#888888>For

[beelikesdramas]

episode 9 of love sea the series made me cry!! Mut helped Rak get the opportunity to regain strength in the face of his abuser!! and to get that when Rak had that level of trauma was so invigorating to watch!! it was amazing

[mazecube]

Motor Oil Calculator

AMSOIL Savings Calculator { “@context”: “http://schema.org”, “@type”: “WebApplication”, “name”: “AMSOIL Savings Calculator”, “url”: “https://synthetics.blog/engine-oil-calculator”, “applicationCategory”: “Utility”, “operatingSystem”: “All”, “browserRequirements”: “Requires JavaScript”, “softwareHelp”: “https://synthetics.blog/help”, “description”: “Calculate your potential…

[mysangrelatina]

CASH MONEY MAKES A INTO THE LATIN MARKET WITH THE SIGNING OF ARTISTS OUT OF PUERTO RICO

– Cash Money Records, the esteemed record label renowned for its pioneering spirit and unparalleled success in the music industry, proudly declares its strategic entry into the vibrant Latin market. With a steadfast commitment to extending its influence and honoring the rich musical tapestry of Latin culture, Cash Money Records unveils the signing of four exceptionally gifted artists from Puerto…

[ynwa-chiesa]

TUMBLR WAKE UP!

[befreiungsbewegung]

Gegensprechanlage Mittwoch 21 h auf Radio Lora 92,4

Mi 11. Oktober 21h Aktuell geändert: Israel und Palästina - Was ist da los? Mit Jürgen Jung im Vorstand von Salam-Shalom e.V. und Fuad Hamdan, aus Palästina nach München gekommen -  Zu dem Gedanken, dass Hamas aus dem israelischen Geheimdienst gegen die Macht der PLO gegründet worden war ... und weitere Einschätzungen: https://www.republik.ch/2023/10/13/islamismus-experte-olivier-roy-ueber-den-hamas-angriff-auf-israel Philosoph Omri Boehm über einen Staat für Juden & Palästinenser - Jung & Naiv: Folge 468 2:09:05 Moshe Zimmermann über Rechtsradikalismus in Israel - Jung & Naiv: Folge 397 1:41:57 Mi 8. November⋅21h bis 22h Gegensprechanlage mit Marianne Dötzer und Karin Sommer Mi 13. Dezember 21h Wolfgang Goede zu den Gedanken der weltweiten Pluriversum-Bewegungen Universum hieß es früher, nun denken wir in der globalen Welt weiter, was auch vor der Kolonialisierung an anderen Denkweisen und Kulturen, Gemeinschafts-Ordnungen und Religionen existierte, was Anthropologen wie David Graeber und David Wengrow in Anfänge beschreiben. Kothari, Salleh, Escobar, Demaria, Acosta (Hg.) Pluriversum. Ein Lexikon des Guten Lebens für alle 2023 / ISBN 978-3-945959-67-1 / 326 Seiten / 15 Euro - Das Lexikon ist eine spannende Sammlung von transformativen Alternativen, die sich gegen die gegenwärtig vorherrschenden Prozesse der globalisierten Entwicklung stellen, einschließlich ihrer strukturellen Wurzeln in der Moderne, im Kapitalismus, in staatlicher Bevormundung, in den maskulinen Werten usw. - In weit über 100 Beiträgen von Autor*innen aus der ganzen Welt wird die ganze Bandbreite der Auseinandersetzung behandelt, aber vor allem werden viele praktizierten Projekten des Wandels vorgestellt. Sehr lesenswert! Online-Ausgabe: http://www.agspak.de/pluriversum Weitere Textauszüge für Verbreitung: Ein Lexikon des Guten Lebens für alle Read the full article

[yellowsandandshells]

[pale yellow] [light blue] [pale green] [soft pink] [wisteria purple] [turquoise] [scarlet] [lime green] [dark magenta] [pink] [orange] [yellow] [black] [light grey]

-

[for better quality, original images, go here: link]

[pinknatural]

cybersecurity

Cas has his hand aglow with grace, preparing to smite his phone, when suddenly a hand wraps around his wrist. The light fades and he looks up at Dean, who is reached across the kitchen table looking vaguely panicked. 

“Woah, buddy, hold your horses,” he says. “What’d your phone do this time?”

”It broke,” Cas says in disgust, showing Dean the screen. It is dark and frozen, with words across it proclaiming that it is “locked” for five minutes, due to “too many failed password attempts”. Infernal thing. Cas is pretty sure cellular phones are the work of demons, which would explain why it is difficult to use and also extremely addicting. Candy Crush, in particular, is certainly demonic work. Emojis were probably invented by a human, which would explain why they’re so delightful.

“Well,” Dean says. “Looks to me like you forgot your password, except that I know you don’t have a password. Did you set one on accident?”

“How would I have done that?” Cas demands. To be quite honest, he thought his phone simply didn’t come with a password. 

“Under ‘settings’ or ‘general’, or something,” Dean says. Cas shakes his head. The only apps he goes on are the texting one, and Candy Crush. And Pinterest. He spends far too much time on Pinterest. 

“Well, then, it’s a stumper,” Dean says. He takes another bite of his scrambled eggs. Cas glares at his phone. 

Sam comes into the kitchen, whistling cheerfully. He goes to the fridge and starts to pull out his kale and almond milk and whatever else he puts in his post-run kale smoothies. He’s dressed in flannel and jeans, and his hair is wet, so Cas supposes he must have showered already. 

“Sammy, do you know why Cas’ phone would lock him out? He doesn’t even have a password.”

“Oh, yeah,” Sam says, turning around to face the table and snapping his fingers. “I gave you one.”

“What?” Cas says. 

“It’s not very secure to not have one,” Sam says. “What if someone steals your phone? Or you leave it somewhere?”

Cas has forgotten his phone on a case approximately eleven times. Apparently Dean has never told this to Sam. Suddenly, leaving his phone behind so much seems less embarrassing and more of a wonderful secret that he and Dean share. He looks at Dean, but his face is steady and he’s still facing Sam. 

“And you just didn’t tell him you locked him out of his own phone?”

“I literally set it an hour ago,” Sam says, rolling his eyes. “I didn’t think he’d notice!”

It’s possible Sam doesn’t know about Dean and Cas’ routine of sitting together and eating breakfast, Dean scrolling his phone for cases and Cas scrolling through wedding inspiration on Pinterest, but that seems impossible, for this time is as holy as church. He squints at Sam. 

“So what is the password?” he asks. 

“I just made it 123456,” Sam says, raising his hands defensively. “But you should change it to something else.” 

Dean rounds on Cas, eyebrow raised. “And you didn’t guess that?”

“How would I know to guess that?” He had mainly guessed things like 888888 or 333333. 

“Ugh,” Dean says, dropping his fork onto his eggs. “Ok, Steve Jobs, put in your new password and I’ll help you get set up.”

Cas enters the password. Sam rattles around in the pantry. Dean leans across the table. Cas tilts his phone toward him. 

“Go to Settings,” Dean instructs, pointing at the gray gears in the top corner of Cas’ phone screen. Cas taps it and follows Dean’s directions into the “passcode” section. He has to enter Sam’s absurd password one more time to change it.

“What should I change it to?” he asks. 

“I dunno,” Dean says. “A lot of people use a date or something.”

“Is yours?” Cas knows Dean’s password, of course, but he thought it was a random string of numbers that had come with his phone. Why he thought his phone didn’t come with one while Dean’s did he doesn’t know, but it was easier without a password and so it never bothered him. 

“Yeah,” Dean says. Cas tilts his head. 

“Why October 22, ‘69?” he asks. Dean grins. Sam groans. To be honest, Cas had forgotten Sam was even in the room.

“Led Zeppelin II’s release date,” Dean says. “The day ‘Ramble On’ came into the world. Best day ever.”

Cas develops a new appreciation for October 22, if not just because Dean likes it. 

“Plus I wanted to put 69 in my password,” Dean says, winking outrageously. Sam pretends to vomit. “Sammy over there likes to rotate his password out,” Dean says. He rolls his eyes. “Always between sappy shit like my birthday and Dad’s birthday and Mom’s birthday.”

“Whatever,” Sam says. “Normal people use birthdays or anniversaries, Dean. You’re the freak here.”

“Sounds like something a little bitch would say,” Dean says, winking at Cas. Cas looks down at his phone, hiding a little smile. 

“Jerk,” Sam says, and then he turns on the blender. 

Cas should use a birthday, he supposes. But he does not have one of his own to use. He wants to make it Dean’s birthday. He glances up at Dean, who is jokingly exchanging nasty expressions with Sam. He imagines one of those expressions turned onto him, and looks back at his phone. Perhaps 012479 would be too revealing. He looks at Dean again, and then types in a number. 

Sam turns off the blender and Dean turns back to Cas. 

“So?” he says. “Think of something?”

”Yes,” Cas says. “091808.” He likes those numbers in his mouth. 

“What’s that?” Sam says. 

“Just a random number,” Cas says. For some reason, he doesn’t want Sam to know.

”I guess you met us in ‘08,” Sam muses. 

“I suppose,” Cas says. He looks at Dean. His beautiful face is kind of frozen, cheeks dusted with red. Their eyes meet. Dean’s flush deepens. Cas stares at him. 

Somewhere behind them, Sam bottles his smoothie and leaves the kitchen, muttering about research. Cas doesn’t look away from Dean. 

“Good numbers,” Dean croaks out eventually. “Cool…password. Uncrackable.” He stands, gabbing his plate and dropping it in the sink before running out of the room. Cas looks back down at his phone, smiling at the screen, and absurdly pleased that Dean recognized the numbers at all.  

[scouped]

-888888 aura points

[ca-dmv-bot]

Customer: NONE DMV: PLATE LOOKS LIKE A LOOK ALIKE 888888 Verdict: DENIED

[cloudofbutterflies92]

Neka tag game

Tagged by @violetflavia thank you dear 🥰🥰💚💚, this Eden trying to understand why Ghost wearing a sweatshirt(he's a British man so) when they go at a restaurant

Tag: @chloekistune @graveyard-party666 @ghostgirlvii @kikiharinezumi @alypink @socially-awkward-skeleton @lilywatt @voidika @roofgeese @mkdecimation @chadillacboseman @welldonekhushi @himurasama @captastra @adlerboi @pricescigar @themotherofhorses @888888-88 @chainsawsangel @la-grosse-patate @moosch @raresvtm @theelderhazelnut @elderglocks @sweet-samnang @cassietrn @nik-barinova @josephseedismyfather @katsigian @kaitaiga @redacted-scp-antics @piouswolf and everyone who wants partecipate

[suffarustuffaru]

So thoughts on the final

major spoilers for arc 8’s ending down below!!! :3

LISTEN ANON KILLING ME WOULD HURT LESS THAN THAT ENDING OHHHUOUGHHHH GOD D D D D DD. DOUGHHHHB GHODKDODK D D D D D FUCUUUUUKKKKKKK MY LIFE E E E OUGHHHHHHHHHHHHHHHH IM GLAD PRISCILLA WENT OUT ON HER OWN TERMS BUT FUUUUCKKKK THE EMOTIONAL DAMAGE RAGGH RAGGHH

anyway heres a slightly more coherent list of things i liked about the finale :)

^^ priscillas ending speech will forever live in my head ;-;; what a way to go out ;-;;;; shes so amazing ;-;;;;; and wowwwwww this speech summarizing the whole thing with rezero and its relationships oughhh oughhh oughhhh ougghhhhh and tying it back to priscillas worldview and character fuuuuck

SUBARU THREW OUT HIS POISON PILL?? HOLD UPPPPPPPPP—

subaru is now an adult again yayayay!!!!!!!

WHAT THE FUCK IS GONNA HAPPEN AFTER THIS RAGGHHHA AGAGHRHRH

i like the bittersweetness of it all :) i hope everyone gets a lot of rest after all this!!!!! but i also hope subaru gets more consequences for his rbd abuse but im sure tappei will cook with that Eventually. theres some Depressing third trial lines to get to after all. but also you could say priscilla permadeath Was some form of consequence ;-; ough. you cant save everyone….. and she accepted this end for herself….

this dialogue vv

LMFAOOOO 😭😭

al schult and heinkel are up for adoption after this huh. and arakiya……. will be in shambles…….

WHAT IS GONNA HAPPEN AFTER THIS WTF F F F F F F FF

im gonna cry every time priscilla comes on screen for season three :(((((((((((( ough :((( :(((((( :((((((

i like how we briefly revisit everyone in the last arc 8 chapters :,)))) ough………… good leadup for that ending amirite ahahahahahahahah

a bit of stuff happened in my personal life at the same time this chapter came out so i was glad to cry over fictional things :) BUT RGGAHHHHAGAGHRRGHJ PRISCILLA :((( a good send off for her though!!! :(((( thank you priscilla for being the character ever :,,,))))

OUGHHHHHHHHHHHHHHH ARC 888888 FUCKCJKKKCKCK FUCKJKKKKKKKKKK THAT WAS SOME “the accident wasnt your fault” type shit FUCUJKKK

[themotherofhorses]

"—These are pictures of an Indigenous woman, with all her cultural specificity." "She represents a faceless … abused, missing … and murdered."

SilentDove Reyes — The Redback.

tw: loud gunshot at the very end.

note: is making edits of your oc hip w the kids? if the editing is absolute rubbish, mind ur business; it is literally my second time ever editing shit.

anygays, ahé'hee' @priceseyes @cloudofbutterflies92 @888888-88 and @inlovewithhisblueeyes for being my hype babes. mwuah.

[noxiatoxia]

hihihihihihiiiiiiiii i was wondering if u had any advice for people trying to get into thejapanese side of fandom. im so monolingual its making me embarassed. also are there any terms/slang tobe aware of. i saw CP/R and started panicking LOL

KJFNJREHGRJ that's understandable. The term CP means something COMPLETELY DIFFERENT in JP fandom I assure you. Here are some slang tips!

CP: this stands for "coupling" and is the Japanese equiv to the word "slash" or "ship". For example, I will use uhh apollo/klavier from ace attorney as an example. You might see something like "CP オドキョ" (CP Odokyo - "klapollo" in Japanese. Apollo = odoroki, Klavier = kyouya). So if you see CP in a Japanese fandom context don't panic lol, culture shock whiplash

w: you may see multiple "w" like wwww or wwwwwww etc. This is the equiv to "lol" in Japanese with more "w" meaning something is funnier. The etymology behind this is it is short for the word 笑う(warau) which means to laugh. You may also see 草 (kusa) however, which by any standard definition is just the word for grass. However, thru a long game of word evolution, people started pointing out that when you type a lot of "w" it kind of looks like blades of grass! (wwwwww) so therefore the word for grass itself became slang to mean "lol".

88: like "w" you may see many 8's in a row like 888888 or 88888888 etc. This is supposed to mean "applause" or imitate a clapping sound, and is used to show you are applauding something. Usually used at the end of videos to signify a "this was awesome!" or "great art piece!" sort of thing. Etymology comes from the fact 8 in japanese is pronounced "hachi". So two 8s in a line would be pronounced "hachi hachi". This is very close to the onomatopoeic sound for clapping, which is "pachi pachi". Thus, 88(etc) = clapping.

いいね (ii ne): Including this just cuz you'll see it a LOT on Japanese content sharing sites. It is simply the equivalent to "like" as in a like button. So on Nico video for example (nico video is a Japanese video platform, sort of like Youtube), their like button is an いいね button. The phrase basically translates to "this is good!"

R-15: This isn't used AS MUCH nowadays from what I've seen, but it is still worth a mention. Sometimes content may be marked "R-15", which is basically synonymous with "R-18" (18 or older). I'm not too sure why the age discrepancy exists to be honest, and like I said this seems to be a much older thing as nowadays every adult-content piece of Japanese media I see is marked R-18 and not R-15, but just keep it in mind whenever you see R-15 that you should actually treat it like an R-18 warning.

グロ(guro)/ゲロ(gero): slang terms for specific types of content. I think it's important to recognize them either in case you want to look for this specific content or you want to look out for it and don't accidentally click on any page with it. "Guro" refers to gore content (or general disturbing/body horror stuff), 80% of the time drawn/animated gore, but it has been used to refer to real life gore content (snuff imagery, real or fake). "Gero" refers to content centered on vomit/vomiting (again, uuuusually drawn but this more so than guro i have seen refer to the real thing, be careful googling if that sort of thing makes u squeamish). These two tags are specifically used to tag content that these concepts (guro for gore, gero for vomit) are the main focus, and so typically are usually (not always, but a lot of the time) fetish tags. It is also important to note "guro" is a shortened word for "grotesque" so in the context outside of Japanese fandom works, the word can take on a less fetishy meaning of just something being "gross" or "scary" (again usually in reference to disturbing imagery).

エッチ(ecchi)/エロ(ero): Okay, some stuff related to R-18 content, cuz again, I think it's important to know for if you want to seek it out or if you want to be on the look out and stay away. Ecchi you may have heard before. If I'm not mistaken, here in the west, it's used to mean "softcore porn" or "sexually provocative material that isn't full-on sex." Like, you know, actin sexy but not showing nips or dick or whatever. But in Japanese it's a bit different. Ecchi, as used as a tag on artwork and such, just straight up refers to porn. Real or drawn, but obvs in fandom it's gonna be drawn. The word itself can be a "cutesy" word for sexy or refer to somebody who is lewd. You've heard of hentai of course, right? Well, in Japanese, this specific kind of hentai is spelled ヘンタイ or sometimes HENTAI. It is based off the word with the same pronunciation, 変態, which means "pervert" or "abnormal". Hentai, unlike ecchi, refers to strictly fictional porn of anime characters, sometimes people cosplaying as anime characters, but it's usually just drawn/animated even outside of a fandom context. There is very little distinction between hentai and ecchi when it comes to drawings specifically, as far as I can tell. I guess the big differences it that "hentai" is definitely the more popular term, and so is going to be used by west and east fandom equally, while "ecchi" is used mostly only in the east fandom. "Hentai" may also have "weirder" porn based on the fact "hentai" as a word can be "abnormal", but that's mostly me basing it off the word itself and I could be totally wrong. Altho the actual wiki page for hentai in Japanese uses a picture of lolicon so maybe I'm right lol. エロ(ero)/エロい(eroi) is short for "erotic" and is used kind of in the same way that we use the word "sexy", like "this is sexy" or "that's hot as fuck", with hot/sexy being replaced with "ero(i)" in Japanese sentences. Sometimes in slang it is spelled as "eloi" since r's and l's are interchangeable in Japanese.

On that note, other terms: ショタ(コン) (shota(con)) and ロリ(コン) (loli(con)) refer to sexual depictions of fictional underage characters ("loli" being female and "shota" being male). エロゲー (eroge) (sometimes just エロゲ) is short for "ero game" which is what it sounds like, basically a porn game. アダルトゲーム(adaruto gemu) is much of the same, it means "adult game". And ギャルゲー (gyaru ge) means "girl game/gal game", which is NOT "game meant for girls" but instead "game with sexy women".

Ok moving out of the Sex Zone

手描き(te kaki): This one is very important if you wanna find animations by people. The word itself means "hand-drawn", but the best way to describe what it means in terms of how it is used is...well, tbh, the best synonym I can think of is "animation meme". In the west, I'm sure you've seen, there are things called "animation memes" which are sort of animation trends multiple people do. It's kiiiiind of like that. Most "te kaki" are re-animating a popular trend (so just like an animation meme) or are re-animates of specific scenes or, much more popularly, music videos that were already animated in the first place (think music videos by Pinnochio-P or Nanawoakari) except the character is traced over and replaced with an OC or some anime guy. It can also refer to completely original animation that isn't based off a preexisting animation. Sometimes you may see 手書きトレス (te kaki toresu) which means "hand-drawn trace" which refers to specifically the second definition I listed, where the character in an animated music video is traced over with a new one. You may see also 手書きMAD (more on that later...) or 手書き and then the series name they're animating. For example, Danganronpa is ダンガンロンパ. So an animated Danganronpa video would be 手書きダンガンロンパ.

MAD: hooo boy. Ok. I am obsessed with MADs, specifically Death Note ones. A "MAD" is purely a spin or remix of an existing work, usually musical in nature. When you look up MADs it will usually be anime clips, or general other video clips, edited to a song. Think like a YouTube Poop Music Video (YTPMV). Look up "ronald mcdonald insanity" on Youtube. This is basically every westerner's first exposure to MADs. Unlike YTPMVs though, MADs can sometimes have other elements that are not purely musical, and that serve to tell a story/joke. Furthermore, while most MADs are humorous in intention, some aren't. And while 90% of MADs are musical-based, some of them are just shitposts. You may see the term 音MAD be used (oto MAD), which means basically the same thing, except 音 means "sound", so you'll up that 90% to 100% and get only music-based MADs. Some MAD communities have their own name, and that is something you need to find out yourself. For example, I know the Death Note MAD community calls their MAD videos "bakayaroid" (バカヤロイド) which is a play on the word "vocaloid" and one of Light's most meme'd lines where he yells "bakayarou!!" (which means "you idiot!" or "you bastard!")

歌ってみた(uttemita): idk if this counts as fandom but it's handy to know. In Japan, covers of songs are not called "covers". They are titled with 歌ってみた, which translates as "I tried to sing [song name]". So if you wanna find covers of a Japanese song you like, pop in the title and copy paste 歌ってみた after it.

In terms of shipping...

Unlike in the west where we don't really differentiate top/bottom dynamics, this is actually pretty important when it comes to tagging ships. Although, I am starting to see less of it. Regardless, it is handy to know. For example, Danganronpa's komahina (komaeda x hinata) would be 狛日 (koma hina). This, however, implies Komaeda is the dominant one in the relationship. If you wanted to find content where Hinata is the dominant one, you'd have to search 日狛 (hina koma). Again, I think it depends what fandom you're in for how important this distinction in. for example, I find it is very prominent in the danganronpa fandom, but not so much in Ace Attorney. Sometimes you will see something like 日狛日 (hina koma hina) or 狛日狛 (koma hina koma), for example, to imply there is no dom/sub dynamic.

A footnote: Japanese humor and expression is vastly different from English humor. This may seem obvious but I need to reiterate it because people sometimes say things they don't know are usually interpreted badly to Japanese artists. For example, acting "rabid" in somebody's replies, jokingly being mean, jokingly making threats, and stuff WE are used to as obvious jokes (stuff like "i think you should explode maybe" or "THIS IS MAKING ME INSANE") CAN EASILY BE SEEN AS HATE COMMENTS. Please please please if you want to compliment a Japanese artist, just say it like you mean it, like "this art is so good i love it!" or "this art was so emotional it made me cry, this is great!". Obviously not every JP artist is the same so some may know you're joking and some may be aware of western hyperbolic speech culture...or whatever you wanna call it. But the point is, I would err on the side of caution and just express you feelings genuinely and honestly.

Also, regardless of your stance on if xyz drawing is "morally good" (aka incest art lolisho art) and regardless of proship/anti stuff, just Don't bring it up with Japanese artists. The terms "proship" and "antiship" mean absolutely nothing over there. The terms "pedophilic art/problematic art/illegal ships" means nothing over there. I have personally seen Japanese artists get harassed off platforms because they had no clue what proship/antiship meant and refused to engage with bullshit shipping politics culture. You will likely just get blocked, or called an アメリカンお気持ちヤクザ (america okimochi yakuza), which means "American feelings yakuza". The definition of which is a person, typically an American (altho any kind of westerner) who weaponizes their feelings of dislike to attack others in a brutally yakuza-ish fashion. Which sums up my feelings on shipping discourse in general honestly. Don't be that dickhead foreigner forcing Japanese artists to answer to western politics. If somebody's art makes you upset/uncomfortable, block and move on.

I THINK THOSE ARE ALL THE BIG ONES....if you need more help just let me know!

EDIT: FORGOT TO ADD....another important word/term is "mob" モブ and no this does not refer to the little dude from mob psycho (usually). you may see detailless gray characters with the word モブ on their face or such like. This basically means "NPC" or "stranger", and is just used as a placeholder for a civilian, otherwise unnamed person/people.

[yoyye]

diiiddd you kneeew that my favorite number is 8???? i just FUCKUNG LOVEE ITTT JDSjnnaddjjjs{×¢£h

this numberis the bestiest and YOU CANT PROVE ME THE OPPOSITE‼️‼️‼️‼️‼️‼️‼️‼️‼️ TGIS NUMBER IS SUPERIOR EIGHT IS GOING TO BEE EVEERYWHEREEE LIKE IM WAITING FOR FUCKING AUGUST 8TH 2028 TGIS WILL BE MY YEAR IM VERY SURE JKWOSIUHBDBD FFFFDIDSAASJDOOOAOAASN 888888‼️‼️‼️‼️‼️88888888888888888

me like eight

[befreiungsbewegung]

Gegensprechanlage Mittwoch 21 h auf Radio Lora 92,4

Mi 13.9.23 ab 21h  in Planung:  -                           RUF AN!  o89 - 489 523 05 Der Hausverein in der Wörth8, die auf eure Direktkredite hoffen, um ihr Haus zu kaufen, eine gute Sicherheit für die Zukunft, berichtet: am gestrigen Mittwoch hat der Münchner Stadtrat auf Antrag von SPD/Grüne/Volt/Rosa Liste ein Fördermodell für Mietergemeinschaften wie der Wörth8 genehmigt. Damit erwirbt die Stadt München Belegrechte für fünf festgelegte Wohnungen in unserem Haus. Bei einem Mieterwechsel dürfen dort nur noch Familien mit Anspruch auf geförderten Wohnraum (EOF) als neue Mieter und Mitglieder des Hausprojektes einziehen. Dabei können wir entscheiden, welche EOF-berechtigte Familie dort einzieht. Die Stadt München wird nicht über die Auswahl der zukünftigen Mieter*innen verfügen, das war für uns eine wichtige Voraussetzung. Durch den vereinbarten Belegrechtsverkauf und der Verpflichtung zu Mieten unter dem Mietspiegel (beides für 80 Jahre) wird gesichert, dass in unserem Haus sehr langfristig bezahlbarer Wohnraum für Familien in Haidhausen geschaffen wird.

Wir freuen uns sehr, dass das Sozialreferat der Stadt München in kurzer Zeit dieses neue Fördermodell entwickelt hat, das mit der Wörth8 als Pilotprojekt ausgeführt und über 2 Jahre beobachtet wird. Die gestrige Zustimmung im Stadtrat ermöglicht uns einen wichtigen Baustein zur Finanzierung unseres geplanten Hauskaufs. Damit sind wir an einem Punkt angekommen, an dem wir hoffen, mit den Verkäufer bald  konkret werden zu können - im Form eines Vorvertrages. Um die noch verbleibende, immer kleiner werdende Lücke im Finanzierungsplan zu schließen, werden wir nach dem Sommerferien in den Endspurt gehen, um weitere Unterstützer*innen zu gewinnen. Deshalb erneut die Bitte an euch: Sprecht über unser Projekt mit vielen Leuten und helft uns damit. Am Samstag, den 16. September, wird es ab 14 Uhr wieder einen großen Aktionstag mit Musik und Buffet geben. Daneben sind für den Herbst einige Veranstaltungen in München geplant, bei denen es um gemeinsames und bezahlbares Wohnen geht und bei denen wir als Wörth8 vertreten sein werden. Außerdem wurden wir auf die Mitgliederversammlung des Mietshäuser Syndikats am 23.9.23 in Heidelberg eingeladen, auf der wir allen MHS- Mitgliedern unser Projekt vorstellen und uns um die offizielle Aufnahme bewerben werden. Wir freuen uns auf einen ereignisreichen Herbst und finden es unglaublich, wie nah das Ziel nach nun einem Jahr ist. Viele herzliche Grüße von der Wörth8 in Haidhausen. -- www.woerth8.de Reichlich Gelegenheit am 9.8.23 ab 21 h, mit zu reden: www.lora924.de: 089 – 489 523 05

CHARLOTTE SALOMON. LEBEN? ODER THEATER? Nur noch bis So, 10. September 2023 Falls Sie die eindrucksvollen Gouachen von "Charlotte Salomon. Leben? oder Theater?" im Kunstbau noch nicht gesehen haben, sollten Sie schnell vorbeischauen: Die Ausstellung endet am 10. September. Am Mittwoch, 9. August, trifft sich der Lesekreis zu Charlotte Beradts "Das Dritte Reich des Traums" ein letztes Mal um 18.30 Uhr. Kommen Sie gerne dazu!  18.30–20 Uhr Kostenlos 1,5 Stunden Treffpunkt: im Garten. Die Veranstaltung ist kostenfrei. Die Zahl der Teilnehmer*innen ist auf 30 begrenzt, bitte melden Sie sich per E-Mail an. Um 21h sprechen wir in der Gegensprechanlage auf Radio Lora92,4 dazu - und zu den aktuellen Entwicklungen heute! NACHZUHÖREN Der Hausverein in der Wörth8, die auf eure Direktkredite hoffen, um ihr Haus zu kaufen, eine gute Sicherheit für die Zukunft! Gegensprechanlage zum Foodhub-Verein, Sendung am 12.7.23 nachzuhören Als Mit-BesitzerIn des Bio-Supermarktes in der Deisenhoferstr. 40 bis du natürlich Mitglied in der Genossenschaft, aber es gibt auch einen Verein, der die dazu passende Bildungsarbeit organisieren will ... Direktvermarktung, Ernährungswissen, Kochkünste und Preisgestaltung, wir haben enorm viele Fachgebiete ... Am 12. Juli '23 stellen wir den Verein vor, der die Bildungarbeit um die Bio- Supermarkt- Genossenschaft http://foodhub-muenchen.de macht ... Meine Gäste zum Thema Spekulation waren wohl alle völlig erschöpft. die Schäftlarnstraße ist Spekulationsobjekt geworden. Sie sind noch nicht so weit wie der Hausverein in der Wörth8, die auf eure Direktkredite hoffen, um ihr Haus zu kaufen, eine gute Sicherheit für die Zukunft! ... von der kommenden Demo zum Polizeiaufgaben -Gesetz am Samstag berichten, zu Bogenhausen und Drag-Demos, vielleicht zur Krachparade, mit dem Kreativkollektiv Point of no Return PONR  30 Jahre Lora - Sommerfest am 8. Juli mit Workshops und Kennenlernen der Redaktionen, Platz für MusikerInnen und C

höre, und die Musik von Rolf Schwendter spielen, auch zu Robert Jungk,  die Aiwanger-Söder-Gruber-Veranstaltung vom vergangenen Wochenende ist (zurecht) in aller Munde. Christian Springer hat dazu seinen Kommentar abgegeben. Mit dem nachstehenden Link kommt man direkt zum empfehlenswerten Video: https://youtu.be/09t3D3eWW7o ZUM SCHLUSS: EIN ZITAT VON PAULO FREIRE. „In einem guten demokratisch-pädagogischen Umfeld lernt der Schüler aufgrund seiner eigenen Erfahrung, dass seine Neugierde und seine Freiheit zwar Grenzen haben, sie jedoch permanent erfahren werden wollen.“ (Freire, Paulo: Pädagogik der Autonomie. Notwendiges Wissen für die Bildungspraxis. Übersetzt von Ivo Tamm in Koop. mit Dirk Oesselmann und Peter Schreiner. Münster 2008: Waxmann. S. 78) "Same old Song": Material Girl mit JJ Jones am 24.5. ab 21h auf lora924.de

ausnahmsweise getauscht, weil Bernhard in Urlaub ist: LEBT MADONNA NOCH IN EINER MATERIELLEN WELT? Eine Nacht. Ein Lied. Viele Live Bands. JJ Jones und seine eingeladene musikalische Gäste feiern die Wiederholung in allen Facetten. Ein Ritual der Popkultur, wo zu viel nie genug ist. Regelmäßig ab 20h im http://Milla-Club.de Holzstr.28: Aber wer ist JJ Jones? Mitfragen ... und vormerken: Nächster Termin ist der 28. Oktober, knapp vor Holloween - nachzuhören Karin Sommer, eine Kennerin seines vielseitigen Schaffens, führt uns durch's Programm. Sie stellt JJ Jones vor, was er mit der Villa Waldberta, dem Künstlerhaus der Stadt München in Feldafing zu tun hat mit dem Format und welche anregenden Stipendiaten auch dabei waren Dazu ein Hinweis auf das Dafka-Doneff-Duo mit Dine, der am Wochenende 2 Tage lang Veranstaltungen macht, und Maria, ... Gerd Baumann / Rosenmüller "Sommer in Orange", Dachau Bigband, Edelrost, Bibelsongs, Zukunftspläne   Gegensprechanlage am 10. Mai um 21h zu Haus- und Wohnprojekten nachzuhören Mit Unterstützer*innen der Wörth8! Ein Haus, das gemeinsam von den Mietern und vielen Unterstützern gekauft werden soll: Leg hier dein Beton-Geld an! "Seit unserem letzten Newsletter vor 6 Wochen hat sich einiges getan. Inzwischen haben wir 57% der für den Kauf benötigten Summe beisammen. Dafür ein riesengroßes Dankeschön! Der Verein Wörth8 e.V. ist jetzt offiziell eingetragen und wir sind dabei die Wörth8 Haus GmbH notariell bestätigen und eintragen zu lassen. Unsere Öffentlichkeitsarbeit ist wieder voll in Fahrt: Am Osterwochenende waren wir ganz groß in der TAZ taz.de/Haeuserkampf-in-Muenchen vertreten, vergangene Woche beim Bayerischen Rundfunk in der Abendschau www.ardmediathek.de/video/abendschau-der-sueden/das-ist-unser-haus Wir haben unsere Initiative auf der Bürgerversammlung Haidhausen vor vielen Politiker*innen und Bürger*innen vorgestellt, haben uns beim Mieter*innenstammtisch vernetzt und mit vielen Leuten gesprochen, die wie wir um ihr Haus kämpfen. Durch all diese Öffentlichkeitsarbeit und dem Wohlwollen von euch Unterstützer*innen haben wir inzwischen über 1.8 Mio EUR an Absichtserklärungen beisammen. In den nächsten Wochen wollen wir uns noch sichtbarer machen im Viertel und der Stadt und weitere Unterstützer*innen gewinnen, die mit uns den "Leuchtturmbau zu Haidhausen" (siehe Artikel in der Bayerischen Staatszeitung .woerth8.de/assets/pdf/Staatsanzeiger errichten wollen. Am 2. Mai werden wir mit einem Infostand am Weißenburger Platz sein. Unser ursprünglich für April geplanter Aktionstag in der Wörthstr. 8 wird am 6. Mai ab 14 Uhr stattfinden. Vor dem Haus wird es einen Infostand geben. Im und aus dem Haus heraus Musik (monobob). Dazu Informationen über das Projekt und das Mietshäuser-Syndikat, eine Fotoausstellung im Treppenhaus, Getränke und ein Buffet in Hinterhof. Kommt gerne vorbei! Eure Absichtserklärungen bilden ein starkes Fundament. Dennoch bedarf es wohl noch einige Wochen, um die Finanzierung zu sichern. Deswegen weiterhin die Bitte an euch, die ihr unser Projekt kennt und schätzt: sagt es weiter, teilt es über eure Kanäle, wir brauchen noch viel mehr Unterstützer*innen wie euch! Wir sind derzeit sehr zuversichtlich und hoffen, bald mit dem Eigentümer ganz konkret werden zu können und bis Ende des Sommers gemeinsam mit euch unser Ziel zu erreichen! Herzliche Grüße aus der Wörthstraße 8 !"  - und wohl auch Infos aus der Görzer Ramersdorf Bericht und Pläne für das Wohnprojekt zum Gemeinwohlwohnen, zu Wohngenossenschaften wie Kooperative Grossstadt Koogro und vielleicht auch zum Projekt um das demnächst frei werdende alte Justizzentrum in der Nymphenburgerstraße:  abbrechenabbrechen.de

Wörthstr. 8 Haidhausen historisch Am 12.4.23 war mit Micaela Czisch, Künstlerin und Projektleitung beim ZIRKEL für kulturelle Bildung e.V. hier NACHZUHÖREN Heldenreisen sind ein Grundmuster aller alten Geschichten und Märchen vieler Kulturen, nach denen auch viele Erzählungen, Filme und Theaterstücke aufgebaut sind: * Du hörst oder spürst einen Ruf - aufzubrechen Du merkst sofort einen Widerstand: Zu früh, noch nicht, warum ich, ich bin noch zu klein / unerfahren / müde … Es beginnt, in dir zu gären: Ich muss / will nicht / kann nicht / soll / will? Du drehst dich um und schläfst weiter. * Es beginnt schon wieder … So 23.4. um 19h im Lihotzky, Fritz-Winter-Str. 14 zu erleben: Mit den ��Helden” auf Forschungsreise ins eigene Selbst “Helden” – Ein packendes Jugend-Theaterstück mit viel Musik über die Frage: Was ist ein Held? Für Jugendliche ab 12 Jahren und neugierige Erwachsene; ab etwa 17h im Gemeinschaftsraum nebenan Informationen zum Gemeinwohlwohnen, dazu folgt dann eine  Gegensprechanlage am 10. Mai  v=yDObkOvTZnA Podcast, in dem ich über die Ideen, Projekte und Methoden des ZIRKEL spreche: Spotify: https://open.spotify.com/episode/6eC96GRddEM0tbLobqca3k Apple Podcast: https://podcasts.apple.com/de/podcast/tiefer-einsteigen/id1656105157?i=1000602344914 Amazon Music: https://music.amazon.co.uk/podcasts/ddba3409-da01-4afd-9ba5-bac36e1001a7/episodes/85c64e1d-dbd2-48fd-a675-a52ea92651a3/tiefer-einsteigen-micaela-czisch-wie-knnen-kunst-und-kreativitt-wirken Player FM (ohne Abo möglich): https://player.fm/series/tiefer-einsteigen/micaela-czisch-wie-konnen-kunst-und-kreativitat-wirken Podcast.de: https://www.podcast.de/episode/604023391/micaela-czisch-wie-koennen-kunst-und-kreativitaet-wirken Radio Read the full article

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