#ALSO REPEAT THAT LAST WORD??
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asterinstar · 1 year ago
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At least the kinks and fetishes in Housamo are tame compared to the ones in Anothereidos. In that Arknights/Housamo ripoff game, there's snuff and bestiality.
Bro I think I remember seeing some nsfw stuff in there 😭
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strayswolf · 6 months ago
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There is so much to unpack in Jason’s facial expression. He seems shocked Barbara asked after his mental health. Also, he’s totally looking off the side and not at Barbara when he answers her because it’s a difficult conversation and hard to talk about what he’s done and is going through.
The dark lines under his eyes are also an amazing touch that talks of his sleeplessness and physically shows how haggard by the situation he is alongside the physical bruise accompanying the internal emotional bruising.
Batman: Wayne Family Adventures, Season 3, Ep. 121, In Shatters All Around Me
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luck-of-the-drawings · 10 months ago
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
#jrwi fanart#cw blood#jrwi show#jrwi suckening#arthur bennett#OUHH THIS ONE WAS SITTING IN MY WIPS FOR SO LOOOONGwhen i took it out there was mould on it :sob:#BUT i think i was able to fix it up okay#i keep seeing SO MANY MISTAKES RRAAAHHH BUT YOU DONT SEE THEM RIGHT?? THATS ONLY ME. RIGHT?? EXACTLY.#THE KEY IS TO SAY. AND REPEAT AFTER ME. 'FUUUCK IT WE BALL#so anyway. arthur bennett huh? grizzly says that arthur is reaal fuckin difficult to play. and i SUPER get that. i mean LOOK AT HIM..#grizz often needs a minute to think abt what hes gonna say in a way that matches w that Stoic Personality. which is FAIR but also that#ends up making way for awkward confrontations like: the lady in the parky lot. he took too long to answer and scared her away.& I LOVE THAT#arthur is tragic and sad and cool and stoic but hes ALSO awkward and silly and kinda dumb and short sighted. HE HAS COMPLEXITIES#I LOVE WHEN TTRPG CHARACTERS HAVE A GOOD SET OF SHORTCOMINGS. ESPECIALLY WHEN U FIND THEM ONLY AS U PLAY THEM.#I COULd go on and on saying the same things w different words abt arthurs intriguing and entertaining character but i shall spare u. for no#ILL ALSO MENTION HOW MUCH I LOVE HIS FLAVOR THO.. I LOVE TALL HOT BOY WHOS ONE W THE DARKNESS.. I REMEMBER WHEN HE FIRST MENTIONED THE#BADLUCK. N I WAS LIKE OOOHH THATS WHY HIS DESIGN IS SO COOL N CHAOTIC N ASYMMETRICAL. HES UNLUCKY!!! i love love love his design so much...#GRaaauruguguraguhhghghgh what else what else is there for me to spew on abt...i think im reachin a limit here..OH MAGNUS. i hope that#we get to know more abt how magnus and arthur met.. like How they became besties... ouuhh... I ALSO WANNA KNOW MORE ABT MARY DAVIS. LIKEHOW#he also apparently spent alotta time in a zone dominated by edward twilight? all he remembers is constant partying? I WANNA KNOW MORE..#i think i got room 4 one more ramble SO. THE ART PIECE.as i said its gone a lil stale BUT. im still very proud o the bits where hes allScar#I WANNA SEE HIM GET SCARYMORE. I like the idea of shadows solidifying to make him strange and eerie.like TEETH n CLAWS n SPINES n YESS#also the SILVER EYES.no1 does silver eyes like the show Claymore. they make em look so striking and eerie...i also like to think that#human arthur had deep beautiful brown eyes.just in my beaitufl heart.i mean look at him..i wanna cook him n eat him.ANYWAY#i think thats all my ramblin for this piece. now i gotta go cancel a single day i had ata hotel bc my work schedule change last minute FUCK#feel free to ramble in my tags aswell tho i read all of them and i chew on thenm and i love them so sos os mcuh
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uncanny-tranny · 1 year ago
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Brought to you because of my searing hatred for the DEA 💛
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kantraels · 5 months ago
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fseer funniest behaviors
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#kind of embarrassed to admit how many times ive screenshot fseer lines so i can get the cadence down#fseer is so funny. ill say it.#they double down on repetition when they're unsure or concerned. they get very defensive very easily but only rarely get legitimately#angry and when they DO (see: shriek#friendly fire) it never lasts very long#for the MOST part people say mean shit to them and they're just like haha yeah!!#the one I wanted to include but apparently don't have is the one from commsplex in throneside where seer is like#i dreamed an entrance for us and here it is! aren't I nice. say it SAY IT#(sometimes teammates will use the 'thanks' bark. very funny)#but maybe bc i read too much into things it doesn't read as seer threatening their team but more of them fishing for reassurance#which tracks because fseer is so damn scared all the damn time.... as opposed to mseer who seems just the slightest bit more sanguine#and a lot more confident/MEANER?? to his teammates. specifically loose cannon veteran. their dynamic makes me chew glass they're so funny#fseer on the other hand does tease their teammates but it's a lot gentler#sometimes they appear to get stuck on words they're hearing and repeat them a couple of times#ex quibble quibble quibble but then uhhh the one mission with the servitor colony with buzz buzz/chitter chitter#augh.#text post#kenna#<- bc they donated the lines this is more meta about fseer as a whole.#darktide#psyker#fseers writer please ten minutes to talk i need to know everything#also please approximately 500 more lines with the zealots and ogryns#voice lines
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cementcornfield · 1 year ago
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PART 4 OF THE JA'MARR DRESSES JOE BUT NO HE DOESN'T (MAYBE HE DOES??) SAGA
Tee: Have you ever helped our QB with his style?
Ja'Marr: I don't know who dressin' him. I ain't dressin' him. I don't know who it is.
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hum--hallelujah · 1 year ago
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like a sledgehammer to a disco ball - 3.9k words, Fun Ghoul angst and protective Kobra Kid
Kobra jerks awake at the first creak of the floor. The only person who has any right to be in his room at night knows better than to step where the floor creaks. Instinct takes over and he's holding his blaster at body height by the time his brain and eyes are awake enough to see through the dark.
"It's me, it's me, it's me," Ghoul stammers, holding his hands defensively in the air. Only, it sounds more like "'smee," because of the way Ghoul is slurring. And he's bleeding.
Kobra drops the blaster as soon as he realizes that the dark smear across Ghoul's face is blood. "What the hell, man," he hisses, groping in the dark for a light with one hand and trying to pat Ghoul down to make sure he's not like, actively dying, with the other. He could be blackout drunk or he could have gone out alone like he does sometimes and any number of things could have happened. The cold metal of an old flashlight meets his fingers and he flicks it on, shining the dim light over Ghoul.
"I did something stupid," Ghoul says. Only, it comes out as "Uh did su'hn stooid," wavering slightly, because the entire right side of Ghoul's face, from the corner of his mouth to his cheekbone, is sliced open. There's a horrific flap of flesh hanging loose that's supposed to be connected to the rest of his face. That's where the blood staining his face and clothes and hands is coming from, and why when he speaks, it sounds wrong.
"Holy shit," Kobra whispers, feeling cold Zone night air sting his eyes because they're open so wide. "Okay. Okay, what happened?" He holds Ghoul carefully by one arm, feels the way he's shaking. He's always shaking, except when he's got his hands in a bomb. This is worse than normal though. This is so much worse than anything Kobra's ever seen.
Ghoul shrugs, waves his hands vaguely and wildly. Kobra hisses a sharp breath through his teeth, frantically runs a hand through his hair. "Okay," He says again. "I'm gonna get-" He needs Jet, de facto medic, he needs Party, needs his brother-
"No," Ghoul says sharply, and that at least is completely clear. His eyes are wild from what Kobra can see in the dark. If human eyes could glow, his would. He grips Kobra's arms. "Please don't," he mumbles around the gruesome injury. His voice is high and frantic, and it has to hurt to talk. "Just you."
Kobra freezes. There's a slowly building feeling of dread, growing stronger by the moment. He pulls Ghoul off him, holds him by the wrists. "Okay. Just me," he promises, and feels sick about it. "Just me."
Ghoul noticeably relaxes, though he's still trembling head to toe, and lets Kobra drag him across the diner in near-silence aside from the occasional seemingly involuntary whimper on Ghoul's part, into the single-stall bathroom with a barely working lightbulb. Somehow, they make it past the front room where Party sleeps without waking him, much as Kobra wants to let his brother take care of this. He's practically trembling at how badly he wants Pois right now.
There's a medical kit in the cabinet that Kobra pulls out immediately. He knows how to handle this, physically speaking. It's whatever else, the shit he doesn't know and is scared to find out, like how this freaking happened, that makes him nervous. Ghoul stands in the flickering light like he doesn't know what to do.
"Sit the fuck down," Kobra snaps nervously, gesturing to the toilet lid. Ghoul does. Kobra pulls a dubiously clean rag from the cabinet and eyes it. It scares him to see Ghoul like this. Usually if he's scared, he fights. He hisses and spits and claws at whoever comes near him. More often than not, that's Kobra. But this, the wide-eyed jittering, is a whole other animal.
"This whole thing is gonna suck," he says stiffly. Ghoul nods. With a little more light, Kobra can see the thick, shiny blood streaming from the wound through his cheek. It isn't enough that Kobra's afraid Ghoul will bleed out, but the cut is so long and clear through and absolutely grotesque. He crouches down in front of where Ghoul is sitting, sideways on the toilet, and he can't tell if Ghoul is looking at him or through him, almost as if he's the ghost.
In a quick motion that startles both of them, probably, Kobra grabs the back of Ghoul's head with one hand and presses the rag to the seeping wound with the other. Ghoul's eyes go even wider and even greener, and what starts out as a shout of pain from him turns into a choked keening sound. Hearing it feels like being stabbed.
"What happened?" Asks Kobra again, when he's convinced that the bleeding has slowed enough to try and actually deal with this thing. He twists the handle on the faucet on and off, on and off, enough times that the ancient water pump starts up and clean water gurgles into the sink. He cleans the rag that way, then wets it and wrings it out before shutting the water off.
Ghoul's shoulders rise and fall in short, panicky breaths. "I'm sorry," he says. "I'm sorry. I'm- I didn't think, it was stupid, I'm sorry," he continues babbling like that before going silent again aside from the sharp sounds of his breathing.
In a testament to Kobra's selfishness, his biggest worry is that Ghoul took his motorbike out for a spin and crashed it. He can't think of what could have caused something like this. He has visions of his bike sliding out on a turn, crumbled metal and Ghoul's body flying through the air. But if that had happened he'd be hurt other than this. If that had happened he might be dead.
"Yo," he says quietly. "Chill. Just tell me what happened." He presses the now-damp rag to Ghoul's face, trying to ignore just how grotesque the wound really is. Maybe because it's fresh, maybe because of the fear, but somehow it's worse than the space where Jet's other eye used to be. Kobra never wanted to see an injury of that level on another person again in his life, let alone someone he cares about.
Ghoul flinches away, but Kobra shoots him a look and it must process somehow, because he stills and lets Kobra clean the already drying blood away from the edges of the wound with barely a whine. "It was stupid," he repeats, his voice shaking as much as it's slurring. "I don't know why I did it, Kid."
Something about the way he says that, voice small and wavering, sends a chill down Kobra's throat. Sudden understanding dawns on him. The blood on Ghoul's hands. He's not injured anywhere else. "You did that to yourself?" Kobra asks hoarsely.
Ghoul's eyes snap onto his and the rest of the color drains from his face. Kobra thinks he's going to pass out for a second, but he doesn't. He pulls as far away as he can, scrabbling awkwardly against the cold tiles and porcelain of the bathroom. "I don't know what I though, I was stupid, I don't- Kobra," he whines, with enough animalistic despair that Kobra wants suddenly to burst into tears, if he weren't so utterly stunned.
"Ghoul, calm down, I've gotta stitch it still," he says on autopilot. "Cool your engine, man."
Maybe it's the practicality of the thing that makes Ghoul momentarily stop panicking. "I'm sorry," he says again, tears welling in his eyes that he then blinks away half-frantically. Kobra's never heard him apologize for anything before tonight. He never wants to hear it again.
"It's okay, man. I've got you." He replies. If his own voice is shaking now, too, no the hell it isn't. "Come on, you have to let me..." he trails off, eyes wide. "Ghoul, why..." Then he shakes his head. He can't think about that now. He needs to disinfect the wound and stitch it up. And it's going to hurt Ghoul really, really badly.
He reaches behind him, grabs at the bottle of alcohol. This stuff is rare out in the Zones. They try to use it as little as possible. Only in emergencies. This is enough of an emergency, though. This is a fucking crisis.
He pours the bare minimum of the alcohol onto another piece of cloth, feels the cold soak in. Ghoul watches every move with jerking, stilted intensity. Kobra looks up at him from where he's now kneeling on the cold tile. He puts a hand behind Ghoul's head again. "This is going to hurt," he warns. They've nearly gouged each other's eyes out before, yet suddenly Kobra feels like he's going to be sick at the thought of causing Ghoul any more pain. Ghoul shuts his eyes in preparation.
Ghoul still nearly screams when Kobra dabs the alcohol over his wound. Kobra can see it in the way he holds his breath, the spring-tight tension in Ghoul's entire body. The only noise he makes is a quiet, drawn out whine, though. When a tear streaks down his cheekbone, Kobra catches it before a drop of salt can enter the wound.
"'Kay," he says in a ragged whisper. "That's done. Now I have to-" he gestures like he's sewing. Ghoul's eyes pop open to see what he's saying and he visibly forces himself to breathe again.
"'Kay," Ghoul says back in an equally torn up voice.
It only takes Kobra three tries to thread a needle. Medical supplies of any type are hard to come by, a whole new kind of commodity, but this stash has been here for as long as he can remember, just in case. Blaster burns, the most common injuries amongst 'Joys, come pre-cauterized. He's rarely had to sew sutures before.
Ghoul flinches back when the tip of the needle first touches the edge of his torn skin, and Kobra pauses. "Hold still," he grumbles, more out of familiar sniping than any real frustration at this point. He keeps his hand in Ghoul's hair the entire time he sews.
The feeling of a needle piercing flesh is horrible. The fact that it's his friend, someone he'd give his life for before seeing them hurt, is even worse. Kobra wants to fucking throatpunch whoever did this to Ghoul, or better, do the same thing to them, before he remembers with a sinking feeling in his stomach that Ghoul did this to himself.
He ties off the suture just barely keeping his hands from shaking. He doesn't know how Ghoul does this with bombs. Ghoul flinches again, violently, when Kobra cuts the excess line, and Kobra has to jerk back to keep from catching a flailing, uncoordinated fist in the face.
"Hey," he snaps. "Ghoul!"
Ghoul slips off the toilet lid and onto the floor almost as if he intended it but halfway as an accident and immediately curls in on himself. He pulls his knees to his chest and curls his arms around his head and Kobra can hear him hyperventilating. Kobra fucking freezes. He's used to fighting and wrestling and knee-jerk reactions that wind up with someone sporting a black eye. He is terrified right now. And there's still Ghoul's blood on his hands, too.
"Ghoul..." He cautiously reaches out, puts a hand on Ghoul's leg. Ghoul twitches, lets out a hiccupy sound that takes a moment to register in Kobra's mind as a sob. Ghoul, chaos loving, cackling Ghoul, is crying. And not just a single tear, now, his whole body is shuddering with the force of how hard he's crying. Kobra's heart is pounding with how hard he does not know what's happening, but he grips Ghoul's arm and lightly shakes him. "Hey, I'm still here, man."
Ghoul makes that keening whine again and Kobra thinks at first that he's going to pull away at best, or throw a real punch at worst. They fight enough, for any and no reason at all, that he expects it now. That's their normal. This isn't.
Ghoul scrambles to his knees, his hands finding the front of Kobra's shirt. This restroom is small, they're already in close quarters. But maybe unintentionally, maybe just scrabbling for a little purchase on anything, Ghoul winds up grabbing onto Kobra. And Kobra has always had a hard time letting anything go.
Ghoul's forehead crashes into his shoulder and Kobra instinctively puts his hands up, grabs back onto Ghoul in return. Ghoul's usual shaking is familiar to him, but the repressed wracking sobs aren't. Kobra clutches desperately around Ghoul's back, like he could hold together what he's just sewn up, like if he keeps Ghoul close enough he can't shake into pieces. No one should be able to break Ghoul. Not even Ghoul himself.
The edges of the cabinet dig into Kobra's back, but he ignores it. Ghoul is folding in on himself, making himself as small as he can against Kobra, and Kobra doesn't fucking know what to do. He's never seen Ghoul cry like this. He's never seen anyone cry like this.
"It hurts," cries Ghoul suddenly.
"I know," Kobra says, before he realizes that crying like this is probably making everything worse, that he'd worried about salt in the wound a minute before for this exact reason. He can't imagine the pain Ghoul is probably in.
"It didn't hurt at first," Ghoul mumbles, then chokes on a sob. "It didn't hurt when I started. And then it did."
Kobra wants to ask again, why? But he won't get anything intelligible. There's a part of him that doesn't want to know. He's terrified of knowing the truth. Instead, he threads his fingers through Ghoul's hair again and just repeats, "I know. I know."
A few minutes pass in speedy, spiraling silence. The only sound between them is their shared too-fast breathing.
"I can't," stammers Ghoul finally, after his cries have tapered out into raspy gasps. "I can't turn it on or off."
"Huh?" Is all Kobra can think to say. "Ghoul, you're not making sense, nothing about this makes sense," he snips, too quick and too tense. He's so beyond his depth. He wants Jet or Party to come help but he can't have it his way because he promised. He promised Ghoul. He wants to hit something. A wall, just to feel the impact. To imagine he's hitting whatever it is that hurt his friend so badly he hurt himself.
Ghoul sniffs. All Kobra can see of him is the top of his head and the cheek with the stitches. The wound is swollen and red and is going to leave a horrific scar. Kobra clenches his fist tighter behind Ghoul's back. "When I'm having fun or not," Ghoul says. "I can't. I am or I'm not. But."
"But what?" For fuck's sake, Kobra just wants to understand. He can read Ghoul like a book from cover to cover most times, and it scares him that he's so lost right now.
"It isn't good enough," he mumbles. "It's... It's in my fuckin' name, Kid, if I can't live up to that what am I?"
Kobra stares, wide-eyed, at the wall across from him. Something clicks. The clean cut through Ghoul's face, clearly from a recently sharpened knife, clearly intentional, reached from the corner of his lips almost to his ear. "Oh fuck no," he whispers. "Hell no. What the fuck. You're not-" He feels himself shaking suddenly, with restrained searing hot anger. Ghoul cut his head open, mutilated himself, to make himself permanently grin. "You're not fucking beholden to your fucking name," Kobra says. He never swears this much, only in his own mind. He's running out of words. "Fuck," he says, with feeling.
Ghoul shudders again. "I'm fuckin insane, aren't I?" He asks with sudden clarity.
It's exactly what Kobra had been thinking, for once completely unable to figure out Ghoul's mind, but he can't just say that. He can't just say that he's terrified because nothing makes sense and he's never going to freaking leave Ghoul alone again because this is all completely unhinged on so many levels that he can't even begin to sort through it. He can't say anything. He hopes Ghoul is sane enough to understand that, at least.
He just holds his friend tighter. He wants his brother more than anything right now, wants Party to come and take this weight out of his hands, but a part of him knows that even if he did, he wouldn't be able to let go of Ghoul. Why didn't Ghoul want anyone else but him? Why, after pretty much imprinting on Party like a feral kitten when they'd first met, to the point that sometimes Kobra thinks bitterly than Ghoul might know Party better than his own brother does, did he come to him? Why did he do any of this?
If a few tears of his own drip down Kobra's nose and land in Ghoul's tangled hair, no the hell they don't. He's never seen anyone go to pieces like this and he's struck dumb at the fact that it's literal. Very, very literally, Ghoul has gone to pieces. Taken a knife, that's probably still lying on the floor of his abandoned-office bedroom, and cut a line through his own cheek just so others might see a smile there.
There's crazy in his veins. Acid, maybe. And Kobra's always known that even if Party recognized it first. Watching your whole family die, failing to save your baby sibling, doesn't leave a person without any scars. Only, now, the scar is far too visible. Kobra's always known that Ghoul is more wild than any of them. Feral, unpredictable. He was raised by a pair of Killjoys who named themselves Hoot and Holler, and the thing is, a ghoul is just a ghost, and ghosts wail too. He should have known.
"I should've known," he says out loud, the first words in a while. He knows Ghoul so well. Better than he knows himself. He should have known something was wrong. He should never have left him alone. "I'm sorry. I'm sorry." He can't even blink. He stares hard at the opposite wall and tries not to scream.
Ghoul shakes his head against Kobra's shoulder and winces. "Nuh-uh," he mumbles. "I'm crazy, man. I'm insane." The fuzzy way it sounds around the stitches and the swelling just seems like proof. Just last night Ghoul's cheek was smooth and soft as he grinned across a table in triumph after winning a card game. How is it that that was just a few hours ago? He shudders again. "I'm scared," he says more quietly.
"Me too," Kobra says. As soon as the sun comes up he thinks he's going to storm out into the desert and find something, anything to beat up. Even a freakin cactus would do at this point. He doesn't know how he's going to explain this to Pois or Jet but he knows that much. He's gonna shake so hard he blows up, like a can of soda, unless he hits something. "I fucking hate you," he snaps suddenly.
Ghoul starts to flinch away, but Kobra doesn't let him. In fact, he curls tighter around him without even knowing why. "What the hell," Ghoul rasps.
Kobra hisses through his teeth. Speaking of living up to names. He fucking hates anyone who hurts his friends. But he can't say it. Hard as he tries, in the one moment of clarity about his own mind that he has, he can't speak.
"I fucking hate me, too," Ghoul says finally. The single dusty lightbulb above them flickers. If it goes out, they'll be in total darkness. Kobra thinks one or both of them might have a wicked eyeshine by now. The desert makes you wild. For some people, they're born that way.
"I think you're my best friend," Kobra finally manages to whisper. It isn't exactly what he was going for. It's not something he would ever say if he had thought of it before it popped out of his mouth. But Ghoul gets the point. Of course he does. Ghoul always gets his sharp edges, snakebite teeth and misspoken definitions and all.
"I think you're mine," Ghoul says back. "I'm-"
Kobra smacks the back of his head, like this is in any way normal, like they aren't collapsed on a dim bathroom floor in the middle of the night or the early hours of the morning and like one of them isn't mutilated for life by his own hand. Like this isn't the worst thing they've ever gone through together. "If you say you're sorry again, I'll cut you myself."
It's rough, and it's torn up and pained and choked, but Ghoul laughs. Just a short bark of laughter, hardly like the dry, rasping cackle that Kobra knows so well. It sounds like agony but it also sounds like the sun coming up. Kobra makes a noise in the back of his throat, more whine than laugh, but he's so close to blowing up that it's as good as it gets. He wants to freaking die if that would keep Ghoul in one piece.
Ghoul shifts in Kobra's arms and pulls away just far enough to look him in the eye. He clumsily wipes at the tears and snot all over his face and Kobra has to snap a hand out to catch his wrist before he unthinkingly swipes at the fresh wound and stitches. "Kobra," Ghoul says, shivering in the dark. The sun won't take long to come up once it starts but until it does, the Zones are freezing. "Kobra."
"Yeah, man, I'm still right here." Kobra forces himself to look Ghoul in the eyes and not the stitches. The wound takes up so much of his face. It's all Kobra can see when he looks at Ghoul, his best friend's mutilated mouth, sliced open by his own hand. Kobra flinches just imagining it. He focuses instead on Ghoul's green eyes, boring holes into his head with the desperate pleading in them. "I'm still right here," Kobra repeats, quieter. Reminding himself, too.
Ghoul doesn't blink. Kobra doesn't blink. Their eyes reflect the dim light back at each other. This is what wild animals must feel for each other. Terror. Uncertainty. Just themselves, each other, and whatever comes. Ghoul licks his lips, tongue flicking briefly, visibly, to the corner of his mouth that he cut open. "Don't let me-" Ghoul starts and then falters. "You gotta make sure," he says. "Don't let me- do stupid shit like this, don't let me go crazy again, Kobra, please."
Kobra stares back at him, matching Ghoul's trembling desperation. He's known Ghoul since the day their crew found him, shell shocked between the shelves of an empty gas station with the bodies of his parents and previous crew around him. Perpetually shaking hands and feral bared teeth, animal eyeshine. No one can match Ghoul for determination, and no one knows Kobra as well as he does. Even if Ghoul does know his brother better than him, the same is true in reverse.
Kobra Kid has a hard fucking time ever letting go of anything once he's got it. Fun Ghoul holds on too loosely. They're both terrified. What a pair they make. But when Kobra Kid makes a promise, he means it. He grabs the ends of Ghoul's hair and pulls, not too hard, but hard enough. That's their normal. Play fighting and hair pulling, and they both know it's a kind of language for when they can't speak. "Okay," he says, and because it's a promise, he repeats it. "Okay."
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peaches2217 · 10 months ago
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Okay, who kickstarted the return of the Mareach baby fever? Because I logically shouldn’t post even more Expectant/Parent Mareach when I literally just posted one such fic two days ago but DAMMIT NOW I’M IN A MOOD.
…in my defense, for all the crap I’ve posted, I still haven’t given my fankid a name. 😅
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purecommemasolitude · 1 year ago
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you guys ever listen to vse kar vem
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#joker out#it's SO GOOD. the lyrics are SO GOOD.#also they make me very sad#the contrast between the needs of the speaker and the needs of the partner#the hand-in-hand solace and hopelessness of the chorus#the way that even 'i've heard that' in first line sets the situation up as being an uphill battle#actually to elaborate on the first point. the contrast between#the framing of the speaker as not only something now unnecessary to the partner (OUCH) but as something that could actively cause them pain#in the future#vs the framing of the partner as the speaker's sole solace (ha) and comfort that they are soon going to lose#but it's a necessary loss because otherwise they would just be dragging the partner down into hell and presumably the speaker cares greatly#for the partner. but it's still a loss of someone who acts an an anchor for the speaker#the way what's good for the speaker can't live alongside what's good for the partner because they're the antithesis of each other#the feeling of desperately trying to hold on to the last tatters of solace. I'm using that word a lot. before it gets torn away and you're#left with nothing#the hopeless repeating of the chorus in contrast to the verses#'i've heard this and this and this and i know this and this but all that i know is you are my anchor and comfort and when I'm with you#i'm safe'#hell even the way 'i know' vs 'I've heard' is used throughout the song#“i've heard everything comes to an end and I've heard you don't need me anymore. but all i know is that i need you”#“but i also know you've been through hell before and you don't want to return. and staying with me will put you there”#“but i know still that your presence keeps me from being there”#i am going to EAT DRYWALL#i'm making interpretations now so it's probably time to wrap this tag-fest up#i'm sure it was very redundant. i may end up getting emotional and adding to it another time but in summary#kris guštin i'm going after you with a hunting knife#and maybe bojan cvjetićanin too?? idk if he's credited as co-writing the music or the chorus#only tagging kris though because he's the one i'm sure wrote at least a portion of both#og#kris guštin
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scarecrowmax · 8 months ago
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Getting more unwell about certain Mitski songs by the day
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fideidefenswhore · 10 months ago
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Had circumstances been just a little different, Anne Boleyn might still have lived. Had she produced a son, Jane would have been a passing distraction, Anne's enemies would have been silenced, and her fiery character might again have seemed, at least at times, beguiling to Henry. During the course of their brief marriage, which lasted just over three years, there had been many fluctuations. After the final miscarriage, Anne fought back, saying she had been frightened by Henry's accident, but also broken-hearted at his paying attention to another woman. This kind of criticism was not something Henry was prepared to tolerate in a wife; one of Katherine's strengths, as she herself acknowledged, was that she had never shown any sign of animosity or distress in response to the king's infidelities. Henry and Anne's relationship had been a genuine love-match, however, and the volatility which helped bring about the extraordinary events of the break with Rome remained a part of their relationship ever after.
Henry VIII, Lucy Wooding
#'never' is doing a lot of heavy lifting/ obfuscating here lol#(it's traditionally thought that she never had harsh words about bessie blount-- and indeed there's no record of this--#although elizabeth blount's primary biographer has said that she had no court presence after the birth of henry fitzroy suggests a frosty#dynamic... just about the elevation of fitzroy#however there's the hastings drama)#also 'her enemies would have been silenced' is overly simplistic#unpopular queens having sons might have reduced overt hostility#but it didn't annihilate it. more realistically might have 'bridled' her enemies#and yet i still find this excerpt compelling so . here we are#lucy wooding#last part of sentence 2 tho...eminently plausible#prior to this storms always melted into sunshine . stormclouds gathered on the horizon and storms began again. then repeat.#and as reviled as the assertion 'genuine love-match' has been as of late. there is evidence which supports it .#would jane have been a passing distraction? again we don't know. their periods of 'royal mistress' (although there needs to be a better ter#maybe...object of king's affections?) are different in that there is only record of anne's in hindsight via cavendish etc#and also in their actions. in 1526 there was no royal watcher that believed the withdrawal of one of the queen's ladies was significant#in 1536 there was one who believed jane's meetings with henry were highly significant and they proved to be...#altho as wooding underlines here they proved to be mainly due to circumstance#it's not to say there weren't discussions behind closed doors of anne becoming queen among the boleyns circa 1526. but they were not known#and wouldn't have been guessed due to lack of precedent
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boomerang109 · 2 months ago
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empathy is so dumb. like oh that person is having a hard time so now i’m gonna go home and be sad about it? ruin my own night? wow that’s so helpful to them
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penumbralwoods · 2 months ago
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love using hyperfixation to get shit done its like im getting a toddler to do something. "ok penumbra if you go get this done you get 20 more minutes of youtube videos of will wood performing." and it fucking works
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katyobsesses · 1 year ago
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I think my glee obsession is returning in full force
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dg-darkfantasy · 11 months ago
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Can you guys suggest prompts or stuff to draw to see if it sparks some motivation in me?
I'm in more of a Shadamy mood because it's my current OTP, but if you follow me and know what my OTPs are from other fandoms, that's fine too. Divi just wants to draw but nothing comes to mind.
EDIT: AUS ARE SPECIALLY WELCOME! Divi loves all kind of AUs 💕
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finniestoncrane · 2 years ago
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running around in a circle tugging at my hair and holding back tears: too many things too many things too many things too many things too many thi
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#if i could just. focus. for more than 30 seconds at a time#i write one sentence of a fic and then go and check my work emails#but while i'm there i'm like oh wonder if tumblr looks different on the remote desktop internet#it doesn't but i get distracted anyway until i realise and close it down#and then go back to my own desktop to look at tumblr#where i promptly get distracted for minimum ten minutes before i catch sight of the messages i haven't responded to yet#and i type a couple words out and then think oh shit i have messages on discord#so i go there#and get distracted by scrolling through not even new messages#maybe type a few words of a message before i mark it as unread because i'm like#oh i gotta finished writing the next chapter of my thing#and then i'm like hmmm but tempting commission work#and then i go actually i guess if i'm going to take a rbeak i'll do some drawing#so i grab my ipad which is still open on creepshow which i was watching last night#and so i start watching it but i can't focus because there's something else going on#and i realise i'm already watching the simpsons on my phone which explains why i have five different simpsons quotes on repeat in my head#and then i realise that there's a song playing on spotify on my laptop#and amidst those three noises i am also entertaining myself with in my head vocal stims and out loud vocal stims#and my anxiety is like hey... wanna worry about something#AND I JUST WANT TO FOCUS LIKE ONE THING AT A FUCKIN TIME ONE FUCKIN THING#finnie shouts into the void
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