#6. If you are pairing two characters especially the color palettes need to look good together and you should probably create visual links

[ridley-was-a-cat]

What I Watched This Week – 6/2 – 6/15

Sukisho! – June being Pride Month, I drew up a plan to only watch BL and yuri anime this month, where each week I’d watch one BL/yuri that’s new to me, rewatch one I’ve seen before, and watch or rewatch a movie or OVA if time allows. I’ve seen the majority of BL anime that’s out there, so finding one I hadn’t seen was a bit of a challenge, until I saw this 2005 visual novel adaptation streaming on Tubi.

To say it’s a wild ride is a bit of an understatement. Not only are our two leads roommates at an all-boys school, one of them has amnesia after falling out of a fourth floor window. On top of that, the two boys also have split personalities, where their second personalities are in love with each other and their primary personalities are always fighting. In between running wacky errands and getting into ridiculous situations with their school club, they also investigate their mysterious past, get abducted, fight a mad scientist, and plot an elaborate revenge. As a little bonus, the main boy’s edgelord second personality is voiced by Koyasu, which is just genius. The visuals are extremely dated, with pointy chins and brightly colored hair in impractical styles, but the voice cast is surprisingly great, the characters have good chemistry, and the nonsense is a lot of fun if you don’t think about it too hard. It’s a nice little romp I had a great time watching. 7/10

Sweet Blue Flowers – I watched this series early in my anime-watching monomania, and it was interesting to revisit it years later after seeing other yuri series and reading other manga by Takako Shimura. Now that I’ve been around a bit, I see how it’s descended from class S yuri classics that came before it, and how it puts its own spin on the genre. Set at a pair of girls’ schools, the story follows two childhood friends who are reunited for the first time since elementary school when one moves back into town at the start of high school. Each meets a group of friends at their respective school that becomes entangled with the other girl’s school, and relationships form and break apart as the two reestablish their friendship. Nobody can get out of their own way, everyone’s constantly getting their feelings hurt, but it’s all written so that it feels grounded and relatable rather than melodramatic and frustrating. It’s also a rather pretty anime, with a subdued color palette, charming character designs, and lots of dappled sunlight on the characters and the backgrounds. I really appreciated the complicated, messy relationships in this, and ended up giving a higher score this time around. 8/10

Doukyuusei – Being under an hour, this is a somewhat frequent rewatch for me, as it’s a nice quick shot of romance that’s easy to squeeze into an evening when I need a dose of young love to cheer me up. On paper, the plot sounds a little rote: two boys attending an all-boys school couldn’t look or be more different – one’s the flashy guitarist of a local band, the other is studious and reserved – but grow close after practicing a song together for a school event, and fall in love. A combination of distinctive, expressive art and strong writing takes this from being a pleasant but forgettable genre story to being a memorable snapshot of the messy, confusing, and exciting experience of falling in love for the first time. The animation is pretty economical, especially for a movie, but the watercolor-like art does an excellent job of getting the hazy feeling of high school and teenage life, where you’re not really a child, but not quite an adult, and you’re expected to make decisions about the rest of your life despite nothing really feeling solid to you yet. 8/10

Maria Watches Over Us S1 – I’ve been meaning to watch this class S yuri classic for a long time now, and Pride month seems like the perfect time to get to it. The story is centered on a nondescript girl who has just started her first year of high school at the prestigious Lillian Girls’ Academy. She finds herself tangled up with one of the most popular girls at the school who ends up taking her under her wing as her “soeur”, a tradition where older girls choose a younger girl as a sisterly mentee. I thought I was getting into something like Dear Brother, and would be up to my eyeballs in catty maneuvering and backstabbing drama, but it’s actually pretty laid back. There’s a bit of drama, but it’s fairly subdued and rooted in the girls’ earnest efforts to understand one another. Coupled with that good, old-fashioned 2000s sepia-tone filter on the visuals, this was a cozy little series. I plan to watch the rest of the series, but I’m not sure if I want to marathon it all or spread it out for when I want an episode or three of chill schoolgirl drama. 7/10

Sasaki and Miyano – Rounding off my Pride month menu of stories of love at single-sex high schools is another favorite series I rewatch often. In this one, our main character is an avid reader of BL manga and novels who finds himself in a bit of a pinch when an upperclassman takes an interest in him, leaving him full of questions about the line between fiction and reality and what he wants for himself. As a romance fan, this series gives me pretty much everything I want. There’s lots of blushing, tons of yearning, plenty of overthinking feelings, a nice group of friends who can see right through them, and some exquisite physical affection scenes. All the sparkles and flowers floating around the characters during romantic moments capture the shoujo manga vibe perfectly, delivering the warm fuzzies. I still think some of the stuff with Hanzawa felt like wasted space, the flashbacks in the first episode were a little confusing, and the animation never really rises above workmanlike, but it’s nearly everything I could want in a BL anime. Just cute as hell, with an excellent kiss scene. 9/10

[honeysorwell]

(a very unprofessional) game changer

Pairing: Audrey Tidall x fem!Reader x Diane Sherman

Summary: Audrey Tidall ends up conquering the role of the protagonist in the expected film that marks the great director and screenwriter Diane Sherman return to the film market, Run, that the blonde one desired really much. The filmmaker has only managed to return now since she left her job almost twenty years ago to take care of her daughter. She has no real plans other than finishing the film that will mark her return, but her nonpeaceful coexistence with Audrey during the filming, along with the loneliness that consumes her personal life ends up instigating an unexpected affection - and that grows every day - for Y/N, the costume designer for Run.

What Diane did not expect, when giving Y/N anonymously flowers during the recording months, is that the costume designer has been in a secret relationship for more than months with Audrey. However, the feeling of indifference and disdain that the director feels for the actress gradually dies after a heated argument between the two, leaving an unnamed tension in the air, while Y/N searches for her secret admirer with her girlfriend.

[gif by @sapphiclesbian​ ]

[gif by @cherry-jimin] 

A/N: I was extremely surprised when I posted You rush into my life, stay a little while (I know that we can have it all), and in less than a month I got +50likes (after all I barely know how to use tumblr and I discovered these days how and where to look at the followers that I have lol). And thanks to that, I will use (a very unprofessional) game changer as a social experiment, to see if you guys really like what I write, and if the answer is also positive, I will open requests to write things in my free time. And yes, my first language is not English so maybe something might sound strange.

I had this idea as soon as Run was released, thanks to Diane's passion for films... And since Audrey is an actress, I thought it would be good to combine these two...

I can say that this is a big AU because Diane is a lovely mother, and no one from Roanoke dies (because I don't have time to develop any of this shit).

Hope you all like it!

Synopsis of the story + Chapter 1 ,  Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 , Chapter 7 , Chapter 8 , Chapter 9 , Chapter 10 (final one)

Chapter 1

Chapter’s summary: Audrey and Y/N get to know each other thanks to Diane, and even though they are about to start recording Run, they decide that it is worthwhile to continue with their relationship. Even if secretly.

Warnings: In this chapter at least, none. Just implicit mentions of smut, it's not really something!  

Word Count: 1,2k

In theory, when someone wins an award as important as The Saturn, their career between movies becomes more likely to invitations to productions. Films, miniseries, or even theatrical productions. But that didn't happen with Audrey.

There was a voice in her head that said it was thanks to her age. But since none of the actors in Roanoke's cast, especially women, were so different in this aspect, Audrey continued to ignore that voice.

Everything was relatively ready for the British woman to participate in Return to Roanoke: Three Days in Hell, however after her breakup with Rory, the blonde one preferred to focus on something new. She quickly fell in love with him, but when the red-haired man asked about marriage, everything was clear to Audrey. Their paths and thoughts were so different, even with the significant feeling between them, that it was better to break their love relationship before their friendship was affected. And this was what she did.

It was audacious. Refuse a proposal for the same program that gave her fame and awards, to audition for a new film that she barely knew would happen. Some people would call her crazy, but the email she received from her agent was enough to give her courage.

Or rather, four words from that email. Directed by Diane Sherman was what caught her attention and prompted her to try to venture out to take the test.

She can still remember. Years ago, while she was still fighting for a minor role in any theatrical production in England, Diane Sherman was already acclaimed worldwide for the grandiose films with unexpected endings that she produced, even at a young age.

All the films of the woman with a reddish tone between her brunette hair strands became hits. But in the midst of it all, Diane decided to take a break from her career, and less than five months later, a pregnancy was announced.

After that, twenty years passed and no film was released, no interview, no magazine cover. Such a gloriously famous woman disappeared from everyone's view with her baby. But only up to now.

That test was probably the one that tired Audrey the most in her entire career. To portray in a few minutes the pain of the life of a woman who is obsessed with her daughter to the point of making her sick was difficult. But she did, and so, while her former co-stars were locking themselves up in a seemingly haunted mansion, she was getting a call from her agent saying that she got the lead role.

Everything worked well when the blonde received her script and started working with Diane on how they would like this character to be seen by the audience, but as the conversations flowed, Audrey understood why all of the woman's films were such a success. She was a perfectionist and her authority was clear.

Everything needed to be perfect. Including the costume.

And so Audrey met Y/N. A beautiful costume designer with so much talent to spare to the world.

The first time they saw each other, Diane was not present, after all, it was just a date to take Audrey's body measurements. As the story was about a housewife, movable and comfortable clothes had to be designed, which did not force Audrey to strip naked to have her measurements known by Y/N, even if an unprofessional part of her wanted to.

Quick encounters followed, some with Diane briefly present, just to define new color palettes or to approve and disapprove something. The director never stayed more than twenty minutes with the two women, but thanks to Y/N's perseverance, in producing everything exactly as Diane wished, and Audrey's free time, due to her mind being ease in memorizing lines and just a few friendships outside England, the two woman became relatively close.

When the costumes were all designed and in the final process of being made, Diane decided that she would like Audrey's hair to be longer. Some wig tests took place, but a joint decision was made.

The film would be postponed in five months from there, so that the blonde's hair would grow.

It was frustrating, to say the least, and maybe that was the trigger for Audrey's disapproval with Diane, but one thing was good. The time now acquired has started to be spent on Y/N.

Always at discreet lunches or afternoon teas in their homes...

Y/N thinks it might be extremely inappropriate and absolutely unprofessional to get personally involved with a co-worker, even outside the set, and even though their work on Diane's film was relatively distant. But, after many glasses of wine and random conversations, nothing made more sense to Y/N than Audrey's lips against hers.

A one-night stand. That was what they thought they were born to be. But the skin on Audrey's stomach was so smooth that Y/N didn't know if she wanted to kiss her until she moaned or laughed, confused as she tried to understand which one of the sounds was the actual responsible for her heart beating faster.

A one-night stand. Because Audrey didn't feel ready to start a relationship after such a recent breakup. But there was nothing more beautiful than Y/N's face full of pleasure while she was being touched, or her face concentrated on redoing a crooked seam, even if she was the only one that noticed the defect in the piece.

A one-night stand. That turned into two, three, ten, thirty... and when they noticed, Audrey's hair was long enough for the film to start recording and their mind was unconsciously bought each other's favorite foods at the supermarket.

And on one of those nights, when they were both lying on Y/N's bed and Audrey was drawing imaginary flowers on the bare skin of her right hip, a whisper escaped the actresses lips:

"I don't want this to end because we are going to work together... Does that make me unprofessional?", The moment the question escapes her lips, she raises her face towards Y/N and looks deeply into her eyes.

"Well ...", the costume designer starts and stops, distracted by the beauty of Audrey's brown eyes and a lock of her hair - now longer - that is hindering the Y/N view of the blonde's cheeks, but that soon puts the hair strands behind her ear and continues - "Count me in because I don't want this to end either..."

It is a smile so beautiful that it takes hold of Audrey's lips, that the courage to take possession of Y / N's body and one more phrase escapes her lips.

"I think I'm in love with you."

The word think sounds so low, it's like it's not even there. Because Y/N's mind knows that she is sure, even scared and that is why Y/N's eyes focus on the whole room, except the face in front of her. Until delicate fingers touch her chin and direct her to see brown eyes bathed in tears, amid the same glorious smile of seconds ago.

"And I don't know how you didn't notice that I fell in love with you too."

And so they come to an agreement. Nothing will be explicit while they are on set. At work, they will be just friends, close friends if the distance wraps their stomachs, but still, just friends.

For the sake of their reputations, their jobs, and the Diane Sherman film they will be just friends.

[prettywarriors]

Ok ill bite whats the worst mg series

alright, whats the worst magical girl series in your opinion?

Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).

So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.

Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!

Spoilers abound so if you care about those for a 15 year old series, click away.

Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.

The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.

Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.

Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.  

The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series. 

~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.

~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...

~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because

~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks. 

~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.

~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)

~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.

The Good: Everything has positive points, no matter how bad it is.

~Character Designs: Some of those looks slap. As do most of their weapons. 

~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive. 

~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.

~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)

The ‘Fine’: Yeah.

~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.) 

~Music?: There sure were songs. Obviously, they are nothing to me.

The Bad: CW for.... somehow all the big things to an extent. 

~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....

~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-

~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.

~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?

~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!

~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there. 

~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.

~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.

~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me. 

Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.  

Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.

Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops. 

[justanothercinemaniac]

Epic Movie (Re)Watch #128 - The Wizard of Oz (1939)

Spoilers below.

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: Blu-ray

1) This film is a classic of American cinema. If you ever want to learn how to tell a slick story, watch this film. Because outside of one or two musical numbers, there is nothing in here that doesn’t need to be. It is all entertaining and slick.

2) Judy Garland’s iconic performance as Dorothy Gale.

In the original tale Dorothy was a pre-adolescent eight year old, where as Garland was 16 upon playing Dorothy. They had to have her in a tight corset to keep her boobs under wraps. Now that I’ve said that fun anecdote...

Garland is pretty great as Dorothy. She is able to perfectly capture her childlike wonder, heart, and innocence in a way which makes the audience feel like a kid. It brings us into this world of youth and fairytales through a compelling and fun character. Dorothy comes off as compassionate and loyal, and while a bit of a damsel towards the end we understand that she is just a child who is thrust into this world and desperately is trying to get back home. Garland is perfect in the role and the film needs her to be as iconic as it is.

3) The decision to have various characters and lines (“Well your head ain’t made of straw you know!”) be echoed in Oz gives the film a sense of magical realism (a literary genre or style associated especially with Latin America that incorporates fantastic or mythical elements into otherwise realistic fiction). I would not go far enough to call the film an example of that genre, but it definitely has some of those elements.

4) “Over the Rainbow”

Without a doubt THE most iconic song in the film. In my opinion there are two songs from cinema which perfectly capture a child’s imagination: “Pure Imagination” from Willy Wonka & The Chocolate Factory and “Over the Rainbow” from this film. The song was almost cut from the film, with studio heads fearing it would bore kids! Can you even imagine? The film’s light melody and childlike innocence is what truly carries it. It connects with anyone who has ever longed for someplace better, for a far off land filled with adventure and intrigue. Garland’s vocals do the beautiful composition amazing justice, making the two inseparable. Honestly, it’s THE moment from the film and the movie hasn’t even gone to color yet!

5) The relationship with Dorothy and Toto is wonderfully strong. I wonder if there’s a backstory to that. Like maybe Toto was a gift to her from her late parents or something like that. Either way, any dog lover will appreciate it.

6) The fact that Professor Marvel (played by Frank Morgan, who later plays the titular Wizard) is a total phony doesn’t have so much weight the first time you watch this film. It does however become wildly important after the film’s end. Also the fact that Dorothy is so quick to believe speaks wildly to her youthful innocence.

7) It took me a while to realize why Dorothy is so desperate to return home when she has a whole song about wanting to be elsewhere, and only recently did I realize why. She thinks her Auntie Em is sick! Professor Marvel told her that her running away made her sick and heartbroken, and it is this belief and love for her family which drives her through the rest of the film.

8) Dorothy looking out the window in the middle of the twister has some wonderful sight gags.

9) The transition from a sepia tone world to a color one is remarkably seamless. Credit to the director, cinematographer, and editor(s?) who worked on this film for that. Bravo.

10) One of the reasons the film is such a classic is largely because of its wonderful imagery. All of Oz is wonderful fantasy, using the brightness of technicolor to its full advantage and creating a storybook world that appeals to the eyes of children and adults everywhere. The entire color palette is like that of a rainbow, something very fitting considering the main song of this film.

11)

Glinda [upon meeting Dorothy]: “Are you a good which, or a bad witch?”

Oh, if only it were that simple.

12)

Glinda [after she hears Dorothy’s opinion that all witches are ugly]: “Only bad witches are ugly.”

Beauty’s in the eye of the beholder, dude.

13) While watching this film I kinda thought Glinda was being a little TOO chipper, and that the ready celebration of death was a bit odd. Then I remembered a fan theory which painted the supposed Good Witch of the North as the villain. Read at your own risk of childhood ruining.

14) I don’t love this film as much as others, although I do admit its pretty damn great. So it’s at risk of offending the purists out there that I say I think the whole Munchkinland song goes on a little too long. Also some of the Munchkins - probably because of their costumes - freak me out. Mainly the Lollipop Guild.

15) THE WICKED WITCH OF THE WEST!!!!

She’s so freaking evil, I love it! The Wicked Witch of the West is one of the most iconic film villains of all time, possibly even more iconic than some legends as Darth Vader. Margaret Hamilton plays the Witch with DELIGHTFUL villainy! You can tell she’s having a lot of fun in the part and we as the audience are having fun because of it. The Witch is simultaneously both in line with the stories we hear as children while at times being truly threatening. Even as an adult there are times I go, “holy cow, this woman is EVIL!!!!!!” That is amazing to me. Hamilton was a fan of the books and was delighted to hear she was being considered for a part, and that enthusiasm just infects ever green skin cell of this baddie. Some stories are only as good as their villain, and The Wizard of Oz has an INCREDIBLE villain.

16) The Ruby Slippers.

In the original story the slippers were silver, but the filmmakers changed it to ruby in order to take full advantage of the technicolor process. These days the ruby slippers are such an iconic piece of film that there’s a pair in the Smithsonian institute. Just like everything else in Oz, it captures our imaginations totally and completely.

17) Follow the Yellow Brick Road.

Okay, but what happens if you follow the Red Brick Road? Am I the only one curious about that? Where does the Red Brick Road lead? Wonderland? Neverland? Cleveland? CAN WE GET A SPINOFF ANSWERING THIS QUESTION PLEASE!?!?!?

18) The Scarecrow.

(Let’s all take a moment to realize how relevant and awesome that line is in 2017.)

Out of the trio, the Scarecrow may well be my favorite. He is just so sweet and kind, despite of (or because of?) his naivety. Some fun slapstick comes about from his character, and...I don’t know what else. For some undefinable reason he’s just my favorite of the bunch!

19) This film does have some nice humor.

Dorothy [after interpreting the rusted Tin Man’s words]: “He said oil can.”

Scarecrow: “Oil can what?”

20) According to IMDb:

Ray Bolger was originally cast as the Tin Man. However, he insisted that he would rather play the Scarecrow--his childhood idol Fred Stone had originated that role on stage in 1902. Buddy Ebsen had been cast as the Scarecrow, and now switched roles with Bolger. Unbeknownst to him, however, the make-up for the Tin Man contained aluminum dust, which ended up coating Ebsen's lungs. He also had an allergic reaction to it. One day he was physically unable to breathe and had to be rushed to hospital. The part was immediately recast and MGM gave no public reason why Ebsen was being replaced. The actor considered this the biggest humiliation he ever endured and a personal affront. When Jack Haley took over the part of the Tin Man, he wasn't told why Ebsen had dropped out (and in the meantime, the Tin Man make-up was changed from aluminum dust to aluminum paste as one of its key components). However, his vocals remain whenever the song "We're off to see the Wizard" is played. Jack Haley's vocals were never used during the song, but were used for "If I Only Had a Heart" and "If I Only Had the Nerve." Ebsen's vocals are also heard in the extended version of "If I were King of the Forest," though the spoken segment has Jack Haley. Although no Ebsen footage from the film has ever been released, surviving still photos show him taking part in the Wicked Witch's castle sequence.

21) The various reprises of “If I Only Had _____” (A Brain/A Heart/The Nerve) are some of my favorite songs in the film. Not only is the tune itself sweet and memorable, but they each serve as slick simple introductions to each character’s core conflict.

22) Lions and tigers and bears, oh my! I don’t have anything to say about that line I just wanted to include it in my recap post.

23) Although the Scarecrow is probably my favorite of the trio, the Cowardly Lion is the funniest I think.

The idea of his cowardice allows for a great amount of physical humor and humor in his dialogue. He’s the comic relief in an already very funny and sweet cast.

24) Apparently the actors playing the trio of characters would often show boat and try to steal the scenes from one another, to the point where the director (or whichever director was working that day, as this film had a lot) had to shout at them to let Judy Garland be the star because it was her story.

25) Man, these guys get to the poppy field WAY sooner than I remember!

I also didn’t remember that it got resolved by “Deus Ex Glinda” just casting a magical spell to kill all the poppies with snow. Which is weird considering it should be one of the most memorable scenes in the film.

26) Frank Morgan - the actor who played The Wizard and Professor Marvel - also plays the sentry in Emerald City, the coach driver in the city, and a third guard in the city. Now that we know of The Wizard’s tricky ways, I wonder if all three of these are not meant to be the same character.

27) There are parts in the Emerald City sequence I find a little on the lengthy side, a little superfluous. The songs where all of Dorothy’s squad is getting treated well is fine, it’s short enough. But I totally forget about the entire “King of the Forrest” number any time I watch the film and honestly don’t think the film needs it. But that’s just me.

28) I think part of the Witch’s truly threatening nature is through the strong visuals this film uses. “Surrender Dorothy” is a particularly memorable sight, as black ash fills the sky of an otherwise happy place.

29) I will say though, even though I find the whole “King of the Forrest” song a bit pointless, it does have this nice bit:

Lion: What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage!

30) Probably the time the Lion is at his funniest is when the group is approaching The Wizard.

Also The Wizard is kind of a jerk.

31) Dude, there’s a door just a few feet away. You DON’T need to go through the window!

32) Where the heck did the Scarecrow get a gun? Where’d the Tin Man get a giant wrench?

This movie is weird. I love that.

33) The Flying Monkeys!

Another example of incredible imaginative imagery.

34) Okay so...why does the Witch want the slippers? I mean we have theories in all OTHER forms of Wizard of Oz media. They belonged to her sister, they have the power to jump worlds, she wants a little color in her wardrobe, but the film itself never gives a reason. She just WANTS them.

35) I always really appreciated the devotion the three friends had when going to rescue Dorothy. I don’t know, it just sort of moves me the friendship they were able to craft in such a short time.

36) So this scene with the guards singing:

I did a production of Our Town YEARS ago and there was this girl in the cast who said she grew up thinking these guys were chanting, “Oreo! O-RE-o!” Which, you know, makes sense. That was funny enough on it’s own. Then Wreck-It Ralph came out...

37) For some reason “Night on Bald Mountain” plays as Scarecrow, Lion, and Tin Man go to rescue Dorothy from the which. Because why not, I guess.

38) The fact that water melts the witch - while iconic - sort of comes from nowhere. Was there something earlier in the film that was supposed to foreshadow this? It’s very Deus Ex Machina.

39) The Wizard revealed!

A for effort dude.

40) The scene where The Wizard is handing out the gifts for everyone (a diploma for Scarecrow which works as a brain, the “heart” for Tin Man, a medal for lion) is very funny. Frank Morgan benefits from his fast talking yet sincere nature.

Scarecrow [after receiving his gift]: “How can I ever thank you enough?”

The Wizard: “Well, you can’t.”

And then I love this too.

Dorothy [after The Wizard talks about getting here in a runaway hot air balloon]: “Weren’t you frightened?”

The Wizard: “Frightened? Child, you're talking to a man who's laughed in the face of death, sneered at doom, and chuckled at catastrophe... I was petrified.”

41) I either don’t understand the lesson here or I do and I dislike it. Dorothy has this line of how if she ever wants something again, she’ll just look in her backyard because “there’s no place like home.” While I appreciate the sentiment of, “There’s no place like home,” the idea of home is not defined by the place you grow up in. It’s the place where you feel the most safe, the most comfortable, the place you miss when you’re not there. It’s usually defined by people, not location. Good people who treat you well. So while Dorothy does have that back in Kansas, the line about her backyard throws me.

The Wizard of Oz is a classic and for good reason. It’s colorful and vibrant imagery will stick with children of all ages, and through all its parts combined it just captures the imagination of childhood perfectly. It’s mostly pure, innocent, but not in a naive or babyish way. It’s an entertaining treat everyone should see at least once.

[techmomma]

Rusty gots good words! And to show you all that I mean no ill will, when I do these critiques, let me do it for myself, with a design I made like... four years ago?

SPEAK OF THE DEVIL.

Colors: 5/10

These colors aren’t terrible, but they’re not great either. Orange is a fun color to work with, but can be a li’l difficult sometimes, and it’s been paired off with some REALLY bright green eyes and saturated brown. 

Obviously, this isn’t a bad palette, but it’s kinda hard to look at. (Though, to be fair, I did not pick this original palette.)

Simplification: 7/10

Not bad! Highly simplified, sort of the definition of stream-lined. Possibly a little too simplified, but... I’m not taking off points for that because that was partially the point of the character and partially because it’s an mlp character. A large number of canonical characters are basically two-color designs.

Details: 6/10

Again, Rusty is supposed to be a very plain and unassuming character, with a bit of a laissez-faire attitude, which is conveyed a lot in the eyes. But there’s more to Rusty, and I did something of a poor job conveying that, in his posture and the style of his hair, which looks a bit more “betty boop” than “naturally tussled.”

Shapes: 3/10

The shapes are all kinds of unappealing, especially in the hooves that look like spades. His head shape is especially off, and there’s very little variation to the main body shapes. Nor is there really a definable central shape to really give him a unique silhouette--despite the fact that he’s supposed to be unassuming. Unassuming =/= homogenous.

Rhythm: 4/10

Again, not great. Not the worst, but not great. The hooves and mane are too small to counteract the size of Rusty’s head.This is giving him a very heavy imbalance to his front, like he’s going to topple forward. In addition we don’t see a lot of straight-curve contrast, ending up with him looking kind of disjointed. Additionally, the rhythm of his hair locks looks too even, creating a sense of artificiality. Very rarely are organic things evenly spread out. 

Overall: 25/50

According to American grading systems, this is a fail. Everywhere else that isn’t weird, that’s middling. Overall a somewhat bland design for a character who, while subtle, is not supposed to be bland. Hot, unassuming, but not bland. In addition there are some proportion problems that kind of throw the design off. 

My suggestions for myself would be to figure out a main shape for his body, a theme, and work around that--which I do know, since this ref is so old and I’ve made subconscious changes. I’ve made his mane more bottom-heavy, decreased the number of fly-away locks, increased the fullness of his tail, and the size of his hooves. And simplified the shape of his head, taking away the slope and giving it a more direct angle. I’ve also made the eyebrows thicker, giving them only one gap instead of two. And then decreased the saturation of the mane, tail, and eyes. And chose different colors all together for his eyes.

Obviously, the color palette CAN work, just look at pumpkins! It just needs some finagling to be easier to look at--and easier to place into backgrounds.

[webbygraphic001]

7 Ways to Design at Lightning Speed (and Still Be Good)

Some of the world’s best designers – and even the best designers where you work – all have something in common: Many of them know how to work at lightning speed. And the work is still good.

While part of this speed work comes with experience, some of it is comes back to solid work habits and great time management. Working quickly and efficiently can be great for helping you make good with the boss, and for freelancers, taking care of tasks quickly can result in the ability to take more jobs (and increase your earning potential).

So how do you get faster without sacrificing quality? Here are seven tips that you can start using today.

1. Create Shortcuts and Styles

No matter what software or tools you prefer, a set of basic libraries, styles and presets will make your life easy. That’s not to say you use the exact specification for every project, but it establishes a starting point so that you can switch fonts, colors or layouts with just a click.

One of the first things you can do is establish a set of universal quick, or shortcut, keys for all programs you commonly use. (I love the “Duplicate” function, but every piece of software uses a different keystroke combination; I always create my own cmd+d, so that the command is universal and not clunky.)

Take this a step further and create basic styles for common text bits – body text, headlines, subheads, captions, quotes – with quick keys. Then when you need to change a font, size or color, styling is universal. (This can make work in Adobe products a breeze and can dramatically speed up the prototyping process before the first line of code is even written.)

2. Organize Consistently

There’s no right or wrong way to organize your design files. (We aren’t getting into that here.) What matters is that you have a consistent system for how you do it.

If you organize files in the same manner every time, using folders, layers or labelling, then you will always know where to find things as you move through iterations of the design. Other members of your team will appreciate this consistency as well, because it will make it easier for them to use your projects as well, while understanding the filing system.

This applies both to how you organize objects and information within files and how you create and use folders outside of the actual project file.

3. Have a Go-To List of Typefaces

For the projects that don’t come with a set of typography specifications, it can help to have a short list of go-to typefaces to jumpstart projects. Your arsenal should include a couple of serifs, and few sans serifs and one or two novelty or script options for special use.

You won’t always end up using typefaces from this “de facto palette,” but it will get you moving quickly on the overall design outline. It will help provide a starting point for font pairing combinations that you can actually show a client almost immediately (and get a feel for how they react to those type styles).

Bonus tip: This concept works great for color palettes, too.

4. How to Use the Right Tools

Using the right tools for the job can make all the difference in the world (and prevent a lot of rework later). Think of how many times you’ve come across a logo in a raster format when the right tool is vector-based software, such as Adobe Illustrator.

This applies to every aspect of design work, both for online projects and printed materials. As a general rule, anything that’s part of a branding scheme or might be needed for multiple uses (logos, characters, iconography) should be designed in a vector format. You can also scale it down or save other files types, but you can’t go from a gif to a scalable image. One time use objects and elements can be designed using small, raster formats or with CSS tools.

Remember, no matter what file format you need for the final version, save everything in a native file for easy access later. Native files are a lot easier to edit and adjust. 

5. Use Premade Parts

Repeat after me – you do not have to create everything from scratch to be a good designer. Particularly when it comes to website projects, use available kits and tools as appropriate to speed up workflows. Most buttons don’t look that dramatically different; it’s ok to start with a kit that includes buttons, icons or other user interface elements. And it will save you a lot of time.

If you plan to use some premade parts of kits, invest in a high-quality option that’s easy for you to edit and adjust. A set of buttons won’t do you any good if the colors or fonts can’t be altered. (While you are looking for user interface kits to help you get moving quickly, grab a couple of nice mockups as well. Clients love seeing their projects displayed in this manner.)

6. Cut Out the Clutter

A clean workspace makes for a happy designer. Cutting the clutter comes in two phases when it comes to your digital space:

Keep files and folder clean and free of old versions or materials that aren’t going to be used. Project files and folders should only contain usable materials. If you want to store older versions, set aside a specific location for those elements.

Clean your computer of distractions so that you can work without checking email or Facebook or getting lost in shopping online. (Admit it; this has happened to everyone.) When a project is pressing or even if you are just “feeling it,” turn everything else on your computer off (especially those pesky notifications) so you can focus on the work at hand. You’ll finish sooner and then have time for all that extracurricular activity.

7. Start in Black and White

Every good website starts with a solid wireframe. That mantra can apply to the design of any element. Whether you start with a sketch on paper or screen, a black and white outline can be the first step to creating something with plenty of practical application.

Used as a tenet of logo design, a black and white concept is something most projects will need to include at some point anyway. (You might need to use the design in single color printing or all white over a hero header image.)

You’ll end up doing a lot of backtracking if your design won’t work in these ways. An efficient process starts with black and white and then color and details are added once the black and white concept is finalized. 

Conclusion

Ready to get faster? Start at the top of this list and work through the tips until you are starting to shave time off design projects. The key to working at lightning speed (and staying good) is focus. There are so many distractions that take us away from good processes and work practices, go back to the basics to get reacquainted with good workflows.

And good luck. Becoming a quicker designer takes time and patience. Give yourself room to grow.

Creative Commons photos in this article are from Unsplash.

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