to. When he met Fenris, ,he was alone, having run from his home to keep people safe. And Fenris was alone after being turned into a wolf who couldnt even talk to other animals. for possibly centuries.

Even in smaller things, he doesn't want to be alone, like when he learns Centross and Fenris forgave Ven. He doesn't know how to deal with that anger, now that he's alone in it. He gets tatoos so that he wont forget these people, so he'll never be alone. And at the end of hist story? He and his family turn into gods. He'll never be alone, not even in death.

Anyway i just had some thoughts. if you noticed any inaccuries/have any points to add/ disagree with any of my points please reblog! i want to see waht other people think. Also i might make a follow up on how loneliness affects other characters, this really got me thinking

#fable smp #soop.txt #rae morningstar

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storms-path · 3 months ago

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So, How 'bout That Arcadion?

So I had (and still have) plans to do a write-up on Dawntrail's final dungeon and how it contrasts so interestingly with Amaurot and The Dead Ends after my analysis of Dawntrail and Conquerors, but then Arcadion decided to spring out of nowhere, grab me in a headlock and demand I talk about the music and how it reflects our new darling challengers.

So I'm gonna. As always, spoilers below, read at your own risk, etc. etc. Also I know very little about actual music theory so a lot of this is based on vibes and how things relate to themes and characters and all that. I'll leave the proper music analysis to the musicians. I'm here for the fighters!

So, let's start at the beginning with the cunning, cutting Black Cat. You might be surprised to know that Yaana and her theme were what inspired me to write about this in the first place! While her battle theme might not blow away anyone, that's kind of the point. She's a rookie, unestablished in Arcadion and just as hungry as you are, if not moreso, to prove herself a rising fighter.

The lack of any real lyrics aside from the crowd chants are very effective at displaying how the Black Cat lacks a proper identity at this point. That and the shared leitmotif with her sister (we'll get to her later) foreshadow that she is trying and failing to escape Eutrope's shadow. It's clear that even now Yaana's older sister's disappearance haunts her, to the point that she's following in Eutrope's footsteps to find the missing fighter, or failing that, answers.

Honey B. Lovely, on the other hand, is about as in-your-face as she can get. There's very little subtlety to this one, she wants your love and adoration forever and ever. And she wants so much more than only you can give. I do love the contrast between her song's incredibly chipper, saccharine sweet melodies and singing voice... as she's singing about essentially turning you into a mindless drone who will wait on her hand and foot, right down to threatening terrible violence if you manage to break free of it.

Charming lady, this one. Just look at all her new fans. Someone please get her song out of my head I can't stop hearing it while I try to work I just want to be a good little drone please stop

Speaking of contrasts, Brute Bomber is about as far from Honey B. Lovely's chipper little ditty as you can get. Another song without any vocals, unless you count guttural growling and roaring as vocals (though sidenote, I adore how they degrade into chiptune towards the end of it, that's so good). But unlike Black Cat, Brute Bomber very much has his own identity and purpose. In his case, the lack of lyrics are because he simply doesn't need them.

Where Honey B. Lovely is desperately trying to win you over and failing to hide the venom beneath, Brute Bomber is just here to beat you up until you stop moving. He's the champion! What does he need with some stupid lyrics? You don't need to understand him, you just need to understand that he's better than you and he's going to prove it by beating you bloody. His is a refreshingly simple track. Hard, heavy, no frills. Just like him.

And then there's our surprise final challenger, Wicked Thunder. She's in a whole other league compared to the others and she knows it. Really, there's not much to say about her that her song doesn't spell out. She's desperate, driven to try the unthinkable thanks to her slowly eroding soul. She's tasted glory but the aftertaste has her choking, and only claiming our soul for her own will cleanse the palate.

That being said, the sheer confidence in her vocals are what really sells her as a serious threat. While most of the song focuses on what she's lost, the chorus is a battle cry, a ringing roar of protest against anyone who thinks she's beaten. The repetition is used excellently throughout, hammering home both her desperation and her conviction. She will win, even if it costs her everything she once held dear.

Anyway, all of this is really to say that I completely adore Arcadion so far and I can't wait to see how the new tiers fold me over a table and shatter my spine from the top rope. They absolutely nailed the wrestling vibes with this tier, right down to the electric theme songs. And to think, this is only the beginning!

#ff14 #ffxiv #final fantasy xiv #final fantasy 14 #dawntrail spoilers #7.0 spoilers #arcadion spoilers #love me a good ramble #but that's enough words outta me from now #i'm sure the more musically minded among you can do a much better post about the themes than i #but mediocrity never stopped me before and it won't stop me now

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exaflux · 2 months ago

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How good is BTAA Scarecrow at therapy really? (An Analysis) (Part 2)

[Part 1]

Alt title: What the hell is JoyCure anyway?

Now onto the long overdue second part of this analysis series looking at the most ethical psychologist the world has ever laid eyes on. We simply must rate his performance!

I apologeese for the delay on this. Been in my drafts for over a month blegh.

This is a very long analysis compared to the first part, word of warning.

This part contains- more breaking down of psychology approaches some in less detail if covered in the first bit, Harvey almost falling off a skyscraper, and in the conclusion some talks on JoyCure and a talk on how Jon views "trust" (if you're into character analysis)

Disclaimer- I am not a trained psychologist or therapist or anything of the like, I just like psychology as a topic. This writing is purely for fun.

Harvey and Two-face will be referred to seperately in this analysis, but if referring to both Harvey will be used as default. Jonathan is still Jonathan.

Delightfully surprised by all the people who enjoyed the first part by the way! The likes and reblogs are much appreciated~

Session two-

The following all takes place in S2, Episode 7 unless otherwise stated

This session starts out with Harvey and Two-Face talking amongst themselves, focusing on a strange noise they can mutually hear in the background. In his confusion, Harvey asks Jonathan if he's still there, to which he responds: "Yes. I'm right here, Harvey. You can leave your blindfold on until I tell you to remove it, please" (10:37). Immediately responding to the questions of a worried client would help with setting their nerves at ease while minimising the amount of time they'd experience distress, with the added bonus of some trust building. Also Jonathan is so polite here! What a nice man.

That sound that Harvey's hearing, by the way, is explained by Jon as such: "That's Harmony, Two-Face. You've never known a moment of it in your entire tortured existence" (10:55). Reminder that wording matters as it can influence client outlook, especially in a therapy setting. Describing a client's experiences as a "tortured existence" is quite negative and is not an example of a good therapy practice.

A bit further on Jonathan starts advertising his goods explaining why Harvey is hearing weird stuff, claiming "the JoyCure has brought peace at last to your long inner conflict. You simply must trust me. Remember, we talked about trust when you agreed to put that blindfold on for me?" (11:24). This sets the scene as a trust exercise. Not too bad. "You said to cooperate. We cooperated" "Yes, Harvey, cooperation, that's exactly what today's lesson is all about [...] I want you to cooperate with you" (11:36) Never mind. Please do not gaslight your clients then claim you were talking about something completely different when they catch wind of it. 🚩❌ The memory is actually quite suggestible. You can influence a person's memories by both wording used in a question and how you word it. As a psychologist Jon should know this.

Directly following on from Jon's previous statement, Two-Face says he doesn't get what Jon means, so he goes on to clarify "We have oh so many ways we wage war within ourselves every day. You're just an unusually extreme case" (12:01). This is a very interesting thing for Jon to say given his tendency to negatively describe his clients' situation, and at a blush I almost said this was within acceptable therapy practices. Almost. See, here he establishes that everyone suffers from inner conflict, and Harvey's situation is just a step above that. It's notable enough to comment on, being "unusually extreme" but it's still very much kept within the realm of normal behaviour. Imo the language use here ("extreme") doesn't necessarily have a negative connotation but is an observation, but your mileage may vary. This sounds good, right? But then you have to ask- why is Two-Face needing to ask about this to begin with? This session has been set up as a trust exercise already, and these have to be discussed and agreed to beforehand. It's ethically necessary. This tells me that Jonathan has completely neglected to explain the how and whys with Harvey before all this stuff was set up for the session. He broke ethics.

"I am going to take off your blindfold now, and then I'd like you to tell me how irrational you believe your fear of high places to be" (12:42). Always good practice to give clear and easy to follow instructions to clients if you're doing an exercise with them. After Harvey removes the blindfold, finding himself standing outside of a skyscraper window, Jon wants to know his thoughts- "Tell me how do you feel?" (13:18). Again therapy stuff. Therapists ask questions on how their clients feel about certain experiences, and in identifying a feeling clients can then work towards learning why they feel that way.

We find out that Harvey finds himself unbothered by how high up he is, and later that this is due to the drug he took, JoyCure. Immediately after being asked whether he'd like to look at the view alongside Harvey, Jon responds "Thank you, I'll stay here inside where it's safe" (13:40). As if it isn't obvious enough already, standing outside a skyscraper window isn't exactly safe. Therapists, don't ask your clients to do this either. Jon throughout most of this segment doesn't sound too bothered by his own breaching of ethics, in fact he sounds like a kid who just got told they'll be getting $50 worth of Robux after class for peak gaming. Maybe it's because he's still a therapist and considers all this as progress in his client? Who knows. Either way, Jon slowly gets Harvey to do increasingly more and more dangerous things on the ledge outside the window: "In fact, you might even dance a jig on that narrow ledge if I asked you to" (14:30), "[...] you would walk to the end of that flagpole if I asked you to, I bet" (15:07). Again, this is dangerous. At the very least he's just suggesting this. It's not like he's telling Harvey (who's still relying on others to make decisions for him at this point) to walk that flagpole, right? "Yes, I want you to show me you can walk it like a tightrope [...] Walk to the very end" (15:22). Ah.❌ At the very least he's celebratory of his client's achievements, exclaiming "Congratulations Harvey!" (15:56) when that flagpole does get walked like a tightrope. Nice.

"Now this next part is very dangerous. When you're ready, turn around and come back" (16:06)- Once again, wording matters in therapy settings. Stating that the next part of the exercise is dangerous would definitely not help with putting client's worries at ease.

Neither Harvey Two-Face nor Two-Face Two-face can make heads or tails cough cough of what they've been told to do. "What do you mean when we're ready?" "Simply discuss it amongst yourselves. When you mutually decide you want to come in, turn either to your left or alternately turn to your right and come back" (16:15). Jon again making his instructions clear to his client. Two-Face becomes uneased at this response however and wants Jon to tell him what to do, with Jon declining to (16:39). This is still within the realm of normal therapy practices as Jon can't do this exercise for Harvey.

Also, at this point it'd be good to mention that despite me characterising this whole thing as a "trust exercise" up 'til now, that isn't strictly the only thing it is. This whole scene is actually an example of exposure therapy. This form of therapy is performed normally on people to help treat phobias and various anxiety conditions, OCD and PTSD. As the name suggests, this is done through presenting the client with whatever thing is a trigger to them in feeling anxiety and over time through exposure they'll (in theory) feel less anxiety over the trigger. One caveat though- you're still supposed to talk about this with a client beforehand, understand how comfortable they feel with doing the exercise and be completely willing to stop the exercise if the client no longer wants to do it. It's apparent already that Jon hasn't done this. There's multiple types of exposure therapy, this one is called gradual exposure, or systematic desensitisation. With this version of the therapy a client is supposed to make a tier list of what things give them least to most anxiety called an (exposure hierarchy), then they work their way up at their own pace. Jon here seems to be calling the shots though much more than his clients on how much they "face their fears" as it were, especially given Harvey can't make any decisions for himself.

In fact, to make things even worse again, Jon increasingly makes the exercise more anxiety-inducing than it needs to be. He presents Harvey with more and more decisions ("Come on, Harvey. Turn right or turn left. Then once you've turned, do you lead with your left foot or your right?" (16:53)) then plays dumb about knowing that Harvey can't currently make decisions on his own, "Ah, but you're without your coin. I'd forgotten." (17:11). Of course he's BSing about forgetting, especially when you notice how he suggested walking the flagpole earlier ("you would [...] if I asked you to, I bet" (15:07)) which makes one wonder if he was wanting to see to what extent that Harvey would actually do what he was told. Hmm... Either way though, he's being a twat and deliberately causing distress. ❌❌❌

This part is the juiciest bit of the session- Harvey tells Jon that he's afraid, and Jon talks about the drugs, JoyCure, he put Harvey on. Unfortunately, the details on JoyCure will be left for the conclusion as it is too juicy. But, about Harvey being afraid, Jon has this to say- "Your real fear isn't high places. The fear your feeling right now? That's the fear that defines you, Harvey. The fear of having to make a decision [...] No coin. No counsel. Just the two of you." (17:34). To recap everything that has went on so far, Jon tried to make out all this was a trust exercise (and according to Two-Face, he was just told to co-operate) and then it turned out that all this was actually an attempt at gradual exposure. But now we find it actually isn't, because the fear that that therapy would have treated isn't actually a fear anymore due to JoyCure. Instead, Harvey has been dunked directly into his real fear, making a decision, which is closer to a different type of exposure therapy: flooding. Flooding (unlike gradual exposure) is basically the theraputic equivalent to throwing you in the deep end of whatever you're made anxious by. It's a valid therapy technique, but is only used in particular circumstances and again with the consent of the client first. Do we think that Jon got permission from Harvey to do this type of therapy? Probably not.

If it's all too much info to understand, here's a simplified diagram:

At this point the session devolves more and more into being a train-wreck. There's hardly any actual therapy going on.

As a rundown:

Harvey wants off the flagpole. Jon's immediate response is to faux panic about Harvey slipping before mocking him with a fun fact, "Did you know a baby's first instinct is a fear of falling?" (18:02). ❌

Two-Face threatens Jon with a "I'll kill you!" and Jon barks back "You said "I"! That's a breakthrough! One of you is taking charge!(18:10). A breakthrough is another word for a milestone in therapy. But really him calling it a "breakthrough" I don't think should be taken at face value for... Obvious reasons here. ❌❌

And finally, right before the session ends, our world renowned psychologist says "Come on now. You simply need to agree upon a strategy before it's too late" (18:24). Which I mean, he's making light of the situation and how easy it sounds (in theory) for Harvey to have both his halves work together. Definitely not an empathatic approach like you'd want from a therapist.❌❌❌

In conclusion:

Just as with his first second? session with Harvey, Jonathan demonstrates good skills as a therapist, but misuses those skills repeatedly. Again, he ignores ethics and purposefully causes distress to his clients, being even worse about it than the first session somehow. At least in the first session you could argue that he made some attempt to follow standard therapy room procedure up until a point. Here though? Definitely not.

In fact just to overview everything that happens in the session, because it's a bit much to process all at once:

Harvey goes to do this exercise blindfolded, not being told what's happening until he's already outside the window. Jon goes on this whole "trust me" spiel and Two-Face points out they were told to co-operate.

Jon talks about his drug JoyCure and how it's stopped Harvey's conflicted feelings. He then tells Harvey to remove the blindfold and report how he's feeling.

He then suggests/outright tells Harvey to do increasingly dangerous stunts. You could argue this is gradual exposure therapy, but done in the worst way possible.

After he gets Harvey to walk the flagpole, Jon tells Harvey he can come back whenever he's ready. During this he's very vocal and clear on what Harvey should do. Harvey can't make a decision, Jon knows this.

Harvey shits the bed because it turns out the real fear he has is over making a decision for himself. Jon knew this the whole time, and knew that JoyCure wouldn't help with that. Suddenly the method of therapy used has shifted to become flooding therapy.

Jon absolutely refuses to assist Harvey during any of this when it comes to overcoming his fears. The session only ends because Jon's secretary calls him.

So what can we get from this beyond our wonderful analysis subject being absolutely atrocious as a therapist? Well two major things stand out.

Firstly, that Jon knew from the beginning how everything would play out. He knew how JoyCure would affect Harvey and to what extent it would. He knew that "the fear that defines" Harvey was decision making, and he most likely figured this out this from as early on as the first session if one remembers how that went. Everything from beginning to end was elaborately set up in the session to make Harvey face his defining fear head on. This plays out very similarly to the first session- Jon steered everything in the direction he wanted it to go in just to make Harvey acknowledge his fears.

Thing is though, this premise has some... Interesting implications if one looks at what Jon talks about at the start of the session. Now granted I did try saying that Jon was speedrunning therapy last part of this analysis series. That idea still stands imo shitposty as it is. But to add to it though, to focus on how Jon apparently "talked about trust" before the session began. Two-Face responded that they were told to co-operate though rather than trust, and unless it's a situation where Harvey Two-Face misinterpreted something that was said, chances are he was just told to go along with it not that he has a choice. Trust was also mentioned first session too, where Jon explains that establishing a bond of trust would be the best way for him to help Harvey, and that translates to him removing Harvey's coin. Hell, Jon even tells Harvey "I think we're gonna make excellent progress if you just put your trust in me" as early as their first meeting (S2, E4, 33:04).

So what might this all mean? Just going off of the two sessions observed so far, Jon's method of doing therapy is to seek out what main fear makes a person tick, then try and get the person to acknowledge and/or face it head on whether they'd like to or not. His idea of "trust" is just having a person be unable to (or at the very least, not likely to) resist. As for his intentions about all this... That's honestly up for discussion. But! I'm hard pressed saying that none of it is him actually wanting people to overcome their fears. Not downplaying how terrible he is mind, but it'd be perplexing that a psychologist who would be only focused on traumatising clients (who can also uncover what a client is frightened by so rapidly too!) would still choose to try and get the client to recognise that fear in themselves rather than just, ya know, not telling the client their deepest fears and scaring the heebie jeebies out of them. He even goes as far as to set up a session on a skyscraper to make an elaborate point about Harvey's defining fear. He tells Harvey beforehand what he needs to do in the session, and it isn't just doing everything he says: "I want you to cooperate with you". If Jon talks about "trusting him" it's bad news. He asks whether Skids trusts him during the infamous Stabberscotch scene too, again a moment where the person he's asking to trust him is forced to co-operate (S2, E4, 5:06), reinstating the point. That said, given Jon's belief that "fear sets limits on courage" (S2, E4, 4:15), I don't reckon that him wanting to see people overcome fear is out of any streak of benevolence as much as him just wanting to see how far that person's fear goes. The possibility they might be able to overcome the fear might be the real enticing thing for him.

Second major thing that stands out, that this JoyCure thing he put Harvey on. It stops Harvey from feeling his fear of heights but not his fear of making decisions. As for why, I wager it's because JoyCure is a drug that causes feelings of euphoria and dulls basic fear caused by instinct, but it doesn't help at all with fears you actively think about.

If you're really confused right now by what I mean I don't blame you, but it'll make sense.

At the beginning of the session, Jon uses the co-operation talk to segway into rambling about conflict. According to him, everyone feels conflict, and Harvey is just a step up from that. Conflict is caused by fear, and "When what we know is false coincides with what we fear is true, that’s a conflict and there are casualties." (12:13). Harvey is on the drug, and he seems hunky-dory, not arguing with himself, but then again he doesn't have to: Jon is giving him instructions rather than making him do anything on his own. His fear of heights seemingly vanished, he doesn't feel even slightly nervous being asked to dance or walk a flagpole so high up. But, again, he's being told to do this. In fact, remember I mentioned earlier that Jon gave a fun fact, "Did you know a baby's first instinct is a fear of falling"? That's the thing, Jon is saying here (whether intentionally or not) that a fear of heights is hardwired into us from birth. Harvey's fear of it isn't unusual at all, but JoyCure prevents him from feeling that instinct anyway. And to elaborate further, "When what we know is false coincides with what we fear is true, that’s a conflict", but Harvey is scared of heights, scared he might fall off because the height will harm him, and he's on a skyscraper so it's true. There is no inner conflict in knowing his feelings are unfounded, because they are.

So overall, if I'm right with this idea anyway self-preservation while on JoyCure goes functionally out the window. You'd normally get nervous putting your hand near a hot stove tops for example, knowing you'd get burnt, but if you took JoyCure you wouldn't feel any nerves at all about it. To again quote Jon, "Fear is a furnace which must be fed. What I have done is empty your mental coal tinder" (14:22) talking about how the drug works, that whatever "tinder" is there (in this case instinctive fear) is emptied. So, I suppose, consciously fearing is the equivalent of adding tinder again? I mean, Harvey starts feeling fear because he consciously has to make a decision, he has to think about it actively and worry actively, rather than just have the fear be reflexive like it would be dealing with something dangerous. I imagine because of this the drug also wouldn't work as a treatment for anxiety disorders. Very Sadge 💔

FINAL SCORE FOR THE SESSION:

🎊 1/10 🎊

How the hell Jon got worse than first session I have no idea but here we are. The extent of his therapy here is using psychological theory to prove a point to his clients that they're terrified of making decisions on their own. Elaborate and impressive! He probably spent more time planning how this session was gonna go than actually doing what's expected of him as a therapist.

This man does not care about ethics, client's feelings or whether his sessions might kill a man.

In fact he knows his sessions might kill someone. He plans them out after all:

"When what we know is false coincides with what we fear is true, that’s a conflict and there are casualties"

#Batman #Batman the Audio Adventures #BTAA #BTAA Scarecrow #Scarecrow #Jonathan Crane #text post #analysis #Character analysis #How good is Scarecrow at therapy really?

32 notes · View notes