#AND SO I HAD THIS IDEA FOR THIS SONG BUT IT WAS A PICTURE ORIGINALLY BUT I GOT TO SHADING AND IT WASN’T EPIC ENOUGH

[coconut530]

CW: Flashing (and fire)

Matches: Nevermore

[pathologicalreid]

all we ever do is talk | s.r.

in which Spencer and wife!reader fear they're getting boring, so the BAU sets them up with a hotel suite for Spencer's birthday

margotober masterlist

who? spencer reid x fem!reader category: smut (18+ mdni) content warnings: i don't remember. hold on. oral (f and m recieving), fingering, unprotected p in v sex, breeding but not like the primordial kinky type just like, having sex to get pregnant, drinking wine, this is like circa s11, not proofread i'm just a girl, david rossi being rich for the plot, i hate hate hate the word pussy but here we are, softdom!spencer. spencer reid certified gift giver! word count: 4.17k a/n: a fic based on a del water gap song? who's surprised? no one! anyways i blacked out toward the end of writing this one no clue what happens here also sorry about the breeding thing i really don't know where that came from

The robe you wore was luxurious, and the cumulative cost of every item in your hotel room likely cost more than you made in a year. Needless to say, you were starting to feel out of place in the room, your hair and makeup done to perfection as you waited for your husband to arrive.

Reaching into your pocket, you slip your phone out and check for notifications. JJ was your babysitter for the night, and even though she had insisted that everything would be fine, you had never actually spent a full night away from Eleanor. You had no idea how Spencer did it time and time again for cases.

You: Everything good? JJ: Shouldn’t you be with Spencer right now? You: He’s on his way. You: Everything good?

She responds with a picture of Nell, your sweet toddler, who was seemingly too focused on the bowl of mac n cheese in front of her to even look at the camera. You type out a reply to JJ before forwarding the photo to Spencer.

JJ assured you that Eleanor would be in good care with her and Will, and it’s not that you have any doubts, it’s that she’s your baby and this is your first time being away from her.

The door to the hotel room clicks, and you set your phone on the comforter, watching as Spencer walks into the room before returning the key card to his wallet. “Hey,” you greet from the bed, crossing one leg over the other.

“Hey, honey,” he says, striding over to you before pressing a soft kiss to your hairline, “You smell nice.”

You nod in the direction of the bathroom, “I got here early and took a bath.” Slowly, you take a better look at him, “You look good, I like that suit on you.”

He holds his arms out and looks down at himself, “I heard through the grapevine that you have a fantastic dress for tonight, so I figured I needed to pull out all of the stops.” Years ago, Rossi had gotten all of the BAU men custom designer suits, that must be the one your husband had chosen to wear tonight. It was fitting, seeing as Rossi was probably fronting most of the bill for your night.

“I’ve never heard Penelope referred to as a grapevine before,” you respond in jest, getting up from the bed before you make your way to the bathroom. “She helped pick the dress,” you inform him, shedding your robe before stepping into the dress. It was a short, black velvet number that clung to the contours of your body in a way that you hadn’t thought was possible. Instead of straps, two dainty chains went over your shoulders, leaving excess dangling over your back.

Spencer clears his throat, “So, how did the drop-off go?” He missed the big goodbye, which was probably for the best.

You sigh, “Nell was great. I was a mess.” You had only been given a few days to prepare for being away from her.

Carefully pulling the chains over your shoulders, you look at yourself in the mirror before slipping your heels on and stepping out of the bathroom. Spencer was standing in front of the windows, watching the sunset over the horizon, “For what it’s worth, I had no issue with the original plan for tonight.”

Initially, you had planned to celebrate Spencer’s birthday at home with Eleanor, and there was meant to be a party with the rest of the BAU tomorrow evening. Somehow, the team had gotten the idea that the two of you needed an evening out, so they chipped in to give you just that—some members more than others.

“I’m always alright with spending quality time with my girls, but—” his voice cuts off as he turns to look at you, “Never mind.”

You chuckle, “What?” Looking down at yourself, you smooth out the front of the dress with your palms.

His eyes wander as he unabashedly checks you out, “I’m finding with every passing moment that this might be my preferred plan for the evening.” He watches attentively as you go back to sitting on the edge of the bed, fixing a twisted strap of your heel while Spencer stands directly in front of you.

“When was the last time we went out on a date?” You ask, strapping your heel around your ankle.

He hums, fake thinking about your question even though he knows the exact date, “However old Nell is, add approximately ten months,” he answers.

You look up at him, your face warming in surprise, “Has it really been that long?”

Spencer nods mournfully, “Almost three and a half years,” he sits down on the bed next to you, placing his hand on your bare thigh and swiping at the soft skin with his thumb.

Holding your hands up to your face, you glance at Spencer with wide eyes, “Oh, Spence. When did we get boring?”

“We aren’t boring,” he insists, “We have a two-year-old. We work.”

You raise your eyebrows at him, “Other people do those things, and they’re not boring.”

He matches your look, “We aren’t boring,” he repeats. “Let’s make a deal,” Spencer offers, “Tonight, you and I won’t be boring.

“Right, so we’ll have a glass of wine at dinner tonight and then return to being boring tomorrow?” You say glumly, watching as he shifts on the mattress, adjusting his weight distribution.

“No,” he whispers, leaning over to press a kiss to your lips before sliding off the mattress, leaving him on his knees in front of you.

Blinking absently at him, your heart jumps at the sight of him in front of you, “You know we have dinner reservations, right?”

He gives you a slightly incredulous look, “You know it’s an open reservation, right? We have it until midnight.”

Your head bobs in acknowledgment, silently permitting him to part your knees, and you watch him come to the realization that you weren’t wearing any panties, “I didn’t want any lines to show under the dress,” you explain. There was also a part of you that hoped your evening would go in this direction.

Placing his hands on your hips, he pulls you closer to the edge of the bed, rolling your dress up to your waist, leaving you bare in front of him, “You’re perfect,” he breathes, “I don’t tell you that enough.” His fingers carefully prod at your core, a ghosting of pressure as he sweeps his index finger over your folds, an array of goosebumps forming over your skin.

Your breath hitches when he grips one of your thighs, placing it over his shoulder in the way he’s done numerous times before, but it always seems to take your breath away. “You tell me plenty,” you say, the sensation of his breath on your wet heat affecting you in ways you haven’t felt in ages.

“That’s not nearly enough,” he scolds himself, craning his head forward to press a kiss to your clit, chuckling when you jump as a result.

Releasing a breathy laugh, you look down at Spencer, your heart racing as you await his next move, “Then tell me again,” you whisper.

Spencer hums in response, slipping his pointer finger inside of you as he murmurs, “You’re perfect.”

You let out a soft moan as his finger slowly starts moving out, taking it slowly as you lean back on your hands, careful not to mess your hair up too badly, “Spence,” you whine at the pressure.

“I know,” he tells you, “It’s been a while, huh?”

Closing your eyes, you nod quickly as he slips a second finger into your cunt, a gasp escaping your lips as your body stretches around his fingers, “It’s been too long,” you tell him, lifting one hand to your mouth and biting down on your knuckle to muffle your sounds—a habit you’d picked up since having a baby.

He hums, peering up at you through hooded eyes, “This is a honeymoon suite, angel. It’s engineered to keep sound in.”

Your hand drops obediently, falling back to the mattress as you ignore the implications of the BAU reserving the honeymoon suite for you and focusing on your husband, who was bending his neck down to suck your clit. His lips encircle the sensitive nub as you let out a low whimper, knowing what’s about to come making you apprehensively excited.

Steadily, Spencer works at you, thrusting his fingers while suckling at your clit, periodically using his tongue to apply pressure, and reveling in your high-pitched moans as he drives you closer and closer to what you’re sure will be your first of many orgasms of the night.

“Oh my god,” you gasp, moving one hand to the top of his head, threading your fingers through his hair and tugging at the strands.

He shifts on his knees slightly, coming up for air as he adjusts the angle of his fingers inside of your cunt, going back down on you as his fingers find a new pace. They curl inside of you, targeting the spongy button that makes your abdomen tighten and your thighs tremble.

Overwhelmed, you repeat his name like a prayer while you pull at his hair, “Fuck, I’m gonna cum,” you cry, helplessly staring at the ceiling while Spencer keeps his motions going, his fingers relentlessly thrusting into you while he sucks at your clit, encouraging your orgasm.

Your walls clench around his fingers as your orgasm rips through you, your legs shaking as your husband remains buried between your legs, working you through your orgasm, “So perfect,” he pants, gently massaging your pussy as he withdraws his fingers, pressing soft, tender kisses to the insides of your thighs. “We don’t even have to go to dinner,” he says, looking at you hungrily.

You smile down at him, “We should go, Dave called in a favor to get us this reservation.”

Spencer straightens up and nods in agreement, holding his hand up to your mouth, “Open,” he says, looking satisfied when you poke your head forward, putting your lips around his two fingers and tasting yourself on them.

Sucking your own slick from his fingers, you focus on his eyes as you swirl your tongue around them, watching the dilation of his pupils because you know exactly what effect you’re having on him. He slips his fingers from your mouth before dropping a kiss on your lips, the entire exchange reminiscent of the time before you had Eleanor. You weren’t complaining.

Checking his watch, Spencer stands up straight in front of you, helping you stand, he holds onto your waist while you find your balance, “How are you feeling?”

You peer up at him through your mascara-coated eyelashes, “Most decidedly not boring,” you answer, following him into the bathroom so the two of you can clean up.

“C’mere,” Spencer beckons, looking at you from across the table. “You’re too far away,” he explains, the table at the restaurant keeping the two of you apart when you’ve already established that you want to be close tonight.

Taking your napkin off of your lap and setting it on the table, you grab your glass of wine and make your way to your husband. In the private room that had been reserved for you, “Here I am,” you present yourself to him, the privacy glass that surrounded you concealing the way his arm snaked around your waist, guiding you to his lap.

He smiles up at you, “That’s better,” he says, your legs latticed over his own.

Looking over your shoulder at the table, you hum an acknowledgment, “This table is almost comically large for two people.” You imagine it’s intended to be fancy, a long, glamorous table for a glamorous restaurant. You lean your head against Spencer’s, closing your eyes and appreciating your closeness, “Happy birthday, my love.”

“It’s not my birthday yet,” he murmurs, tipping his head back and kissing you softly, the taste of the wine that had been chosen for you was faint on his lips.

A soft giggle bubbles in your throat, “Then I’ll have to stay up until midnight so that I get to be the first one to tell you.”

Humming, Spencer settles a hand on your thigh, giving it a comforting squeeze, “The real challenge there is staying up until midnight.”

“I’m sure we can think of something to keep us up,” you grin cheekily, swinging your legs. “So, before you’re officially older,” you begin, “What do you want to do with your next year of life?”

“Finish the bathroom remodel,” he answers almost immediately, referring to your main floor bathroom that had been in disarray for months. The countertop that you had chosen was still on backorder.

You raise your eyebrows, “What do you want to do that will help us on our pursuit to become less boring?”

Spencer studies your expression, taking his time before answering, “I’d like to at least discuss having another baby,” he responds.

Admittedly, it had been on your mind recently. With Kate leaving the BAU to spend time with her baby and JJ announcing she and Will were expecting, considering having a second baby wasn’t out of the realm of imagination. “You want another baby?” Your question is soft, you look at him, studying the brown eyes that he had passed down to Eleanor.

He nods, his thumb absentmindedly rubbing circles on your bare thigh. “I know that you’ll bear most of the responsibility if we have another baby. I’ll still be around as much as work will allow, but there’s only so much room for variables in the BAU. I wouldn’t want you to feel alone in it, but I— I’d like for Nell to have a sibling.”

“Okay,” you breathe, not needing much convincing to come to a conclusion. Admittedly, you weren’t expecting this conversation tonight, but it wasn’t a conversation you’d ever had before. Eleanor was about as much of a surprise as a baby could be.

Spencer looks surprised at your reply, “What?”

Slinging your arms around his shoulders, you shrug, “Let’s have another baby. This time next year Nell will be three, so, now almost feels like a perfect time.”

“It takes most couples months to conceive when they’re trying,” Spencer tells you, “Only about thirty percent conceive in the first three months.”

You raise your eyebrows doubtfully, “How long does it take couples who have a luxury hotel room to themselves for the night?” Your loaded question easily slides off your tongue as you lift your hand to his chest, thumbing the silk fabric of his tie while you wait for his answer.

He led the way to the hotel room, luckily the hotel and restaurant were connected; you would’ve hated for a cab driver to see you dazedly staring at your husband with the promise of what comes next.

Pulling his keycard from his wallet, Spencer pushes the door open, dragging you in behind him before pressing you up against the wall. You shove at the lapels of his jacket, trying to get it off of him.

Haphazardly, you drop pieces on the floor, Spencer’s jacket, your heels, his tie, everything falling away as the two of you stumble to the bed. You yelp when you fall back onto the bed, Spencer catches himself above you and a fit of giggles erupts from your mouth. A sort of light, airy feeling goes through your head while you’re beneath him, the freeing feeling of knowing you’re about to have sex and you don’t have to worry about your toddler knocking on your door was overwhelming.

You kiss him while fiddling with the buttons of his dress shirt, pulling the white fabric from where it was tucked before discarding that as well. “Wait,” you say breathlessly.

Spencer sits up, panting as he looks down at you, “What is it?” He asks, eyes searching for something wrong.

You prop yourself up on your elbows, “I bought lingerie for tonight,” you tell him, eyes flickering over to your overnight bag. The blue, lacy set was calling your name.

Hovering back over you, Spencer bows his head and presses a soft, unhurried kiss to your lips, “Show me later?”

Nodding, you watch him as he pulls his undershirt off, another bundle of fabric lost to the ground. Gently, you push at him, making it so his back is on the mattress as you place one knee on either side of his waist.

His hands tug at the hem of your dress, ruching the fabric around your waist as you slowly grind your hips over his. “Fuck, baby,” he hisses, already tightly wound after your earlier activities.

Understanding, you start to leave a trail of kisses down his chest, continuing to go lower until you’re unbuckling his belt and undoing his fly, placing your hand over his already hard cock and palming him on top of his briefs, “You’re so hard,” you moan, your mind thinking ahead to when he’ll inevitably fuck you.

In the interim, you tug his pants and briefs halfway down his thighs, leaving his length standing at attention for only a moment before you duck your head, licking a long stripe up the veiny underside of his cock. Spencer’s hips buck up from the mattress in response, and you take him in your mouth, using your hand to touch what you can’t fit in your mouth.

Pressing your tongue flat against the head, you moan with him in your mouth when he grabs a fistful of your hair. You were no longer worried about your appearance, only about driving him as crazy as possible.

“Angel,” he says, his voice strained, “I can’t— I need to be in you.”

You lift your head, moving back up to him and straddling his hips again, placing your bare pussy on top of his hard cock. Wiping drool from the corner of your mouth, you raise your eyebrows at Spencer, “Are you ready?”

He nods, mouth falling open when you lift yourself up and position his length at your entrance, “Oh, wow,” he breathes, gently rubbing at your clit as you ease yourself onto him, your walls throbbing around him. His hand settles on your hip as you take a moment to adjust.

Pulling at your dress, you tug it over your head, leaving it on the floor of the hotel room, “Ah,” you sigh, rolling your hips slightly to try and help your body adjust.

“Absolutely no lingerie necessary,” he says, his eyes studying your body as if he’s seeing you for the first time all over again. “I’m so thankful for you, my girl,” he murmurs with lust-hooded eyes.

You hum in response, bending at the hips to put your lips on his, a whimper escaping your lips when his hips buck up from the mattress again, “Fuck, call me that again.”

“My girl,” he echoes, thrusting up into you again. “I’m not going to last very long,” he admits, groaning as you start to lift yourself up and down on his cock.

Small whines come from your lips with every movement, you shake your head, “That’s okay, we can…” your voice trails off, “I don’t think I will either.” The admission comes as a bit of a surprise to yourself, you hadn’t realized you had gotten so worked up.

Snaking his hand between your bodies, Spencer focuses his attention on getting you to your second orgasm as your movements grow unsteady, “You’re doing so well,” Spencer encourages you, knowing you aren’t usually on top.

“Shit, Spence,” you gasp, your resolve failing as your torso drops forward, giving him the freedom to continue lifting his hips up into you, “Oh,” your cunt clenches down around him, “I’m cumming,” you tell him, burying your face in his chest as you cry out. His thrusts start to overstimulate you as he chases his own orgasm, and eventually his movements falter.

You can feel the pulsing of his cock inside of you as his hot cum fills you, a tired sigh as his rigid body relaxes back into the mattress, “Oh, my girl,” he whispers, smoothing your hair back as you catch your breath on top of him, “Why don’t you stay up here for a little bit?”

Nodding, you look up at him, a pink flush splattered across his face as you watch him, “I love you,” you breathe, glancing at the clock, “Happy birthday.”

Spencer spares a glance at the clock, three minutes past midnight, “I love you too, angel. Thank you.”

You sigh, lifting yourself on shaky arms and grabbing a box from his bedside table, “This is for you.”

He releases a breathy laugh, obviously amused at the idea of opening a birthday gift while he’s still buried inside of you, “I got you something too,” he admits, sweeping a strand of hair from your face.

Tilting your head to the side, you frown, “It’s not my birthday.”

Shaking his head, Spencer agrees with you, “No, but I find I can’t resist giving you gifts.”

You inhale sharply when he twists to open the drawer of the nightstand, pulling out a rectangular box and resting it next to him so he can start to open the gift from you.

“Oh, honey,” he says, opening the watch box. His old one had a damaged mechanism and needed to be replaced, but it wasn’t something he was likely to spend the money on for himself. Naturally, you did it for him.

You raise your eyebrows, “It’s engraved,” you explain. Watching him take the watch out of the box and look at the back, the dates that you had carved in being significant markers in your relationship. Your wedding anniversary. The date Eleanor was born. There was plenty of space to add more dates too, should the time come.

“It’s perfect,” he tells you, placing the watch back in the box to keep it safe, “Thank you,” he says, shifting under you as he reaches for the box.

Rolling your eyes, you accept the box anyways, “Now, why would you get me a gift for your birthday,” you tut, undoing the ribbon on the box before opening it. “Oh,” you breathe, “Oh, Spence,” you say, tears pricking your eyes.

Inside of the box was a necklace, and strung on the dainty chain was a teardrop-shaped sapphire. “It’s Eleanor’s birthstone,” he explains, “I saw it last time Penelope dragged me to the mall with her, and I thought it was perfect for you.”

“It’s beautiful,” you say, moving to fasten it around your neck, the only other thing adoring your body being your wedding ring. You grin at your husband as you duck down to press a kiss to his lips, half-conscious of the way he’s kicking his pants off until he’s flipped you onto your back.

He hums as you moan, “You’re beautiful. You’re so, so beautiful,” he muses, burying his face in your neck and placing soft kisses along the column of your throat.

Opening your legs more, you invite him to come closer into you, “I would have agreed to have another baby a long time ago had I known I’d be treated so well,” you tease him gently, gasping as his lips attach to your breast, littering kisses all over you.

“I always treat you well,” he insists, taking a tentative thrust into you before taking you into his arms.

You whimper softly at the pressure on your pussy, “Spence,” you sigh, your sensitive cunt clenching around his cock. “Oh, god yes,” you mutter as he begins to find a pace, pressing his full length into you.

He drops a kiss to your shoulder, “I know baby,” he says, sticking to his rhythm and pushing your legs open wider, “I’ve got you.”

A curse falls from your lips as you screw your eyes shut, tilting your head back and gasping at the sensation, “I love you,” you tell him.

“I love you too,” he says, equally out of breath with you as he fucks into you with abandon, chasing a new high as you dig your nails into his back. “You’re so good for me, baby,” he hisses, “I’m gonna cum in you,” he warns, snapping his hips to yours.

A high-pitched moan comes from you as he paints your insides with his cum, the sensation of him filling you leading you to your third orgasm of the night as your walls pulse around him.

The two of you stay like that for a moment, waiting for someone to catch their breath as your eyes go wide. “Are you alright?” Spencer’s the first to speak, carefully pulling out of you and chuckling lightly when you whine at the empty feeling.

Nodding, you turn your head to the side, “Yeah, are you?”

He smiles, “I think this might be the least boring birthday I’ve ever had.”

[starkwlkr]

the girls are fighting!! | toto wolff

an: because i’m seeing oasis this year, i thought it would be nice to make this pls don’t hate me, i love the spice girls!! (i only know one of their songs) fun fact: the original idea for this was that the reader was a grunge singer from the 90s but ever since the oasis reunion was announced that’s literally all i can think about

oasis member!reader

INSTAGRAM

liked by yourusername, britpopcults and others

f1updatingdaily f1 twitter recently brought up the feud that y/n l/n (oasis bassist and toto wolff’s wife) and geri halliwell (spice girl member and christian horner’s wife) had in the late 90s until 2019. y/n recently told rolling stone magazine that her and geri have love for each other now and attend races together when they can. while at least one horner and wolff settled their differences, christian horner and toto wolff continue the horner/wolff rivalry that was started by their wives.

hereswonderwall I’m not a big fan of the spice girls but when geri gave y/n the future trophy wife mug . . . it was iconic

y/nupdates y/n and geri: 👩‍❤️‍💋‍👩 toto and christian: 😡🤮

hamilton444 got a picture with y/n and geri in monaco last year! they were so nice and even facetimed my mum! she’s a big oasis and spice girls fan

feelgoodbitch toto and christian will never work it out on the remix

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liked by lewishamilton, gerihalliwellhorner and others

yourusername i guess gerihalliwellhorner was right 🙃

gerihalliwellhorner 😅😅

liamgallagher you traded the bass for fancy shite??

yourusername i would trade you for a strawberry

liamgallagher rude

yourusername see you in may for rehearsal! don’t be late you old man xx

mercedesamgf1 that’s my wife! - toto

ferraridepressionclub manifesting a divorce so i can keep y/n to myself

mercedesamgf1 blocked and reported

ferraridepressionclub WAIT NOOOO

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[vintagegeekculture]

I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.

You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.

This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….

All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”

It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.

The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.

When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.

In Meco’s own words:

"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."

Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.

Dick Clark, host of American Bandstand, had this to say about Meco:

"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."

Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.

One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.

1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.

He also did an album based on the Wizard of Oz:

And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:

Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.

Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.

[moonreader1010]

Pac- how can you be the b*tch that never loses<3

(the pictures do not belong to me. All rights go to the original owner)

Pile 1. Pile 2.

Pile 3 ^

Pile 1:

Go tell your friends about it (about it)

Go tell 'em what you know, what you seen

How I roll, how I get it on the low (oh)

You have a really bright aura. You should really use it. it will take you to great heights. You have this ability to shed enlightenment over literally anyone. That's your superpower. Your connections are very important. You should work on your tolerance. Try to not get so involved in matters that don't concern you. Be helpful but to an extent. I see you giving A LOT to other people. But please look after yourself first. You are sensitive to certain things. Use this ability. Don't let it use you. Okay?. You need to learn how to balance your pride and when to compromise. I see you leaning toward one side more but bby different situations need to be dealt with differently. Yes balance. Another card is also pointing towards balance. Learn balancing things and you will be unstoppable.

There has been some loss. There is some anger too. And bby it is only contributing towards emotional instability. Don't let it control you. You are made for greater things. You might have felt left out a lot in your life but that's because people don't know what to do with you and your amazing self. You are different. And that's such a good thing no? Why don't you let yourself accept it. You won't fit in and that's because you simply are just better than them. Use it!!!!!!

Your brain is AMAZING. Your Ideas are amazing. You can play with emotions!!!!!! Girlllll!!! You really need to go out there and get it. Period.

Additional- Libra, high achiever, materialistic, 3, 1, affinity, triumph.

Song for you - tell your friends by the Weeknd

Pile 2: a bit 18+

You gotta be a star to jump over the moon so when you touch on me

You're a shooting star (a star), oh yeah (a star)

You know you got somethin' for the world to see and there I go

Still wondering who you are (a star, a star, yeah)

Your friendships are very important. Your communication has so much potential to make you a winner. Why don't you use it? You might love solitude and your own company but bby you gotta get out to play. And to win. Sympathy seems to be something that you know how to use. You have it in you. Again, friendship and community has been highlighted. There is a gift that you have inherited from your ancestors. You also seem to have a power in creating suspense and mystery and it's really attractive. You should use it more. Oohhh I see that you are quite feisty. You are not someone who just simply agrees to anything. You oppose it. You make things interesting. Yum. Are you possessive? Because people really admire it in you. In a sexy way. There is this arrogance that even though is conventionally bad but your arrogance is different. It makes things interesting almost. You give people ecstasy. This euphoric feeling. Very feminine energy from this pile.

Additional - cat, business, money.

Song for you - star by Megan thee stallion (feat. Lucky Daye)

Pile 3-

You came along when I needed a savior

Someone to pull me through somehow

I've been torn apart so many times

I've been hurt so many times before

So I'm counting on you now

Somebody already broke my heart

Straight up I'll tell you that i got very slippery energy. Very teasing. I also had this sudden moment where I got really angry. I feel like this pile is very "good girl gone bad" types. Past wounds. You have been hurt. A LOT. There was an earlier version of you that has been killed. You are an entirely new person. I'm getting very "don't touch or I'll break your hand" energy. Ummm. Baddie. Haha. Anyway, there has been a lot of stress, overworking or like some overwhelming experience. Too much to handle. Or maybe that's what people made you feel, that you are too much to handle or very high maintenance. But what do they know. They didn't deserve you (i suddenly felt like I had to tell you this). So true. They definitely don't deserve you. Maternal trauma. I'm so sorry bby. Heavy theme of transformation. Keep your good fait up bby. Do something for your soul and watch how you win. You have been oppressed a lot and it's time to break free. Don't hide. Despite all this, there is an innocence to you and it drives people crazy. Girlllllll. I got goosebumps. Please invest in yourself. Omg are you seriously okay bby? I'm so sorry. But it's over now. Get up and make sure nobody ever thinks about hurting you ever again. Don't suppress your memories bby. Feel them and let them transform you. Girl you are going to win.

Additional - heart, tears, fox, red, 8th house, scorpio.

Song for you - somebody already broke my heart by sade (this song is like a dedication from you to yourself)

[tavolgisvist]

Paul about the breakup of The Beatles in The Lyrics, 2021

The four of us just knew how to fall in with each other and play, and that was our real strength. That made it all the more sorrowful to think that our breaking up was almost inevitable. So there’s a wistful aspect to ‘Get Back’. The idea that you should get back to your roots, that The Beatles should get back to how we were in Liverpool. And the roots are embodied in the style of the song, which is straight-up rock and roll. Because that was definitely what I thought we should do when we broke up – that we should ‘get back to where we once belonged’ and become a little band again. We should just play and do the occasional little gig. The others laughed at that – quite understandably – because by then it was not really a practical solution. John had just met Yoko, and he clearly needed to escape to a new place, whereas I was saying we should escape to an old place. Reviving the old Beatles just wasn’t on the cards. It was too late to be recommending that we not forget who we were and where we once were from. If my dream at the time really was to get back to where we once belonged, John’s dream was to go beyond where we once belonged, to go somewhere we didn’t yet belong. I’ve already mentioned how in September 1969 we were in a meeting and talking about future plans, and John said, ‘Well, I’m not doing it. I’m leaving. Bye.’ In the ensuing moments, he was giggling and saying how this felt really thrilling, like telling someone you’re going to divorce them and then laughing. At the time, obviously, that was wildly hurtful. Talk about a knockout blow. You’re lying on the canvas, and he’s giggling and telling you how good it feels to have just knocked you out. It took a while, but I suppose I eventually got with the programme. This was my best mate from my youth, the collaborator with whom I’d done some of the best work of the twentieth century (he said, modestly). If he fell in love with this woman, what did that have to do with me? Not only did I have to let him do it, but I had to admire him for doing it. That was the position I eventually reached. There was nothing else I could do but be cool with it.

(Paul McCartney about Get Back (1969), The Lyrics, 2021)

That was coupled with the business problems at Apple Records, which really were horrible. The business meetings were just soul-destroying. We’d sit around in an office, and it was a place you just didn’t want to be, with people you didn’t want to be with. There’s a great picture that Linda took of Allen Klein, in which he’s got a hammer like Maxwell’s silver hammer. It’s very symbolic. And that’s why we have the little nod and a wink in the middle section to ‘You Never Give Me Your Money’, in the lines ‘I never give you my pillow / I only send you my invitations’. That whole period weighed on me to such an extent that I even began to think it was all tied in with the idea of original sin. Even though my mum had christened me as a Catholic, we weren’t brought up Catholic, so I didn’t buy into the concept of original sin on a day-to-day basis. It’s really very depressing to think that you were born a loser.

(Paul McCartney about Carry That Weight (1969), The Lyrics, 2021)

The Beatles stuff all got too heavy, and 'heavy' at that time had a very particular meaning for me. It meant more than oppressive. It meant having to go into meetings and sit in the boardroom with all the other Beatles and with the accountants and with this guy Allen Klein. He was a New York spiv who had come over to London and talked to The Rolling Stones and persuaded them he was the man for them. Prior to that, he had persuaded Sam Cooke he was the man for him. I smelled a rat but the other chaps didn’t, so we had a fight over it and I got voted down. I was trying to be Mr Rational and Mr Sensible, and it all went haywire. It was early 1969, and The Beatles were already beginning to break up. John had said he was leaving, and Allen Klein told us not to tell anyone, as he was in the middle of doing deals with Capitol Records. So, for a few months we had to keep mum. We were living a lie, knowing that John had left the group. Allen Klein and Dick James, who sold our publishing in Northern Songs without giving us a chance to buy the company, were both hanging around in the background of this song. All the people who had screwed us or were still trying to screw us. It’s fascinating how directly we acknowledged this in the song. We’d cottoned on to them, and they must have cottoned on to the fact that we’d cottoned on. We couldn’t have been more direct about it. ...

Contracts were written on funny paper. Lying behind the song is the idea of the contract as a relationship between two people. The negotiations are at once business negotiations and romantic negotiations; I’m thinking of the lines ‘And in the middle of negotiations / You break down’. The breakdown in negotiations is also a kind of nervous breakdown. The problem was that, by this stage, everything was up for negotiation, and miscommunication was the order of the day. We weren’t really writing together anymore. Each person was bringing in little bits of this and little bits of that. And we all knew that phase of our lives, of being The Beatles, was coming to an end. We were working towards an album, knowing it was probably going to be our final fling. Though Let It Be was released later, Abbey Road was indeed the last album we recorded in the studio. There was an upside, however. I’d got married to Linda, and our relationship offered some respite from the dreary infighting and the financial stuff. The lines ‘One sweet dream / Pick up the bags and get in the limousine’ were a reference to how Linda and I were still able to disappear for a weekend in the country. That saved me.

(Paul McCartney about You Never Give Me Your Money (1969), The Lyrics, 2021)

This was just after The Beatles broke up, and I was trying to establish myself as a solo artist with a new repertoire. If it was going to work like the Beatles repertoire had worked, I had to have a hit. One in two songs had to be a hit. So, this was a conscious effort to write a hit, and Phil was very helpful. We knew that if we had a hit, it would cement our relationship and we would keep working together, which we did with the RAM album. It would prove that we were both good – he as a producer and I as a singer songwriter. Releasing my first solo song after the breakup felt like a big moment. Thrilling, though tinged with sadness. It also felt like I had something to prove, and that kind of challenge is always exciting. The song went to number two in the UK singles chart and number five in the US Billboard Hot 100, so it did pretty well. Of course, this was still a time when there was a bit of tension between John and me, and this sometimes filtered into our songwriting. John made fun of this song in one of his own, ‘How Do You Sleep?’The only thing you done was yesterday And since you’ve gone you’re just another day One of his little piss takes.

(Paul McCartney about Another Day (1969/1971), The Lyrics, 2021)

This song was written a year or so after The Beatles breakup, at a time when John was firing missiles at me with his songs, and one or two of them were quite cruel. I don’t know what he hoped to gain, other than punching me in the face. The whole thing really annoyed me. I decided to turn my missiles on him too, but I’m not really that kind of a writer, so it was quite veiled. It was the 1970s equivalent of what we might today call a ‘diss track’. Songs like this, where you’re calling someone out on their behaviour, are quite commonplace now, but back then it was a fairly new ‘genre’. The idea of too many people ‘preaching practices’ was definitely aimed at John telling everyone what they ought to do – telling me, for instance, that I ought to go into business with Allen Klein. I just got fed up with being told what to do, so I wrote this song. ‘You took your lucky break and broke it in two’ was me saying basically, ‘You’ve made this break, so good luck with it.’ But it was pretty mild. I didn’t really come out with any savagery, and it’s actually a fairly upbeat song; it doesn’t really sound that vitriolic. If you didn’t know the story, I don’t know that you’d be able to guess at the anger behind its writing. It was all a bit weird and a bit nasty, and I was basically saying, ‘Let’s be sensible. We had a lot going for us in The Beatles, and what actually split us up is the business stuff, and that’s pretty pathetic really, so let’s try and be peaceful. Let’s maybe give peace a chance.’ The first verse and the chorus have pretty much all the anger I could muster, and when I did the vocal on the second line, ‘Too many reaching for a piece of cake’, I remember singing it as ‘Piss off cake’, which you can hear if you really listen to it. Again, I was getting back at John, but my heart wasn’t really in it. This is me saying, ‘Too many people are sharing the party line. Too many people are grabbing for a slice of the cake, a piece of the pie.’ The ‘sleep in late’ thing – whether that was accurate, whether John and Yoko actually slept in late or not, I’m not sure (although John often was a late riser when I would drive out to Weybridge so that we could write together). They were all references to people thinking that their own truth was the only truth, which was certainly what was coming from John. The thing is, so much of what they held to be truth was crap. War is over? Well no, it isn’t. But I get what you’re saying: war is over if you want it to be. So, if enough people want war to be over, it’ll be over. I’m not sure that’s entirely true, but it’s a great sentiment; it’s a nice thing to think and to say.

I’d been able to accept Yoko in the studio, sitting on a blanket in front of my amp. I’d worked hard to come to terms with that. But then when we broke up and everyone was now flailing around, John turned nasty. I don’t really understand why. Maybe because we grew up in Liverpool, where it was always good to get in the first punch of a fight. The whole story in a nutshell is that we were having a meeting in 1969, and John showed up and said he’d met this guy Allen Klein, who had promised Yoko an exhibition in Syracuse, and then matter-of-factly John told us he was leaving the band. That’s basically how it happened. It was three to one because the other two went with John, so it was looking like Allen Klein was going to own our entire Beatles empire. I was not too keen on that idea. John actually had Allen Klein and Yoko in the room, suggesting lyrics during writing sessions. In his song ‘How Do You Sleep?’ the line ‘The only thing you done was yesterday’ was apparently Allen Klein’s suggestion, and John said, ‘Hey, great. Put that in.’ I can see the laughs they had doing it, and I had to work very hard not to take it too seriously, but at the back of my mind I was thinking, ‘Wait a minute, All I ever did was “Yesterday”? I suppose that’s a funny pun, but all I ever did was “Yesterday”, “Let It Be”, “The Long and Winding Road”, “Eleanor Rigby”, “Lady Madonna”, . . . – fuck you, John.’ I had to fight them for my bit of The Beatles and, in fact, for their bit of The Beatles, which many years later they realised and almost thanked me for. Nowadays people get it, but at the time I think the others felt they were the ones who were victims, who were being hurt by my actions. Allen Klein already had a history with The Rolling Stones. I just thought, ‘Oy oy oy, no, this guy’s got such a bad reputation.’ And good old John says, ‘Oh, if he’s that badly talked about, he can’t be all bad.’ John had this kind of distorted thinking, which was amusing sometimes. But not when someone was going to take everything that John and George and Ringo and I owned and had worked really hard to get.

So, I stood up as the sensible one and said, ‘This is not good.’ Klein wanted twenty per cent, and I said, ‘Tell him he can have ten, if you have to go with him.’ ‘Oh no, no, no,’ they came back. ‘No, he wants twenty.’ It seemed to me they were just fucking out of it and making no attempt to do anything sensible. A lot of hurt went down during that period in the early 1970s – them feeling hurt, me feeling hurt – but John being John, he was the one who would write a hurtful song. That was his bag.

(Paul McCartney about Too Many People (1971), The Lyrics, 2021)

Towards the end of 1969, John had quite gleefully told us it was over. There were a few of us in the Apple boardroom at the time. I think George was away visiting family, but Ringo and I were at the meeting, and John was saying no to every suggestion. I thought we should go back to playing smaller gigs again, but the answer came back: ‘No’. Eventually John said, ‘Oh, I’ve been wanting to tell you this, but I’m leaving The Beatles.’ We were all shocked. Relations had been strained, but we sat there saying, ‘What? Why? Why? Why?’ It was like a divorce, and he had just had a divorce from Cynthia the year before. I can remember him saying, ‘Oh, this is quite exciting.’ That was very John, and I had admired this kind of contrarian behaviour about him since we were kids, when I first met him.

He really was a bit loony, in the nicest possible way. But whilst all of us could see what he meant, it was not quite so exciting for those left on the other side.

(Paul McCartney about Dear Friend (1971), The Lyrics, 2021)

This is one of my favourite songs. It's a ballad with a brass section, but it’s always felt Victorian in style to me. It’s very heartfelt. ‘A love so warm and beautiful / Stands when time itself is falling’. I like that idea, instead of just saying, ‘It will go on forever.’ I got a good feeling writing this song, and listening to it now, I still do. ‘Love, faith and hope are beautiful’. The brass solo is lovely for me because it harks back to the brass bands that were so common when I was a kid; there would often be brass bands in the park or in the streets. My dad played trumpet, as I never fail to mention, and he had his own little band – Jim Mac’s Jazz Band. The first instrument he bought me was a trumpet, and he taught me the scale of C which, when you go on the piano, becomes B-flat. It’s all very complicated. That’s why we didn’t even bother learning music. I realised that I wanted to swap the trumpet for a guitar, so I asked his permission, and he said, ‘Yes, okay.’ ‘Warm and Beautiful’ was written well after the demise of The Beatles, and at this time we knew sadness. I knew about delving into your mind to look for help and looking for some sort of solace in a song. I liked the idea of writing a song in a universal way that dispels the sadness. You write about the wonderful things you know in the world, and you try to write so that it will sing well and be well received by people dealing with grief something that inevitably surrounds all of us at one time or another. On a more personal level, the main inspiration for the song was Linda…

(Paul McCartney about Warm and Beautiful (1976), The Lyrics, 2021)

After The Beatles thing became so depressing, Linda and I decided we’d get out of London and start living full-time on our small holding in Scotland. It was quite a difficult period because of the band’s breakup but it allowed me to see another side of myself. First and foremost, we did everything for ourselves, and at this point it was Linda, Heather, Mary – who was still a baby – and me. If we needed something to eat, we’d go into town in the little Land Rover, come back up, and cook it. We didn’t have anyone helping us, except for one guy, the shepherd, because it was a little sheep farm. It was an experience that allowed me to be a man. <…> I’d grown up in Liverpool and gone on the road with The Beatles around the world and then around again, and now here I was on a farm in the middle of nowhere, and it was sensational. <…> This was the kind of thing I’d never done, ever, in my life, and it was amazingly liberating. I got to do all the things I think a lot of young people still dream about today – the famous ‘gap year’. I sense a lot of people want that freedom, escaping the rat race…

(Paul McCartney about When Winter Comes (1992), The Lyrics, 2021)

After the breakup of The Beatles, I wouldoften just sit around a lot. Sometimes I sat in the kitchen while the kids were playing. Maybe they were drawing. Maybe they were doing bits and pieces of homework. In this case, I came across the chords and I just felt optimistic, and I liked the idea of a song saying that help is coming and there’s a bright light on the horizon. I’ve got absolutely no evidence for this, but I like to believe it. It helps to lift my spirits, to move me forward, and hopefully it might help other people move forward too.

(Paul McCartney about Great Day (1972/1997), The Lyrics, 2021)

Wings, which we began in 1971, was in many ways an experiment to see whether there was life after The Beatles, to see whether that success could be followed. It was the result of asking myself, ‘Am I going to stop now?’ The Beatles were so wonderful and all-encompassing, so successful. Now, should I stop and look for something else to do? But I thought, ‘No. I like music too much, so whatever the something else is, it will be music.’ <…> But it wouldn’t be The Wings, like The Beatles. Just Wings. My problem after The Beatles was, who’s going to be as good as them? I thought, ‘We can’t be as good as The Beatles, but we can be something else.’ I knew that if I were to go ahead with this project I’d have to tough it out, but I had reserves of courage from being part of The Beatles when pennies were thrown at us at the village hall in Stroud, when we were still starting out. <…> Starting off a new band is always a lot of fun, but it’s a lot of hard work too; you have to establish yourself. Following The Beatles was one of the most difficult things for me, just trying to live up to those expectations. It was even more difficult for her [Linda]. I started to write songs for Wings from 1971 onwards, when we got started, and I tried to keep them away from The Beatles’ style. There were avenues I could go down that I wouldn’t have gone down with The Beatles, like bringing in the influence of reggae, which Linda and I got into in Jamaica. I fancied doing something crazy, and Wings allowed me a little bit more freedom. So, this is a love song in which Cupid’s arrow is referenced, but it’s a malevolent arrow. It’s possible I’d seen an illustration of Cupid and thought, ‘Cupid fires a bow, but I’ll switch it. It won’t be love; it will be the opposite.’ The character in the song has been wounded. He’s been cheated on. And it could’ve been a great relationship, could’ve been fantastic. As things stand, you couldn’t ‘have found a more down hero’, because there was nobody more down than me at that moment. So, get it together and bring your love. I have always had a soft spot for this song. There’s a nice horn riff in it, and it’s funky. Sometimes you write to get a sort of feeling rather than a perfectly ‘correct’ lyric. Sometimes the lyric can be secondary to the feeling. This one has as much, or more, to do with the feel of the song, the groove.

(Paul McCartney about Arrow Through Me (1979), The Lyrics, 2021)

John described ‘Coming Up’ somewhere as ‘a good piece of work’. He’d been lying around not doing much, and it sort of shocked him out of inertia. So it was nice to hear that it had struck a chord with him. At first, after the breakup of The Beatles, we had no contact, but there were various things we needed to talk about. Our relationship was a bit fraught sometimes because we were discussing business, and we would sometimes insult each other on the phone. But gradually we got past that, and if I was in New York I would ring up and say, ‘Do you fancy a cup of tea?’

(Paul McCartney about Coming Up (1979), The Lyrics, 2021)

It’s very possible that I’d been feeling down in London. I was back in the solace of family and Liverpool, and what with the Beatles troubles down south, I was likely thinking, ‘Wouldn’t it be nice to get home and have that comfortable feeling again?’ So, there may have been some of that in the background. I wouldn’t rule it out. When I wrote the song, I hadn’t been back home to Liverpool for a long time. But now I was at my dad’s house, which wasn’t quite home because it was a house I’d bought him when I got some money – a five-bedroomed mock Tudor place in Heswall near the River Dee. But it was still Liverpool, and it was ‘homeward’. So I added, ‘Once there was a way to get back homeward / Once there was a way to get back home’. The song turned out to be quite soulful, and I think that’s what attracted me to those lyrics in the first place – that notion of consoling a baby or reading kids a bedtime story. ‘Sleep, pretty darling, do not cry / And I will sing a lullaby’. Those are lines – or something with a similar sentiment – that most parents probably say to their children to soothe them when they’re growing up.

(Paul McCartney about Golden Slumbers (1969), The Lyrics, 2021)

It became a refuge of sorts, and it was nice to get away from London and everything – both the good and bad – that comes with the city. I would drive a Massey Ferguson 315 tractor and mow the hay, and I loved that because I’d been a nature fiend as a kid, and this freedom just gave me time to think – ‘Down to Junior's Farm where I want to lay low’. It was such a relief to get out of those business meetings with people in suits, who were so serious all the time, and to go off to Scotland and be able just to sit around in a T-shirt and corduroys. I was very much in that mindset when I wrote this song. The basic message is, let’s get out of here. You might say it’s my post-Beatles getting-out-of-town song.

(Paul McCartney about Junior's Farm (1974), The Lyrics, 2021)

The context in which the song was written was one of stress. It was a difficult time because we were heading towards the breakup of The Beatles. It was a period of change partly because John and Yoko had got together, and that had an effect on the dynamics of the group. Yoko was literally in the middle of the recording session, and that was challenging. But it was also something we had to deal with. Unless there was a really serious problem – unless one of us said, ‘I can’t sing with her there’ – we just had to let it be. We weren’t very confrontational, so we just bottled it up and got on with it. We were northern lads, and that was part of our culture. Grin and bear it. One interesting thing about ‘Let It Be’ that I was reminded of only recently is that, while I was studying English literature at the Liverpool Institute High School for Boys with my favourite teacher, Alan Durband, I read Hamlet. In those days you had to learn speeches by heart because you had to be able to carry them into the exam and quote them. There are a couple of lines from late in the play: O, I could tell you But let it be. – Horatio, I am dead I suspect those lines had subconsciously planted themselves in my memory. When I was writing ‘Let It Be’, I’d been doing too much of everything, was run ragged, and this was all taking its toll. The band, me we were all going through times of trouble, as the song goes, and there didn’t seem to be any way out of the mess. <…> Around the time we recorded ‘Let It Be’, I’d been pushing the band to go back out and play some club dates – to get back to basics and just bond again as a band, end the decade like we’d begun it, just playing for the love of it. We didn’t get to do that as The Beatles, but that idea did inform the direction of the Let It Be album. We didn’t want any studio trickery. It was supposed to be an honest, no-overdubbing album. It didn’t exactly end up that way, but that had been the plan.

(Paul McCartney about Let It Be (1969), The Lyrics, 2021)

This song is also an analogy for when something goes wrong out of the blue, as I was beginning to find happening around this time in our business dealings. Recording sessions were always good because no matter what our personal troubles were, no matter what was happening on the business front, the minute we sat down to make a song we were in good shape. Right until the end there was always a great joy in working together in the studio. So there we were, recording a song like ‘Maxwell’s Silver Hammer’ and knowing we would never have the opportunity to perform it. That possibility was over. It had been knocked on the head like one of Maxwell’s victims. Bang bang.

(Paul McCartney about Maxwell's Silver Hammer (1969), The Lyrics, 2021)

In much the way that Linda wanted to flee from New York society– the constrictions of Park Avenue and Scarsdale – I wanted to flee from what The Beatles had become. I was hoping to escape, she was hoping to escape. So we had this feeling that we had each pulled the other ‘out of time’. Though the song was written immediately after The Beatles’ breakup, it was somehow included under the Lennon-McCartney rubric, where it doesn’t belong. It was one of my first solo songs, but because of the deal, it got caught in the publishing net. That was very annoying. <…> …the central idea being that there’s so often a split between the inner and outer. <…> The elements of fear and loneliness are very much to the fore. ‘Maybe I’m afraid of the way I love you’ is itself a troubling idea. While it’s true that Linda is the person I’m addressing, it’s also true that I’m dealing in fiction. Starting with myself, the characters who appear in my songs are imagined. <…> In any event, this song isn’t the conventional way of presenting a relationship, or of some of the contradictions that can arise from being in love. <…> It shows the fragility of love.

(Paul McCartney about Maybe I’m Amazed (1970), The Lyrics, 2021)

John went to the exhibition, and I think that was when he and Yoko met, towards the end of 1966. He climbed up a ladder to see what she’d written on the ceiling, and got close enough to it to read it, and it said, ‘Yes.’ So he thought, ‘That’s a sign; this is it,’ and they fell madly in love. Once they were an item, there was the whole Beatles recording thing, where she would be there too. I think this started at the beginning of the ‘White Album’ sessions – so, around the end of spring in 1968. And at first we all – all of us except John – found it pretty intrusive, but we went along with it and worked around her. And eventually I came to the realisation that, look, if John loves her, we’ve just got to let it be, and we’ve got to support this relationship. That was basically my feeling. Then, a year or two later, The Beatles broke up, and it was a bad period, a real low point, where everyone was taking potshots at everyone. And I felt that John and Yoko were particularly good in the potshot department, saying things in interviews, or comments that would make their way to you. They would say not always very pleasant things, and looking back on it, I sort of think, ‘Why? You’re annoyed, so say something unpleasant?’ Over time, the situation eased off and my relationship with John got better, and I used to see him in New York or speak to him on the phone.

(Paul McCartney about Golden Earth Girl (1993), The Lyrics, 2021)

I’m not sure I thought of it at the time, even though this was well after The Beatles disbanded, but I can’t help connecting the oppressiveness associated with that phrase to the oppressiveness that coincided with the end of The Beatles. Not that The Beatles are over exactly. It’s not like we were some little band that never had another record; even though half of us have died, the phenomenon continues stronger than ever. Everything I do seems to be painted with ‘Beatle’…

(Paul McCartney about Put It There (1988), The Lyrics, 2021)

Add to this

[kanmom51]

You are me I am you

You know how sometimes when you are lying in bed just about to fall asleep and you have an idea or train of thoughts that leads to clarity of mind?

Well, a couple of nights back I had one of those epiphanies. I hurried to jot it down so I can come back here and put them to paper, so to speak (before forgetting them the next morning, which I surely would have).

So what's it all about, you may ask.

Well, I guess the header is a pretty good tell.

You are me I am you.

Or more so, how, for some reason, we seem to forget just how amazingly romantic that notion is, and what it truly means to JM and JK.

I will tell you where this train of thoughts started.

It started here:

I was thinking about Jikook in Sapporo, and this conversation came to mind.

Talking about how alike they are (following them doing the robot man simultaneously and telling us they watch the same content).

Yes, they don't do the You are me I am you in this instance, but I couldn't help think about it. This would be their You are me I am you on a more "we're one and the same" on a day to day basis kind of way.

And they are pretty much one and the same. So many similarities.

Is there any surprise they just FIT one another? One might think they were actually made for each other.

Their moles:

Their IQs

Thoughts, likes, habbits:

I don't even know how to describe this one:

Knowing each other through and through.

Knowing what the other thinks without words - a type of telepathy.

And:

When it comes to You are me I am you, they made it their own. Something that symbolizes them and their relationship.

Used it to express their feelings for one another publicly!!

Came by @haedalkoo 's post just today, kismet I guess, explaining the translation of JK's Tweet:

They have used it so much since JM's Serendipity. Many times doing so playfully.

All while claiming it as their own.

And perhaps because of that, I feel so many are either unaware or perhaps have forgotten over time the true meaning of You are me I am you, the deep romantic sentiment attached to it, and just how amazingly romantic those two are by claiming it as their own.

So, where does "You are me I am you" even come from?

Seeing that there are quite a few new Army and Jikookers around, I guess another short history lesson is required here. The origin story so to speak.

The line/saying originates from a 2016 song "You are me I am you" by Zico.

You are me, I am you I am you, you are me If our hearts are the same Two will become each other You are me I am you We make a pretty picture Who came up with the word “cringe”

There was talk about JK & JM using a reference to the song's MV wearing matching plasters during a Puma fansign in April 2016.

*Do I remind that this is way before JM's Serendipity came to pass?

JM saying he was given the band aid from JK (again, a reference to the song's MV).

What a coincidence...

I dare say this was not a coincidence, quite like JM tells us in Serendipity.

You know, the song that same exact line found it's way into....

Yes JM did not write the lyrics to Serendipity, but we have seen their writing process, we've heard from them and seen that the members have input and are consulted at times, especially when it's their solo songs. Remember JK's Begin? Such a personal song. So JK, right? Well, JK didn't write Begin. RM is credited though, just like he is for Serendipity. Does anyone doubt that JK had a input into the lyrics of Begin. I don't think so!!!

All this is no coincidence Just, just, by my feeling The whole world is different from yesterday Just, just, with your joy When you called me I became your flower As if we were waiting We bloom until we ache Maybe it's the providence of the universe It just had to be that You know, I know You are me, I am you

Serendipity is a love song.

One would say the ultimate love song.

Me being one of those.

Me also being one of those who say that JM took ownership over Serendipity making this his love ode to JK (and then came Letter...).

This was theirs.

And You are me I am you is theirs.

They even claimed copyright over it.

They were kidding.

Or were they?

Those two have been so friggin loud over the years with this.

JM and JK are the embodiment of You are me I am you. They took ownership over it and wore it ever so loud and proud.

They obviously had so much fun with it over the years.

And because they have been so loud about it and mostly in a playful manor, at times we forget the deep romantic meaning of it all.

But then you have those moments when it's clearly just for them, more intimate. It's quieter or softer or without realizing it's caught on camera, or embedded in their own lyrics with so much meaning or just so loud and emotional that it just hits you right in the face.

Those times when it's less about playfulness (you know, at times it can be romantic and playful too) and more about THEM.

The romantic undertone is just so so obvious.

This was done for no one but themselves!! Definitley not for us!!

Those moments where they remember where it came from and what it means to them.

The way JK's hand goes for JM's waist and then he moves to hold on so softly to JM's jacket.😭😭

The way the rest of the members move away, leaving them to themselves (a couple of them clearly thinking to themselves "get a bedroom").

They were both really caught up in the moment. And their embarrassment after it's over is a clear testimony to that.

I'm struggling with putting this into words... just how fucking romantic this was. Smiles on faces, teasing, flirting, giggling, and so damn romantic. And when you remember this comes on the coattail of TTU and the staging and lyrics change up...

I'm sorry. I'm just lost for words, hoping that you guys just see it, feel it. How can you not?

I can't end this without mentioning Like crazy as well.

JM may not have written Serendipity (although, again, I do believe You are me I am you has ALWAYS been theirs), but he certainly did write Like crazy.

Thinking again of how JM was struggling and what he was going through is heartbreaking. And JK's place in this song written by JM is so very loud. JM referring to another person that is with him is very loud. JM using the line "You are me I am you" in the song is very loud.

As for JK and his feelings for Like crazy, well I do think he has mixed feelings about that song. He loves loves loves SMF pt. 2. It's JM's catharsis song, his healing song, and JK is mad about it (not to mention the MV and just how damn sexy JM is there). But Like crazy, that one hits home for him. It's a reminder of hard times, emotional times, times that perhaps, just like JM tells us in the song, JM was hurting and wasn't allowing that other person with him, "the moon with you in its arms...forever you and I..." to save him:

This will break me This is gonna break me (Break me) No, don’t you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on)

JK was that bystander. Can you imagine that feeling of helpless, unable to pull JM out of the darkness?

And being reminded of that every time you hear the song.

JK's reaction here to JM playing Like crazy.

It's not about not loving the song. It's not about not loving JM or supporting his art. It's about the emotional baggage that comes with the song.

Try and remember the times we got to hear JM's songs during JK's lives. The one song that JK put off (in a sense) listening to on camera was Like crazy. First time he played it in one of his lives was when JM was on the show JK was watching and JM sang it in English!! Next time he listened to it was months after the song was released and after AYS CT (what they call season 1, lol) was shot. And even then, when he played it he did the whole comical intro and dance.

How did I get here from You are me I am you?

Good question.

Oh yes! JM's Like crazy, using You are me I am you in the lyrics, it being such a personal song and one that hits hard for JK as well. The romantic undertone to You are me I am you. That one person that JM is with and doesn't want to wake from the dream he's in with that person by his side (awaken to the reality of the pandemic and his emotional struggles).

JM and JK have told us and shown us oh so many times they are "You are me I am you".

The personification of "You are me I am you"!!

How do people still not see this????

[i9hrtszn]

　　 　　🤖❛　　sonic　whiplash　:　the　event　　✲

　　 ⿸　　🛸˚　　an　　 @i9hrtszn 　　special　　 event　　⋌ 　　

hi y'all! i just want to say thank you all for 300 followers. to be honest, this brings me so much joy as i used to think that i was not good in the field, with my posts achieving a low engagement rate. but over the past two years, i made it to such a big and momentous milestone, and i really am grateful to those of you who like, reblog, and comment on my moodboards; i really appreciate it. therefore, to celebrate this wonderful occasion, i decided to host an event that's a bit different (as far as i know) from other events that took place here in tumblr. i also had so much fun formulating the concept behind this event, and i hope that you will also show some love and support to it. i hope that blogs, regardless of experience and following, will participate and have fun. please don't let this flop; anyways thanks for 300 and enjoy!

ㅤㅤㅤ⋋ㅤㅤㅤ💾❛ㅤㅤㅤ⿴ㅤㅤㅤ○ㅤㅤㅤabout

in 2050, a decade after the great armageddon nearly wiped out all life, the world has become a wasteland. only a few high-tech colonies survive, including the last stronghold in seoul. here, people live in peace within their advanced, secure cities, shielded from whatever dangers lurk in the outside world. but this peace doesn’t mean they’re safe to ignore what’s beyond their walls.

the a.e.s.p.a. (advanced enforcement and security protection agency) is a team of elite operatives sworn to protect the colony. normally, they handle internal threats, but recently, they received a strange signal from outside the colony. this signal was unlike anything they’d seen—a unique frequency that could mean other survivors were out there. weeks later, another mysterious event followed, dubbed “sonic whiplash.” a massive shockwave, almost like an echo of a voice or a distant call, rattled the colony walls. this wasn’t just noise; scientists suspected it was energy, possibly even linked to other dimensions or sources of life outside.

to respond, a.e.s.p.a. needed to build specialized machines to handle whatever strange conditions they might face outside the colony. however, necessary files required to plot out their machine's structure and purpose were wiped out during the armageddon, hence using moodboards left as fragments of the original files to complete the machine's construction further. in a creative and practical twist, a.e.s.p.a uses moodboards—visual boards that combine art and data—to design their rescue machinery. these moodboards help them craft everything from rescue drones to sound-absorbing suits, all adapted to fit the mysterious energy of sonic whiplash. each moodboard captures the “feel” of the mission, ensuring their tech can handle the unknowns in a potentially hostile environment.

by bringing these ideas to life, a.e.s.p.a. is preparing to head out of the colony not just to investigate the signals, but to possibly save any survivors they find. with these advanced machines, they’re ready to confront the mysteries of the world outside and discover the truth behind the haunting frequency, hoping to bridge their safe world with whatever’s left out there.

ㅤㅤㅤ⋋ㅤㅤㅤ🎧❛ㅤㅤㅤ⿴ㅤㅤㅤ○ㅤㅤㅤrules

•ㅤyour moodboard must be centered on any of aespa's songs on the "whiplash" album. conceptual, futuristic, and cyber themes are mostly preferred, but any theme is gratefully accepted. •ㅤyour moodboard's content must be, at least, 90% yours (although using free-to-use resources by other users is fine). •ㅤcopying and stealing other participants' entries is strictly forbidden. incorporating 3 pictures into your moodboards that are also present in other's moodboards will be considered copying and will automatically be disqualified from the event. •ㅤyou can submit up to two entries if you wish to do so. •ㅤuse the tag "⋋　📷❛　⿴　✶　sonic whiplash: the event." and tag me in your post or mention me in the comments or your entry won't count. •ㅤif you have any concerns or wish to seek an extension, please do not hesitate to send a dm to me.

ㅤㅤ⋋ㅤㅤㅤ🛰️❛ㅤㅤㅤ⿴ㅤㅤㅤ○ㅤㅤㅤhow to join

•ㅤcomment "joining" on this event + state what is your favorite song from aespa's whiplash album. •ㅤlike + reblog this post and tag 4 or more mutuals who might join the event. •ㅤdeadline is on december 2. a one-week extension will be given to those who need it.

ㅤㅤㅤ⋋ㅤㅤㅤ📡❛ㅤㅤㅤ⿴ㅤㅤㅤ○ㅤㅤㅤprizes

—ㅤ①ㅤ:ㅤ 75 reblogs on 3 moodboards of your choice, 3 custom moodboards, 3 custom fgs + layouts.

—ㅤ②ㅤ:ㅤ50 reblogs on 2 moodboard of your choice, 1 custom moodboards, 2 custom fgs + layouts.

—ㅤ③ㅤ:ㅤ25 reblogs on 1 moodboards of your choice, 1 custom moodboards, 1 custom fg + layout.

—ㅤrunners-upㅤ:ㅤ10 reblogs on 1 moodboard of your choice, 1 custom fg/layout (only one of your choice).

ㅤㅤ•ㅤall participants will receive 25 reblogs upon entry. ㅤㅤ•ㅤall reblogs will be done on @i4luvszn.

ㅤㅤ ㅤ ⋋ㅤㅤㅤ💾❛ㅤㅤㅤ⿴ㅤㅤㅤ○ㅤㅤㅤtags

@taroism @n-americano @fluiora @aesverse @kyuwebs

@awwriri @umiena @hyelita @hyunlita @m00nbap

@beompercar @studiogyu @nikist-4-n @neapolitism @reiminders

@purincidio @kgirls @purinkiss @yeoniis @rthym

@4uarterlife @keketopia @seulzitos @aericita @florichae

@soulari @hourlyhoon @flaireur @f-loqweres @chenjiyaoi

@tzulipss @y-vna @y-unrei @y-urios @haerinism

@jimzittos @aeraras @aestradairio @bambicito @fairytopea

@hyetart @notaorbital @poemale @vg-k @i-kyujin

@jaexiyu @sxgarhan @t-aes @wonjuii @bitchey

+++ other users who may be interested in joining!

[cowbell-ghuleh]

31 Days of Ghost, Part 9

Favourite Cover:

If you have Ghosts

"In the Night, I Am Real!"

If you have ghosts is one of those songs that just hits me so hard, especially the RHRN version. Partly because I know the story behind the original, and partly because of my own mental health struggles over the years.

As for the picture, I had the idea for the pose etc. and it just turned into a Terzo piece. He just fitted better than the other Papa's I felt.

Also, it was an excuse to draw demon/antichrist Terzo :)

[mcyt-jukebox-bonanza]

Mcyt Jukebox Bonanza Event!

Jukebox Bonanza is an MCYT multi-fandom event held during the month of september where artists will take songs of their choice and create illustrations based on these songs. This is called a Jukebox Night, and it was popular in the hermitcraft fandom circa 2019. This event seeks to revitalize the tradition and create some fun art.

Every participant who makes at least one Jukebox Night will get their named added to the Jukebox Bonanza hall of fame, and artists who make more can reach higher tiers of victory! This event can be either casual or hardcore, depending on how many drawings each individual wants to make. (Sign-ups will be open for the duration of the event, so feel free to drop in even if it's halfway through September!)

Timeline:

August 17: The signup form drops and the discord server opens (having a discord account is required for participation in this event.)

August 24: song claims open! Each song behind a jukebox night for jukebox bonanza must be unique, so artists will claim a song before they begin drawing.

August 28: All first claims should be assigned. Once you receive confirmation of your claim, you can begin drawing. Additional claims continue throughout the month as individuals finish one jukebox night and request another song as desired.

September 30: creation period ends. You can't start any new drawings after this, but it's okay to finish one during the posting period.

September 30-October 7: posting period! Post all your jukebox nights and tag this blog so we can reblog the posts here. At the end, the mods will count up all the jukebox nights to declare the final illustration count and award victory tiers.

Sign up for the event by filling out THIS form! The link to the discord server is at the end.

FAQ and song claim information under the cut.

Who are the mods here?

There are two mods on this blog and on the discord server: Mod Idea (@paradoxlemonade) and Mod Ghost (@gay-ghosts).

Who can participate in this event?

Participation is open to all fans of MCYT ages 13+.

What's a jukebox night?

A jukebox night is a single completed illustration based on a song. They were usually square back in the day so they looked like the could fit on an album cover, but that wasn't a hard rule. Some had lyrics in the picture itself, and others had them below the drawing. For this event, a drawing is considered complete when it is fully colored and/or shaded.

What fandoms can I make a jukebox night for?

Although this tradition originated in the hermitcraft fandom, all MCYT fandoms are eligible for this event. Small MCYT, old MCYT, new MCYT, popular MCYT, and anything else are all fair game. If it's minecraft and it's videos, you can make a Jukebox Night for it.

What songs can I claim?

Most songs are fair game, but there are a few stipulations: Songs must not be graphically about sex or contain graphically sexual content, as this event is open to artists age 13-17. Additionally, no songs made by Wilbur Soot/Lovejoy are eligible for this event.

How do song claims work?

If you participated in mcytblr AU fest, then you might be familiar with this process. A google form will be posted at a determined time and all participants will fill it out. You must list at least one song, but you can name up to five. The first person to claim a particular song will be the one to receive it, so it's advised that you list a few in case your first choice is unavailable.

Once you finish your first Jukebox Night, you can fill out the form again to claim another song and receive a second assignment. You can do this as many times are you want, but you can only get a new claim once the drawing for your previous one is completed.

What can I depict in a jukebox night?

Pretty much anything, within reason. Canon events, canon divergence, AUs, headcanons, you name it! Shipping and violence are fair game as well. We ask that art made for this event be about the characters, not real people. Additionally, art made for this event cannot contain sexual content of any kind or anything that would warrant an E rating on Ao3, as the event is open to artists age 13-17. If you're uncertain about an idea, please reach out to a mod for clarification.

I have another question you didn't answer here!

Send an ask in and one of the event mods will get back to you!

[ramblingthoughtsofayoungadult]

Bad PR-Jordan Li Fic

A/N: I saw someone post about needing a fic about Jordan being in a relationship where they're "unmarketable" and haven't been able to get the idea out of my head since. This is written with a black reader in mind. I also have a sequel in mind if anyone wants it.

Word Count: 3739

Warnings: Some sensuality and swearing.

I don't claim to own any characters or property from Gen V or The Boys. All credit to the original gif creators.

  Silence was something that I always thought I longed for. Every day for the past twenty years, there was noise, whether it was someone (usually multiple) talking, music blasting, cars going by, or screaming. By now, I thought I would have learned how to tune it out and focus on what was most important: save the little kids from a burning school, study as hard as I could to get into GOD U, and manipulate social media algorithms so much it would make tech experts’ heads spin.

   But, I hadn’t. Then, I thought I got used to the noise, the demands to take pictures with total strangers, the background noise of a song I was doing a TikTok challenge to, Liza, my Vought-assigned PR rep, and my parents insisting on what I should wear, and the constant buzzing in the back of my head that my ability caused. However, as I laid on Jordan’s bed, listening to them ramble about Brink, I didn’t mind the noise so much.

  “I mean, he’s kind of a mad genius but for good,” Jordan stated. Then, they turned to me with a sheepish smile on their face. “Sorry, I’m boring you, aren’t I?”

  I shook my head. “No, no, it’s alright. Brink’s brilliant and it’s amazing that you’re his mentee.” I pushed myself up onto my elbows. “Besides, you’re pretty cute when you’re excited.”

  Jordan rolled their eyes and slowly made their way towards me, stopping right at the foot of their bed. “Only when I’m excited?”

  “Shut up, you know you always look good,” I teased.

   They playfully flipped their hair and batted their eyes. “Well, we can’t all have a glam squad on call so I appreciate it.”

   I scoffed, rose to my knees, and playfully pushed their shoulder only for them to switch to their masculine form and grab my hand. “That’s not fair and I didn’t even ask for them, my parents and Liza insisted on it when I got in.”

   Jordan nodded but I could tell they weren’t listening since their eyes were on my lips. “I don’t feel like talking anymore.”

   Something about their deeper masculine voice sent tingles down my spine and made my stomach feel fuzzy. Then again, they easily caused the same effect in both forms. My breath caught in my throat as soon as our lips touched, and I could feel my heart rate pick up. I tried to relax in their gentle but firm grip as I wrapped my hands around their neck, but it was easier said than done.

   Suddenly, my back was against their bed and the kissing got more fervent. Jordan slipped their tongue down my throat and trailed one of their hands down my leg. I shivered as they pulled my leg up around their hip and pressed further into me.

   “I should’ve known this is what you meant when you said you wanted to hang out,” I breathed after pulling away for a second.

   “I had good intentions but you kept screwing me with your eyes,” Jordan huffed back.

   “No, I---” Jordan cut me off, switching to their feminine form and kissing my jaw, working their way down my neck. “Not…fair.”

   One of their hands slowly started trailing up under my (their) sweatshirt and I tried to stifle my giggles at the soft touch. After a couple of seconds, I couldn’t help but start giggling and covered my face when Jordan paused their actions and looked up at me.

   “Still ticklish?” Jordan teased.

   “Shut up, it’s your fault since they're your hands,” I groaned through another laugh.

   Jordan smirked at me and ran their hands down my waist, gently tapping my sides, causing more laughter on my end. I tried to reach for their hands to stop them but they were too good at dodging me. At some point during my laughter, my phone started ringing.

    “Ignore it,” Jordan whined as they pressed their head against my stomach, their big brown eyes somehow looking bigger and browner than usual.

   “I can’t,” I whined back as I pulled away from them and grabbed my phone from my desk. “It’s Liza, I have to answer.”

    Jordan rolled their eyes. “That bitch has the worst timing.”

   “She might not be able to help it.” I quickly answered the phone. “Hey, Liza.”

   “Y/N, I’m on campus and we need to talk ASAP. Meet me outside the Crimefighting building in five,” Liza rattled off.

   “Oh, sure, what’s it about?” I asked.

   “I’ll tell you when I see you.”

   She clicked off and I turned to Jordan, who was much less than pleased.

  “Let me guess, you have to go,” they said.

   “I’m sorry, it sounded important,” I said as I started grabbing my stuff from around their room. “I’ll try to make it quick.”

   “No, don’t worry about it.” They pushed themselves off the bed and stood in front of me, gently grabbing my hands in theirs. “It’s your career and I’m proud of you. I knew what I was getting into when the Cyclone became my girlfriend.”

    I wrinkled my nose. “Ugh, don’t say it like that. But I appreciate you and I will show you as much later.” I quickly kissed them and grabbed my shoes. Just as I was about to leave, I paused at something in their closet. “Is that my jacket?”

   Jordan shook their head. “I don’t know what you’re talking about.”

   I snatched the item from the closet and held it out. “Jordan, you’re going to try to convince me that you’re into vintage Yves Saint Laurent?”

       “Your taste rubbed off on me,” they said with a shrug.

       “I’m flattered.” I put it back in their closet.  

        “By the way, do you know where my black hoodie went?”

       “See you later!”

        About four and a half minutes later, I was sitting at an outdoor table with Liza and my parents. Despite the summer heat, Liza was wearing a navy skirt suit, and her graying black hair was tied into a severe bun on the top of her head. She was typing on two different phones and her laptop simultaneously, deep blue eyes never staying on anything too long. My mom, who sat on my right, smiled kindly.

        “So, Y/N, how does it feel to be a junior?” she asked.

        “Great, Mom. I thought I told you and Dad that you didn’t have to hover this much since I am a junior now,” I said, glancing at my dad who was on my other side.

        “We’re not hovering, it’s been two days since we dropped you off,” Dad insisted. “Besides, this is about business.”

          “Wha---”

           “Oh my gosh, is that Y/N Y/L/N?” Someone squealed behind me.

          “Show time,” I sighed.

          The “someone” was actually two someones, a pair of what looked like freshmen. One was a tall, pretty brunette in a white graphic tee and matching mini skirt and the other was an equally pretty, slightly shorter brunette wearing jean shorts and Vans. The taller one held her V-Phone with a death grip.

           “Can we take a picture with you?” The taller one asked.

           “Of course.” I stood from my seat and made my way over to them.

           “I can take it.” But before my mom could stand, Liza shot up from her seat, grabbed the phone, and ushered us closer together.

           “Okay, Y/N in the middle, Tall Girl on the left, Short One on the right,” Liza instructed, eyes never looking up from the camera.

          “It’s Ashley,” the short one said.

          “Smile!”

          I did as I was told and the girls were walking away before I could even say an obligatory, “No problem.”

            Both my parents smiled as I sat back down.

            “It’s great to see that you’re still popular after all this time,” Dad said, his eyes hidden behind his tinted sunglasses.

             “As she should be. Y/N has thirty million followers across all her social media and she does amazing in the Midwest and the South, both tough demographics for young black women,” Liza stated.

            “Thanks, Liza,” I said, mindlessly playing with the ends of my butterfly locs. “So, you mentioned you were coming but left out my parents.”

            At this, Liza finally paused from typing and looked up at me. She slowly set her elbows on the table and rested her chin on top of her pale hands. My head involuntarily started shaking from side to side and Liza lifted one of her hands.

            “Let me speak first, Y/N, and then we can argue about it,” Liza stated.

            “The last time you said that, I ended up almost getting mauled by a dog during an animal shelter livestream,” I hissed.

             “Well, the dog had a serious history of trauma,” Liza insisted.

             “You didn’t inform me of that before insisting I cuddle with it for the camera!”

              “It was a learning lesson: you are fantastic under pressure.”

               I huffed and folded my arms over my chest. “So, what is this about?”

              Liza assumed her previous “Serious business” pose. “Like I was saying, you’re doing fantastic numbers. That last TikTok you and Cate did hit a hundred million views in less than twenty-four hours.”

            “The ‘Rover’ challenge wasn’t that hard,” I commented.

             “That’s amazing!” Mom practically cheered.

             “That’s my girl,” Dad said, wrapping his arm around my shoulders.

              I smiled despite the strong sense that a “but” was coming.

             “However,” Liza continued.

              Uh oh.

             “My job is to do everything in my power to make sure everyone associates Y/N Y/L/N and Cyclone with beauty, intelligence, grace, taste, and power. So, we are a little concerned about Jordan.”

              Immediately, my shoulders tensed and I gritted my teeth. “Who exactly is ‘we’?” I glanced at my parents.

                Mom’s eyes widened and I had no idea what Dad was doing.

                “No, of course not, Sweetie, we love Jordan. They have been a fantastic influence on you,” Mom insisted.

               I could feel my face warm up about what had transpired with Jordan a few minutes ago. I doubt that would fall under “good influence”, or any time we went out with the others. 

               “And they give you a run for your money when it comes to combat. You need someone challenging like them. Plus, that Luke boy isn’t bad either,” Dad added.

               As their words sunk in, I had a strange feeling that my parents were there to lessen a Vought-sized blow. My suspicions were confirmed when Liza’s lips pressed more firmly together and she was glancing at one of her phones.

               “Are you reading a script right now?” I seethed.

               Liza’s head shot up and she shook her head. “No, no, Y/N, not at all. Just some notes.” She quickly regrouped. “I understand that you’re happy and you’re probably having some fantastic sex right now----”

               “Liza!” I interrupted, praying that the ground would open and swallow me whole.

               Suddenly, Dad’s arm was back at his side, and Mom was suddenly very captivated by a pair of seniors skateboarding past.

               “But the facts are that a bi-gender Asian supe is not marketable in the Deep South or the Midwest,” Liza said. “I am not shaming Jordan for who they are but, my job is to sustain your relatable-but-unattainable brand and not let anything get in the way of it.”

              “You’re saying my partner is a threat to my career?” I asked, my voice much hollower than I intended.

               “Potentially. Now, I have come up with a very good alternative.” Liza turned her laptop so it was facing my parents and me. On it was a picture of Andre and some clips of us on social media. “Andre Anderson tested very well. Our focus group members responded positively to the black power couple aesthetic.”

             “We’ve met him before, he’s nice,” Mom offered.

              “He’s cool and I’ve met his dad and I could see us all getting along,” Dad mentioned.

               My head was swirling with so many thoughts that I was convinced I was either going to be overwhelmed by them or find one that was coherent enough to state. My mouth settled on, “It’s the twenty-first century and you’re all telling me I have to break up with my partner because of demographics? Jordan’s an amazing supe and they’re so smart, it’s scary. They can do---will do so much good and the only thing you care about is optics?”

               Mom gently touched my arm. “Y/N, please, calm down.”

When I glanced around, I noticed that several Vought-A-Burger wrappers, a couple of cigarettes, and a few panicked squirrels and rabbits were swirling around the table. Quickly, I released the small animals and put the trash in the nearby receptacle.

              “Sorry about that,” I muttered, eyeing Liza.

               “I understand that you have strong feelings for Jordan but, think about it. With the right moves, you could be living in The Tower with the legends of your generation. Sure, you’re number three at GOD U right now, but this status can easily go away. You’ve worked your entire life to be the hero that little black girls everywhere look up to. Don’t take Cyclone away from them before she even starts,” Liza warned.

               I desperately wanted to say something snarky, but my mind was blank. The only thing I could sense was my throat tightening up and my eyes beginning to well. I brushed a loc out of my face to play it off and tried to gain my thoughts.

              “How much time do I have before I make a decision?” I asked.

              “Twenty-four hours. I’ll be looking out for your call, text, email, or video call,” Liza stated as she started to pack her things.

                My parents stood and Mom gave me one of her warm hugs and Dad pulled me to his side.

              “It will be okay, Y/N,” he whispered.

               I swallowed the giant lump in my throat to thank him and then insisted on walking them back to their car.

              A few hours later, Elle Woods was sobbing in the fanciest restaurant in California while I carefully placed my baking pan in the oven. As much as I wanted to sob, I had no time for tears, I had to think. The thinking led me to have so many circular thoughts that my head spun and I resorted to baking and watching my favorite movie.

              If Elle could solve a murder case and exonerate her client as a first-year law student, I should be able to figure out this PR mess. On the one hand, I was happier with Jordan than I’ve ever been with anyone. On the other hand, my dreams and my family’s position were hanging by a thread.

            Maybe it was better that I channeled my energy into baking cupcakes.

            I exhaled a small gust of wind to clear the bowls and utensils from the counter and place them in the dishwasher. Then, I focused on pushing multiple gusts of wind from my hands to clean the counters and wash the dishes. By the time I was done, I was exhausted and flopped on my couch to mindlessly watch the movie.

            Unfortunately, the bright and colorful backdrop of Elle’s LSAT studying montage did nothing to take my mind off my dilemma. All I could think about was Jordan’s face when I told them. Breaking up with them would be like shooting a puppy’s mom in front of the puppy and making it watch it bleed out.

               How would I tell them anyway? Hey, babe, I’m sorry I had to run out on us almost hooking up to meet with Liza and my parents. Funny story, they want me to break up with you so that I have a shot at a career and date Andre instead. See you for that morning lecture?

             Knock! Knock! Knock!

            The sound jolted me from my thoughts, and I pushed myself off the couch to answer it. “Rufus, if you try to get me into your room again, I swear to----” I cut myself off at the sight of Jordan, in their feminine form, staring back at me.

            They wore a navy sweatshirt and black sweatpants. Also, their cheeks were more flushed than usual and they smelled like their sandalwood body wash, meaning they had probably stopped by the gym recently.

             “Is Rufus bothering you again? I’ll go murder him right now,” Jordan said.

              I quickly grabbed their wrist. “No, I appreciate the thought but I’m fine, besides, I can take care of myself.”

             “I know but I can’t help but worry.”

              A strange warm, tingling sensation ran its way from the center of my chest throughout the rest of my body. I was sure that if someone listened closely enough, they would hear me buzzing.

             I stepped aside to let Jordan in and leaned against the door to close it. “So, what brings you by?”

            They wandered over to my couch, sat down, and grabbed my phone off the coffee table. “Because you haven’t been answering my texts or calls.”

             “Crap, I am so sorry, Jordan, I’ve just had a lot on my mind.”

             Jordan glanced around my dorm. “I can see that.” They sniffed the air. “Legally Blonde and you’re baking, what happened at the meeting?” 

            Of course, Jordan would cut straight to the point. Usually, this kind of banter was pleasant but my stomach was in knots as Liza’s words and my parents’ expressions replayed in my mind.

           “What? I can’t bake and watch a comfort movie after a last-minute PR meeting?” I asked rhetorically, crossing the room to my desk to start organizing my textbooks.

           “Don’t try to deflect, Y/N. Tell me what happened.” Their voice was gentle but firm and I knew that they were not going to let me out of this conversation.

           So, I set Brink’s latest book down and sat across from Jordan on my tangerine accent chair. I prayed that I would find the right words to say before blurting them out. As soon as I made eye contact with them, my chest tightened.

          “Well, Liza surprised me by having my parents join us,” I started.

           Jordan raised their eyebrows. “Shit, this is serious.”

           “Uh-huh. Liza said that my numbers are doing great and I’m on track for a promising career.”

           “And?”

           I gulped. “And…she’s concerned that my personal choices might get in the way of that.”

          Jordan frowned. “Personal choices? Every college kid known to man has done illicit substances and drank alcohol underage. You’ve never been caught doing any of that anyway.”

        “You’re right but she wasn’t talking about partying; she was talking about us.”

         As soon as the bomb rolled off my tongue, I saw its impact on Jordan, from the flashing expressions of confusion and anger to the clenching of their fists. I just wanted to make it stop.

        “What?”

         As I rambled Liza’s reasoning, I could sense the hurt and animosity flowing from Jordan. Once I finished, the timer for the cupcakes went off and I jumped up to grab them. I could have cried at the momentary escape as I set them on the counter to cool.

        “She weaponized your desire to be a positive role model for other girls who look like you to screw you over,” Jordan said slowly.

           I wiped my hands on my sweatpants. “Liza’s doing her job, babe, and she’s looking at all angles, including how it could impact my goals.” I returned to my seat and folded my hands in my lap.

          “Her job is to make you choose between your relationship and your career?” Jordan asked. “That’s bullshit, this whole thing is.”

           “I know, Jordan, trust me, I know, I almost started a small tornado when she said it.”

            Jordan eyed me closely for a second. “What else did she say?”

           “What?”

           “I can tell you’re holding back, Y/N. Whatever else you have to say, it can’t be any worse.”

           They might have just jinxed that.

           “Liza thinks that Andre would be a better fit for me because a bunch of people like the idea of a black power couple.”

           Jordan had two angry responses: the first was they would attempt to tear down anything and everything around them unless consoled. The second was they would become unresponsive and deal with all their rage internally. That night, I got the second one. Their eyes were hollow and the color drained from their face. My eyes welled up as I hoped for them to start screaming, swearing, or something, but nothing happened.

         “But I don’t want to do it, Jordan, I think it’s so stupid.” I knelt in front of them, grabbed my phone from their hands, and set it aside to hold them. “My parents don’t even really agree with Liza because they know you and they think you’re awesome.”

        “What do you think?” they muttered.

        “Like I said, I think it’s stupid. We can figure something else out. Liza can spin us as the ultimate diverse power couple, huh?” I did my best to smile as widely as I could. “Come on, let’s forget about this. I made white velvet cupcakes with cream cheese filling. You can be my first taste tester once they cool.”

         Things would work out, they had to. We would figure something out and survive our junior year at GOD U with little to no incidents. Suddenly, Jordan’s hands slipped from my grasp and they shifted to their masculine form.

         “What if it doesn’t work out?” Jordan whispered.

          “What do you mean?” I replied.

         “I mean, you don’t necessarily have to be a supe but, I know that you’re scared for your parents. Your success has helped them a lot and it could destroy them if your reputation takes a hit,” they said. “And I’ve seen how little black girls light up when they see you now and how passionate you are about helping them and, I know that you’re just getting started and I don’t want to be in the way.”          “Jordan…”

         “I don’t want to hold you back anymore, Y/N,” they muttered.

         Their words sunk deep into my core like a boulder and took all my words with it. I wanted to tell them that they could never hold me back and that they made me a better super, a better person. But all I could do was watch as they stood and walked out of my dorm, taking our one and a half year relationship with them.

[winterhue]

DO YOU LIKE IT?

Pairing: Mark x fem!Reader (m/f)

Genre: smau ! 18+ , humor, fluff, smut, romance, campus life

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ch 00: INTRO

previous | masterlist | next

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AN: I'm trying so hard to keep it authentic without getting it flagged for being explicit 😭 I don't wanna tone down the sensuality of the pictures but I'm scared it might get flagged if I keep my original ideas intact. I blurred/censored the first picture as y'all can tell and it looks so silly smh. I also had to choose a relatively 'safe' picture for the group chat against my will because the one I wanted to add would've definitely not been appreciated by Tumblr. Anyway I hope y'all enjoy it still. Let me know your thoughts on it and I'm open to any suggestions or recommendations. much love <3

SYNOPSIS: YN is a quiet, shy photography major respected for her talent and sweet personality, while Mark is the campus heartthrob known for his rich, extravagant lifestyle and irresistible charm. But they both hide their true selves—each living a double life.

What happens when YN discovers that her favourite indie song artist is actually Mark Lee? And how will Mark react when he learns that YN is the famous mystery girl popular for her erotic pictures on the web and on the pages of the popular men's magazine.

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taglist: @ant-onie @14juno

[quibbs126]

So I’ve been making this

So basically last night, I was listening to some music, specifically Not Gonna Die by Skillet, more specifically a version on YouTube with the intro (because I’m not the biggest fan of Good to be Alive where the intro actually is). Anyways, when it’s night, my imagination tends to be more active and I tend to have more energy. While listening to the song, I eventually got this mental image in my mind of this scene with Dark Choco, and the more it crystallized the more I wanted to draw it. I was going to go to sleep and maybe do it in the morning, but I realized that I probably would forget the vibe and not have as much energy, so instead I decided to power through and draw the idea

It was a bit difficult since I had limited references for the pose I wanted, and I suppose I can admit the sword looks a bit off anatomically, but it looks good enough I think, and lets me keep the eyes revealed

I did eventually have to stop drawing, because my iPad had been worked all the way down to 4% (and it was at 30% when I started, the poor thing), not to mention it was around 11:30 already which is pretty late for me, and my earbuds had been running nonstop for over 2 hours (yes I was listening to the same song, it’s how I keep the vibe). I was at least able to get the pose, base colors and lineart done, and I’m still pretty proud of where I left things last night

Today was mostly just doing the background and lighting, which admittedly I may have fumbled. I’m not very good at backgrounds and I didn’t know how to draw lightning. I tried my best, but honestly I don’t think I got the image in my head. Didn’t help that my brain was playing the wrong Skillet song this morning

Oh yeah and by the way, the background is supposed to be from this. That’s what I used as reference

The lightning both feels like too much and too little. Like, it’s crowding the picture, and I can’t have more because it’d be way too crowded with it, but also at the same time, it doesn’t feel like enough, like there isn’t as much power as I wanted

Actually wait, maybe I can add some small particle effects to like, enhance the lightning feel. That was in the original sketch but I omitted it in the final. If you see one with that, you know I did that

Edit: I did indeed do that

To be fair though, I don’t think I have the art skill to properly convey the image in my head. Basically the scene is that Dark Choco is using absolutely every amount of his power for this final swing down, so much that it’s too powerful and the Strawberry Jam Sword completely shatters. But also it’s too powerful that Dark Choco’s body simply can’t handle it, and he basically ends up exploding. The scene depicted would be the wind up to that final swing that destroys the both of them

This isn’t necessarily the first time I’ve come up with this scenario, and the setup would basically be that he turned on the Cookies of Darkness slightly earlier, because he didn’t want to destroy his homeland again, and he tried to get rid of them while in the kingdom but not yet at the Citadel, but he ended up failing, so with nothing to lose, he chases after them and decides to put everything into destroying them, even if it likely ends in his death. After this he probably killed Pomegranate and crippled Licorice in some way (I don’t think he’d attack Poison Mushroom), so his final act did have some effect, but he’s still dead by the end of it. And he and his father never got the chance to properly reconcile because Dark Choco thought that could never be a possibility anymore and he had resigned himself to his fate

But yeah, I just don’t know how to convey that sheer overwhelming power and emotion that this scenario suggests. I tried my best though

I also want to submit this to the Dark Cacao Forever contest, but I’m not sure if it’s good enough for it. What do you think?

[idrawprettyboys]

"Angel Edwin Comforting Angel Charles"

I was originally going to call this "Concrete Angel in the Arms of the Angel", as a reference to the Martina McBride and Sarah McLachlan songs. I've been feeling a little conflicted over how I feel about this picture. Part of it is because the pose doesn't look that great to me. I don't think I used a reference. I also feel conflicted about what tone I was going for. At first, it started out really sad, using the Concrete Angel lyrics "she flies to a place where she's loved" to mean that now that Charles is dead, he can finally be loved. I then had the idea of giving Edwin wings as well so that Charles is "in the arms of the angel" and that he would find comfort here, like in the McLachlan song. Once I took the sad lyrics off the page and I painted them, I felt like I wanted to make this feel a little more uplifting. I made their wings pretty with blues and pinks, and then I felt inclined to make the background gold, to indicate heaven and to give it an uplifting feel. Even though those songs are very negative, I wanted to give this a little bit of a positive twist. Because we only know these boys when they're dead. Dying wasn't the end for them. It was the beginning. I don't know if this is a what-if-they-instantly-went-to-heaven-when-they died scenario, but that could be the case. Charles still has bruises from abuse and blue lips and fingers from hypothermia, but that will go away very shortly, now that he just stepped up to Heaven. The final illustration ended up with a bittersweet feel.

Tools: Pentel Click 0.7 mechanical pencil, Pentel hi-polymer eraser, Canson cold pressed watercolor paper, Mei Liang watercolors, Sakura Koi watercolors, Pentel Aquash brush, Sakura Pigma Micron pen, Epson Perfection 4490 scanner.

Patreon / Ko-Fi / inprnt / redbubble

[retellingthehobbit]

Retelling The Hobbit Chapter 15: Unattached First chapter / Previous / Next Read full comic on: Webtoon/A03 

Other blogs : Instagram/Tumblr Sideblog

Thank you for reading! The next chapter of this comic adaptation of The Hobbit will be titled (drumroll)....The Song of the Lonely Mountain!

Check under the cut for notes on the callbacks to previous chapters of this comic, and to Tolkien stories like the Unfinished Tales! —-

—-

One of my guiding ideas for this comic is that the story is being written/drawn by Bilbo Baggins, an  “unreliable narrator,” who has a biased way of recounting events. As the comic goes on, parts of the story get retold through new perspectives (or through the eyes of other characters), and you realize the initial version you read was incomplete. 

A lot of you probably noticed that this chapter features a ton of callbacks to the earliest chapters of this comic! We saw child Bilbo and Gandalf's friendship told from Bilbo's POV in Chapter 3.....but in this chapter we see it retold from Gandalf's POV. However, Belladonna Took is our biggest instance of that!   Not to overexplain my own writing, but Chapter 1 is an older Bilbo painting an idealized happily-ever-after fairytale picture of Belladonna, while Chapter 15 features a younger Bilbo telling a far less optimistic version of her life.  While there's truth to both of them, neither of them is the full truth.

In the Fellowship of the Ring, Bilbo tells Frodo that ‘books need to have good endings,' like endings where everyone "lives happily ever after." If I were to continue this comic to the end of the novel, Bilbo’s habit of “rewriting things to be happier" would become a whole Thing. 

Second: Much of this chapter is taken directly from “The Unfinished Tales: The Quest For Erebor.” That story was Tolkien’s attempt to unite the tone of The Hobbit with LOTR, by having Gandalf explain what The Hobbit looked like from *his* perspective. The gay line about Bilbo feeling incapable of settling down into a Traditional Marriage with a Wife And Kids is taken almost directly from the Unfinished Tales. So are all the lines where Gandalf reflects on what Bilbo was like as a child, and the moment where Bilbo reflects that all of his desire for adventure has dwindled to a private dream.

Third: Obviously, the other big influence on this chapter (outside the original novel) was a similar scene in the PJ film. The little bit where Gandalf reveals the lore behind Bullroarer took monologue is the only dialogue I’ve directly lifted from that scene. ;3

Fourth: some of you may have caught that I used a quote describing Frodo’s wanderlust in the Fellowship of the Ring to describe Bilbo. The bit describing "the maps that only show white spaces beyond their borders" is also why I emphasized Bilbo’s canonical nerdiness around  maps in earlier chapters (chapter 5 especially, but also in Chapter 6, Chapter 7, and a blink-and-you-miss-it moment in chapter 14.) 

Fifth: one of my favorite things in the original book are all the scenes where Gandalf does fun Whimsical things with smoke/smoke rings. In the book he usually makes them change color or race around; in my comic he usually makes them turn into butterflies (he also does this in chapters 3 and 11.) you may have noticed that Butterfly Symbolism is a big thing in this comic.  But yeah, in another callback: Gandalf finally had time to blow smoke-rings with Bilbo, which he said he 'had no time for' in Chapter 2!

Thanks again for reading! I tentatively plan for the next chapter to arrive on November 13th.

[midmourn]

accidentally revealing your relationship

Originally posted by dazzlingkai

reposting from my old blog.

members ot7 nct dream

summary one of you accidentally reveal your relationship.

Mark. the poor boy had a picture of you and him as his homescreen. yeah, not his smartest choice. he was on vlive and was showing fans something on his phone and he completely forgot about his homescreen and clicked off. "so yeah there's the proof that haechan threatened me," he giggled, pressing his home button to get off the messages, screen still facing the camera for a second. it was just long enough that people were able to see what it was. he squinted at the comments, tilting his head, "what do you guys-- oh." he backed up slightly in shock, eyes widening at the camera before hurriedly turning off the vlive. he stared down at the floor silently before looking up at the manager behind the camera, "oops."

Renjun. so technically it wasn't his fault! literally no one told yall they would be going on vlive and so ... the boys were in their dressing room and unluckily yall happened to be right in the corner of the camera frame ... you reached up to give renjun a kiss on the cheek, and the camera managed to catch that and renjun's face but not your face!! yeah no one knew until the comments started exploding about the unknown person giving renjun a kiss and the boys knew it could only be you. and as always, screamed loudly to get your attention before turning off the live. you and renjun about almost killed them for not telling you or being more careful.

Jeno. okay so you were on your way to sm company to give him his lunch bc he was practicing alone. you texted him that you were there and were on your way up but literally before you could even get in the building, he was already opening the doors and meeting you halfway. “i told you—“ he ignored your words, pulling you in by your jacket to press a kiss on your lips. as always, there are literally fans or outsiders outside of sm’s building at all times. and of course they took pictures and videos and uploaded it to sns immediately. it wasn’t until you pulled away that he realized what he did. “oh.” “yeah, oh,” you mocked, pushing him into the building as you glared at him. “congratulations, our relationship is now public.” “sorry,” but he didn’t seem sorry at all, if the grin on his face was saying anything.

Haechan. haechan … is a very obvious person. he would only compliment you when your group was miraculously brought up(probably also by him) and only sing/rap your parts of your songs. it didn’t help the fact that fans were already suspicious because you two were seen at the same place at different times and you frequently stole some of his clothes and wore it out. BUT! it’s only when he reads a comment about you outloud(“y/n from y/g complimented your vocals!!”) and he says, “yeah, y/n is a very nice partn—“ and cuts himself off before he can finish the word, eyes wide as he stares at the camera. “they’re a very nice, nice— um, idol. i’ve got to go practice, bye!” but like i said, he’s very obvious and fans heard him say the romantic word~~ oops.

Jaemin. it’s no secret that jaemin is a huge fan of having matching couple items, like with his members and especially you— since you’re, you know, a couple and all. his personal favorite was your custom made matching necklaces, so you wore it everywhere. unfortunately, seeing as the owner had no idea of anything concerning you two, when fans asked about your necklace to buy it, he said a young man came in and had it custom ordered. fans put two and two together and … boom. rumors were made up and since it really blew up, your companies denied it despite the rumors being true. even if they denied it, fans were very convinced you two were dating. no more privacy for you anymore! sorry jaemin you should’ve said something or not had it custom made. 🥲

Chenle. you like to take pictures of you and daegal and post it on your private twitter account, so what? he had no problem with it, even being in a few of them since he knew only your members and a few friends were on your private twitter. so when you did that exact thing, he didn’t care and merely posed with daegal sitting on your chest. it’s minutes later when his phone starts getting multiple text messages and he checks it only to see messages about you posting a picture on twitter. “babe,” he inhaled, “did you post it on your private account?” you glance up at him in confusion, “the picture? yeah.” he closed his eyes, leaning his head back, “are you sure it wasn’t on your main account?” it dawns on you right then and there. “oh my god.” in one minute, the tweet is deleted but thousands of people have already seen it and screenshotted. the koreaboo article is up within twenty minutes. . I am so sorry 😀

Jisung. ah, sweet sweet jisung. he was on vlive while you were at the corner store to get snacks for your movie night. he didn’t originally plan to go in vlive but decided to have a voice only vlive because he was bored. he thought you’d be gone for a while and would be done before you got back, so he didn’t text you about it. he was reading comments when you walked in, already talking as soon as you opened the door, “hey babe, i got that ice cream you like, the one—“ when he started coughing loudly in the middle of your sentence, you looked up and saw his eyes widening as he pointed at his phone violently. it didn’t take long for you to understand once you checked your own phone and saw that you had a notification from vlive, signaling someone went live. ‘oh my god’ you mouthed at him and he coughed again to fill the silence, eyes going back to the screen to read the comments to see if anyone heard you clearly. unfortunately … they did, and they heard the petname, too. he made up an excuse to get off quickly and groaned, putting his face in his hands. needless to say, fans reposted the clip of your voice everywhere.