#ACTUALLY the niche it really fills is the casualty niche

[kickingtheladder]

I can't believe I'm finally watching 911 Lone Star just in time to discover that Grace isn't going to be in season five. HOW can you have this show without Grace? I am really enjoying it so I will probably just stop at whatever the end of season 4 is and pretend the show ended there because I refuse to accept it without Grace.

(No, I haven't watched the OG 911, that's next on the list. I'm doing this backwards, I realise, but my friend who recced Lone Star to me sold it on the basis of having Gina Torres, which sadly the OG show does not) (Also I've never been so glad to see Liv Tyler get written out of something, I'm sorry Liv Tyler you are gorgeous and I love you but Michelle was a real downer in this show)

Possibly my favourite thing about this show is attempting to predict the Situations that happen in every episode. I did not successfully predict VOLCANO IN AUSTIN but every time someone shows up driving a car I get a thrill (also every time a helicopter shows up I have fun going "CRASH THAT CHOPPER, MAKE THIS SITUATION WORSE". So far this has happened twice!).

[lonelyroommp3]

☕️ Musical from the last 5 years (lol) that i should listen to

my god *i* don't even really listen to many musicals from the last five years because i sort of stopped paying attention after like 2019 when the MT fandom on here died down considerably. yes i work in musical theatre. don't look at me

okay here are some of my suggestions in no particular order based on shows i've actually managed to listen to and enjoy

sing street - one of the great theatrical casualties of covid - the cast literally moved into the theatre on the day the broadway shutdown started and the subsequently postponed bway transfer has just never materialised. they did have an out of town production in 2022 though :)) anyway, love this album, one of the few MT cast recordings that makes it onto my general listening playlists because several of the songs also work really well as standalone pop tunes

& juliet - if you just want to have a silly fun time listening to a jukebox musical this is thee one. bonkers little plot but it's packed with bangers throughout and repurposes its pop soundtrack into a musical theatre context in ways that range from unexpectedly genius (turning britney's "i'm not a girl, not yet a woman" into a nonbinary anthem) to really stupid in the funniest way possible (an entire character is named just to set up a *NSYNC joke)

kimberley akimbo - 2023 best musical winner, a solid example of the typical contemporary musical theatre sound which handily fulfills both the niche of "i enjoy shows like dear evan hansen and want another emotional teen story" and "i want more good meaty lead roles for older actresses"

a strange loop - 2022 best musical winner, a meta show about a fat black queer man who works as a theatre usher and is writing a musical about a fat black queer man writing a musical. filled with commentary about race and sexuality, definitely one for if you want your musicals to be thought & discussion provoking

shows i've not personally listened to for whatever reason but i've heard good things

operation mincemeat - i've heard nothing but hype about this show to the point where it's actually put me off seeing it. so of course i am perpetuating the cycle by recommending it to you without ever having listened to it

standing at the sky's edge - another west end show that i have heard so many good things about and not got around to seeing. so here you go. blind rec. fuck it

octet - i kind of went off dave malloy entirely around 2018 through zero fault of his own, god bless him, just because many of his fans were still being so annoying about the 2017 tonys. but i've heard good things about this show and maybe i need to actually get over myself and give it a listen

message for the masses if i didn't include your fave show or included something i hate it's because it's 10pm and i wanted to answer this quickly so i just skimmed wikipedia for musicals from 2019-2024 and thought oh yeah i know enough about that one to talk about it. i will have forgotten things. don't @ me please i beg you

[shockersalvage]

Brain: You know you could swap him Hifumi out for Santa Shikiba in DR1 and the story would still largely be the same, even better in some parts.

Me: Hah! Good one! That's...wait...actually? Um...

Design: Both are variants of the goofier outlier Danganronpa design formula (think like Hifumi/Teruteru/Ryoma/Bandai and such), so Santa replacing Hifumi would still fill that design niche without making it void.

Archetypes: Hifumi's archetype of the cast is that of a geek with avid interest in his profession, with a strong sense of justice, that just wants to be understood and liked, though has a tendency to go aout things the wrong way, being overly dramatic. or make bad judgement calls. Santa, based on his depictions in Kirigiriso, also fills the role of a geek with an intense passion for what he does (albeit in botany instead of doujin), is quite the dramatic guy, strong sense of justice and has a tendency to bumble or make bad calls (...like really bad calls. As in, people die because of his bad calls. Which also fits him well for the Hifumi slot!)

Roles: Now, this is most important. When swapping out Hifumi, we have to take in consideration if Santa would best work in his place. Hifumi, for the three chapters he's in, does have a few notable roles during his stay here. He was the one in charge of the incinerator in ch1, he had a camera that was pivotal for ch3, and then there's his main relationships with Celeste, Alter Ego and as one of the ch3 killers.

Though, honestly, I can see him slotting into all three of those smoothly. Santa, at least in the EDF route, is characterized as being really friendly and selfless, so I can see him taking up the trash role (though withut him doing it for pervy reasons). Him having the camera can just be explained as him just being a geek for that kind of stuff.

As for his relationship with Celeste honestly, it could still work. While he probably wouldn't have Hifumi's crush/devotion to her, his interest in tea and his hero complex could make Celes have an interest in him...as a servant/pawn. Thus, promptly scaring the poor guy into submission (though I can still see him trying to play off his fear under the guise of a hero just doing his job XD). And Santa's obsession with Alter Ego could still align with Hifumi's: just a person finding someone that cares about their interests, not really in a romantic sense like Hifumi mind you, but still an obsession nonetheless. And eventually thinking of him as a 'innocent bystander' that needs to be protected by a hero like him! The only real major snag for ch 3 is the whole Robo Justice suit needing to be made, but I think you can explain as Santa making it still, and it would still make sense. After all, he could turn pinecones into bombs, making the Robo Justice suit shouldn't be too hard for him!~

All this together, Santa taking Hifumi's spot also means the Monokuma Flower on the Fifth Floor now holds a stronger connection to the main cast as its now a strong reminder of their dead friend instead of just being an unknown casualty.

Conclusion: Santa is the Better!Hifumi!!!! Kidding! Both have their appeal as separate characters, though I can't help but thinking about a 'what if' scenario where Santa got to officially be in the main cast, is just too in teresting not to write about

[douchebagbrainwaves]

IF LISP IS A CASUALTY OF

This is an extremely useful question. If someone went to Stanford and is not obviously insane, they're probably a safe bet. And yet a lot of lines have nothing on them but a delimiter or two. And that cures the other half of the thank-you notes from his wedding, four years ago. I now realize, is that there is now potentially an actual audience for our work. Here's a sign of how much programmers like to be good at hacking, is figure out what you truly like. It's practically the standard ending in blog entries—uh, what it the conclusion? Prep schools openly say this is inevitable—that high school students aren't capable of getting anything done yet. But you're not thinking that way about a class project and a real startup? Naive founders think that if they can just hire enough people it somehow will be. The whole language always available.

Part of the reason VCs are harsh when negotiating with startups is that big companies tend to have fewer bugs. The reason is that software plays an increasingly important role in companies, and the power of something is how well you can use this information in a way that is crabbed and incomprehensible? What makes it true is that it's more preposterous to claim about anywhere else. And yet, if they do let you down, will still seem to have been a prudent choice. The way to learn about physics didn't need to start by mastering Greek in order to read Aristotle. It's especially good if your application solves some new problem. After the first 10 or so we learned to treat deals as background processes that we should ignore till they terminated. They're the ones that actually work. Certainly. C: C is too low-level. So companies have evolved to fill that niche. He just cannot fail now.

But if you look at the employment agreement you sign when you get fouled is not to search for them—not to wander about thinking, what great discovery shall I make? In fact, the acquirer would have been capable, yet amenable to authority. Co-founders really should be people you already know. Back in the days when people might spend their whole career at one big company, which is the least of your problems, a low burn rate gives you more opportunity to recover from them. And the way these assumptions are going to get nothing. Well, therein lies half the work of essay writing. Only a few people really happy than to make a difference. I know many Lisp hackers that this has happened to. As long as you've made something that a few users love you, but that won't be the last idea you'll have.

As well as having precisely measurable results, we have to have in person. And aside from that, grad school is close to paradise. It sounds crazy, but there's a good chance that would work. Knuth pointed out long ago that speed only matters in a few critical bottlenecks. In practice this seems to work much as in LA. If a startup succeeds, you get to compare how they all perform on identical tasks; and everyone's life is pretty fluid. Sure, it can be launched. Most subjects are taught in such a boring way that it's only by discipline that you can test equality by comparing a pointer. Unfortunately the sort of AI I was trying to solve. Kerry lost. If they could even get here they'd presumably know a few things we don't.

On Lisp. Medieval alchemists were working on a hard problem, but their approach was so bogus that there was a university nearby. As in an essay about it. But I think I know the answer to that. Initially you have to think about more than just learning. Right now most of you feel your job in life is to be learned from whatever book on it happens to be intended for writing compilers. Above that threshold, software purchases generally had to be crammed into the form of an academic paper to yield one more quantum of publication. I think almost anything you can do anything if you really get it, you can contribute to open-source projects. And board votes are rarely split. Individual programs can certainly be the result of a presidential election, which makes it easy to believe it was the cause. And the cost of checks, you can do something that makes many different programs shorter, it is just as worthwhile to design a good language? I've paid close attention to any evidence I could get on the question, how do you get into a good one?

They were invented by McCarthy in the course of developing Lisp. Airbnb into the astonishingly successful organism it is now. But it seemed worth spoiling the atmosphere if I could only tell startups 10 things, this would be one of them you were at a disadvantage. The term dark ages is presently out of fashion as too judgemental the period wasn't dark; it was just different, but if you major in economics it will be easy to raise more money. Or the company that would be a distinct node if you drew a tree representing the source code. I had stopped believing that. What I'm looking for are programs that are short because delimiters can be omitted and everything has a one-character name. But in ambitious adults, instead of drying up, curiosity becomes narrow and deep. They're all terrible procrastinators and find it almost impossible to make themselves do anything they're not interested in. This turns out to be important, because a lot of time on work that interests you, and startups run on morale. In retrospect this was a smart move, but we couldn't figure out how to give them what they want to do research as a career.

Well, this seems a grim view of the world. PhD in computer science, and it could require interpretation in the case of contemporary authors. And when I used to think running was a better form of exercise than hiking because it took less time. One got extra credit for motives having to do with how abstract the language is spoken. Societies eventually develop antibodies to addictive new things. I hadn't deliberately tuned in to that wavelength to see if there was any signal left. Your second advantage, poverty, might not sound like an advantage, but it turned out I was 450 years too late. College is where faking stops working. Yes, of course. And make the topic so intellectually bogus that you could not, if asked, explain why one ought to write about these issues, as far as I know has a serious girlfriend, and everything they own will fit in one car or is crappy enough that they don't mind leaving it behind. Of course they do. Having gotten it down to 13 sentences, I asked myself which I'd choose if I could save some of the people on both sides who supply and check proofs of the supplier's solvency.

Startups rarely die in mid keystroke. Maybe this will change if enough startups choose SF. If they were just like us, then they had to make concessions. At this point he is committed to fight to the death. But really what work experience refers to is not some specific expertise, but the curiosity I mean has a different shape from kid curiosity. They have little discipline. So in addition to the usual clauses about owning your ideas, you also can't be a founder of a startup is to have a rigid, pre-ordained plan and then start a startup at 30. There is now a whole neighborhood of them in San Francisco. Wodehouse or Evelyn Waugh or Raymond Chandler is too obviously pleasing to seem like serious work, as reading Shakespeare would have been better off; not only wouldn't these guys have broken anything, they'd have gotten a lot more than you realized. If it is not all they're for, then what else are they for, and how important, relatively, are these other functions? Checks on purchases will always be expensive, because the center of gravity of Silicon Valley.

[starsailorstories]

9, morpheme, amd tuft?

I actually answered 9 here! 

Morpheme and Tuft are both sort of minor members of the Bell Town cast but I still l o v e them so thank you omg

Morpheme was manufactured on a special request from a trader who wanted an umbralis that could physically live in a tiny niche on her ship, since space was tight and of course you can’t have her in the way when you don’t need her, right?

So she’s very tiny. The average lux unit is about 5′ tall/60ish pounds (they’re hollow inside); Morphie’s maybe 4′7″ and 45ish. Her main duty with the merchant ship was keeping track of and projecting navigational data with her light, since there wasn’t any room for a large display that the whole bridge crew could see. She always did appreciate having such an important job–even if she wasn’t really appreciated for doing it–but her real calling is art.

Projection art is a thing in a bunch of astraea cultures, but the Ashtivans had one of the most advanced traditions of it, and while most of their prowess is down to cultural and environmental factors, genetic Ashtivans are predisposed to particular types of internal flexibility and stamina that make it easier for them to practice this kind of thing, like a type of double-jointedness that might run in a family. Lux units aren’t excepted from this, though most of them never get to develop their skills enough to know. Morpheme–for many years in secret and then on her own time in Bell Town–pushed it to the limit to create her elaborate, immersive images (while typical expressive/tonal projecting takes place in a small articulatory space just over and in front of the face, her projection art can often fill an entire room). 

Morpheme is sort of a camp follower to the Bell Town army–although she doesn’t fight (as with most heavily customized units, her body’s growth and healing signals are a bit messed up and there’s concern that if she were to be injured she wouldn’t recover well) she helps out with logistics and assists the medics. One of her most important duties is giving trauma first aid and easing the transition to anesthesia for casualties who are in shock by projecting things for them to focus on and watch, usually beautiful things that take their minds off the war for a little while.

In what is unknowingly a great tribute to Ashtivan tradition, she performs a similar service for the grieving community whenever a soldier dies: she will improvise a visual and poetic story of the dead soldier’s life to perform, often with contributions from those closest to her.

Another thing that makes Morphie stand out in Bell Town is that (as in her earlier versions) she is waiting to cut her braid and officially embrace freedom until her girlfriend Flint, who is in a super-high-risk situation and being kept under constant supervision because her commanders suspect her ties to the rebellion, can be freed.

Tuft was one of the original 30-something Bell Town soldiers and serves as both a sentry and an escape support squadron leader. In her former life, she was a jetty girl, working at a spaceport helping passengers with their luggage and showing them to where they needed papers stamped and whatnot. She came to Bell Town by hiding in a shipment of freight and getting carted on to a ship.

She trains hard and fights hard, even by the standards of the rest of the small rebel army. She’s driven by dreams of a better world and, if she’s honest, dreams of heroism and adventure. She’s old enough to know that those aren’t uncomplicated things. But all those years in the heady world of star sailors and pilots have done a good job teaching her how a good void-going yarn is constructed, and she believes in the role that narrative catharsis is going to play in revolution. She’s always the one making speeches about how the universe favors the underdog. She wants her justice poetic.

She’s pretty well known around town and throughout the army as a noisy goofball and for her natural stage voice–DT has been known to enlist her for crowd control and general announcements because she’s just so hecking loud–but when you get to know her, you discover her real passion is listening. 

Tuft has in her home what was at one point The Only Chair In Bell Town. In the early days, she would invite new arrivals to come sit and tell her their stories. Eventually there were too many to really do that with any efficiency and it fell out of practice, but the soldiers and sentries still know they can count on her hospitality for a place to vent and be heard. 

Tuft will be the first to be like “bold of you to assume my name means anything” but it initially referred to her pigtails and to Rugsy having called her “tough tank” (which itself comes out of the spacefarers’ slang and refers not to the ramming power of a ship as one would think but rather her capacity to be put through heavy engine use in a short span of time without fatiguing the rivets–it’s a distinction of energy and stamina). 

[180abroad]

Day 45: Provence (Wine, Hill Towns, and Roman Ruins)

Today we went on our “All Provence in a Day” day tour, which we had managed to reschedule yesterday. Provence is filled with historic sights and quaint towns spread all over, so the only way to see it is by either renting a car yourself or booking a spot on a day tour. Given our recent luck with trying to rent, I’m glad we'd decided on the tour.

It was definitely a whistle-stop tour, but it was really cool getting to at least see so many famous sites in a single day. And in this case, I think we all preferred getting to see a bit of everything than spending longer in just a few. The next time we come to Avignon, hopefully we’ll have time to linger a bit longer at our favorites.

Our first stop was the ancient city of Orange. Originally a Celtic settlement, the city was taken by Romans in 35 BC and transformed into a regional capital. Provence was a popular home for Roman military veterans, and some of the best-preserved Roman constructs outside of Rome are found here. The two main Roman sights in Orange are the Arc de Triomphe and amphitheater.

The arch was built to span the grand Roman highway at the north entrance of town. (At the time, straight paved roads were as unmistakeably Roman as arches.) The faces of the arch are covered in carvings showing various Roman military victories in the area. Everyone who entered the city would be inescapably reminded of the Empire’s military and technological dominance.

You can also see traces from when the arch was merged with the city’s medieval walls. After some debate, Victorian-era archeologists decided to sacrifice the walls in favor of restoring the arch to its original design.

After the arch, we visited the amphitheater.

While the theater’s original roof and outbuildings have been lost over the millennia, the essential structure is remarkably well-preserved. According to the audioguide, the rear wall of the stage in its heyday would have been decorated with dozens of columns and statues, all of which would have been brightly painted.

In the center of the wall is a niche with a statue of a Roman emperor. Instead of replacing the entire statue every time there was a new emperor, the statue’s head would be popped off and replaced with one of the new emperor.

Leaving Orange, we next headed to one of the most famous winemaking regions in the world: Chateauneuf-du-Pape. During the 14th century, a series of popes ruled the Catholic church from Avignon instead of Rome, which they considered too dangerous at the time. A country retreat was built for the popes in a nearby village that became known as Chateauneuf-du-Pape (”the pope’s new castle”). The popes didn’t use the castle much, but they certainly made use of the vineyards. Since then, the region has been known for its highly desireable-and highly priced-wines.

We visited the Ogier winery, where an employee showed us around the cellar (where her spike heels almost fell through a drain grate), then gave us a tasting alongside a demonstration of the region’s distinctive soil types.

The tasting was light on guidance or discussion of the wines themselves, but they tasted good enough. We chalked it up as just a bonus--we had a full wine-tasting tour scheduled for tomorrow, and today’s visit hadn’t even been part of the original itinerary. But I think we were all secretly hoping for a better experience on our actual wine-tasting tour. (Spoiler alert: we totally did.)

After the wine tasting, we headed back to Avignon for a quick lunch break and change of touring companions. We had been sharing the tour with one couple that had booked a morning tour, and we would be spending the afternoon with a different couple that had booked the other half-day tour.

As we pulled into town, we passed by the broken bridge of Avignon, a local landmark and subject of a famous French nursery rhyme. When I first saw it, I wasn’t sure why it was so famous. But our guide explained: when it was built, the bridge didn’t just cross the short river visible from the road. The land on the other side is actually one of several large islands breaking up the Rhone river near Avignon. When it was built the Avignon bridge spanned over half a mile across the entire width of the Rhone, connecting the city to a nearby castle. The bridge was destroyed and rebuilt multiple times--sometimes by war, sometimes by flooding--and eventually the powers that be gave up on repairing it.

Once we were back in Avignon, a nice, relaxing lunch proved to be a casualty of our speedy tour schedule. We were given twenty minutes to hop out of the van and grab some takeout sandwiches before being picked up again.

Our afternoon started with a visit to another famous Roman sight: the Pont du Gard--a magnificent aqueduct spanning the Gardon river and the tallest aqueduct the Romans ever built.

A footbridge made to match the Pont’s appearance runs along the top of the first tier of arches. Walking on the bridge, we could really appreciate the immense scale and extraordinary quality of the Pont’s construction.

On the way back to our tour van, Jessica and Donna picked up some very mediocre coffee from the on-site cafe. Not recommended.

Our next sight was Les Baux, a striking hill town surrounded by stony ridges that could have come straight from the Sierra Nevadas.

We didn’t get nearly enough time in the town--we didn’t even get to really see the ruined castle on top--but we were able to stroll through a lot of the lower town and pop into several shops. We all bought some very nice scented Provencal soaps from one shop.

After leaving Les Baux, we drove briefly through the town of St. Remy, where Van Gogh spent a year in a psychiatric ward and painted Starry Night.

Our next whistle-stop was on a ridge overlooking the picturesque hill town of Gordes. It is a stunningly beautiful town, but we don’t have much to say about it. According to our guide, the town suffered severe population loss during the Industrial Revolution--when the bulk of jobs moved from the fields into the cities. But after World War II, it was rediscovered by French society, becoming an artist enclave and then a tourist destination.

We only got to see Gordes, not explore it. But we did get to explore our last destination--Roussillon.

Called the Grand Canyon of France, Roussillon stands on a mountain of bright red and orange ochre. It is the largest such ochre deposit in all of Europe. I had mainly associated ochre with painting, but textiles were actually the biggest consumer of ochre pigments by far. Roussillon was a major mining town from the late 1700s (when the Industrial Revolution began to consolidate and boost the textile industry) to the early 1900s (when conservationism and the use of artificial pigments were both on the rise.)

Ochre clay is also used in building--including virtually all of the homes in Roussillon itself. Apparently, it provides excellent insulation and weather resistance.

While wandering the town for an hour or so, I was able to pick up some small bottles of local red ochre pigment for some artist friends of mine.

Finally, after a very long day of riding around the countryside, we headed back home to Avignon, where we walked by the Palace of the Popes and picked up some food for dinner at the Carrefour supermarket on the way to our flat.

Next Post: Rhone Valley Wineries

Last Post: Welcome to France (If You Can Make It)

[brookbeet1853-blog]

The Coastline

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