#90% of the motivation to make them was so I could use them | Explore Tumblr posts and blogs

weirdgenetic-fuckup · 9 months ago

Note

can you write 90s Axl Rose being all sweet to his girlfriend and they have bath sex in the jacuzzi in their hotel room?

A/n: the thought of this is really sweet but I just can’t stop thinking about how badly it would hurt like on your knees and stuff, man I’d fall and break my jaw power to you if you could survive bath sex

Also sorry that it’s short I kind of lost motivation halfway through, I hope you it’s still good <3

Warnings: smut, fingering (f receiving), bath sex, if you think I missed anything let me know otherwise enjoy!

Masterlist

You were so happy that Axl finally brought you out on tour with him. You'd been seeing each other for almost a year and had always wanted to come with him.

Axl was hesitant, tours could be draining, but Guns was going to some of the most romantic places this tour and he was sure it would make a great trip for the both of you.

You'd been so excited for this trip, planning and packing a month in preparation for it. Axl didn't seemed stressed in the slightest, although you were the one packing for him and his trip planning was also done by a group manager. He did try to help you calm down a few times, it usually worked, at the very least it was helpful and a sweet gesture.

When the tour finally came he refused to leave your side, even if you were just going to the bathroom he'd wait outside for you.

With the way everyone was treating you you got the feeling he had given a speech to everyone, lecturing them on how to treat you.

Axl wanted to show you off, always helping you pick out more revealing clothes when it was just the two of you going out, making sure people saw when he brought you into his dressing room. He wanted people to know how lucky he was to have you and he wanted people to know he had you.

It was about a week into the tour, you'd just landed in Paris and were staying in a hotel room that had a window staring out directly onto the Eiffel Tower.

It was night and the city was glowing so beautifully, you couldn't help but stare out the big window.

Axl came up behind you, placing his hands on your hips and giving them a small squeeze. "Beautiful, isn't it?" You nodded. Axl opened his mouth to say something more but you interrupted him.

"No ruining it with something cheesy." Axl scoffed.

"It wasn't gonna say anything cheesy." You rolled your eyes. "I was just gonna say that it's not as beautiful as you." You groaned and walked off.

"Alright, you ruined it." Axl laughed. "I'm going to check out the place." You walked back into the living room area, a half kitchen by the front door. You noticed another door leading out to what you assumed to be a deck, and it was. A deck with a jacuzzi, that is. It was filled and ready to go so you immediately went to get in.

You went to change into a bathing suit but couldn't find one, even though you were sure you had brought one. You searched and searched but it simply wasn't in your suitcase, so you went looking for Axl.

You eventually found him on the deck setting up candles and tossing in rose petals. He smiled back at you when he heard the door open. "Where's my bathing suit?" You asked, coming to stand beside him and admire his work.

"Come on, you don't need a bathing suit." He assured, wrapping an arm around you and rubbing your side. You rolled your eyes at him. Axl shrugged and began to strip.

Your eyes widened as you looked out across the city. "What are you doing?" Axl was already getting in the water.

"Thought you could use some company." He said with a smile. "Now you won't be lonely. You chewed your cheek but you couldn't deny that it sounded nice so you stripped as well and got in with him.

The water was just right, it relaxed your muscles and smelled so good with the candles. Axl sat beside you, running his hands over your body, kissing down your neck and whispering in your ear.

His hands moved lower, rubbing your thighs, teasing your hole. You let out a soft sigh. "What are you doing?" You asked, voice low and airy.

"Just helping you relax." He said, deep voice raspy in your ear. You melted under his touch, head falling back and resting on his shoulder and he rubbed your clit in circles, drawing more moans out of you.

He slid a finger into you, groaning when he heard the noise that came from you. "You're so pretty, you know that?" You moaned in response, grinding down on his finger. "Don't worry, we're getting there." He kissed your cheek and pulled his finger out of you, you whined softly.

He pulled you up onto his lap, sinking you down onto his dick. His arms wrapped around your waist and he held you tight to his chest. He rolled his hips, you gasped softly and he did it again. You started grinding down on him and soon you both found a rhythm.

"Ah-ngh, Axl." You muttered. "Fuck, go faster." He chuckled and kissed your neck. He started moving faster and you matched his speed.

Axl pushed you off of him and turned you around. You were staring out to the cityscape below, all the bright lights scattered across the town, the Eiffel Tower looming not far away.

Your hands were on the edge of the jacuzzi, your knees resting on the seats, Axl was behind you with his hands on your hips. "Was this what you were thinking when I asked you to come on tour with me?" He asked, deep voice pulling you from your thoughts.

You shrugged. "Not the first thing that came to mind." He kissed the back of your neck and over your shoulders.

“But it’s pretty fucking nice, huh?” You inhaled deeply, moaning softly when he pushed into you once more.

“Hah, it’s perfect.” You sighed. “You make it more perfect.”

Axl laughed. “And I’m the cheesy one?” You waved him off and pushed your ass back on him.

#guns n roses #guns n roses fanfic #guns n roses x reader #gnr #guns n roses smut #gnr fic #guns n roses fluff #guns n roses imagine #gunsnroses #axl rose fluff #axl rose x reader #axl rose smut #axl rose imagine #axl rose fanfiction #axl rose gnr #axl gnr #axl rose

439 notes · View notes

yunhoszn · 1 year ago

Text

motive

PAIRING choi san x f!reader

WORD COUNT 3.37k

GENRES kinda fluff ig﹒smut

WARNINGS 18+ MINORS DO NOT INTERACT, mature language, friends to lovers, reader is lowkey down horrendous, but san is too i guess, um tbh this is just porn with minimal plot… 😭, reader gets jealous, Tension, i can’t think of anything else for the tame aspect so, making out, exhibitionism, soft dom!san, marking-ish, scratching, vaginal fingering, multiple orgasms, they’re like kinda clumsy in the way that everything is a fucking joke to them, actually a lot of kissing, san’s a sweet talker, public sex, shower sex, unprotected sex (pls be safe), creampie, cutesy ending

SUMMARY it’s annoying that your gym partner constantly gets flirted with right in front of you, especially when you have a crush on said gym partner. good thing your gym partner has a crush on you, too.

MORE HELLO oh my god okay, this is my first written fic on this blog and im actually so nervous posting it… but fuck it! we ball! this wasn’t originally the first fic i was gonna post but,,, the other one is still marinating in the drafts so you get mr. choi san instead <3 ALSO THANK U SM FOR 100 FOLLOWERS HELLO. my blog is 2 weeks old that’s insanity 🤕 big thank u to the loml @kimsohn for betaing for me ilysm maya <<3 pls reblog if u enjoyed and pls moot me :( i need more atiny friends ��

“Wow, San, you’re so strong,”

You scoff to yourself as you watch the trio of girls surround him, dainty fingers touching anywhere they can. He laughs sheepishly, shifting his seat on the weight bench. You think it’s funny, really, the fact that he was eating up their attention and acting like he was so shy about it. He was supposed to be your gym partner.

With a small grunt, you take the dumbbells in front of you and focus on your form in the mirror. You make attempt after attempt to ignore the commotion behind you, but ultimately fail. How could you not stare with all the obnoxious giggling? Even as you lunge, eyes zeroed in on the perfect 90° angle your legs make, you can still make out the group’s reflection in the mirror.

Every drag of a manicured nail along his bicep, each twirl of hair, it was pissing you off. You had no real right to be mad, though. It’s not like San was your boyfriend or anything. You were just friends, and he’d volunteered to help you out when you mentioned struggling at the gym. What started as him spotting you when needed and giving tips to help improve your workouts, turned into waiting around for him to stop flirting with the girls who flocked over to him.

Maybe you were being a bit dramatic. It’s not like this happened every time you came to the gym, but it was enough to be irritating. There was also a very high probability that it ticked you off so much because you had a crush on San yourself. Your infatuation was less superficial, however. Yes, he was an attractive man, that was one fact that couldn’t be refuted, but there was more to him than his big muscles and handsome face.

You’d known San since you met in your first year Anthropology course. This was way before he started hitting the gym and building his physique. He used to be this thin, pretty boy. Girls thought he was cute, but that was about it. No one was jumping at the chance to ask him out, or giggling at his every word. No one except for you.

He was not only cute, but he was sweet and funny and just about every good quality you could think of. You didn’t want to be one of those people who thought you were special because you knew him before his insane bodily transformation, though in a way you were. San was your good friend above anything else, and you had a fear instilled in you that that’s all he would ever be. The idea made your stomach churn.

”Do you think you could bench me?”

A sigh pushes past your lips when you see one of the girls get a little closer to him. You’re over working out at this point, ready to just call it a day and go home. What were you doing here if your partner was going to ignore you the entire time? You set the dumbbells back on their respective rack, grabbing your phone and water bottle while simultaneously turning up the volume on your headphones to drown out everything around you.

You don’t bother telling San that you’re leaving, making your way into the changing rooms to grab the rest of your things from your locker. The frown etched onto your face as you do so serves as a reminder that he would never see you in that way. Perhaps you were perpetually stuck as the girl space friend. With a giant emphasis on the space.

There’s a gentle grasp around your wrist, making you jump in surprise. You turn around with wide eyes, pushing your headphones off your ears. San stares back at you with an unreadable expression, lips slightly pursed.

”God, San, you almost gave me a heart attack,” you hold a hand to your chest, heaving up and down a little.

”I tried calling your name, but you didn’t hear me,” he shrugs, releasing your arm and shoving his hands into the pockets of his athletic shorts. “Why didn’t you tell me you were ready to leave?”

”You looked busy.” Really, you wanted to hide the jealousy and bitterness from your tone, but ultimately failed, even throwing in an unintentional scrunch of your nose. It feels like your heart dropped to your stomach, resembling a prey caught by its predator when you realize the connotation behind your words.

San smiles at you, a smug grin that’s so out of character for him, you’re a little nervous now. He takes a step forward and you back up until you reach the lockers, one of his hands coming up to rest on the surface near your head. A small chuckle breaches the sound barrier, his eyes drinking in your figure like he might never get the opportunity to do it again. “Y/N… are you jealous?”

Instinctively, you shake your head. What he doesn’t know can’t kill him. But then he’s raising an eyebrow in question and you feel like a puppy with its tail between its legs. You blink up at him, nails digging into your palms to keep your composure. “Should I be?”

His tongue darts out to wet his lips, that same cocky smirk on his features. He knows what he’s doing, you think to yourself. He has you cornered and he’s using it to his advantage. The hand that isn’t holding his weight comes up to your face, fingers gliding along your jaw with a feather light touch. “No, I don’t think so. The only girl who’s attention I really care about is right where I want her.”

Your breathing stutters, halting in your throat and momentarily winding you. Choi San might very well be the death of you. Especially with that darkened look in his eyes, the chocolate brown color now resembling the night sky. His thumb swipes across your lower lip, letting it resume its original place. “What do— what do you mean by that?”

He was giving you a bone, a hint that he could potentially feel the same as you, but you wanted to hear him say it. You wanted the words to leave his mouth and verbally confirm that for you. Want wasn’t even good enough. You needed it.

“There’s no way you don’t know,” San says, voice hushed. “No way that you don’t know how badly I’ve wanted you since first year.”

Something similar to a choked groan departs from you, your pulse racing in your ears, thumping beneath your chest. You’re too stunned to move, frozen in your spot in case this is all some fucked up dream. It doesn’t even occur to you that someone could walk in, doesn’t even cross your mind that you’re in too public of a setting for this conversation or where it could go.

“I don’t— I didn’t…” Your eyes attempt to stay on his, but keep flickering down to his mouth.

“It was so hard for me to play nice guy for so long,” he whispers, a pout adorning his expression. “And today? I couldn’t even stare at you shamelessly because of those damn girls. It’s so fucking annoying when they bother me while I’m trying to flirt with you. But since I’m Nice Guy San, I can’t be rude.”

“You flirt with me?” You snort, your shell shock wearing off and a goofy smile worming its way onto your face. He laughs along with you, tilting away to hide the warmth blooming on his cheeks. The tension is still present, but it’s a lot more bearable.

”I guess I’m not very good at it if you couldn’t even tell,” he glances down at his feet, the confident San from before long gone and now replaced by a bashful version. “Am I going crazy, or is this gonna go somewhere? I don’t want to misread anything and ruin what we already have. The ball is entirely in your court.”

It’s your turn to be shy, shrinking in on yourself slightly. Acknowledging that you had feelings for San was a separate can of worms. There was a big difference between him confessing to you and vice versa. You know if given the stage, you’d just start blabbering on and on about how you feel for him, and that would just be embarrassing for both of you. So instead you say, “Can I show you?”

When he nods, your fingers raise to his jaw, cupping it gently as you lean up. Your lips brush his softly, barely grazing them. His eyes flutter shut, a shiver running down his spine simply from your kiss. A pleasant buzz courses through your veins from your lips to the tips of your fingers. You’ve wanted this forever, you don’t think you could ever go back.

You pull back and San fists the fabric of your t-shirt on your waist, eyes still closed as he chases your mouth. “Fuck, Y/N, can I kiss you again?”

“Please,” you whine, enveloping your lips with his as soon as you get the green light. This time is desperate, noses bumping each other. You’re going lightheaded and dizzy, already intoxicated by him. Your back presses into the lockers behind you, arching into his chest for more.

He deepens the kiss and it’s almost too much. You’re overwhelmed by the emotions taking control of you, not at all prepared for what would come with actually being with San. It had always been a distant fantasy, something that felt so completely out of reach that you didn’t dare let yourself indulge in the notion for too long. The way his lips lock with yours, fluidly and synchronously like missing pieces of a puzzle, you think you can die happily.

“As hot as it would be to fuck you right here, I’d rather not get kicked out of this gym,” he chuckles breathlessly. “And since we’re both sweaty from working out, I think we could use a shower. Don’t you?”

You leave a kiss on the corner of his mouth, nodding frantically at his suggestion. Though you imagined your first time with San being in a bed, slow and sensual, you’d be so stupid to complain about this. Fucking in one of the gym showers, where anyone could hear you? Go big or go home.

He scopes the area to ensure the coast is clear before hauling you into one of the stalls, dragging the curtain shut. You kiss roughly between removing articles of clothing, San turning on the water while his lips make quick work of your neck. Goosebumps form on your skin when the cool water hits it, your fingers combing through his wet hair as he sucks harsh marks into your collarbone and sternum.

“You’re so gorgeous, babe,” he mutters into your skin, nipping lightly at the tops of your tits. One of his hands travels south, sliding through your folds with ease. He rubs tight circles into your clit, prodding at your entrance with his ring finger. “I need you to cum for me once before I fuck you for real, okay?”

“Mhm,” you moan quietly, hiking one of your legs around his waist. His finger pushes inside you to the knuckle and then curls. Your eyes all but roll to the back of your head, back arching off of the tiled wall. “Feels so good, San…”

“Yeah?” He smiles against your skin, trailing pecks up your neck and along your jawline. You whimper in his ear, cunt sucking in his finger greedily. He adds a second, the middle one, and applies pressure to your clit with the heel of his palm. The sight of you falling apart by his hand alone is sending blood rushing to his brain.

Your body feels hot to the touch, risking a downwards glance at where his fingers disappear into your pussy. It forces another whine out of you, your head tossing back. You tug at the strands of hair that stick to the nape of his neck, steeling yourself the only way you can in this position. San just seemed to know you, to know exactly what you needed without you having to tell him. Either he was really good at guessing, or everything he did seemed to be perfect, because you’ve never climbed to the summit this quickly before.

There’s a knot in the pit of your stomach that weaves itself tighter and tighter with each curl of his digits and each swirl of his thumb on your clit. You think you could cry from how attentive he was, from how determined he was to provide you pleasure. Your cunt contracts around his fingers, and he can sense the precipice of your orgasm, speeding up his pace.

You squirm around in his hold, allowing him to spread apart your thighs so he can brush the pads of the digits buried inside of you up against that spongy sweet spot. You’re trembling now, nearing the edge of that familiar cliff. “San, baby, I’m— god— I’m so close,”

“Let go for me, my love.” He coos into the corner of your mouth, hushing your moans. He doesn’t slow his assault, inching you further and further towards your release like it was his own personal mission. That knot in your belly begins to unravel until it slips through your grasp completely, your orgasm rocking into you like a tidal wave.

San aids you as you ride out your high, already spent before he’s even gotten the chance to be inside of you. He kisses you tenderly, pulling out his fingers with caution since you were still so sensitive. Your nails claw down his front, scratching his abdomen with a purpose. He shudders beneath you, lips curling up into another soft smile.

“What?” You ask with a giggle, mirroring his expression when he wipes water from your face.

“Nothing,” he shakes his head, grin unwavering. “You just look really pretty like this.”

“If I didn’t know any better, I’d think you were trying to get into my pants, Choi San.” You tease, yanking him down for a saccharine kiss. He reciprocates without hesitation, drawing his palm on your thigh so he can wrap it around his waist again.

“Me? Never…” He laughs along your mouth. “Is it working, though?”

You roll your eyes playfully, reconnecting your lips. “Are you gonna fuck me for real now?”

“What kinda question is that?” He glides the tip of his cock between your folds, shutting you up instantaneously. He’s heavy where he sits, slipping the shaft through your lower lips. “I’m gonna fuck you so good, you forget where you are, baby.”

Before you can even let out another sound of appreciation, he’s stretching you out, cock thrusting up into your pussy without warning. You jump up a bit to hook your other leg around his hips so he’s supporting your whole weight. The new angle makes it easier for him to delve deeper in your cunt, his dick accessing places you’d never knew existed.

After he’s sure you’ve adjusted to his length, he starts to move, pistoning in and out of you much more forcefully than he did with his fingers. Your lips part for a voluminous moan, but then you hear a group of loud girls entering the shower area and San slaps a hand over your mouth. He makes no effort to stop, fucking into you without a single care for the people on the other side of the shower curtain.

“Did any of you see where San went? He disappeared so fast.”

You recognize the voice as belonging to one of the girls who was openly flirting with San while you were working out. Not even needing to see her, you can picture the exaggerated pout on her face based on her tone alone.

“He probably followed after that stupid bitch he’s always with.”

Your half lidded eyes meet San’s but he still pays no mind to them, digging his nails into your plush thighs. He pulls all the way out, just to slam his cock all the way back in. His pace leisures, but his power doesn’t, abusing your cunt with every snap of his hips.

“I think I’m gonna ask him out next time I see him. I have to stake my claim before someone else does.”

He holds back a laugh, hiding his face in the crook of your neck. You drown out their conversation after that, too focused on the feeling of his cock dragging against your walls so deliciously to even worry about those idiot girls. Little did they know he was closer than they thought…

Thankfully, they leave not much longer after that, and he uncovers your mouth. You gasp for air, panting feverishly when he picks up his speed again. Your bottom lip quivers with a whine, too fucked out to conjugate words that make sense.

“You’re taking me so well, baby. Taking me like a fucking princess,” San praises. He groans, water droplets slipping along the valleys of his sculpted chest and abdomen. It drips with every roll of his hips and every thrust of his cock into your pussy. This was what he had been building up to, what he’d been dreaming of for years. “Who’s fucking you like this?”

“Mmm,” you moan, supping him in deeper, further, as cavernous as humanly possible. “You, San— fuck— y-you are.”

You arch your back, sneaking a hand in the middle of the two of you and pressing the pads of your fingers harshly on your clit when you do so. San holds you closer to him so your pelvic bones nearly clash each time he punches into you. The change in depth that he fucks you has your cunt squelching, any semblance of coherent thought escaping you.

Your vision goes blank, stars decorating the backs of your eyelids as your second orgasm blindsides you. Not a sound leaves you after it knocks into you, cumming with so much force you think you might pass out in San’s arms. When you’ve finished, you let out a guttural groan, walls fluttering around his cock.

“Gonna cum— shit— where do—“ you interrupt him with a whimper.

“Cum inside of me,” your begging tone has him spilling into you practically on command. He fills you up perfectly, a moan from deep within him reaching your ears. You both stay like that for a moment, skin sticking to the other’s due to the thin sheen of sweat coupled with the steam of the shower coating your bodies.

You can feel the rise and fall of his chest when he breathes, one of your hands coming up to caress his back gently. He pulls out with a wince, palms resting on either side of you as he recuperates. He breathes through his nostrils, forehead glued to your shoulder. His hands rub up and down your sides soothingly.

“It’s safe to assume you’re gonna turn that girl down when she asks you out, right?” You ask suddenly, attempting to diffuse whatever’s in the air between you now. San laughs into your shoulder.

“Y/N, I’m turning down any girl who asks me out from now on,” he stands upright, biting his lip before kissing you gently. “I don’t think my girlfriend would appreciate that very much.”

You raise an eyebrow at him. “Girlfriend?”

“Am I being too overzealous?” His nose scrunches up.

“You’re being the right amount of zealous, I think,” you brush away a strand of wet hair that falls into his eyes. “But I think your ‘girlfriend’ would like it if you actually asked her to be your girlfriend.”

Choi San is the prettiest man you’ve ever set your sights on, but somehow, he looks even prettier smiling down at you after having sex with you in a gym shower. It’s a feat that should be considered illegal, and you should receive restitution for the distress it’s caused on your heart.

“Will you be my girlfriend, Y/N?”

And well, maybe you’d deal with that later. It was kind of difficult to ignore that sparkle in his eyes, especially when it was directed at you. You nod without a second thought.

“I would love nothing more.”

#ateez #ateez x reader #ateez smut #ateez san #ateez choi san #choi san #choi san x reader #choi san smut #san x reader #san smut #yunhoszn

821 notes · View notes

runerapier · 5 months ago

Text

With FS 2 finally out I wanted to share some of my thoughts, I think it would be fun to talk about the possible mental state Angeal is in around this time in his life and subsequently how it reflects Sephiroth, as well as the meaning behind Angeal's dream sequence.

Since a lot of the details of Angeal’s backstory are hidden in external material, I’m going to use it as a point of reference. Crisis Core has a lot of content they were not able to include at the time of it’s release, so it will be fun to see if they follow up on these things they wrote about but couldn’t include in game.

We already see from the get go that Angeal is serving as a contrast to Sephiroth’s outlook, demeanor, and manners. Angeal’s energy and passion he has for teamwork, his comrades, and genuine care he has for doing his job all directly contrast Sephiroth’s whatever attitude. Even small acts of chivalry are made to highlight this, showing Angeal going the extra mile to help Alissa across the bridge vs Sephiroth’s refusal to engage with anyone socially. Sephiroth was brought up to function independently, made to be a one man army, no use for friends, families, or allies. Especially with the recent loss of friends, he is going to be distant.

This is extremely important for contrast with Angeal, who has likely recently left home and is missing his family, not to mention he is someone he deeply values his connection to others. There is no set age for when Angeal left home, but it is likely within the last 2~ years. His sword in game is listed as type 90, this is comparable to Zack’s sword in CC which is type 99, the type number likely reflects the year the sword was created or the year of when that model was created. Assuming that it's updated every year, leans towards the fact they've been in SOLDIER since at least that year. Meaning Angeal likely left home at 14~, which is closer to around the age Zack and Cloud left home for SOLDIER anyways.

Angeal is someone very sentimental, he is very defensive of his home and his family. CC showed us he was quite nostalgic about Banora on several occasions. This is another contrast to Sephiroth, who doesn't have a hometown or a family. According to the CC ultimania, Genesis was one of the motivators for Angeal to leave and find a better way of living. The new chapter confirmed Angeal left home because he wanted to help pull his family out of poverty. In CC, Angeal's father was said to fall sick from overwork to pay off debt from the buster sword; however, the ultimania mentions an important detail: his father has always been weak and sickly. It’s partly due to his father being chronically ill/disabled that they aren’t able to make a lot of money. The buster sword isn’t the sole cause of his death but rather an extension of working in a system that likely exploits disabled people. Genesis might have been the push Angeal needed to leave far away from home rather than staying and trying to take care of his sick father.

Which gets us to Angeal’s dream, there is debate on how much of it is real because Sephiroth’s wasn’t real. In my personal opinion, the dream being real is a very important contrast to Sephiroth. We know that whatever Alissa is, she is preying on the desires of them. Especially in the case of her being Jenova, who uses memories of her victims to her advantage. Angeal doesn’t need to make up a scenario of his family loving him or being proud of him, because it’s already a reality, Sephiroth doesn’t have this luxury. Angeal's father pushed himself to the brink just so he could support his son in his endeavor, there is no doubt his family loved and supported him. So, what is Angeal's actual desire then? In CC it is never really specified when Angeal's father died, but in Gillian’s profile in the ultimania, it mentions his father died shortly after Angeal left for SOLDIER, even the dream is hinting towards something bad happening on the horizon. Angeal's dad is probably already dead and it is mirroring Sephiroth wanting to see his mother. Possibly reinforced by the fact he is already refusing to use the buster, while it's not confirmed if he didn’t use it all because of his cheapness, I think his father's death added significant value to the sword, making it irreplaceable. They are two kids who just want to be with their parents again, one's desire being entirely fictional and the other's being in the past. It is another contrast between them with their dreams: Sephiroth's being all he lacks, and Angeal's is all he had, but left behind. Both unattainable but in a different sense.

This dream is likely some of the last stability Angeal had before leaving home, along with possibly being one of the last times he saw his father alive which is probably why he is yearning for it. I think if the dream itself symbolized only wanting stability Angeal wouldn’t mention leaving for SOLDIER, I don’t think he wanted to leave home to provide for his family if given the choice. Instead "Jenova" is preying on something that is tangible. However, there is still a possibility it is exaggerated a bit with Angeal having the money for donations and plenty of food. I don't think this is true either, the dream implies Angeal was already working at this age to support his family, so it’s not entirely out of the question he uses what little he has to give back or that he helped with saving for Gillian's birthday party. In contrast nothing in Sephiroth's dream was real besides the fact he lives in the Shinra building, we know Angeal has loving parents, we know he is a hard worker, we know he left for soldier, and we know he loves his village and his family, more was real than just the setting. Also, I think there's a point that this is a special occasion, they could've opted to save up for her birthday. It really didn’t feel too wild to me that one day in particular they had extra food, especially considering they live in a farm village. When and the exact reason why Angeal stole when he was younger is honestly not clarified at all. He could have been afraid of asking for extra food, it could have been during droughts, or even when his father was too sick to work. It is very common for poor families in remote villages to grow their own crops, we even see people in Gongaga growing their own supply, so these things are not really out of the question. I think if any of these details were fake Angeal would be confused or surprised by having these things like how Sephiroth did to make it clear to us as the viewer, but that didn’t happen. The dream closes with remarking his desire to provide for his family so they live happy and healthy… and we know that didn’t happen, which is the point. I think it's also worth mentioning there are some small discrepancies in the localization. He isn't just giving out expensive equipment to multiple people individually, instead, it's a donation that is meant to be shared by everyone. Angeal is building community with farmers who might also be struggling, and I feel like this is an important detail that's missing.

(small disclaimer: I'm not fluent, I only know basics, but I did my best to break down the sentences to make sure these were accurate)

I think it’s clear Angeal isn’t yearning to be rich (or someone else that’s not even relevant in the current narrative… especially when their focus currently is to compare and contrast him with Sephiroth). If Angeal wanted to be rich or famous why isn't he chatting up the PR guy to hope it gets him more attention to the point of promotion? Instead Angeal cares about doing his job and making sure it’s done right, he even gets angry at Bachman and tells him his priority is the rescue mission. Angeal cares deeply about protecting and caring for the people around him, especially those important to him. The dream is only reinforcing this. They even made his gameplay reflect his narrative by being the one to provoke and tank damage for his team, which shows how he views his role as a leader. I want to preface this with there being nothing wrong if the dream ends up being exaggerated, I think regardless it is a good insight on Angeal's character. He loves his family and friends, he wants to support them and make them happy. It shows how they were a positive influence on his life and how they affected his motivations. I think narratively speaking though, Angeal having something that is at very least somewhat more real is another important contrast with Sephiroth, especially when a point of contention between them is how they grew up in different worlds. I think the turmoil of Angeal’s father being most likely dead is going to carry a lot of weight for this story and is meant to parallel Sephiroth's desires for wanting family, it possibly being how they find common ground. While Angeal did grow up in a loving household, he is going through a lot right now with his father's passing. The focus on the Buster sword is incredibly important since it is going to represent why Angeal fights. To protect and to care for what he couldn’t back home, for what his father wanted for him. A dream of a better future and to not lose sight of his morals.

In my personal opinion, it makes a lot of sense that Genesis might not be joining for this section of the story. It's shining a light on some of two most iconic swords in gaming history, and how Angeal’s outlook related to his struggles is going to shape Sephiroth. Angeal’s character and his trauma shape the foundation of the Buster sword and future wielders, and it shaping the Masamune too will be an extension of that. He is the heart of SOLDIER, and I am excited to see this story continue to reinforce that.

#angeal hewley #sephiroth #final fantasy vii #final fantasy 7 #ff7 #ffvii #crisis core #ever crisis #ff7ec #first soldier #ffvii first soldier #analysis #long post #i hope this is good insight #i tried my best to cover everything #i know i use the word contrast a lot but thats the point

294 notes · View notes

lizardsfromspace · 2 months ago

Text

Trying to tease out why QAnon types target something/someone is pointless bc while they do have a motive, the way new targets get folded onto their enemies list is completely scattershot

Leaked Clinton campaign emails included an invitation to dinner with Marina Abramović; she called the dinner "spirit cooking" after a performance art piece of hers. And so Marina Abramović became a key part of the conspiracy, and "spirit cooking" became a phrase to look out for. Then they found emails mentioning events at a popular pizza place in DC. A trendy restaurant in Washington DC was hosting campaign events and had people who work in politics eating there, so it was now part of the conspiracy, and so was anyone associated with it, and so a bunch of people ended up on the enemies list for referencing pizza once. But that history ignores the first step: that the claim took off on imageboards that already used "cheese pizza" as a wacky euphemism for CSAM, so it was natural for them to assume their inane imageboard lingo was actually a thing in the real world, too

It's just an expansive version of the Clinton murder list from the 90s, as in it literally includes the Clinton murder list, which was a list of names of people associated with the Clintons who died, a list that expanded to include random murders in Little Rock & describe someone's death in a plane crash as mysterious even though "a single-engine plane crashed while flying through the mountains in low visibility" is one of the least mysterious ways someone can die

If you're curious why this list doesn't explain how Bill and Hillary could order the deaths of dozens connected to them, but couldn't silence Monica Lewinsky, it kinda does explain that. See, before the Lewinsky story broke, a reporter supposedly dropped the hint that an intern "whose name started with the letter 'M'" would speak out against Clinton. Which is an BONKERS thing for a reporter to do, what the FUCK, and I wouldn't believe it if it wasn't attested to by sources like Snopes (from when it was good), but around the same time, in July 1997, a former White House intern named Mary Mahoney was manager of a D.C. Starbucks that was robbed; the robbery went bad, and Mahoney and two other employees were sadly murdered. The case was strange - the robber left without taking anything - but just a coincidence.

Because, among other things, unlike Lewinsky, Mahoney didn't work directly with Clinton, but was mainly an intern for Doris Matsui, wife of representative Bob Matsui (Bob would die in 2005 and Doris would run for his seat and win, she's still in Congress to this day) who served in the White House as a liaison to Asian-Americans. But also: the Lewinsky story dropped in early 1998, revealing that the hint had never been about Mahoney. But they couldn't just remove her from the list, which can only ever grow, so they came up with explanations of how she was also going to testify against Clinton, or that the Clinton's hitmen were just making their way through all interns whose names started with M like the Terminator going through every Sarah Connor. But like. The hint dropped in mid-1997, and because Newsweek sat on the story the story wouldn't be exposed until January 1998. I guess the Clintons took out one intern and just? Gave up? I mean the Tamagotchi was out in America by then so maybe they got distracted

And so an outdated hint about Monica Lewinsky just kind of carries on, as they continually update the list, and as it expanded from "the Clintons are secretly murdering their rivals!" to "the Clintons are part of a worldwide Satanic cult". Their whole mythology is like this, just random junk they grabbed for reasons nobody remembers, but that must be part of the mythos forever, and which they're willing to literally do crimes over it

#conspiracy theories #long post

65 notes · View notes

jeleynai · 23 days ago

Note

Hii hope you're doing good! Wanted to ask some things if you don't mind, if you do issok!! Just avoid this and sorry 😅

But does your art style have a name and do you have any tips on learning this type of art style? Been trying but it's been really hard and idk where or what to start on. Thank you! Love your art btw it's so breathtaking <3

I got this question ages ago and totally forgot about it until now, I'm so sorry >.> I never mind questions though!! I love nerding out about art c:

I don't think my style has a specific name? Maybe like a semi-realism type thing? (If anyone has a better way to describe it please let me know haha)

As for learning I'd recommend learning from life for this type of thing! I did a ton of photo studies (and still do).

What helped me a lot when I was starting out was doing timed environment studies. Weird I know with how many characters I draw but hear me out: When you're on a time limit (I usually set 30 minutes) you have to be a lot more intentional with the marks you're putting down so you end up waffling around a lot less over time. This also helps really hammer home how to use all your tools properly and forces you to think about your brush economy.

Here are some 30-minute environments from 2020 (I should.. do some more again, I haven't timed my plein air in a while oops)

(showing old ass art always feels a bit scary haha I'm getting old)

They're really rough but they helped me try to nail down colours and learn how to best use my brushes! I actually made a brush specifically for that image on the right before I got started on it because I knew I was going to be drawing layered stone and I wanted to prepare myself for the half-hour mad dash these things always end up being. (I named him Francis)

For more character specific things - I actually did the 100 heads challenge a few years ago and it helped TONS with getting more confident in my lines and putting down features. I'm still not a line artist or a great sketcher by an means but it helped me feel a lot more loose and relaxed when I start things!

PAINTING wise I also learned from photos and I drew from life! A good reference is honestly 90% of the battle, just make sure when you're studying or working off a reference that you're identifying what makes the image appealing and capture that as best as you can. For me that's usually the light or the mood of a reference since I'm personally drawn to those things the most. Film studies can help you LOADS with this too! Cinematographers are the composition goats.

And the main thing is try to keep having fun! Motivation and drive are SO important and something I definitely still struggle with. I started drawing originally because I wanted to draw my D&D characters and then I wanted to get better so I could draw them better. Having small goals and passions does wonders for progress! Try not to aim TOO high either, I know from experience that 'waiting until I'm good enough' for an idea can end up with just.. nothing being drawn because I don't ever feel good enough for my own ideas, if that makes sense? Just remember you can always draw it again down the line!

Art takes a loooong time to learn so be patient with yourself!

ANYWAYS super long answer I'm so sorry if anyone is still reading: hiiiiii <3

#answered asks #I'm sorry I waffle on for so long when it comes to art #I promise it's just because I'm excited - I can totally get to the point #mkay maybe I can't

61 notes · View notes

the-100-days-of-junkan · 3 months ago

Text

Day 90

Alright. So you might be thinking, pondering, desperately contemplating to yourself a simple question.

“JEM. WHAT THE FUCK??? WHY????” And I hear you, I get it, it’s a lot to take in out of nowhere and that’s the point. Sit with me, peer into the biohazard that is in my brain as I explain to you why in the name of all that’s good I made a fucking Music Video.

So last time on the 100 Days of Junkan, for Day 80 I got very silly and animated a gif of Junko and Mikan kissing. And as I keep saying over and over again, every 10 pics I wanted to go BIGGER. And maybe this is just the brainrot causing all of my mental functions to degrade past the point of no return, but the only way up at this point was in fact a music video.

But surely I couldn’t. I mean, I only have that single gif as experience with animation! How the fuck could I try and put myself through a process that I have absolutely no experience making something as ambitious as a Music Video! I’ll have to do something else. But then.

I had a thought, a small thought, an evil little thought that wormed its way into my head and didn’t leave.

“Okay. But wouldn’t it be really funny if you sent a full Junkan music video to Val without any warning?” That was it. I was beaten, I couldn’t counter that. The sheer comedic shock value of keeping my wonderful oomfie, the one who has helped motivate me through this entire project, who has given amazing responses to all of these pics as I made them, completely in the dark over this, and then finally with no context, or warning, or even a hint, dropping a fucking music video on her lap and running away like I’m pranking someones god damn doorbell. It was too much, even moreso considering I could do the same with ya’ll!

You! My varied followers, the silent and the vocal, or even better the random fucking people who have been staring in confusion as the Junko and Mikan tag got flooded with art of these two kissing out of nowhere for like three fucking months. I had an opportunity to send everyone into surprise and confusion because why the fuck did I make a god damn music video??? How??? It was too fucking funny to pass up!

This is easily the most fucking bizarre thing I’ve done for the entire event! Did any of you think this was the path this would go down?? Did any of ya’ll see that I made a gif and think “Surely this scrawny white bitch also made a Music Video.” I doubt it! But if you did, my undying respect goes to you!

So here we are. A Music Video. A fucking Music Video, one which I now have to talk about. It took a full fucking page just to get to the point where I actually talk about it and this took me THREE MONTHS TO MAKE, spanning from May 8th to August 1st!

So here’s what I’m gonna do. First, I’m gonna talk about MAKING this fucking thing, and then when I finish that I’m going to switch over to talking about the actual contents of the music video. This is going to get really messy and will probably go into tangents, but ya’ll have hopefully coped with the knowledge that this is going to be a lot of words by the time you hit the end of this sentence. (Future Jem here! I think this was actually shorter than Day 60) So without further delay-

The Making of Snow Fairy, a Junkan Music Video. Yes. Really.

So the first step of this was obviously, The Music. What song would I use for this? Well initially the plan was to animate something using the song “Everything You’ve Ever Dreamed.” And if that name sounds familiar, yes, it is the song that Val’s fic was named after. Now the idea wasn’t to adapt her fanfic into a music video (or at least it wasn’t the idea for more than 5 minutes). I was simply going to use this song to make a music video depicting a romantic journey with these two. So why not this song?

IT’S LIKE 6 FUCKING MINUTES. Not to jump ahead of myself here but I can’t make it any clearer for ya’ll, that Gif from Day 80??? That was it. That was all I had going into this. I didn’t do any other practice, I didn’t make anything else like that gif. I made that gif, took like two weeks to make Days 81-89, and jumped into a music video. And yes, that’s fucking stupid, but you’ve all learned by this point that I don’t make sensible choices. I draw women kissing, scream, and feel endless euphoria- I got so off topic already, sorry.

Anyway that’s a 6 minute song and I had very little experience, even I knew that wasn’t gonna be viable without driving my head into the wall from stress. And while the idea of me dialing it back sounds unheard of given my track record, I did in fact scale back massively.

So I pondered, and eventually came to a quite frankly obvious answer.

youtube

(Sorry I could only find an AI Upscaled version with interpolation)

Snow Fairy, the first opening of Fairy Tail, AKA, my favorite piece of fiction. And Snow Fairy is my favorite anime opening of all time, if not just straight up my favorite song ever. The fact that it wasn’t my first thought is a shock. Though that still brought on some questions.

Firstly. What version? Because yes I actually had options. I could either use the original song in Japanese, or the english cover by LeeandLie. I was close to picking the original version by Funkfist, but there was two issues. One, because it was in another language that means I would have had to taken the time to put in subtitles and keep them properly timed, which would have just been one more thing on an already massive workload. The second reason is also why I went with LeeandLie’s version, I just like the translation for the lyrics a bit more. At least in terms of how well I think it works for a Junkan Music Video. So we had the cover of the song I was gonna use, next question.

Full Song? Or the intro edit? Because the version used in the anime is obviously much shorter, and not just that actually includes the very end of the song pasted to a much earlier part of it. So if I wanted to use the shorter version I would have needed to actively edited the song.

After much thought I chose to ask my friend (and now current girlfriend) Yves to edit the song to match the intro version of Funkfists cover and worked from there. Because even if I would have loved to use the full song, that’s around 3 minutes, which for essentially a beginner sounds like fucking torture.

So I had a song around 1 minute and 28 seconds to work with. Much easier- WRONG. WRONG IT WAS STILL PAINFUL. WHY DID I DO THIS- Anyway.

We had our song! Now we had to make the actual video!

Step 1, I actually made a Storyboard, this is the smartest thing I will do during this entire process.

As you can see from this lil joke doodle I made during the process, I didn’t even start the actual video before I had realized I had made a massive mistake, however I was of course going to persevere. The Storyboard took about, 2? 3 days? This is mostly because I had other work to prioritize, and I had to make sure I got this pretty solid. Here it is!

(The file name for this has the phrase "Why god Why" btw)

As you can see it’s very, very professional.

You can also see there were a few things cut or changed, and even stuff that wasn’t there in the first place. That’s because even if I was going into this with more of a plan compared to other parts of this, I still really had no idea what I was getting into nor how to do it. The scene of all the girls doing their hair was cut because it just seemed like an awkward space filler to try and mimic the actual Snow Fairy Intro animation. In hindsight I do wish I kept it or found a replacement rather than just extending the following scene. And yeah that scene had to be super extended so I could actually time things properly.

As for the scene at the end, the various art pieces flashing in the background (which I will talk about later) were done because I realized without them I had way too much dead air in the scene. I then took advantage of it to show a montage of time passing in the scene itself, of the things that differed from the storyboard that’s the one I’m happiest with.

Storyboard has passed so now I have to talk about making the video itself, i feel like i’ve said some variation of that sentence like 5 times now.

So do you want a fun fact? THIS WASN’T SUPPOSED TO BE ANIMATED! This was supposed to be an Animatic, and even that might not be the right word. This was supposed to be basically a storyboard with hints of motion, say for the intro with Monokuma which I always planned to properly animate given his simplistic design. Everything else was supposed to be much simpler.

And then I kept. Accidentally. TRYING TO ANIMATE IT. I DON’T KNOW HOW YOU EVEN DO THAT BY ACCIDENT! And like sure, none of it really gets as meticulous as the Monokuma, but I still ended up learning way more about animating things properly during this project because I just couldn’t help myself. It was always “Well just one more frame to make it look right. One more frame. Okay just another- Oh no.” This is the depths of hell this ship has dragged me to, and even if I haven’t had a chance to fully make use of what I learned here because I’ve been busy, Junkan somehow made me into a fucking animatory at least to the degree of a hobbyist. IF YOU TOLD ME THAT A FEW YEARS AGO I’D THINK YOU WERE LYING! Because if you asked me before this year about my opinion on animating, I’d tell you something around the lines of-

“God I wish I could, but I just don’t have the patience for that y’know?” I GUESS THAT DOESN’T MATTER WHEN IT'S A NICHE SHIP?? Mind you this was still when I was under the impression I was going to get backlash for all this, I didn’t care but I certainly thought it would come to me. The hold these two have on my brain is downright COMICAL.

And I’m sorry if I sound like this is me complaining at all, because I’m really not, I just get more excitable and whacked out during these more high effort projects. This ship has brought me immense joy on its own, and making this project despite the exhaustive work it took to do so has been so fulfilling in part thanks to being able to see the joy my work has brought all of you. I wouldn’t trade this for anything.

But you gotta fucking admit, this isn’t fucking normal right?? None of this is normal! And I don’t mean that in a “We’re all weirdos for liking this” kind of way I mean that in a “What the fuck is going on with me specifically” kind of thing because what is ANY of this?? I re-learned how to write (loosely at least), learned how to actually paint in my program, have developed a deeper understanding of both myself and how to portray expressions, have just generally gotten better at drawing cause of this, memorized these fucking designs almost perfectly (almost, i know there’s some small details of Junko’s design i leave out and Mikan’s apron can be a challenge at times), learned how to animate, LEARNED HOW TO MAKE A MUSIC VIDEO ON ONE GIF OF EXPERIENCE, made angsty shipping art for the first time, and god fucking KNOWS what else that I’m forgetting. And that’s ignoring that by this point we’re edging so much closer to me being able to say “I’ve drawn Junkan 200 fucking times” any god damn day now.

If this isn’t abnormal human being behaviour, it at the very least has to be really fuckin funny behaviour, right?? Am I just overthinking this??

Oh god, right, the main topic. Sorry about that it’s just been eating away at me the sheer absurdity of this project when I really step back and think about it.

Anyway making the vid, I did have a LOT of help from my girlfriend @sunmellows, who actually does have animation experience. She’s more versed in using sprites to animate, but a lot of the techniques could be carried over to what I was doing here. That segment of Mikan and Mukuro running along past a bunch of characters? She helped me so much to get the walk cycles perfect for that.

She also helped me make sure I could actually show this fucking video to people, because fun fact. I made this on an absolute piece of shit laptop! And at first it was relatively fine when I exported projects. But when I got to the point of being actually close to completion? Oh my god not only did it take hours, it just didn’t even work. It would basically KILL my laptops performance to the absolute limit until I would eventually have to force restart the thing. Which thank god didnt’ corrupt the fucking file. So when it came to the final export, I handed off the file to her and she graciously exported it out of clip studio, and then made some minor edits to the timing of the animation in a video editing program.

This is also why, much to my constant irritation, there are still a few animation errors in this because if I fixed them, I’d have to re-export the entire video. And sure, my current laptop is 10 times better and might not try to invent a new form of agony trying to manage it, but also i’m not waiting like 2 or 3 hours for that to happen. No matter how painful it makes rewatching this video. Cause i don’t actually like rewatching this one usually, I’m very proud of it but as I’ve said in the past I am a vicious perfectionist when it comes to my work, so its hard for me to ignore every issue and oddity in the video.

I was fucking losing it by the end of this, I was pulling late nighters for like a week while trying to work on the last few scenes and fix up whatever I could, which was hard because I lacked a convenient way to just watch the whole video in good quality and speed, since playing it in my art program resulted in constant stuttering and made it impossible to tell if it would really look like that, and again, trying to export it made my laptop hate me. But on August 1st I finished it, I had to stay up till 6 AM to do it but I did in fact, fucking do it. I passed it off to Yves, she exported it after some technical difficulties, and now we’re here.

It was, wild, trying to keep this a secret. And i’m not just talking the 3 months I had to keep it quiet to Val (Though that was difficult but VERY worth it yes), but also keeping it secret up till this point. I don’t even know how many fucking months I’ve had to keep this quiet so none of you would find out about it, I’ve been anxiously waiting to see everyone's reactions to this fucking video, and at the time of writing we’re on like, Day 76. I still have so much more time I need to wait! I’m probably gonna be a nervous wreck the day this actually goes up!

Would I ever do this again? God I fucking hope not! (the answer is yeah someday)

I should actually talk about what’s IN the music video now, shouldn’t I? Will be mildly difficult because that’s probably gonna require a lot of rewatching, and as I already said looking at this music video does make my perfectionist brain scratch bad a bit.

Okay so Monokuma.

So originally the plan for this was for the vid to be a much closer 1-to-1 of the actual opening version of Snow Fairy, and while it did eventually evolve into more of its own thing (both functioning as its own slightly more unique intro for Junkan but also just becoming a more normal music video) the one thing that i always wanted for this was to recreate the first few seconds of the intro but with Monokuma. When this was meant to be significantly less like, animation-y, he was gonna be the only part I went fully into.

It was a real pain in the ass but this guy was basically my crash course on properly animating thanks in part to his simple design. He’s also brought much laughter to my girlfriend! On discord i have this part of the vid saved as a gif, and completely divorced from the context of the music vid it just looks like a silly as gif of Monokuma flying away. Like where the fuck are you going dude??

For the remainder of the first bit I wanted to include Hope’s Peak and Jabberwock island since they’re the most iconic locations in the series, granted, jabberwock feels very irrelevant in a non-despair AU but shhhh. The LOGO! I wish I had the actual thing in my files but I guess I just never thought to save it as it’s own thing. And I’m too scared to open the actual file for the music video to just copy paste it out of there because fun fact, the whole thing is ALL one file. Tip from the Ametuer here, don’t fucking do that.

I’m still really happy that I managed to find the actual font for the Fairy Tail logo to make this with, equally happy that I also managed to sneak in one more reference to Val’s work again! It is once again the tattoo design, because I just can’t help myself y’know?

After that we hit me actually doing this and for a brief moment you get to see it actually be about as slide-showy as I had initially planned on before I decided I was gonna learn how to do a proper run cycle and that took like two fucking days i think. Very proud of it though, Mikan and Mukuro’s little runs were very fun to animate and I like the stupid ass slide I made Mukuro do. I actually wanted to make a stupid animation of her rail grinding using those frames, clearly I didn’t.

Oh also yeah this style was reused for the cover of the Day 60 Comic, partially because I wanted to retroactively sprinkle bits of this animatic into whatever prior posts I can, partially because i really could not think of an actual cover for that comic.

So since I was trying desperately to make this seem like the opening to some kind of Junkan Series (and again that concept for the vid dies out real quick) I decided to just include as many other characters as possible during these running scenes. Not only because it would be very fun to draw some of them in this fucked up chibi style I started doing on the fly, but also because then I could insert like three whole ships that I like. We got the Ruruseiko, the Tokomaru, the Ikuzonobuki because hey someone had too.

Fun fact there was supposed to be a little pop up of Mukuro with heart eyes in the corner when Sayaka and Ibuki showed up, but I either scrapped cause I couldn’t make it look right with the limited frames I had, or I accidentally hid all of its layers and couldn’t find it. I can’t remember, this project turning out as well as it did is quite frankly a miracle.

The train scene I don’t really remember why I did like, full linework and shading for that while the rest of the fuckin vid is just sketches. I guess it was fully still animation so it wasn’t that big of a deal. Drawing the very silly little shots of them going by the train was a lot more fun though, I also used it to reference a few more pieces from the past!

The first shot of them with Angie was a reference to the Day 70 Piece, since I always kinda headcanoned (yeah headcanoning my own art, that makes sense) that it was Angie who made it. Then we got Day 82, which at the time of writing this hasn’t been posted! Flashback to whatever day that Karaoke pic with the Ikuzonobuki trio was on for the shot of Junko watching Mikan sing.

And then after that is the Flatwoods monster part, which is the really fun one because I have no idea if I’ll have drawn anything for that by the time this gets released. I really want to though because I love the Flatwoods Monster and I love Junkan, so why not combine them! Alas, I’m working on the December 24th comic as I write this so I might not have time to make that on time.

Yasuke and Tsumugi! I’ve given my thoughts on them before of course, I think during Day 60? My brain at this point just felt very inclined to include them in this, Yasuke especially. Even if just as a very small cameo I kinda just associate these two with Junkan? Admittedly it’s mostly because of Val’s fic, I won’t act like that isn’t just the blueprint for everything in the junkan portion of my brain.

I also used this opportunity to once more make up for the fact that I had drawn so very little kabedon content in this whole project.

After that this probably becomes the cheesiest thing i’ve ever made. The scene of Mikan looking sad was another scene directly based off of the original opening this all based on. After the spin transition I put a little too much effort into was supposed to be a shot of Junko doing Mikan’s hair while Mukuro and Sayaka try to do the same with Ibuki. If I remember the timeline of events I realized I couldn’t make this scene last until the next scene on the storyboard without dragging it out, so I was gonna try adding other little vignettes of antics. However in a rare act of self care I decided to not make this any harder on myself and just scrapped it, skipped to the next storyboard, and extended it out to fit the time. Do I like this in the longrun?? Ehhhhhh, personally I think I shoulda just sucked it up and just added some smaller shots, but miraculously I have people who care about me and would probably prefer it if I didn’t destroy my body for a music video, so I probably made the right choice.

Those outfits look kinda familiar! Whether because I was struggling to think of a new outfit, or because I had just drawn a kabedon, I decided to reuse the outfits from Day 74! Junko’s was a pain in the ass to animate! Never again! Also I colored the Boba to match my pride headcanons for both of them, Mikan being bi and Junko being pan. One kiss and another god damn spin transition i put too much effort into making look good, and we’re at the last scene.

And there’s a mildly fun story for the art used in the background. Like I already said, they were added last minute because the scene would be dead air without them. However I could have done more little clips and vignettes and not fully drawn art pieces. So why did I do fully drawn art pieces?? I was starving, of course.

You all know my rule that I’m not allowed to draw any Junkan before the current one on the project is finished, correct? Well guess who wasn’t able to draw any normal junkan for like 3 months because I had to focus on making a music video. I can reread a bunch of fics or stare at art forever but the desperate and violent urge to make more and add to the pile so my brain feels nice is insatiable, especially with the rate I was making these previously before the music video began production.

Sooo, making some last minute assets seemed like a pretty good excuse to finally draw something fresh. And it was a fucking blessing on my brain at this point.

I tried to do a runthrough of their relationship up to this point, flashing back all the way until their first encounter. Was this a thinly veiled excuse to realistically include a halloween pic? Yes. But hey, that last shot was always planned so on some level I have to be justified in my actions. Let’s talk about these pieces one at a time.

First up, hey, that kinda looks familiar. That’s right, assuming the stars aligned and allowed me to gain the strength to draw the December 24th Comic all on time (I’m 17 pages in at the moment send past me your strength, time travel is real if I say it is), then you might notice that I just took the outfits for this winter-y art and featured them in the story!

So I did in fact draw the Halloween art first and realized I could probably do something vaguely interesting with a timeline of events, so I realized it would probably be best to put the winter art BEFORE October, because I like to dream of a year where I can celebrate Halloween and not freeze to death. It just also happens that it kinda conveniently fits the current time! Since this is releasing in winter! A miracle.

This ones pretty simple obviously, I unfortunately have nothing impressive or interesting to say on the art itself, more just stuff surrounding it.

Now the Halloween Art. Well i also don’t have a lot to say there either but god dammit i’ll sure as hell try!~

Listen I wasn’t fully confident that I would have the project done in time for Halloween, and as I’ve probably said before (or at least implied), while I could certainly draw more art on my own time after the 100 days were ready, until this was a public thing and the world was made well aware of my obsession, I couldn’t post it. It is extremely good luck (and also burnout) that I was able to get this done in time to actually post during October, so I did get to draw Halloween Stuff! But when I was making this?? I saw an opportunity to say “fuck it” and draw something spooky with these two, my favorite holiday and (probably) my favorite ship?? Yes please!

As for designing their halloween outfits I sure did fucking wing it! Yeah no thought process, just spooky as fuck.

Though something interesting about this art that my girlfriend pointed out is that the way I shaded and colored it matches up a lot with my older art. Since I’m not gonna drag through my old gallery to find good examples the best way I can sum it up is that my coloring style back in the day was a lot more candy colored. If that makes sense? More saturated colors I guess? Whenever I look at pieces like those and this I just think of a bowl of colorful candy.

I miss drawing like that, I don’t know what changed. It’s hard to go back, but maybe i’ll try.

The next shot might seem familiar, but not to any of my other pics, but rather a fic! When writing my Vampire Junkan AU I decided that I wanted to do an Aquarium Date for one of the bigger chapters, because as we all know, Fish and Vampires go together like chocolate and peanut butter. When writing it I was thinking of when I wanted to do the big kiss scene, and this art came to mind! So while it’s not very 1 to 1, I tried my best to recreate it through words.

Why did I draw aquarium art in the first place? I wanted to draw a sunfish . . . I’m a very simpleminded woman in most cases y’know?

The next image was actually even more last minute than the other 3, cause even with those I didn’t have enough to cover the timeframe of the scene. Soooo, Junko giving Mikan a flower.

Maybe this was her confessing? Asking her out? I haven’t thought about it enough.

And after so long we’re finally back to me just ripping straight from the original opening this is based off of, and in the original its a very sentimental memory for one of the main characters. So pretty early on alongside the Monokuma bit I knew I should have that specific last flashback be their first meeting. I think this is like, my 4th or 5th time depicting a first meeting between these two? It’s always fun to do, and the one in this music vid I think you can tell was decently inspired by Kayleen’s “Smile” Fic, albeit not a direct adaptation and with like, 2% more whimsy.

And a proposal!! We all crack eventually and there was only so god damn long I could stop myself from depicting one, and what better place than an ill advised music video? Also the gleam of the ring just made for a really good transition out of this and I’m still shocked by how well I was able to make it look.

And that’s it! I feel like I didn’t talk about this one as much as I thought I would?? Granted I think this is still one of the longer rambles I’ve gone on, but given the jump in scale I thought this’d be a bit more, excessive??

I already said earlier but for as, fucking agonizing as this was, I will probably, someday, try to do another animation like this. Hell I’m collaborating with my Girlfriend on a VS Project right now and I’m hoping to at least do small bits of actual animating on it. Which I think I can do??

As for music videos, welllll I do have two in mind, one is Vampire Junkan (though not in the way you think), and the other doesn’t specifically focus on Junkan but it sure will have a Billy Joel song.

So what’s up next??

Well I’m just gonna say this now, Day 100 does not go higher in scale than this, I won’t say what it is but its like, normal. Day 99 should be fun though! As for 91 through 98? Well! We’ve got 8 days of Fanfics! I didn’t write anything don’t worry. I made 8 pictures based off of 8 fanfics, with only one repeat author! There’s reason for that though you’ll see. There’s some direct adaptations of scenes, covers for the story, and like, something more based off the vibe, it’s hard to describe. You’ll see.

Gonna try my best to sing the praises of the fics themselves though I worry that I won’t be able to adequately sing the praises of these stories to the same degree that I did on Day 60, so hopefully I can at least convince ya’ll to give them a read yourself!~

Here’s hopin ya’ll enjoy the results!

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

98 notes · View notes

youremyheaven · 1 year ago

Text

Ashlesha & Toxic Relationships

Tw: abuse, incest, rape, death, domestic violence

I feel like Ashlesha's mommy issues have been covered by others before but I really wanted to explore how Ashlesha nakshatra natives often find themselves in toxic relationships, be it in their own homes or in romantic relationships. I think many of the patterns many people repeat in adult relationships has its roots in their childhood relationships with their family and I see this very evident with many Ashlesha natives. They're often abused at home and later suffer abuse at the hands of partners.

Halle Berry Ashlesha Sun

Halle's father was a violent man who abused her mother repeatedly. He abandoned them when she was 4 and she's been estranged from him since.

She moved with her mother and sister to an all-white neighbourhood where she was exposed to racial discrimination while attending school. Halle admits that these struggles motivated her to succeed. Later in the ’90s, when she moved to New York to pursue her acting career, she was forced to stay in a homeless shelter for a while because she couldn’t afford accommodations.

In 2011, Halle said: "It was only when I was in an abusive relationship and blood squirted on the ceiling of my apartment and I lost 80% of my hearing in my ear that I realised, I have to break the cycle."

Halle is divorced from Gabriel Aubry (in photo with her above) who, she accused of being a racist (he used racial slurs towards her and their daughter), refused to acknowledge their daughter as biracial and court documents revealed that Berry accused him of having been in an incestuous relationship with a family member, abusing their daughter and even revealed the couple only had sex three times a year, with Aubry struggling with the effects of his incestuous relationship.

Charlize Theron- Ashlesha Sun, Moon & Mercury

One night, when her verbally abusive alcoholic father came home with his brother after drinking heavily, he threatened her mother with a gun. He began shooting and Theron's mother grabbed her gun and shot back, killing Theron's father and wounding his brother. Police later determined it was self-defence. They later moved to America so Charlize could pursue an acting career.

Lily Collins, Ashlesha Moon

Lily Collins says she was once in a toxic relationship where she faced "verbal and emotional abuse" that made her feel "very small." Looking back, Lily says her then-boyfriend silenced her feelings and even fuelled emotions of "panic" and "anxiety" -- and it's something that still affects her even though she’s now in a healthy relationship.

"He would call me 'Little Lily'…and he'd use awful words about me in terms of what I was wearing and would call me a whore and all these things," she said on the "We Can Do Hard Things" podcast. "There were awful words and then there were belittling words. I became quite silent and comfortable in silence and feeling like I had to make myself small to feel super safe."

Tina Turner, Ashlesha Rising

Tina’s violent marriage with Ike Turner is well known, largely thanks to the film based on her life, What’s Love Got To Do With It. In the film the singer suffered severe beatings, was raped and had cigarettes stubbed out on her body. Her husband Ike is portrayed as a violent, controlling sociopath, and when Tina’s autobiography was published Ike actually admitted that the book was largely accurate. The pair were married for 16 years before Tina had the courage to leave. Ike is now dead.

I found something she said in an interview to closely correlate to Ashlesha:

"Part of my spiritual practice is to “change poison into medicine,” to take negative situations or roadblocks and transform or remove them through positivity. The force of my positivity pushed all the discriminatory “isms” standing in my way right out the window."

Whitney Houston- Ashlesha Sun & Venus

Their turbulent relationship is well documented, but even though the rumors were that Bobby used to hit Whitney, she actually claimed it was the other way round. In an interview with the Associated Press over 10 years ago, the singing star said: “Contrary to belief, I do the hitting, he doesn’t. He has never put his hands on me. We are crazy for one another. I mean crazy in love, love, love, love, love. When we’re fighting, it’s like that’s love for us. We’re fighting for our love.” Brown, however, was later arrested in 2003 for misdemeanour battery, several years after Whitney said this. The pair eventually divorced after 15 years of marriage in 2007.

Unfortunately, Whitney passed away in 2012 and I firmly believe Bobby did it. Her daughter, Bobbi Brown also passed away in the exact same way in 2015 and there's just no way those 2 deaths were a coincidence. Anytime I hear news of anybody dying in their bathtub after overdosing on a cocktail of drugs, I just know they were murdered. Its very easy to write off deaths as suicide or to make it look like one. Its all the more convincing if the person has a history of drug abuse.

Sridevi, Ashlesha Sun & Rising

Sridevi was forced into acting by her mother (who aspired to be an actress and had failed in her pursuit) when she was 2-3yrs old. Sridevi never received formal education and appeared in 200 films by the time she was 25 years old (she did 300 films total). Her mother and stepfather had another daughter whom they favoured. Sridevi was the cash cow of the household. It was once reported that Sridevi would come home from a long day of filming and spend many hours massaging her mother's feet at night instead of sleeping. Her mother once locked up Sridevi in a dark room and starved her as a 5-year-old because she was too scared to do a scene that involved fire. She became a heroine at the age of 11 years and was paired opposite men who had played her grandad onscreen when she was a child star🤮🤮🤮she was sexually assaulted by many of these men as a child and teenager. Sridevi's mother managed all her finances and did not permit her to go out or meet others and she did not even know how to do virtually anything by herself as her mother kept her under lock and key.

Her husband Boney Kapoor is a movie producer who was married to another woman and had 2 kids when he first met Sridevi. He creepily wooed her for 10 years but Sridevi paid him no mind. In 1995, Sridevi's mother passed away and Boney took full advantage of her vulnerability because even though she was 32, she was basically a child due to the way her mother forced her to live. Sridevi had no one to rely on (her stepfather had died many years prior and her sister sued her for properties and since she was so isolated, she had no friends despite being such a huge star) and Boney took her in. She lived with Boney and his wife and kids but before you knew it, Sridevi was impregnated by him and he soon divorced his wife and married her. In 2018, Sridevi was found dead in a bathtub in Dubai under suspicious circumstances. The case was wrapped up pretty quickly and no one really knows what happened. She allegedly "drowned" but like I said, I dont think all these celebs drowning in their bathtubs is a coincidence.

Zsa Zsa Gabor- Ashlesha Moon

She was married 9 times and many of those marriages were hella toxic. She was married to Conrad Hilton (Paris Hilton's great-grandfather)

She said of the marriage:

"Conrad's decision to change my name from Zsa Zsa to Georgia symbolized everything my marriage to him would eventually become. My Hungarian roots were to be ripped out and my background ignored. ... I soon discovered that my marriage to Conrad meant the end of my freedom. My own needs were completely ignored: I belonged to Conrad."

Gabor's only child, daughter Constance Francesca Hilton, was born in 1947. According to Gabor's 1991 autobiography, One Lifetime Is Not Enough, her pregnancy resulted from rape by then-husband Conrad Hilton.

Marilyn Monroe- Ashlesha Rising

Marilyn had a very difficult life. She grew up in foster homes, her mother was schizophrenic and her father was an alcoholic. Her marriages were unhappy and she was treated like shit by the industry. I don't want to elaborate too much because I feel like everyone already knows about her life story but its truly tragic how things were for her :((

Lucille Ball- Ashlesha Sun

She was married to her onscreen husband Desi Arnaz and they had a horrible toxic marriage where he cheated on her repeatedly and emotionally abused her. He was also an alcoholic.

Bella Hadid, Mars in Ashlesha atmakaraka

"I constantly went back to men -- and also, women -- that had abused me, and that's where the people-pleasing came in," Hadid said on the Victoria's Secret podcast, "VS Voices." "I started to not have boundaries, not only sexually, physically, emotionally, but then it went into my workspace….I began to be a people-pleaser with my job and it was everyone else's opinion of me that mattered except for my own, because I essentially was putting my worth into the hands of everyone else and that was the detriment of it."

Everybody already knows that Yolanda is toxic as hell, made Bella get a nose job at 14yrs of age and in Bella's own words she was made to feel like the "uglier sister".

Viola Davis, Ashlesha Sun

She and her sisters were sexually abused by their brother. "Sexual abuse back in the day didn't have a name. The abusers were called 'dirty old men' and the abused were called 'fast' or 'heifers,'" she wrote in her memoir.

Davis wrote about the volatile relationship between her empathetic mother and her violent, alcoholic father. With brutal candidness, she channels the unrelenting terror of living in a household of domestic abuse: “There are not enough pages to mention the fights, the constantly being awakened in the middle of the night or coming home after school to my dad’s rages and praying he wouldn’t lose so much control that he would kill my mom.”

Lil Kim, Ashlesha Moon

When she sat down for a candid interview with Newsweek back in 2000, the rapper revealed that she developed a complex about her appearance thanks to a string of unsavory suitors. "All my life men have told me I wasn't pretty enough — even the men I was dating," she revealed. "I'd be like, 'Well, why are you with me, then? I have low self-esteem and I always have," she admitted. "Guys always cheated on me with women who were European-looking. You know, the long-hair type. Really beautiful women. That left me thinking, 'How can I compete with that?' Being a regular black girl wasn't good enough."

It wasn't just the men she dated in her early days that messed with Lil Kim's head — according to the rapper, her own father added to her issues. Her parents divorced when she was 8 and, despite the fact that she wanted to remain with her mother, her dad won custody. When she spoke to Newsweek ahead of the release of her second studio album, The Notorious K.I.M, she revealed that her father would regularly make her feel as though she wasn't good enough. "It was like I could do nothing right," she recalled. "Everything about me was wrong — my hair, my clothes, just me."

Ella Fitzgerald, Ashlesha Rising

At a young 15 years old, Fitzgerald was left motherless and fatherless. To make matters worse, she began being abused by her stepfather. The beatings were physical, but they scared her emotionally as well. She was a beaten and battered child. Her grades fell to be nearly unrecoverable, and she began skipping school regularly. It was an era of racial segregation and Ella is also believed to have been physically abused by her teachers along with some other black students.

Ella and Marilyn were good friends and are said to have bonded over their similarly traumatic lives.

Katie Holmes, Ashlesha Moon & Rising

She escaped an abusive marriage with the sociopathic Tom Cruise and his cult??? need I say more?? I am so happy she is alive and well and that she has managed to protect her daughter as well. Scientologists are insane people who absolutely destroy the lives of anybody who tries to leave their system so its a miracle that Katie is alive and doing well.

Glenn Close, Ashlesha Rising

I don't know what it is about Ashleshas and being trapped/escaping a cult but I've noticed several Ashlesha natives all have this experience

Oscar-nominated actress Glenn Close, for example, was part of a cult called the Moral Re-Armament, from the young age of 7 all the way up to 22. “If you talk to anybody who was in a group that basically dictates how you’re supposed to live and what you’re supposed to say and how you’re supposed to feel, from the time you’re 7 till the time you’re 22, it has a profound impact on you,” she once told The Hollywood Reporter.

Patricia Arquette- Ashlesha Moon

Oscar winner Patricia Arquette wasn’t just raised in Virginia’s Skymont Subud cult, but her parents were the founders of it. The so-called “spiritual movement” was known for not allowing access to bathrooms, electricity, or running water in the name of “inner guidance.”

While still living with her family, she and her family left the commune to return to a more conventional life. Per ABC, however, the Arquette family wasn’t any better at that time either. “There was a lot of drama in the house,” Arquette said in an interview with Oprah Winfrey. “There were a lot of chairs flying around.”

Brie Larson- Ketu in Ashlesha

Brie starred in two movies, The Glass Castle & The Room that both deal with abusive relationships (she is the one stuck in them)

Our Ketu placement is where we draw our creativity from, so its interesting that Brie has played so many characters who have to deal with toxicity.

According to Hindu mythology, Ashlesha nakshatra is associated with the story of the Naga King Vasuki. It is said that Vasuki and his wife were cursed by a sage to become snakes. In order to lift the curse, they sought the help of Lord Vishnu, who advised them to perform a penance in the ashram of a sage named Jaratkaru. After performing the penance, the sage granted their wish and they were able to regain their human form. Since then, Ashlesha nakshatra has been associated with transformation and the power of penance.

In the list of celebrities I have mentioned, many of them survived their abuse and went on to live good lives but many others met with tragic ends. Being "cursed" is part of Ashlesha's mythology, which is why they receive an unfair share of bad experiences and abuse but to perform penance is very very important and something not many are going to be able to do. When so many terrible things happen to you, you're bound to think "why me? I'm a good person, I don't deserve this" and that's absolutely true, no one deserves abuse but the ones who can outlive these negative circumstances are the ones who can in Tina Turner's words "turn poison into medicine". Penance literally means inflicting punishment upon oneself but what it actually means in this context is to turn all your negative experiences that feel like you're being punished into something you can rise up above against. Poison is also part of Ashlesha's lore and while this does make Ashlesha natives rather malicious and manipulative towards others, they need to be able to use this poison as medicine to heal themselves. Otherwise, they end up succumbing to it.

#astrology notes #vedic astro notes #astrology observations #sidereal astrology #nakshatras #astrology #vedic astrology #astro observations #astroblr #astro notes #ashlesha #mercury #jyotish #astro community

214 notes · View notes

jikookuntold · 1 year ago

Text

What Is Like Crazy About?

Since the day "Like Crazy" was released, I wanted to post about it, but couldn't get the time to focus and do a comprehensive analysis. Finally, right before the first anniversary of this masterpiece, I got the time, and the post is ready now. Before starting off, I have to remind you of the fact that a work of art can be interpreted in many different ways, and none of those interpretations are necessarily right or wrong. Every work of art contains a message that is the artist’s main intention from that creation, but the artist doesn’t have to explain it to the audience because a true work of art speaks for itself, even though not all audiences can receive it thoroughly.

I know that in the past year, so many different types of analyses and theories were made by fans to explain this song, and most definitely, I couldn’t keep up with all of them. Therefore, I’m not claiming my analysis to be a breakthrough, and you might have read most parts of it somewhere else. In this post, we are going to discuss “Like Crazy” from a lyrical and conceptual point of view, trying to find out what message or messages Jimin wanted to convey by creating it.

About “Like Crazy”

“Like Crazy” as the title track for Jimin's first solo album, "FACE", stole the hearts of millions of fans and locals around the world, and inarguably became one of the most successful pop songs of the year 2023. I can talk for hours about how beautiful and successful “Like Crazy” is, and how it broke KPop boundaries and countless records. But, in this post, we are going to break to the surface and talk about the meanings and motivations behind this song and answer the questions like “How this song was made?” “What was Jimin's intention in writing these romantic lyrics?”

As I mentioned earlier, artists usually don’t directly address their main message and their intention in creating a form of art, but many of them speak about the motivations and inspirations that led them to the creation. Jimin hasn’t talked much about the sources of inspiration behind individual tracks of “FACE”, but I guess “Like Crazy” was an exception for him because he revealed on several occasions that he was inspired by “Like Crazy”, the movie. And this piece of information is the key to our analysis:

"I tried to express the feelings of that movie. You know, the somewhat complex, somewhat lonely, somewhat happy emotions. I tried to express all these ambiguous and subtle emotions in a slightly sexy way, but I’m not sure how it’ll end up being received by people.”

Like Crazy, The Movie

First of all, we need to keep in mind that “Like Crazy” is a completely original song, and Jimin has not used or sampled any songs, lines, or dialogues from the movie in his lyrical or visual concepts (even the intro and outro dialogues in the song were original and not from the movie). If Jimin had not stated his source of inspiration directly, the only hint that could have led us to it would be the title of the song, which duplicates the title of the movie since the title never appears in the lyrics.

So, Jimin chose this specific name for his song and announced his source of inspiration to make it clear that there is a straight and strong connection between the song and the movie. He made it clear that this connection is 100% conceptual and emotional, and if we want to know what “Like Crazy” is about, and what ambiguous and subtle feelings Jimin is talking about, we have to redirect the analysis to the concept of the movie, “Like Crazy”.

As we all know, “Like Crazy” is a romantic movie, and Drake Doremus directed it casting "Felicity Jones" and the late "Anton Yelchin" as the main characters, Anna and Jacob. Doremus based the storyline of this low-budget movie on his experience being in a long-distance relationship with his partner and developed it into a 90-minute-long movie, which was released in 2011 and became relatively successful.

Anna and Jacob

A few days before the release of “FACE”, I was informed that the title track, “Like Crazy” is based on a movie of the same name. After learning this fact, I had to re-watch it because I couldn’t remember anything after a decade, and I had some questions like: “What was in this movie that made it so special for Jimin?” “How would Jimin feel watching this?”. Having this mindset helped me to see the movie differently, but before explaining those new insights we need a short storyline of the movie:

Anna is a British exchange student in LA, where she falls in love with Jacob, an American student, and they start dating. Anna, blinded by her love for Jacob, overstays her student visa and consequently gets banned from re-entering the United States. After experiencing a forced LDR, Jacob flies to London to visit Anna, and her father suggests that getting married might resolve the issue, but they are not ready for this big step. Jacob goes back to LA and basically chooses his job over Anna, but after some time, they realize that they can’t be apart, and they decide to get married. Six months after the marriage, when the time for the appeal of Anna’s ban comes, it gets rejected, and they lose their last hope of being together. Again, they go back to their sad lives, but after some time, Anna is finally offered a visa, and she leaves everything behind to reunite with Jacob. The ending scene shows how this separation has damaged their relationship, and things will never be the same.

The movie portrays the hardships of a long-distance relationship and the damage the separation can do to two souls and their connection. I think the recent movie by "Celine Song" named "Past Lives" was partially similar to like crazy, but also there was a big difference; unlike Nora and Haesung in “Past Lives”, Anna and Jacob don’t leave it to fate, they don’t forget about each other and don’t settle down with others just because their love seemed difficult or impossible.

They found true happiness only next to each other and did everything against all odds (especially Anna) to take that back. Maybe if Anna and Jacob weren’t in love like crazy and were more mature and realistic, they would end up like Nora and Haesung (Sorry if this spoiled that movie for you), but they didn’t and made their own bittersweet ending.

Many people claim that “Like Crazy” is a breakup movie with a sad ending, therefore, Jimin’s song also must be a breakup song. But, first of all, the ending can somehow be considered an open ending. We don’t know what happens after the shower scene, but we see them together, in each other’s arms, and this is not a totally sad ending by any movie standards. Other than that, Anna and Jacob became separated a few times, but they don't officially break up by choice, their separation is the result of contractual rules and laws, made by society.

This movie, as its director explained, might be originally about a long-distance relationship, but also the main relationship in this movie can be seen as a relationship that gets strained by laws and regulations, it’s about the rules and imaginary borders that decide if two people can be together or ban them from it. It’s a story of the “love against law”.

A Heterosexual Love Story?

When “Like Crazy” was released in theatres back in 2011, it got positive reviews for good acting that made the movie feel sweet and intimate with mostly improvised dialogues. Meanwhile, the negative reviews were focused on the plotline of this drama, calling it far from reality. Other than the fact that Jacob could have easily resolved this issue by taking his job from LA to London, in reality, the couple wouldn’t have faced this much difficulty over the legal complications, especially after getting married.

The fact is, straight couples usually never face this kind of hardship, and governments take that easy on them otherwise, there wouldn’t be so many sham marriages around the world just to get citizenship. So, the idea of a couple getting separated by law is not common, and that’s why many people called this movie implausible. But, a queer person can familiarly receive this implausibility, like when they want to be with someone forever, but the laws don’t let them.

Could it be this feeling that made “Like Crazy” special and a source of inspiration for Jimin? Or was it something smaller like the Santa Monica beach scene? I have no answer, I only make theories, and I think it’s better to leave the movie here and start the lyrical interpretation to see how these words and feelings can get connected.

The Lyrics

[Intro]

(I think we could last forever (I'm afraid that everything will disappear Just trust me)

As I said earlier, this intro is not a dialogue from the movie, but the narrators were told to do it based on the audio from the movie that was sent to them. So, hypothetically, it’s Anna and Jacob having this conversation. He is afraid of losing everything, but Anna assures him that if he trusts her, they can last forever. In the MV, we see Jimin standing in the crowd, but the time goes in reverse, and through a transition into his eyes, we see him sitting alone. Weirdly, the outro of the song is playing in the background here, but we will figure out the reason later.

[Verse 1]

Korean Version, Translated

She's saying Baby, don't think about it There's not a bad thing here tonight Baby, it's fine if you leave Stay with me, just for today

English Version

She's saying, Baby, come and follow me There's not a bad thing here tonight Save your reasons all for later Stay with me a little while

Anna asks him to follow her and assures him that everything is fine, it’s fine if this is not going to last long. It’s not the time for reason and overthinking. The gendered pronoun here refers to Anna, but we will know more about her in the next verses. It is worth mentioning that in the primary handwritten lyrics by Jimin, there was no “She” and it was modified later considering the dialogues added to the intro. Anyway, we know Jimin didn’t release these drafts in his album for no reason.

In this part of the MV, we see Jimin sitting alone in a room, and with a flicker of lights, the room is filled with mud. Suddenly, a muddy hand of a girl grabs Jimin’s hand and leads him to a party. There are several symbols in this part, the lonely room is Jimin’s reality, and the party is his dream. The mud symbolizes dreams and desires that leave their trace on your life and soul.

[Verse 2]

Korean Version, Translated

Watch me go Drenching myself all night (Away) So that even the morning Gets drunk and doesn't arrive

English Version

Watch me go Now, I sink down, all alone away Where am I? A dark haze clouding up my eyes

From here, we don’t see the girl because Jimin and the girl became one. She was her reflection from the beginning, the side that leads him out of his loneliness, and allures him to his dreams and desires, tempts him to be careless and stop thinking too much. Some say she is Jimin’s Anima, but these lyrics never go to the deep levels of the subconscious to reach the Anima. She is his feminine side that is a tangible side of him, and Jimin’s asymmetric makeup gives it away. Also, the mirrored moves between Jimin and the female dancer in “Like Crazy’s” choreography made it clear that the feminine presence in this song is Jimin’s reflection.

[Pre-Chorus]

Korean Version, Translated

As the loud music I get faded out A cliché story like a drama I get used to it Have I come too far to find the me that you used to know Yeah, I know You know I know (Ooh)

English Version

I can hear the voices listening Don't know who they are Trying to take the pressure off Been reaching for the stars Tell me, will I find myself again? When I go too far? Yeah, I know You know, I know (Ooh)

Jimin enters the party and starts drinking, dancing, and having fun with the others. He laughs and enjoys himself in the crowd and trusts the supposed strangers, but the confusion doesn’t leave him alone. He feels lost, and as the lyrics say, he is worried about going too far and not finding himself again. The two opposite sides of him are conflicting. It’s the contradiction between "fear and desire", between "pain and numbness", between "loneliness and losing yourself", and between "reason and dream" that leaves him confused.

[Chorus and Post Chorus]

Korean Version, Translated

I'd rather be Lost in the lights, Lost in the lights I'm outta my mind Hold onto the end of the night Every night You spin me up high The moon with you in its arms Let me have a taste Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') Oh, it's gon' be a good night (Oh, I'm fallin') Forever, you and I

English Version

I'd rather be Lost in the lights, lost in the lights I'm outta my mind Can you help me numb the pain? Each night, you spin me up high Emotions on ice Let me have a taste Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') Oh, it's gon' be a good night (Oh, I'm fallin') Forever, you and I

In this part, he confesses which side he really wants to follow. He wants to go out of his mind, lose himself to the desire, and leave the reason behind. It’s the escapism that saves him from loneliness and the pain of real life. The chorus is the sexy and at the same time, the most poetic part of this song, especially where he is spinning up high in the arms of the moon.

The last line of the post-chorus, “Forever you and I” which also repeats in the last part of the interlude, is crucial because it declares that Jimin is not talking about vagrancy or promiscuity. He wants it all with his significant other, the only one who can help him numb the pain of real life and escape it. But this escapism has its consequences, and we see all that mud flush out of every corner symbolizing it. This scene artistically ends with Jimin facing his reflection in the crowd. The question is, is this reflection the same significant other, or is it Jimin himself? We will get the answer in the next part.

[Verse 3]

Korean Version, Translated

The me, reflected in the mirror Is going crazy endlessly I'm feelin' so alive, wasting time

English Version

All my reflections, I Can't even recognize I'm feelin' so alive, wasting time

His fear of losing himself was true, and it's happening now. This duality confuses him and makes him question his reality. Which side is the true Jimin? He doesn't care anymore because this escapism makes him feel alive.

Here in the MV, we see Jimin facing the reflection, and it immediately cuts to the restroom scene where he faces his literal reflection in the mirror and talks to him about not recognizing him anymore. Then, the restroom being dismantled symbolizes his state of mind. "The reflection of myself in an unfamiliar appearance" was the concept of "his "FACE" which was a whole album about Jimin himself.

[Outro]

This will break me This is gonna break me (Break me) No, don't you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on) (Alone again What's the point?)

Jimin knows the consequences of losing himself but embraces it. He knows it's gonna break him but doesn't want to wake up from his dream. He knows everything will collapse but doesn't need a savior. He wants to stay in that dream, but he knows it's impossible, and sooner or later, he will be dragged out of it.

Is there a way to cut all the connections to the real world of loneliness and stay in this dream forever? We get the answer in the MV, and it's not positive because suddenly, everything goes backward in speed, to where we started (remember the outro being played in the beginning? That was the clue).

He goes back to his lonely room with a muddy hand. Did his hand get dirty from a touch of his reflection, or was the muddy hand in the beginning his own hand? Is he trapped in a loop? Maybe. Maybe this wasn't his first or the last time coming back from that dreamland, and it was the reason for so much mud accumulated in his room. He is a regular in that dreamland and he can't quit.

Conclusion

It's understandable if this analysis of the movie, lyrics, and the MV didn't guide you in any direction, and maybe you are even more confused after reading it all. But don't blame yourself because Jimin already told us that, his emotions for this movie are complex. So, don't look for just one answer, maybe we are not supposed to end up with one conclusion, and this song also can have multiple interpretations and meanings. But what are these meanings?

If you pay attention to the lyrics and the MV you will realize that despite them being aligned and in sync, the lyrics have more connection to the movie. While filming the MV, Jimin mentioned that things (scenes of the MV) didn't happen like this in real life, which was an obvious fact, because this song is clearly not about being the life of the party and stuff like that, and has more internal meanings.

In "Like Crazy", Jimin talks about the loneliness of his real life, the isolation and limitations he experienced during the pandemic, and maybe other times. But Jimin finds an alternate reality, where he can be himself, be free and careless, and forget about the future. This alternate reality is rooted in two possibilities: The feminine side, and the significant other. The feminine side is what we face in the MV, and there are not many signs of it in the lyrics.

The feminine side appears as a muddy hand and a presence at the part that faces Jimin and becomes one with him as his reflection. The idea of "bigender" is nothing new in the concepts that Jimin has offered on different occasions, from his fake tattoos in ARMY-Zip 2019 to the performance of "Filter" in 2020 and his photopholio in 2022, he has expressed this fluidity in his work, and I think the visual concept of "Like Crazy" with his different makeup in the MV and the choreography was the epitome of it.

What about the significant other? As I mentioned in the analysis of chorus parts, "Forever You and I" Can only be interpreted as his exclusiveness to someone who is his significant other. This person is the one who saves Jimin from his loneliness and assures him about their happy ending. This person has no doubt in them lasting forever and only wants Jimin to trust him to take the lead and let that happen.

He keeps saying to his significant other that there is no future. They can't be together forever, this is just a temporary situation, and despite finding comfort in each other, they should not get attached because they will forced to be separated. It's not like Jimin doesn't believe in this love, he does and has the same wishes and dreams, but he keeps getting dragged to the real world where the rules govern.

This part is just a personal opinion as a Jikooker, but I did this analysis in my head last year when "Like Crazy" was newly released and had no intention of making a connection between this and Jikook, until "Seven" came out. We all know JK had no hand in making the sexy lyrics of "Seven", but after watching the MV (which had nothing to do with the lyrics), I couldn't unsee the fact that the concept of Seven's MV looked so much like a response to "Like Crazy's" lyrics. Still, we don't know if JK gave any ideas for the concept of the MV, but considering his record of working as an MV director, it's not impossible.

The End.

This is all I could say about "Like Crazy", a masterpiece that is still thriving in the charts and still touches people's hearts because it comes from real and deep emotions that Jimin had in his heart. That emotion got us the moment we listened to it for the first time, even though verbalizing it, is never easy, no matter how many analyses and reviews we write.

#jimin #jikook #like crazy #analysis

191 notes · View notes

weirdgenetic-fuckup · 1 month ago

Note

Heyyy Heyyy, your writing is gold 🤤 may I request some 90s izzy smut? In where the reader is in one of the biggest girl rock bands and guns n roses are trying to get them to open for them, it didn't rlly work but izzy had a crush/obsession with reader, breaking to her hotel room just to "try convincing them 1 last time" but 1 thing lead to another and smuttt ... u feel me? Breeding kink if u don't mind aswell 😅😅😅

A/n: This is so not how Izzy talks, I need to watch more interviews with him

I lost motivation half way through THIS WAS SUCH A GOOD IDEA AND IT WAS GOING SO GOOD writers block is back 😩

Warnings: smut, fingering (f receiving), breeding kink, slight angst, izzy is a bit of a stalker, if you think I missed anything let me know otherwise enjoy!

It upset you at first, having to turn down the opening spot for Guns N' Roses, you thought they were a great band and everything, cool guys with a great rhythm and feel to them, but your manager basically forbid you from doing so.

You weren't an opening band, you'd been hitting top ten pretty regularly with your last three albums. You had yet to hit number one but you were getting pretty close.

You could feel it in your next album, it was scheduled to come out right around Guns 'Use Your Ilusion' albums were supposed to come out, which gave them the idea to bring you along with them.

"It's just one tour, think of it as co-headlining." You tried to reason. You were sitting on a couch in the recording studio, there were just a few parts of a few songs your bandmates wanted to rerecord. Everything had to be perfect and you weren't apposed to spending a little extra for that perfect sound.

"But it's not co-headlining." Your manager spoke, pacing back and forth. "It's opening, you'd be the opening band, that's pathetic! You'd be right back at the bottom!" You rolled your eyes at him.

"We've never headlined before, just because you decided that's what we are doesn't make it true." You grumbled, crossing your arms over your chest.

Your manager shot you a glare and you took that as your cue to take a break, hurriedly leaving the room and heading down the hall. There was a small café just across the street so you were headed there.

As you walked down the hall you passed Slash who looked past the point of exhaustion. You didn't want to ask so you just kept walking.

There was a crosswalk straight outside the recording studio, you marched right along to the other side but you only made it halfway before someone called out for you and you spun around to see Izzy Stradlin, the rhythm guitarist for Guns, stamping out his cigarette.

You hurried back across the street to talk to him and see what he wanted. "I heard you guys are almost done with the record?" He asked, wiping his hands on his jeans.

You nodded. "Just reworking a few parts, but it's coming together great." You said, a proud smile spread across your face. "Why do you ask?"

Izzy's eyes trailed over your figure before he brought his gaze back to meet yours. "Last chance to hop on our tour?" He suggested, leaning back against the brick wall.

You chewed your cheek. You wanted to agree, you wanted to go on that tour, it's all you wanted, but you knew you couldn't. "I will see what I can do, but I make no guarantees." You said, sticking your hands in your jacket pockets.

"Your managers a bitch." He said with a smirk. "He doesn't get to dictate you like that, you know? He works for you, not the other way around."

You inhaled deeply and nodded. "Yeah, yeah, I know... He just- he makes sense most of the time, he works great with us... I don't know what other manager we'd get." Izzy nodded in understanding before digging through his pocket. He pulled out a pack cigarettes along with a lighter and his wallet.

You eyed him curiously as he filtered through the leather piece and pulled out some cash, holding it out for you to take. He waved it when you didn't immediately take it. "You're going to the café, right?" You nodded. "It's on me, then."

You gave a small nod and took the twenty, confusion written all over your face, and turned to head back across the street to the café.

By the time you came back around Izzy was gone, you didn't pay much attention to his disappearance and just went back up to your booked studio to see how things were going.

You didn't live in L.A., you didn't have friends in L.A., so you got a hotel room to stay in. It wasn't a very nice hotel because you got the cheapest place you could find. You consoled yourself by reminding yourself that were only supposed to stay for a few days, that it was a small price to pay for the record.

You used your key to unlock the door, pushing it open. You let out a heavy sigh as you dropped your bag, the thud of it landing on the carpeted floor was followed by a scream from you when you saw a figure lying on the bed.

You slammed your hand on the wall to get the light on, you calmed down some when you recognized the man as Izzy but it was still terrifying.

"H-how the hell did you find me?" You asked, seeing it as the most pressing question. Your room was ground level, there was a breeze flowing in, it wasn't hard to figure out how he got in.

"I asked your bandmates." He said simply. "I told them I thought you were pretty and wanted to see you later, didn't realize I'd scare you shitless." He said with a laugh. "Although, you definitely look pretty when you're screaming."

You huffed and stepped further into the room. "Out." You ordered, pointing to the door. "Now. Leave."

"I could leave, but I'll just come back around." He said, getting up from the bed. "Come on, make it easy." He purred as he came closer, backing you against the wall.

"I'm serious, Izzy." You said, hoping the quiver in your voice wasn't too obvious. "Get. Out. Of my. Hotel room. Now." His hands found your hips, pinning you to the wall.

"I just wanted to come and make sure you were sure about not touring with us." He said, bringing a hand up to your face. "I want to make sure." His thumb caressed your cheek, moving down and swiping over your bottom lip. "You're sure you don't want to spend a few months with us? Just playing for the fans?" His thumb pushed into your mouth, pressing down on your tongue so you couldn't respond.

Izzy's free hand went to unbutton your jeans, slowly pulling down the zipper. He replaced his thumb with two fingers, letting you suck on them. "Make sure they're nice and wet, darling." Your knees buckled as the name fell from his lips, the rasp of his voice hitting your ears.

He got your jeans halfway down your thighs before he went for your panties, snapping them off of you. "You don't need those anymore, do you?" You shook your head, his digits still prodding around your mouth.

He tossed the fabric to the ground and pulled his fingers from your mouth, bringing them down to your heated core. "You're already so wet, I didn't even need you to do that, did I?" He asked, smiling widely down at you as the pads of his fingers danced around your clit, making your eyes flutter. "Could've just slipped in anyway. I bet you're already prepped, too."

Your hands went to his shoulders, looking for anything to hold onto as he pushed both digits into you. He let you adjust to the intrusion before he thrust them in and out of you.

He used his free hand to hold you against the wall, pinning you by the shoulder. He wanted to watch every emotion that crossed your face, every little detail he wanted to take in.

Your lips parted with soft moans that only got louder as he brought you closer to the edge, slim fingers curling so perfectly inside you. Your hips bucked into his hand and his chuckled. "That's it, just like that." He purred. "Get off on my fingers." He closed the gap between you two, pressing his lips to yours in a warm kiss, completely opposite to the way his fingers were abusing your cunt right now.

Your moans fell from your lips onto his, his tongue slipping into your mouth. Your thighs pressed together, locking around his hand for a second. You needed him to keep moving his hand, you were so close.

He let you ride out your high on his fingers, curling them just right inside of you as heat washed over your body and your walls fluttered around his digits before he pulled them out, leaving your cunt aching dully at the sudden emptiness.

"Fuck, Izzy..." You breathed, wrapping your arms around his neck, pulling him closer, his lips pressed against yours.

"Are you reconsidering?" He asked against you, barely pulling away.

You shook your head. "Don't-don't think about that right now, think about this." You mumbled, needy for more of his touch.

Izzy hummed against you and got on his knees, taking your jeans with him. He looked up at you and caught the blush dusting over your cheeks, the slight widen of your eyes.

He gave a quick kiss to your clit before he stood up again, his hands sliding up your sides to pull your shirt off over your head. He unclipped your bra and tossed it over with the rest of your clothes.

Your eyes trailed down his pale body, slim torso, veiny cock blushing at the tip. He tilted your head back up, a lopsided grin tugging at his lips. "See something you like?"

You bit your lip and nodded. Your legs were already shaky, you didn't want to think about what you'd be like afterwards.

Izzy didn't give you much time to think about it before he was hiking your legs up around his waist, holding your ass and using his body to pin you against the wall.

You felt him between your legs, cock hard against your core. You ground your hips against him and he let out a low groan while you bit back a moan.

His grip on you tightened and he pulled a hand away to line himself up with you, pushing into your relaxed cunt. Your face scrunched, eyes screwing shut in pleasure.

Izzy groaned low in your ear as he felt your warm walls engulfing him. “You feel so good.” He purred, pecking your lips. “Don’t know how long I can last with you squeezing me like that.”

Your fingers laced through his hair, pulling at the dark strands. Izzy’s eyes fluttered and his hips thrust into you.

Soon the room was filled with your moans again, along with skin slapping and Izzy’s grunts that got higher and more desperate the longer he went.

He swallowed thickly, hand holding your face in a firm grip. “Look at you, a whiny, moaning mess.” He said through gritted teeth. “You’ll look even prettier once your belly rounds out.” Your brow raised slightly but you were too focused on how good he felt dragging against you. “Can’t stay away from me if you’re carrying my kid.”

This was his plan for getting your band on the tour? By giving you a kid?

You couldn’t care less right now, not when you were so close and he fucked you so good.

Your moans just got louder until you finally came on him, and he followed not long after but his thrusts didn’t stop. “Gotta keep it in you, don’t I?” He asked, heaving breaths. “Make sure you’re nice and fat with my kid.”

You knew you’d seriously have to think about this tour now.

59 notes · View notes

writergeekrhw · 2 years ago

Note

If I remember correctly from the 2007-8 strike, it was treated like an immediate problem in terms of availability of content, and there was a lot of work to find things that people could watch that didn't break the strike (like Dr. Horrible) but here it seems there's still a lot of shows coming out that were produced before the strike. Why is it different now from then? Is it just about how long the 07-08 strike went on, or a bigger difference in TV and film production schedules?

Streaming shows take forever to make and most of the writing for them is done 1-2 years before release. For CGI FX heavy shows, it can take a year between production and release. So for streamers, there's a lot of stuff slowly moving through the pipeline, which gives them even less motivation to strike a fair deal with us. The 2007-8 strike went 100 days. We are now at 90 days, and I think, unfortunately, we have a long way to go.

But since this strike is trying to address existential issues in screen and television writing, and if we fail, our profession will be eroded until it basically ceases to be a viable career path except for an elite few, we have to keep at it as long as it takes.

#tv writing #ask me anything #ask me stuff #stand with the wga #wga west #wgawest #wga strike #support the wga #wga strong

628 notes · View notes

fridayyy-13th · 8 months ago

Text

gonna be honest, feeling very conflicted about this episode, lads. i've been really hoping Protocol won't explain away the (NARRATIVELY IMPORTANT) mystery left at the end of Archives, i.e. Jon and Martin's fate, so seeing as they're the next thing Sam and Celia are gonna be investigating, this is kinda gonna be the thing that makes or breaks Protocol, for me.

i do think there's a solid chance Chester and Norris are the Jon and Martin from Protocol's universe, and that is something i absolutely would not mind. but i haven't actually made a post explaining why i think that, and i should probably do that before it's explained, just so i can mayyyybe say i called it.

(for the record, i'm pretty sure i came up with most of this before the series even officially dropped, when all we had was the ARG and the trailer. i haven't done much to connect this theory to the further information we've learned, so it's probably not fully accurate (if accurate at all). and quite a bit of it is kinda baseless conjecture; i'm just throwing my thoughts out there. just a little disclaimer.)

so!

in Archives, Jonah's primary motivation is fear of death. turning to the Eye is what allows him to body-hop as he does for 200 years, trying to create a world where his Patron reigns supreme, where he is seated upon its throne and cannot die. assuming his motivation is the same in Protocol, this new universe is (likely until recently) untouched by the Entities. if Jonah wanted to evade death, how could he do that without the help of an eldritch fear god?

easy—alchemy.

i'm not particularly knowledgeable about the subject as a whole, but i'm certainly familiar with the Philosopher's Stone (the symbol of which is also present in the OIAR's/podcast's logo, though it seems the OIAR is more focused on balance than on experimentation).

i also know that the seven metals used in alchemy (gold, silver, mercury, copper, lead, iron, and tin) are all components of computer chips. i've been thinking Jonah, or maybe his successors, saw that and began turning their research to how it could be utilized to extend—or preserve—life.

to cut to the chase, bc frankly it's hard trying to sound like i know what i'm talking about and this post would take forever to write otherwise, i think Jonah tried to Sergei Ushanka himself into a computer, because metal and plastic are a hell of a lot longer-lasting than a human being.

but he wouldn't shove his consciousness into some random motherboard without making sure it was safe, what do you take him for?? he is a man of academia. obviously he had to test it on others first, and then he'd do it himself.

cue the thought experiments the Institute ran on kids. the things the experiments quantify are empathy and obedience to authority, which to me screams that they were trying to find kids who were easy to manipulate into more dangerous experiments.

and who are two characters who were kids in the 90s, with circumstances that left them lonely, isolated, and who, even as adults, are desperate to please (whether a parent or a bad boss)? Jon and Martin.

i posit that Jon and Martin were both victims of these experiments, perhaps the first (and only) successful subjects, and Jonah uploaded his consciousness to the computer soon after. their records could have been stricken from the spreadsheet to hide that they'd even been part of the program, and given the Institute burned down soon after, and there were no survivors—it could have been assumed that they'd died in the fire. it isn't like they had the most doting guardians to worry over them.

...but Chester and Norris's voices are those of adult Jon and Martin.

best i can figure, Jonah's plan might have worked in the short term, but computers have had date/time hardware in them since the 80s, so they—and Augustus—are still aging. so they've been trapped in computer software since 1999, and now that Sam and Celia are digging into what happened, they're desperate to catch their attention and find a way out.

(and lastly, a fun little thought—given Jon and Martin were both born circa 1987, they would have been twelve in 1999. they didn't even get to be teenagers.)

#i could be way off base with this!! who knows. but i'm throwing it out there anyway Just In Case I'm Right #and if i am i will never shut up about it for the rest of forever. just so y'all know.#if this isn't what happens i do in fact already have notes for a fanfic lmao. childhood best friends anyone??#friday chats #the magnus protocol #tmagp spoilers #tmagp 22 #tmagp theory #jonathan sims #martin blackwood #jonah magnus #chester tmagp #norris tmagp #augustus tmagp

77 notes · View notes

d0llfaac3 · 11 months ago

Text

JAMES PATRICK MARCH NSFW ALPHABET

Pairing: JPM x F!reader

Warning: 18+, MDNI, below the cut!

A = Aftercare (what they’re like after sex)

It’s James, it really depends on the sex, if it was rough angry sex, probably a little kiss on the forehead and that’s it, if it’s slow passionate all night sex, then he’ll run a bath for you, cuddles, the works.

B = Body part (their favorite body part of theirs and also their partner’s)

James’ favourite body part on you would probably be your hips, he loves grabbing them from behind for hugs and he definitely like grabbing them in bed.

On himself, I’d say James likes his hands, I mean they’ve been the cause of so many deaths but also your pleasure, it makes him aroused to even think like that.

C = Cum (anything to do with cum, basically)

James isn’t really too picky, I mean when you two where alive he used to fuck you in his office and then go back down to the contractors downstairs, cum in your panties and all, but now, he’ll come anywhere, mouth, face, tits, he doesn’t mind as long as you don’t.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He doesn’t want you to know this but he would fuck you anywhere around the hotel, he would love to have you bent over and someone walks in.

E = Experience (how experienced are they? do they know what they’re doing?)

I’d say James is pretty well experienced, I mean we know he disliked religion so he definitely wasn’t a celibate man until his wedding. But now he’s definitely more experienced with your body.

F = Favorite position (this goes without saying)

I’d say it depends on the day, if he’s feeling upset he likes you riding him, but if he’s angry and it’s angry sex he definitely likes missionary and doggy.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

I mean it’s James, he’s pretty serious when it comes to making you come, I’d say he’s not too goofy but he’s not too serious, maybe giggling at a few words here and there because sex is still seen as kind of..odd to your 1920s brains.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

I mean, we’re talking about a man who died when he was about 31 and has been a ghost for the past 90 something years, I’d say he’s not porn star level wax but I’d say he shaves, it’s the same colour as his hair and it’s only a small amount, not too much that it’s uncomfortable for you to go down on him.

I = Intimacy (how are they during the moment? the romantic aspect)

James makes everything about you, he’s calling you sweet names, praising you and telling you how beautiful you are.

J = Jack off (masturbation headcanon)

James is from the 1920s, masturbation was seen as a sin and a weird strange thing to do, but now that you’re with him for eternity, he doesn’t need to jerk off anymore since you’re there forever.

K = Kink (one or more of their kinks)

Everyone knows James is a kinky man, one of his favourite kinks is that he likes knife play, he would never actually hurt you, but he likes that, but he also likes tying you up.

L = Location (favorite places to do the do)

It’s a hotel, sometimes it’s the bathroom, sometimes it’s the bedroom, his office, the balcony, one time it was the room with the spike on it, for his victims, but he didn’t let your precious little self go near the spike.

M = Motivation (what turns them on, gets them going)

Literally anything. Like actually anything you do could turn him on.

N = No (something they wouldn’t do, turn offs)

He wont force you to do anything your not comfortable with, even for a sadistic murderer, he wants to make sure his wife is okay.

O = Oral (preference in giving or receiving, skill, etc.)

He likes receiving, as most men do, but he also loves giving, he could have you on your back, legs wide on his desk while his face in buried between your legs and he LOVES it.

P = Pace (are they fast and rough? slow and sensual? etc.)

Angry sex = fast and rough, not caring.

Sex that you’ve been teasing him all day with, my god he’ll go nice and slowly, making sure you feel absolutely everything.

Q = Quickie (their opinions on quickies, how often, etc.)

I mean when you two where alive, it used to be all the time, a little quick fuck in his office before the contractors got to the hotel, he enjoys it. But now that you two are ghosts it’s more..frequent sex than anything else.

R = Risk (are they game to experiment? do they take risks? etc.)

As a man with so many kinks, James also takes risks, he’d have sex anywhere, anytime, any day. He’s up for anything you want.

S = Stamina (how many rounds can they go for? how long do they last?)

With his gentler sex, he can last hours..I’m not even kidding, one time you two where fucking for 3 hours with no breaks, he can go rounds and rounds, the most amount of times he’s came in a night was 8, he made you come 9 times.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He wasn’t aware of them until he overheard you and Iris talking about them one day, he’s yet to use them on you but he is planning on buying some.

U = Unfair (how much they like to tease)

James is an unfair man, he’ll tease you for hours, making you wait, he’ll edge you until you’re tearing up and he’ll give you the most life changing orgasm of your life.

V = Volume (how loud they are, what sounds they make, etc.)

DEFINITELY grunts and whines, when you’re giving him head he whines like a baby, giving out for a minute about a guest who was looking at him funny, next minute he’s whining as his thighs shake a bit.

W = Wild card (a random headcanon for the character)

He really wants to try anal but he’s scared to ask.

X = X-ray (let’s see what’s going on under those clothes)

Definitely like…seven inches. It’s kinda thick too. Veiny, he’s circumcised, it was a big thing in the late 1890s.

Theres a big vein running from his tip to his base, half of it is visible but the whole thing becomes visible when it’s hard.

Y = Yearning (how high is their sex drive?)

Depending on the day, he can wake up horny with a need to fuck you and you tease him all day until the most jaw breaking bone shattering sex ever.

I’d say his sex drive is pretty high.

Z = Zzz (how quickly they fall asleep afterwards)

Angry sex? He’s out like a light, 2-5 minutes and he’s knocked out cold, soft wholesome sex? He’s too busy with aftercare for you.

Thank u for reading :)

#james patrick march x y/n #james patrick march #james patrick march x reader #james patrick march x female reader #james patrick march x wife #american horror story #American horror story hotel #ahs apocalypse #ahs cult #ahs coven #ahs hotel #ahs fandom #ahs murder house #star wars fanfiction #fanfic #ahs fanfiction #hotel ahs fanfic

88 notes · View notes

catbountry · 2 months ago

Text

I think the most upsetting thing about the Neil Gaiman accusations is because I'm so used to creators whose work I love giving off some very obvious signs that something is deeply fucked with them being called out for fuckshit. If you'll indulge me, I'd like to compare and contrast my feelings on this to when accusations against another, very different artist from whom I took a lot of influence from was were made public; an artist whose influence on my own work goes back even further than Neil's.

I'm gonna compare my feelings to finding out the truth about Neil to my feelings finding out the shit Ren and Stimpy creator John Kricfalusi had been up to since the 90's.

I was not at all surprised finding out John Kricfalusi was grooming and raping minors. Shocked? Yeah, a little bit, but not surprised. I already knew that dude was and still is a dirty old man and an asshole for YEARS. He broadcasted the fact that he is an asshole so blatantly that I remember finding his blog when I was 18 and I briefly thought about reaching out to him because he was such a huge artistic influence of mine, but I was intimidated by him. I was afraid he would tear my still quite anime influenced art to shreds and crush my fragile spirit. Turns out that is probably not what I should have been afraid of.

Neil had Tori Amos fooled. Tori Amos. He was the godfather to one of her children. She was tearing up when interviewed about those accusations. People who knew Neil just didn't see this part of him. Instead, he appeared to have kept that behavior to women who he thought he could most easily get away with treating in the most vile and degrading ways possible. The calculation in that is terrifying. I wanted to meet Neil. I briefly saw him walk past me at a small local con where he was invited as the guest of honor alongside Peter S. Beagle, who I did get to talk to and would see at cons in the years following quite regularly. He recognized me. I doubt Peter knew. I doubt Terry Pratchett knew.

With John K., I was able to get some catharsis with fellow Ren and Stimpy fans by talking about the contributions of other artists who worked on the show. We were able to laugh at his strange behavior that included punching a lamp and screaming, or hiding under the desk of one of the girls he's groomed while he cried. He was so obvious. There were so many angles to attack him from, it was like beating the candy of of a pinata. It probably helped that the cartoon he created was purposely crass and juvenile, that his issues with his father were so nakedly on display and even mocked by the staff who stuck around for the Games Animation era (honestly, I feel like this is an underrated era of the show; it's not quite the same with John's particular brand of batshit, but they did the best they could and the best episodes were ones that were making fun of him and how seriously he took himself). Stories about him hitting on young fans at conventions and acting unhinged were numerous. People knew about him being racist, and he was obviously a chauvinist. He was notoriously difficult to work with and was known for verbally and psychologically abusing his subordinates. Very quickly, the people who worked for him were whittled down to yes men, 20-something year-old fanboys, and suspiciously young girls. If he wasn't as talented and passionate about animation as he is, nobody would have put up with this dude. He surrounded himself with people who lacked the emotional maturity to see through his persona as a misunderstood genius.

But Neil? I knew about the groupies. I'd only ever heard of consensual hook-ups. The man was charming and witty and, I'm not gonna lie, I found him attractive. I certainly did the one time I saw him in person, over 20 years ago. It beggared belief that he would stoop to this level. I didn't want to believe it at first because of the original podcast having an ulterior motive of being TERFs. Like obviously, this is not about ease of access to strange ass. It's about power. One only needs to read the Vulture article to find out how much of this was getting off on abusing vulnerable women; women who wouldn't be believed because he was such a Good Feminist. He was beloved on this website. Hell, I sent him a few rambling asks to his blog telling him how much Sandman meant to me, how much it influenced me as a comic artist. I sent one while zonked mere days before the allegations dropped, and confided in him about how I was using my comics as a way to process my trauma from an abusive relationship, coincidentally from a comic book fanboy who enlisted me to help track down Neil at a room party to meet him (we did not find him). I even included a panel from one of the comics that had an exchange that felt like I was directly tapping into the influence from him specifically. And then the allegations dropped. And then the Vulture article came out. And it kept getting worse and worse.

I don't know how to mock him like I could so easily with John. I don't know if I want to mock him. I'm angry, hurt, saddened and deeply disturbed. Turns out Neil's about as fucked up as John, but Neil kept it hidden. He didn't radiate the same pathetic, insecure , fragile masculinity combined with an insistence on mirroring the appearance and artistic sensibilities of one of his idols the way John does with Bob Clampett. His work doesn't scream at the absolute tops of its lungs what lurks deep inside of him, and how he's perpetually stuck in an adolescent mindset. Instead, Neil gave us glimpses that were framed in such a way that no reasonable person could look at them and assume these were confessions... and it's only after being exposed that it ever even crossed my mind to examine them in such a way.

There was never any reason to believe that the writer in Sandman who raped a muse he kept imprisoned for ideas was a reflection of Neil, especially after he'd received the karmic justice dealt to him by Morpheus. Good people can and do write some very disturbing shit. Clearly, he knew that this was wrong, vile, and foul. And yet, he inflicted that anguish onto over a dozen women that we know of. Like... what the fuck, man? Why? I got very used to my own abuser having a layer of plausible deniability, some kind of excuse, just enough restraint to keep me around and keep pushing my boundaries, resorting to pouting and pleading when presented with a "no" so that he could lie to himself and convince himself that he never did anything I didn't agree to. But the acts described by Neil's victims are so sickening that there was no way in hell he didn't know exactly what he was doing. He knew it was wrong. He got people to trust him because he so openly acknowledged just how wrong this type of behavior is... and yet he did it anyway.

That's what makes this feel like such an act of betrayal, and all the more sinister. He wrote such heartbreaking and beautiful human moments. Things that felt real and true. Things that brought tears to my eyes and have stuck with me for years and years. Was it just a mask, perhaps reflecting back what I wanted to see onto it like some kind of, I don't know, MirrorMask, perhaps? Are there two sides? Or is it all a carefully designed trap?

I don't know if I'll be flipping through my paperbacks of Sandman anytime soon. I'm grieving the author that I'd pictured in my head, the man of whom I based an ancient OC. The man who was on stage at Balticon 40 with Peter S. Beagle, as they went back and forth with one another on writing in front of an audience that included me.

I guess now I know what he really meant when he said that writers are liars and thieves.

#not fan fiction

26 notes · View notes

tumblingxelian · 11 months ago

Text

Chloe & Heroism

Chloe Bourgeois as a hero early on is a premise that often evokes either questions, like "How" and "Why". Or expectations that she is either already on a path to self improvement, or will be forced onto within a short timeframe.

These are not bad questions and the former definitely are necessary to consider for a story. However the expectations I tend to feel a bit murkier and while I have no issue with how some authors handle this topic.

I want to outline why I think you could do a good "Hero Chloe" story before she gets character development, but first, house cleaning!

1: I have not watched and largely ignore everything post season 3, so don't bother bringing up Derision. Remember, season 1 Kim was afraid of spiders.

2: In canon. Chloe only revealed her ID publicly because her abusive mother she is obsessed with pleasing (who killed her the day before) chose a girl other than her to take to New York & then tore her to shreds in front of everyone.

With all that in mind let's examine where Chloe's values and understanding of the world comes from and how she perceives them!

1 - Media/Social Media

This would be a mixed bag, because on one hand they have Mighty Majesta comics that try to instill good values, but also shows built around lying to and humiliating people are evidently popular television and the internet seems similar in regards to pranking VS trying not to be terrible. So she's gonna get mixed signals at best.

2 - Her family & Circle

This is where 90% of the problems come from. Of the important adults in her life, her father, mother, Gabriel and Nathalie are all varying shades of corrupt, abusive, cruel and ruthless, while the lesser evils like Jean and Emilie are largely consigned to the role of enablers.

Worse still, even if we ignore the emotional abuse, neglect and other elements that led to her both having trauma and her trauma response manifesting in aggression. We still have issues like Andre, during the brief periods he bothered to parent, explicitly teaching Chloe that, Stealing, extortion and threats are all appropriate ways to succeed in life.

IE, she isn't compromising her morality when she does these things, she is very much doing what she is taught was right at least consciously. This isn't helped by a 24/7 Audrey impression as Audrey deems being in her vicinity as reason enough to hurt people unless she deems them useful.

Long story short, the values and people she was brought up around are all explicitly some shade of bad, or enabler, or outright teaching her to harm others.

3 - Societies & Class

However, we know from season 2 that Chloe is not entirely unaware that there are issues with this. Because while she spends much time boasting of how she's beloved and brilliant, when stripped of that and exposed to someone she trusts she is entirely willing to confess that she knows everyone hates her and that she feels she has no worth. She may not be able to articulate why or how this came about but she knows something is wrong.

Despite this, school is not the best place to figure this out, especially for someone who obviously struggles with social cues and the like. The teachers run the gamut from indifferent and unpleasant, to extremely gentle and accommodating, to simply not wanting any form of drama and usually caving to whoever makes the most noise and none of them have the authority to do much outside of class hours.

The class is not significantly better, because students like Kim and Alix can and do casually throw around snark or do pranks and at worst only get brief bursts of anger while Chloe's garner a more intense response. This is because her relationship with the class and motives are varying shades of different, but for someone with issues reading social cues, it's just going to seem like a confusing double standard.

We can also see all this demonstrated in her relationship with Adrien, as Chloe clearly takes the lead in their relationship in Origins and outlines her logic behind the pranks, but is then surprised when Adrien seems to turn against her. What's more, it seems Chloe is aware that Adrien is more gentle/naive than her given she tried to educate him on these matters & turns to him for comfort and protection at times, while seeing no inherent contradiction between her expectations for their relationship and how she treats others.

Adrien does not help matters with seeming indifference to how she treats staff.

Thus, while she knows 'something' is terribly wrong, actually being able to understand it and work through it is another matter.

4 - Chloe's Conclusion

So, what is the conclusion Chloe comes to in order to square all of these circles when she isn't just in full denial mode? The answer is quite simple and even demonstrated in the show itself, playing one's role.

IE, Chloe the mayor and style queen's daughter is different to Chloe the hotel owner's daughter and we see this in her being able to stamp down on her usual instincts and slap on a customer service role when Jagged Stone enters the hotel and guide her father into doing the same. VS how she conducts herself during a class election, IE explicitly threatening and extorting people, to how she conducts herself day by day with her Audrey impersonation.

A separate example and way she'd view this for others would be that Marinette the baker's daughter of course has to be nice and sweet and giving because that is how customer service roles work, while Marinette the aspiring fashion designer or would be class president is sneakier and will lay traps so people trying to steal from her are sabotaged. This isn't wrong, this is how she expects people to behave when in these circumstances and roles.

Final Conclusion

Which is why Chloe could easily play the role of a successful hero, because she would not be "Chloe Bourgeois, mayor's daughter, hotel heiress and Style Queen's daughter" as Queen Bee, she would just be Queen Bee, a superhero.

They have wonderfully defined roles that would be easy for her to pick up & follow through on: assure the public, save people from danger, protect allies, defeat monsters, all things Chloe was shown doing very well when chosen as a Miraculous Holder.

I think that eventually the contrast in how she is received as Queen Bee VS Chloe Bourgeois would start grinding on each other and bleeding through both sides of the mask.

But the infectious nature of empathy and a larger support network that don't have the worst impression of her would give Chloe the room she needs to explore and grow.

If she is too snippy as a hero, or shows a ruthless side, these won't be taken in the context of "Chloe that person I dislike" but "Queen Bee my ally" and can allow for more honest and even handed reactions that give her the necessary breathing room to grow and change.

So yeah, I think season 1 Chloe could have, under the right circumstances, done a great job as a hero be it Queen Bee or another hero even before any outside circumstances or internal changes might have forced her to chart a new course in life.

Provided the role of Chloe and the role of hero do not intersect and become one almost immediately, because in that case it gets a lot harder for her.

#chloe bourgeois #miraculous ladybug #Meta #Analysis #Text Post #My thoughts #No shade on anyone who does things differently #Queen Bee #Though it could be any means of being a hero or any Kwami #Miraculous Holder Chloe

89 notes · View notes