#AND NOW AT THE END ALL I KNOW THAT I'VE LEARNED IS THAT ALL THAT I KNOW IS I DON'T KNOW A THING???

[copperhawks]

You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.

For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.

But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.

So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.

Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.

This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.

And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.

As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.

Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.

Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.

Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.

The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.

Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.

But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.

Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.

Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.

However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."

Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.

She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.

Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).

But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.

Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.

Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.

[nipuni]

Yapping time, Hello! It's rainy and Nicolas is making lentil stew 🥰

I wanted to thank everyone for the enthusiasm over my art and all the comments you sent yesterday 😭 you are all very sweet you make me excited to share and keep making art and that is such a huge gift I'll always be grateful for. I not very proficient at social media and keeping up with everything everywhere and end up feeling like I'm not thanking you enough or talking enough so I want to make sure you know that every comment and funny tag makes my day!!

I was going to make more posts talking about DAV but halfway through writing down my frustrations I realized I was not having a good time (and most of my issues with the game have already been covered by Chelsea over twitter way more eloquently too 😆) so I'm going to focus on the parts I did enjoy! I settled on a personality for Rook and now I'll probably replay as a couple of classes to find the one I enjoy the most since I've only tried mage so far.

We also got back to our quest of watching all of David Tennant's work! now in our cozy new sitting room with a fireplace 😭 what the fuck

We finally watched 'Rivals'! We were not expecting it to be a raunchy Pride and Prejudice in the 80's lmao. It was very YA and very gratuitously sexual which is not something we normally go for. We were not really into the main couple and were more invested in Declan's success and whatever Tony and Cameron had going on lmao but it was a fun watch regardless!

Then we also watched 'You, Me and Him' and we were expecting it to be one of those 'it's so bad it's good' cringy comedies but it was genuinely so funny and sweet lmao we always seem to have opposite taste to most critic sites sjakfh The styling was so accurate and hilarious and it felt very Hallmark. We loved it!!

Now we will probably watch the second season of Arcane! we loved the first one a lot so I'm sure this one won't disappoint.

We are trying so hard to resist the urge to rewatch Doctor Who, Broadchurch, There She Goes and Jessica Jones though lmao our crush remains as strong as ever if not stronger 😭

I think I've read every single Broadchurch fic in existence at this point, and I'm painting Alec as we speak oughhgrh help

Other random updates, we managed to get train tickets for a short trip to Madrid on Christmas so we can spend it with Nicolas' family who are still visiting. And also Nicolas is learning about mushrooms since he found a bunch growing in our garden and it has become his latest passion. Now he wants to go gathering, he has already cooked a bunch, he is so excited.

Anyway I think that is all for now!! I'll have more art soon now that I'm finally settled and can get back to my normal schedule 😊 I hope you are all doing well!

[sweetbunpura]

Filled with Static...

Summary: Yuu was already fed up before coming to Playful Land and now that it's over... She has some very choice words for she has reached her boiling point...

Sorry in advance~

Yuu watches with hollow eyes as Fellow and Gidel depart without having to face the consequences of their actions. Everyone jokes around her about what they just went through, but static is rapidly and quickly filling Yuu's ears. She moves away from the group and makes her way down a street, unaware of the sound of footsteps behind her. A hand lands on her shoulder and she's quick to slap it off.

"Ow, rude much?"

Yuu turns to see Ace with his arms crossed. "What?"

"Just wanted to know why you took off like that."

"Why do you care?"

"Wow, jeez." Ace scoffed. "I knew you were snippy from the start, but I thought that would've cleared up. What's the big deal?"

"What's the big deal? What's the big deal!?" Her voice echoes throughout the small area of the docks. "Ace, are you fucking blind as well as a total fucking moron!?" She jabs her hand to where Playful Land used to be. "We almost got turned into puppets and sold off because of you guys!"

"Hey, we got out in the end!"

"No, we didn't. If Fellow hadn't gotten that phone call, we'd be goners." The others have stopped a few feet away, but Yuu ignores them. "And you're cracking jokes about it."

"Well, destroying the park was-"

"I mean about the whole thing, you brainless baboon." She snarls. "From the start, you ignored all the fucking warning signs that said you should stay far away from this man. Did Azul tricking you not ring any bells in that empty head of you?" She tapped her finger against Ace's forehead. "And even when you were told that the warning signs were blaring red, you still ignored them."

"Hold on." Ace growled. "Why am I getting signaled out?"

"Oh it's not just you, Ace." She points behind him. "It goes double for those cacophony of idiots."

"Wow, rude, Yuu-chan..." Cater mutters.

"I get that you guys are like this. It's all fun and games to the ones who can use magic." She shakes her hand in a mocking way. "But this is just another scar on my body that I do not need." She pulls up her sleeves to show the overblot scars...as well as a new wooden looking scar on her wrist. "You guys think this is a joke, when it's not. You're risking my life with your guys shit."

"You came with us!" Ace argues.

"Cause I had to make sure my useless excuse for a fucking cat didn't keel over and die!" Yuu shouts and begins shoving Ace. "You. Treat. Me. Like. I'm. Expendable." She pushes him back. "I'm a living being too, jack ass, what I have done to warrant being treated lower than dirt? Every time this happens, and I almost lose my life in the process... how many more times is this going to be an almost before it actually happens?"

The red head narrows his eyes and snorts. "If you hate it here so much, why don't you just go back home?"

"Ace..." Lilia tries to say but is cut off by Yuu socking Ace in the face and sending him to the ground.

"NEWS FLASH, ASSHOLE!" The look in Yuu's eyes are murderous. "I'VE BEEN TRYING TOO! YOU GUYS CAN JUST CALL UP YOUR FAMILY OR SEND THEM A QUICK TEXT TO CHECK UP ON THEIR WELL BEING! YOU'RE A PORTAL AWAY FROM HOME! I HAVE NOTHING, I GOT NOTHING, I HAVE NO FAMILY HERE AND I AM REMINDED OF IT EVERY DAY BY YOU GUYS AND BY CROWLEY!" Tears well up in her eyes. "I've had it here. I'm gone. I'm leaving NRC, I'm getting far away from you guys." She turns to leave and rubs her eyes. "Enjoy the rest of your fucking lives."

"Yuu-chan!"

"Shrimpy!"

"Herbivore, come back!"

"Potato!"

"Henchhuman!" Grim tries to follow after her only to lower his ears and back up as she shoots the darkest glare she can muster at him. "I'm....I'm..."

Yuu disappears into the morning crowd that had gathered to learn what the commotion was about. She did not return to NRC that day...rather Crewel had found her, curled up outside his temporary house.

"Oh, Pup...." He pulls his coat off, wraps it around the crying young lady, and helps her inside.

[zara-renata]

And everything that is now already existed then | ao3 | masterlist

Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.

Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.

The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.

Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.

“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.

Sylus holds you a little tighter. “No.”

You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?

But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?

“Business slow in the Onychinus economy?” you ask.

“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”

You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.

“Then how do you have the luxury of lazing about with me?”

“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”

You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.

“Why?”

One corner of his beautiful mouth lifts. “Guess.”

You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 

“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.

“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.

“That’s not an answer,” you say, softly.

“Yes, it is.”

You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.

“You can’t mean that.” You frown at him.

“Try me,” he challenges.

You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.

“Oh, kitten’s plotting,” he snickers after seeing your expression.

“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.

He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”

You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.

“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.

“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.

Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.

You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 

Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”

You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”

“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”

You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”

“Oh? What animal do you think accurately portrays your personality?”

You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”

He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”

You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.

“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 

You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.

“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”

You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.

“Then I repeat—what do you want to do?”

Okay. Okay, he asked for it.

“Show me your favorite things to do at home, when you’re not being a warlord.”

He looks surprised. “That’s it?”

“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 

He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.

“That’s my spot,” he murmurs, pulling back.

Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.

Fuck.

You want to fuck him so badly.

You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?

If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.

“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 

“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.

At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”

“What time is it? Don’t you think it’s a bit early to start drinking?”

He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”

You sigh. “So it’s basically noon in your day-night cycle.”

“Time is a construct, and inherently meaningless,” he says serenely.

After this insufferable response, you give up trying to save his liver for the moment.

____________________

Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 

You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.

You left me standing here, a long long time ago

You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.

Don’t leave me waiting here, lead me to your door

You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.

His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.

You feel like you can breathe again.

You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.

He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  

But what if you’re wrong? What have you done to earn this incredible man's devotion?

“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 

You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.

“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”

You look at him in confusion. “Why?”

“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”

Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 

“The music made me sad,” you offer this truth, as a reward for his sweet response.

“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.

“I do like their music. My gran used to listen to them a lot.”

“Is that what made you sad?”

You give him a look. “I said I didn’t want to play the guessing game.”

“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”

You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.

He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”

“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.

His knuckles sweep over your skin just above the band of your soft pants.

“We have time—we don’t have to do everything today. Which one do you want to see first?”

You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.

“Library,” you say firmly.

“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.

He sets you down outside one of the ubiquitous black doors, and then opens it for you. 

His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can’t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 

It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 

You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”

“Yes.”

“Why?”

“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”

“Have you read every book in here, like you’ve seen every film in your collection?”

He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”

“Do you think that someday your life will be less busy?”

“If I have my way, yes.”

“And you’ll spend your days quietly reading in the solitude of your lovely library?”

“Not in solitude. But yes. You think it’s lovely?”

You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”

He looks down into your face, thumbs brushing across your cheekbones.

“Like I said. This room is about the future.”

You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?

It almost sounds like…

The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.

“Read to me,” he orders, striding to one of the soft couches and plopping down.

You snort. “What do you want me to read you, your spoiled highness?”

“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.

Your eyes catch on a familiar title.

“Oh,” you breathe.

“Find something?” Sylus asks languidly.

“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.

“You’re a fan of poetry?” he asks, eyebrows lifting.

“Don’t act so surprised. I’m not entirely uncultured.”

“Your manga collection could have fooled me,” he teases.

“Manga is art. You’re a pretentious fool if you can’t recognize that.”

“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”

“You do?”

He just steadily stares at you.

“Where?”

He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”

You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.

You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.

“Still want me to read to you?”

Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.

“You could have just said yes,” you say drily. “No need to be dramatic.”

“I don’t hear any reading. Chop chop.”

Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”

“Good thing I’m filthy rich.”

You scoff. “I don’t want your money.”

He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”

You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”

“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”

“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.

He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”

You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.

You begin to read.

“Try to praise the mutilated world.

Remember June's long days,

and wild strawberries, drops of rosé wine.”

He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”

“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.

He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”

You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.

“The nettles that methodically overgrow

the abandoned homesteads of exiles.

You must praise the mutilated world.

You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.

You watched the stylish yachts and ships;

one of them had a long trip ahead of it,

while salty oblivion awaited others.”

You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.

“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.

“You know this poem?”

“I own the book, don’t I?”

“You said you hadn’t read everything in here.”

“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”

You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.

“You've seen the refugees going nowhere,

you've heard the executioners sing joyfully.

You should praise the mutilated world.

Remember the moments when we were together

in a white room and the curtain fluttered.”

Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”

You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”

“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”

“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”

“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.

You jostle his head again. “Cynic,” you retort.

“You’re not done,” he sniffs, closing his eyes again.

You resist the urge to buck your hips in order to dump him on the floor. You read again.

“Return in thought to the concert where music flared.

You gathered acorns in the park in autumn

and leaves eddied over the earth's scars.

Praise the mutilated world

and the gray feather a thrush lost,

and the gentle light that strays and vanishes

and returns.”

You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 

You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.

Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?

You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 

“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.

“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 

“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”

So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.

After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.

You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.

“Can we light the fire?”

“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.

“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?

He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.

As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?

“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”

You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.

It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.

You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.

He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”

You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”

His eyebrows lift in surprise. “What do you mean?”

“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.

“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.

You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.

“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”

His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”

You wait. It sounded like he ended that sentence with a ‘but.’

“You’re right. I didn’t have just my preferences in mind as I was planning each room.”

You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.

“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.

His smile widens, just a little. “Do you really not know?”

You can’t process this. How could he have known?

It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 

You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.

The enormity of your feelings is terrifying.

What if you’re wrong?

How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.

Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.

It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.

You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.

“Do you know how to play all of these?”

He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”

You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.

“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.

He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.

“I can also play the organ,” he murmurs, before beginning to play in earnest.

You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.

You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.

“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 

You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.

Slowly, the piece comes to an end. His hands become still on the keys.

“What song was that?” you ask.

He flicks his eyes to yours.

“It doesn’t have a name.”

“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.

“Me,” he says, turning his head to look at you.

Wait, what?

“It’s already shocking enough that you play, but when do you have the time to compose?”

He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”

“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.

“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 

At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”

You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”

He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”

“Is that what you meant when you said that Amnesia isn’t really your vibe?”

“You remember,” he says, sounding pleasantly surprised. 

“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.

“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”

“So what is your vibe?”

“Curious, kitten?”

“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.

“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”

He dropped the “fake” part again.

His phone begins to vibrate in his jeans pocket again.

He frowns in irritation. You stand, forcing yourself to move away from him.

“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.

You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes… returns again.

You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.

You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.

“No need to knock,” one of the twins yells.

You open the door and peek into the room. It’s dark, with all the lights dimmed.

On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.

Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.

Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.

Luke pauses the game and looks over his shoulder at you.

“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.

“Business call,” you say, nodding. You stare at the screen. It looks like…

“Are you playing the Silent Hill 2 remake?” you squeal.

“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”

“Are you a fan of the original?” Kieran asks.

You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”

“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.

You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.

“I’m good, but do you mind if I stay and just watch until Sylus is done?”

“Is that even a question? Get in here.”

Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.

You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.

Apparently Noah notices Kieran’s fear as well.

“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”

You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?

“That’s fucked up,” you say out loud.

“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”

You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.

Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.

Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.

“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.

“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”

“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.

The twins shake their heads in unison.

You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”

“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.

“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.

You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.

“Did he not tell you?” she asks, looking at you strangely.

“Tell me what?”

“I’m not gonna do his work for him,” she says, rolling her eyes.

“Huh?”

“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”

Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.

You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics

When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.

The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 

Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”

“Popcorn!” Noah calls.

“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.

“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.

“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.

“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.

“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.

“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.

“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.

“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”

“Hey, flooding the guest floor was a good idea,” Luke protests.

This is just met with a cackle. 

You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?

Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?

But they said it was about their boss achieving something. Not about your feelings.

You don’t want to know.

You try desperately to cling to that warm feeling you’ve had since the pool.

Boss is gonna have it in the bag.

You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.

You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.

The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.

“Sorry,” you say. What the fuck else can you say?

“What happened?” Kieran asks.

“Just me being clumsy,” you say, trying to smile.

Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”

Kieran stares at you.

Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”

“It means they heard what we were discussing,” Kieran says grimly.

Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.

She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.

“We live here,” he answers, looking confused that that’s even a question.

You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.

That good feeling is gone.

You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.

Would Sylus do all that for a bet?

Is he that bored? Is he that good of an actor?

How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?

You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 

Yeah, you’re forgetting something all right.

You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.

You think about what it will take to get out of here.

You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.

You think about the resonance with Sylus when you woke up. Could he fake that?

His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.

“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.

You take a step back.

Noah just looks between the twins and you, confused.

“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.

As you round the corner, Luke says,“Get—”

“On it,” Kieran says, with his phone to his ear.

Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”

Luke shrugs. “Aren’t we all?”

Noah frowns at him. “Speak for yourself. You don’t know shit about me.”

“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”

“And you?”

“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”

Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”

Kieran grins at her. “What makes you think I have a problem with you?”

“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.

“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”

Noah scowls back at him. “You don’t like people like what? ”

“I mean, I don’t like, like people. I get the creeps when people hit on me.”

Her lovely eyebrows shoot up in surprise. “Oh.”

“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”

Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”

“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.

“Nah man, I like being in the peanut gallery.”

“Does that mean you’re not gonna shut up?”

“You know it.” Noah gives him a big, feral grin.

Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.

_____________________

Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?

He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.

His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.

“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.

Sylus jerks to a stop.

“Repeat that?” he demands.

“They overheard us talking about the wager,” Kieran explains, sounding pained.

It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”

“Yeah.”

Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?

“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.

Sylus immediately realizes what probably just happened.

“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.

“Your bet is over,” he barks.

“Understood.”

Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.

_______________

As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.

But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 

You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 

It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.

It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?

You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.

The lights flicker on.

You gasp.

It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.

Why would Sylus trust you with access to such wealth, if you were just a bet?

But more importantly, how much death must Sylus Qin sell, to afford such a vault?

How many lives in exchange for each gem?

You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.

What are you doing?

What the actual fuck are you doing?

You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?

But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.

You sink to the black marble floor. It’s cold. You draw up your knees and hug them.

There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.

The realization that you’re falling in love with a man whose life’s work is bringing misery to others.

You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 

There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.

You’re focusing on the wrong things, again. You’re forgetting what’s important, again.

What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?

You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.

______________

Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 

Hope has no place in his world.

People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.

Hope has no place in his world.

But.

You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.

But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.

He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 

Your fingers in the dip of his clavicle.

The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.

He opens the door.

He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.

His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.

He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?

A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 

But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.

You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.

He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.

He cradles your head in his palm.

“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.

“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.

“About how long it will take for my beloved to realize how I feel about them,” he sighs.

You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.

“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.

You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 

“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”

“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.

Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?

“Even dragons have hearts, darling.”

You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.

“What do you want?” he asks.

You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.

“You offered me time.”

He leans forward, rests his forehead against yours. “And I will give you time.”

“I want to see your favorite part of the greenhouse.”

“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.

“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”

The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”

You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”

Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”

“I want you to want to watch with me.”

He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”

He stands. Carries you out of his gem vault.

“Why do you have so many jewels?” you ask, quietly.

“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”

You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”

“Something like that,” he says.

“No other reason?”

He tells the truth. “I’ve always been fond of shiny things.”

“Do you have a favorite stone?”

He laughs softly. “Whatever stone you’re wearing.”

Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.

Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."

You just mumble that you're sorry.

"We've talked about your apologies," he says, frowning down at you in his arms.

You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."

"Deal. But only if you come with me to choose something," he says.

"Deal," you say softly, and he still can't tell what's going through your head.

When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”

Kieran nods in approval, as if he had helped Luke compose this little speech.

Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.

“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”

Sylus carries you to a loveseat next to the twins, with Noah on their other side.

“Thanks,” you say. “No worries.”

Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”

“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.

After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.

A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.

He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.

End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.

[ennwen]

A note on this... I agree to a point. When they're throwing their small dogs around on purpose, it's animal cruelty. If you're pulling your dog to the point that they're flying around all the time on purpose, it's abuse. I've made the mistake of accidentally tugging on the leash too hard before and accidentally whipped my baby's body around, which I learned from. Basic training is CRUCIAL for especially reactive dogs.

It's a thin line that you need to watch, because if your dog is lunging and barking, YES you need to pull them away from the person or the dog, but the best action is to walk out of the area of distraction and to grab attention. Don't rely solely on pulling the dog away, because it can make the problem worse. I did that when I first got Wen, and she ended up becoming more reactive than she was before. She was frustrated and her drive was up to get wherever she was going. Now I seldom have to pull her away from anything, a simple command or hand movement has her focusing on me because she knows it makes me less agitated and she knows she'll get rewarded from it.

have always found it immensely odd/frustrating when I see people who refuse to use any sort of physical force to control their dog. by which I do NOT mean hitting obv, but like: if the dog is standing rigid on the sidewalk barking at something and the owner is just standing there next to it, lightly tugging the leash but nothing more. or a small dog that’s lunging and pulling towards another dog and the owner is just, again, walking placidly behind it. or a dog that’s laying down on the sidewalk bc it wants to pounce on an oncoming dog and the owner won’t touch it. Etc you get the picture.

like goddamn dude it’s a dog. It’s on a leash. Fucking move them. why are you letting yourself get pulled around by a 20lb doodle?? sure ask nicely first but shortening the leash and yanking them back to you is not going to hurt them and in fact is what you need to do if your animals being a nuisance in public. Jesus.

[creatingblackcharacters]

Hi!

I don't wanna pressure u, respond in your own time

But like, I've been studying the play Fences, which is about a Black family in the 1950s and 60s. And i was creating costume designs for the wife Rose and taking into account how it would change over the play

And I found out through research that Black hair is a form of protest and a form of self expression because it used to be heavily controlled and their freedom with hair was very restricted

I came up with having her start by wearing her hair in a low bun under a headscarf because of how Troy had power over her in the beginning, but by the end of the play her hair would be out of the bun + scarf and fall naturally around her head, showing that she gained her own power and voice over Troy

But of course I still have a lot to learn myself and I really really want to explore how to show Rose's character growth through the meaning of her hair. So is there anything you can tell me about Black hair history and how it was used as a form of protest and self-expression? Are there any specific hairstyles that mean a lot in Black protest history? If so, I would love to know!

No pressure, of course, this is merely out of genuine interest and curiosity

There is a specific section in this lesson (though I highly suggest reading all of it) that discusses the history of the afro! The natural hair that grows out of our head is a form of protest; has been for a very long time. But the afro has a specific history with protest, a symbol of my power and presence.

Even now, having natural hair, especially when it's shorter, is hard for Black women, having long grown used to long, thin hair being the acceptable (white) beauty standard. She probably wouldn't be treated well by all circles for having chosen to wear her own hair in its curls or picked out (hell, even now having locs some older Black folks act like you just don't care about yourself 🙄) but yeah, that to me would be a real deep way of taking back her autonomy.

[clueless-fan-critic]

Agatha All Along: the Magical Sequel to WandaVision

So…I’m pretty late to the bandwagon, but I finally got fully through the entire series.

And I loved it!!!! The lore, the atmosphere, the characters, everything fell perfectly into place. After finally finishing and rewatching the show, it has become my top favorite show along side WandaVision. I'm always a sucker for anything with witches, spells, deities, and other mythological elements. I've been a big fan of the Scarlet Witch, both in the comics and Elizabeth Olsen's stellar performance. But enough praise, let me explain what this show has in store.

Agatha All Along is the sequel series to WandaVision that follows Agatha Harkness, previously trapped in Wanda's spell, on a journey beyond Westview. And onto the Witches Road with a makeshift coven on her side.

With all that out of the way, I will examine the finer details full of spoilers and dramatic twists that are much better if you go into the show blind. Now, Down the Road We Go!!!

Down the Witches Road...

The Witches Road is the main setting for all the major conflict in the show with a magical MacGuffin playing a role for each of the witches. As they progress, each character fulfills their own desires by overcoming the trials: Jennifer Kale learns to be a witch without her powers, Alice Wu-Gulliver overcomes her family curse, and Lilia Calderu embraces life despite her upcoming death. However, there were hiccups along the way with Sharon Davis's death, Agatha confronting her mother's ghost, and Rio Vidal's reveal as Mistress Death. But the major twist is that... The Witches Road never existed in the first place and Agatha made up the Ballad to lure witches for her to absorb. And Teen, later Billy Maximoff/Kaplan, made it real in a way like Wanda's Hex.

What I could tell was that each trial played a role in a character's journey, magic, and an element they represent: Jennifer as potions and water, Alice as protection and fire, Agatha as spirit, Lilia as divination and air, and Rio/Death as earth. The trials were more or less reflections of the characters in essence like Alice's trial related to music and Agatha's trial was more about what she has become and is. In the end, many of the characters got what they wanted from the road ironically since Agatha only gathered the coven to gain more power for herself.

Witchcraft is a huge staple in this show that embraces the more mysterious and spiritual sides of magic. Making it distinct from Sorcery by the Masters of Mystic Arts which looks more like the Avatar's Bending Arts if anything. It gives us a different way of seeing magic used by actual witches with spells and potions and even riding broomsticks.

Although we don't really know why, I think Agatha's magic draining power is a "mutation" that makes her incapable of creating her own magic and instead steals it from others. We also don't get any clues to how she got the Darkhold, just a rumor about her giving up her son for it. Maybe someone gave it to her and manipulated her into seeking out Wanda by promises of giving her power or resurrecting her son. Those were the only plot holes that kind of bothered me in the end, but aren't important... yet.

One by One We Carry On...

All the actors portray their characters flawlessly, but I did not expect Agatha to remain the same evil character throughout til the end. I thought they would pull some sort of "Zuko" scenario in a short period. But no, they keep the same but more sympathetic and relatable. Agatha goes from an evil witch killer to a grieving mother who's also a witch killer. Despite falling in love with Death, Agatha still lost her child Nicholas Scratch and still continued building the legend of the Witches Road to pursue more power. While it doesn't justify her actions, we get a bit of an understanding into why she does what she does.

While Billy is a great character, I didn't feel he had those "Epic Epiphany" moments like with Lilia completing the Divination trial and her final showdown with the Salem Seven. I still think he'll go to that point in some other project but he does grow into a stronger character from his experiences.

One of the witches who stood out the most is Lilia Calderu. The strongest episode is Death's Hand In Mine where she takes center stage as the main character. Lilia was characterized in a very strong way where she's definitely not a Mary Sue who wins because it happens. We see how Lilia experiences time randomly and how much she struggles to live with it. She uses her Divination powers to outsmart the Salem Seven in one badass move, but ultimately sacrificing herself while finally reclaiming her power.

The only thing I felt was unnecessary were the Salem Seven. They only play the role as an obstacle rather than a major antagonist like Mistress Death.

Now that we finally know who Rio is, it makes sense with how she drops bread crumbs in her scenes including her arrival on the Witches Road, the Ouija board's message, and even how she talks with Agatha about their history.

The casting and dialogue feels both organic to the actors and technically skilled in how they include previous characters from other shows like Sharon Davis and Ralph Bohner/Randall. All without being forced or contrived, it feels necessary for Westview to become the place where magic goes awry.

With where the series end, I really want to know how they can top or connect this to the next saga.

What Lies Ahead...

With the overloaded schedule of upcoming MCU projects, sudden hiatuses, and crazy leaks, we can only hope for some definitive answer to how plot holes are filled in. Will we get the resurrected Tommy Maximoff/Shepard meeting White Vision? How did Agatha get the Darkhold before Westview? Is Billy going to become a Young Avenger with his codename Wiccan? And will we get a sorcerers vs witches battle? All completely up in the air and slowly driving fans psychotic with anticipation.

With that said, Agatha All Along is more than enough to keep us satiated with amazing performances, alluring settings and designs, and intriguing witch mythos. I am hoping for more witches and magic being incorporated into the MCU and having writers learn that a character doesn't need to be redeemed into a hero so long as they are compelling to relate to.

Now, What Will You Find Down The Road?

[secriden]

THK Episode 1 thoughts in no particular order or level of coherency:

I didn't see Fadel as Lawful Good coming, but at the same time it makes perfect sense now that I've seen the episode

Somehow, I now kinda ship First with both Joong and Dunk and I cannot explain it even to myself but damn.

Khaotung's ability to not just sound and act but nearly exude the presence of a naive innocent young man, head still in the clouds and dreaming of true love, is Truly Impressive. I actually believe, not only that he's younger than Fadel, but that he genuinely lacks the emotional maturity too even process the risk that Fadel sees.

I now appreciate so much what people said about First's almost understated detailed acting because those rapid shifts in his expressions said so much in tiny increments of time, I'm blown away.

Dunk is so pretty, Dunk is so pretty, DUNK IS SO FUCKING PRETTY!?!?!

But also please I adore everything Dunk did as Style he gave absolutely everything for that character and held nothing back. The way he just... went for it?? In all the scenes, every single one? I'm trying not to be too spoiler-y but damn, I get it when First said that Dunk really embodied Style because he really really DID!!!

That ending was genius my brain immediately lit up with all the ways this could go and I'm SO EXCITED

The way the sex wasn't even remotely the most insanity-inducing thing in this episode really goes to show how well this was made but also ITS HILARIOUS

Having said that, damn it was hot!!

Joong's eyebrows eyebrowing so hard <3

I don't think JoongDunk were meant to have sexual tension at all in this episode but they still felt very sexy to me. Maybe its just me, but it felt like tension even when Fadel is mostly just pissed off there's that... okay, you know how the opposite of love is not hate, but apathy? Guess what, zero apathy right here!!

I'm genuinely so happy with what we got though. It really is as light and silly and camp and gorgeous as they promised and I'm so so grateful for that. There's potential for devastation (I see you, Kant, hiding backstory hints inside your soft serve!), but also how lucky are we to get silly romantic shenanigans with the murder brother duo and their (future) flirty boyfriends???

Also the music!? Can we talk about THE MUSIC?? it was so... idk, like it was almost its own character in this episode. It was like audience direction with how much it would abruptly change the tone of the scene. I wonder if this will continue throughout the show or if they're doing it because it's the first episode and they're really really laying those comedy foundations down, but its fascinating.

I can't believe we get "Good Morning, krub" and "love at first sight" in the same episode omg ;A; <3

Style should've learned from the expert:

[lumiidragon]

What was it about THW that made Toothless a flop for you?

I've tossed all sorts of stuff around, so I feel like I'd really be repeating those posts, so I'll just sum it up for simplisity~

-Toothless is a dog in this movie. A horny dog. Not charming compared to the previous two movies.

-Toothless cares about nothing but the Light Fury. There's being in love, and there's being absent from the flock you're supposed to be guarding to go off on some date while your best friend is being left behind to fight the villain.

-Is Toothless an intelligent animal that understands humor, a hostage situation, high speed adaptation to human society, morality, and understanding humans almost on a human level or is he an instinct-driven animal and nothing more? We may never know because HTTYD preached the first half while THW was stuck on the latter unless plot device.

-Toothless gets this redundant super-power to go invisible for...reasons? Like, the Light Fury can't have anything original to her, Toothless MUST have it too because what originally made him unique is now absent and thus something has to be going for him, I guess.

-The dragons don't leave because they're safer in THW. Let's face it, the dragons leave because Toothless wants to be with the Light Fury and rule THW and since he's Berks' alpha, the Berkian dragons really have no say in it. The separation felt more like it was for Toothless, not all dragons.

-Toothless hardly even glances at Hiccup in this movie. His interactions with literally anything else not girlfriend material is actually at 0. Cloudjumper that Toothless just thought was the coolest new friend in HTTYD 2? Who's that? Who cares, new girlfriend.

Toothless getting a girlfriend isn't the issue. The issue is that apparently you can only have a best friend OR a girlfriend. Can't have both. I mean, just look at Hiccup. As soon as Astrid came onto the scene with that kiss after the romantic flight, Hiccup forgot about the rest of the gang for the rest of the movie and Toothless was forced to face Stoick alone until the very end where Hiccup suddenly learned how to be a warrior just a powerful as Astrid and saved the day. The pair then went their ways since Hiccup belongs on Berk where all humans true home is and Toothless can go somewhere else because one day the world will be ready for humans if you sit around and hope instead of educating others and fighting for it.

Yeah, lol, so basically for that last point, it was all about the fact that everything HTTYD stood for with Toothless being a major focal point is tossed to the side. I'm not against separation because it's for the best for all parties involved, but THW is NOT the movie that did that good and instead just made Toothless super unlikable and OOC to make it work. Want a good movie for that? (possible spoiler??) then watch The Wild Robot. Much better.

[marshallpupfan]

Well...

I learned some PAW Patrol news today that, I must admit, has left me rather disappointed. Don't worry, this isn't a rant or anything. I just wanted to talk a bit about it.

If you were to ask me who my favorite PAW Patrol character is, my answer is obviously Marshall. As for my second-favorite? It's not one of the other main pups or any of the part timers. That's not to say none of them are on my favorites list though, as Chase, Rocky and Everest are in my top ten, just to name a few.

No, my second-favorite PAW Patrol character is... Claw!

Seriously, I just love this doberman. In fact, I became a fan before even getting to see him in action in the cartoon. The moment he first popped up in a leaked Rescue Knights image, I quickly fell in love with his design, especially his awesome-looking armor. That, and he was flying around on a huge dragon, which... come on, that's cool. And when I finally got my chance to watch him in an episode? In my opinion, he did not disappoint. For me, he's not only one of the most memorable aspects of Rescue Knights, but of season 8, period.

Naturally, once the subseries came to an end, I kept hoping that, someday, we'd return to it and see him again. Or, if anything, he'd pull a Sid and Arrby and appear in some regular episodes. Sadly, two and a half seasons have gone by since then, and both he and Rescue Knights have been a no show. Despite that, I held on to the hope that he'd eventually pop up in the cartoon again.

Regrettably, I might have to let go of that hope.

(Source)

Some of you might doubt this information, but Tybsy has provided many accurate leaks and insider info in the past, and he continues to do so. I've learned to trust his words.

It seems that, for some reason, the writers have been told to avoid pitching ideas for episodes based around Rescue Knights. Worse yet, they were told to do the same with Dino Rescue. Not only does this mean there's a slim chance of seeing Claw again, but possibly even Rex, too... another pup who I'd love to see more in the cartoon.

Now, there's a possible reason for them to do this with Rex and Dino Rescue. Given that a few sites have already started listing the third film with the name "The Dino Movie", it's possible it will indeed be quite similar, at least in some way, to Dino Rescue. It may even involve Rex! Currently, we still don't know for sure, but there have been some hints here and there that suggest he might be involved.

EDIT - I forgot there was another leak some time ago involving some file that relates to the third movie, and the metadata specifically mentioned Rex. There's a very, very good chance he'll be in the movie!

And although Tyby jokes, it is possible, however unlikely, that they do want to avoid creating continuity errors with what we've already seen with Dino Rescue. Just look at the errors we got with The Mighty Movie and the season 10 Mighty Pups episodes, most of which still confuse viewers to this day. If I were running things, I'd absolutely tell the team to make sure that DOES NOT happen again...

Rescue Knights, on the other hand? I see no logical reason to avoid it. I have my doubts that Claw or his dragon will appear in a theatrical film, especially before certain other characters (not impossible, but I wouldn't bet money on it), and I'm going to assume we'll never see him in Rubble & Crew or the two Youtube spinoffs, so... what gives? To make matters worse, now that the main TV series has switched to a new style, they'll have to modify or remake Claw's model to match the new designs, and I can't see that being a high priority. Again, not impossible... but it certainly doesn't help his odds.

My hope of seeing Claw again isn't 100% dead or anything, but I can't help but feel pessimistic about his chances. To think, all this time, it never happened because Rescue Knights has been restricted from appearing in future episodes. That's so disappointing, you know? I can only hope that they do indeed have something special planned someday for Claw, or they'll finally lift that restriction on his subseries... but truth be told, I'm not going to get my hopes up.

Well, here's to you, Claw. Even if we don't see you again, you'll always remain my favorite (ex) knight of Barkingburg! Still, here's hoping that we do get to see you again... someday.

[ninyard]

JEAN MOREAU FOR THE “GIVE ME A CHARACTER” ASK PLSPLSPLS

How I feel about this character

OH my wet cat of a man. my darling starved dog. I'm so invested in his healing but I absolutely ADORE the perception of him that we had in the original trilogy. Stone cold bitch. If looks could KILL mfs would be dropping like flies around him. I've loved him since the moment I met him and everything we learn about him now is just an added bonus

All the people I ship romantically with this character

Renee, Jeremy, Kevin (in a sick what could've been kind of way), I understand Jeaneil but only really ship it when it's with Raven!Neil/Nathaniel. I ship him with Happiness also

My non-romantic OTP for this character

Can I say Kevin again. Like ofc him and Renee are soulmates and in another life they would've been perfect but Jean and Kevin is like the most devastating heartbreaking how could things have ended kind of ship. They'll never be together, they'll never make it as a couple or as a pair, but OH what could've been. what they could've had. It kills me

My unpopular opinion about this character

again i don't know what constitutes an unpopular opinion or not but if Jean had the option not to go pro i don't think he should and I don't know if he really wants to either. Like exy is all he's known and what does he have outside of it and if he's the best backliner in exy then SURELY he should go pro but also exy ruined his life. Exy in his head killed people he cared about or got them hurt. Exy has almost killed him more times than he's able to count. He plays out of obligation and because it's the purpose that was set out for him but if he never went pro i would say GOOD FOR U. i don't WANT him to go pro

One thing I wish would happen / had happened with this character in canon.

I want to see him destroy edgar allan. will he? i don't know. but I want to see it and i want to see the world on his side with it

[shaanks]

Would you want to pull that Shanks has separation anxiety hc back out from under the bed and maybe perhaps share it with the rest of us? Tbh I LIVE for the head canons you share!!

You are so sweet!!!! 😭😭😭 I'm sorry I've been sitting on this one for several days now, I wanted to be at least sort of clear-headed to answer it properly. Some of this is going under a readmore because I'm incapable of answering things concisely lmfao.

Edit: for anyone watching out there this post is riddled with spoilers so read at your own risk.

**

I think about Shanks and all of his sublimated feelings and fears and dreams so much it makes me so crazy and sad lmfao. Focusing in on the fears part though like...abandonment and loss have been really central themes in his life.

He was found in a locked treasure chest - seemingly abandoned by his biological family (which in the end, good, because if they are who we think they are they suck anyway).

He spends his childhood aboard the LITERAL ship of dreams, two of the most prolific men of that era are his father figures, he has this incredibly close relationship with Buggy, he is soaring on the wings of this burgeoning era, where the only limits he has are what his imagination and talent allow him to be capable of...and then it all just stops.

The family that he knows sails away to the end of their journey without him because he opts to stay behind with Buggy when he gets sick, and nothing is ever the same or right again. Roger sickens, Rayleigh's mind begins to fray. The crew disbands. Everyone disappears.

Roger allows himself to go to the gallows, and on the way there he lays the future of their world on the shoulders of a grieving 14 year old boy, who has to now learn what it means to be utterly alone in a world that has not only branded him enemy, but whose governing structures are fully aware of his power and the danger his talent and proximity to Roger entail.

The only person he had there with him, Buggy, runs out on him - for reasons that were understandable, but could have been avoided by words neither of them had the emotional maturity to express, especially not in the moment of such anguish and grief.

He eventually finds people, good people, new friends and comrades, people he can trust, but even then he is having separation and its cost modeled for him in the form of Yasopp and his son, and eventually in the form of a tenacious, lovable little boy named Luffy, who loves so fiercely and is very clearly terrified of the prospect of being left, of being alone. A fear Shanks resonates with deeply. A pain he knows he will eventually have to inflict on this little boy.

There's a lot of meta around that Shanks had no faith or interest in Luffy until he ate the gum-gum fruit and didn't think he had any potential to be a pirate, but I think that's a really shallow, kind of willfully ignorant take on it. Shanks himself found a home at sea as a boisterous naive child, and the RHP more than have the capability of looking after a child with a penchant for trouble...but that's how he lost his world, too.

Leaving Luffy behind hurt him, but he left him with connection, an emotionally valuable memento, and to Shanks' awareness he was leaving him with a stable support system firmly in place. There are no guarantees in this life, but he's learned through personal experience that not even the Pirate King can grant you assurance that your family at sea will survive.

ALL that to be said that I think one of Shanks' deepest, most untended hurts is loss, the loss of family, of friends, of love, and because that wound has gone unaddressed--and because he went from lost 14 year old boy to Captain to Yonko in such quick succession, and there doesn't tend to be a lot of emotional support for mythic figures of authority--it manifests as separation anxiety.

Individual members of the RHP are rarely seen off on their own, with the exception of Benn going off to rescue Luffy that one time. They all move around together.

When people leave, Shanks keeps tabs on them, when danger arises, he does his best to be two steps ahead of it. I genuinely think there's a part of him that whispers "you'll never see them again" any time someone he cares about walks out of a room, or leaves the ship a little before him. There's a reason, I think, that he's always shown to be the last person to board the ship, why he's always ushering people on ahead of him 50 times before he goes up.

With a lover, I think it would manifest tenfold, I think that's partially why he's so clingy and touchy-feely and cuddly (aside from just being literally the sweetest man alive), because to have that sort of connection means he reached out of the imposed avoidance of his own desires to really bring someone in close, and I think that kind of loss, or the perception of the possibility of that kind of loss, would devastate him in a way he wouldn't recover from.

So he holds your hand everywhere you go, shadows you through rooms, presses you close to his side when you're out at bars, and worries, just a little bit, every time you get up to go to the galley or have to take night watch without him.

Because what if it all falls apart again. What if you disappear. What if the crew disappears. Just like what happened before.

I hope this makes sense and was coherent, I just have a feeling or two about him, ya know?

[thegirlwhorideslikeasamurai]

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.

[strawberrybasilsorbet]

Ooh! I'm super late to respond to this, but I love the question :) Unnecessarily long reply incoming.

I think that a canon-compliant argument could be made for basically any answer to this question, on both the "when did Sirius find out" axis and the "how much did Sirius know" axis of the hypothetical graph. (Which is my favorite kind of canon ambiguity, tbh, because I love being surprised by different takes).

That said, one headcanon of mine that I'm quite fond of rests on the idea that Sirius knew everything that James knew — and that James knew 100% of it — basically from the time that the Potters went into hiding.

Because, if (1) Sirius did know the entire text of the prophecy, and (2) Dumbledore's biggest priority in OoTP is to hide that text from Voldemort, then Dumbledore's adamance that Sirius not leave Grimmauld Place makes a lot more sense.

Per Sirius:

"I've been stuck inside for a month...Because the Ministry of Magic's still after me, and Voldemort will know all about me being an Animagus by now, Wormtail will have told him, so my big disguise is useless."

The Ministry of Magic never learns that Sirius is an Animagus, as far as I can tell. (Maybe there's a risk that someone like Malfoy might tip them off? But he never actually does.). And Sirius has demonstrated that he can successfully evade the Ministry in his dog form for two years prior to OoTP — even before allies like Kingsley and Tonks are available to help him out by misdirecting other Aurors. The major threat preventing Sirius from going on Order missions as a dog, then, seems to be the Death Eaters, not the Ministry.

But Death Eaters are a threat to any member of the Order of the Phoenix, not just Sirius! Maybe he's slightly more at risk than others because of the way he's been marginalized by society — the mysterious death/disappearance of Ministry employee Kingsley Shacklebolt, for instance, might be harder to keep secret than the murder of a fugitive — but Voldemort did show that he was willing to kill Order members when Nagini attacked Arthur Weasley. So why should Dumbledore single Sirius out so completely? Why prioritize Sirius's safety over literally any other contribution that he could make to the Order, when other members are also facing risks to their lives?

(This is also where I notice that Dumbledore's insistence on keeping Sirius in hiding doesn't start right away after Voldemort's return. He's perfectly willing to ask Sirius to seek out "the old crowd" at the end of GoF, even though Wormtail has had a year to tell Voldemort everything he knows by this point, including the details of Sirius's Animagus form. The decision to confine Sirius indoors happens sometime after the Order begins to regroup — quite possibly around the same time that Dumbledore learns that Voldemort is after the prophecy.)

Considering the close attention Voldemort pays to Harry's personal ties, it's very plausible to me that Wormtail told Voldemort everything he knew about Sirius, including the fact that he was James Potter's closest confidant. From this, Voldemort might surmise that Sirius knows the text of the prophecy and target him as a result. (Or, even if Voldemort doesn't specifically target Sirius, a random incident resulting in his capture could yield the text of the prophecy through Legilimency if Sirius does happen to know it). If so, Dumbledore's insistence on keeping Sirius inside Grimmauld Place at all times could be read as a direct response to this risk.

I don't think that this take even requires a terribly Machiavellian read of Dumbledore in order to work: if Sirius knows the text of the prophecy, and is at high risk as a result, then hiding Sirius from Voldemort — aside from being essential to the Order's aims — could also be an honest attempt to "[try] to keep Sirius alive," as Dumbledore tells Harry at the end of the book.

Everything mentioned above can absolutely be explained in other ways, of course, but I do think this possibility is quite fun. Loved seeing all of the competing reads too!

When do you think Sirius learned about the prophecy?

I think Dumbledore didn’t tell the Potters much—I think he would’ve kept the most important details to himself. I say this because Voldemort didn’t know the whole prophecy despite having Peter as a spy. If James trusted Peter enough to use him as Secret Keeper, he probably would have shared the knowledge of the prophecy with Peter. And since Voldemort didn’t know the whole thing, we can trust that Peter must not have known it all.

James probably would have shared what he knew with Sirius, but what parts were missing?

I sort of wonder if Dumbledore shared more with Sirius during OotP? But how much?

Clearly, by OotP, he knew there was a prophecy obviously, but how much did he actually know? Did he know the last bit?

Basically, I wanna see that conversation.

[spriteofmushrooms]

The interesting thing about Jiang Cheng is that he refuses to be his mother's golden child to Wei Wuxian's scapegoat; he actively chooses Wei Wuxian again and again. He defends Wei Wuxian from her until she dies. It's unusual.

This doesn't mean that Wei Wuxian's experience was any less fraught--being hated by a caretaker is awful even if everyone else loves you. But it was an interesting choice by MXTX.

[deoidesign]

.