#A lot of it exists on what she imagines and her imagination is very sketchy haha
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oculusxcaro · 4 months ago
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I'll probably add additional notes and otherwise tidy this post up as I think about it more but regarding Khare's metahuman powers, there are certain limitations that mostly pertain to her level of skill (or rather lack thereof). For example, she can paint just about anything she can imagine (i.e: animals, fire, objects or even make doors where none currently exist) but more advanced concepts such as, say, a time machine, are far beyond her imagination. Regarding her creations, they are at best semi-sentient, operating primarily on their creator's will and desire. Were Khare more talented (and patient), she could create more realistic pieces but time is of the essence with her work. Paintings don't last forever and the drier they become, the less swiftly they are able to function until at last they remain stationary. Doors are one of the few things still 'operational' and won't open for anybody who isn't Khare or has 'permission' to visit.
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kyogre-blue · 2 months ago
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the fact that you can play all the mqs and continuances of the luofu and come out STILL NOT KNOWING WHAT DAN FENG'S SIN WAS is completly bonkers, they really nailed the genshin writing style with this one.
It's explained in Jingliu's cq, but it's the "walk around and talk" loredump from hell so I'd tell you to continue not playing it lmao. Basically the hcq's fifth member died in battle and Dan Feng accidentally created the draconic monstruosity trying to give her new life. (he might have succeeded. Bailu exists, after all...) Blade helped him do this, too, so it's his own fucking fault that he's immortal and insane lmao.
Imbibitor Lunae's character stories offer surprising insight into Dan Feng's struggles, actually. He's a far more interesting character than any of the actual living hcq members lmao, I guess this is bc he's free from the "must be uncontroversial for people to be willing to pay up for his banner" curse.
So the thing is, I've actually watched like three different videos from lore theory fans about Dan Feng and that whole situation. We're talking people who read every optional text, go through every character story, talk to every NPC, etc, and while they all agree on the general outline of things, they do not agree on what Dan Feng was actually doing or what Bailu's situation is.
From what I understand, the story is definitely pointing to the idea that Dan Feng and Yingxing tried to resurrect Baiheng as a vidyadhara using the corpse of the Abundance Emanator Shuhu, with some urging and direction from the preceptors, and after initially creating a dragon monster, Bailu is the outcome. And that seems to be what at least some of the characters have assumed.
The problem is that no one involved actually knows what happened. Jingliu assumed a bunch of stuff, but she wasn't actually there, and her story seems to indicate Dan Feng didn't tell her anything, and he provided no testimony later either. Blade and Dan Heng straight up do not remember anything at this point. Jing Yuan is just pure and innocent of the whole affair and thus useless. The only ones who would know are the preceptors, but we can't actually trust anything they say.
iirc the biggest issue with the theory is that Baiheng exploded herself. She didn't leave behind a body, might have had no remains at all. It's kind of hard to imagine them being able to resurrect her with absolutely nothing to work from. I know there's some weird situation regarding "souls" for Xueyi, but I don't think someone who heroically accepted her death like Baiheng would normally hang around to be resurrected... and I don't recall any mention of Dan Feng doing something in regard to calling up a soul (or having any ability in this regard to begin with).
So like... they could maybe create a being that would look like Baiheng, but it being her resurrected is kind of a stretch.
There's some general lack of clarity about Bailu as well. It's heavily suggested she's Baiheng's reincarnation, but all the "evidence" is very circumstantial. Stuff like her starting to have dreams of flying after visiting the Express, but while Baiheng was a Nameless, she'd never actually been on the Express, so it's not too likely to trigger past life memories for her. It could just be generically longing for freedom. (Jingliu certainly seems to think Bailu is Baiheng's reincarnation, but what does Jingliu actually know? Woman is straight up crazy and working with incomplete info at that.)
It's not just this stuff either. Lots of details are sketchy at best. And if you add in that sometimes Hoyo imagery and writing details line up for no reason at all (look at completely incorrect fan theories about Guizhong as an example)... So the outcome is that none of the characters actually know what happened, the information is all inconclusive, and there's a general sense is that the writers either couldn't make up their minds or actively wanted to confuse players. Which is... certainly a choice.
I will also say that imo making THIS Dan Feng's motivation and crime is kind of a dubious writing direction.
The Xianzhou is all about the sin of immortality and attempting to escape the inevitability of aging. While you can look at that and resurrecting someone as linked via "attempting to escape death", resurrection is a different kind of (narrative) sin imo. (Resurrecting someone is about the grief, while attaining immortality is about the fear or the greed. The direction is different.)
Dragging it in doesn't fit in with the Xianzhou setting and lore, already creating a certain dissonance at the core of this super important and relevant backstory event. It also plays out kinda weird in regard to Yingxing being mortal and old, and then getting abundance abomination'd. It fits directly with the Xianzhou big taboos... but it's just a random side effect?
Frankly, they should have committed to the sin being giving him immortality, not foxgirl simping, imo :/
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phoenixyfriend · 4 years ago
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Okay so you know how one of my big things with fandom is forcing characters into completely new contexts that they just have to Deal With (recently most commonly with time travel, crossovers, and things like the suddenly omegaverse AU).
So, canon characters get Yanked and somehow tossed into a Modern AU context, possibly just as some Matrix-esque 'your brain is trapped in a simulation' thing, possibly as a Sith Holocron thing, possibly as a weird crossover, it doesn't matter. The point is mostly this:
1. Nobody has the Force. 2. Ahsoka is suddenly human, and she hates it.
This is mostly an excuse for Ahsoka to be overwhelmed by some things (her sense of taste is completely different) and underwhelmed by others (this is your eyesight???) and panicked by others (her sense of echolocation is completely GONE), and then Anakin calming her down by Brushing Her Hair, something she's never had before.
Ahsoka has a meltdown and Anakin, who is also very panicked because the Force is just gone for him, is doing his best to keep her somewhat level and ANYWAY Anakin knows how to do cool, solid, safe braids because Padme taught him how to do her wig-secure crown braids, so when Ahsoka's being overwhelmed by the sensory hell of her new hair touching her shoulders, Anakin brushes it out and braids it up for her while Obi-Wan tries to find them a way out, and Rex and Cody help him notice things like "we can't read this alphabet for shit" and "that's not a speeder... is it..."
The clones are Itchy without their armor in an unfamiliar space. The Jedi keep tripping on sidewalk cracks and stuff because they're not used to needing to look where they're going. Also they don't have their sabers or blasters.
Ahsoka tucked into Anakin's side in a coffee shop that they somehow managed to Exchange Currency at... sipping on something sweet and complicated-flavor that she doesn't recognize and is very confused by because none of these tastes are familiar... a barista asks if she's okay and Anakin has to stutter over "my padawan" in favor of "my sister" because it's kind of safer but anyway could they get a cup of ice water for the kid?
The clones get asked if they're from New Zealand or Australia because of the accents and just Blank Stare until the person leaves in discomfort like "Was it something I said? Maybe they think I should be able to tell the difference?" but no they just don't fucking know what New Zealand and Australia are.
Imagine if she couldn’t really taste sweetness before. She finally understands the appeal of candy!
Ahsoka doesn't like 'being' human but she decides she likes the Expanded Taste Range (now she understands WHY people add spices) and having her hair played with (she's maybe a little jealous of people like Padme now).
Several of the Jedi keep forgetting they can’t jump 20 feet high anymore and keep slamming into fences. One of them tries to jump off something and is tackled by a clone. The clones keep forgetting they can’t jump off things and get caught anymore.
“Normal humans die when they do that!”
The clones don't register as clones to anyone, just Young Hot Guys With Nice Muscles, so Cody and Rex get hit on by strangers more in the Modern AU adventure than in the rest of their lives put together.
They register as twins though. And some people are maybe into that specifically. Strangely, in this context, being genetically identical is more attractive.
The only person in this group that knows how to recognize flirtation and how to flirt back is Obi-Wan.
Someone sees a Marvel movie playing a TV store and just drags the other four over because IS THAT MASTER WINDU WITH AN EYEPATCH. Or alternately IS THAT AN OLDER SENATOR AMIDALA IN BORING CLOTHES.
Per @atagotiak on discord
Hey, it could be worse, it could be literally almost anything else Ewan McGregor is in. I enjoy the other movies I’ve seen him in (though I haven’t seen a lot) it’s just every last one would be jarring as heck to them.
Birds of prey “Wow Obi-Wan, you’re a dick”
It's just Moulin Rouge's steamy scenes and Obi-Wan is like [head tilt] is... is that supposed to be me????
(I'm going to say that none of the Star Wars movies exist in this modern AU, but only because that would get too complicated.)
Ahsoka gets yelled at by Someone (a store employee, a cop, a random douchebag on the street), and Obi-Wan steps in because he's closest and also the person most invested in making sure she doesn't start throwing punches.
Person: Sorry man, didn't mean to scare your, uh, daughter. Obi-Wan's face: [is doing complicated things]
(Being Ahsoka’s dad is probably less weird than being Anakin’s dad. Just agewise and all that.)
Obi-Wan objectively recognizes that this is a reasonable assumption and also a safe one to work with, in that explaining their actual relationship might be sketchy depending on whether or not apprenticeships are a thing on this planet, and going with a person's first not-terrible assumption is usually a safe bet to not draw too much attention!
But 'parent' is a bit of a loaded concept for a lineage so prone to attachment (and tragedy).
Ahsoka finds herself getting inexplicably tired a few hours into a walk that would normally leave her fine, and since Anakin and Obi-Wan are also having trouble, it's apparently not a humans thing, it's... not having the Force. They’re still pretty strong and have good endurance but they’re not superhuman anymore so.
Adding in that Ahsoka's a young teenager who has no idea what she can eat that she can actually stand the taste of yet, so she keeps getting sugar crashes since it's the only thing she can reliably stomach...
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signalwatch · 2 years ago
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Watch Party Watch: Reform School Girls (1986)
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I'm sure this movie had a poster, but mostly existed as a worn out VHS
Watched:  04/28/2023
Format:  Amazon Watch Party
Viewing:  Unknown
Director:  Tom DeSimone
So, first:  Apologies.  It's probably best that I actually remember the movies we're going to watch more than a few key scenes.  This movie turned out to be a bit much more than I recalled it being, and I find it insane I was watching this on cable when I was like, 13.  
Ah, the 1980's.
I was a bit surprised that no one had seen this, and many never heard of it.  It's a cult-classic of the 1980's, and a lot of what made it so has faded in the ensuing 37 years.
This is a movie that, as Jenifer put it, covers all the tropes of the "women in prison movie" and then cranks up the exploitation (this is New World Pictures, one of the Roger Corman brands).  So, it's assuming an audience that has grown up on slew of "women in prison" pictures that started showing up post WWII as earnest socially conscious filmmaking paired with, you know, ladies kicking each other, which was a novelty.  Plus a host of other sketchy activities, some explicit, many implied.  
1983's Chained Heat - which stars Sybil Danning but as a prisoner -  is a pretty good indicator of what was going on at this point. It has legit actors (Henry Silva, John Vernon) but is clearly an exploitation picture.  Mostly I remember 1980's-me wandering the aisles of the video store and being acutely aware there was more than one movie about women in jail, and some vague promise of sexiness.  But since my Mom was paying, I was not asking to see these films.
Reform School Girls is loosely based on the 1957 film Reform School Girl, which I have not seen.  But also familiar if you've seen other pictures. It's mostly been forgotten, but 1980's hip young adults were very into reflecting back the absurdities of the 1950's American monoculture.  If you go back and watch other 1980's movies, usually lower budget stuff, but you can see the Elvis, Marilyn Monroe, etc...  But also much as folks like myself born in the 70's grew up with 4 or 5 channels, most of which was reruns of stuff from decades prior.  So, yeah, I imagine replays of those old movies were part of all that.*
The movie itself follows a teen girl who gets in trouble with the law, which lands her in court and on to "reform school" (but good luck pointing out when anyone is in class in this movie).  The movie hits all the notes of prison and women in prison films, starting with the "you don't know what you're in for" messaging to the lead and therefore us.  And then cue the humiliations of entering prison, paired with the exploitation of a 1980's Corman flick.  And that's when I realized "oh yeah.  This is probably full of nudity", which is an awkward moment with a chat full of people.  
The movie's stars are Sybil Danning (who many dudes of a certain age has a passing knowledge), Pat Ast (whom you should Google), and Wendy O. Williams of The Plasmatics, who is 37 and playing... 45?  and 17?  I dunno, but I've thought she was great since I was 13 or 14.  And then actually stars a supposedly 16 year old Linda Carol (I am suspicious of her listed birth year) as our POV character hero.
I *do* think the movie is funnier than was taken by the group.  Everything is at 11.  It's all absurd, including the atrocities of the film, and that's kind of the point.  But maybe that's just not where we're at these days.  We kind of are more aware of actual exploitation in a way the 1980's was not.  But the movie could have leaned into the absurdity more and had fun with it instead of saying "no, the joke is how woefully dark this is going to get, and we're going to refuse to take it seriously".  
All in all, I wish I'd revisited it solo, but here we are.  
*it's funny.  Growing up in Austin, we really didn't have much in the way of TV on local channels after 10:30 PM except SNL.  I read  lot of references to latenight movies playing on local TV, but by the late 1980's, I was watching Reform School Girls on cable, not the movies that inspired it.  I don't remember what would have been playing on our UHF channel, if, in fact, they hadn't signed off.  I suspect the larger cities of the 1970s had more of this, but we just didn't.  
https://ift.tt/b0l3V2E
from The Signal Watch https://ift.tt/pQq6k1y
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sunshineseung · 4 years ago
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Journal Part 1 // Jeongin
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🍄 | genre: smut ☁️ | pairing: Yang Jeongin x female!reader 🌿 | wc: 2.8k 🌸 | includes: milf!reader x babysitter!college student!virgin!jeongin, invasion of privacy (not the cardi b album), smut within the smut??? [handjob, begging, “mommy”], mentions of voyeurism, light dom/sub themes, “mommy” kink, teasing, stripping, blowjob/oral (m!receiving), no swallowing
☀️ | synopsis: Yang Jeongin babysits your two children, and he’s always been the most polite boy you’ve ever met. Unfortunately for him, he leaves his secret journal at your house one evening, and your curiosity got the better of you.
🌊 | One | Two | Three | Four | Five | Six | Finale |
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Being a single mother was never in your plans. After your husband left you with two kids, your world nearly fell apart. You went from being a stay-at-home mother to working two jobs. The daycare took care of your dayshift, but your night shifts were harder to arrange a babysitter for. That is until you offered the position to your next-door neighbor’s son. They complained about how he was in desperate need of a job, being in his first year of college with no work history. Your offer was perfect for them, and Jeongin was happy to fill the position. He was always the nicest kid, and you could see his eyes light up at the idea of working for you, or more likely, at the concept of getting paid. 
He’d come over to your house at 5:00pm, book bag on his back, ready to do homework while he watched your kids play. Your two daughters were quick to warm up to him, and the rest is history. He was the best babysitter you could ask for, and even if you had to stay late at work, he was always understanding. Jeongin was a perfect kid with good grades and a good heart, and you’d always see him writing in a journal. When you asked him about it, he’d say he’s “writing a story for class.” It was always the same excuse, day after day. You paid no mind, more worried about the status of your kids after you’ve left them with a teenager for hours. 
Jeongin was very protective of his special journal. It was just a regular composition book, but whatever he wrote in it was sacred to him. He’d hide it from you when you walked by and hold it close to his face as he wrote. Whatever he wrote was his little secret, but if it’s for a class like he said, it can’t be that terrible, right?
🍓🍰🐤🍀💐🍯
Returning home from a late shift, you see Jeongin settled on the couch, sleeping with his phone in his hand. His head was back and his mouth was wide open, snoring loudly. You nudge him to wake him up, but he doesn’t budge. All you can do is scoff at him and check on your daughters in their room just as sound asleep as their babysitter. Going back to the living room, Jeongin’s turned to his side, snoring quieter than before. You sit right at his feet and get comfortable, kicking your feet up on the coffee table and turning on the TV. When your heel lands on the table, you kick over Jeongin’s journal, the book falling to the ground and opening to a blank page. 
Your eyes dart to Jeongin and back at the book, and you’re mentally debating whether or not to look through it. You’ve hardly talked to the boy aside from a few conversations about school in a “back in my day” type dialogue. This would be a major invasion of privacy, but there’s no way it’s a diary. He writes in it constantly, how would it be a diary? 
You pick up the notebook, looking at the cover that read “Yang Jeongin Journal 1” on the title lines. Skipping to the one of the first few pages, you read a couple lines, which turns into reading a paragraph, and later an entire page. The more you read, the more you begin to understand why he hid it from you while boldly writing in front of you. Your jaw hangs slack as your eyes glaze over the lewd words written on the page. Your mind is blown imaging the sweet boy Jeongin imagining these scenarios, especially when you realize that you’re the other character. 
Her hand feels like heaven wrapped around my cock, stroking me up and down as I quickly become breathless from the sensation. She looks into my eyes, staring me down like a predator watching her prey. Her touch quickly becomes overwhelming as my dick starts to twitch in her hand, begging to cum despite her only beginning to play with me. I thrust into her hand, hips quaking as I seat myself again. “Please let me cum, mommy.” Y/n laughs and nods her head, lowering her lips to my cock, ready to catch my release on her gorgeous face.
Seeing your name on the paper makes your heart jump. All of these dirty thoughts that Jeongin pens in his journal are about you. As you shuffle through the pages, your name is practically highlighted to your eyes. Every few pages, there’s a description of your body or what you wear, occasionally an imagine of you undressing in your bedroom window that happens to face Jeongin’s bedroom. Although you always keep your curtains shut, Jeongin’s writing describes him hoping that you leave your curtains open to put on a show for him, undressing slowly until you notice Jeongin jerking off in the house across the fence. 
You slam his journal shut. You’ve seen enough. Laying it down on the table as it was before, you attempt to calm yourself and watch the TV you’ve been craving to watch since you got off work. Despite your best efforts, your mind begins to wonder to Jeongin, sleeping quietly beside you, and how ecstatic he’d be if you’d reenact some of the scenes he wrote in his special journal. 
Jeongin groans and stretches, finally waking up from his nap. You tap his leg to signal that you’re home, and he nearly jumps out of his skin feeling you near him. He coughs as he sits up, pressing down his shirt to get out any wrinkles and fixing his hair that looks like a bird’s nest. 
“Good morning, sleepyhead.” You laugh, smiling brightly at him as if you weren’t just reading his book of sexual fantasies. “Did you have a nice nap?” 
“Yes, yes!” Jeongin fumbles over his words, worried that you’re about to fire him for sleeping on the job. “I’m so sorry! I promise I didn’t fall asleep until after the girls went to sleep.” He bows his head, sincerely apologizing for something any college student would reasonably do once work was over.
“No worries. I’m sure my girls were in good hands.” You reach for his journal and hand it to him, and he begins to turn a bright shade of red. He knows what’s in that book, but he assumes you’re still naive. “I almost used your little book as a footrest, so put this somewhere safe, okay?”
“Oh, sorry about that. I didn’t mean to leave it out. I was just writing in it until I fell asleep.” He grabs his bookbag and shoves it in gently. 
“Wow, you write in that thing a lot.” You cross your legs and you face him, totally ignoring the television show at this point. “How long have you had that assignment for class?” 
You clearly caught him off guard. He seems confused before he remembers his lie, widening his eyes once he realizes that he’s about to dig himself into a hole. “Oh, it isn’t just one assignment. It’s for my creative writing class.” 
“Ah, I had a creative writing class too.” If he was going to lie to your face, it was only fair that you rebuttal with another lie. “Can I read some of what you wrote? Maybe give you some critique?”
Jeongin’s mind went blank. He broke out in a cold sweat. If he lets you read it, his life will be over, but on the other hand, if he doesn’t let you read it, it will look sketchy since it’s just supposed to be innocent writing for a freshman level college class. 
“Uh, it’s a little personal.” He’s adamantly avoiding eye contact with you, looking anywhere but your face. “I don’t think that would be appropriate since you’re my next door neighbor.” 
“Not appropriate, huh?” You can’t help but smirk, and out of the corner of his eye, he sees the sideways smile grow on your face. His heart begins to dip as he finally starts to connect the dots, thinking that his job, no, his existence as your neighbor could end within a matter of minutes. “What’s so inappropriate about wanting your neighbor, who is over ten years older than you might I add, to sit on your face and call you her baby boy? Hm?” 
Jeongin is frozen in place. He’s been outed. All of his wildest sexual fantasies have been revealed to the woman he wants to do them with. Knowing you’ve read his journal at least a little bit, he can’t help but get hard under his joggers, mentally cursing himself for wearing them once he notices your eyes drift to the tent in his pants. 
“Sorry, but curiosity killed the cat on this one.” You scoot closer to him, taking his hands in yours and rubbing your thumb over the back of his hand to warm him up. “I can’t believe my neighbor’s cute little son grew up to be such a dirty minded boy that can’t keep his thoughts in his head, but has to put them on paper so he can read them and imagine his neighbor fuck him again and again.”
“How much did you read?” Still with his head down, he squeaks out the question that’s been running through his mind since you started teasing him with your words. 
“I read enough.” You remove one of your hands from the hold and perk his chin up so he has no choice but to look at you. His eyes are sparkling with lust as you’re just centimeters from his face. “Tell me, Jeongin, what do you want me to do to you?”
“Right now?”
“Right now.”
He pauses to ponder and collect his thoughts. Everything he’s ever imagined is running through his read: the pet names, the toys, the punishments, the pleasure. It’s all too much, and he can hardly speak another word before you pet his face, holding his head in your palm as he shyly presses his cheek into your hand. 
“M-mommy,” he had never said that word out loud to you before, “can I strip for you?”
“All for me?” You smile, gladly accepting this offer. “Go ahead, baby boy. Show mommy what she’s been missing.”
He removes himself from you and stands up, timidly facing you as you lounge back on your couch. His shirt goes first, being neatly tossing onto the couch where he once sat. His fingers fiddle with the hem of his sweatpants before he pulls them down, showing you his bulge that’s painfully pressed against his tight boxer briefs. He’s bigger than you expected him to be, but that’s welcomed in your eyes.
You hold your hand out, stopping him before he can pull down his underwear. Standing up with a groan, you walk around his body, eyeing him up like he’s a buffet. One of your hands gently grabs at his ass, squeezing the skin between your fingertips and making him whine. You bite your lip when you hear him, sounding cute as a button despite the situation. From behind, you pull him back to you and run your hands around his body to feel his toned abs, finally moving upwards to tease his erect nipples. You feel him take a deep breath to calm himself, but when one hand pinches his nipple, he whines again, louder this time.
“Quiet, baby. You don’t want to wake the girls, do you?” When you whisper in his ear, all of the thoughts leave his head. You’ve hardly touched him and he’s dumb, and as embarassing at it is, he loves feeling helpless in your arms. “I haven’t seen another man like this in ages. You’re exactly what I need right now, Jeongin.” 
“Y-you need me?” He can hardly believe that you’re just as horny over him as he is for you, although his longer dates back far longer than just an hour or so. You hum in his ear as your hands slide down his torso to his cock, palming him over his underwear. He hisses and moans from the lightest stimulation. His reaction to all of your touches is perfect, and you can’t wait to see how he reacts when you’re riding him or sucking him off, although you could do anything to him and he’d be thankful. 
You remove your hand from his cock and pull down his underwear, finally seeing his length in all its glory. He gasps from how fast you undress him, but at the same time, he loves being on display for you. As much as he wants to hide his erection out of reflex, he holds his arms to the side tightly, allowing you to come in front of him and take in the view. 
“Jeongin, are you a virgin?” As embarrassing at it is, he nods and holds his breath, waiting for you to answer. “Aw, my pretty little boy’s never been fucked? That must be why you’re so infatuated with me.” 
You get down on your knees so you’re eye-level with his cock, now red and angry, begging to be sucked. Although your skills might be a little rusty, if your ex-husband’s reviews were any indication, you were about to blow this kid’s mind. With a little lick, he’s whining and staring down at you as you wrap your lips around the tip of his cock before moving back again and wrapping your hand around him like he’s always imagined. 
“Do you want to sit down?” Your voice sounded so calm and gentle, it was honestly shocking to Jeongin since he could hardly speak at all. He nods, and you take him to sit back on the couch. He spreads his legs for you to sit in between, once again jerking him off with one hand while the other plays with his balls. You kiss the tip before taking his member into your mouth, bobbing your head only around the tip. 
Jeongin’s convinced himself that he’s dreaming when he looks down to see your face moving up and down the very top of his cock. It feels so good, better than he could have ever imagined, and surely better than his hand. As you slowly start to take him more into your mouth, he’s clutching onto the couch cushion for dear life. He gets close very fast, tapping his thigh with one hand to try to convey that he’s about to cum. Quickly catching on, you take him fully into your mouth, his tip hitting the back of your throat, almost making you gag. 
After a few twitches of his cock, you feel him cumming down your throat as he moans out expletives from the overwhelming sensation. When he’s finally done, you pull your mouth off of him and let his cum drip out of your mouth and onto your chest, which was still covered by your button-down work shirt. When Jeongin finally opens his eyes, he’s greeted by you lazily resting your head on his thigh, looking up at him, waiting for him to come back down to Earth. 
“Ah, thank you, mommy.” In his post-nut state, the name he’d given you leaves his lips more hesitantly, but he knows that’s what you want to hear. Looking up at the clock, he notices that it’s past his self-determined bed time, but he’s still dazed enough to not care, at least for a moment. “That felt so good.” 
“And maybe tomorrow night we can do more, hm?” You slide onto his lap, his soft cock resting between your thighs. “I’d love to ride my baby boy and finally take his virginity… only if you want of course.” 
“I- … Yes, I’d love that.” Before he can say another word, you kiss him on the lips, and despite them just being around his cock, your kiss is sweet, and he needs more of it. Trying to avoid a make-out session, you pull away and get off of the boy’s lap, telling him to get dressed and go home so you can both sleep.
Your goodbye to him is the same as always, waving as he walks back home, but knowing what’s going to transpire tomorrow night, you can’t help but finish yourself off after being all worked up from Yang Jeongin. You decide to save your panties from today before you get into the shower, because they’re absolutely drenched and you’re sure Jeongin would love to have them for when he’s home alone. 
After pleasing yourself in the shower, you peek out your bedroom window. Just as you had hoped, Jeongin’s curtains were wide open, and he was beating his cock with one hand and sucking on his fingers with the other. He was clearly thinking about you by how he’d had his journal sitting next to him opened to a random page. 
You sleep good that night, pleased and excited for tomorrow. Although you were always the submissive one, you came to realize that maybe being the one in control was just what you needed. 
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siren-virus · 3 years ago
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And now it's time for another round of questions :D Flee: There has been enough angst with all the implications of all the messed up things that happen in the burrows communities thus far, and as such in order to recover a little I'll make a question that goes more towards fluff now. Has there been any moment where our dear found family has been able to show off their teamwork with all their might and get a positive response from anyone witnessing them? Like, I know that they'll eventually make enough friends that such a thing will be common, but with a stranger? SWUP: Everyone's reactions on Derrick if possible please, because even though he might be careful enough to not be seen by anyone, I can already imagine James (Was he the one interested in aliens and all things related like a conspiracy theorist?) being between over the moon for another alien race that he can look from afar (I'd say study, but considering how dangerous Derrick is, it's better to not get too close), and Vicky stressing herself out into keeping him far from him when she isn't busy in a fight or, worse, fighting Derrick himself XD LuckyBen!AU: Would Ben (nekomata), Gwen, Kevin and/or Rook ever try ranching out in anything they do? Like, perhaps Ben has a youtube channel where he does tutorials into some exotic coffees (different from the ones he does in the coffee shop though (unless his boss watches his channel and chooses to make them too :V ) ), Gwen perhaps taking in an intern or 2 to teach them the ins and out of alien ambassy so she can have her workload loosened up a bit, Kevin pirating programs because, let's face it, he would totally do that if only to screw with the owners and probably steal some money from them in the progress, and Rook could write a humans guidebook, like the one used in the tag "Humans are Space Orcs" XD Gecko: Let's leave the characters for a bit and make an ask about the town itself, how is the situation in that place? I imagine that they have a very peculiar customs regarding their situation, as well as some... interesting idiosincrasies between the townspeople that I don't doubt would look very sketchy among the outsiders (I can think of an example from another show that isn't really exploited that much in fanfic but I don't wanna accidently drag you into another fandom XD) And that's all I got to say for today, let's see what you come up with for these asks now :3
OOp sorry about the delay
A lot of stuff happened- good stuff. Kept me off the computer for a bit
Anyways I'll be bouncing on again to answer your lovely questions!
FLEE: I would deffinitely say that Leo and Tristians protective elder brothers trope over Robin has been a thing. Robin may be a savage child but that won't stop the pair from using their own bodys as meat shields to protect her. It took Leo a while to get to that point.
As for the rest of the potential members, I haven't thought too much into it- I'll deff think about it now though.
With strangers, Tristians a lot more friendly, willing to help. It makes him very naive and suseptable to possible kidnappings/robberys.
But Leo is there to kick ass, and Robin is there to bit ankles.
SWUP: James is in LOVE with Derrick. An alien? a possible anti-hero!? Oh my god. He swoons. It's just like his one comic book about the anti-hero alien dude. James must know more. James must... Become his friend.
Derrick's a lil creeped out, but is happy to accept any and all compliments. The little narcisist he is.
James' Police dad (i forgot what i called him ;;; ). Has no clue of Derricks existence. Derrick is right under his nose like a bad smell. But he just can't find the source of the chaos. So naturally he'll blame it on SWUP.
Sara doesn't know whether to like him or not, he runs circles around poor SWUP, but does he mean any harm? He's never hurt SWUP... I mean he has, but SWUP recovers fast. And the way SWUP acts around Derrick makes Sara just... confused. She's neutral, so maybe he's ok?
Courtney despises Derrick. He commits crimes? Illegal, bad. How dare he. He must be arrested. Does he have a license for flying? No? Illegal. Must be arrested. He parks in a spot with paying for a ticket. Ooh. He must be jailed.
Charlie. Like James, loves Derrick. But to a lesser extent, James is Charlies numero uno!
And of course poor... poor Vicky has to do her best to keep everyone away from Derrick. Easier said than done.
LuckyBen!AU: Ben has no online persona. Too paranoid- if someone were to recognise him through the way he talks it's over.
Of course Gwen is happy to teach new recruits. She doesn't do it often cause she's required to be upfront on the battle field. She normally just volunteers in her free time.
Rook is the same, all work no play- except for the times he goes to see his family or grab a coffee.
Kevin would so do that. Loves his tech, loves his computers- a little bit of a nerd- but if it makes his tech work better, faster, stronger, he'll do it.
GECKO: The people are quite blissfully ignorant to the outside world. Their normal is our strange. Of course they don't see the odditys Mac has run into, unless they somehow do. Of course they're a secretive people, so you never know if they actually know.
They're also very friendly, offering newcomers (MAC) free snacks as he gets settled into the neighbour.
Unless you meet Hamish. One of Macs coworkers. Great guy, friendly, talks a lot. You think he's full of shit, like how continues to brag about his sexy hot beautiful girlfriend. But he's actually telling the truth.
He also talks about a lot of disappearences that happen to tourists/newcomers. He doesn't elaborate. He says it so easily it sounds like it's normal.
Does Hamish know more than what he lets on?
There's also Macs landlady. She's a little harsh- she lives on her own in the outskirts of the town. She knew Mac's mum as a kid. She mentioned at one point that there are more people that houses in this town. Of course Mac thought she meant there was a homeless problem. But as Mac grew to know the town better, there would be no homeless. The streets were empty after dark.
Most people discourage going out after dark.
There's something in the woods. Watching.
(DO TELL ME ABOUT THIS SHOW. PERHAPS IVE HEARD OF IT)
Again sorry for the delay, life is busy.
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piratewithvigor · 4 years ago
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My first thought in regard to every band that gets played on my radio station
ACDC: Every dad’s favourite band
Adams, Bryan: Every mom’s favourite singer until Michael Buble came along
Aerosmith: haha they thought Vince Neil was a lady
Alice Cooper: he’s a Game Of Thrones fanboy and I have proof
Alice In Chains: my sister doesn’t like them because she decided AC were Alice Cooper’s initials ONLY
Allman Brothers Band: good music for dropping acid to
Allman, Gregg: That’s too many Gs for one name
Animals: House Of The Rising Sun, or who even cares
Argent: Sometimes Hold Your Head Up is really catchy
Asia: Tuesdays
Autograph: one of the members went on to be a pharmacist
Bachman-Turner Overdrive: There are just so many pop culture jokes about Taking Care Of Business that whatever I say won’t be as funny
Bad Company: with their song; Bad Company, off their album; Bad Company
Benatar, Pat: Always getting her confused with Patti Smith
Black Crowes: I like them for Lickin, but it doesn’t seem to exist outside of one shoddy video on youtube and my old CD
Blackfoot: this band name feels kind of racy
Black Sabbath: Dio was not better or worse than Ozzy; just different
Blondie: I like Call Me, but Blondie confuses me stylistically
Blue Oyster Cult: MORE COWBELL
Bon Jovi: Hello, childhood trauma, I missed you
Boston: ONE GUY. ONE GUY DID IT ALL AND NO ONE KNOWS
Bowie, David: Don’t let your children watch The Man Who Fell To Earth, or David Bowie’s will end up being the third penis they see in life
Browne, Jackson: Another musician ruined by Supernatural
Buffalo Springfield: Jack Nicholson was at the riot they sing about
Burdon, Eric: no ideas, brain empty
Bush: ditto
Candlebox: ditto once more. Who are these people?
Cars: This band feels so gay and so straight at the same time, I can only assume they’re the poster children of bisexual panic
Cheap Trick: I played Dream Police on Guitar Hero so fucking much because it was the only song anyone who played with me could keep up with
Chicago: Chicago 30 exists, but they do not have 30 albums. Fucking riddle me that
Clapton, Eric: 6 discs in one Greatest Hits is too many. That’s called “re releasing your discography”
Cochrane, Tom: For some reason, everyone thinks Rascal Flats did it better
Cocker, Joe: Belushi did it right
Collective Soul: who?
Collins, Phil: If his biggest hits were done by MCR, they would be emo anthems, but because he’s 5′6″ and from the 80s, they’re not
Cream: *Vietnam flashbacks on the hippie side*
CCR: *Vietnam flashbacks on the war side*
CSNY: David Crosby; meh
Deep Purple: THEY’RE SO MUCH MORE THAN SMOKE ON THE WATER
Def Leppard: the only music for when you’re a heartbroken bitch but also a sexy one
Derek And The Dominos: Clapton and ‘Layla’ broke up
Derringer, Rick: Tom Petty if he was from the midwest
Dio: You thought it was an anime reference, but it was me, Dio
Dire Straits: You can tell how bigoted a radio station is based on how much of Money For Nothing they censor
Doobie Brothers: I have yet to smoke weed, but I listen to the Doobies, and I think that’s pretty close
Dylan, Bob: I take back everything I said about him in my youth
Eagles: Hotel California isn’t their best song, but the memes that come from it are second to none
Edgar Winter Group: @the--blackdahlia
Electric Light Orchestra: Actually an orchestra and sound a fuckton like George Harrison
ELO: I really hesitate to ask what happens with the 7 virgins and a mule
Essex, David: no prominent memories of him
Fabulous Thunderbirds: cannot spell
Faces: Who on earth thought that was a good album name?
Faith No More: I got nothing
Fixx: One Thing Leads To Another is a damn bop
Fleetwood Mac: I ain’t straight, but I’m simply not enough of a witch to enjoy them to full potential
Fogerty, John: He got sued cause he sounded like himself
Foghat: Slow Ride slowly becoming less coherent feels like a drug trip
Foo Fighters: He was just excited to buy a grill
Ford, Lita: deserved better
Foreigner: dramatically overplayed
Frampton, Peter: a masterful user of the talk box
Free: dramatically underplayed
Gabriel, Peter: leaving Genesis changed him a lot
Genesis: if someone likes Genesis, clarify the era, because yes, it does matter
Georgia Satellites: sing like you have a cactus in your ass
Golden Earring: Twilight Zone slaps, but it doesn’t slap as hard as this station thinks it does
Grand Funk Railroad: Funk
Grateful Dead: I like their aesthetic more than their music
Great White: there are so many fucking shark jokes
Greenbaum, Norman: makes me think of Subway for some reason
Green Day: the first of the emo revolution
Greg Kihn Band: RocKihnRoll is literally the most clever album name I’ve ever seen
Guns N Roses: They have more than three good songs, but radio stations never recognize that
Hagar, Sammy: I’m still trying to figure out where he lived to take 16 hours to get to LA driving 55 and how fucking fast was he driving beforehand?
Harrison, George: He went from religious to rock, and if he had continued rocking, he would have gotten too cool 
Head East: I respect people who use breakfast foods as album names
Heart: Magic Man and Barracuda are played at least once every goddamn day. They’re not even the best songs!
Hendrix, Jimi: I have both a cousin and a sibling named after Hendrix references
Henley, Don: Dirty Laundry gives me too much inspiration
Hollies: Somehow sound like they’re both from the 60s and the 80s at the same time
Idol, Billy: he’s doing well for himself
INXS: Terminator vibes
Iris, Donnie: knockoff Roy Orbison
James Gang: too many funks
Jane’s Addiction: if TMNT had a grunge band representative
Jefferson Airplane: *assorted cheers*
Jefferson Starship: *assorted boos*
Jethro Tull: The only band to make you feel not cool enough to play the flute
Jett, Joan: icon
J. Geils Band: I requested them on the radio once and it got played
Joel, Billy: he really did just air everybody’s business like that
John Cafferty And The Beaver Brown Band: literally wtf is that name
John, Elton: yarn Elton sits in my basement, unstaring. Please someone take him from me
Joplin, Janis: Queen
Journey: Stop overplaying Don’t Stop Believing. It takes away from the rest of the repetoire
Judas Priest: literally started the gay leather aesthetic
Kansas: another fucking band Supernatural stole
Kenny Wayne Shepherd: the man confuses me to the point where he isn’t in the right place alphabetically
Kiss: Mick Mars and I will simply have to disagree on the subject
Kravitz, Lenny: runaway vibes
Led Zeppelin: Fucking fight me if you don’t think they’re the most talented band (maybe not the most talented individually, but collectively, no one comes close)
Lennon, John: My least favourite Beatle for reasons
Live: I got nothin
Living Colour: slap a decent amount
Loverboy: do you not get TURNT the fuck up to the big Loverboy hits? Who hurt you??
Lynyrd Skynyrd: Sweet Home Alabama is a Neil Young diss track
Marshall Tucker Band: no opinion
Manfred Mann’s Earth Band: VERY STRONG OPINIONS THAT THEY AREN’T GOOD
McCartney, Paul/Wings: Power couple
Meatloaf: I have nothing but respect for a man who willingly named himself Meatloaf
Mellencamp, John: voted cutest lesbian of 1987
Metallica: I liked their appearance on Jimmy Fallon
Midnight Oil: I get them confused for Talking Heads a lot
Modern English: who?
Molly Hatchet: Hollies vibes, but also Georgia Satellites vibes
Money, Eddie: DAN AVIDAN, IF YOU SEE THIS, COVER TAKE ME HOME TONIGHT
Motley Crue: Stan Mick Mars and John Corabi. They’re the only ones who deserve it
Mott The Hoople: no one loves them except for David Bowie
Mountain: props for naming an album ‘Climbing’
Nazareth: I want to make a John Mulaney joke here, but I can never come up with one
Nicks, Stevie: witch queen
Night Ranger: I get them confused with Urge Overkill
Nirvana: Kurt Cobain was the ally grunge needed
Nova, Aldo: he’s Canadian, at least
Nugent, Ted: *serves a ghost as jerky*
Offspring: nothing here
Osbourne, Ozzy: this bitch crazy
Outfield: Your Love is kind of a sketchy song, but it slaps hard
Palmer, Robert: low quality Eddie Money
Pearl Jam: *grunts in Eddie Vedder*
Petty, Tom: I have so many feelings about Tom Petty and they are all good
Pink Floyd: which one is Pink?
Plant, Robert: solo career is a crapshoot, but his voice is unparalleled
Poison: I want them to write a song called ‘Alice Cooper’
Pretenders: I want to say good things, but I have nothing to say
Queen: A doctor of astrophysics, a screaming girl, a disco queen and a diva walk into a bar. It’s Queen; they’re there to play a gig
Queensryche: neutral opinion
Quiet Riot: they got big because of a song they hated. I love that
Rafferty, Gerry: the second-sexiest sax opening in all of music
Rainbow: Ritchie Blackmore created something very magnificent
Ram Jam: one good song and they didn’t even write it
Ratt: I’m sure they have more than Round And Round, but I don’t know it
RHCP: funky, but if you have paid money to hear them, you’re going to The Bad Place (I don’t make the rules)
Red Rider: basically Golden Earring
Reed, Lou: Walk On The Wild Side would be such a cool song if it wasn’t so dull
REM: American Tragically Hip
REO Speedwagon: Props for having a dad joke as an album title
Rolling Stones: Never in my life could I imagine the drummer being named anything but Charlie
Rush: How to make being uncool the coolest fucking shit
Santana: The world needs more Santana
Scandal: There’s something really funny about The Warrior being my brother’s “song” with his girlfriend
Scorpions: Was Wind Of Change written by the CIA? Only the spotify podcast I got an ad for once could say
Seger, Bob: A different variety of Eric Clapton (frankly a better variety, but that’s just me)
Simple Minds: we ALL forgot about you
Skid Row: Sebastian Bach is prettier than all of us
Soundgarden: music that makes you feel like you dunked your head underwater
Springsteen, Bruce: my arch-nemesis. Maybe someday, he’ll find out about it
Squeeze: according to my friends, the stupidest band name ever, but they’re theatre kids, so you know
Squier, Billy: If he can make it through 1984 alive, you can make it through whatever bad day you’re having
Stealers Wheel: Yet another band who I always mistake for George Harrison
Steely Dan: my house’s nickname for the Robber in Settlers Of Catan
Steppenwolf: Either makes me think of Jay & Silent Bob, Jack Nicholson, or that time I had to cut 6lbs of onions
Steve Miller Band: when you’re in the right mood, they slap hard
Stewart, Rod: my soundtrack to summer 2015
Stills, Stephen: Love The One You’re With Is Catchy, but the lyrics are questionable
Stone Temple Pilots: the only band to write a song about goo you smear on yourself
Stray Cats: an obscene amount of merch is available for them
Styx: Supernatural would have ruined them for me too if I hadn’t been into them previously. 
Supertramp: I hunted for Breakfast In America for two years and it was worth every hunt
Sweet: I will never understand my two-month obsession with Ballroom Blitz when I was 15, but it was legit all I listened to
Talking Heads: you may find yourself in a pizza hut. And you may find yourself in a taco bell. And you may find yourself at the combination pizza hut and taco bell. And you may ask yourself; ‘how did I get here?’
Temple Of The Dog: I keep confusing them for Nazareth
Ten Years After: somehow still relevant
Tesla: not the car or the dude
The Beatles: Evokes a lot of opinions from people. Mine is that I love them
The Clash: I showed my sister the ‘Lock The Taskbar’ vine ONCE and it still kills her
The Doors: evokes teenage terror from deep within my soul
The Guess Who: Canada’s answer to confusing question-themed band names
The Kinks: kinky
The Police: wrote the theme of 2020 and everyone somehow forgot it was about a teacher resisting becoming a pedophile
The Ramones: playing all of their songs in a row wouldn’t take more than 2 hours
The Romantics: you don’t think you know them, but if you’ve seen Shrek 2, you have
The Who: If someone can explain Tommy to me, I’d be glad to hear it
The Zombies: I think they happened because of the 60s
Thin Lizzy: Could the boys maybe leave town?
Thorogood, George: blues, but make it modern
Toto: the most memed song behind All Star
Townshend, Pete: just makes me think of the end of Mr. Deeds
T-Rex: Mark Bolan is an icon
Triumph: The no-name brand of Rush
Tubes: like the yogurt
Twisted Sister: they did a christmas album and my mom does NOT hate it
U2: U2 Movers; we move in mysterious ways
Van Halen: RIP Eddie
Van Morrison: honestly, who’s named Van?
Vaughn, Stevie Ray: Steamy Ray Vaughn
Walsh, Joe: The Smoker You Drink The Player You Get
War: Foghat, but even groovier
Whitesnake: the most successful band to be named after a penis
Wright, Gary: the 90s thanks him for writing the song every movie used for the “guy sees cute girl and it’s love at first sight” scene
Yes: To Be Continued
Young, Neil: The best part of CSNY
Zevon, Warren: the album cover of Excitable Boy makes me deeply uncomfortable for reasons I don’t understand
ZZ Top: has been the same three guys since 1969. Lineup unchanged. 
3 Doors Down: They feel a little modern to be on a classic rock station, but whatever
38 Special: Why 38?
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mosylufanfic · 4 years ago
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Color My World (just paint it with your love)
For the Killervibe Gift Swap, a gift for @ava-has-a-closet-murderboard. Eventually I hope to get everyone a gift but it’s going real slow, y’all!
You see in color when you meet your soulmate AU. (Also obviously Ronnie died the first time and didn't come back as Firestorm, sorry Ronnie.)
Title from the song Color My World by Petula Clark
Color My World (just paint it with your love)
When Ronnie died, the world went grey in an instant. 
Even as Caitlin screamed his name, she knew it was hopeless. Just the same as the world had exploded with color between one blink and the next the moment she'd met him, it reversed the moment his heart stopped beating.
-
For years, Caitlin assumed that Cisco saw the world in the same shades of grey as she did. She knew he was friendly and flirty and went on dates, and well - he was Cisco, after all. So she always expected to see him come rushing into the cortex one day, looking around at everything and seeing the colors after having met the person he was supposed to spend his life with.
So when she walked into his lab one day to find him comparing two apparently identical swatches, it was a surprise - but it wasn't.
"Cisco!" she cried, and he whirled to face her, stuffing both swatches behind his back. "Are you seeing in color?"
"Um, I - what? No. I was - comparing - um." He sagged. "Yes."
"You met your soulmate! Who is it? When can I meet them? What's their name?" She realized he wasn't looking as excited as people usually did in that first flush of color and love. "What's wrong?"
"I haven't met anyone new."
"Well, of course you have, you're seeing in color -"
"I met them years ago."
"Years? You've been seeing color all this time? You never said anything."
He nodded. "Sorry. Yeah."
"But when? And why didn't you - why aren't you - what happened?" Dramatic, overblown scenarios raced through her head, taken from cheesy cable movies with titles like "Soulmate to a Serial Killer.”
"Nothing happened, exactly. It's - " He looked away. "They're my soulmate, but I'm not theirs."
She goggled at him. You heard about those things, of course. Small percentages. Sad stories whispered behind hands. But knowing Cisco was one of them - "How do you know?"
"They'd already met their real soulmate when I met them."
She shook her head, attempting to wrap her head around it. "Are you sure? Have you told them? Have you talked about it at all?"
"Yes, I'm a hundred percent sure."
How could the universe be this cruel? Warm, laughing, loving Cisco, to be matched with someone who wasn't matched to him. To watch from the sidelines as they built a life with someone else. 
It was almost as horribly unfair as losing your soulmate. No - no. More unfair. She'd at least had a life with Ronnie, no matter how short it had been. Cisco never had that with his soulmate, and never would. 
"Why didn't you ever say anything? I always thought - "
"Because I didn't want you looking at me exactly the way you're looking at me right this very moment. Like I just told you my puppy has cancer."
She tried to rearrange her face. "I'm just -"
"Caitlin, it's fine. It happens." He shook his head a little. "I'm sorry I kept it from you."
"Who else knows?"
"Barry. And probably Iris."
"Has he met them?" A flush of - jealousy? she didn't know what to call it - washed up her throat.
"No, he doesn't even know who they are. Just that they exist." He shrugged and tossed the swatches on to the table. "Couldn't exactly keep it from him when we were designing suits together."
She said very quietly, "Did Ronnie know?"
He shook his head hard. "No, he didn't. No. Not even a suspicion. Look, I don't talk about it because there's nothing I can do about it, and there's nothing you can do about it, either. A soulmate is a soulmate, right? Even when they're not."
She reached to put her arm around his shoulder. "Cisco - "
Gently but firmly, he shrugged her hand away. "I've come to terms with it. It's just the way things are."
She swallowed hurt. "But you've been dating. Haven't you?" He had an app on his phone, and sometimes he would take it out and swipe through photos. She'd thought it was a regular app that just set you up on dates with other people who hadn't met their soulmate yet.
"It's a different kind of app. We all know the score. Nobody's on there to meet their soulmate. Just to find a good time."
"Is it just people who are - " She floundered. There was a term for people like Cisco, but to her mind, it was nasty and rude.
He said it anyway. "Third wheels?"
She made a face. It sounded even worse now that she knew it applied to him.
"Most of us, yeah. But there's a pretty good number of people who - uh - " He looked at her sidelong. "Who lost theirs."
"Oh." She couldn't imagine seeking anyone out after Ronnie. "Really?"
"Yup. I mean, they're not dead just because - well, anyway, if you ever wanna - you know. See the app. You can."
"Thank you,” she said. “But don't try to distract me. How long has it been?"
"A few years," he said. "Look, it's just a thing about me. Like having brown eyes and vibes and a rockin' fashion sense. Can you do me a solid, as a friend?"
"Anything. Of course."
"Let's never talk about this again."
Painted into a corner, she bit her lip. "Okay. If that's what you want."
"It's what I want."
Of course, she hadn't gotten the chance to ask the question that burned the most. Who was it? Who could possibly overlook Cisco? 
But she'd promised.
-
She thought about it, though. She thought about it a lot, in her cold bed, in her grey house with all the colors she couldn't see anymore. At her kitchen table, set for one. When she opened up her phone and looked at the last picture Ronnie had sent her, a selfie with a particularly gigantic donut.
In black and white, of course. Like everything else, all the pictures of him had drained of color when he died. It made everything sting worse. She'd seen his face in color from the beginning, but now she couldn't remember the exact shade of his eyes or the different tones of his hair.
She didn't ask Cisco anything more, but she did go down a rabbit hole of research. One-sided soulmate was the technical term they used in social science surveys. OSS for short. She looked at reams and reams of statistics, quantitative and qualitative and longitudinal studies. Some of the OSS's said they were happy, some were depressed, some simply accepted it. Surprisingly, the stats on their overall mental well-being weren't all that different from people who were with their soulmates, or still waiting to find them. 
Some one-sided soulmates spent their lives alone. But others dated and slept with and sometimes even married others like them.
She gave into curiosity and read the research on people who'd lost soulmates. She found the stats there very much the same. A little more depression, maybe, but there were a surprising amount of people who did just as the one-sided soulmates did - dating, sleeping with, marrying people they met. 
Sometimes those people even found a second soulmate. 
When that particular revelation popped up on her screen, she dropped a full cup of coffee and completely ruined her keyboard.
-
The day everything changed was just a regular day at first. The Flash and Vibe were out investigating a sketchy warehouse, and Caitlin was trying not to fret while reading yet another study on people who fell outside the soulmate norm. 
"Cisco!" she cried as Barry whooshed them into the cortex, almost doubled over trying to support his weight. "What happened?"
"Got my bell rung," he slurred. "Ow, dude, ow, gentle -  "
"The guy knocked him into a concrete pillar," Barry reported, settling Cisco onto the edge of the bed. 
"No, don’t lay him down. 'll take care of him. You go get changed." As he whooshed out, she gloved up quickly and checked Cisco's pupils. They were the same size, and he denied any nausea or dizziness, but she’d still have to monitor him for signs of a concussion. She set her penlight down and gasped.
"What?"
“You’re bleeding.”
He wiped his face and blood smeared across the back of his hand. “Just a bloody nose. I’ll be fine in a minute.”
She tsked and pressed a square of gauze to his nose, gently feeling its shape. It wasn’t broken. “Are your teeth okay? Your tongue?”
“Mhm.”
“Don’t lean back! Just breathe through your mouth.” After holding it a few minutes, she checked, and indeed, the blood had stopped its flow. She let him straighten up. "How's your head?"
"Could use an aspirin."
"You got it." She turned away, but before she pulled her gloves off, she looked at the blood smeared over the fingertips and soaking into the gauze.
Against the light grey of her gloves and the white of the gauze, Cisco's blood showed scarlet.
-
At first, she thought she’d been mistaken. It had just been the blood, not anything else.
But then the sprinkles on the ice cream he brought her the next day showed up vividly blue and pink and orange against the rich brown of the treat. And the chips and guac she shared with him the day after that were pale yellow and brilliant green. 
Color seeped back into her world a little at a time, mostly following Cisco. It was so different than before, but so wonderful at the same time. She'd forgotten how vivid red could be, how lavender was so delicate, how green was so rich. Sometimes she would just sit and stare at whatever had lit up today.
He noticed, of course. "What's wrong?" he asked one day, as the sunlight filtering through the skylights in the cortex picked out rich highlights in his hair.
She shook her head. "Nothing."
"You were staring."
"There was a - a bug on you. But it flew away," she added hastily as he swiped at his hair. 
It wasn’t like it had been with Ronnie. Then, it had been instantaneous, like a finger snap. Not this slow bloom of color, spreading outward from Cisco like watercolors soaking into paper, until every corner of the world had a different hue and shade. But Cisco wasn’t Ronnie, and she didn’t want him to be. 
She worried about it sometimes. Did this mean Ronnie hadn't been her soulmate? That she didn't love him anymore? But she knew he had, and she knew she did. She would never stop.
It was just that she was one of the lucky very few who got a second soulmate. 
And then the thought followed: what if Cisco's mystery soulmate was her?
She turned it over in her head, as carefully as an antique china plate. The facts fit. She had been with Ronnie when she and Cisco had met. She even remembered them telling him about their first meeting, over dinner or something. She struggled to remember his reaction, what he'd said or looked like, but couldn't. 
And when Ronnie had died and the color had drained from the world, she'd told him that too. 
She pressed her fingers to her eyes, watching the newly colorful starbursts behind her lids. "Oh, Cisco," she murmured to his past self. "I'm so sorry. I'm so sorry I never saw. I know you couldn't tell me, but I wish I'd realized you were hurting."
Watching her with Ronnie must have been torture for him. Watching her after Ronnie died - that must have been torture in a different way, her loss of color confirming every day that he wasn't her soulmate. 
But it was going to be different now. If they were soulmates, he deserved to know.
And if they weren't - 
Her stomach pitched uneasily at the thought.
-
Her heart thundered in her chest as she made her way down to his lab. She'd kept this secret for a month now, clasped to her chest. And he'd kept it for years. This was going to change everything,
For the better?
She hoped.
He was head and shoulders into the souped-up treadmill Barry used to test his speed, a tool box open next to him. "Hey," he called out as she came in. She never could surprise him. Was that a soulmate thing, a Vibe thing, or just a Cisco thing?
"Hi," she said brightly, almost shrilly. She swallowed  hard and perched herself on the edge of his table, wiping her sweaty palms on her favorite skirt. "What are you working on?"
"Oh, just tuning this old girl up. How about you? What brings you down here?"
"Do I have to have a reason to come down here?"
He peered at her over his shoulder. "No, but you sure look like you do."
She wiped her palms again. "I was just thinking."
"Uhoh," he said cheerfully, turning back to the treadmill.
"About your soulmate."
Although he didn't say anything, all the cheer sucked itself out of the room.
"About, um, when you met them, and how long it's been, and -"
"Caitlin," he said in a heavy voice. "You said you wouldn't talk about this anymore."
"I know, I did, but I'm just curious - "
"You promised," he said. "You made me a promise."
"I - I did - "
He straightened up again, crossing his arms, resting the greasy wrench against his shoulder. His brows loomed heavy and serious. "So why the hell are you breaking it now?"
Okay, this wasn't broaching the subject like she'd thought it would. "You should put that wrench down," she said. "You're getting grease all over that shirt."
"Subject changed appreciated, but why - "
“And I like that shirt," she said. "I like that color on you. “It’s very flattering.”
He dropped the wrench on his foot.
When the clanging and the yelping and the jumping up and down and the checking that his foot wasn't broken had all died down, he wiped his greasy fingers on a rag, getting the fingers greasier. "So," he said levelly, "you met someone. That's great. That- that's awesome. What's their name?"
Oh. She hadn't expected this.
"Cisco," she said. "It's you."
He looked up, pain filling his eyes, and probably not from his foot. "No, it's not."
"It is," she insisted. Oh, wow, she hadn't expected him to be this stubborn about it.
"No," he said. "No. You met someone and you didn't realize, that's all. I don't know why you think it's me, because we've known each other for years, and it's never been me before." His voice cracked.
She reached out to take his hands. "But it is. I've been seeing in color for a month now. Just a little at first. But now it's everywhere. And it started with you. Cisco, it's you."
He shook his head slowly. "How?"
She shrugged. “I’ve been researching. Did you know it's a whole field in social science? The study of soulmates. Amatology. It's so much more complicated then everybody thinks, Cisco. We always hear how you know in the first moment, and it's just that one person, forever, and - and that's not accurate! You can have more than one. And you know somebody for years before they become your soulmate. And that's what happened to me. With you," she added firmly.
He was pressing his lips together. "It was - " he said, then stopped. Swallowed. Took a breath. "It was the first moment with me. The first color I saw was the gold of your engagement ring."
"Oh," she breathed. 
He swallowed again. There were tears in his eyes. "I've loved you for years, Caitlin, so I need you to tell me right now. Swear to me you're sure, and you're not screwing with me, and you - " His voice sank to a whisper. "And you absolutely know I'm your soulmate."
"I'm sure," she said. "I'm not screwing with you. I absolutely know that you're my soulmate, Cisco Ramon. And you know why? Because I don’t want it to be anybody but you."
He kissed her, hard, pulling her close. She had half a thought for her meticulously selected outfit, then mentally consigned it to the rag bin and kissed her soulmate back.
When they had to come up for air, he rested his forehead against hers. "I never wanted it to be anybody but you, either," he breathed.
"Even when - Ronnie?"
He nodded. "Because he made you happy. I wanted that more than anything else."
She traced the lines of his face, the arch of his brows, the curve of his lips. Dear and familiar and beautiful. "You're going to make me happy too."
FINIS
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davidmann95 · 4 years ago
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How about those JL storyboards?
In case you haven’t heard, Zack Snyder is putting on display the ‘storyboards’ - i.e. a rough plot summary accompanied by some Jim Lee sketches - for what would have been Justice League 2 and 3, or as this puts it 2 and ‘2A’. You can see them here (I imagine better-quality versions will soon be released), and read a transcript here. This is evidently a very early version: this was apparently pitched prior to the release of BvS and Justice League being rewritten in the wake of it, with numerous plot details that now don’t line up with what we know about the Snyder Cut, plus it outright mentions it builds on the originally planned versions of the Batman and Flash movies. But it’s a broad outline of what was gonna go down, and while I initially thought it was Snyder throwing in the towel, the timing - paired with the ambiguity left by the necessity for changes, including that this doesn’t factor whatever that “massive cliffhanger” at the end of the Cut is - says to me he’s hoping this’ll be a force multiplier behind efforts to will sequel/s into existence. He’s probably right.
I’ll be discussing spoilers below, but in short: with this Zack Snyder has finally lived up to Alan Moore, in that like Twilight of the Superheroes I wouldn’t believe this was real as opposed to a shockingly on-point parody if not for direct, irrefutable evidence.
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Doing some rapid-fire bullet points for this baby to kick us off:
* Folks who know the subject say a lot of this is a yet further continuation of Snyder doing Arthuriana fanfic with the League reskinned over those major players, and I’ll take their word for it.
* I don’t know whether I love or hate that in Justice League 2 the Justice League are only an extant thing for the first scene, and then it’s Snyder giving everybody their own mini-movies. It’s compressing the entire MCU “loosely interconnected solo stories leading to a single big movie later” strategy into a single movie!
*  Funniest line in the whole thing: "Even Lantern has heard of the Kryptonian, worried that he's under the control of Darkseid. He heard his spirit was unbreakable." Hal what fuckin' Superman movie did YOU watch? Second funniest being “IT WILL GIVE HIM POWER OVER ALL LIVING LIFE”
* 90% of the plot I have nothing to say about, it’s generic stage-setting crap. That to be clear is the ‘shocked it’s Snyder’ element, it feels so crassly commercial in a way I can’t believe is coming from the BvS guy.
* Most of what I have to say is unsurprisingly gonna be about a handful of characters but Cyborg’s happy ending being “he isn’t visibly disabled anymore!” is not great!
* The Goddess of War battle with Superman...never pays off? No clue why it’s there.
* What I’d originally heard was that the Codex in Superman’s blood was the last key to the Anti-Life Equation and that’s why Darkseid was coming to Earth. It’s not like all of this wouldn’t have already been averted by Kal-El’s pod smacking into an asteroid on the way to Earth so it’s not as if this makes it any more Superman’s fault, and it would have at least tied all this back to the beginning of the movies, but I suppose that was either fake or from a later draft.
* I have NO idea how this was reimagined without the ‘love triangle’, it’s the central character thing and the entire climax flows directly out of it!
* Darkseid’s kinda a chump in this, huh
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Anonymous said: So: Does Zack Snyder hate Superman?
Look: the hilarity of this when Cuck Kent has been a go-to Snyder cult insult towards ‘inferior’ takes on Superman for years cannot be understated, yet at the same time I can almost wrap my brain around where Snyder’s coming from with that as the end for his take on the character. He talked in that Variety piece on how his interest in Superman is informed by having adopted children himself, and Deborah Snyder is the stepmother to his kids by previous relationships, so I can see where he’d be coming from, and I can even imagine how he’d see this as ‘rhyming’ in the sense of “the series begins with Kal-El being adopted by Earth, it ends with him adopting a child of Earth!” In the same way as MARTHA, I can envision how he would put these pieces together in his head thematically without registering or caring what the end result would actually look like. In this case, Superman raising the kid of the man who beat the shit out of him who Batman had with Clark’s wife, who earlier told Bruce she was staying with Clark because he ‘needed her’, suggesting if inadvertently that this really honest to god was a “she’s only staying with Superman out of pity, she really loved Batman more” thing.
But Clark is nothing in this. He’s sad and existential because of coming back from the dead I guess, then he’s corrupted, then time’s undone and he woo-rah rallies the collective armies of the world (interesting angle for the ‘anti-military/anti-establishment’ Superman he’s talked up as) as his big heroic moment in the finale, and then he stops being sad because he’s adopting a kid. So his big much-ballyhooed, extremely necessary five-movie character arc towards truly becoming Superman was:
Sad weird kid -> sad weird kid learns he’s an alien, is still weird and sad, maybe he shouldn’t save people because things could go really wrong? -> his dad is so convinced it could go wrong he lets himself die -> ????? -> Clark is saving people anyway -> learns his origin, gets an inspiring speech about being a bridge between worlds and a costume -> becomes superman (not Superman, that’s later) to save the world, albeit a very property-damagey version, rejects his heritage he just learned about and space dad’s bridge idea -> folks hate him being superman and that sucks though at least he’s got a girlfriend now -> things go so wrong he considers not being superman but his ghost dad reminds him shit always goes wrong so he should be good anyway, which sorta feels like it contradicts his previous advice -> immediate renewed goodness is out the window as he’s blackmailed into having to try and kill a dude but the dude happens to coincidentally have some things in common so they don’t kill each other after all -> big monster now but superman keeps supermaning at it because he loves his girlfriend and he dies -> he’s brought back, wears black which apparently means now he likes Krypton again? -> he has work friends now but he’s still sad because he was dead -> evil now! -> wait nevermind time travel -> rallies the troops -> his wife’s having a kid so he’s not sad anymore -> Superman! Who gives way to more Batman.
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Do I think Zack Snyder is lying when he says he likes Superman? No. I think he sincerely finds much of the basic conceits and imagery engaging. But I don’t think he meaningfully gives shit about Clark as a character, just a vessel for Big Iconic Beats he wants to hit. Whereas while for instance he’s critical of Batman as an idea (at least up to a point), he’s much more passionately, directly enamored with him as a presence and personality. So while Superman may be the character whose ostensible myth cycle or arc or however it’s spun might be propelling a lot of events here, it’s a distant appreciation - of course the other guy takes over and subsumes him into his own narrative. Of course Batman is the savior, the past and the future (though if he’s supposed to be Batman’s kid raised by Superman there’s no excuse for him not to be Nightwing), the tragic martyr to our potential. Admittedly the implication here is also that Batman can apparently only REALLY with his whole heart be willing to sacrifice his life to save an innocent, for that matter apparently his great love, once said innocent is a receptacle for his Bat-brood, but he and Clark are both already irredeemable pieces of shit by the end of BvS so it’s not like this even registers by comparison.
Anonymous said: That “plan” Snyder had was utter dogshit. Picture proof that DC & WB hate Superman. Also I love how you’re like Jor-El: Every single idealistic take you had about Snyder, his fandom, and BvS was wrong. Snyder’s an edgy hack, his fanbase just wants to jerk off to their edgy self-insert Batgod as he screams FUCK while mowing people down with machine guns, and the idea that BvS said Superman was better than Bats was completely wrong. You know what comes next SuperMann: Either you die or I do.
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In the final analysis, beyond that mother of god is there sure no conceivable excuse for the treatment of Lois in this? The temptation is to join that anon and say as I originally tweeted that these were “built entirely to disabuse every single redemptive reading of the previous work and any notion of these movies as nuanced, artistic, self-reflective, or meaningful”.
...
...
...yeah, okay, that’s mostly right. Zack Snyder’s vision really was the vision of an edgelord idiot with bad ideas who was never going to build up to anything that would reframe it all as a sensible whole. He’s a sincere edgelord genuinely trying really hard with his bad ideas who put some of them together quite cleverly! But they’re fucking bad and the endgame was never anything more than ramping up into smashing the action figures together as big as he could, the political overtones and moral sketchiness of BvS while trying to say something in that movie reverberated through the grand scheme of his pentalogy in no way beyond giving his boys a big sad pit to rise out of so when they kicked ass later it’d rule harder, and all the gods among men questions and horror and trappings were only that: trappings. Apparently he’s really pleasant and well-meaning in person, but at his core his art as embodied in a couple weeks in his 4-hour R-rated Justice League movie meant to be seen in black-and-white all comes down to that time he yelled at someone on Twitter that he couldn’t appreciate Snyder’s work because it’s for grown-ups. He made half-clever, occasionally exciting shit cape movies for a bunch of corny pseudo-intellectual douchebags, folks latching onto and justifying blockbusters that at least acknowledge how horrifying the world is right now even if the superheroes are basically useless in the face of it if not outright part of the problem until a convenient alien invasion shows up to justify them, and a handful of non-asshole smart people who vibe with it but...well. ‘Suckered’ is a harsh word, and definitely doesn’t apply to all of them re: what they’ve gotten out of it up to this point and would (somehow) get out of this. But it doesn’t apply to none of them, either.
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mkstrigidae · 3 years ago
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I HAVE SO MANY THEORIES and i want a distraction from my physics hw so thank you. So what evil stuff did Petyr teach Sansa that was normal that in reality is super weird? You mentioned something about Sansa balancing Petyr's books? MYA FINDING OUT THAT THE KING IS HER DAD?? THAT GENDRY AND HER ARE SIBBLINGS?? What reeeeaaaly was up with Lysa's death? Why did Baelish feel that he had to unalive her? What's gonna come up in the trial? How is the media scrutiny gonna affect Sansa? Also I kinda want to see how Sansa peruses her career and how her new situation is gonna change her prospects/ alter her timeline/ help or hinder her? I would very much like to see Robin's buried trauma cause he's honestly a fascinating character. you've also hyped up the shopping so much im v excited with Rhae and Cate and eeeveryone (im sensing buried trauma). random also, there's something up with the lemon tree too I can feel it. I LOVE APWH and thank you so much :))))
Hello friend!!! I don't think Petyr deliberately set alarms on his phone like '3:30pm- teach my kidnapped daughter eeeevil stuff' or anything- but his idea of a normal father-daughter relationship is warped in some ways because he sees Sansa as an extension of both himself and of Catelyn in some ways- I get into this a bit more in later chapters when getting into why Petyr actually decided to kidnap Sansa in the first place. But yes, Sansa does help do some of the accounting for Baelish's businesses! Petyr considers basic Shady Accounting Skills™ to be the kind of domestic thing that dads teach their kids on weekends (instead of idk teaching Sansa how to change the oil in a car?? He doesn't know that either, so sketchy finance lessons it is) and I think it's genuinely like a dad sentiment on his part- like he considers understanding how money works to be really important and wants Sansa to be successful! So he teaches her about money and politics and she's like, secretly plotting to sneak off to the movies with Mya the entire time. Mya and Gendry's stuff- i'm still trying to figure out if it fits in the main story, but if it doesn't, they're getting their own lil mini story because it's gonna be super interesting. Everyone in this story has so many daddy issues.
Lysa's death is... complicated. I can't quite spill that one yet! But I hope the final answer will be worth it. As for the trial- lots of things will come up! Jon's there, and Dany's there and in her element, and Sansa's getting the worst crash course in North Westerosi law imaginable and also like, wildly crushing on one of the prosecutorial interns (i.e. Jon) which is a wild emotional spectrum for anyone to exist on, quite frankly. Sansa's career and her goals for the future are actually something I really plan to dig into during the trial arc- long story short, she's going to spend some time doing an internship in White Harbor that really makes her reevaluate what she wants from life and her work. And you know I'm going to dig deep into Robin's trauma/past/relationship with both Lysa and Petyr. I love APWH Robin so much and he's growing in leaps and bounds where he is right now.
The lemon tree represents home to Sansa in a way that the house in Braavos doesn't even- she loves it in the way that you can only love a gift that came from one of the people you care about most in this world, and it's something that I think is very grounding for her. She doesn't have it with her now- adding to just how off-kilter she feels still at Winterfell.
Thanks so much for your thoughts!!! I love reading these!
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smilepal · 3 years ago
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7, 12, 16 for Hiro pls 😘
Ship asks for @wanderingaldecaldo 🥰
Answering these for Hiro and Vic, @shinycorvidae's V~
7.) What annoys them the most about their partner? Would they change it if they could?
Hiro would do almost anything for Vic, but despite this, she occasionally does annoy him--like anyone else does. It's less of 'annoy' and more of worry, though. She's so damn trusting of people. Vic grew up in a tight-knit nomad clan, where people looked out for one another, and Night City was a huge culture shock. Hiro simultaneously admires the trusting nature, and it's also on occasion the bane of his existance, when he's trying to help her not get swindled (or buy sketchy BDs from someone who offers--or eating anything she sees sitting around). She manages to be so skilled, from a tactical sense, but occasionally the common sense in Night City is lacking. She genuinely wants to believe the best in people, and while admirable, isn't always the best for Hiro's peace of mind. I don't think he'd change it entirely, maybe just encourage her to be a little more cautious, and not take people's kindness at face value in the City.
On the other hand, Hiro's recklessness is equally aggravating for V. It's a different type of reckless. He's less trusting, and more throws himself into jobs without thinking--ignoring the stealth and planning aspects, and figuring out things as he goes. A lot of the irritation/aggravation comes from a place of worry and although it doesn't usually lead to full-blown arguments, it does occasionally lead to a lecture or two.
12.) Is there a wedding? What was the proposal like? Any kind of honeymoon?
Neither Vic nor Hiro was ever horribly invested in the idea of a formal wedding. The two of them forget they aren't technically married, and for all intents and purposes, may as well be. They're dedicated to the other, and whether there's a formal ceremony or not is of little importance to them. They each know the other is going to be there, and that's good enough for them. The only situation this might change would be if (in some AU where this is actually a thing) that kids came into the picture, to make financial stuff easier. There's less of a formal proposal, and more of a gradual realization of 'oh I can't imagine not waking up next to this person'. If things ever settled down in Night City, or they were able to achieve some stability, they wouldn't be opposed to traveling a little--might not call it a formal honeymoon, but take the opportunities to do some exploring, and get away from merc life, even temporarily.
16.) Do they keep secrets? Lie? Cheat?
The two rarely keep secrets, at least later in their relationship. There's trust there, and enough of it that they're open with secrets, especially if they'd impact the other party. Lying? Rarely, unless it's a little white one about a gig that might have gone slightly south, or downplaying a stupid risk they took, so the other worries less. And if Vic was lying, Hiro would know anyway--she's terrible at it. Hiro's significantly better at it, but she's not someone he'd want to lie to, and he'd feel horribly guilty about it anyway/doesn't see the need to. Cheating? Never. It's not something that has ever occured to either of them, and they're both very much against the idea of it. Their relationship is technically an open one, but there's a significant amount of communication there, and making sure they're both on the same page. There's been a lot of figuring out to do, but they both found something that works, eventually.
Thanks for asking!! Had a fun time with these 😍
(shots by @shinycorvidae and @katsigian 💖)
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for-dramas-sake · 4 years ago
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My Favorite 2020 Dramas plus a few Honorable Mentions
In no particular order...
To Love
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It’s not over yet, but already this is one of my favorites of modern Chinese dramas. The writing alone makes the story excellent in that it keeps you on your toes in every episode and keeps you engaged with the characters. Told from the two main leads’ POVs, it is a story of an undercover cop and a café owner who fall in love in the middle of his mission of a drug bust. It is a tale weaved from hard choices, complicated characters, and seemingly real life characters. It’s also a beautiful drama: full of color, excellent cinematography and lovely music.
I highly recommend it for anyone who wants to try out a underrated mature drama. I say mature for content (mainly for violence and drugs) as well for structure. This is NOT a bubbly, good-spirted drama. There is angst, pain, and conflict.
Qing Qing Zi Jin
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I’m going to say it and mean it: My favorite drama of the year! I love it and have claimed the main leads to be “my babies” forever! The story is set in the Tang Dynasty of a mountain gang leader who comes to the capitol city to study at school not only to solve the mystery of ten years prior but to gain notoriety and fame. And let’s not forgot the love his life, a super strong (I mean that literally) girl who is a little shy at first, but then gains some backbone to go with those strong arms of hers. 
It’s sweet, charming and lovely. And while that might sounds more like the perfect date, it’s not. There is plenty of drama infused: a jealous older sister, a cruel stepmother, a scheming royal, the truth of the FL’s mother, the secret of the ML’s true identity, as well as so much more.
I love every single episode and which it had ten more than its 40 episodes. 
You Complete Me
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Another modern drama that is so underrated! This is less violent and emotionally complicated as To Love, but it does pack a wallop of feelings. It’s another revenge story (third one in a row, I might have a preference for these kind of dramas). The male lead wants to take down the rich businessman who was the cause of his father’s demise but on the way he falls in love with the man’s daughter. 
It’s the most life-like drama so far on this list in that it’s very business-minded. There are quite a few scenes just discussing business tactics, money transactions, and meeting scenarios which all fly over my head. I can see that is a turn off for a lot of people, but believe me that it’s not all numbers and figures! There is a lot of story behind the suits and briefcases. The female lead is my favorite of the year: she’s a total badass who wants to earn her own way and won’t let anyone help or hinder her. She’s fantastic. If anything, watch the show just for her.
Note: I’m a sucker for the trope “I Did _(insert revenge act here)__ But Then I Fell in Love with You”. It’s the whole Good Girl and Bad Guy trope, and I love it so. The ML isn’t 100% bad, per say, but he does not have good intentions towards his enemy. 
The Journey Across the Night
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Yet another modern drama! This one is full of mystery, intrigue, and darkness (more so than To Love). Unlike the other dramas, this one is not about revenge. But Like QQZJ, The ML is searching for truth as well as going to school. He is studying psychiatry under this creepy professor and hunting for answers. His mother and older brother both were diagnosed with schizophrenia when they turned 24 and he searches to learn how to prevent his own eventual dissent into madness.
This is a psychological, thriller drama but it’s not as scary as you might think. It’s pretty tame as horror dramas can go, but there are several creepy scenes and a few sketchy characters. The ML is a nice guy (do they exist anymore?) who doesn’t believe ghosts, but he manages to get pulled into a new mystery along with his friends a lot. The FL is a bubbly, loud girl who takes an instant liking to the boy. She confesses to him quite a lot over the show and it’s quite cute to see him blush.
This drama does not have a story flow (other than the ML and his quest). It is developed by the several mysteries the ML and his friends solve which is very interesting. Every mystery impacts one of characters differently which gives more insight into them as well their interaction with each other. Friendship is a major theme in this show. It’s thrilling ride with plenty of mystery, but bring your tissues! 
Oh! My Sweet Liar!
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What an adorable costume drama also set in the Tang Dynasty. This is a family grounded story set around the rich and powerful Li family. The FL is a painter who infiltrates the Li Mansion to paint “the four arhats” for money. She encounters the eldest son who doesn’t trust her from the start. But things take an interesting turn when she suddenly announces that she’s pregnant with his baby! 
It’s a comical, fun ride that is lead by a sweet couple as well as the second lead couple who are childish but also adorable. It’s the least dramatic of the dramas listed so far with its ML falling in love rather quickly with the FL and a powerful family that’s not quite as domineering as imagined. But it’s a sweet story.
Need a pick-me-up? I recommend this one. 
Under the Power
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Crime fighting in the Ming Dynasty!  It follows the trope of silly, but headstrong FL and the brooding loner ML. The girl is member of the local constabulary and she wants to fight against all injustice. The boy, a member of a special government enforcement team, endures her until he falls in love with her (wink wink). 
The story follows the female constable and the government official teaming up to solve the case of the Disappearing Government Funds (play mysterious music here). They encounter multiple crime cases, battle different evil forces, even dip their toes into almost magical scenarios along the way. And they fall in love, of course.
It has its charm in the main couple’s cat and mouse interactions and slow burn love story. She comes from a poor background and he comes from the a government official lineage. They are night and day, but they click in a delightful way. Plus, there’s a ton of cool fighting scenes and a few likeable side characters too.
Eternal Love of Dream (aka the Pillow Book)
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A fantastic follow up to the much-loved Ten Miles of Peach Blossoms with an appropriate story for everyone’s favorite minxy fox and the immortal who came from a rock. I love this story mainly because it gives depth to the shallow as a kiddie pool Feng Jiu from Ten Miles (I’m sorry, but she was not a favorite). She was such a crier that you needed an umbrella for a lot of her scenes. And Dong Hua was there too.
But then you actually see them have character and story and drama and a love story! And the chemistry is *chef’s kiss*. This drama is near perfection for its all mentioned previously except for a few minor things like it drags in some parts, a few side characters are boring (or the actors were switched from Ten Miles so I don’t quite care so much) and then it gets kind confusing in some parts.
Overall, a great fantasy drama with a well deserved ending. 
...and now for a few honorable mentions!
Twisted Fate of Love
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I’m on episode 11 so far and not quite fallen hard for it yet. I love Feng Xi (the scheming!!!) and all his questionable choices both to get Dong Yue and to get a promotion. But I don’t like Dong Yue much. She’s a weird mix of innocence and fighting spirit that I just don’t buy just yet. I will keep watching for their eventually love story.
The Heiress
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The scheming! The secrecy! The playacting! The love story! I like it all, but it’s just not enough to get on my favorites list. I did say previously it as my favorite girl-disguised-as-a-guy drama, but it’s not my FAVORITE drama this year. Still very enjoyable!
General’s Lady
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A surprisingly fun drama with a cute couple! I’m about 16 episodes in and would like to finish it one day. I do like how the couple is married very soon and have to work on building their relationship over the courses of the show. It’s refreshing from other shows that have the reverse.
Dating in the Kitchen
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Cute, cute drama! I probably would have put this on my favorites list but I haven’t finished it yet (I’m so behind in a lot of dramas). It touches on the older man/ younger woman genre, which is so rare is chinese dramas. And it’s done well. Not cringe-inducing because the two leads have beautiful chemistry. And there’s lots of food.
And that’s my list! I hope this inspires some of you to watch some very good dramas as well as stretch outside your comfort zone. I know I went out of my usual bounds of historical dramas and fell in love with some amazing modern dramas. Here’s hoping 2021 will bring lots of fun dramas for us to discover!
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phykios · 4 years ago
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honesty and promise me, part 3 [read on ao3] [co-written with @darkmagyk]
Several more weeks and hookups later, Annabeth thinks she should probably come clean. Some people might bury it deep, and for sure, Annabeth’s considered it, but, well. It is kind of embarrassing that she didn’t know Percy’s name at first. Stuff like that doesn’t usually bother her--she’s had nameless one night stands in the past, and despite Thalia’s ribbing, she knows that Thalia doesn’t really care either. It’s just that, you know, he’s Thalia’s family, and they’ve seen each other a few more times, and they are planning to continue to see each other a few more times in the future. Or more than a few times. 
Anyway, she kind of feels like she owes it to him. Like he deserves this small nugget of truth, payment for all the times he’s fucked her blind. It’s nagging at her, and she hates feeling like she owes anyone anything. 
Piper certainly seemed to think so, when Annabeth had told her over their monthly brunch date.
“It’s just common courtesy at this point,” she said. “Like, what if you guys end up married and then sell your story to Hollywood, they cast my dad as the male lead, and it comes out in interviews that you didn’t know his name for like a month? He’s gonna get the wrong idea.”
Annabeth wasn’t sure which part was more ridiculous: the movie, Piper’s dad being involved, or them being married.
Anyway, sharing some of her avocado fries, Piper had reminded her that being mean wasn't very punk rock, shutting her up effectively.
She’s out on site in the Lower East Side, taking measurements for plots of land, writing down sun angles and measuring the wind velocity between the brick buildings, when she gets a text from him. 
I’m on a break and I’m starving 😩 Want to grab something to eat?
It’s 2pm on a Thursday and he wants to grab something to eat. If Annabeth didn’t know any better, she’d say that that sounds like a real, honest-to-goodness, bona fide date. (Meeting up at and subsequently leaving bars together does not count as a date, she’s pretty sure. Neither do the booty calls.) He’s been getting a little free with his texts, that boy, sending her selfies and memes and questions about her day, and now this? An invitation to their first, actual date? She should block him on principle, just for the sheer audacity.
sure, wya
520 8th, text me when you get here 😁
That’s another thing: Percy loves his emojis. If this is going to continue, they’re going to need to have a serious talk about that. 
She doesn’t need to text him when she gets there; he’s already outside, leaning on the stone edifice of the building like a particularly jacked rent boy in his tight t-shirt and broody look, cigarette between his fingers. The sweatpants sort of ruin the image, though. He looks particularly comfortable in a way that warms Annabeth right from the inside out. “You know, when Nico said you smoked, I honestly didn’t believe it.” she says, not even bothering to say hi. 
He looks up from his phone and smiles, the sun behind his teeth. “Hey!” 
“Hey, yourself.” She doesn’t even hesitate--she plucks the cigarette out of his hand, taking a drag off it herself. “You been smoking for a long time?”
“Who do you think taught Thalia how?” He raises an eyebrow, bemused. “Is that a problem?”
It is, but it’s not like she can tell him that without losing some of her credibility. “Wouldn’t smoking fuck with your cardio?”
Percy shrugs, conceding. “A little. I used to be a lot worse, but I just can’t quite kick the habit. It’s mostly a stress thing, anyway.” 
“Rough practice?” she asks, putting just enough effort into her lip wobble to make it abundantly clear that she’s making fun of him. “Were the other boys being mean to you because of your tights?”
He grins at her, saucy. “Annabeth Chase, do you really think that NYCB rehearses here? In the Garment District?” But he laughs before she can stammer out an answer (and thank God, she’s lived here three years and can barely keep the boroughs straight, let alone the neighborhoods). “I just wrapped up teaching a class. I don’t have to be at rehearsal until 5, I was thinking we could hang out? Bryant Park?”
A first date at the New York Public Library. She almost hates to admit it, but Percy Jackson might be kind of her dream man. “I believe I was promised food,” she sniffs, but she does hold out her hand, and when he takes it, lacing his fingers through hers, she’s sure that he can feel her heart beating, palm to palm. 
Twenty minutes later they’re settled on a bench in the corner of the green, Annabeth halfway into a ham sandwich and Percy juggling a salad and an iced coffee. He’s been regaling her with tales from the more exciting side of ballet, a side she hadn’t even imagined could actually exist. “So by the time I land in Paris,” he says, taking a sip of coffee, “the guy’s foot has swollen up to, like, twice its original size, and when I finally managed to find some wifi to check my phone, there’s, like, eight missed calls from my mom and my agent, and an email from her that just says ‘READ THIS,’ in all caps, and of course the article is in French, which I didn’t really speak at the time, and I was so stressed that my ADHD made it so I couldn’t even read the Google translation, and I had to ask someone to translate it for me.”
“Oh my god,” she says, struggling to keep it in.
“And that’s how I found out that I’d been moved up to first cast in Le Corsaire, from the poor barista at a coffee shop in Charles de Gaule!” He laughs. 
“That’s insane,” Annabeth says. “And the show was the next day?”
“It was that night! I had to haul ass to the opera house and get warmed up, because I was going on in about four hours. You should have seen the looks on everyone’s faces when I stumbled in, I’m sure that they all wanted to kill me.” Percy chuckles, taking a bite of leafy greens. “Now I wasn’t just the twenty-year-old upstart American, I was the twenty-year-old upstart American who skipped town when I wasn’t supposed to.”
“How did it go?”
“Killed it, of course,” he says, deservedly smug. 
Despite her best efforts, she’s absolutely entranced; he’s a great storyteller. “I bet you break that story out at parties all the time, don’t you.”
He laughs. “Whatever gets the donors to open their checkbooks, right?”
“I can’t believe you lived in Paris. I’ve always wanted to see it.” She’d had a few chances to when she was in college, the semester she’d studied abroad in Rome, but she just never got around to it. Just another item on her long, long list of regrets, placed somewhere between the sketchy burrito from last week and not telling her mom to fuck off earlier when she’d had the chance. “If I were you, I’d never leave.”
Percy shrugs. “It was amazing, I won’t lie. But towards the end I just really, really missed it here. All my family is in NYC, you know? My mom, step-dad, and my sister live here, and Thalia and Nico and Hazel, too. I tried to come back and visit whenever I could, but being away from them was really hard.” There’s something soft and inviting in his expression when he says, “I’m really happy to be back home.”
“What are they like?” Annabeth asks. “Your family. Your non-mob family, I mean.”
He rolls his eyes, but he grins another one of those blinding grins, too. “My mom is the most amazing person you will ever meet. Not only did she support my dance habit, she did it as a single working mother who had to raise an angry, ADHD asshole of a son who didn’t always appreciate her. I don’t even want to know how many hours she had to work or how many scholarships and grants she had to track down in order to pay for me to go to SAB, but somehow she made it work, and managed to write her novel at the same time. She married my step-dad the summer I turned sixteen, and my baby sister was born the next year.” 
Even Annabeth, cynical and black-hearted as she is, has to smile back. The love he has for his mom is so palpable, so tangible, she can practically see him glowing. “And the…” What had Thalia called them? “The ‘Cousin Consortium’?” 
At that, Percy laughs, full-bellied, unrestrained. “The name was Nico’s idea. I didn’t really have many close friends when I was a kid, apart from my buddy Grover--he had to wear this really gnarly leg brace and I liked to dance, so you can imagine how much we got picked on--but we were all really close growing up, since our dads were all assholes. They may have left us emotionally scarred, but at least we had each other’s backs the whole time.”
This is a very Percy thing, she’s starting to realize: he can not and will not hold back on his feelings. He simply refuses to. Where most guys might try to hide or downplay their affection for their friends, Percy’s is written all over his face. Maybe it’s a byproduct of doing ballet, but he’s so unashamed of his love for his friends and his family and his art, that maybe Annabeth kind of wishes she could be included in that love too, if it always feels this warm and joyful. 
“I think it’s amazing that you guys are so close. I only had the one cousin when I was growing up, and we didn’t really talk all that much,” Annabeth says, almost without her permission. Something about him, it’s just so easy to talk to him. He makes it safe to open up.
“The med school guy, right?” 
Annabeth nods. “Magnus. Fifth generation Harvard student. We’re all very proud.” 
Ugh. Even she has to wince at the false cheer in her voice. Percy gives her a half-smile, sympathetic and soft. “Harvard not really for you, then?” he asks, picking up the threads of a long and complicated story, and one that she absolutely does not want to get into right now. Or ever, if she can help it. 
“More like I wasn’t really for Harvard.” Which wasn’t entirely untrue. She had been good enough for the university in Cambridge, Mass--good enough for two degrees and graduation with honors--but she had never been good enough for her mother’s capital-H Harvard. Never good enough for her mother at all, really. 
Percy takes her hand. His fingers are cold from his iced coffee. “Hey. It’s their loss,” he says, with a sincerity and an intensity that makes her blush.
Every part of her wants to pull away. His thumb is rubbing against the joint of her finger, soothing and sweet, and she thinks she may break out in hives from it. “Damn right it is,” she mumbles. 
He is so nice. So nice and hot and sweet. Objectively, what she’s about to do is a terrible idea, and might torpedo a really good thing that they have, but if she doesn’t come clean now her own guilt is going to drive her insane.
“Okay, I have a confession to make.” Percy raises his eyebrows, slurping the last dregs of his drink. “When we met… and then when we hooked up the first time… I may have… thoughtyouwereJason.”
He blinks. “Pardon?” he asks, mumbled around the straw.
Annabeth buries her head in her hands. “Please don’t make me say it again.”
“You… thought I was Jason?”
“Well,” she sputters, glaring at him through her fingers, “you were being all bro-y with Thalia!”
He is valiantly trying to hold in a smile. “You know, I distinctly remember telling you my name that morning.”
“I was really hungover,” she whines, “and you were shirtless and making breakfast so I wasn’t really… paying attention.”
“For a whole week?”
This is so embarrassing, why couldn’t she just keep her stupid mouth shut? “Yeah.” She slumps her shoulders, stuffing her hands into her jacket pocket. “Sorry.”
She’s not entirely sure what she expected: at best a couple of weird looks and a tentative promise to meet up later that would end up not working out, at worst she thinks he’ll just get up and leave her here at Bryant Park. Either way, they’d be doomed to months of awkward interactions, until eventually they wouldn’t be able to be around each other, and Thalia would have to pick a side--and Annabeth’s seen what Thalia does to people who cross her family. She’s seen Thalia beat a dude to pulp for calling Nico the f-slur. Picking Percy over Annabeth? That’s nothing.
So when he starts laughing, Annabeth is completely at a loss. Slowly, at first, then all at once, he’s laughing so hard his shoulders are shaking, and he has to put down his salad so it doesn’t topple over onto the grass. His head is tilted back in joy, the grey, late afternoon light adamant that Annabeth can see all of his features clearly, from his screwed up eyes to his bright, white teeth to the single dimple in his cheek.
Of course, even his laughter is hot. Asshole. 
“You thought I was Jason!” He shrieks.
Annabeth crosses her arms, scowling. 
“Oh my god, I’m so sorry, I really don’t mean to laugh,” he giggles. Annabeth can feel her own giggle rising in response, and she ruthlessly quashes it. “I can definitely say I’ve never heard that one before. You do know Jason is blond, right?”
“As a matter of fact, I did not. Besides, you and Thalia look exactly alike.”
He scoffs. “No we don’t.”
“Uh, yeah you do. You, Thalia, and Nico are all basically clones of each other.” 
“Okay, Captain Glasses, whatever you say.” He rolls his eyes, but there’s no heat behind it.
“I’m sorry,” Annabeth feels like she has to say again.
He cocks his head. “For what? For thinking I was Jason? He’s a pretty cool guy.”
“No, for,” she blushes again. All this blood rushing to her head can’t be good for her. “For sleeping with you when I still thought you were Jason.”
Percy scoots closer to her, throwing her a grin and slinging his arm over her shoulders. Without even realizing that she’s doing it, she settles in beside him like she’s been doing it her whole life, slotted up against his torso, tucking her booted feet beneath her legs. “I am choosing to take that as a compliment,” he says, smirking. “You couldn’t resist my charms, even when you thought I was a brogrammer.” 
Annabeth can’t help herself. She kisses him, wiping that smug grin right off his face, and when she finally retreats, after what feels like hours, he looks so dazed she could probably keep calling him by any name she wanted and he wouldn’t even realize it.
After their lunch, they meander for hours, headed in a vaguely southerly direction, holding hands the whole time, a steady, uninterrupted flow that took them all the way from Midtown to Greenwich Village. He tells her about his first day at ballet school; she tells him about her favorite monuments. “There are two architectural environments in America,” she says, ranting, speaking with enough force that she might forget the feeling of his hand in hers, “endless dead suburbia, or cities where every single building is either a concrete or a glass block--and not even Brutalist concrete, just shitty, poorly designed, paint-by-numbers concrete. It is an absolute travesty of modern government that they don’t fund any public works projects anymore.”
“That’s why all the gardens and stuff?” he asks.
“Nowadays everything is built by the lowest bidder. At least I get to add some beauty back into the city.”
“I know what you mean,” Percy says. “Paris is practically overflowing with public works, you almost forget about it sometimes.”
She sighs. “You’re so fucking lucky. Paris is so beautiful and everything in New York is just hideous.”
“Aw, come on,” he says. “Not everything. What about the Empire State Building, or Central Park?”
“Well, obviously, those,” she says, just a teensy bit flustered, but she’s not about to give up the argument without a fight. “I just mean like, normal, every day buildings: offices and apartments and stuff. It’s all so samey and boring.”
He looks to her right, pointing at the building they are passing. “What about this one?”
She turns.
If she had known they were headed this way, she never would have taken them past here.
“It’s… okay, I guess,” she mumbles, staring up at the arched windows, pedimented doors, and Rococo details of Miss Minerva’s Private Pre-College Prep School. A shudder goes down her spine, like someone walking over her grave. “There are better Beaux-Arts buildings.”
Sensing her discomfort, he picks up the pace, and changes the subject.
Finally, he stops outside a nondescript building, turning to face her. “This is me,” he says, a little bit mournfully, squeezing her hand. “Are you okay to get home safely?”
This man is ridiculous; it’s not even dark out. “I think I can manage a few blocks,” she says, lightly swatting him. “Isn’t it kind of early for you, though? It’s only four o’clock.”
He flushes faintly, one hand coming up to rub at his neck. “Uh, well, I always give myself a little extra time--you know, time blindness and everything.”
“You baked in extra time in case I wanted you to walk me home, didn’t you?” She mock-gasps, secretly delighted. “Scandal!”
“Guilty,” he grins. “You’ve been to mine so many times, I was curious.”
She just barely stops herself from laughing out loud at the very idea of Percy coming to her apartment--as if. Thalia hasn’t even been to her apartment. Nobody knows where she lives, none of her neighbors know who she is, and this is entirely by design. “Cut me some slack; a girl’s gotta have some mystery. Can’t make it too easy for you, can I?”
“I have a feeling you’ll never make things easy for me,” he says, white teeth gleaming.
“You better believe it,” she smiles back. “Now that I’ve foiled your plans, are you going to be too bored?”
“Oh, I’ll think of something,” he shrugs. “I’m very resourceful when it comes to boredom.”
Inspiration strikes, and she grasps his hand, pulling him down the alleyway. She almost hates to admit it, but she has something of a Pavlovian response when it comes to hanging out with Percy. Annabeth has come to expect some really excellent sex whenever the two of them meet up, and maybe spending all afternoon with him has made her a little bit horny. 
She presses him up against the brick wall, hidden from the street by the long afternoon shadows, and kisses him. His hands flounder for a second, before coming up to rest on her shoulders, this thumbs tapping against the base of her neck, fingers fluttering on her jacket. It’s an intimate touch, kind of chaste and very respectful, and he holds her with precision and grace. He wouldn’t do anything she wouldn’t want to. This is a date with no expectation of sex on his part. But Annabeth does not want grace right now, spooked by the ghost of her old school. She does not want precision. She just wants him. She just wants to keep him on his toes, keep him interested, blow his mind a little. 
She just wants to blow him, to be honest. 
He squeaks into her mouth as her hands fly to his belt, deft fingers practically ripping it off of him in an increasingly familiar motion. “H-hey,” he says, squeezing her shoulders, “this is--”
“Do you not want me to?” she asks, one hand playing at the top line of his underwear. 
“No--I mean, are you sure? I’m-I’m okay with this, I just want to--”
“I know.” She kisses his cheek, then drops to her knees. “But we’ve got some time to kill, don’t we.” 
Afterwards, when she’s finished with him, Annabeth wipes her mouth, and he whimpers. 
“Ho… holy shit,” he pants, flushed and trembling. 
She tucks him back into his boxers, doing up his fly. “There we go. That was better than being bored, right?”
He nods wordlessly, swallowing, shaking. His eyes are glassy and glazed, stupid like he’s just shot out his brain through his dick.
In the short time they’ve been together (though, honestly, this might be the longest relationship she’s ever been in before… and they haven’t even broached the “dating” conversation yet) Annabeth has been on the receiving end of several different Percy looks. His face will light up with joy when he first lays his eyes on her, so happy to see her (though she can’t really fathom why), glinting like the sun on the water. His eyes will narrow, glaring, even as he furiously tamps down on his growing smile when they start arguing over something stupid, like Annabeth’s affinity for olives. He’ll grin at her, knife sharp and slanted, licking his lips and looming over her after she comes down from yet another orgasm via his mouth or his hands.
Percy looks at her now like someone took a bat to his head, and instead of seeing stars, he sees little miniature Annabeths flying around. 
He pulls her to him and kisses her, entirely too sweet for what she’s just done to him, but that is also a very Percy thing. And when she leaves him with a final kiss on his cheek and squeeze of his ass, she can feel that look burning a hole through her jacket, following her down the alley and around the corner, and she finds that she doesn’t mind the weight of it at all.
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love-sapphirerose · 4 years ago
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Yashahime: Princess Half-Demon Episode 16 Review
https://www.animenewsnetwork.com/review/yashahime-princess-half-demon/episode-16/.168486
I got a bad feeling about "Double-Edged Moroha" from the moment it started. You'd think, given that last week's episode randomly decided to break away from the story to have a flashback story time with Riku, that the show would take even a scant minute or two to establish things like context and pacing: Where the girls are. Why they are there. Some vague idea about how long it has been since that godforsaken misadventure with the Rapey Mountain Arsonist. You know, the simple stuff that helps the audience figure out what the hell is going on. But no, it doesn't even take a couple of seconds for Yashahime to start screwing up the most basic rules of “How to Tell a Coherent Story”, as we're plunged right into the middle of some anonymous mountain valley or something, with Moroha staring down Yawaragi, telling her cousins that there's some major beef going back three whole years that needs settling. If you don't recognize who this woman is, she's one of the Wolf Tribe members who has appeared exactly one time in the series before now, in a single frame from the very end of last-week's episode.
It honestly feels like something got supremely screwed up in the show's pre-production, and the Yashahime staff realized that they needed to cut an episode right out of the middle of the run, so they took the final scenes from the episode that led up to this climactic showdown between Moroha and Yawaragi, cut everything else that came before it, and slapped it on to the beginning of “Double-Edged Moroha”. Maybe that would explain the seemingly arbitrary placement of the Big Reveal episode from last week? The way it was written meant it could have been aired at almost any time and made an equal amount of sense (read: Not a whole lot), and the only information from “Farewell Under the Lunar Eclipse” that ties into “Double-Edged Moroha” at all is that Moroha ended up with Kouga and the wolves when her parents got sucked into the Black Pearl. If we hadn't gotten that single shot of Moroha being left to the wolves by Hachi, then “Double-Edged Moroha” would have come across as completely nonsensical. As it stands, it's now only 95% nonsense, which is technically an improvement. Good job, I guess?
If you couldn't tell, this was yet another episode of Yashahime that made me absolutely furious with how poorly written and executed it was, but in order to fully explain why, I'll need to cover the events of “Double-Edged Moroha” in chronological order, because the flashback-structure of the episode is stupid and pointless. We begin with the very last flashback, which shows us how Yawaragi attempted to train Moroha in the art of mastering her demonic transformations. We later learn that Kagome apparently placed a seal on these powers in some scene that we never got to actually see because the show was too busy failing at Towa and Setsuna's backstories, but Yawaragi decided to give Moroha the power to transform into Beniyasha with the rouge. Yawaragi then spends years yelling at Moroha for relying on the rouge too much and warning her about how too many transformations will result in her becoming a permanently bloodthirsty monster, so, uh, great call there, Yawaragi. Really thought that one through.
Anyways, one of the days Moroha goes berserk with her Beniyasha self and ends up calling down the wrath of a horde of
terribly-animated Birds of Paradise
before passing out. Instead of doing the logical thing and running away, Yawaragi just sort of stands there and decides they're screwed. That's when a weasel man (who is very helpfully named “Weasel Man”) wanders into frame from literally nowhere and offers to sell Yawaragi the Armor of the Iron Rat he's wearing, so that she can blow up the Birds of Paradise and whatnot. Not only is the completely random appearance of this obviously sketchy weasel not draw Yawaragi's suspicions at all, she also doesn't seem to find it odd that the guy can't even remove the armor himself without getting another person to unlock it with a key. Keep in mind that, for the entire duration of this stupid, stupid conversation, Yawaragi could have very easily just run away from all those birds and hid in a cave or something, but no, she casually takes the armor from the weasel, and wouldn't you know it, the darned thing is cursed to eventually crush its wearer to death unless they pay an exorbitant fee to the smithy rats for another key.
This is, to put it mildly, a very silly chain of events that do not paint Yawaragi in the smartest light, but we just have to roll with it, because that set of Iron-Rat Armor is precisely why Moroha has found herself sold into indentured servitude for the last three years. You see, Yawaragi decided that Moroha needed to complete the “crucible of Kodoku”, which has the eleven-year-old fighting a horde of demons in a spooky cave by herself to…get stronger, and master fighting without relying on Beniyasha, somehow? Yawaragi claims that Moroha needs to absorb the powers of the strongest demon in the cave, but she definitely did not do that, and we've never seen any of these so-called disastrous consequences of the Beniyasha transformation so far, which makes the entire venture basically pointless for our little heroine. For Yawaragi's part, the whole thing seems to have been an excuse to do some gambling with Jyubei, because she previously lost a bunch of ryou in the demon gambling house, which one apparently has to travel through in order to even get to the Crucible of Kodoku; also she needs, like, thirteen Ryou in order to buy a key for the armor that is going to eventually kill her. All of this leads to Jyubei offering to buy Moroha as his own little bounty-hunting slave, which Yawaragi accepts instantaneously, and there you have it: The ridiculous, contrived, and ultimately meaningless explanation for why Moroha has been trying to buy her way out of debt for three years.
Then, the second flashback, which is actually the most recent chronologically, shows us how it took Yawaragi three whole years to get to that damned hidden village of rats, only to discover that Konton arrived just beforehand and killed all of them. Whoopsie! We even get a nice shot of a dead rat mother cradling the corpse of her rat child – a weirdly dark moment that Yashahime certainly hasn't earned or anything – just to remind you that these Four Perils are super evil and powerful (despite the fact that they keep getting their asses kicked by a trio of teenagers who can barely be bothered to acknowledge their existence). Konton makes a deal with Yawaragi that he'll hand over the key if she kills Moroha and the others, and she accepts. “But!” Yashahime then asks, “Is she really going to betray her adopted daughter figure? Or is Yawaragi preparing Moroha for the final and most important lesson of her training?”
The answer is clearly supposed to be that second one, but Yashahime is just so goddamn bad at even the simplest character writing that the point doesn't land. Throughout all of these flashbacks, Moroha and Yawaragi have been dueling one-on-one, with Towa and Setsuna being told to sit uselessly on the sidelines, and Yawaragi keeps insisting that Moroha use her “creative imagination” to beat her, instead of relying on the rouge. This kind of falls flat when Moroha's victory just comes from her busting out a new special move, the Crimson Dragon Wave, which is neither a creative or imaginative resolution to the fight. Every Yashahime fight boils down to some combination of the girls' different special attacks, so why is this any different?
Way late in the episode, Konton suddenly teleports into the fight to gloat at Yawaragi. Nobody else really notices or acknowledges Konton's arrival, though you'd think this is the point where Towa and Setsuna would get off their butts and do something, because it isn't like Moroha's honor would be besmirched by kicking Konton's ass again. The show even forgets to include Konton in the next couple of shots of Yawaragi reacting to Moroha's attacks, even though it is absolutely critical that he be standing right behind her, because when Moroha unleashes the Crimson Dragon Wave, she whips behind Konton to hold him down in an act of self-sacrifice.
Here's the kicker, though: The guy can teleport. Yawaragi just saw him do this, and not thirty seconds earlier! So it shouldn't be surprising to anybody when Konton uses his Rainbow Pearl powers to teleport out of Yawaragi's arms and escapes anyways while the other girls throw some useless attacks at him. So, to recap: The audience learns that Yawaragi created the whole issue of Moroha's Beniyasha transformation in the first place, and she then spent years fruitlessly attempting to undo the problem, including purchasing a deadly set of cursed armor from a random weasel that was traipsing about the forest one day. All of this led to Moroha being sold to Jyubei, which was ultimately pointless because Yawaragi just ended up being coerced into attacking Moroha by Konton, and the one thing that might have made this entire cavalcade of terminally stupid decisions worthwhile – killing Konton – ended up being foiled by random Rainbow Pearl Powers. In other words, absolutely nothing of importance was learned, the girls are not one step closer to any of their goals, and Moroha inadvertently murdered Yawaragi for no reason. It is positively stunning when Yawaragi dies, and the show has the gall to play the moment off like some huge, emotional payoff…except Moroha is more or less fine by the time the credits roll.
Good Lord, this show is continuing to outdo itself in all of the worst ways. I won't damn it with the non-score of Episode 14, because “Double-Edged Moroha” at least has some halfway-decent looking action to try and distract you from how bad everything else is. I did, however, spend far too much time teaching myself how to use image-editing software so I could slap together this dumb meme that perfectly sums up my feelings about Yashahime at the moment. That said, it was probably more time and effort than anybody working on the show spent going over its sorry excuse of a script.
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silverados-art · 5 years ago
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Asgore
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Ok guys !! I think it is a good time to make a well-planned introduction of my Au ... Including basic things about the characters ... So I am making clear the biggest doubts you may have regarding my story ... I will start giving details about all characters ... Probably I'll post two or three templates a week ... I don't know, we'll see ...
Voucher! We will start with asgore ~
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Asgore just like the other alternate universes is the King of the monsters ... And well earned he has that title ... If we refer to power levels ... Asgore is the strongest monster that exists ... he will defend his kingdom until his last breath at all costs !!
His characteristics as a character:
• - Asgore as king is the example of a leader ... His concern for his kingdom is his priority ... Asgore has a lot of weight on his shoulders ... and thanks to that he has lost things that are very important to him .. .. the only thing he has left is his kingdom ... And he will always put his people as a priority ... Regardless of whether or not what happened is good for external agents ... If he can move his people forward ... Then it will be worth it ....
• - is very stubborn ... Asgore does not agree so easily to other ideals or opinions unless there is a good structure to support that opinion ... But he can also be someone very understanding ...
• - Asgore puts his work before his physical or mental state ... The King has been through a lot ... And the war has not allowed him to recover ... he has only sunk more and more in his little bubble ... which only a couple of monsters can enter and make you feel better in those bad times ...
• - Asgore is so big ... Like his emotions! ... Asgore is too emotional ... When he's happy he's extremely friendly and positive ... But when he's sad things can be very different .... Now imagine what he's really upset? A beast!
• - as king, he must always show your firm side ... He must be the leader of his people ... And not allow the enemy to see him weak ... Even though the humans won a battle ... they will not win war! Not with his kingdom!
• - Undyne and Asgore have a very close relationship as father and daughter ... Asgore has known Undyne since she arrived at the army and joined it! ... From there the king began to consider her almost as if she were his daughter. .. To the point where sometimes you allow her with small gestures ... Either allowing her to do stupid things ... Or simply giving her one or another detail ...
• - Asgore suffers from depression ... And it has been for this for years ... This is due to the loss of one of her children ... Chara ... And the decline of her son Asriel ... Adding the the fact that toriel left him shortly after those events ... for reasons that I will explain in another moment... (she hurt him fiscally for accident)
• - Asgore's magic has no definite shape !! ... Asgore can mold his magic however he wishes ... He can change it however he wants and Whenever he wants! His weapon is only a complement to help him fight hand to hand ... Although it has other functions too ... But that will be for another time
• -yes! normally asgore's magic is Red! But that only determines the nature of his magic! ... Asgore took a long time to learn to control it completely ... And even so, if he loses concentration for a long time, bad things can happen!
• - Asgore's mark is on his back
• -asgore LOVES lemon pie but refused to eat it again since what happened with his family.
• - Although he knows how to hide it very well ... Asgore is a cry baby ... But who can blame him? ... Thanks to the war with everything he has seen and had to do, his sentimental situation could not improve
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The design of this character was made by me, if you want to used it pls gimme credit for his creation! ✨
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Don't repost my art/Yes to reblog
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Asks open!
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We'll delve much deeper into the character as the story progresses ... so this summary is pretty sketchy ...
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watusichris · 4 years ago
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My Brilliant Career in Chicago Pro Wrestling: A True Story
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Damn, I could have sworn I’d posted this 2015 Night Flight story, which remains the funniest thing I’ve ever written. Every word is true. ********** In the early 1970s, before Vince McMahon’s World Wrestling Federation (today World Wrestling Entertainment) turned professional wrestling into a pay-per-view cash cow, pro grappling was a wide-open game run by maverick regional promoters and catering to lunatic fans. I got to experience this incredible world intimately: For two years, I served as “publicist” for the promoter in one of the biggest wrasslin’ towns in the country, Chicago.
I was fresh out of college back in 1972, and returned to my old room in my mother’s apartment in Evanston bearing a seemingly worthless bachelor’s degree in English and no immediate prospects for gainful employment. Fortunately, my father believed in nepotism.
After a long career as a TV executive that had garnered him two Peabody Awards, my dad was then the general manager of WSNS, a Chicago UHF station that broadcast on Channel 44. It was a low-rent operation that my old man helped legitimize by securing telecasts of White Sox games. (He loathed Sox announcer Harry Caray, who would get hammered out of his skull while working in the booth, and rightly thought major league screwball-turned-color man Jimmy Piersall was out of his mind.)
Though such questionable WSNS programming as a daily late-night weathercast delivered by a buxom negligee-clad blonde stretched out on a heart-shaped bed was a thing of the past, colorful holdovers from the old schedule remained. And thus my dad called me one day to say he could get me some part-time work doing PR for Bob Luce, the local pro wrestling promoter, who mounted the weekly show All Star Championship Wrestling on the station.
Naturally, I was hired on the spot at my first meeting with Luce, who was something of a legend in Chicago sports circles at the time. Chicago Sun-Times columnist Bob Greene captured had him perfectly in a famous column in which every sentence ended with an exclamation point.
Stocky, florid of complexion, and as loud as his off-the-rack sport coats, the outsized Luce was the dictionary definition of the word “character.” You’d sit down with him in a restaurant, and the other diners would duck and cover. Constantly agitated and gesticulating wildly, his stentorian conversation was a manic torrent of hype and madness, punctuated by explosive laughter than sounded like a machine gun going off next to your ear.
Fittingly, before joining the wrestling biz, Luce had edited a tabloid, the National Tattler. Like the National Enquirer of that frontier era, the rag made its bones with totally fictitious “news” stories featuring lots of cleavage and outré bloodletting. At one lunch, to the very evident embarrassment of the neighboring clientele, Luce regaled me with the tale of one inspired Tattler cover story, which I will recount Greene-style. Imagine it at full volume: “I got this idea, see, for a story about a sex orgy! [He pronounced “orgy” with a hard “g,” as in “Porgy” of Porgy and Bess.] But it had to be a different kind of orgy! So I got my wife Sharon to take her clothes off and covered her with peanut butter! And we took some pictures, and the lights were HOT, and the peanut butter melted all over her! They were great pictures! We called it – ha ha HA! – ‘PEANUT BUTTER ORGY!’”
Luce had graduated to promoting pro wrestling events in Chicago and other Midwestern markets, in partnership with the American Wrestling Association’s star attractions, Verne Gagne and Dick the Bruiser, of whom more in a moment. (His sweet, funny, but definitely tough wife knew the business: She had wrestled under the name Sharon Lass.)
As the noisy host of All Star Championship Wrestling, Luce would interview the stars of his upcoming promotions, show footage of recent contests, and pump the next matches. Thrusting a finger at the camera in one of his windups, he would shriek, “BE THERE!!!” Ever the sales impresario, he also served as the show’s principal pitchman, appearing in tandem with some of his hulking charges -- and occasionally with special guest hucksters like former heavyweight champ Leon Spinks -- to spiel for a long line of sketchy local advertisers. They are among the greatest and most hilarious commercials ever made.
As Luce’s publicity rep, commanding a monthly paycheck of $200, I was charged with lightweight duty: writing and mailing press releases promoting the bi-weekly Friday night matches at the Chicago International Amphitheatre, assisting the WSNS camera crew at the gigs (sometimes by protecting their extra film magazines from flying bodies at ringside), and calling in the results of the matches to the local papers. (The last task proved to be the most onerous. I’d ring up the local sports desks late on the nights of the matches and harangue some half-drunk, bored assistant editor whose interest in the “sport” could not have been more infinitesimal. When I finally managed to get the Sun-Times to print the results of one match, I felt as if I’d qualified for a Publicists Guild award.) I also performed certain functions for Luce when he was out of town or too busy to handle them. One weekday afternoon I accompanied Superstar Billy Graham, later a big WWF name and a sort of proto-Hulk Hogan, to Wrigley Field, where he was interviewed by nonplussed announcer Jack Brickhouse between innings of a Chicago Cubs radio broadcast.
Every other week for nearly two years, I’d take the El down to the Amphitheatre, located on Halsted Street on the far South Side, adjacent to the old Chicago Stock Yards. (I held onto the job even after I secured a similarly nepotistic but full-time position – writing about cheap component stereo systems for Zenith Radio Corporation.) The antique, immense Amphitheatre had hosted big political conventions, auto shows, circuses, rodeos, and concerts by Elvis Presley, the Beatles, the Rolling Stones, and Led Zeppelin, but Luce’s dates at the venue, as you will see, attracted a distinctly different class of customer.
The pre-match staging area, where I’d meet Luce and the crew, was the Sirloin Room of the adjacent Stock Yard Inn, not far from the site of the old South Side cattle slaughterhouses. This is where Luce’s employees and pals would also convene before the night’s entertainment began to swill a couple of cocktails and shoot the breeze. It was a cast worthy of a Damon Runyon story.
Luce employed a bodyguard, a towering ex-Chicago cop named Duke, who had reputedly shot six men before being relieved of duty by the PD. He stood about six-four and dressed exactly like John Shaft. He emanated an aura of extreme menace. Once, when I asked him what he would do if someone actually started any serious trouble, Duke wordlessly pulled back the lapel of his full-length leather coat to reveal a shoulder holster bulging with a .44 Magnum.
The promotion’s bagman, charged with collecting the night’s cash receipts, was a diminutive cat everyone called Bill the Barber. I never knew his last name, but he did in fact run a South Side barbershop. He’d invariably show up dressed in a sport coat that looked like a TV test pattern and a skinny-brim fedora, with watery eyes that sometimes flicked nervously above his pencil-thin mustache. He kept a .38 strapped to his belt.
Many nights, a mysterious character referred to only as “Carmie La Papa” would put in an appearance. This elderly Italian gentleman was always treated with great deference and ate on Luce’s tab. I never found out exactly what he did. But he looked a lot like the mobster played by Pasquale Cajano in Martin Scorsese’s Casino, and I thought it wise not to inquire about his line of work.
There were also bona fide wrestling groupies, well-stacked, slightly haggard old-school broads who draped themselves on the bar, sipping pink ladies. One night, Luce leaned over to me in the Sirloin Room and said, in a whisper that could be heard 20 feet away, “After the matches, these girls and the guys go to a motel up in Prospect Heights, and they have orgies.” (Again, pronounced with a hard “g.”) The most popular of these was reportedly Gloria, a tall, pneumatic redhead of uncertain but rapidly advancing age; Luce confided, “She will do anything.”
The matches themselves were something to behold. I’d usually watch them in the company of WSNS’s young, jaded camera crew, from the dilapidated press box high above the ring in the center of the Amphitheatre. The crowd – thousands of poorly dressed, myopic, malodorous, and steeply inebriated men – was a product of what may be called the pre-ironic era of pro wrestling. There was no such thing as a suspension of disbelief among these spectators. Disbelief did not exist. Though the matches were as closely stage-managed as a production of Richard III, these rubes accepted every feigned punch and bogus drop kick as the McCoy.
Pro wrestling is the eternal contest between virtue and evil, and the wrestlers were identified in equal number as good guys and heels. Most of the good guys on the undercard – there were usually half a dozen matches, with one main event – were young “scientific” wrestlers whose Greco-Roman moves were no match for the brazenly illegal play of the dirty heels, who almost invariably won their bouts with tactics that would not pass muster with an elementary school playground monitor, let alone a legitimate referee. About the only one of these “babyfaces” (or, alternatively, “chumps”) who was vouchsafed an occasional victory was Greg Gagne, son of the promotion’s star attraction and part owner.
By the early ��70s, Verne Gagne had been wrestling professionally for more than two decades; drafted by the Chicago Bears and then rebelling against team owner George Halas’ prohibition of a sideline on the mat, he had chosen the ring over the gridiron. He was 46 years old when I started working for Luce; he was still in decent shape, and, unlike almost all of his opponents, he still had all of his teeth.
I only managed to spend time with him once. For some reason now lost in the dense fog of time, Luce dispatched me to meet Gagne at the elegant Pump Room of the Drake Hotel near Lake Michigan. There, as cabaret star Dorothy Donegan serenaded us on the piano, the 16-time world heavyweight wrestling champion of the world got me brain-dead drunk, and then poured me into a cab home. He was an excellent guy.
Many of the other good guys on Luce’s undercards were reliable patsies for the baddies. Pepper Gomez, one of the domestic game’s few Mexican stars, was a venerable attraction who was allowed the rare triumph; billed as “the Man with the Cast-Iron Stomach,” he once allowed a Volkswagen Bug to be driven over his gut on Luce’s TV show, where he was a frequent guest.
One of my favorites was Yukon Moose Cholak. Then a veteran of 20 years on the mat, Moose owned a bar not far from the Amphitheatre, but he still worked regularly for his close pal Luce in the AWA. Huge, pot-bellied, and benign, he boasted a ripe Sout’ Side accent rivaled only by Dennis Farina’s. He was hardly an exceptional combatant: He moved around the ring with the fleetness of a dazed sloth. He was a regular on Luce’s show, and often appeared with the host in his TV spots.
The only time I appeared as a guest on All Star Championship Wrestling, Moose was the victim of the on-camera carnage that was a requisite feature of the show. At the time, conflict of interest be damned, I was writing a column about wrestling for a short-lived local sports paper called Fans, and was brought in to lend something like legitimacy to the proceedings. Luce offered me a chair on his threadbare set to push a forthcoming match between Cholak, who appeared on camera next to me, and Handsome Jimmy Valiant, a new heel on the rise in the market.
I figured something ugly was going to happen, but I went about extolling the virtues of Moose’s nearly non-existent mat skills in the front of the camera. Suddenly, Valiant crept up from behind the black scrim behind us and whacked Cholak over the head with a metal folding chair. To this day, I believe my expression of outraged surprise was worthy of a local Emmy, but a nomination eluded me.
I was actually very fond of Valiant, whom I interviewed with his “brother” and tag team partner Luscious John Valiant for Fans. Jimmy was a peroxided, strutting egomaniac in the grand Gorgeous George manner, and he had some classic patter: “I’m da wimmen’s pet and da men’s regret! I got da body wimmen love and men fear! And you, you’re as useful as a screen door in a submarine, daddy!” A rock ‘n’ roll fan, he went on to a very successful solo career, appropriately enough in Memphis, the capital of all things Elvis.
After Gagne the elder, the AWA’s biggest attraction was the tag team of Dick the Bruiser and the Crusher. Bruiser had gotten his competitive start as a linebacker for the Green Bay Packers, but had been a top wrestling draw since 1955. Somewhere along the way, he had been converted from heel to hero, and the Chicago fans adored him. Among the merch sold at the Amphitheatre were Dick the Bruiser Fan Club buttons; measuring six inches in diameter, they could either be pinned on one’s chest or, with the aid of a built-in cardboard stand, be displayed as a plaque. I kept mine on my desk at my straight job to freak out my co-workers.
Early in my gig with Luce, I was taken to meet Bruiser in the locker room. He sat on a table smoking a huge cigar. When I was introduced to him, he exclaimed, “Hey, you’re Ed Morris’ kid? You got more hair than your old man!” My father, who was in fact almost completely bald, had been known to associate with winners of the Nobel and Pulitzer Prizes. I was a little surprised that he ran in Bruiser’s circle.
The Crusher’s career in the squared circle dated back to the late ‘40s. I was even more impressed by him than I was by the Bruiser, for he had been the inspiration of the Novas’ wrasslin’-themed single “The Crusher,” a huge 1965 radio hit in Chicago for the Minnesota garage band the Novas (and later eloquently covered by the Cramps). Bruiser and Crusher were a unique combo: They were “good guys,” but they earned their keep by being badder than the “bad guys” they gutter-stomped.
The villains in that era of pro wrestling were often the object of atavistic xenophobia and hatred. Long before the U.S.’s conflicts in the Middle East, the Sheik (né Ed Farhat in Lansing, Michigan), who took the ring wearing a burnoose, was among the most reviled of heels. Some of the older fans were World War II vets, and they lustily booed Baron von Raschke, who climbed through the ropes with a monocle in one eye, draped in a Nazi flag. He was actually a U.S. Army vet born Jim Raschke in Omaha, Nebraska. His fake German accent was utterly feeble.
The AWA’s all-purpose villain, who would go on to bigger things as one of McMahon’s first WWF stars, was “Pretty Boy” Bobby Heenan, dubbed “the Weasel” by the Bruiser. Heenan was featured in his own matches, but he was most reliably entertaining as a manager, of the most duplicitous and cowardly variety, in another villain’s corner. You didn’t need a script to know what was going to happen: Just as it looked like the good guy was going to triumph, Heenan would leap into the ring and smash the apparent victor’s head into a turnbuckle or hit him over the skull with a water bucket.
Heenan featured in the most outrageous story I heard during my brilliant career in wrestling. One night I was sitting with the film crew when Al Lerner, the mustachioed, shaggy-haired, bespectacled WSNS sports reporter, entered the press box with a portable tape machine on his shoulder and a stunned look on his face. “I’ve interviewed people in front of burning buildings,” Al said. “I’ve interviewed people as they were jumping out of airplanes. But I’ve never interviewed anyone while they were getting a blowjob.”
It seems that while Al was in the locker room recording some audio bites from Heenan, a voluptuous girl standing nearby walked over to the wrestler, kneeled down in front of him, pulled down his trunks, and began giving him the kind of pre-match service Mickey Rourke probably dreamed of but never received. As she went about her business, Heenan continued to spout invective to Al as if nothing extraordinary was transpiring. With that moment alone, Bobby Heenan earned his place in the Professional Wrestling Hall of Fame.
I visited Heenan in the locker room on a somewhat less eventful evening, but that night I learned the secret of many pros’ mat success. As I was talking to him, I noticed that his forehead was crosshatched with tiny scars, some of them new and still livid. I later mentioned this to one of the crew, and was told that these wounds – referred to as “juicing”  -- were actually self-inflicted, so that the wrestlers could easily draw blood during critical moments of violence in their matches.
As Heenan said in a later interview, “If you want the green, you gotta bring the red.” Gore was a staple of pro wrestling, and there was nothing like sitting in an arena filled with 10,000 or 15,000 crazed spectators and hearing a drunken chant go up as a good guy pummeled a heel to the mat: “WE WANT BLOOD! WE WANT BLOOD! WE WANT BLOOD!”
My last hurrah in pro wrestling was one of Luce’s rare alfresco promotions, a multi-bout 1974 card at old Comiskey Park, the White Sox’s stadium, which climaxed with a 16-man battle royal. I don’t remember who triumphed in the main event, but I do remember that someone on the crew brought a bat and some softballs along, and we ended the evening shagging fly balls under the lights where Nellie Fox and Luis Aparicio once played.
The outlaw era of regional pro wrestling is a dim memory for most. The racket would get wilder after I left it: In an interview with Nashville wrestling figure Jimmy Cornette, Heenan said that a fan at a 1975 Amphitheatre match pulled out a pistol and began firing at him, but the shooter only managed to wound four people in the rows in front of him.
McMahon’s WWF brought the regional promoters’ day to a close, pillaging most of the big names in the game in the process. Today, the WWE has been displaced in popularity by the even gaudier UFC contests. Most of the stars I met – including Bruiser, Crusher, and Cholak – are dead now. Heenan, a throat cancer survivor, has been in poor health for more than a decade. Verne Gagne died this April; in 2009, suffering from dementia, he accidentally killed a 97-year-old fellow resident in a Minnesota assisted living facility. Even the old stomping grounds are gone: The Chicago Amphitheatre was razed in 1999.
Bob Luce passed away in 2007, but his wild-ass legacy may live on via an unlikely champion. There are many analogs between pro wrestling and rock ‘n’ roll, and this April, mat mega-fan Billy Corgan of Smashing Pumpkins announced on Twitter that he had bought Luce’s memorabilia and an archive of 9,000 vintage wrestling photos. Maybe he and former Hüsker Dü front man Bob Mould, a fellow wrasslin’ aficionado who once worked for McMahon as a writer, can make something of it. That would rock. 
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