#808 beats

[nyancrimew]

CRIMEW?????? THE CAT????????

THE KITTER ?? THE CREACHUR ?? THE ROBO ?? ROBO KITTER ? MAIA CRIMEW ROBO KITEN ?

[libertatem-mico]

Hi-Fi RUSH Headcannons!

Chai had a congenital nerve defect that stopped him from using his right arm. Partially as a result, he is left-handed.

The reason Korsica’s password shows up as ‘PASSWORD’ at the end of the game is that every password input at Vandelay shows up like that rather than using ‘•••••••‘. Zanzo made the change because he thought it was funny. Unfortunately, it also means that every password has to be exactly eight characters.

Macaron has no particular preference for spicy food, but he has a truly ungodly tolerance for it. He can fully just eat a Carolina Reaper with a straight face. Korsica’s the complete opposite, but she has a predilection for blue cheese.

808 purrs like a normal cat, but when she gets really into it it’s like a phone vibrating.

Macaron writes some of the most beautifully well-documented code you’ve ever seen. Peppermint doesn’t.

Before Peppermint left the Vandelay family, they had a building called the ‘shame shed’ that was full of Peppermint’s half-finished side projects.

Chai’s family - and Chai himself - aren’t very well off, which is why he wasn’t able to do anything about his arm until Vandelay announced Project Armstrong.

Korsica is the only member of the band - besides the man himself - who can bench Macaron.

Macaron has a secret soft-spot for death metal.

CNMN sleeps. He doesn’t need to, but he’s given himself timed shutdown hours like a laptop.

808 also doesn’t need to sleep. This has not stopped her.

Korsica has a well-maintained fitness regimen that starts at 5am and ends at 7. Chai doesn’t know what 9am is.

Macaron’s cooking is a gift from the gods. CNMN’s tastes like it comes from a store. It’s uncanny.

Chai is ace.

Peppermint absolutely wrecks shop at paintball. If the band ever plays, it’ll be three teams with her on her own.

808 is afraid of water. This is wholly practical, as she isn’t waterproof. Chai is also not waterproof, and at some point he’s going to learn that the hard way.

The band’s skill at Smashbros is ranked thusly; Peppermint, CNMN, Chai/Macaron, 808, Korsica.

The bosses’ skill at Smashbros is ranked; Mimosa, Kale, Rekka, Zanzo, Roquefort.

Roxanne has never played Smashbros, but if she did, she would absolutely dominate. Second only to LU-C1LLE.

The little vacuum bot’s name is H0-0V1E

[galacticsabc]

More Hi Fi Rush memes.

[dancefloors]

girl, so confusing remix is too good I need to throw up and cry

[hunybody]

like has anyone considered that EYE don’t CARE what PEO. PLE. SAY. the RUSH is WORTH the PRICE. I. PAY. i GET so HIGH when YOU’RE. WITH. ME. but CRASH and CRAVE YOU. WHEN. YOU. LEAVEEEEE

[teach-or-trav]

SIMPLEXITY [yes i made this word up]: Simplexity for me is when art 🖼️ is executed in an individualistically complex manner but its final product is simple enough for any person to understand.

Sometimes I want my music to just hit you with a feeling no words. Other times I’m just talking my shiid cuz I know we all want to in our own ways.

But recently I’ve been trying to take a step back and reflect on what I have completed and released so far so I can decide ok where do I go from here. What do I want to achieve with each new track I make?

I am constantly asking myself questions…

Are these levels too high? Should I cut this part or that part? Can a beat have melodies and counter melodies and still go hard af? Is this too much compression? Are the dynamics building up to something? Etc.

At the end of it all though I find myself saying. Have I achieved Simplexity? Is this simple enough to digest while still expressing the little orchestrative lines I wish to include.

Its a process. It takes as long as it takes. I'm enjoying the grind tho. 💯

[cookinary]

AU where, after being defeated by Chai, instead of exploding or whatever, the bosses get so impressed by Chai that they just

Join his side

[haveyoulistenedtothisalbum-poll]

Tracklist:

Intro • Bond • Bird • Azura • Black Dartangnon • Joyrider • Lopez • Balboa • Kohoutek • Mooz • Jerusahat • Banacheq • Spanish Marching (Fonphone Mix) • Joyrider (A Natural Mix) • Baton Rouge (Cajun Mix) • Lopez (Instrumental) • Mondays (Part One) • Relay (Wool Hall Mix One) • Goa • Bonded • Paradan • Chisler • Lopez (Brian Eno Mix) • Joyrider (Sure Is Pure Remix)

Spotify: [Part 1] [Part 2] ♪ YouTube

[bonglife420]

Getting high and making beats on a Saturday 💨

[miniz00]

Suffered all the way through Hi Fi Rush - it was all worth it for this one scene lmao

Now to go do it again on European Extreme Rhythm Master lol

[betajams]

this door sent me through the 5 stages of grief

[heliumstep]

I just created a YouTube channel to start uploading my rare tracks so if you want to listen I'll leave it to you, thanks

[indepthjaybeats]

Time Goes Bye (instrumental)

"Time Goes Bye" by Indepthjaybeats is a modern trap beat that stands out with its guitar-driven sound, absence of samples, and hard 808 bassline. This instrumental exemplifies the evolving landscape of trap music, blending organic and electronic elements to create a track that is both unique and compelling.

The core of "Time Goes Bye" is its guitar-driven sound. The guitar provides a rich, melodic foundation that gives the track a warm, emotional depth. Unlike many trap beats that rely heavily on synthesized sounds and samples, the use of a live guitar adds a distinctive organic touch. The guitar riffs are skillfully played and seamlessly integrated into the mix, offering a refreshing contrast to the electronic elements that dominate modern trap music. The melodic lines played on the guitar are expressive and soulful, giving the track a contemplative and somewhat nostalgic feel.

One of the standout aspects of "Time Goes Bye" is the decision to forego samples entirely. This choice emphasizes originality and showcases Indepthjaybeats’ ability to craft compelling music from scratch. The absence of samples allows the natural tones of the guitar to shine through, unencumbered by any external audio elements. This approach results in a cleaner, more focused sound that highlights the creativity and musicianship involved in the production process.

Complementing the guitar is a hard 808 bassline that provides a powerful low-end punch. The 808s in "Time Goes Bye" are deep and resonant, delivering the kind of bass that hits hard and is felt as much as it is heard. The bassline is meticulously programmed to create a solid rhythmic foundation, syncing perfectly with the beat’s overall groove. The hard-hitting 808s ensure that the track maintains the energy and intensity characteristic of trap music, while also providing a robust counterpoint to the melodic guitar lines.

The drums in "Time Goes Bye" are sharp and impactful, featuring crisp snares, rapid hi-hats, and punchy kicks. The percussive elements drive the rhythm forward with a relentless momentum, maintaining a high level of energy throughout the track. The drum patterns are complex and dynamic, featuring well-timed breaks and variations that keep the listener engaged. The interplay between the drums and the 808 bassline creates a powerful rhythmic synergy that underpins the entire beat.

The structure of "Time Goes Bye" is thoughtfully arranged to maintain interest and flow. The track features well-timed transitions and breaks that allow different elements to shine while ensuring a cohesive overall sound. Each section of the beat is crafted to highlight the interplay between the guitar, 808 bassline, and drums, creating a dynamic and engaging listening experience. The arrangement ensures that the track remains fresh and interesting, avoiding the pitfalls of repetition and monotony.

The production quality of "Time Goes Bye" is top-notch, with each element clearly defined and balanced within the mix. The guitar sounds natural and expressive, the 808s are powerful and punchy, and the drums are sharp and precise. This level of production excellence ensures that the track sounds polished and professional, making it suitable for a variety of applications, from background music to the foundation for a full song.

In summary, "Time Goes Bye" by Indepthjaybeats is a standout modern trap beat that combines a guitar-driven sound, the absence of samples, and a hard 808 bassline to create a track that is both unique and compelling. It captures the essence of contemporary trap music while also incorporating distinctive elements that set it apart. Indepthjaybeats’ skillful blending of these components results in a dynamic and engaging instrumental that will resonate with fans of modern trap and beyond

[yourboijod]

808 Van

[angel-esoteric]

Instagram page going well, working on music projects at a slow pace, drum sample kit in the making.