#60 Seconds Atomic Adventure

[xdeathdollx]

Oh happy birthday MJ!

SHSKJDKD I LOVE HERR

[wertysk]

I think they are similar 🤓

[blushroom20]

I'll never get over the fact that this is one of my most viewed pieces of ""artwork"" on Steam.

I just double checked and actual art I made for this game is higher so that's good

but still... It's all soup why is it all soup

[legendarybaconchannel]

60 Parsecs! Gameplay

60 Parsecs! is an Atomic Space Age adventure of scavenge and survival. Keep your crew alive and ready for action. Make difficult choices, face soup shortages and other horrors of outer space. And maybe reach your destination. Or not. Atomic Space Age was a blast! Until it became the Post-Apocalyptic Space Age. Your space station is about to explode and you only have 60 seconds before things get messy. What (or who) will you grab before you make a mad dash for the emergency shuttle and begin your journey into THE GREAT UNKNOWN? This is 60 Parsecs!, a dark comedy sci-fi adventure set in the Atomic Space Age - complete with all the Cold War paranoia, chrome-plated wall accents and cockroaches with space helmets. Lead a crew of woefully unprepared astronauts, equipped with whatever junk - sorry - "supplies" you can grab before blasting off, on a journey across the cosmos that's best described as misguided. Make the best of it, while dealing with soup shortages and other horrors of outer space. Will you have what it takes to find a new home and survive? Bon voyage! SCAVENGE & EVACUATE With only 60 seconds before nukes reduce the space station to floating particles in the vacuum of space, frantically grab whatever supplies and crew you can before getting out of there. You never know when that sock puppet will come in handy. SURVIVE & DECIDE Space funerals are inconvenient, so try to avoid dying where possible. Use your limited supplies and (hopefully not limited) wits to make difficult choices and ensure your survival, even though the odds are definitely stacked against you. EXPLORE & CRAFT Duct tape fixes all problems, but how do you fix (or at least craft) duct tape? Chart expeditions to find resources, craft survival essentials and explore strange new worlds in a procedural, very-much-permadeath adventure. LEAD & PROTECT As captain, it's your duty to keep the crew happy - they're less likely to kill you that way. Manage relationships as you watch them grow closer and hopefully not throw each other out the airlock. #60parsecs #60parsecs! Gaming with Bacon Want to see more? Make sure to Subscribe and Like! I have a Steam curator page! Check it out: https://store.steampowered.com/curato... Twitter ► http://www.twitter.com/legendarybacon_ Twitch Streaming► https://www.twitch.tv/legendarybacong... Facebook ► https://www.facebook.com/thelegendary... GettR ► https://gettr.com/user/gamingwithbacon GAB ► https://gab.com/GamingWithBacon

[edwardcaprifolium]

Very true, my good fellow.

Watanabe is my favorite anime director, his work never fails to move me. I made it a ritual of mine to re-watch his animes every year, so here is a list so you may give it a go if you're interested.

Samurai Champloo

This story is about three characters journeying together through Edo period Japan. As you may have noticed in Cowboy Bebop, music plays an important part in Watanabe's art. Samurai Champloo is set during the Edo period but adds an interesting twist: hip-hop. Check out the opening to get a sense of the aesthetic!

By the way, the soundtrack isn't limited to hip-hop. It also has some gut-wrenching folk tunes - possibly inspired by Ainu and Ryukyuan traditional music.

Some political commentary.

It's a comedy, and it's absolutely hilarious. Though to be fair, some of the jokes haven't aged well...

Beware, however, though comedic in nature, this show will surprise you with abrupt shifts in tone and the complexity of its characters.

Finally, to French speakers: Regardez le doublage français, la traduction est très naturelle! De plus, c'est à mon sens la meilleure interpréation du personnage de Jin.

Kids on the Slope

This one is set in the 60's and revolves around two teenagers bonding over jazz.

Great soundtrack, as one would expect from Yoko Kano. See video for reference.

Unlike the other animes on this list, this is not an original work but an adaptation of the eponymous manga.

If you're into slice of life go ahead.

Terror in Resonance (ZNT)

Here is an excerpt from the Wikipedia summary: "In an alternative iteration of the present, two teenage boys who go by the names Nine and Twelve steal a prototype atomic bomb in an apparent terrorist attack. Calling themselves "Sphinx" (スピンクス, Supinkusu), they upload a video onto the Internet and threaten to destroy Tokyo unless a cryptic riddle can be solved."

I know the premise sounds completely wild but I promise you it is so much more than that.

Action, feels, political commentary (even more so than in Samurai Champloo).

It is hard for me to properly recommend this one. I feel like no matter what I type, it'll never do justice to this masterpiece. This is my absolute favorite anime - with Cowboy Bebop coming a close second. I keep on watching it, year after year, in hopes of understanding what makes it so special. I still haven't figured it out.

Here is how I should convince you to give it a go. Listen to the soundtrack. It is by Yoko Kano (again) and it is very versatile in terms of genre. You may find it here on SoundCloud.

If you watch it, I hope you'll be able to put words on it better than me.

Cowboy Bebop

The one and only (let us all forget about this cursed live-action adaptation).

Doesn't need much of an introduction. It is indeed what gets most people into Watanabe's work.

I recommend the English dub. I mean, it is - with Black Lagoon - one of the best English anime dubs.

Let it speak to your existential angst.

Carole & Tuesday

Two girls pursuing a musical career on Mars.

I admit the ending disappointed me. The series was building up some high stakes, but the main plot line resolved itself too easily. Yet, there is something oddly comforting and touching about it.

Space Dandy

Space Dandy is about a crew of broke alien hunters hunting well... aliens. Check the intro it'll tell you everything you need to know. That aside, it explores the concept of alternate universes.

The overall tone is comparable to Samurai Champloo's: it'll make you laugh, and sometimes, it'll just keep glued to your screen, completely silent.

It's pretty experimental and fun.

The first season consists of episodic adventures. They only develop the plot in the second season, but at least it wraps up better than Carole & Tuesday.

Conclusion

Here it is. His work deserves a bit more recognition - especially ZNT. If you liked Bebop, take a pick, I'll be worth your while.

cowboy bebop is a gateway drug to everything shinichirō watanabe has ever directed

[wasteland-soul-project]

Here's an insano list that will be continually updated so I have an online record of all that Im currently receptive to include. Consider this spoilers actually.

Greens got a spot on the timeline finalized.

White is sorted by era for workload

Agar.io, Saurian,Ancestors,Far Cry,Civ,History channel,The sumerian game,Hammurabi,Ass cred,Ryse son of rome,Ghost of Tsushima,evil dead,Kingdom come deliverance,western gun,Turok,Oregon trail,Samurai western,Call of Juarez,Red Dead Revolver,GUN,This land is my land,Bioshock Infinite,Valiant Hearts,Call of cthulhu,Sea wolf,Battlefield,Mafia, front line, endless war, the saboteur,Medal of honor,Call of Dutygenesisnoir,Capcom 1942,Commando,Castle wolfenstein?The incredibles,Cathode ray tube amusemen device,La Noire remember da whorient,Bertie the Brain,Nimrod,Destroy All humans,Christophers draughts,Fonzie road race,Atomic Heart,Tennis for two, gta,Spy hunter ,Spacewar!, xcom, metal gear, resident evil, 1967 world series, team fortress, afterburner, galaxy game, computer space, pong, silent hill, night driver, elevator action, E.T, space ace, uncharted, firewatch, jalopy, contra, gone home, portal, postal, prey, max Payne, illbleed, blood, FEAR, venture bros, manhunt, dead island, dead rising, kane and lynch , bully, cherry 2000, hell comes to frog town, burt reynolds flick, socom, saints row, mercenaries, half life,Alpha protocol,Outlast,Life is strange,Payday,Sleeping Dogs,Lollipop Chainsaw,Duck dynasty, hatred, tomb raider, Evil within,Dying light, edith finch, control, trad meme, alaskan road trucker, tume pilot, disco elysium, octodad, tacoma,Van Buren Tech Demo,Five lesbians eating quiche, thag cute radioactive couple,Fallout: Zero,System Shock,One man and a crate of puppets,Fallout: Frost,Wasteland,Fallout nevada,Atom RPG,Metro,Soma,Ashes twentysixty three,Fountain of Dreams ,Organ Trail,Employee of the month,Fallout 1.5 Resurrection,Squidward suicide,Stray,Horizon,Fallout Yesterday,Jazzpunk,xcom classic, breaking badFallout New Califnornia,Mad Max,Hwarts of Iron OWB, soace station 13,Storyteller,Fallout Lanius,Fallout nuka breakFallout 4 miami,All roads,Death Stranding,Morrowind,Outer Worlds

Fallout minecraft map,Fallout:Dust

Post war:Spongebob, 60 seconds, the story must be told, fallout revelation, starcraft, space quest, dead space, broken roads, breath of death, star heroine

Prewar: 2050+, idealized-era retroscifi jetsons, overwatch, series of unfortunate events, deathloop, f zero x, afro samurai, thief reboot

Prewar 2025-50, dystopia class struggle sci fi deus ex, cyberpunk, mirrors edge, cruelty squad, final fantasy

Pre war (big mess of speculative future) home front,dishonored, naissancE, space station 13, crackdown, timesplitters, kentucky route zero, red faction, dreambreak, attack of the saucermen, metal slug

My lived yearss that one 4chan comic in france, plants vs zombies ,the boys, slender, sniper assassin, stalker, hitman, the quarry, pandemic 2, black watchmen, alien hominid, police quest, tony hawk, ape out, ace attorney, the beginners guide, arma, aemy of teo , chimamande adichi, crysis, just cause, just dance, prototype, skate, various sports, dangenrampa, true crime, post void, burger tycoon, dino crisis, the cat lady downfall devil went through here lorelei, science adventure, goldsrc counter strike, detectives united, deadly premonition, freedom fighters, eternal darkness, unboxing, that unity game abt the painting, subnautica, perfect dark, famicon wars, the darkness, captain underpants

1900s fnaf, calvin and hobbes, papers please, mother, zaxxon, heros journey, stalin vs martians, x files, tom clancy, spec ops, gorillaz, the sims, GI Joe, leisure suit larry, pathologic, cold war game, hammer and sickle, jurassic park, evil dead, james bond Tropico, sims city, ikari warriors, spy hunter, time crisis, alone in the dark, syphon filter, gabriek knight, arma cold war, chinua achebe, camara laye, persona, shenmu, yakuza, brothers in arms, company of heroes, punchout, operation flashpoint, professor layton, sniper ghost warrior, sniper elite, undying, stanley parable, hotline miam, war in the east, wings of orey, men of war, 9th company, red orchestra, iron front, death to spies, mother russia bleeds, roller coaster tycoon, counterspy, esrls day off , gaiden, shin megami, suda 57, fatal frame, gorogoa, hotel room dusk

1800s thief, amnesia, samurai champloo, jojo, dark pictures anthology, wadjet games multiverse, bloodborne

1500s sekiro

1400s Europa Universalis

1300s Demons souls classic

1100s lionheart

1000s crusader kings, chrono trigger

800s prince of persia

200 silk

100 romanc eof the three kingdoms, dynasty warriors

Ancient 0ad, pharoah, the scorpion king, sphynx and the cursed mummy, age if mythology, noahs ark, empire esrth, rise of nations, total war, tak and the power of juju, hades

Cavepeople: dawn of man, jawa mammoth, age of empires, tork, tail of the sun, echo secrets of the lost cavern,roots of patcha

Old af: jurassic the hunted, nanosaur, a prehistoric tale, id software timeline, AVP TIMELINE OLD AF, evo, evolution games of itnelligent ligr, lynn margulis, civ dinosaur war like cthulhu mythos, robert howard books, cthukhu saves

[xdeathdollx]

two posts in a day wahoo!!

[wertysk]

Bro really draws from a dead fandom 🤑

[spaceorphanssecondbreakfastclub]

The X-Men Project : Children of the Atom

Uncanny X-Men 1-23 (1963-1966)

Collected in X-Men Epic Collections 1 : Children of the Atom

I’ve started this project a few times, and haven’t gotten too far -- but my main goal was to read through the main canon of X-Men comics chronologically for some time now.  I’m taking a new approach this time - reading them via trade paperback (and sometimes omnibus).  And of course in doing so, I’ve got to start at the beginning - which may be part of the reason this keeps slowing me down from getting too far.  

Because I have to start with Silver Age comics.  

So… long comic book history story short - the Golden Age of comics started in the 30s with the advent of comic adventures and super heroes.  Batman, Superman, Captain America - all larger than life heroes that kids could fall in love with.  And kids did - until the war came and changed things and comics were on the decline for a while and then - bam!  The 60s happened, and both DC and Marvel flourished in brightly colored, campy glory.  

The thing about Silver Age comics, though, is that these stories, while iconic, sure; were written for 8-12-year-old boys growing up in the early sixties.  There’s kind of a simple, standardness to all of them.  And while I won’t argue that modern day superhero comics are the cutting edge of literature or anything, Silver Age comics feel antiquated in a charming albeit somewhat dull way.  

Here’s the thing though - I’ve only read X-Men Silver Age comics.  The Fantastic Four, Spider-Man, The Avengers, and even Hulk were regarded in much higher standing.  And while Stan Lee’s idea to have superheroes naturally have powers -- unlike the plethora of humans being bombarded by radiation and getting their powers through increasingly more ridiculous ways - The X-Men were unique among superheroes.  But that didn’t make them all that interesting to read.  In fact - X-Men was the lowest read book for most of its original run.  

So… is it really that bad?  

Let’s break it down! 

The first trade paper I’m covering is part of the Epic Collections series - and covers the first 23 issues of Uncanny X-Men (the original run, which was just X-Men, I don’t think ‘Uncanny’ came until Chris Claremont).  It’s mostly written by Stan Lee (who leaves after issue 19 and is replaced by Roy Thomas) and drawn by the infamous Jack Kirby (who also leaves the book around 19, though other artists were helping with book many issues before).  

I feel like there’s a bit of novelty when you say Stan Lee and Jack Kirby.  But I think there’s a difference between nostalgia and quality.  Stan Lee is… fine as a writer.  I don’t think he does anything that special with the X-Men (while I haven’t read any other Silver Age - I’ve heard his work on other books was much better).  Jack Kirby’s art, though, is classic and clean and is the more interesting aspect to these comics.  

Each of the comics run a little bit in the same way.  We get an introduction (or reintroduction) to our heroes, the rise of some villainous conflict, the first fight in which our heroes lose and the second fight after a regrouping where our heroes win -- or on rare occasions things are postponed until the next issue.  Story arcs weren’t really a thing, neither was characterization.  Most of the comic is action based with the heroes using their powers to fight the bad guy.  And that’s, well, kind of it.  

The X-Men

The original line-up of X-Men might feel a little odd to people who are used to the movies or modern day comics.  Everyone knows that Charles Xavier founded the X-Men and runs a school in New York, but half the cast of the original movie hadn’t even been created yet.  

Charles Xavier - Mutant ability: Telepath and Telekinetic.  In a wheelchair.  The X-Men kind of all look up to him as a father like figure (especially Cyclops who is an orphan).  There are some aspects of his characterization that don’t necessarily hold up well -- such as his uncomfortable admiration of Jean Grey.  He also just has some odd unethical morals -- there are too many of these comics that end with Xavier literally just wiping out the bad guys’ and even civilians’ minds just to end the conflict.  He also had the tendency to fake his own illnesses to teach the X-Men a lesson. 

Scott Summers/Cyclops - The Leader - Mutant ability: shoots lasers out of his eyes.  Cyclops probably has the most distinct characterization right out of the gate.  He’s moody and broody and tormented about his mutation.  He’s interested in Jean Grey right from the start but can never tell her his true feelings.  (This is the closest we get to any kind of human interest drama in these comics - though it’s infrequent and never built upon.)  He takes life and his X-Men-ing very seriously. 

Warren Worthington III/Angel - The Playboy - Mutant Ability: Wings.  He can fly! He’s charming! And… that’s about it.  He’s rich and kind of has a flippant attitude about anything.  But it’s kind of hilarious at how lackluster he is.  He also sorta has eyes for Jean because you can’t have romantic drama without a love triangle. 

Hank McCoy/Beast - The Brainiac - Mutant Ability: Giant limbs and superhuman dexterity.  This was long before Beast was Blue! And it even takes a few issues for him to be defined as the smart one.  You can tell that whoever was writing Beast had a thesaurus next to them, as Beast cannot talk like a normal person.  He and Iceman are (kind of by default) bffs - though that isn’t developed as much in this first batch of issues.  

Bobby Drake/Iceman - The Jokester - Mutant Ability: Can freeze things, including himself.  He’s the youngest of the X-Men, and is always goofing around, never taking anything that seriously.  You can tell he’s supposed to be the comic relief, but I don’t think actual humor was Stan Lee’s strong point.  

Jean Gray/Marvel Girl - The Girl - Mutant Ability: Telekinetics.  Jean’s telepathy really isn’t developed until after the silver age.  Unfortunately, Jean isn’t written much beyond being a love interest for Cyclops and Angel - and checking off the obligatory woman box.  She doesn’t really even get a chance to shine (even though she clearly could be and will be the most powerful of them) -- every time she uses her powers she always grows tired really quickly and has to have one of the men save her.  It’s definitely eye roll-y how stuck in their time these comics are when it comes to gender, but it’s also not egregiously offensive.  

I have to point out that all of the X-Men at this point are supposed to be teenagers.  With the exception of Iceman, none of them really act like teenagers - and they’re all drawn like they’re in their mid-twenties.  It’s a little bit comical at how not good they were depicting teenagers.  

The Villains (worth mentioning) 

Every superhero team has their rogue’s gallery, and while the Silver Age is notable for having some hilariously ridiculous super villains, there are a handful that are worth mentioning, including some that become downright iconic in the X-Men world.  

Magneto - Master of Magnetism.  Long before his tragic WW2 history and his retconned BFF status with Xavier, Magneto was the original X-Men villain who definitely knew how to chew the scenery.  No seriously.  He might be over the top and ridiculous but he has the most distinct personality of any of these original villains, which does make him stand out.   Also, it’s kind of hilarious how much Magneto’s use of ‘magnetism’ breaks the laws of physics.  

Brotherhood of Evil Mutants! - let by Magneto.  Most of these guys are actually going to stick around for the long haul.  We have Toad (who is Magneto’s main lackey) and Mastermind (who will later become part of the Hellfire club) but most importantly Quicksilver and The Scarlet Witch -- who, incidentally, were run out of Eastern Europe by an angry mob and rescued by Magneto himself, for whom they feel they owe a debt to.  They spend most of their time feeling torn about their decision until they eventually hop on over to join the Avengers later down the road.  

Namor - who is just hilariously sassy in his one appearance.  Magneto and Xavier astro project themselves to fight over which side he’s on, and he eventually tells both of them to screw off.  

Unus the  Untouchable - he doesn’t really make a big splash or anything, but I’m entertained that Beast was able to make a ray gun that amplifies this guy’s reflection power to the point where he can’t grab food.  Why he isn’t propelled from the Earth is beyond me if his power is pushing objects away from him, but hey, Silver Age Comics at their finest.  

The Stranger - I kind of love this guy and it’s a shame he never makes a reappearance - ever I believe.  He’s an alien checking out Earth and when Magneto annoys him too much, he whisks him away and abandons him on some desolate planet.  He’s also sassy.  

The Juggernaut - whom it’s set up from the beginning - was Xavier’s step brother.  Ngl, I was surprised when I read that.  But he’s as big and dumb as he always is.  

The Government & the Sentinels Project - they’re rather fully formed.  Another thing I was surprised about when I first read it.  

Mimic - Another character who doesn’t really come back all that often.  It’s a dude who can absorb everyone’s power at once.  He’s really kind of an ass about it, too, but he is the first official add on into the X-Men even if he leaves right away.  

Notable Things

Thematically, one of the big things about the X-Men is the fact that they are persecuted for being different.  Their minority status is kind of baked into the premise, and it’s something that’s going to permeate throughout the rest of the series.  It’s most notable when the government and sentinels come into play.  

It’s kind of fun to look at these as a time capsule of the 60s.  Everything has this 60s futuristic feel about it -- with all the ray guns and quirky costumes and reliance on nutty science.  It very much is a product of its time.  

Cerebro is a thing! I thought it came later - but Xavier came up with it very early on.  Kind of funny out of all the bonkers things they come up with in the Silver Age this one makes a lot of sense and sticks around.  

Favorite Issues

Issue #1 - It isn’t that ground breaking or even that memorable.  But it is the first issue and I think it is a pretty decent introduction to the characters.  I also want to note that I think the first X-Men movie was inspired by this first issue.  

Issue #4 - Not a favorite issue, actually, but a notable one.  The Brotherhood of Evil Mutants make their first appearance here.  I’d say the X-Men’s personalities kind of solidify here, too.  

Issue #6 - Namor makes his sassy appearance.  I think this is the issue where I found I could actually tolerate the ridiculousness of the Silver Age.  

Issue #11 - The Stranger appears and it is delightful.  

Issues #12-13 - Not only do we get Juggernaut’s first appearance, we also get a huge chunk of backstory for Xavier.  It’s actually a really tense couple of issues as Xavier tries to explain his path as this unknown entity slowly encroaches on the mansion.  It’s probably my favorite two issues of this particular run.  

Issue #18 - Everyone comes back from the whole sentinel saga that had taken up the previous three issues only to find that Magneto has been hiding out and capturing them all (Along with Angel’s parents).  Iceman is the only one left and has to rescue them all.  It’s kind of a clever concept.  

Least Favorite Issues 

Issue #10 - We get our first introduction to the Savage Land; this weird place in Antarctica that’s like the jungle with dinosaurs in it.  I’ve never been a fan of Savage Land stories as they usually bore me to tears.  

Issues #20-23 - This is just after Stan Lee leaves.  And while Roy Thomas is not doing a terrible job or anything, these villains are just dull and unmemorable, and at this point I want to just get on to the next volume.  

Final Thoughts

Once I get past some of this introductory stuff, I'll be able to make these reviews shorter. I feel like I've read a lot of these issues a hundred times because I haven't made it too far with this project. Glad to be finally moving forward.

Look - these aren't the best X-Men comics out there, but as someone who came into the Silver Age kicking and screaming, there is some charm to be found. But they aren't the comics that I'd normally read for fun.

[ytrfdsa]

https://wifi4softs.com/60-seconds-atomic-adventure/

[maxwell-grant]

One last one for the moment; top five superheroes who definitely AREN'T Pulp Heroes, but could be with a little tweaking?

Oof, that's a hard one. It's a hard one because, again, there ultimately isn't that much separation between the two to the point there's enough of a hard line in there to work with, but I guess the cat's out of the bag now that I've staked claims on there being differences between them.

Okay so, not counting superheroes who are deliberately modeled after actual pulp heroes, so no Tom Strong or Night Raven here. I'm sticking mainly with comic book superheroes (barring one oddball exception) since the medium separation is important), who I think could become pulp heroes with some tweaking.

5: Captain America

Sort of cheating because I already covered it here, but I definitely have to include Captain America in here, especially in the stories they actively go for a "pulp" vibe as well as the earliest ones.

Fun fact about Marvel: As Timely, they actually began life as pulp publishers. Not just pulp publishers, but specializing in some of the sleaziest, ghastliest magazines of the era, and you can bet this carried over to their superheroes. Where as DC's superheroes took inspiration from the big pulp heroes such as The Shadow and Doc Savage, Timely's superheroes seemed instead much more inspired by Weird Tales stories and Poverty Row horror films, and even in the 60s, Marvel never really abandoned their horror roots, the trick was just using them as a baseline to create superheroes. In DC, the world's first contact with superheroes begins with the world looking in wonder at a friendly strongman. In Marvel, it began with the world looking in panicked horror at a flaming monster rampaging through the streets desperately trying to not burn everything it touches. It should come to little surprise then that the majority of characters I'm including in this list are Marvel characters.

People think Captain America's first comics largely consisted of him fighting Nazis left and right, but they were actually much more often based around him encountering monsters and creatures of horror, like the above panel where it looks like Cap's staring down the beginning of Berserk's Eclipse (RIP Miura).

The early Captain America comics pretty much consisted of Kirby dipping his toe into the monster comics he'd make in the 50s which would later bleed into the 60s Marvel entourage. They even tried repackaging Captain America into a horror anthology in the 50s titled "Captain America's Weird Tales", just imagine how different the character would be today if that somehow stuck.

Imagine a world where Steve Rogers never became leader of The Avengers, never got to become the shining beacon of heroism of an entire universe, and instead, when he was unfrosted, he woke up to find a world running rampant with crawling nightmares and Nazi tyranny, and he has no idea what's become of his former sidekick. That definitely sounds like the start of a promising pulp adventure.

4: Namor

Another Timely creation. In Namor's case, he didn't so much encounter horrors from beyond imagination, as much as HE was the terrifying thing beyond us ready to rampage upon mankind, whose first on-screen act consists of the calculated slaughter of a ship full of innocents. The first true villain protagonist of comic books. Not just an anti-hero, a villain intent on wiping out the human race.

And not just a cardboard supervillain, but the beautiful prince of a race of ugly fish monsters, a momma's boy who's doing what he thinks is right by warring with surface dwellers. While Namor's become largely defined by his gargantuan arrogance, here, he's almost childlike, despite being much more brutal and villainous here, spurred on by the whims of his mother, who even acknowledges that Namor had no real reason to kill the divers but did so anyway, and now encourages him to genocide. His mom even tells him "Go now, to the land of white people!", and the very last panel of the story even states he's on a "crusade against white men".

The massacre of explorers at the hands of something beyond their understanding. A monster born of an interracial coupling. A race of fish monsters with bulging eyes, antagonistic towards humanity but are shown to have positive traits just the same. A dash of racism. There is no mistaking The Sub-Mariner's pulp horror influence.

A non-white superhuman warrior born from a Lovecraftian horror story, who gradually moves away from his villainous crusade into becoming more of an anti-hero, never truly putting aside his hatred for humanity, remaining a temperamental, unpredictable outcast, with a strong, palpable undercurrent of anger in his stories. I could very easily buy Namor as having crawled out of a Weird Tales story and I can't think of other superheroes whose origins are as steeped deeply in pulp horror.

3: Doctor Fate

Technically we already have a pulp hero version of Doctor Fate in Doc Fate, and I'll get to him separately, but even besides him, the earliest Doctor Fate stories in particular feel very much like he's a character steeped in the worlds of pulp and pulp horror who decided to put on a superhero costume and show up in comic.

He's got a similar set-up to The Shadow, from the pulp Shadow in the sense that he's a mysterious, eerie crimefighter who dwells as a presence more often than an active character and who kills criminals without remorse, always watching and waiting for the right time to strike as a a wrathful old-testament force of vengeance, and from the radio Shadow due to him using superpowers to fight crime while being accompanied by a smart, fierce love interest.

Originally, Fate was not a sorcerer, but instead a scientist who discovered a way to manipulate atomic structure, of his and other things, thus making it appear that he can do magic (although we never see his face, and he's implied to be thousands of years old, before they settled on the Nabu origin). And going back to Lovecraft, a lot of it appears in the earliest Fate stories. Fate was given powers not by a sorcerer, but an alien worshipped as a god. He barely encounters traditional monsters, but instead contends with hidden races, zombie slaves, abandoned alien monoliths, and half man and half fish creatures. Fate may have actually been the very first pastiche of Lovecraft in pop culture.

And of course we can't forget the gloriousness of Doc Fate pulling an Indiana Jones on us.

2: Wolverine

I don't even think you'd have to tweak Wolverine at all. You'd just have to get him out of the costume and Avengers/X-Men associations (although the X-Men have a substantial background in pulp sci-fi stories like Slan and Odd John, so they aren't really at odds here), maybe tone down his powers a bit and, that's it. Logan's already the kind of character who has such a varied sandbox history, whose powers can lead to so many different scenarios, that it's not a stretch at all to picture Wolverine in the usual pulp hero scenarios.

You can have half-naked Wolverine running around in the jungle with animals Tarzan-style, take him to Savage Land if you wanna throw dinosaurs in there. He's already Marvel's foremost "wandering samurai/cowboy" character which was one of the stock and trade types of the pulps. Western? Done. Samurai? Done. Wuxia? Just put him in China and add a couple extra fantasy elements. Wanna make a sword and sorcery story with him? He already comes with a bunch of knives and savagery and ability to survive grisly injuries. Horror? The MCU is crawling with them, or alternatively, tell a story from the perspective of someone who's being hunted down by Wolverine. Wanna tell a detective/noir/post-apocalypse story? Logan's right there.

Wanna have him crossover with pulp heroes? He's lived through the 1800s and 1900s and traveled all over the world, you could feasibly have him meet up with just about any of them. Logan may actually be the purest example of your question, because he's very much not a Pulp Hero, and yet, he definitely feels like a character who could have been one, at just about any point in the history of pulp magazines. He's perfect for it.

1: Wario

WAAA-okay, look, bear with me for a second here, I'm not just picking Wario because I love oddball choices and he's one of my favorite characters, I got some logic to this.

Okay so, the first question here: is Mario a superhero? While I'm usually adverse to calling characters prominent outside of comic books superheroes (hence why I'm definitely not interested in debating whether Harry Potter or Goku or Link or Frodo are superheroes), I do think it's a pretty shut case that, yes, Mario is a superhero. Superheroes don't just come in the form of skintight crimefighters, right from the start comic books have had varied types of superheroes appearing in comics and comic strips. For example, the "funny animal" superheroes are a type older than superhero comics, and they were arguably not only the most successful type of superhero of the 40s-50s era, but arguably defined trends dominating nonfunny animal superheroes, traits that predated or influenced Captain Marvel as well as Otto Binder's reshaping of Superman that defined much of superhero convention as we know it. It's part of why the question of "Is Sonic a superhero" has a very clear Yes as an answer.

So upon establishing that, yes, funny cartoon characters can be and are superheroes too, is Mario one? Well, I'd say yes. He's got an iconic uniform, he's got superpowers, he goes on fantastical adventures, he is both a nebulously general do-gooder as well as having a clear mission as protector of the Mushroom Kingdom. His adventures span multiple storytelling formats, he's got catchphrases, he even dresses up in Superman's colors and has a Super prefix iconically associated with him. Not a superhero the way we usually think of, but a superhero nonetheless.

And Wario? Well, putting aside Wario-Man who's more of a running gag than anything, Wario does just about everything Mario does. He's got all the traits that define Mario as a superhero short of a Super prefix and the selfless mission (which isn't exactly a rule). He goes around and gets into crazy adventures, he picks up items, beats bad guys, conquers the odds, and gets some kind of prize for it. He's got Mario's physical traits, and Mario's costume, and just about the same name short of a single letter. The caveat being, of course, that he's Wario, and so everything Mario is or does has to be exaggerated to gross extreme.

Mario is paunchy and strong, Wario's round and built like a powerlifter. Mario's got a friendly face and a fluffy mustache, Wario's got a massive horrible grin and jagged razors for a stache. Mario is a bit of an overeater, Wario can and will eat anything in front of him. Mario gets around with acrobatics and magic power-ups, Wario brute forces his way through everything and just rolls with whatever injuries he picks up along the way.

Mario gets fire powers by consuming magic flowers. Wario sets himself on fire and barrels around destroying everything in his path. Mario harnesses the elements or abilities of beings around him to clear obstacles and solve puzzles, Wario gets turned into a zombie, a vampire or a drunk to get the same things done. Mario befriends and rides dinosaurs who raised him from infancy, Wario piledrives dinosaurs and then uses their bodies to beat up more dinosaurs. Mario pals around with fellow heroes, princesses and friendly fantasy creatures, Wario pals around with aliens, witches, mad scientists, cab drivers, and lanky weirdos. Mario always ends his adventures joyfully leaping to the next one, Wario usually ends up either cackling in a pile of treasure or completely broke.

Mario races through plains to rescue princesses, Wario invades pyramids to hunt for treasure. Mario jumps through planets with baby stars guiding his path, Wario crashes into the Amazon jungle and fistfights the devil. You can see where I'm going with this.

If you were to take one of Nintendo's heroes to make them into pulp heroes, Wario, specifically the Wario Land Wario, may be the only one who really could do it, because in essence, he's the videogame equivalent of Professor Challenger. He's Bluto moonlighting as Indiana Jones, the weird brute adventurer for weird brute adventures where everything's off limits and you can trust our intrepid hero, who really shouldn't be a hero on all accounts, to deliver us a good time, give or take a couple deaths, scams, shams and oh-damns to complete said mad treasure hunts.

[foxsan547]

60 Seconds Game

60 Seconds Game Mods

60 Seconds Game Wiki

When disasters strike, children are often victims. These events, ranging from mass-casualty gun violence to tornados, overwhelm available healthcare resources. Emergency medical service providers, such as paramedics and EMTs, often are called upon to triage disaster victims. Training for this rarely performed yet crucial task, which greatly impacts patient outcomes, is inconsistent across the country. Didactic sessions may not yield improvements in knowledge or triage practice, and simulation sessions can be difficult to deliver for large groups of prehospital care providers, due to logistics and cost.

With sponsorship from an AHRQ Grant, simulation researchers at the Yale School of Medicine have developed a serious video game entitled 60 Seconds to Survival: Pediatric Disaster Triage. The team is completing Phase I of a research study, in which the effectiveness of the video game as a learning modality will be determined. Paramedics and EMTs will complete a live simulation of a mass casualty shooting at a school, and serve in the role of triage officer, assigning color coded triage tags and delivering quick life-saving interventions. Two-thirds of study participants play 60 Seconds to Survival, while the remainder has been randomized to not play the game. Game players are instructed to play the game for 15 minutes a week for 13 weeks. At the end of thirteen weeks, all participants return to complete a similar live simulation. It is hypothesized that game players will perform disaster triage, with fewer incidents of dangerous overtriage (using high priory resources for patients who are not critically ill or injured, at the expense of patients who need those resources more) and undertriage (failure to recognize critically ill and injured patients).

60 Seconds Game Mods

The description of 60 Seconds Atomic Adventure Free App. This is a comedy atomic adventure of scavenge and survival. Collect supplies and rescue your family before the nuke hits. Stay alive in your fallout shelter. Make difficult decisions, ration food and hunt mutant cockroaches. And maybe survive. About This Game. Dolores, Ted, Mary Jane and Timmy return to face the nuclear apocalypse in this new, remastered edition of the classic atomic adventure - 60 Seconds! Reatomized, featuring 4K support, refreshed 2D graphics and hand-drawn 3D textures, new interactive menu, improved UI system, a technical refresh, and of course. Dec 18, 2017 60 Seconds! Is a dark comedy atomic adventure of scavenge and survival. Collect supplies and rescue your family before the nuke hits. Stay alive in your fallout shelter.

60 Seconds Game Wiki

Through INSPIRE, the 60 Seconds To Survival Team has successfully recruited over 40 sites for the next phase of the study, in which large numbers of prehospital care providers will play the game, and the effectiveness of the video game as a learning modality can be determined for the population of learners as a whole, and for subgroups, such as older learners, inexperienced paramedics, and prehospital care providers across the US and Canada.

[dochub]

C O S M O S : A SPACETIME ODYSSEY - STANDING UP IN THE MILKY WAY

“The cosmos is all that is, or ever was or ever will be.”  - Carl Sagan, September 28th, 1980.

A generation ago, astronomer Carl Sagan launched hundreds of millions of us on a great adventure: The exploration of the universe, revealed by science.

We’re about to go from the infinitesimal to the infinite, from the dawn of time to the distant future. Explore galaxies, suns and worlds. Surf the gravity waves of space-time, explore planets of stars that never die, discover atoms as massive as suns, and universes smaller than atoms. 

Cosmos is also a story about us. It’s the saga of how wandering bands of hunters and gatherers found their way into the stars. One adventure. Many heroes.

If you want to see where we are in space, here it is:

Here’s what Earth looked like 250 million years ago:

And this is how it could be, 250 million years from now.

To go venture out into the farthest reaches of the cosmos, we need to know our cosmic adress. And this is the first line of that adress.

Earth.

EXPLORING THE SOLAR SYSTEM

The moon, our nearest neighbor, has no sky, no ocean, no life. just scars of cosmic impacts.

Our star powers the wind and the waves and all the life on the surface of our world. 

The Sun holds all the worlds of the solar system in its gravitational embrace. Starting with Mercury...

to cloud-covered Venus, where greenhouse effect has turned it into Hell.

Mars... a world with as much land as Earth itself.

Then a belt of rocky asteroids circles the Sun between the orbits of Mars and Jupiter.

Jupiter is like it’s own solar system, with it’s four giant moons and dozens of smaller ones. It has more mass than all the other planets combined. Jupiter’s Great Red Spot... a hurricane 3 times the size of our whole planet, that’s been raging for centuries.

The crown jewel of our solar system, Saturn. Ringed by freeways of countless orbiting and slowly tumbling snowballs, each, a little moon.

Uranus...

and Neptune, the outermost planets, unknown to the ancients, only discovered after the invention of the telescope.

Beyond, lies a swarm of tens of thousands frozen worlds. Pluto being one of them.

Of all our spacecraft, Voyager 1 is the one that’s traveled farthest from home. She bears a message to a billion years from now. Something of who we were, how we felt and the music we made. Blind Willie Johnson’s “Dark Was the Night”.

From out here, the Sun may look like just another star, but it still exerts it’s gravitational hold on a trillion frozen comets, leftovers from the formation of the solar system, nearly five billion years ago. It’s called, the Oort Cloud. No one has ever seen it before, nor could they, for each of these little worlds is as far from it’s nearest neighbor as Earth is from Saturn. This enormous cloud of comets encloses the solar system, which is the second line of our cosmic adress.

Earth, Solar System.

EXPLORING THE MILKY WAY.

Rogue planet. World without a sun. Our galaxy has billions of them, adrift in perpetual night. Orphans, cast away from their mother stars during the chaotic birth of their native systems. They’re molten at the core, but frozen at the surface. There may be oceans of liquid water in between those extremes. Who knows what might be swimming in there?

How many worlds? How many stars? How many ways of being alive? Where are we in this picture? 

That’s where we live - about 30,000 light-years from the center. The Milky Way Galaxy is the next line of our cosmic adress. 

Earth, Solar System, Milky Way Galaxy. 

Andromeda, the galaxy next door, we call our two giant galaxies, and a smattering of smaller ones, the “local group”. Can’t even find our home galaxy from out here. It’s one of thousands in the Virgo Supercluster. 

On this scale, all the light we see, even the tiniest dots are galaxies. Each containing billions of suns, countless worlds. Yet, the entire Virgo Supercluster is but a tiny part of our universe. This is the cosmos on the grandest scale we know. A network of billion of galaxies. It’s the last line of our cosmic adress... For now.

Earth, Solar System, Virgo Supercluster, Observable Universe. That’s our cosmic adress.

Many of us suspect that all of this, all the worlds, stars, galaxies and clusters in our observable universe is one but tiny bubble in an infinite ocean of other universes... A multiverse. Universe upon Universe. Worlds without end. 

EXPLORING TIME

How can we, humans, who rarely live more than a century, hope to grasp the vast expanse of time that is the history of the cosmos? The universe is 13.8 thousand million years old. In order to imagine all of cosmic time, let’s compress it into a single calendar year.

Cosmic Calendar begins on January 1st, with the birth of our universe. It contains everything that’s happened since then, up to now, which on this calendar, is midnight, December 31st.

On this scale, every month represents about a billion years. Every day, nearly 40 million years. Let’s go back as far as we can, to the very first moment of the universe.

January 1st. The Big Bang.

It’s as far back as we can see in time... for now. Our entire universe emerged from a point smaller than a single atom. Space itself exploded in a cosmic fire, launching the expansion of the universe and giving birth to all the energy and matter we know today. As it expanded, the universe cooled and there was darkness for about 200 million years. Gravity was pulling together clumps of gas and heating them, untill the first stars burst into light, on January 10th.

On January 13th, these stars coalesced into the first small galaxies. Those galaxies merged to form still larger ones, including our own Milky Way, which formed about 11 billion years ago, on March 15th, of the cosmic year.

Hundreds of billions of suns. Which one is ours? Not yet born. It’ll rise from the ashes of other stars.

See those flashing lights, like paparazzi? Each one, a supernova. The blazing death of a giant star. Stars die and are born in supernovas, the stellar nurseries.

They get so hot that the nuclei of the atoms fuse together within them, to make the oxygen we breathe, the carbon in our muscles, the calcium in our bones, the iron in our blood. All of it was cooked in the fiery hearts of long-vanished stars.

You, me, everyone...

How much longer until the birth of our Sun? A long time. It won’t begin to shine for another six billion years. Our Sun’s birthday is August 31st, on the Cosmic Calendar... four and a half billion years ago.

As with the other worlds, Earth was formed from a disk of gas and dust orbiting the newborn Sun. Repeated collision produced a growing ball of debris.  The Earth took one hell of a beating in it’s first billion years.

Fragments of orbiting debris collided...

 and coalesced untill they snowballed to form our Moon.

The Moon is a souvenir of that violent epoch. It was ten times closer back then, locked in a much more intimate gravitational embrace. As the Earth cooled, seas began to form. The tides were a thousand times higher then. Over the eons, tidal friction within Earth pushed the moon away.

Life began somewhere around Semptember 21st, three and a half billion years ago on our little world. For all we know, life may have come from another part of the Milky Way.

December 17th was quite a day. Life in the sea really took off, exploding with a diversity of larger plants and animals. Tiktaalik was one of the first animals to venture onto land. It must have felt like visiting another planet.

Forests, dinosaurs, birds, insects, all evolved in the final week of December. The first flower, bloomed on December 28th.

The universe is already more than 13.5 billion years old. Still no sign of us. In the ocean of time that this calendar represents, we humans only evolved within the last hour of the last day of the cosmic year. 11:59 and 46 seconds.

All of recorded history occupies only the last 14 seconds, and every person you’ve ever heard of, lived somewhere in there:

All kings, battles, migrations and inventions, wars, loves, everything in the history books happened here, in the last seconds of the Cosmic Calendar. 

Three and a half million years ago, our ancestors, yours and mine, stood up. Once standing on two feet, our eyes were no longer fixated to the ground. We were free to look up in wonder. For the longest part of human existence, the last 40,000 generations, we were wanderers, living in small bands of hunters and gatherers, making tools, controlling fire, naming things. All within the last hour of the cosmic calendar. 

We’re so very young on the time scale of the universe, that we didn’t start painting our first pictures until the last 60 seconds, a mere 30,000 years ago.

This is when we invented astronomy. In fact, we’re all descended from astronomers. Our survival depended on knowing how to read the stars to predict the coming of the winter, the migration of wild herds. Then, 10,000 years ago, began a revolution in the way we lived. Our ancestors learned how to shape their environment, taming wild plants and animals, cultivating land and settling down.

This changed everything. For the first time in our history, we had more stuff than we could carry. We needed a way to keep track of it. At 14 seconds to midnight, or about 6,000 years ago, we invented writing.

Writting allowed us to save thoughts and send them much further in space and time. It shook the world. Moses was born seven seconds ago. Buddha, six seconds ago. Jesus, five seconds ago. Mohammed, three seconds ago. It was not even 2 seconds ago that, for better or worse, the two halves of the Earth discovered each other. And it was only at the very last second of the Cosmic Calendar that we began to use science to reveal nature’s secrets and her laws. 

The scientific method is so powerful that in a mere 4 centuries, it has taken us from Galileo’s first look through a telescope at another world to leaving our footprints on the Moon. 

It allowed us to look out across space and time, to discover where and when we are in the cosmos.

Science is a cooperative enterprise, spanning the generations. It’s the passing of a torch from teacher to student to teacher, a community of minds reaching back to antiquity and forward to the stars.

Now, come with me. Our journey is just beginning.

[mst3kproject]

Atomic Rulers

 So 2020 fucking blows.  We’ve got Death and Pestilence all over the place, War is waiting in the wings licking her chops, and I’m sure Famine is only a matter of time.  You know what we need?  A hero. Operator, put me through to the Emerald Planet!  After fifty-five years, the Earth must once again call upon Star Man.

(I apologize for the poor quality screencaps in this review.  The WiFi at sea is not great, so I’m watching movies on YouTube in decidedly low definition. I’ll replace them with better ones if I ever get out of here.)

Atomic Rulers, also sometimes known as Atomic Rulers of the World, is actually the first Star Man movie.  Does that mean we get an origin story for our brave hero?  Of course not.  Instead, we learn that the evil nation of… uh… a sign in the movie says Merapolia but the dubbing sounds like Magolia... whatever. Their nuclear testing is starting to contaminate Outer Space and the Emerald Men don’t like that – they send Star Man to Earth to do something about it.

This movie gives us two things none of the other Star Man movies do.  First of all, there’s an actual purpose to that ‘globemeter’ watch thingy he wears. The opening of every movie explains that the globemeter allows Star Man to do three things: travel through outer space, speak and understand any language, and detect sources of radioactivity. The first two functions have proven to be very useful, but neither the Salamander Men nor Ballazar’s Brain were radioactive, so the third just sat there like the stocks app on an iPhone.  Now, with the threat of concealed Magolian nuclear weapons, he finally uses it!

The second is, holy shit, a plot.  The Magolians want to rule the world, and aliens from a dozen different Godzilla movies have assured them that when conquering the Earth, you have to start with Japan.  To that end, their agents are sneaking atomic weapons into the country. Star-Man tries to confiscate these, and in the midst of the lame-ass fight scene that follows, the Magolian Bag-O-Nukes is carried off by a bunch of annoying little kids!  The Magolians kidnap one of the kids and try to force him to tell them where their bomb is.  Star-Man rescues the boy, but it’s too late – they’ve already retrieved the bomb.  There’s just a few hours left before Japan must surrender, or be blown to bits as an example to the rest of the world!

There’s actually even more to the plot than that. It’s full of wild twists and turns, with Star Man and the Magolians taking turns looking like they’re about to win the day.  Yet at the same time, unlike the other Star Man films, the story is not obviously bifurcated!  You can tell where Movie One ends and Movie Two begins (with the rescue of the kidnapped kid), but the same characters are involved throughout rather than changing from reel to reel.  Even the gaggle of nameless kids in short-shorts kind of play a role in the plot, helping Star Man and giving information to the police whenever they can. The plot unspools in a single main storyline from beginning to end, and events usually make enough sense that you can figure out where they fit.

Even more shockingly, Star Man himself actually has some personality in this film, even a bit of a character arc.  In the other movies he just ran around punching aliens and smiling at children, but here we see him as a bit of an arrogant dick, confident in his ability to beat the mere humans who represent the threat to the universe.  When he is nearly beaten instead, he is forced to learn a little humility, and nearly sacrifices his life to save a hostage.

By leaps and bounds, then, this is the best Star Man movie I’ve seen.  There’s a couple more out there, but they’d have to work hard to be better than Atomic Rulers.  At the same time, as praise goes ‘the best Star Man movie’ is almost as faint as ‘the best Coleman Francis movie’.  It still sucks big-time, and Mike and the bots would have had riff material to spare.

I mean, this is a movie where the bad guys have a giant cartoon demon face on the wall of their lair for some reason, and when they’re not disguised in blazers and ties they wear coronavirus suits with the same face on the chest.  There’s a bit where Star Man swordfights with a bunch of them, using fencing foils that were just lying around in the room for some reason.  Other fight scenes are mostly things like Magolians frantically shooting at Star Man while he just stands there looking smug. The ‘atomic core’ MacGuffin is just a plastic tube full of glitter.  The back-projected ‘flying’ effects are dire.  There’s a bomb that has a literal clock on the side ticking down the minutes like in an old cartoon.  There’s a pretty girl strapped into a death trap that I can only describe as the world’s slowest guillotine.

There’s a fairly extended sequence in which we see the Magolians’ car driving down a road, then cut to Star-Man flying, then back to the car, then back to Star Man, then back to the car, and on and on until I could almost hear Crow shouting “he’s following them!  We get it!”

The Magolians themselves confuse me a bit. People refer to their embassy and their ambassadors, and there’s a flag on their car and so forth, so I’m pretty sure they’re supposed to be from a country on Earth… and yet they behave exactly like the villains of a Japanese alien invasion movie.  They have dumb costumes, they call the guy in charge ‘supreme leader’, and most distracting of all, they refer to conquering ‘the Earth’.  Maybe this is just an artifact of the translation, but I would expect humans to talk about ruling ‘the world’ rather than ‘the Earth’.  It left me expecting a big reveal at the end, and when there wasn’t one, I had to go back to the beginning to see if they’d been established as aliens and I’d missed it.

Speaking of possible artifacts of translation, there’s another thing here I’m not sure about.  A lot of Japanese ‘no nukes’ movies have American antagonists, or at least, white guys who are clearly a stand-in for Americans.  My favourite example is the belligerent country of Rolisica in Mothra, which is an absolutely hilarious summary of what 60’s Japan thought the West was like.  Magolia, on the other hand, appears to be a stand-in for the USSR.  The actors playing the Magolians are mostly white, and we only ever hear two of their names: the supreme leader has a nonsense name, but the ambassador is called Boris Zedenko.  I wonder if this is original to the script, or whether it was changed when the movie was dubbed for American release.

The thing I find most interesting about Atomic Rulers is that while Star Man does save the Earth, that’s not really his goal.  The Emerald Men sent him here to prevent a war because Earth’s radioactivity was leaking into outer space, threatening other planets.  Star Man isn’t here to save humanity, he’s here to save the rest of the universe from us; saving us from ourselves is merely a side-effect.

This makes Star-Man a little different from his imitators, Space Chief and Prince of Space.  Despite their space-themed code-names, they are humans from Earth, with a specific interest in protecting this planet.  Star-Man seems to have the broader responsibility of protecting the civilized galaxy in general, and this is reflected in the premises of his movies. In Evil Brain from Outer Space, Ballazar’s Brain is using Earth as a place to launch a general takeover of the universe. Invasion from Space was a little less clear about it, but I’m pretty sure there was something about the Earth being ‘the richest planet in the galaxy’ and the Salamander Men would presumably use that loot for nefarious purposes.

A side implication here is that Star-Man probably has other adventures, too – we’re only seeing the ones that happen to bring him to our particular planet.  Considering how strange Star-Man movies can be anyway, and how trippy the brief shot of the Emerald Planet, with its crystal-headed creatures and robots and even a couple of what appear to be the Pairans from Warning from Space, one has to wonder about these potential non-Earth storylines.  How fucking weird would those be?  I’m imagining something like an entire movie about Krankor’s pet giant.

Another thing that distinguishes Star Man from the other space dinks is that he has actual superpowers.  Space Chief and Prince of Space are basically just normal guys in stupid outfits.  Prince of Space claims that Krankor’s ray guns have no effect on him, but really we see he’s using his wand-thing to deflect them.  Star Man, who is from another planet, can fly and has super-strength. This kind of makes me wonder if he was intended as a Superman imitator… but that would make Space Chief and Prince of Space the equivalent of Batman, and I just can’t insult Batman like that.

I am developing an honest affection for Star Man movies.  Their desperate cheapness is more than made up for by their over-the-top absurdity, and the result is not at all ‘good’ by any reasonable measure and yet is always entertaining.  Camp like that is all too rare to find, and even rarer to find a franchise like Gamera or Star Man that can do it dependably.  I don’t know why the Japanese are apparently so good at this, but I’m glad somebody is.

[f1open-blog]

60 Seconds Atomic Adventure Free Hack Online Generator 2018

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60 Seconds Atomic Adventure Free Hack Online Generator 2018

[xdeathdollx]

if she has no fans im dead